UPC · Release
Lorin Maazel
Last verified:
The UPC for “Lorin Maazel: Great Recordings” by Lorin Maazel is 886979323827. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Sony Classical. This release contains 267 tracks, each with its own ISRC. Tracks include USSM10502175, USSM10502176, USSM10502177.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto: Allegro con brio | — | ||
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | — | ||
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio: Allegro molto e vivace | — | ||
| 5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo | — | ||
| 6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso | — | ||
| 7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro | — | ||
| 8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro | — | ||
| 9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto | — | ||
| 2-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto; Allegro con brio | — | ||
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 2-3 | Symphony no. 2 in D major, op. 36: III. Scherzo | — | ||
| 2-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 2-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto; Vivace | — | ||
| 2-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 2-7 | Symphony no. 7 in A major, op. 92: III. Presto | — | ||
| 2-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 3-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 3-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funèbre: Adagio assai | — | ||
| 3-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo: Allegro vivace | — | ||
| 3-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | — | ||
| 3-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 3-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 3-7 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | — | ||
| 3-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 4-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace | — | ||
| 4-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 4-3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | — | ||
| 4-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 4-5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-6 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 4-7 | Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro | — | ||
| 4-8 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 4-9 | Fidelio Overture, op. 72 | — | ||
| 5-1 | Symphony no. 9 in D minor ('Choral'), op. 125: I. Allegro ma non troppo | Cleveland Orchestra, Lorin Maazel | — | |
| 5-2 | Symphony no. 9 in D minor ('Choral'), op. 125: II. Molto vivace | Cleveland Orchestra, Lorin Maazel | — | |
| 5-3 | Symphony no. 9 in D minor ('Choral'), op. 125: III. Adagio molto e cantabile | Cleveland Orchestra, Lorin Maazel | — | |
| 5-4 | Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai | Robert Page, The Cleveland Orchestra Chorus, Елена Образцова, Lucia Popp, Martti Talvela, Jon Vickers, Cleveland Orchestra, Lorin Maazel | — | |
| 5-5 | Egmont Overture, op. 84 | The Cleveland Orchestra, Lorin Maazel | T-901.164.507-1 | |
| 6-1 | Capriccio Italien, op. 45 | — | ||
| 6-2 | Overture 1812, op. 49 “Ouverture solennelle” | — | ||
| 6-3 | Wellington's Victory, op. 91: Drums and Trumpets on the English Side | — | ||
| 6-4 | Wellington's Victory, op. 91: Marcia: Rule Britannia | — | ||
| 6-5 | Wellington's Victory, op. 91: Drums and Trumpets on the French Side | — | ||
| 6-6 | Wellington's Victory, op. 91: Marcia: Marlborough | — | ||
| 6-7 | Wellington's Victory, op. 91: Invitation and Response | — | ||
| 6-8 | Wellington's Victory, op. 91: Battle | — | ||
| 6-9 | Wellington's Victory, op. 91: Storm; March | — | ||
| 6-10 | Wellington's Victory, op. 91: Victory Symphony | — | ||
| 6-11 | The Battle of the Huns | — | ||
| 7-1 | Symphonie Fantastique, op. 14: I. Dreams, Passions | The Cleveland Orchestra, Lorin Maazel | — | |
| 7-2 | Symphonie Fantastique, op. 14: II. A Ball | The Cleveland Orchestra, Lorin Maazel | — | |
| 7-3 | Symphonie Fantastique, op. 14: III. Scene in the Meadows | The Cleveland Orchestra, Lorin Maazel | — | |
| 7-4 | Symphonie Fantastique, op. 14: IV. March to the Scaffold | The Cleveland Orchestra, Lorin Maazel | — | |
| 7-5 | Symphonie Fantastique, op. 14: V. Dream of a Witches' Sabbath | The Cleveland Orchestra, Lorin Maazel | — | |
| 8-1 | Jeux | — | ||
| 8-2 | La mer: De l'aube à midi sur la mer | — | ||
| 8-3 | La mer: Jeux de vagues | — | ||
| 8-4 | La mer: Dialogue du vent et de la mer | — | ||
| 8-5 | Nocturnes: Nuages | — | ||
| 8-6 | Nocturnes: Fêtes | — | ||
| 8-7 | Nocturnes: Sirènes | — | ||
| 9-1 | Grand Canyon Suite: Sunrise | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-2 | Grand Canyon Suite: Painted Desert | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-3 | Grand Canyon Suite: On The Trail | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-4 | Grand Canyon Suite: Sunset | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-5 | Grand Canyon Suite: Cloudburst | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-6 | Hero and Leander: Part I: Molto tranquillo | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-7 | Hero and Leander: Part II: Love Scene: Andante espressivo | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-8 | March of the Toys from Babes in Toyland | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-9 | Absinthe Frappe from It Happened in Nordland | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-10 | Because You're You from The Red Mill | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-11 | When You're Away from The Only Girl | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-12 | I Can't do the Sum from Babes in Toyland | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-13 | I'm Falling in Love With Some One from Naughty Marietta | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-14 | Gypsy Love Song from The Fortune Teller | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-15 | Italian Street Song from Naughty Marietta | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-16 | Kiss Me Again from Mlle. Modiste | Pittsburgh Symphony Orchestra, Lorin Maazel | T-914.804.892-4 | |
| 9-17 | The Irish Have a Great Day Tonight from Eileen | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 10-1 | The Planets, op. 32: Mars, the Bringer of War | — | ||
| 10-2 | The Planets, op. 32: Venus, the Bringer of Peace | — | ||
| 10-3 | The Planets, op. 32: Mercury, the Winged Messenger | — | ||
| 10-4 | The Planets, op. 32: Jupiter, the Bringer of Jollity | — | ||
| 10-5 | The Planets, op. 32: Saturn, the Bringer of Old Age | — | ||
| 10-6 | The Planets, op. 32: Uranus, the Magician | — | ||
| 10-7 | The Planets, op. 32: Neptune, the Mystic | — | ||
| 10-8 | Boléro | — | ||
| 11-1 | Symphony no. 1 in D major: I. Langsam, Schleppend | — | ||
| 11-2 | Symphony no. 1 in D major: II. Kräftig bewegt | — | ||
| 11-3 | Symphony no. 1 in D major: III. Feierlich und gemessen | — | ||
| 11-4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | — | ||
| 12-1 | Daphnis et Chloé Suite no. 1 | — | ||
| 12-2 | Daphnis et Chloé Suite no. 2 | — | ||
| 12-3 | Rapsodie espagnole: Prélude à la nuit | — | ||
| 12-4 | Rapsodie espagnole: Malagueña | — | ||
| 12-5 | Rapsodie espagnole: Habanera | — | ||
| 12-6 | Rapsodie espagnole: Feria | — | ||
| 12-7 | La valse | — | ||
| 12-8 | Bolero | Vienna Philharmonic Orchestra, Lorin Maazel | T-003.006.377-4 | |
| 13-1 | Pini di Roma: I. I pini di villa Borghese | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 13-2 | Pini di Roma: II. Pini presso una catacomba | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 13-3 | Pini di Roma: III. I pini del Gianicolo | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 13-4 | Pini di Roma: IV. I pini della via Appia | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.597.196-4 | |
| 13-5 | Fontane di Roma: I. La fontana di Valle Giulia all’alba | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 13-6 | Fontane di Roma: II. La fontana di Tritone al mattino | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 13-7 | Fontane di Roma: III. La fontana di Trevi al meriggio | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 13-8 | Fontane di Roma: IV. La fontana di villa Medici al tramonto | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 13-9 | Feste romane: I. Circenses | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 13-10 | Feste romane: II. Il Giubileo | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 13-11 | Feste romane: III. L’Ottobrata | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 13-12 | Feste romane: IV. La Befana | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 14-1 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": I. Adagio | Anthony Newman, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 14-2 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": II. Poco adagio | Anthony Newman, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 14-3 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": III. Allegro moderato | Anthony Newman, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 14-4 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": IV. Maestoso | Anthony Newman, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 14-5 | Phaéton, op. 39 | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 14-6 | Danse Macabre, op. 40 | Pittsburgh Symphony Orchestra, Lorin Maazel | T-003.008.160-7 | |
| 14-7 | Danse Bacchanale, from Samson et Dalila, Act III | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 15-1 | Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 15-2 | Symphony no. 1 in E minor, op. 39: II. Andante (Ma non troppo lento) | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 15-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 15-4 | Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una Fantasia). Andante | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 15-5 | Symphony no. 7 in C major, op. 105: I. Adagio - Vivacissimo - Adagio - | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 15-6 | Symphony no. 7 in C major, op. 105: I. Allegro molto moderato - Allegro moderato - Presto - Adagio - Largamente molto - Affettuoso | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo - (Attacca) | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-4 | Symphony no. 2 in D major, op. 43: IV. Finale - Allegro moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-5 | Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-6 | Symphony no. 6 in D minor, op. 104: II. Allegretto moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-7 | Symphony no. 6 in D minor, op. 104: III. Poco vivace | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-8 | Symphony no. 6 in D minor, op. 104: IV. Allegro molto - Allegro assai - Doppio piu lento | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-1 | Symphony no. 3 in C major, op. 52: I. Allegro moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-2 | Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-3 | Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (Ma non tanto) | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-4 | The Swan of Tuonela, op. 22 no. 3: Andante molto sostenuto - Meno moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-5 | Karelia Suite, op. 11: I. Intermezzo. Moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-6 | Karelia Suite, op. 11: II. Ballade, Tempo di menuetto - Un poco più lento | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-7 | Karelia Suite, op. 11: III. Alla marcia. Moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-8 | Valse triste, op. 44 no. 1: Lento | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-9 | Finlandia, op. 26: Andante sostenuto - Allegro moderato - Allegro | Pittsburgh Symphony Orchestra, Lorin Maazel | T-910.256.702-2 | |
| 18-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 18-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 18-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 18-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 18-5 | Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 18-6 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 18-7 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 19-1 | Ein Heldenleben, op. 40: Der Held | — | ||
| 19-2 | Ein Heldenleben, op. 40: Des Helden Widersacher | — | ||
| 19-3 | Ein Heldenleben, op. 40: Des Helden Gefährtin | — | ||
| 19-4 | Ein Heldenleben, op. 40: Des Helden Walstatt | — | ||
| 19-5 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | — | ||
| 19-6 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | — | ||
| 20-1 | Sinfonia domestica, op. 53: Thema I: Bewegt | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-2 | Sinfonia domestica, op. 53: Thema II: (Sehr lebhaft) | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-3 | Sinfonia domestica, op. 53: Thema III: (Ruhig) | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-4 | Sinfonia domestica, op. 53: Scherzo (Munter) | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-5 | Sinfonia domestica, op. 53: Mässig langsam (Wiegenlied) | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-6 | Sinfonia domestica, op. 53: Adagio (Langsam) | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-7 | Sinfonia domestica, op. 53: Finale (Sehr lebhaft) | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-8 | Tod und Verklärung, op. 24 | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-1 | Also sprach Zarathustra, op. 30: I. Einleitung | Bavarian Radio Symphony Orchestra, Lorin Maazel | — | |
| 21-2 | Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-3 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-4 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-5 | Also sprach Zarathustra, op. 30: V. Das Grablied | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-6 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-7 | Also sprach Zarathustra, op. 30: VII. Der Genesende | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-8 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-9 | Also sprach Zarathustra, op. 30: IX. Das Nachtwandlerlied | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-10 | Rosenkavalier Suite, op. 59 | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-11 | Don Juan, op. 20 | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | T-801.916.776-2 | |
| 22-1 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 22-2 | Ein Heldenleben, op. 40: Der Held | — | ||
| 22-3 | Ein Heldenleben, op. 40: Des Helden Widersacher | — | ||
| 22-4 | Ein Heldenleben, op. 40: Des Helden Gefährtin | — | ||
| 22-5 | Ein Heldenleben, op. 40: Des Helden Walstatt | — | ||
| 22-6 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | — | ||
| 22-7 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | — | ||
| 23-1 | Eine Alpensinfonie, op. 64: Nacht | — | ||
| 23-2 | Eine Alpensinfonie, op. 64: Sonnenaufgang | — | ||
| 23-3 | Eine Alpensinfonie, op. 64: Der Anstieg | — | ||
| 23-4 | Eine Alpensinfonie, op. 64: Eintritt in de Wald | — | ||
| 23-5 | Eine Alpensinfonie, op. 64: Wanderung neben dem Bache | — | ||
| 23-6 | Eine Alpensinfonie, op. 64: Am Wasserfall | — | ||
| 23-7 | Eine Alpensinfonie, op. 64: Erscheinung | — | ||
| 23-8 | Eine Alpensinfonie, op. 64: Auf blumige Wiesen | — | ||
| 23-9 | Eine Alpensinfonie, op. 64: Auf der Alm | — | ||
| 23-10 | Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | — | ||
| 23-11 | Eine Alpensinfonie, op. 64: Auf dem Gletscher | — | ||
| 23-12 | Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke | — | ||
| 23-13 | Eine Alpensinfonie, op. 64: Auf dem Gipfel | — | ||
| 23-14 | Eine Alpensinfonie, op. 64: Vision | — | ||
| 23-15 | Eine Alpensinfonie, op. 64: Nebel steigen auf | — | ||
| 23-16 | Eine Alpensinfonie, op. 64: Die Sonne | — | ||
| 23-17 | Eine Alpensinfonie, op. 64: Elegie | — | ||
| 23-18 | Eine Alpensinfonie, op. 64: Stille vor dem Sturm | — | ||
| 23-19 | Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg | — | ||
| 23-20 | Eine Alpensinfonie, op. 64: Sonnenintergang | — | ||
| 23-21 | Eine Alpensinfonie, op. 64: Aukslang | — | ||
| 23-22 | Eine Alpensinfonie, op. 64: Nacht | — | ||
| 23-23 | Macbeth, op. 23: Allegro, un poco maestoso – Presto | — | ||
| 23-24 | Macbeth, op. 23: Moderato maestoso | — | ||
| 23-25 | Macbeth, op. 23: Allegro, un poco maestoso | — | ||
| 24-1 | Pétrouchka (Scenes burlesques en quatre tableaux): Premier Tableau | — | ||
| 24-2 | Pétrouchka (Scenes burlesques en quatre tableaux): Deuxième Tableau | — | ||
| 24-3 | Pétrouchka (Scenes burlesques en quatre tableaux): Troisième Tableau | — | ||
| 24-4 | Pétrouchka (Scenes burlesques en quatre tableaux): Quatrième Tableau | — | ||
| 24-5 | Le Chant du Rossignol: Presto | — | ||
| 24-6 | Le Chant du Rossignol: Marche chinoise | — | ||
| 24-7 | Le Chant du Rossignol: Chant du Rossignol | — | ||
| 24-8 | Le Chant du Rossignol: Jeu du Rossignol mécanique | — | ||
| 24-9 | Feu d'artifice (Feuerwerk) | — | ||
| 25-1 | Symphony in Three Movements: [without tempo description] | — | ||
| 25-2 | Symphony in Three Movements: Andante – Interlude | — | ||
| 25-3 | Symphony in Three Movements: Con moto | — | ||
| 25-4 | The Soldier’s Tale: Soldier’s March | — | ||
| 25-5 | The Soldier’s Tale: Little Pieces on the Bank of a Stream | — | ||
| 25-6 | The Soldier’s Tale: Pastorale | — | ||
| 25-7 | The Soldier’s Tale: March for the King | — | ||
| 25-8 | The Soldier’s Tale: Little Concert | — | ||
| 25-9 | The Soldier’s Tale: Tango | — | ||
| 25-10 | The Soldier’s Tale: Valse | — | ||
| 25-11 | The Soldier’s Tale: Ragtime | — | ||
| 25-12 | The Soldier’s Tale: Devil’s Dance | — | ||
| 25-13 | The Soldier’s Tale: Great Choral | — | ||
| 25-14 | The Soldier’s Tale: Triumphal March of the Devil | — | ||
| 25-15 | Symphony of Psalms: Exaudi, orationem meam | — | ||
| 25-16 | Symphony of Psalms: Expectans, expectavi Dominum | — | ||
| 25-17 | Symphony of Psalms: Alleluia, laudate Dominum | — | ||
| 26-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima – Moderato assai, quasi andante – Allegro con anima | — | ||
| 26-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | — | ||
| 26-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo: pizzicato ostinato | — | ||
| 26-4 | Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco | — | ||
| 26-5 | Lieutenant Kijé Suite, op. 60: I. Kije’s Birth | — | ||
| 26-6 | Lieutenant Kijé Suite, op. 60: II. Romance | — | ||
| 26-7 | Lieutenant Kijé Suite, op. 60: III. Kije’s Wedding | — | ||
| 26-8 | Lieutenant Kijé Suite, op. 60: IV. Troika | — | ||
| 26-9 | Lieutenant Kijé Suite, op. 60: V. Kije’s Death | — | ||
| 27-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | — | ||
| 27-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 27-3 | Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato | — | ||
| 27-4 | Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso – Allegro vivace | — | ||
| 27-5 | Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro | — | ||
| 27-6 | Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto | — | ||
| 27-7 | Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta: Non troppo allegro | — | ||
| 27-8 | Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale: Molto vivace | — | ||
| 28-1 | Symphony no. 6 in B minor, op. 74 “Pathetique”: I. Adagio – Allegro non troppo | — | ||
| 28-2 | Symphony no. 6 in B minor, op. 74 “Pathetique”: II. Allegro con grazia | — | ||
| 28-3 | Symphony no. 6 in B minor, op. 74 “Pathetique”: III. Allegro molto vivace | — | ||
| 28-4 | Symphony no. 6 in B minor, op. 74 “Pathetique”: IV. Finale: Adagio lamentoso – Andante | — | ||
| 28-5 | Marche slave, op. 31 | — | ||
| 28-6 | 1812 Overture, op. 49 | — | ||
| 29-1 | Overture from Tannhäuser | — | ||
| 29-2 | Venusberg-Bacchanale from Tannhäuser | — | ||
| 29-3 | Overture from Der fliegende Holländer | — | ||
| 29-4 | Prelude Act I from Lohengrin | — | ||
| 29-5 | Trauermarsch from Götterdämmerung | — | ||
| 29-6 | Prelude from Tristan und Isolde | — | ||
| 29-7 | Isoldes Liebestod from Tristan und Isolde | — | ||
| 30-1 | Overture from Rienzi | — | ||
| 30-2 | Prelude Act III from Lohengrin | — | ||
| 30-3 | Overture from Faust | — | ||
| 30-4 | Prelude from Die Meistersinger von Nürnberg | — | ||
| 30-5 | Siegfried Idyll | — | ||
| 30-6 | Siegfrieds Rheinfart from Götterdämmerung | — |
Identifier Graph
886979323827 is a Universal Product Code (UPC) assigned to Lorin Maazel: Great Recordings by Lorin Maazel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 267 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 5 in E-flat major, op. 82: III. Allegro molto | Pittsburgh Symphony Orchestra, Lorin Maazel | — |
| Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro | Pittsburgh Symphony Orchestra, Lorin Maazel | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Lorin Maazel: Great Recordings” by Lorin Maazel is 886979323827. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Sony Classical. This release contains 267 tracks, each with its own ISRC. Tracks include USSM10502175, USSM10502176, USSM10502177.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto: Allegro con brio | — | ||
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | — | ||
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio: Allegro molto e vivace | — | ||
| 5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo | — | ||
| 6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso | — | ||
| 7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro | — | ||
| 8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro | — | ||
| 9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto | — | ||
| 2-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto; Allegro con brio | — | ||
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 2-3 | Symphony no. 2 in D major, op. 36: III. Scherzo | — | ||
| 2-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 2-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto; Vivace | — | ||
| 2-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 2-7 | Symphony no. 7 in A major, op. 92: III. Presto | — | ||
| 2-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 3-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 3-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funèbre: Adagio assai | — | ||
| 3-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo: Allegro vivace | — | ||
| 3-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | — | ||
| 3-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 3-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 3-7 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | — | ||
| 3-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 4-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace | — | ||
| 4-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 4-3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | — | ||
| 4-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 4-5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-6 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 4-7 | Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro | — | ||
| 4-8 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 4-9 | Fidelio Overture, op. 72 | — | ||
| 5-1 | Symphony no. 9 in D minor ('Choral'), op. 125: I. Allegro ma non troppo | Cleveland Orchestra, Lorin Maazel | — | |
| 5-2 | Symphony no. 9 in D minor ('Choral'), op. 125: II. Molto vivace | Cleveland Orchestra, Lorin Maazel | — | |
| 5-3 | Symphony no. 9 in D minor ('Choral'), op. 125: III. Adagio molto e cantabile | Cleveland Orchestra, Lorin Maazel | — | |
| 5-4 | Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai | Robert Page, The Cleveland Orchestra Chorus, Елена Образцова, Lucia Popp, Martti Talvela, Jon Vickers, Cleveland Orchestra, Lorin Maazel | — | |
| 5-5 | Egmont Overture, op. 84 | The Cleveland Orchestra, Lorin Maazel | T-901.164.507-1 | |
| 6-1 | Capriccio Italien, op. 45 | — | ||
| 6-2 | Overture 1812, op. 49 “Ouverture solennelle” | — | ||
| 6-3 | Wellington's Victory, op. 91: Drums and Trumpets on the English Side | — | ||
| 6-4 | Wellington's Victory, op. 91: Marcia: Rule Britannia | — | ||
| 6-5 | Wellington's Victory, op. 91: Drums and Trumpets on the French Side | — | ||
| 6-6 | Wellington's Victory, op. 91: Marcia: Marlborough | — | ||
| 6-7 | Wellington's Victory, op. 91: Invitation and Response | — | ||
| 6-8 | Wellington's Victory, op. 91: Battle | — | ||
| 6-9 | Wellington's Victory, op. 91: Storm; March | — | ||
| 6-10 | Wellington's Victory, op. 91: Victory Symphony | — | ||
| 6-11 | The Battle of the Huns | — | ||
| 7-1 | Symphonie Fantastique, op. 14: I. Dreams, Passions | The Cleveland Orchestra, Lorin Maazel | — | |
| 7-2 | Symphonie Fantastique, op. 14: II. A Ball | The Cleveland Orchestra, Lorin Maazel | — | |
| 7-3 | Symphonie Fantastique, op. 14: III. Scene in the Meadows | The Cleveland Orchestra, Lorin Maazel | — | |
| 7-4 | Symphonie Fantastique, op. 14: IV. March to the Scaffold | The Cleveland Orchestra, Lorin Maazel | — | |
| 7-5 | Symphonie Fantastique, op. 14: V. Dream of a Witches' Sabbath | The Cleveland Orchestra, Lorin Maazel | — | |
| 8-1 | Jeux | — | ||
| 8-2 | La mer: De l'aube à midi sur la mer | — | ||
| 8-3 | La mer: Jeux de vagues | — | ||
| 8-4 | La mer: Dialogue du vent et de la mer | — | ||
| 8-5 | Nocturnes: Nuages | — | ||
| 8-6 | Nocturnes: Fêtes | — | ||
| 8-7 | Nocturnes: Sirènes | — | ||
| 9-1 | Grand Canyon Suite: Sunrise | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-2 | Grand Canyon Suite: Painted Desert | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-3 | Grand Canyon Suite: On The Trail | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-4 | Grand Canyon Suite: Sunset | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-5 | Grand Canyon Suite: Cloudburst | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-6 | Hero and Leander: Part I: Molto tranquillo | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-7 | Hero and Leander: Part II: Love Scene: Andante espressivo | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 9-8 | March of the Toys from Babes in Toyland | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-9 | Absinthe Frappe from It Happened in Nordland | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-10 | Because You're You from The Red Mill | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-11 | When You're Away from The Only Girl | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-12 | I Can't do the Sum from Babes in Toyland | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-13 | I'm Falling in Love With Some One from Naughty Marietta | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-14 | Gypsy Love Song from The Fortune Teller | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-15 | Italian Street Song from Naughty Marietta | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 9-16 | Kiss Me Again from Mlle. Modiste | Pittsburgh Symphony Orchestra, Lorin Maazel | T-914.804.892-4 | |
| 9-17 | The Irish Have a Great Day Tonight from Eileen | Pittsburgh Symphony Orchestra, Lorin Maazel | T-070.195.987-6 | |
| 10-1 | The Planets, op. 32: Mars, the Bringer of War | — | ||
| 10-2 | The Planets, op. 32: Venus, the Bringer of Peace | — | ||
| 10-3 | The Planets, op. 32: Mercury, the Winged Messenger | — | ||
| 10-4 | The Planets, op. 32: Jupiter, the Bringer of Jollity | — | ||
| 10-5 | The Planets, op. 32: Saturn, the Bringer of Old Age | — | ||
| 10-6 | The Planets, op. 32: Uranus, the Magician | — | ||
| 10-7 | The Planets, op. 32: Neptune, the Mystic | — | ||
| 10-8 | Boléro | — | ||
| 11-1 | Symphony no. 1 in D major: I. Langsam, Schleppend | — | ||
| 11-2 | Symphony no. 1 in D major: II. Kräftig bewegt | — | ||
| 11-3 | Symphony no. 1 in D major: III. Feierlich und gemessen | — | ||
| 11-4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | — | ||
| 12-1 | Daphnis et Chloé Suite no. 1 | — | ||
| 12-2 | Daphnis et Chloé Suite no. 2 | — | ||
| 12-3 | Rapsodie espagnole: Prélude à la nuit | — | ||
| 12-4 | Rapsodie espagnole: Malagueña | — | ||
| 12-5 | Rapsodie espagnole: Habanera | — | ||
| 12-6 | Rapsodie espagnole: Feria | — | ||
| 12-7 | La valse | — | ||
| 12-8 | Bolero | Vienna Philharmonic Orchestra, Lorin Maazel | T-003.006.377-4 | |
| 13-1 | Pini di Roma: I. I pini di villa Borghese | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 13-2 | Pini di Roma: II. Pini presso una catacomba | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 13-3 | Pini di Roma: III. I pini del Gianicolo | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 13-4 | Pini di Roma: IV. I pini della via Appia | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.597.196-4 | |
| 13-5 | Fontane di Roma: I. La fontana di Valle Giulia all’alba | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 13-6 | Fontane di Roma: II. La fontana di Tritone al mattino | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 13-7 | Fontane di Roma: III. La fontana di Trevi al meriggio | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 13-8 | Fontane di Roma: IV. La fontana di villa Medici al tramonto | Pittsburgh Symphony Orchestra, Lorin Maazel | T-902.294.706-4 | |
| 13-9 | Feste romane: I. Circenses | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 13-10 | Feste romane: II. Il Giubileo | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 13-11 | Feste romane: III. L’Ottobrata | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 13-12 | Feste romane: IV. La Befana | Pittsburgh Symphony Orchestra, Lorin Maazel | T-309.480.518-8 | |
| 14-1 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": I. Adagio | Anthony Newman, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 14-2 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": II. Poco adagio | Anthony Newman, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 14-3 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": III. Allegro moderato | Anthony Newman, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 14-4 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": IV. Maestoso | Anthony Newman, Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 14-5 | Phaéton, op. 39 | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 14-6 | Danse Macabre, op. 40 | Pittsburgh Symphony Orchestra, Lorin Maazel | T-003.008.160-7 | |
| 14-7 | Danse Bacchanale, from Samson et Dalila, Act III | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 15-1 | Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 15-2 | Symphony no. 1 in E minor, op. 39: II. Andante (Ma non troppo lento) | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 15-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 15-4 | Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una Fantasia). Andante | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 15-5 | Symphony no. 7 in C major, op. 105: I. Adagio - Vivacissimo - Adagio - | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 15-6 | Symphony no. 7 in C major, op. 105: I. Allegro molto moderato - Allegro moderato - Presto - Adagio - Largamente molto - Affettuoso | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo - (Attacca) | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-4 | Symphony no. 2 in D major, op. 43: IV. Finale - Allegro moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-5 | Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-6 | Symphony no. 6 in D minor, op. 104: II. Allegretto moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-7 | Symphony no. 6 in D minor, op. 104: III. Poco vivace | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 16-8 | Symphony no. 6 in D minor, op. 104: IV. Allegro molto - Allegro assai - Doppio piu lento | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-1 | Symphony no. 3 in C major, op. 52: I. Allegro moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-2 | Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-3 | Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (Ma non tanto) | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-4 | The Swan of Tuonela, op. 22 no. 3: Andante molto sostenuto - Meno moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-5 | Karelia Suite, op. 11: I. Intermezzo. Moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-6 | Karelia Suite, op. 11: II. Ballade, Tempo di menuetto - Un poco più lento | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-7 | Karelia Suite, op. 11: III. Alla marcia. Moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-8 | Valse triste, op. 44 no. 1: Lento | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 17-9 | Finlandia, op. 26: Andante sostenuto - Allegro moderato - Allegro | Pittsburgh Symphony Orchestra, Lorin Maazel | T-910.256.702-2 | |
| 18-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 18-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 18-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 18-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 18-5 | Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 18-6 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 18-7 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto | Pittsburgh Symphony Orchestra, Lorin Maazel | — | |
| 19-1 | Ein Heldenleben, op. 40: Der Held | — | ||
| 19-2 | Ein Heldenleben, op. 40: Des Helden Widersacher | — | ||
| 19-3 | Ein Heldenleben, op. 40: Des Helden Gefährtin | — | ||
| 19-4 | Ein Heldenleben, op. 40: Des Helden Walstatt | — | ||
| 19-5 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | — | ||
| 19-6 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | — | ||
| 20-1 | Sinfonia domestica, op. 53: Thema I: Bewegt | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-2 | Sinfonia domestica, op. 53: Thema II: (Sehr lebhaft) | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-3 | Sinfonia domestica, op. 53: Thema III: (Ruhig) | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-4 | Sinfonia domestica, op. 53: Scherzo (Munter) | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-5 | Sinfonia domestica, op. 53: Mässig langsam (Wiegenlied) | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-6 | Sinfonia domestica, op. 53: Adagio (Langsam) | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-7 | Sinfonia domestica, op. 53: Finale (Sehr lebhaft) | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 20-8 | Tod und Verklärung, op. 24 | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-1 | Also sprach Zarathustra, op. 30: I. Einleitung | Bavarian Radio Symphony Orchestra, Lorin Maazel | — | |
| 21-2 | Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-3 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-4 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-5 | Also sprach Zarathustra, op. 30: V. Das Grablied | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-6 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-7 | Also sprach Zarathustra, op. 30: VII. Der Genesende | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-8 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-9 | Also sprach Zarathustra, op. 30: IX. Das Nachtwandlerlied | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-10 | Rosenkavalier Suite, op. 59 | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | — | |
| 21-11 | Don Juan, op. 20 | Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | T-801.916.776-2 | |
| 22-1 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 22-2 | Ein Heldenleben, op. 40: Der Held | — | ||
| 22-3 | Ein Heldenleben, op. 40: Des Helden Widersacher | — | ||
| 22-4 | Ein Heldenleben, op. 40: Des Helden Gefährtin | — | ||
| 22-5 | Ein Heldenleben, op. 40: Des Helden Walstatt | — | ||
| 22-6 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | — | ||
| 22-7 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | — | ||
| 23-1 | Eine Alpensinfonie, op. 64: Nacht | — | ||
| 23-2 | Eine Alpensinfonie, op. 64: Sonnenaufgang | — | ||
| 23-3 | Eine Alpensinfonie, op. 64: Der Anstieg | — | ||
| 23-4 | Eine Alpensinfonie, op. 64: Eintritt in de Wald | — | ||
| 23-5 | Eine Alpensinfonie, op. 64: Wanderung neben dem Bache | — | ||
| 23-6 | Eine Alpensinfonie, op. 64: Am Wasserfall | — | ||
| 23-7 | Eine Alpensinfonie, op. 64: Erscheinung | — | ||
| 23-8 | Eine Alpensinfonie, op. 64: Auf blumige Wiesen | — | ||
| 23-9 | Eine Alpensinfonie, op. 64: Auf der Alm | — | ||
| 23-10 | Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | — | ||
| 23-11 | Eine Alpensinfonie, op. 64: Auf dem Gletscher | — | ||
| 23-12 | Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke | — | ||
| 23-13 | Eine Alpensinfonie, op. 64: Auf dem Gipfel | — | ||
| 23-14 | Eine Alpensinfonie, op. 64: Vision | — | ||
| 23-15 | Eine Alpensinfonie, op. 64: Nebel steigen auf | — | ||
| 23-16 | Eine Alpensinfonie, op. 64: Die Sonne | — | ||
| 23-17 | Eine Alpensinfonie, op. 64: Elegie | — | ||
| 23-18 | Eine Alpensinfonie, op. 64: Stille vor dem Sturm | — | ||
| 23-19 | Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg | — | ||
| 23-20 | Eine Alpensinfonie, op. 64: Sonnenintergang | — | ||
| 23-21 | Eine Alpensinfonie, op. 64: Aukslang | — | ||
| 23-22 | Eine Alpensinfonie, op. 64: Nacht | — | ||
| 23-23 | Macbeth, op. 23: Allegro, un poco maestoso – Presto | — | ||
| 23-24 | Macbeth, op. 23: Moderato maestoso | — | ||
| 23-25 | Macbeth, op. 23: Allegro, un poco maestoso | — | ||
| 24-1 | Pétrouchka (Scenes burlesques en quatre tableaux): Premier Tableau | — | ||
| 24-2 | Pétrouchka (Scenes burlesques en quatre tableaux): Deuxième Tableau | — | ||
| 24-3 | Pétrouchka (Scenes burlesques en quatre tableaux): Troisième Tableau | — | ||
| 24-4 | Pétrouchka (Scenes burlesques en quatre tableaux): Quatrième Tableau | — | ||
| 24-5 | Le Chant du Rossignol: Presto | — | ||
| 24-6 | Le Chant du Rossignol: Marche chinoise | — | ||
| 24-7 | Le Chant du Rossignol: Chant du Rossignol | — | ||
| 24-8 | Le Chant du Rossignol: Jeu du Rossignol mécanique | — | ||
| 24-9 | Feu d'artifice (Feuerwerk) | — | ||
| 25-1 | Symphony in Three Movements: [without tempo description] | — | ||
| 25-2 | Symphony in Three Movements: Andante – Interlude | — | ||
| 25-3 | Symphony in Three Movements: Con moto | — | ||
| 25-4 | The Soldier’s Tale: Soldier’s March | — | ||
| 25-5 | The Soldier’s Tale: Little Pieces on the Bank of a Stream | — | ||
| 25-6 | The Soldier’s Tale: Pastorale | — | ||
| 25-7 | The Soldier’s Tale: March for the King | — | ||
| 25-8 | The Soldier’s Tale: Little Concert | — | ||
| 25-9 | The Soldier’s Tale: Tango | — | ||
| 25-10 | The Soldier’s Tale: Valse | — | ||
| 25-11 | The Soldier’s Tale: Ragtime | — | ||
| 25-12 | The Soldier’s Tale: Devil’s Dance | — | ||
| 25-13 | The Soldier’s Tale: Great Choral | — | ||
| 25-14 | The Soldier’s Tale: Triumphal March of the Devil | — | ||
| 25-15 | Symphony of Psalms: Exaudi, orationem meam | — | ||
| 25-16 | Symphony of Psalms: Expectans, expectavi Dominum | — | ||
| 25-17 | Symphony of Psalms: Alleluia, laudate Dominum | — | ||
| 26-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima – Moderato assai, quasi andante – Allegro con anima | — | ||
| 26-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | — | ||
| 26-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo: pizzicato ostinato | — | ||
| 26-4 | Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco | — | ||
| 26-5 | Lieutenant Kijé Suite, op. 60: I. Kije’s Birth | — | ||
| 26-6 | Lieutenant Kijé Suite, op. 60: II. Romance | — | ||
| 26-7 | Lieutenant Kijé Suite, op. 60: III. Kije’s Wedding | — | ||
| 26-8 | Lieutenant Kijé Suite, op. 60: IV. Troika | — | ||
| 26-9 | Lieutenant Kijé Suite, op. 60: V. Kije’s Death | — | ||
| 27-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | — | ||
| 27-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 27-3 | Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato | — | ||
| 27-4 | Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso – Allegro vivace | — | ||
| 27-5 | Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro | — | ||
| 27-6 | Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto | — | ||
| 27-7 | Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta: Non troppo allegro | — | ||
| 27-8 | Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale: Molto vivace | — | ||
| 28-1 | Symphony no. 6 in B minor, op. 74 “Pathetique”: I. Adagio – Allegro non troppo | — | ||
| 28-2 | Symphony no. 6 in B minor, op. 74 “Pathetique”: II. Allegro con grazia | — | ||
| 28-3 | Symphony no. 6 in B minor, op. 74 “Pathetique”: III. Allegro molto vivace | — | ||
| 28-4 | Symphony no. 6 in B minor, op. 74 “Pathetique”: IV. Finale: Adagio lamentoso – Andante | — | ||
| 28-5 | Marche slave, op. 31 | — | ||
| 28-6 | 1812 Overture, op. 49 | — | ||
| 29-1 | Overture from Tannhäuser | — | ||
| 29-2 | Venusberg-Bacchanale from Tannhäuser | — | ||
| 29-3 | Overture from Der fliegende Holländer | — | ||
| 29-4 | Prelude Act I from Lohengrin | — | ||
| 29-5 | Trauermarsch from Götterdämmerung | — | ||
| 29-6 | Prelude from Tristan und Isolde | — | ||
| 29-7 | Isoldes Liebestod from Tristan und Isolde | — | ||
| 30-1 | Overture from Rienzi | — | ||
| 30-2 | Prelude Act III from Lohengrin | — | ||
| 30-3 | Overture from Faust | — | ||
| 30-4 | Prelude from Die Meistersinger von Nürnberg | — | ||
| 30-5 | Siegfried Idyll | — | ||
| 30-6 | Siegfrieds Rheinfart from Götterdämmerung | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 5 in E-flat major, op. 82: III. Allegro molto | Pittsburgh Symphony Orchestra, Lorin Maazel | — |
| Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro | Pittsburgh Symphony Orchestra, Lorin Maazel | — |
