UPC · Release
Freiburger Barockorchester
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886979370524 is the Universal Product Code (UPC barcode) for the release “Freiburger Barockorchester Edition” by Freiburger Barockorchester, released 2011-01-01 on Deutsche Harmonia Mundi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 183 tracks, each with its own ISRC. Tracks include DEE479300498, DEE479300499, DEE479300510.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduttione 1 D-Dur | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 2 | Introduttione 2 F-Dur | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3 | Sonate D-Dur Op8 No2 1 Adagio | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 4 | Sonate D-Dur Op8 No2 2 Allegro | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 5 | Sonate D-Dur Op8 No2 3 Presto-Lento-Presto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 6 | Introduttione 3 B-Dur | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 7 | Introduttione 4 G-Dur | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 8 | Sonata e-Moll Op5 No2 1 Largo-Andante | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9 | Sonata e-Moll Op5 No2 2 Allegro | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 10 | Sonata e-Moll Op5 No2 3 Allegro | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 11 | Introduttione 5 D-Dur | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 12 | Sonate A-Dur Op8 No10 1 Cantabile | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 13 | Sonate A-Dur Op8 No10 2 Allegro | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 14 | Sonate A-Dur Op8 No10 3 Vivace | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 15 | Introduttione 6 C-Dur | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 2-1 | Ouverture zur Oper ''L'Olimpiade'' | — | ||
| 2-2 | Ouvertüre Suite N°4 D-dur BWV 1069 - Ouvertüre | — | ||
| 2-3 | Ouvertüre Suite N°4 D-dur BWV 1069 - Bouree I & II | — | ||
| 2-4 | Ouvertüre Suite N°4 D-dur BWV 1069 - Gavotte | — | ||
| 2-5 | Ouvertüre Suite N°4 D-dur BWV 1069 - Rejouissance | — | ||
| 2-6 | Streichersinfonie A-dur RV 158 - Allegro molto | — | ||
| 2-7 | Streichersinonfie A-dur RV 158 - Andante molto | — | ||
| 2-8 | Streichersinfonie A-dur RV 158 - Allegro | — | ||
| 2-9 | Sinfonia aus der Kantate 'Am Abend aber desselbigen Sabbats' BWV 42 | — | ||
| 2-10 | Concerto h-mollB minor op3 N°10 für 4 violinen, streicher und Bc - Allegro | — | ||
| 2-11 | Concerto h-mollB minor op3 N°10 für 4 violinen, streicher und Bc - Largo | — | ||
| 2-12 | Concerto h-mollB minor op3 N°10 für 4 violinen, streicher und Bc - Allegro | — | ||
| 2-13 | Concerto BWV 1064 für 3 violinen, streicher und Bc - Allegro | — | ||
| 2-14 | Concerto BWV 1064 für 3 violinen, streicher und Bc - Adagio | — | ||
| 2-15 | Concerto BWV 1064 für 3 violinen, streicher und Bc - Allegro | — | ||
| 3-1 | Orchestral Suite from "Dioclesian": I. Overture | Freiburger Barockorchester, Gottfried von der Goltz | T-902.314.020-7 | |
| 3-2 | Dance (a); "If music be the food" (b) | — | ||
| 3-3 | Dance of Bacchanals (a); Trumpet Tune (b) | — | ||
| 3-4 | Prelude (a); "O how happy" (b); Hornpipe (c) | — | ||
| 3-5 | Orchestral Suite from "Dioclesian": V. Dance of the Furies | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 3-6 | Orchestral Suite from "Dioclesian": VI. First music | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 3-7 | Duet "Lost is my quiet" | — | ||
| 3-8 | Prelude; "Let the soldiers rejoice"; Act tune | — | ||
| 3-9 | Chaconne | — | ||
| 3-10 | Orchestral Suite from "Dioclesian": X. Second Music / Paspe / Chair dance | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 3-11 | "Conterto grosso op 6. No.6": Largo e affettuoso | — | ||
| 3-12 | "Conterto grosso op 6. No.6": A tempo giusto | — | ||
| 3-13 | "Conterto grosso op 6. No.6": Musette - Larghetto | — | ||
| 3-14 | "Conterto grosso op 6. No.6": Allegro | — | ||
| 3-15 | "Conterto grosso op 6. No.6": Allegro | — | ||
| 3-16 | Amarilli Vezzosa, HWV 82: Sonata: Allegro Menuetto | — | ||
| 3-17 | Amarilli Vezzosa, HWV 82: Recitativo "Amarilli vezzosa" | — | ||
| 3-18 | Amarilli Vezzosa, HWV 82: Aria "Pietoso sguardo" | — | ||
| 3-19 | Amarilli Vezzosa, HWV 82: Recitativo "Dunque tanto s'avanza" | — | ||
| 3-20 | Amarilli Vezzosa, HWV 82: Aria "Piacer che non si dona" | — | ||
| 3-21 | Amarilli Vezzosa, HWV 82: Recitativo "Si, si crudel, ti acceta" | — | ||
| 3-22 | Amarilli Vezzosa, HWV 82: Aria "Quel nocchiero" | — | ||
| 3-23 | Amarilli Vezzosa, HWV 82: Recitativo "Amarilli, Amarilli, in vano" | — | ||
| 3-24 | Amarilli Vezzosa, HWV 82: Aria "E vanità d'un cot" | — | ||
| 3-25 | Amarilli Vezzosa, HWV 82: Recitativo "Or sù, già che ostinato" | — | ||
| 3-26 | Amarilli Vezzosa, HWV 82: Aria à 2 con Ritornello "Si, si lasciami, ingrata" | — | ||
| 4-1 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": Ouverture | — | ||
| 4-2 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": La Reveil de Quixotte | — | ||
| 4-3 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": Son Attaque des Moulins à Vent (Tres vite) | — | ||
| 4-4 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": Ses soupirs amoureux après la Princesse Dulcinée | — | ||
| 4-5 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": Sanche Panse berné | — | ||
| 4-6 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": Le Galope de Rosinante Celui d'Ane de Sanche Panse | — | ||
| 4-7 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": Le Couché de Quixote | — | ||
| 4-8 | Overture for 2 Recorders, Strings and Continuo in F minor: Ouverture | — | ||
| 4-9 | Overture for 2 Recorders, Strings and Continuo in F minor: Menuet I & II | — | ||
| 4-10 | Overture for 2 Recorders, Strings and Continuo in F minor: Rondeau | — | ||
| 4-11 | Overture for 2 Recorders, Strings and Continuo in F minor: Sarabande | — | ||
| 4-12 | Overture for 2 Recorders, Strings and Continuo in F minor: Passepied | — | ||
| 4-13 | Overture for 2 Recorders, Strings and Continuo in F minor: Plainte | — | ||
| 4-14 | Overture for 2 Recorders, Strings and Continuo in F minor: Allemande | — | ||
| 4-15 | Overture for 2 Recorders, Strings and Continuo in F minor: Chaconne | — | ||
| 4-16 | Overture for 2 Recorders, Strings and Continuo in F minor: Gigue | — | ||
| 4-17 | Concerto à 7 in E minor: I. Andante | — | ||
| 4-18 | Concerto à 7 in E minor: II. Allegro | — | ||
| 4-19 | Concerto à 7 in E minor: III. Adagio | — | ||
| 4-20 | Concerto à 7 in E minor: IV. Vivace | — | ||
| 4-21 | Overture for 3 Oboes, Strings and Continuo in D major: Ouverture | — | ||
| 4-22 | Overture for 3 Oboes, Strings and Continuo in D major: Prelude | — | ||
| 4-23 | Overture for 3 Oboes, Strings and Continuo in D major: Gigue | — | ||
| 4-24 | Overture for 3 Oboes, Strings and Continuo in D major: Menuet I & II | — | ||
| 4-25 | Overture for 3 Oboes, Strings and Continuo in D major: Harlequinade | — | ||
| 4-26 | Overture for 3 Oboes, Strings and Continuo in D major: Loure | — | ||
| 4-27 | Overture for 3 Oboes, Strings and Continuo in D major: Rondeau | — | ||
| 4-28 | Overture for 3 Oboes, Strings and Continuo in D major: Rejouissance | — | ||
| 5-1 | ''Hipocondrie'' à 7 concertanti in A major, ZWV 187 | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-2 | Concerto in D major: Vivace | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-3 | Concerto in D major: Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-4 | Concerto in D major: Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-5 | Concerto à 8 concertanti in G major, ZWV 186: Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-6 | Concerto à 8 concertanti in G major, ZWV 186: Largo | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-7 | Concerto à 8 concertanti in G major, ZWV 186: Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-8 | Sonata in C minor: Largo | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-9 | Sonata in C minor: Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-10 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: [] | Freiburger Barockorchester, Gottfried von der Goltz | T-106.550.241-0 | |
| 5-11 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-12 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Capriccio. Tempo di gavotta | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-13 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Menuet I & II | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-14 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Menuet I & II | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 6-1 | Sonata No1 a 8 C-Dur | — | ||
| 6-2 | Sonata No6 a 5 F-Dur | — | ||
| 6-3 | Sonata No4 a 5 C-Dur | — | ||
| 6-4 | Sonata a 3 con Organo et Violone h-Moll | — | ||
| 6-5 | Sonata a 2 con Bc a-Moll | — | ||
| 6-6 | Lamento sopra la morte Ferdinandi a 3 con Organo et Basso h-Moll | — | ||
| 6-7 | Sonata No8 a 5 C-Dur | — | ||
| 6-8 | Sonata No10 a 5 g-Moll | — | ||
| 6-9 | Sonata No7 a 5 C-Dur | — | ||
| 6-10 | Sonata a 2 con Bc d-Moll | — | ||
| 6-11 | Lamento a 3 con Bc B-Dur | — | ||
| 6-12 | Harmonia a 5 con Bc D-Dur | — | ||
| 6-13 | Sonata No12 a 8 C-Dur | — | ||
| 7-1 | Concerto primo Introducione, for Strings and Basso continuo in G major, op. 1 no. 1 "Concerti da chiesa e da camera": Largo spico - Allegro assai - Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-2 | Concerto secondo, for Violin obligato, Strings and Basso continuo in D major, op. 1 no. 2 "Concerti da chiesa e da camera": I. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-3 | Concerto secondo, for Violin obligato, Strings and Basso continuo in D major, op. 1 no. 2 "Concerti da chiesa e da camera": II. Adagio | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-4 | Concerto secondo, for Violin obligato, Strings and Basso continuo in D major, op. 1 no. 2 "Concerti da chiesa e da camera": III. Spirituoso | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-5 | Concerto terzo, for Strings and Basso continuo in C major, op. 1 no. 3 "Concerti da chiesa e da camera": I. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-6 | Concerto terzo, for Strings and Basso continuo in C major, op. 1 no. 3 "Concerti da chiesa e da camera": II. Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-7 | Concerto terzo, for Strings and Basso continuo in C major, op. 1 no. 3 "Concerti da chiesa e da camera": III. Allegro Assai | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-8 | Concerto quarto, for Violin obligato, Strings and Basso continuo in C minor, op. 1 no. 4 "Concerti da chiesa e da camera": II. Andante ma Larghetto | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-9 | Concerto quarto, for Violin obligato, Strings and Basso continuo in C minor, op. 1 no. 4 "Concerti da chiesa e da camera": II. Andante ma Larghetto | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-10 | Concerto quarto, for Violin obligato, Strings and Basso continuo in C minor, op. 1 no. 4 "Concerti da chiesa e da camera": III. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-11 | Concerto quinto, for Strings and Basso continuo in E major, op. 1 no. 5 "Concerti da chiesa e da camera": I. Largo - Allegro ma Aperto | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-12 | Concerto quinto, for Strings and Basso continuo in E major, op. 1 no. 5 "Concerti da chiesa e da camera": II. Andante e Spico - Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-13 | Concerto sesto, for Violin obligato, Strings and Basso continuo in A major, op. 1 no. 6 "Concerti da chiesa e da camera": I. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-14 | Concerto sesto, for Violin obligato, Strings and Basso continuo in A major, op. 1 no. 6 "Concerti da chiesa e da camera": II. Adagio | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-15 | Concerto sesto, for Violin obligato, Strings and Basso continuo in A major, op. 1 no. 6 "Concerti da chiesa e da camera": III. Vivace | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-1 | Concerto settimo Teatrale, for Strings and Basso continuo in B-flat major, op. 1 no. 7 "Concerti da chiesa e da camera": I. Vivace | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-2 | Concerto settimo Teatrale, for Strings and Basso continuo in B-flat major, op. 1 no. 7 "Concerti da chiesa e da camera": II. Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-3 | Concerto settimo Teatrale, for Strings and Basso continuo in B-flat major, op. 1 no. 7 "Concerti da chiesa e da camera": III. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-4 | Concerto ottavo, for Violin obligato, Strings and Basso continuo in E-flat major, op. 1 no. 8 "Concerti da chiesa e da camera": I. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-5 | Concerto ottavo, for Violin obligato, Strings and Basso continuo in E-flat major, op. 1 no. 8 "Concerti da chiesa e da camera": II. Adagio | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-6 | Concerto ottavo, for Violin obligato, Strings and Basso continuo in E-flat major, op. 1 no. 8 "Concerti da chiesa e da camera": III. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-7 | Concerto nono Teatrale, for Strings and Basso continuo in F major, op. 1 no. 9 "Concerti da chiesa e da camera": I. Allegro a Spico | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-8 | Concerto nono Teatrale, for Strings and Basso continuo in F major, op. 1 no. 9 "Concerti da chiesa e da camera": I. Allegro a Spico | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-9 | Concerto nono Teatrale, for Strings and Basso continuo in F major, op. 1 no. 9 "Concerti da chiesa e da camera": III. Presto | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-10 | Concerto decimo a Pastorale, for 2 Violini obligati, Strings and Basso Continuo in D major, op. 1 no. 10 "Concerti da chiesa e da camera": I. Grave - Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-11 | Concerto decimo a Pastorale, for 2 Violini obligati, Strings and Basso Continuo in D major, op. 1 no. 10 "Concerti da chiesa e da camera": II. Largo - Pastorale | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-12 | Concerto undecimo, for Strings and Basso continuo in G minor, op. 1 no. 11 "Concerti da chiesa e da camera": I. Spirituoso | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-13 | Concerto undecimo, for Strings and Basso continuo in G minor, op. 1 no. 11 "Concerti da chiesa e da camera": II. Andantino - Allegro ma non tanto presto | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-14 | Concerto duodecimo a Tempesta di Mare, for Violin obligato, Strings and Basso continuo in G major, op. 1 no. 12 "Concerti da chiesa e da camera": I. Allegro, e con Spirito | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-15 | Concerto duodecimo a Tempesta di Mare, for Violin obligato, Strings and Basso continuo in G major, op. 1 no. 12 "Concerti da chiesa e da camera": II. Adagio, e piano (Navicella in calma) | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-16 | Concerto duodecimo a Tempesta di Mare, for Violin obligato, Strings and Basso continuo in G major, op. 1 no. 12 "Concerti da chiesa e da camera": III. Allegro ma Aperto (Tempesta) | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 9-1 | Sinfonie C-Dur, Wq 182/3 (H 659): I. Allegro assai | Freiburger Barockorchester, Thomas Hengelbrock | T-306.395.786-4 | |
| 9-2 | Sinfonie C-Dur, Wq 182/3 (H 659): II. Adagio | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-3 | Sinfonie C-Dur, Wq 182/3 (H 659): III. Allegretto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-4 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): I. Allegro assai | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | T-306.395.786-4 | |
| 9-5 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): II. Poco adagio | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-6 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): III. Tempo di minuetto | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-7 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): IV. Allegro assai | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | T-306.395.786-4 | |
| 9-8 | Sinfonie A-Dur, Wq 182/4 (H 660): I. Allegro ma non troppo | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-9 | Sinfonie A-Dur, Wq 182/4 (H 660): II. Largo et innocemente | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-10 | Sinfonie A-Dur, Wq 182/4 (H 660): III. Allegro assai | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-11 | Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): I. Allegro | Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock | T-031.609.609-9 | |
| 9-12 | Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): II. Adagio ma non troppo | Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-13 | Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): III. Allegro ma non troppo | Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-14 | Sinfonie h-moll, Wq 182/5 (H 661): I. Allegretto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-15 | Sinfonie h-moll, Wq 182/5 (H 661): II. Larghetto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-16 | Sinfonie h-moll, Wq 182/5 (H 661): III. Presto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 10-1 | The Fairy Queen: I. Prelude & Hornpipe in g | — | ||
| 10-2 | The Fairy Queen: II. Air & Rondeau in B | — | ||
| 10-3 | The Fairy Queen: III. Overture in D | — | ||
| 10-4 | The Fairy Queen: IV. Prelude & Entry Dance in C, Dance for the Fairies in G | — | ||
| 10-5 | The Fairy Queen: V. Overture in g - Air in G - Prelude in g | — | ||
| 10-6 | The Fairy Queen: VI. Hornpipe in D | — | ||
| 10-7 | The Fairy Queen: VII. Symphony / Canzona-Largo-Allegro-Adagio-Allegro | — | ||
| 10-8 | Dido & Aeneas: I. Overture & Air in c, The Triumphing Dance in C | — | ||
| 10-9 | Dido & Aeneas: II. Ritornelle in d, Air, Dance in d | — | ||
| 10-10 | Dido & Aeneas: III. Echo Dance of Furies in F | — | ||
| 10-11 | Dido & Aeneas: IV. The Sailors' Dance in B | — | ||
| 10-12 | Dido & Aeneas: V. The Witches' Dance in B | — | ||
| 10-13 | Dido & Aeneas: VI. Chacony | — | ||
| 10-14 | King Arthur: I. Overture in d, Air in d, Overture in D | — | ||
| 10-15 | King Arthur: II. Symphony in g, Air in G, Hornpipe in g | — | ||
| 10-16 | King Arthur: III. Air in d, Air in a, Song tune in a | — | ||
| 10-17 | King Arthur: IV. Symphony in C, Trumpet tune in C | — | ||
| 10-18 | King Arthur: V. Frost Dance in c, Hornpipe in G | — | ||
| 10-19 | King Arthur: VI. Passacaglia in g | — | ||
| 10-20 | Abdelazer: I. Overture in d | — | ||
| 10-21 | Abdelazer: II. Rondeau in d | — | ||
| 10-22 | Abdelazer: III. Air in D, Air in G | — | ||
| 10-23 | Abdelazer: IV. Minuett in G, Air in g | — | ||
| 10-24 | Abdelazer: V. Jigg in g | — | ||
| 10-25 | Abdelazer: VI. Hornpipe in B, Air in g | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
886979370524 is a Universal Product Code (UPC) assigned to Freiburger Barockorchester Edition by Freiburger Barockorchester. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 183 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886979370524 is the Universal Product Code (UPC barcode) for the release “Freiburger Barockorchester Edition” by Freiburger Barockorchester, released 2011-01-01 on Deutsche Harmonia Mundi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 183 tracks, each with its own ISRC. Tracks include DEE479300498, DEE479300499, DEE479300510.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduttione 1 D-Dur | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 2 | Introduttione 2 F-Dur | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3 | Sonate D-Dur Op8 No2 1 Adagio | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 4 | Sonate D-Dur Op8 No2 2 Allegro | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 5 | Sonate D-Dur Op8 No2 3 Presto-Lento-Presto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 6 | Introduttione 3 B-Dur | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 7 | Introduttione 4 G-Dur | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 8 | Sonata e-Moll Op5 No2 1 Largo-Andante | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9 | Sonata e-Moll Op5 No2 2 Allegro | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 10 | Sonata e-Moll Op5 No2 3 Allegro | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 11 | Introduttione 5 D-Dur | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 12 | Sonate A-Dur Op8 No10 1 Cantabile | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 13 | Sonate A-Dur Op8 No10 2 Allegro | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 14 | Sonate A-Dur Op8 No10 3 Vivace | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 15 | Introduttione 6 C-Dur | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 2-1 | Ouverture zur Oper ''L'Olimpiade'' | — | ||
| 2-2 | Ouvertüre Suite N°4 D-dur BWV 1069 - Ouvertüre | — | ||
| 2-3 | Ouvertüre Suite N°4 D-dur BWV 1069 - Bouree I & II | — | ||
| 2-4 | Ouvertüre Suite N°4 D-dur BWV 1069 - Gavotte | — | ||
| 2-5 | Ouvertüre Suite N°4 D-dur BWV 1069 - Rejouissance | — | ||
| 2-6 | Streichersinfonie A-dur RV 158 - Allegro molto | — | ||
| 2-7 | Streichersinonfie A-dur RV 158 - Andante molto | — | ||
| 2-8 | Streichersinfonie A-dur RV 158 - Allegro | — | ||
| 2-9 | Sinfonia aus der Kantate 'Am Abend aber desselbigen Sabbats' BWV 42 | — | ||
| 2-10 | Concerto h-mollB minor op3 N°10 für 4 violinen, streicher und Bc - Allegro | — | ||
| 2-11 | Concerto h-mollB minor op3 N°10 für 4 violinen, streicher und Bc - Largo | — | ||
| 2-12 | Concerto h-mollB minor op3 N°10 für 4 violinen, streicher und Bc - Allegro | — | ||
| 2-13 | Concerto BWV 1064 für 3 violinen, streicher und Bc - Allegro | — | ||
| 2-14 | Concerto BWV 1064 für 3 violinen, streicher und Bc - Adagio | — | ||
| 2-15 | Concerto BWV 1064 für 3 violinen, streicher und Bc - Allegro | — | ||
| 3-1 | Orchestral Suite from "Dioclesian": I. Overture | Freiburger Barockorchester, Gottfried von der Goltz | T-902.314.020-7 | |
| 3-2 | Dance (a); "If music be the food" (b) | — | ||
| 3-3 | Dance of Bacchanals (a); Trumpet Tune (b) | — | ||
| 3-4 | Prelude (a); "O how happy" (b); Hornpipe (c) | — | ||
| 3-5 | Orchestral Suite from "Dioclesian": V. Dance of the Furies | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 3-6 | Orchestral Suite from "Dioclesian": VI. First music | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 3-7 | Duet "Lost is my quiet" | — | ||
| 3-8 | Prelude; "Let the soldiers rejoice"; Act tune | — | ||
| 3-9 | Chaconne | — | ||
| 3-10 | Orchestral Suite from "Dioclesian": X. Second Music / Paspe / Chair dance | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 3-11 | "Conterto grosso op 6. No.6": Largo e affettuoso | — | ||
| 3-12 | "Conterto grosso op 6. No.6": A tempo giusto | — | ||
| 3-13 | "Conterto grosso op 6. No.6": Musette - Larghetto | — | ||
| 3-14 | "Conterto grosso op 6. No.6": Allegro | — | ||
| 3-15 | "Conterto grosso op 6. No.6": Allegro | — | ||
| 3-16 | Amarilli Vezzosa, HWV 82: Sonata: Allegro Menuetto | — | ||
| 3-17 | Amarilli Vezzosa, HWV 82: Recitativo "Amarilli vezzosa" | — | ||
| 3-18 | Amarilli Vezzosa, HWV 82: Aria "Pietoso sguardo" | — | ||
| 3-19 | Amarilli Vezzosa, HWV 82: Recitativo "Dunque tanto s'avanza" | — | ||
| 3-20 | Amarilli Vezzosa, HWV 82: Aria "Piacer che non si dona" | — | ||
| 3-21 | Amarilli Vezzosa, HWV 82: Recitativo "Si, si crudel, ti acceta" | — | ||
| 3-22 | Amarilli Vezzosa, HWV 82: Aria "Quel nocchiero" | — | ||
| 3-23 | Amarilli Vezzosa, HWV 82: Recitativo "Amarilli, Amarilli, in vano" | — | ||
| 3-24 | Amarilli Vezzosa, HWV 82: Aria "E vanità d'un cot" | — | ||
| 3-25 | Amarilli Vezzosa, HWV 82: Recitativo "Or sù, già che ostinato" | — | ||
| 3-26 | Amarilli Vezzosa, HWV 82: Aria à 2 con Ritornello "Si, si lasciami, ingrata" | — | ||
| 4-1 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": Ouverture | — | ||
| 4-2 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": La Reveil de Quixotte | — | ||
| 4-3 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": Son Attaque des Moulins à Vent (Tres vite) | — | ||
| 4-4 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": Ses soupirs amoureux après la Princesse Dulcinée | — | ||
| 4-5 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": Sanche Panse berné | — | ||
| 4-6 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": Le Galope de Rosinante Celui d'Ane de Sanche Panse | — | ||
| 4-7 | Overture in G major, TWV55:G10, "Bourlesque de Quixotte": Le Couché de Quixote | — | ||
| 4-8 | Overture for 2 Recorders, Strings and Continuo in F minor: Ouverture | — | ||
| 4-9 | Overture for 2 Recorders, Strings and Continuo in F minor: Menuet I & II | — | ||
| 4-10 | Overture for 2 Recorders, Strings and Continuo in F minor: Rondeau | — | ||
| 4-11 | Overture for 2 Recorders, Strings and Continuo in F minor: Sarabande | — | ||
| 4-12 | Overture for 2 Recorders, Strings and Continuo in F minor: Passepied | — | ||
| 4-13 | Overture for 2 Recorders, Strings and Continuo in F minor: Plainte | — | ||
| 4-14 | Overture for 2 Recorders, Strings and Continuo in F minor: Allemande | — | ||
| 4-15 | Overture for 2 Recorders, Strings and Continuo in F minor: Chaconne | — | ||
| 4-16 | Overture for 2 Recorders, Strings and Continuo in F minor: Gigue | — | ||
| 4-17 | Concerto à 7 in E minor: I. Andante | — | ||
| 4-18 | Concerto à 7 in E minor: II. Allegro | — | ||
| 4-19 | Concerto à 7 in E minor: III. Adagio | — | ||
| 4-20 | Concerto à 7 in E minor: IV. Vivace | — | ||
| 4-21 | Overture for 3 Oboes, Strings and Continuo in D major: Ouverture | — | ||
| 4-22 | Overture for 3 Oboes, Strings and Continuo in D major: Prelude | — | ||
| 4-23 | Overture for 3 Oboes, Strings and Continuo in D major: Gigue | — | ||
| 4-24 | Overture for 3 Oboes, Strings and Continuo in D major: Menuet I & II | — | ||
| 4-25 | Overture for 3 Oboes, Strings and Continuo in D major: Harlequinade | — | ||
| 4-26 | Overture for 3 Oboes, Strings and Continuo in D major: Loure | — | ||
| 4-27 | Overture for 3 Oboes, Strings and Continuo in D major: Rondeau | — | ||
| 4-28 | Overture for 3 Oboes, Strings and Continuo in D major: Rejouissance | — | ||
| 5-1 | ''Hipocondrie'' à 7 concertanti in A major, ZWV 187 | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-2 | Concerto in D major: Vivace | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-3 | Concerto in D major: Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-4 | Concerto in D major: Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-5 | Concerto à 8 concertanti in G major, ZWV 186: Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-6 | Concerto à 8 concertanti in G major, ZWV 186: Largo | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-7 | Concerto à 8 concertanti in G major, ZWV 186: Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-8 | Sonata in C minor: Largo | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-9 | Sonata in C minor: Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-10 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: [] | Freiburger Barockorchester, Gottfried von der Goltz | T-106.550.241-0 | |
| 5-11 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-12 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Capriccio. Tempo di gavotta | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-13 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Menuet I & II | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 5-14 | ''Simphonie'' a 8 concertanti in A minor, ZWV 189: Menuet I & II | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 6-1 | Sonata No1 a 8 C-Dur | — | ||
| 6-2 | Sonata No6 a 5 F-Dur | — | ||
| 6-3 | Sonata No4 a 5 C-Dur | — | ||
| 6-4 | Sonata a 3 con Organo et Violone h-Moll | — | ||
| 6-5 | Sonata a 2 con Bc a-Moll | — | ||
| 6-6 | Lamento sopra la morte Ferdinandi a 3 con Organo et Basso h-Moll | — | ||
| 6-7 | Sonata No8 a 5 C-Dur | — | ||
| 6-8 | Sonata No10 a 5 g-Moll | — | ||
| 6-9 | Sonata No7 a 5 C-Dur | — | ||
| 6-10 | Sonata a 2 con Bc d-Moll | — | ||
| 6-11 | Lamento a 3 con Bc B-Dur | — | ||
| 6-12 | Harmonia a 5 con Bc D-Dur | — | ||
| 6-13 | Sonata No12 a 8 C-Dur | — | ||
| 7-1 | Concerto primo Introducione, for Strings and Basso continuo in G major, op. 1 no. 1 "Concerti da chiesa e da camera": Largo spico - Allegro assai - Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-2 | Concerto secondo, for Violin obligato, Strings and Basso continuo in D major, op. 1 no. 2 "Concerti da chiesa e da camera": I. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-3 | Concerto secondo, for Violin obligato, Strings and Basso continuo in D major, op. 1 no. 2 "Concerti da chiesa e da camera": II. Adagio | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-4 | Concerto secondo, for Violin obligato, Strings and Basso continuo in D major, op. 1 no. 2 "Concerti da chiesa e da camera": III. Spirituoso | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-5 | Concerto terzo, for Strings and Basso continuo in C major, op. 1 no. 3 "Concerti da chiesa e da camera": I. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-6 | Concerto terzo, for Strings and Basso continuo in C major, op. 1 no. 3 "Concerti da chiesa e da camera": II. Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-7 | Concerto terzo, for Strings and Basso continuo in C major, op. 1 no. 3 "Concerti da chiesa e da camera": III. Allegro Assai | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-8 | Concerto quarto, for Violin obligato, Strings and Basso continuo in C minor, op. 1 no. 4 "Concerti da chiesa e da camera": II. Andante ma Larghetto | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-9 | Concerto quarto, for Violin obligato, Strings and Basso continuo in C minor, op. 1 no. 4 "Concerti da chiesa e da camera": II. Andante ma Larghetto | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-10 | Concerto quarto, for Violin obligato, Strings and Basso continuo in C minor, op. 1 no. 4 "Concerti da chiesa e da camera": III. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-11 | Concerto quinto, for Strings and Basso continuo in E major, op. 1 no. 5 "Concerti da chiesa e da camera": I. Largo - Allegro ma Aperto | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-12 | Concerto quinto, for Strings and Basso continuo in E major, op. 1 no. 5 "Concerti da chiesa e da camera": II. Andante e Spico - Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-13 | Concerto sesto, for Violin obligato, Strings and Basso continuo in A major, op. 1 no. 6 "Concerti da chiesa e da camera": I. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-14 | Concerto sesto, for Violin obligato, Strings and Basso continuo in A major, op. 1 no. 6 "Concerti da chiesa e da camera": II. Adagio | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 7-15 | Concerto sesto, for Violin obligato, Strings and Basso continuo in A major, op. 1 no. 6 "Concerti da chiesa e da camera": III. Vivace | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-1 | Concerto settimo Teatrale, for Strings and Basso continuo in B-flat major, op. 1 no. 7 "Concerti da chiesa e da camera": I. Vivace | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-2 | Concerto settimo Teatrale, for Strings and Basso continuo in B-flat major, op. 1 no. 7 "Concerti da chiesa e da camera": II. Andante | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-3 | Concerto settimo Teatrale, for Strings and Basso continuo in B-flat major, op. 1 no. 7 "Concerti da chiesa e da camera": III. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-4 | Concerto ottavo, for Violin obligato, Strings and Basso continuo in E-flat major, op. 1 no. 8 "Concerti da chiesa e da camera": I. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-5 | Concerto ottavo, for Violin obligato, Strings and Basso continuo in E-flat major, op. 1 no. 8 "Concerti da chiesa e da camera": II. Adagio | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-6 | Concerto ottavo, for Violin obligato, Strings and Basso continuo in E-flat major, op. 1 no. 8 "Concerti da chiesa e da camera": III. Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-7 | Concerto nono Teatrale, for Strings and Basso continuo in F major, op. 1 no. 9 "Concerti da chiesa e da camera": I. Allegro a Spico | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-8 | Concerto nono Teatrale, for Strings and Basso continuo in F major, op. 1 no. 9 "Concerti da chiesa e da camera": I. Allegro a Spico | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-9 | Concerto nono Teatrale, for Strings and Basso continuo in F major, op. 1 no. 9 "Concerti da chiesa e da camera": III. Presto | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-10 | Concerto decimo a Pastorale, for 2 Violini obligati, Strings and Basso Continuo in D major, op. 1 no. 10 "Concerti da chiesa e da camera": I. Grave - Allegro | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-11 | Concerto decimo a Pastorale, for 2 Violini obligati, Strings and Basso Continuo in D major, op. 1 no. 10 "Concerti da chiesa e da camera": II. Largo - Pastorale | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-12 | Concerto undecimo, for Strings and Basso continuo in G minor, op. 1 no. 11 "Concerti da chiesa e da camera": I. Spirituoso | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-13 | Concerto undecimo, for Strings and Basso continuo in G minor, op. 1 no. 11 "Concerti da chiesa e da camera": II. Andantino - Allegro ma non tanto presto | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-14 | Concerto duodecimo a Tempesta di Mare, for Violin obligato, Strings and Basso continuo in G major, op. 1 no. 12 "Concerti da chiesa e da camera": I. Allegro, e con Spirito | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-15 | Concerto duodecimo a Tempesta di Mare, for Violin obligato, Strings and Basso continuo in G major, op. 1 no. 12 "Concerti da chiesa e da camera": II. Adagio, e piano (Navicella in calma) | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 8-16 | Concerto duodecimo a Tempesta di Mare, for Violin obligato, Strings and Basso continuo in G major, op. 1 no. 12 "Concerti da chiesa e da camera": III. Allegro ma Aperto (Tempesta) | Freiburger Barockorchester, Gottfried von der Goltz | — | |
| 9-1 | Sinfonie C-Dur, Wq 182/3 (H 659): I. Allegro assai | Freiburger Barockorchester, Thomas Hengelbrock | T-306.395.786-4 | |
| 9-2 | Sinfonie C-Dur, Wq 182/3 (H 659): II. Adagio | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-3 | Sinfonie C-Dur, Wq 182/3 (H 659): III. Allegretto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-4 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): I. Allegro assai | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | T-306.395.786-4 | |
| 9-5 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): II. Poco adagio | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-6 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): III. Tempo di minuetto | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-7 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): IV. Allegro assai | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | T-306.395.786-4 | |
| 9-8 | Sinfonie A-Dur, Wq 182/4 (H 660): I. Allegro ma non troppo | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-9 | Sinfonie A-Dur, Wq 182/4 (H 660): II. Largo et innocemente | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-10 | Sinfonie A-Dur, Wq 182/4 (H 660): III. Allegro assai | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-11 | Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): I. Allegro | Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock | T-031.609.609-9 | |
| 9-12 | Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): II. Adagio ma non troppo | Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-13 | Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): III. Allegro ma non troppo | Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-14 | Sinfonie h-moll, Wq 182/5 (H 661): I. Allegretto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-15 | Sinfonie h-moll, Wq 182/5 (H 661): II. Larghetto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 9-16 | Sinfonie h-moll, Wq 182/5 (H 661): III. Presto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 10-1 | The Fairy Queen: I. Prelude & Hornpipe in g | — | ||
| 10-2 | The Fairy Queen: II. Air & Rondeau in B | — | ||
| 10-3 | The Fairy Queen: III. Overture in D | — | ||
| 10-4 | The Fairy Queen: IV. Prelude & Entry Dance in C, Dance for the Fairies in G | — | ||
| 10-5 | The Fairy Queen: V. Overture in g - Air in G - Prelude in g | — | ||
| 10-6 | The Fairy Queen: VI. Hornpipe in D | — | ||
| 10-7 | The Fairy Queen: VII. Symphony / Canzona-Largo-Allegro-Adagio-Allegro | — | ||
| 10-8 | Dido & Aeneas: I. Overture & Air in c, The Triumphing Dance in C | — | ||
| 10-9 | Dido & Aeneas: II. Ritornelle in d, Air, Dance in d | — | ||
| 10-10 | Dido & Aeneas: III. Echo Dance of Furies in F | — | ||
| 10-11 | Dido & Aeneas: IV. The Sailors' Dance in B | — | ||
| 10-12 | Dido & Aeneas: V. The Witches' Dance in B | — | ||
| 10-13 | Dido & Aeneas: VI. Chacony | — | ||
| 10-14 | King Arthur: I. Overture in d, Air in d, Overture in D | — | ||
| 10-15 | King Arthur: II. Symphony in g, Air in G, Hornpipe in g | — | ||
| 10-16 | King Arthur: III. Air in d, Air in a, Song tune in a | — | ||
| 10-17 | King Arthur: IV. Symphony in C, Trumpet tune in C | — | ||
| 10-18 | King Arthur: V. Frost Dance in c, Hornpipe in G | — | ||
| 10-19 | King Arthur: VI. Passacaglia in g | — | ||
| 10-20 | Abdelazer: I. Overture in d | — | ||
| 10-21 | Abdelazer: II. Rondeau in d | — | ||
| 10-22 | Abdelazer: III. Air in D, Air in G | — | ||
| 10-23 | Abdelazer: IV. Minuett in G, Air in g | — | ||
| 10-24 | Abdelazer: V. Jigg in g | — | ||
| 10-25 | Abdelazer: VI. Hornpipe in B, Air in g | — |
