UPC · Release
Collegium Aureum
Last verified:
The UPC for “Collegium Aureum Edition” by Collegium Aureum is 886979370722. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Deutsche Harmonia Mundi. This release contains 156 tracks, each with its own ISRC. Tracks include DEE478200160, DEE478200161, DEE478200162.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Double Concerto for harpsichord, fortepiano and orchestra in E-flat major, Wq 47: I. Allegro di molto | Eric Lynn Kelley, Jos van Immerseel, Collegium Aureum | — | |
| 2 | Double Concerto for harpsichord, fortepiano and orchestra in E-flat major, Wq 47: II. Larghetto | Eric Lynn Kelley, Jos van Immerseel, Collegium Aureum | — | |
| 3 | Double Concerto for harpsichord, fortepiano and orchestra in E-flat major, Wq 47: III. Presto | Eric Lynn Kelley, Jos van Immerseel, Collegium Aureum | — | |
| 4 | Sonatine für zwei Cembali und Orchester D-Dur, Wq. 109: I. Presto / II. Tempo di menuetto | Eric Lynn Kelley, Jos van Immerseel, Collegium Aureum | — | |
| 5 | Double Concerto for 2 harpsichords, 2 horns, strings & continuo in F major, Wq. 46: I. Allegro | Alan Curtis, Gustav Leonhardt, Collegium Aureum | — | |
| 6 | Double Concerto for 2 harpsichords, 2 horns, strings & continuo in F major, Wq. 46: II. Largo | Alan Curtis, Gustav Leonhardt, Collegium Aureum | — | |
| 7 | Double Concerto for 2 harpsichords, 2 horns, strings & continuo in F major, Wq. 46: III. Allegro assai | Alan Curtis, Gustav Leonhardt, Collegium Aureum | — | |
| 2-1 | Music for the Fireworks: Ouverture | Collegium Aureum | — | |
| 2-2 | Music for the Fireworks: Bourree | Collegium Aureum | — | |
| 2-3 | Music for the Fireworks: La Paix | Collegium Aureum | — | |
| 2-4 | Music for the Fireworks: La Rejouissance | Collegium Aureum | — | |
| 2-5 | Music for the Fireworks: Manuet I | Collegium Aureum | — | |
| 2-6 | Music for the Fireworks: Manuet II | Collegium Aureum | — | |
| 2-7 | Water Music: Ouverture | Collegium Aureum | — | |
| 2-8 | Water Music: Adagio e Staccato | Collegium Aureum | — | |
| 2-9 | Water Music: Allegro / Andante / Allegro | Collegium Aureum | — | |
| 2-10 | Water Music: Allegro | Collegium Aureum | — | |
| 2-11 | Water Music: Air | Collegium Aureum | — | |
| 2-12 | Water Music: Minuet | Collegium Aureum | — | |
| 2-13 | Water Music: Bourree | Collegium Aureum | — | |
| 2-14 | Water Music: Andante | Collegium Aureum | — | |
| 2-15 | Water Music: Hornpipe | Collegium Aureum | — | |
| 2-16 | Suite in D Major: Ouverture | Collegium Aureum | — | |
| 2-17 | Suite in D Major: Alla Hornpipe | Collegium Aureum | — | |
| 2-18 | Suite in D Major: Minuet | Collegium Aureum | — | |
| 2-19 | Suite in D Major: Lentement | Collegium Aureum | — | |
| 2-20 | Suite in D Major: Bourree | Collegium Aureum | — | |
| 2-21 | Suite in G Major: Andante | Collegium Aureum | — | |
| 2-22 | Suite in G Major: Rigauden I & II | Collegium Aureum | — | |
| 2-23 | Suite in G Major: Menuet I & II | Collegium Aureum | — | |
| 2-24 | Suite in G Major: Gigue I & II | Collegium Aureum | — | |
| 3-1 | Les Indes Galantes : Ouverture | Collegium Aureum | — | |
| 3-2 | Les Indes Galantes : Entrée des Quatre Nations | Collegium Aureum | — | |
| 3-3 | Les Indes Galantes : Menuet I et II | Collegium Aureum | — | |
| 3-4 | Les Indes Galantes : Forlane | Collegium Aureum | — | |
| 3-5 | Les Indes Galantes : Rondeau | Collegium Aureum | — | |
| 3-6 | Les Indes Galantes : Air por les amours | Collegium Aureum | — | |
| 3-7 | Les Indes Galantes : Contre-danse | Collegium Aureum | T-801.787.297-9 | |
| 3-8 | Les Indes Galantes : Air pour les Persans | Collegium Aureum | — | |
| 3-9 | Les Indes Galantes : Air vif pour Zéphire et la Rose | Collegium Aureum | — | |
| 3-10 | Les Indes Galantes : Air pour Borée et la Rose | Collegium Aureum | — | |
| 3-11 | Les Indes Galantes : Gavotte des Fleurs | Collegium Aureum | — | |
| 3-12 | Les Indes Galantes : Air tendre pur la Rose | Collegium Aureum | — | |
| 3-13 | Les Indes Galantes : Gavotte pour les Fleurs | Collegium Aureum | — | |
| 3-14 | Les Indes Galantes : Tambourin | Collegium Aureum | T-912.761.754-3 | |
| 3-15 | Les Indes Galantes : Chaconne | Collegium Aureum | — | |
| 3-16 | Dardanus : Ouverture | Collegium Aureum | — | |
| 3-17 | Dardanus : Marche pour les different nations | Collegium Aureum | — | |
| 3-18 | Dardanus : Menuet tendre en rondeau | Collegium Aureum | — | |
| 3-19 | Dardanus : Tambourin I et II | Collegium Aureum | — | |
| 3-20 | Dardanus : Air vif | Collegium Aureum | — | |
| 3-21 | Dardanus : Rigaudon I et II | Collegium Aureum | — | |
| 3-22 | Dardanus : Air en Rondeau | Collegium Aureum | — | |
| 3-23 | Dardanus : Entréss | Collegium Aureum | — | |
| 3-24 | Dardanus : Sommeil | Collegium Aureum | — | |
| 3-25 | Dardanus : Tambourin I et II | Collegium Aureum | — | |
| 3-26 | Dardanus : Chaconne | Collegium Aureum | T-004.687.105-9 | |
| 4-1 | Kaffee-Kantate, BWV 211: I. Recitativo (Erzähler): Schweigt stille, plaudert nicht | Gerald English, Collegium Aureum, Franzjosef Maier | — | |
| 4-2 | Kaffee-Kantate, BWV 211: II. Aria (Schlendrian): Hat man nicht mit seinen Kindern | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-3 | Kaffee-Kantate, BWV 211: III. Recitativo (Schlendrian): Du böses Kind, du loses Mädchen | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-4 | Kaffee-Kantate, BWV 211: IV. Aria (Lieschen): Ei, wie schmeckt der Coffee süße | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-5 | Kaffee-Kantate, BWV 211: V. Recitativo (Schlendrian): Wenn du mir nicht den Coffee läßt | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-6 | Kaffee-Kantate, BWV 211: VI. Aria (Schlendrian): Mädchen, die von harten Sinnen | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-7 | Kaffee-Kantate, BWV 211: VII. Recitativo (Schlendrian): Nun folge, was dein Vater spricht | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-8 | Kaffee-Kantate, BWV 211: VIII. Aria (Lieschen): Heute noch, heute noch | Siegmund Nimsgern, Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-9 | Kaffee-Kantate, BWV 211: IX. Recitativo (Erzähler): Nun geht und sucht der alte Schlendrian | Gerald English, Collegium Aureum, Franzjosef Maier | — | |
| 4-10 | Kaffee-Kantate, BWV 211: X. Coro: Die Katze läßt das Mausen nicht | Elly Ameling, Gerald English, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-11 | Bauern-Kantate, BWV 212: I. Sinfonia | Collegium Aureum, Franzjosef Maier | — | |
| 4-12 | Bauern-Kantate, BWV 212: II. Duetto: Mer han en neue Oberkeet | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-13 | Bauern-Kantate, BWV 212: III. Recitativo (Basso): Nu, Miecke, gib dein Guschel immer her | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | T-011.170.221-6 | |
| 4-14 | Bauern-Kantate, BWV 212: IV. Aria (Soprano): Ach es schmeckt doch gar zu gut | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-15 | Bauern-Kantate, BWV 212: V. Recitativo (Basso): Der Herr ist gut | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-16 | Bauern-Kantate, BWV 212: VI. Aria (Basso): Ach, Herr Schösser, geht nicht gar zu schlimm | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-17 | Bauern-Kantate, BWV 212: VII. Recitativo (Soprano): Es bleibt dabei, daß unser Herr der beste sei | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-18 | Bauern-Kantate, BWV 212: VIII. Aria (Soprano): Unser trefflicher lieber Kammerherr | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-19 | Bauern-Kantate, BWV 212: IX. Recitativo (Basso): Er hilft uns allen, alt und jung | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-20 | Bauern-Kantate, BWV 212: X. Aria (Soprano): Das ist galant | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-21 | Bauern-Kantate, BWV 212: XI. Recitativo (Basso): Und unsre gnädige Frau ist nicht ein prinkel stolz | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-22 | Bauern-Kantate, BWV 212: XII. Aria (Basso): Fünfzig Taler bares Geld | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-23 | Bauern-Kantate, BWV 212: XIII. Recitativo (Soprano): Im Ernst ein Wort! | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-24 | Bauern-Kantate, BWV 212: XIV. Aria (Soprano): Klein Zschocher müsse so zart und süße | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-25 | Bauern-Kantate, BWV 212: XV. Recitativo (Basso): Das ist zu klug vor dich | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-26 | Bauern-Kantate, BWV 212: XVI. Aria (Basso): Es nehme zehntausend Ducaten | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-27 | Bauern-Kantate, BWV 212: XVII. Recitativo (Soprano): Das klingt zu liederlich | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-28 | Bauern-Kantate, BWV 212: XVIII. Aria (Soprano): Gib, Schöne, viel Söhne von artger Gestalt | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-29 | Bauern-Kantate, BWV 212: XIX. Recitativo (Basso): Du hast wohl recht | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-30 | Bauern-Kantate, BWV 212: XX. Aria (Basso): Dein Wachstum sei feste und lache vor Lust | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-31 | Bauern-Kantate, BWV 212: XXI. Recitativo (Soprano): Und damit sei es auch genug | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-32 | Bauern-Kantate, BWV 212: XXII. Recitativo (Basso): Und daß ihr's alle wißt | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-33 | Bauern-Kantate, BWV 212: XXIII. Aria (Soprano): Mein Schatz, erraten! | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-34 | Bauern-Kantate, BWV 212: XXIV. Coro: Wir gehn nun, wo der Tudelsack | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 5-1 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Weichet nur, betrübte Schatten | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-2 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Die Welt wird wieder neu | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-3 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Phöbus eilt mit schnellen Pfeilen | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-4 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Drum sucht auch Amor sein Vergnügen | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-5 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Wenn die Frühlingslüfte streichen | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-6 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Und dieses ist das Glücke | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-7 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Sich üben im Lieben | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-8 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: So sei das Band der keuschen Liebe | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-9 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Sehet in Zufriedenheit | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-10 | Kantate "Non sà che sia dolore", BWV 209: Sinfonia | Collegium Aureum, Franzjosef Maier | — | |
| 5-11 | Kantate "Non sà che sia dolore", BWV 209: Non sà che sia dolore | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 5-12 | Kantate "Non sà che sia dolore", BWV 209: Parti pur col dolore | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 5-13 | Kantate "Non sà che sia dolore", BWV 209: Tuo saver al tempo e l'età | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 5-14 | Kantate "Non sà che sia dolore", BWV 209: Recitti gramezza e pavento | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 6-1 | 3 branles de bourgogne & branle gay nouveau | — | ||
| 6-2 | Pavane "mille regretz" - ronde - pavane "si pas souffrir" - ronde und saltarelle - hoboecken dans - ronde "il estoit une fillette" | — | ||
| 6-3 | Branle | — | ||
| 6-4 | L'arboscello ballo furlano | — | ||
| 6-5 | Pavana - galliarda | — | ||
| 6-6 | 3 Intraden | — | ||
| 6-7 | Tordion - pavane - galliarde | — | ||
| 6-8 | Polnischer tanz - galliarde | — | ||
| 7-1 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Aria Uberto 'Aspettare, e non venire' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-2 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-3 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Aria Uberto 'Sempre in contrasti' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-4 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-5 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Aria Serpina 'Stizzoso, mio stizzoso' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-6 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-7 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Duetto 'La conosco a quegl'occhietti' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-8 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-9 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Aria Serpina 'A Serpina penserete' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-10 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-11 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Aria Uberto 'Son imbrogliato io già' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-12 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-13 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Duetto 'Per te io ho nel core' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 8-1 | Missa sancti Henrici: Kyrie | Heinrich Ignaz Franz von Biber | — | |
| 8-2 | Missa sancti Henrici: Gloria | Heinrich Ignaz Franz von Biber | — | |
| 8-3 | Missa sancti Henrici: Credo | Heinrich Ignaz Franz von Biber | — | |
| 8-4 | Missa sancti Henrici: Sanctus et benedictus | Heinrich Ignaz Franz von Biber | — | |
| 8-5 | Missa sancti Henrici: Agnus dei | Heinrich Ignaz Franz von Biber | — | |
| 8-6 | Sonatae tam aris quam aulis servientes, sonata I a otto 1676: (Allegro) | Heinrich Ignaz Franz von Biber | — | |
| 8-7 | Sonatae tam aris quam aulis servientes, sonata I a otto 1676: Adagio - presto | Heinrich Ignaz Franz von Biber | — | |
| 8-8 | Sonatae tam aris quam aulis servientes, sonata I a otto 1676: Allegro | Heinrich Ignaz Franz von Biber | — | |
| 8-9 | Sonatae tam aris quam aulis servientes, sonata XII a otto 1676: (Allegro) | Heinrich Ignaz Franz von Biber | — | |
| 8-10 | Sonatae tam aris quam aulis servientes, sonata XII a otto 1676: Adagio - allegro | Heinrich Ignaz Franz von Biber | — | |
| 8-11 | Sonatae tam aris quam aulis servientes, sonata XII a otto 1676: Adagio - presto | Heinrich Ignaz Franz von Biber | — | |
| 9-1 | Konzert A-Dur, KV 622 für Klarinette und Orchester: Allegro | Hans Deinzer, Collegium Aureum, Franzjosef Maier | — | |
| 9-2 | Konzert A-Dur, KV 622 für Klarinette und Orchester: Adagio | Hans Deinzer, Collegium Aureum, Franzjosef Maier | T-913.940.388-6 | |
| 9-3 | Konzert A-Dur, KV 622 für Klarinette und Orchester: Rondo. allegro | Hans Deinzer, Collegium Aureum, Franzjosef Maier | T-308.457.046-3 | |
| 9-4 | Konzert C-Dur, KV 314 für Oboe und Orchester: Allegro aperto | Helmut Hucke, Collegium Aureum, Franzjosef Maier | — | |
| 9-5 | Konzert C-Dur, KV 314 für Oboe und Orchester: Adagio non troppo | Helmut Hucke, Collegium Aureum, Franzjosef Maier | T-801.974.499-2 | |
| 9-6 | Konzert C-Dur, KV 314 für Oboe und Orchester: Rondo. allegretto | Helmut Hucke, Collegium Aureum, Franzjosef Maier | — | |
| 10-1 | Missa C-Dur, KV 317 "Krönungsmesse": Kyrie | Hans Buchhierl, Theo Altmeyer, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-2 | Missa C-Dur, KV 317 "Krönungsmesse": Gloria | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-3 | Missa C-Dur, KV 317 "Krönungsmesse": Credo | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | T-915.866.112-2 | |
| 10-4 | Missa C-Dur, KV 317 "Krönungsmesse": Sanctus | Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-5 | Missa C-Dur, KV 317 "Krönungsmesse": Benedictus | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | T-106.642.813-3 | |
| 10-6 | Missa C-Dur, KV 317 "Krönungsmesse": Agnus dei | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-7 | Vesperae solennes de confessore, KV 339: Dixit | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-8 | Vesperae solennes de confessore, KV 339: Confitebor | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-9 | Vesperae solennes de confessore, KV 339: Beatus vir | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | T-319.953.420-4 | |
| 10-10 | Vesperae solennes de confessore, KV 339: Laudate pueri | Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-11 | Vesperae solennes de confessore, KV 339: Laudate dominum | Hans Buchhierl, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | T-900.135.371-5 | |
| 10-12 | Vesperae solennes de confessore, KV 339: Magnificat | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-13 | Litaniae Lauretanae, KV 109 | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — |
Identifier Graph
886979370722 is a Universal Product Code (UPC) assigned to Collegium Aureum Edition by Collegium Aureum. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 156 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Collegium Aureum Edition” by Collegium Aureum is 886979370722. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Deutsche Harmonia Mundi. This release contains 156 tracks, each with its own ISRC. Tracks include DEE478200160, DEE478200161, DEE478200162.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Double Concerto for harpsichord, fortepiano and orchestra in E-flat major, Wq 47: I. Allegro di molto | Eric Lynn Kelley, Jos van Immerseel, Collegium Aureum | — | |
| 2 | Double Concerto for harpsichord, fortepiano and orchestra in E-flat major, Wq 47: II. Larghetto | Eric Lynn Kelley, Jos van Immerseel, Collegium Aureum | — | |
| 3 | Double Concerto for harpsichord, fortepiano and orchestra in E-flat major, Wq 47: III. Presto | Eric Lynn Kelley, Jos van Immerseel, Collegium Aureum | — | |
| 4 | Sonatine für zwei Cembali und Orchester D-Dur, Wq. 109: I. Presto / II. Tempo di menuetto | Eric Lynn Kelley, Jos van Immerseel, Collegium Aureum | — | |
| 5 | Double Concerto for 2 harpsichords, 2 horns, strings & continuo in F major, Wq. 46: I. Allegro | Alan Curtis, Gustav Leonhardt, Collegium Aureum | — | |
| 6 | Double Concerto for 2 harpsichords, 2 horns, strings & continuo in F major, Wq. 46: II. Largo | Alan Curtis, Gustav Leonhardt, Collegium Aureum | — | |
| 7 | Double Concerto for 2 harpsichords, 2 horns, strings & continuo in F major, Wq. 46: III. Allegro assai | Alan Curtis, Gustav Leonhardt, Collegium Aureum | — | |
| 2-1 | Music for the Fireworks: Ouverture | Collegium Aureum | — | |
| 2-2 | Music for the Fireworks: Bourree | Collegium Aureum | — | |
| 2-3 | Music for the Fireworks: La Paix | Collegium Aureum | — | |
| 2-4 | Music for the Fireworks: La Rejouissance | Collegium Aureum | — | |
| 2-5 | Music for the Fireworks: Manuet I | Collegium Aureum | — | |
| 2-6 | Music for the Fireworks: Manuet II | Collegium Aureum | — | |
| 2-7 | Water Music: Ouverture | Collegium Aureum | — | |
| 2-8 | Water Music: Adagio e Staccato | Collegium Aureum | — | |
| 2-9 | Water Music: Allegro / Andante / Allegro | Collegium Aureum | — | |
| 2-10 | Water Music: Allegro | Collegium Aureum | — | |
| 2-11 | Water Music: Air | Collegium Aureum | — | |
| 2-12 | Water Music: Minuet | Collegium Aureum | — | |
| 2-13 | Water Music: Bourree | Collegium Aureum | — | |
| 2-14 | Water Music: Andante | Collegium Aureum | — | |
| 2-15 | Water Music: Hornpipe | Collegium Aureum | — | |
| 2-16 | Suite in D Major: Ouverture | Collegium Aureum | — | |
| 2-17 | Suite in D Major: Alla Hornpipe | Collegium Aureum | — | |
| 2-18 | Suite in D Major: Minuet | Collegium Aureum | — | |
| 2-19 | Suite in D Major: Lentement | Collegium Aureum | — | |
| 2-20 | Suite in D Major: Bourree | Collegium Aureum | — | |
| 2-21 | Suite in G Major: Andante | Collegium Aureum | — | |
| 2-22 | Suite in G Major: Rigauden I & II | Collegium Aureum | — | |
| 2-23 | Suite in G Major: Menuet I & II | Collegium Aureum | — | |
| 2-24 | Suite in G Major: Gigue I & II | Collegium Aureum | — | |
| 3-1 | Les Indes Galantes : Ouverture | Collegium Aureum | — | |
| 3-2 | Les Indes Galantes : Entrée des Quatre Nations | Collegium Aureum | — | |
| 3-3 | Les Indes Galantes : Menuet I et II | Collegium Aureum | — | |
| 3-4 | Les Indes Galantes : Forlane | Collegium Aureum | — | |
| 3-5 | Les Indes Galantes : Rondeau | Collegium Aureum | — | |
| 3-6 | Les Indes Galantes : Air por les amours | Collegium Aureum | — | |
| 3-7 | Les Indes Galantes : Contre-danse | Collegium Aureum | T-801.787.297-9 | |
| 3-8 | Les Indes Galantes : Air pour les Persans | Collegium Aureum | — | |
| 3-9 | Les Indes Galantes : Air vif pour Zéphire et la Rose | Collegium Aureum | — | |
| 3-10 | Les Indes Galantes : Air pour Borée et la Rose | Collegium Aureum | — | |
| 3-11 | Les Indes Galantes : Gavotte des Fleurs | Collegium Aureum | — | |
| 3-12 | Les Indes Galantes : Air tendre pur la Rose | Collegium Aureum | — | |
| 3-13 | Les Indes Galantes : Gavotte pour les Fleurs | Collegium Aureum | — | |
| 3-14 | Les Indes Galantes : Tambourin | Collegium Aureum | T-912.761.754-3 | |
| 3-15 | Les Indes Galantes : Chaconne | Collegium Aureum | — | |
| 3-16 | Dardanus : Ouverture | Collegium Aureum | — | |
| 3-17 | Dardanus : Marche pour les different nations | Collegium Aureum | — | |
| 3-18 | Dardanus : Menuet tendre en rondeau | Collegium Aureum | — | |
| 3-19 | Dardanus : Tambourin I et II | Collegium Aureum | — | |
| 3-20 | Dardanus : Air vif | Collegium Aureum | — | |
| 3-21 | Dardanus : Rigaudon I et II | Collegium Aureum | — | |
| 3-22 | Dardanus : Air en Rondeau | Collegium Aureum | — | |
| 3-23 | Dardanus : Entréss | Collegium Aureum | — | |
| 3-24 | Dardanus : Sommeil | Collegium Aureum | — | |
| 3-25 | Dardanus : Tambourin I et II | Collegium Aureum | — | |
| 3-26 | Dardanus : Chaconne | Collegium Aureum | T-004.687.105-9 | |
| 4-1 | Kaffee-Kantate, BWV 211: I. Recitativo (Erzähler): Schweigt stille, plaudert nicht | Gerald English, Collegium Aureum, Franzjosef Maier | — | |
| 4-2 | Kaffee-Kantate, BWV 211: II. Aria (Schlendrian): Hat man nicht mit seinen Kindern | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-3 | Kaffee-Kantate, BWV 211: III. Recitativo (Schlendrian): Du böses Kind, du loses Mädchen | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-4 | Kaffee-Kantate, BWV 211: IV. Aria (Lieschen): Ei, wie schmeckt der Coffee süße | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-5 | Kaffee-Kantate, BWV 211: V. Recitativo (Schlendrian): Wenn du mir nicht den Coffee läßt | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-6 | Kaffee-Kantate, BWV 211: VI. Aria (Schlendrian): Mädchen, die von harten Sinnen | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-7 | Kaffee-Kantate, BWV 211: VII. Recitativo (Schlendrian): Nun folge, was dein Vater spricht | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-8 | Kaffee-Kantate, BWV 211: VIII. Aria (Lieschen): Heute noch, heute noch | Siegmund Nimsgern, Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-9 | Kaffee-Kantate, BWV 211: IX. Recitativo (Erzähler): Nun geht und sucht der alte Schlendrian | Gerald English, Collegium Aureum, Franzjosef Maier | — | |
| 4-10 | Kaffee-Kantate, BWV 211: X. Coro: Die Katze läßt das Mausen nicht | Elly Ameling, Gerald English, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-11 | Bauern-Kantate, BWV 212: I. Sinfonia | Collegium Aureum, Franzjosef Maier | — | |
| 4-12 | Bauern-Kantate, BWV 212: II. Duetto: Mer han en neue Oberkeet | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-13 | Bauern-Kantate, BWV 212: III. Recitativo (Basso): Nu, Miecke, gib dein Guschel immer her | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | T-011.170.221-6 | |
| 4-14 | Bauern-Kantate, BWV 212: IV. Aria (Soprano): Ach es schmeckt doch gar zu gut | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-15 | Bauern-Kantate, BWV 212: V. Recitativo (Basso): Der Herr ist gut | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-16 | Bauern-Kantate, BWV 212: VI. Aria (Basso): Ach, Herr Schösser, geht nicht gar zu schlimm | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-17 | Bauern-Kantate, BWV 212: VII. Recitativo (Soprano): Es bleibt dabei, daß unser Herr der beste sei | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-18 | Bauern-Kantate, BWV 212: VIII. Aria (Soprano): Unser trefflicher lieber Kammerherr | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-19 | Bauern-Kantate, BWV 212: IX. Recitativo (Basso): Er hilft uns allen, alt und jung | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-20 | Bauern-Kantate, BWV 212: X. Aria (Soprano): Das ist galant | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-21 | Bauern-Kantate, BWV 212: XI. Recitativo (Basso): Und unsre gnädige Frau ist nicht ein prinkel stolz | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-22 | Bauern-Kantate, BWV 212: XII. Aria (Basso): Fünfzig Taler bares Geld | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-23 | Bauern-Kantate, BWV 212: XIII. Recitativo (Soprano): Im Ernst ein Wort! | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-24 | Bauern-Kantate, BWV 212: XIV. Aria (Soprano): Klein Zschocher müsse so zart und süße | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-25 | Bauern-Kantate, BWV 212: XV. Recitativo (Basso): Das ist zu klug vor dich | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-26 | Bauern-Kantate, BWV 212: XVI. Aria (Basso): Es nehme zehntausend Ducaten | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-27 | Bauern-Kantate, BWV 212: XVII. Recitativo (Soprano): Das klingt zu liederlich | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-28 | Bauern-Kantate, BWV 212: XVIII. Aria (Soprano): Gib, Schöne, viel Söhne von artger Gestalt | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-29 | Bauern-Kantate, BWV 212: XIX. Recitativo (Basso): Du hast wohl recht | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-30 | Bauern-Kantate, BWV 212: XX. Aria (Basso): Dein Wachstum sei feste und lache vor Lust | Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-31 | Bauern-Kantate, BWV 212: XXI. Recitativo (Soprano): Und damit sei es auch genug | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-32 | Bauern-Kantate, BWV 212: XXII. Recitativo (Basso): Und daß ihr's alle wißt | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 4-33 | Bauern-Kantate, BWV 212: XXIII. Aria (Soprano): Mein Schatz, erraten! | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 4-34 | Bauern-Kantate, BWV 212: XXIV. Coro: Wir gehn nun, wo der Tudelsack | Elly Ameling, Siegmund Nimsgern, Collegium Aureum, Franzjosef Maier | — | |
| 5-1 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Weichet nur, betrübte Schatten | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-2 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Die Welt wird wieder neu | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-3 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Phöbus eilt mit schnellen Pfeilen | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-4 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Drum sucht auch Amor sein Vergnügen | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-5 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Wenn die Frühlingslüfte streichen | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-6 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Und dieses ist das Glücke | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-7 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Sich üben im Lieben | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-8 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: So sei das Band der keuschen Liebe | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-9 | Kantate "Weichet nur, betrübte Schatten" / "Hochzeits", BWV 202: Sehet in Zufriedenheit | Elly Ameling, Collegium Aureum, Reinhard Peters | — | |
| 5-10 | Kantate "Non sà che sia dolore", BWV 209: Sinfonia | Collegium Aureum, Franzjosef Maier | — | |
| 5-11 | Kantate "Non sà che sia dolore", BWV 209: Non sà che sia dolore | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 5-12 | Kantate "Non sà che sia dolore", BWV 209: Parti pur col dolore | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 5-13 | Kantate "Non sà che sia dolore", BWV 209: Tuo saver al tempo e l'età | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 5-14 | Kantate "Non sà che sia dolore", BWV 209: Recitti gramezza e pavento | Elly Ameling, Collegium Aureum, Franzjosef Maier | — | |
| 6-1 | 3 branles de bourgogne & branle gay nouveau | — | ||
| 6-2 | Pavane "mille regretz" - ronde - pavane "si pas souffrir" - ronde und saltarelle - hoboecken dans - ronde "il estoit une fillette" | — | ||
| 6-3 | Branle | — | ||
| 6-4 | L'arboscello ballo furlano | — | ||
| 6-5 | Pavana - galliarda | — | ||
| 6-6 | 3 Intraden | — | ||
| 6-7 | Tordion - pavane - galliarde | — | ||
| 6-8 | Polnischer tanz - galliarde | — | ||
| 7-1 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Aria Uberto 'Aspettare, e non venire' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-2 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-3 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Aria Uberto 'Sempre in contrasti' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-4 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-5 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Aria Serpina 'Stizzoso, mio stizzoso' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-6 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-7 | La Serva Padrona (Intermezzo buffo in due atti): Atto primo: Duetto 'La conosco a quegl'occhietti' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-8 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-9 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Aria Serpina 'A Serpina penserete' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-10 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-11 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Aria Uberto 'Son imbrogliato io già' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-12 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Recitativo | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 7-13 | La Serva Padrona (Intermezzo buffo in due atti): Atto secondo: Duetto 'Per te io ho nel core' | Franzjosef Maier, Fritz Neumeyer, Collegium Aureum | — | |
| 8-1 | Missa sancti Henrici: Kyrie | Heinrich Ignaz Franz von Biber | — | |
| 8-2 | Missa sancti Henrici: Gloria | Heinrich Ignaz Franz von Biber | — | |
| 8-3 | Missa sancti Henrici: Credo | Heinrich Ignaz Franz von Biber | — | |
| 8-4 | Missa sancti Henrici: Sanctus et benedictus | Heinrich Ignaz Franz von Biber | — | |
| 8-5 | Missa sancti Henrici: Agnus dei | Heinrich Ignaz Franz von Biber | — | |
| 8-6 | Sonatae tam aris quam aulis servientes, sonata I a otto 1676: (Allegro) | Heinrich Ignaz Franz von Biber | — | |
| 8-7 | Sonatae tam aris quam aulis servientes, sonata I a otto 1676: Adagio - presto | Heinrich Ignaz Franz von Biber | — | |
| 8-8 | Sonatae tam aris quam aulis servientes, sonata I a otto 1676: Allegro | Heinrich Ignaz Franz von Biber | — | |
| 8-9 | Sonatae tam aris quam aulis servientes, sonata XII a otto 1676: (Allegro) | Heinrich Ignaz Franz von Biber | — | |
| 8-10 | Sonatae tam aris quam aulis servientes, sonata XII a otto 1676: Adagio - allegro | Heinrich Ignaz Franz von Biber | — | |
| 8-11 | Sonatae tam aris quam aulis servientes, sonata XII a otto 1676: Adagio - presto | Heinrich Ignaz Franz von Biber | — | |
| 9-1 | Konzert A-Dur, KV 622 für Klarinette und Orchester: Allegro | Hans Deinzer, Collegium Aureum, Franzjosef Maier | — | |
| 9-2 | Konzert A-Dur, KV 622 für Klarinette und Orchester: Adagio | Hans Deinzer, Collegium Aureum, Franzjosef Maier | T-913.940.388-6 | |
| 9-3 | Konzert A-Dur, KV 622 für Klarinette und Orchester: Rondo. allegro | Hans Deinzer, Collegium Aureum, Franzjosef Maier | T-308.457.046-3 | |
| 9-4 | Konzert C-Dur, KV 314 für Oboe und Orchester: Allegro aperto | Helmut Hucke, Collegium Aureum, Franzjosef Maier | — | |
| 9-5 | Konzert C-Dur, KV 314 für Oboe und Orchester: Adagio non troppo | Helmut Hucke, Collegium Aureum, Franzjosef Maier | T-801.974.499-2 | |
| 9-6 | Konzert C-Dur, KV 314 für Oboe und Orchester: Rondo. allegretto | Helmut Hucke, Collegium Aureum, Franzjosef Maier | — | |
| 10-1 | Missa C-Dur, KV 317 "Krönungsmesse": Kyrie | Hans Buchhierl, Theo Altmeyer, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-2 | Missa C-Dur, KV 317 "Krönungsmesse": Gloria | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-3 | Missa C-Dur, KV 317 "Krönungsmesse": Credo | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | T-915.866.112-2 | |
| 10-4 | Missa C-Dur, KV 317 "Krönungsmesse": Sanctus | Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-5 | Missa C-Dur, KV 317 "Krönungsmesse": Benedictus | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | T-106.642.813-3 | |
| 10-6 | Missa C-Dur, KV 317 "Krönungsmesse": Agnus dei | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-7 | Vesperae solennes de confessore, KV 339: Dixit | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-8 | Vesperae solennes de confessore, KV 339: Confitebor | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-9 | Vesperae solennes de confessore, KV 339: Beatus vir | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | T-319.953.420-4 | |
| 10-10 | Vesperae solennes de confessore, KV 339: Laudate pueri | Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-11 | Vesperae solennes de confessore, KV 339: Laudate dominum | Hans Buchhierl, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | T-900.135.371-5 | |
| 10-12 | Vesperae solennes de confessore, KV 339: Magnificat | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — | |
| 10-13 | Litaniae Lauretanae, KV 109 | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | — |
