UPC · Release
Mahler, New York Philharmonic, Leonard Bernstein
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The UPC for “The Complete Mahler Symphonies” by Mahler, New York Philharmonic, Leonard Bernstein is 886979433328. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Sony Classical. This release contains 45 tracks, each with its own ISRC. Tracks include USSM10702621, USSM10702622, USSM10702623.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 2 | Symphony no. 1 “Titan”: II. Kräftig bewegt, doch nicht zu schnell | New York Philharmonic, Leonard Bernstein | — | |
| 3 | Symphony no. 1 “Titan”: III. Feierlich und gemessen, ohne zu schleppen | New York Philharmonic, Leonard Bernstein | — | |
| 4 | Symphony no. 1 “Titan”: IV. Stürmisch bewegt – Energisch | New York Philharmonic, Leonard Bernstein | T-900.953.062-5 | |
| 2-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | New York Philharmonic, Leonard Bernstein | — | |
| 3-1 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 3-2 | Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung | New York Philharmonic, Leonard Bernstein | — | |
| 3-3 | Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!” | Jennie Tourel, New York Philharmonic, Leonard Bernstein | — | |
| 3-4 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube” | Jennie Tourel, Lee Venora, The Collegiate Chorale, New York Philharmonic, Leonard Bernstein | — | |
| 4-1 | Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden | New York Philharmonic, Leonard Bernstein | — | |
| 5-1 | Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig | New York Philharmonic, Leonard Bernstein | — | |
| 5-2 | Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast | New York Philharmonic, Leonard Bernstein | — | |
| 5-3 | Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!” | Martha Lipton, New York Philharmonic, Leonard Bernstein | — | |
| 5-4 | Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck | — | ||
| 5-5 | Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden | New York Philharmonic, Leonard Bernstein | — | |
| 6-1 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | New York Philharmonic, Leonard Bernstein | — | |
| 6-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | New York Philharmonic, Leonard Bernstein | — | |
| 6-3 | Symphony no. 4 in G major: III. Ruhevoll | New York Philharmonic, Leonard Bernstein | — | |
| 6-4 | Symphony no. 4 in G major: IV. Sehr behaglich. “Wir genießen die himmlischen Freuden” | Reri Grist, New York Philharmonic, Leonard Bernstein | — | |
| 7-1 | Symphony no. 5 in C‐sharp minor, Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Konduct | New York Philharmonic, Leonard Bernstein | — | |
| 7-2 | Symphony no. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz | New York Philharmonic, Leonard Bernstein | — | |
| 7-3 | Symphony no. 5 in C‐sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell | James Chambers, New York Philharmonic, Leonard Bernstein | — | |
| 7-4 | Symphony no. 5 in C‐sharp minor, Part III: IV. Adagietto. Sehr langsam | New York Philharmonic, Leonard Bernstein | — | |
| 7-5 | Symphony no. 5 in C‐sharp minor, Part III: V. Rondo – Finale. Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 8-1 | Symphony no. 6 in A minor, “Tragic”: I. Allegro energico, ma non troppo | New York Philharmonic, Leonard Bernstein | — | |
| 8-2 | Symphony no. 6 in A minor, “Tragic”: II. Scherzo. Wuchtig | New York Philharmonic, Leonard Bernstein | — | |
| 8-3 | Symphony no. 6 in A minor, “Tragic”: III. Andante moderato | New York Philharmonic, Leonard Bernstein | — | |
| 8-4 | Symphony no. 6 in A minor, “Tragic”: IV. Finale. Allegro moderato – Allegro energico | New York Philharmonic, Leonard Bernstein | — | |
| 9-1 | Symphony no. 9 in D major: I. Andante comodo | New York Philharmonic, Leonard Bernstein | — | |
| 9-2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | New York Philharmonic, Leonard Bernstein | — | |
| 9-3 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | New York Philharmonic, Leonard Bernstein | — | |
| 9-4 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 10-1 | Symphony no. 7 in E minor: I. Langsam (Adagio) | New York Philharmonic, Leonard Bernstein | — | |
| 10-2 | Symphony no. 7 in E minor: II. Nachtmusik I. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 10-3 | Symphony no. 7 in E minor: III. Scherzo. Schattenhaft | New York Philharmonic, Leonard Bernstein | — | |
| 10-4 | Symphony no. 7 in E minor: IV. Nachtmusik II. Andante amoroso | New York Philharmonic, Leonard Bernstein | — | |
| 10-5 | Symphony no. 7 in E minor: V. Rondo – Finale. Tempo I (Allegro ordinario) | New York Philharmonic, Leonard Bernstein | — | |
| 11-1 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: I. Teil. Hymnus: “Veni, creator spiritus” | London Symphony Orchestra, Leonard Bernstein | — | |
| 11-2 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: II. Teil. Schlußszene aus Faust | London Symphony Orchestra, Leonard Bernstein | — | |
| 12-1 | Adagio from Symphony no. 10 | New York Philharmonic, Leonard Bernstein | — | |
| 12-2 | Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-3 | Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-4 | Kindertotenlieder: III. Wenn dein Mütterlein | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-5 | Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-6 | Kindertotenlieder: V. In diesem Wetter, in diesem Braus | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
886979433328 is a Universal Product Code (UPC) assigned to The Complete Mahler Symphonies by Mahler, New York Philharmonic, Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 45 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Complete Mahler Symphonies” by Mahler, New York Philharmonic, Leonard Bernstein is 886979433328. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Sony Classical. This release contains 45 tracks, each with its own ISRC. Tracks include USSM10702621, USSM10702622, USSM10702623.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 2 | Symphony no. 1 “Titan”: II. Kräftig bewegt, doch nicht zu schnell | New York Philharmonic, Leonard Bernstein | — | |
| 3 | Symphony no. 1 “Titan”: III. Feierlich und gemessen, ohne zu schleppen | New York Philharmonic, Leonard Bernstein | — | |
| 4 | Symphony no. 1 “Titan”: IV. Stürmisch bewegt – Energisch | New York Philharmonic, Leonard Bernstein | T-900.953.062-5 | |
| 2-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | New York Philharmonic, Leonard Bernstein | — | |
| 3-1 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 3-2 | Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung | New York Philharmonic, Leonard Bernstein | — | |
| 3-3 | Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!” | Jennie Tourel, New York Philharmonic, Leonard Bernstein | — | |
| 3-4 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube” | Jennie Tourel, Lee Venora, The Collegiate Chorale, New York Philharmonic, Leonard Bernstein | — | |
| 4-1 | Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden | New York Philharmonic, Leonard Bernstein | — | |
| 5-1 | Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig | New York Philharmonic, Leonard Bernstein | — | |
| 5-2 | Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast | New York Philharmonic, Leonard Bernstein | — | |
| 5-3 | Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!” | Martha Lipton, New York Philharmonic, Leonard Bernstein | — | |
| 5-4 | Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck | — | ||
| 5-5 | Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden | New York Philharmonic, Leonard Bernstein | — | |
| 6-1 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | New York Philharmonic, Leonard Bernstein | — | |
| 6-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | New York Philharmonic, Leonard Bernstein | — | |
| 6-3 | Symphony no. 4 in G major: III. Ruhevoll | New York Philharmonic, Leonard Bernstein | — | |
| 6-4 | Symphony no. 4 in G major: IV. Sehr behaglich. “Wir genießen die himmlischen Freuden” | Reri Grist, New York Philharmonic, Leonard Bernstein | — | |
| 7-1 | Symphony no. 5 in C‐sharp minor, Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Konduct | New York Philharmonic, Leonard Bernstein | — | |
| 7-2 | Symphony no. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz | New York Philharmonic, Leonard Bernstein | — | |
| 7-3 | Symphony no. 5 in C‐sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell | James Chambers, New York Philharmonic, Leonard Bernstein | — | |
| 7-4 | Symphony no. 5 in C‐sharp minor, Part III: IV. Adagietto. Sehr langsam | New York Philharmonic, Leonard Bernstein | — | |
| 7-5 | Symphony no. 5 in C‐sharp minor, Part III: V. Rondo – Finale. Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 8-1 | Symphony no. 6 in A minor, “Tragic”: I. Allegro energico, ma non troppo | New York Philharmonic, Leonard Bernstein | — | |
| 8-2 | Symphony no. 6 in A minor, “Tragic”: II. Scherzo. Wuchtig | New York Philharmonic, Leonard Bernstein | — | |
| 8-3 | Symphony no. 6 in A minor, “Tragic”: III. Andante moderato | New York Philharmonic, Leonard Bernstein | — | |
| 8-4 | Symphony no. 6 in A minor, “Tragic”: IV. Finale. Allegro moderato – Allegro energico | New York Philharmonic, Leonard Bernstein | — | |
| 9-1 | Symphony no. 9 in D major: I. Andante comodo | New York Philharmonic, Leonard Bernstein | — | |
| 9-2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | New York Philharmonic, Leonard Bernstein | — | |
| 9-3 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | New York Philharmonic, Leonard Bernstein | — | |
| 9-4 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 10-1 | Symphony no. 7 in E minor: I. Langsam (Adagio) | New York Philharmonic, Leonard Bernstein | — | |
| 10-2 | Symphony no. 7 in E minor: II. Nachtmusik I. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 10-3 | Symphony no. 7 in E minor: III. Scherzo. Schattenhaft | New York Philharmonic, Leonard Bernstein | — | |
| 10-4 | Symphony no. 7 in E minor: IV. Nachtmusik II. Andante amoroso | New York Philharmonic, Leonard Bernstein | — | |
| 10-5 | Symphony no. 7 in E minor: V. Rondo – Finale. Tempo I (Allegro ordinario) | New York Philharmonic, Leonard Bernstein | — | |
| 11-1 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: I. Teil. Hymnus: “Veni, creator spiritus” | London Symphony Orchestra, Leonard Bernstein | — | |
| 11-2 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: II. Teil. Schlußszene aus Faust | London Symphony Orchestra, Leonard Bernstein | — | |
| 12-1 | Adagio from Symphony no. 10 | New York Philharmonic, Leonard Bernstein | — | |
| 12-2 | Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-3 | Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-4 | Kindertotenlieder: III. Wenn dein Mütterlein | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-5 | Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-6 | Kindertotenlieder: V. In diesem Wetter, in diesem Braus | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — |
