UPC · Release
Various Artists
Last verified:
The UPC for “KulturSPIEGEL: Die besten guten Klassik-CDs, Vol. 1” by Various Artists is 886979512924. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. This release contains 246 tracks, each with its own ISRC. Tracks include HKI190701108, USSM10008530, USSM10008531.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Goldberg Variations, BWV 988: Aria | Glenn Gould | T-902.128.688-4 | |
| 2 | Goldberg-Variationen BWV 988, Variatio 1, a 1 Clav. | — | ||
| 3 | Goldberg-Variationen BWV 988, Variatio 2, a 1 Clav. | — | ||
| 4 | Goldberg-Variationen BWV 988, Variatio 3, a 1 Clav. Canone all Unisono | — | ||
| 5 | Goldberg-Variationen BWV 988, Variatio 4, a 1 Clav. | — | ||
| 6 | Goldberg-Variationen BWV 988, Variatio 5, a 1 ovvero 2 Clav. | — | ||
| 7 | Goldberg-Variationen BWV 988, Variatio 6, a 1 Clav. Canone alla Seconda | — | ||
| 8 | Goldberg-Variationen BWV 988, Variatio 7, a 1 ovvero 2 Clav. Al tempo di Giga | — | ||
| 9 | Goldberg-Variationen BWV 988, Variatio 8, a 2 Clav. | — | ||
| 10 | Goldberg-Variationen BWV 988, Variatio 9, a 1 Clav. Canone alla Terza | — | ||
| 11 | Goldberg-Variationen BWV 988, Variatio 10, a 1 Clav. Fughetta | — | ||
| 12 | Goldberg-Variationen BWV 988, Variatio 11, a 2 Clav. | — | ||
| 13 | Goldberg-Variationen BWV 988, Variatio 12, Canone alla Quarta | — | ||
| 14 | Goldberg-Variationen BWV 988, Variatio 13, a 2 Clav. | — | ||
| 15 | Goldberg-Variationen BWV 988, Variatio 14, a 2 Clav. | — | ||
| 16 | Goldberg-Variationen BWV 988, Variatio 15, a 1 Clav. Canone alla Quinta. Andante | — | ||
| 17 | Goldberg-Variationen BWV 988, Variatio 16, a 1 Clav. Ouverture | — | ||
| 18 | Goldberg-Variationen BWV 988, Variatio 17, a 2 Clav. | — | ||
| 19 | Goldberg-Variationen BWV 988, Variatio 18, a 1 Clav. Canone alla Sesta | — | ||
| 20 | Goldberg-Variationen BWV 988, Variatio 19, a 1 Clav. | — | ||
| 21 | Goldberg-Variationen BWV 988, Variatio 20, a 2 Clav. | — | ||
| 22 | Goldberg-Variationen BWV 988, Variatio 21, Canone alla Settima | — | ||
| 23 | Goldberg-Variationen BWV 988, Variatio 22, a 1 Clav. Alla breve | — | ||
| 24 | Goldberg-Variationen BWV 988, Variatio 23, a 2 Clav. | — | ||
| 25 | Goldberg-Variationen BWV 988, Variatio 24, a 1 Clav. Canone all'Ottava | — | ||
| 26 | Goldberg-Variationen BWV 988, Variatio 25, a 2 Clav. Adagio | — | ||
| 27 | Goldberg-Variationen BWV 988, Variatio 26, a 2 Clav. | — | ||
| 28 | Goldberg-Variationen BWV 988, Variatio 27, a 2 Clav. Canone alla Nona | — | ||
| 29 | Goldberg-Variationen BWV 988, Variatio 28, a 2 Clav. | — | ||
| 30 | Goldberg-Variationen BWV 988, Variatio 29, a 1 ovvero 2 Clav. | — | ||
| 31 | Goldberg-Variationen BWV 988, Variatio 30, a 1 Clav. Quodlibet | — | ||
| 32 | Goldberg-Variationen BWV 988, Aria da Capo | — | ||
| 33 | Das wohltemperierte Clavier II, Fuge Nr. 4 fis-Moll BWV 883 | — | ||
| 34 | Das wohltemperierte Clavier II, Fuge Nr. 9 E-Dur BWV 878 | — | ||
| 2-1 | Rokoko-Variationen A-Dur op. 33, Moderato quasi Andante | — | ||
| 2-2 | Rokoko-Variationen A-Dur op. 33, Thema: Moderato semplice | — | ||
| 2-3 | Rokoko-Variationen A-Dur op. 33, Variation I: Tempo della Thema | — | ||
| 2-4 | Rokoko-Variationen A-Dur op. 33, Variation II: Tempo della Thema | — | ||
| 2-5 | Rokoko-Variationen A-Dur op. 33, Variation III: Andante sostenuto | — | ||
| 2-6 | Rokoko-Variationen A-Dur op. 33, Variation IV: Andante grazioso | — | ||
| 2-7 | Rokoko-Variationen A-Dur op. 33, Variation V: Allegro moderato | — | ||
| 2-8 | Rokoko-Variationen A-Dur op. 33, Variation VI: Andante | — | ||
| 2-9 | Rokoko-Variationen A-Dur op. 33, Variation VII e Coda: Allegro Vivo | — | ||
| 2-10 | Andante cantabile op. posth. (1888) | — | ||
| 2-11 | Pezzo capriccioso op. 62 | — | ||
| 2-12 | Nocturne (1888) | — | ||
| 2-13 | Konzert für Violoncello und Orchester Nr. 1 a-Moll op. 33, Allegro non troppo | — | ||
| 2-14 | Konzert für Violoncello und Orchester Nr. 1 a-Moll op. 33, Allegretto con moto | — | ||
| 2-15 | Konzert für Violoncello und Orchester Nr. 1 a-Moll op. 33, Tempo primo | — | ||
| 3-1 | Sinfonie Nr. 82 C-Dur Hob. 1:82 "L'Ours" (1786), I. Vivace assai | — | ||
| 3-2 | Sinfonie Nr. 82 C-Dur Hob. 1:82 "L'Ours" (1786), II. Allegretto | — | ||
| 3-3 | Sinfonie Nr. 82 C-Dur Hob. 1:82 "L'Ours" (1786), III. Menuet/Trio | — | ||
| 3-4 | Sinfonie Nr. 82 C-Dur Hob. 1:82 "L'Ours" (1786), IV. Finale: Vivace | — | ||
| 3-5 | Sinfonie Nr. 83 g-Moll Hob 1:83 "La Poule" (1785), I. Allegro spiritoso | — | ||
| 3-6 | Sinfonie Nr. 83 g-Moll Hob 1:83 "La Poule" (1785), II. Andante | — | ||
| 3-7 | Sinfonie Nr. 83 g-Moll Hob 1:83 "La Poule" (1785), III. Menuetto: Allegretto/Trio | — | ||
| 3-8 | Sinfonie Nr. 83 g-Moll Hob 1:83 "La Poule" (1785), IV. Finale: Vivace | — | ||
| 4-1 | Ariodante: “Qui d'amor“ | — | ||
| 4-2 | Ariodante: “T'amerò dunque” - Arie: “Con l'ali di constanza” | — | ||
| 4-3 | Ariodante: “Scherza infida” | — | ||
| 4-4 | Ariodante: “Dopo notte” | — | ||
| 4-5 | Giulio Cesare: “Svegliatevi nel core” | — | ||
| 4-6 | Giulio Cesare: “Cara speme” | — | ||
| 4-7 | Giulio Cesare: “L'angue offeso” | — | ||
| 4-8 | Arianna in Creta: “Sdegnata sei” | — | ||
| 4-9 | Arianna in Creta: “Oh patria! - Sol ristoro” | — | ||
| 4-10 | Arianna in Creta: “Salda quercia” | — | ||
| 4-11 | Arianna in Creta: “Qual Leonardo Leon” | — | ||
| 4-12 | Arianna in Creta: “Ove son” - Arie: “Qui ti sfido” | — | ||
| 5-1 | 12 Etüden op. 10, Etüde Nr. 1 C-Dur | — | ||
| 5-2 | 12 Etüden op. 10, Etüde Nr. 2 a-Moll | — | ||
| 5-3 | 12 Etüden op. 10, Etüde Nr. 3 E-Dur | — | ||
| 5-4 | 12 Etüden op. 10, Etüde Nr. 4 cis-Moll | — | ||
| 5-5 | 12 Etüden op. 10, Etüde Nr. 5 Ges-Dur "Scharze Tasten Etüde" | — | ||
| 5-6 | 12 Etüden op. 10, Etüde Nr. 6 es-Moll | — | ||
| 5-7 | 12 Etüden op. 10, Etüde Nr. 7 C-Dur | — | ||
| 5-8 | 12 Etüden op. 10, Etüde Nr. 8 F-Dur | — | ||
| 5-9 | 12 Etüden op. 10, Etüde Nr. 9 f-Moll | — | ||
| 5-10 | 12 Etüden op. 10, Etüde Nr. 10 As-Dur | — | ||
| 5-11 | 12 Etüden op. 10, Etüde Nr. 11 Es-Dur | — | ||
| 5-12 | 12 Etüden op. 10, Etüde Nr. 12 c-Moll "Revolutionsetüde" | — | ||
| 5-13 | 12 Etüden op. 25, Etüde Nr. 1 As-Dur | — | ||
| 5-14 | 12 Etüden op. 25, Etüde Nr. 2 f-Moll | — | ||
| 5-15 | 12 Etüden op. 25, Etüde Nr. 3 F-Dur | — | ||
| 5-16 | 12 Etüden op. 25, Etüde Nr. 4 a-Moll | — | ||
| 5-17 | 12 Etüden op. 25, Etüde Nr. 5 e-Moll | — | ||
| 5-18 | 12 Etüden op. 25, Etüde Nr. 6 gis-Moll "Terzenetüde" | — | ||
| 5-19 | 12 Etüden op. 25, Etüde Nr. 7 cis-Moll | — | ||
| 5-20 | 12 Etüden op. 25, Etüde Nr. 8 Des-Dur "Sextenetüde" | — | ||
| 5-21 | 12 Etüden op. 25, Etüde Nr. 9 Ges-Dur | — | ||
| 5-22 | 12 Etüden op. 25, Etüde Nr. 10 h-Moll "Oktavenetüde" | — | ||
| 5-23 | 12 Etüden op. 25, Etüde Nr. 11 a-Moll | — | ||
| 5-24 | 12 Etüden op. 25, Etüde Nr. 12 c-Moll | — | ||
| 6-1 | L'Olimpiade, "Tu me da me dividi" | — | ||
| 6-2 | Lucio Papirio, "Morte amara" | — | ||
| 6-3 | Flavio Anicio Olibrio, "Se non dovesse il piè" | — | ||
| 6-4 | Artaserse, "Fra cento affanni e cento" | — | ||
| 6-5 | Il Demetrio, "Manca sollecita" | — | ||
| 6-6 | Viriate, "Cone nave in mezzo all'onde" | — | ||
| 6-7 | Adriano in Siria, "Lieto così talvolta" | — | ||
| 6-8 | Antigono, "Perché, se tanti siete" | — | ||
| 6-9 | Artaserse, "No che non ha la sorte" "Vo solcando un mar crudele" | — | ||
| 6-10 | Lucio Papirio, "Tocco il porto" | — | ||
| 6-11 | Didone abbandonata, "Tu dici ch'io non speri" "L'augelletto in lacci stretto" | — | ||
| 6-12 | L'Olimpiade, "Mentre dormi amor fomenti" | — | ||
| 7-1 | Concerto g-Moll für Blockflöte, Streicher und B.C., I. Allegro | — | ||
| 7-2 | Concerto g-Moll für Blockflöte, Streicher und B.C., II. Adagio | — | ||
| 7-3 | Concerto g-Moll für Blockflöte, Streicher und B.C., III. Allegro | — | ||
| 7-4 | Concerto C-Dur für Blockflöte, Streicher und B.C., I. Allegretto | — | ||
| 7-5 | Concerto C-Dur für Blockflöte, Streicher und B.C., II. Allegro | — | ||
| 7-6 | Concerto C-Dur für Blockflöte, Streicher und B.C., III. Andante | — | ||
| 7-7 | Concerto C-Dur für Blockflöte, Streicher und B.C., IV. Tempo di menuet | — | ||
| 7-8 | Suite F-Dur für Blockflöte, Streicher und B.C., I. Ouverture | — | ||
| 7-9 | Suite F-Dur für Blockflöte, Streicher und B.C., II. La speranza (tempo giusto) | — | ||
| 7-10 | Suite F-Dur für Blockflöte, Streicher und B.C., III. Air en gavotte | — | ||
| 7-11 | Suite F-Dur für Blockflöte, Streicher und B.C., IV. Menuet | — | ||
| 7-12 | Suite F-Dur für Blockflöte, Streicher und B.C., V. Air | — | ||
| 7-13 | Suite F-Dur für Blockflöte, Streicher und B.C., VI. Plaisantrie | — | ||
| 7-14 | Concerto G-Dur für Blockflöte, Streicher und B.C., I. Allegro | — | ||
| 7-15 | Concerto G-Dur für Blockflöte, Streicher und B.C., II. Adagio | — | ||
| 7-16 | Concerto G-Dur für Blockflöte, Streicher und B.C., III. Vivace | — | ||
| 8-1 | Serenade D-Dur KV 320 "Posthorn-Serenade", I. Adagio maestoso - Allegro con spirito | — | ||
| 8-2 | Serenade D-Dur KV 320 "Posthorn-Serenade", II. Menuetto: Allegretto - Trio | — | ||
| 8-3 | Serenade D-Dur KV 320 "Posthorn-Serenade", III. Concertante: Andante grazioso | — | ||
| 8-4 | Serenade D-Dur KV 320 "Posthorn-Serenade", IV. Rondeau: Allegro ma non troppo | — | ||
| 8-5 | Serenade D-Dur KV 320 "Posthorn-Serenade", V. Andantino | — | ||
| 8-6 | Serenade D-Dur KV 320 "Posthorn-Serenade", VI. Menuetto - Trio I - Trio II | — | ||
| 8-7 | Serenade D-Dur KV 320 "Posthorn-Serenade", VII. Finale: Presto | — | ||
| 8-8 | Sinfonie Nr. 36 C-Dur KV 425 "Linzer Sinfonie", I. Adagio - Allegro spiritoso | — | ||
| 8-9 | Sinfonie Nr. 36 C-Dur KV 425 "Linzer Sinfonie", II. Andante | — | ||
| 8-10 | Sinfonie Nr. 36 C-Dur KV 425 "Linzer Sinfonie", III. Menuetto - Trio | — | ||
| 8-11 | Sinfonie Nr. 36 C-Dur KV 425 "Linzer Sinfonie", IV. Presto | — | ||
| 9-1 | The Fairy Queen, Prelude in g. Hornpipe in g | — | ||
| 9-2 | The Fairy Queen, Air in B. Rondeau in B | — | ||
| 9-3 | The Fairy Queen, Overture in D | — | ||
| 9-4 | The Fairy Queen, Prelude in C. Entry Dance in C. Dance for the Fairies in G | — | ||
| 9-5 | The Fairy Queen, Overture in g (Symphony while the swans come forward). Air in G (Song: If love's a sweet passion). Prelude in g | — | ||
| 9-6 | The Fairy Queen, Hornpipe in g | — | ||
| 9-7 | The Fairy Queen, Symphony. Canzona - Largo - Allegro - Adagio - Allegro | — | ||
| 9-8 | Dido and Aeneas, Overture in c. Air in c (Song: Peace and I are strangers grown). The Triumphing Dance in C | — | ||
| 9-9 | Dido and Aeneas, Ritornelle in d. Air (Chorus: Thanks to these lonesime vales). Dance in d (A Dance to entertain Aeneas by Dido's women) | — | ||
| 9-10 | Dido and Aeneas, Echo Dance of Furies in F | — | ||
| 9-11 | Dido and Aeneas, The Sailors' Dance in B | — | ||
| 9-12 | Dido and Aeneas, The Witches' Dance in B | — | ||
| 9-13 | Dido and Aeneas, Chacony | — | ||
| 9-14 | King Arthur, Overture in d. Air in d. Overture in D | — | ||
| 9-15 | King Arthur, Symphony in g. Air in G. Hornpipe in g | — | ||
| 9-16 | King Arthur, Air in d. Air in a. Song Tune in a | — | ||
| 9-17 | King Arthur, Symphony in C. Trumpet Tune in C | — | ||
| 9-18 | King Arthur, Frost Dance in c. Hornpipe in G | — | ||
| 9-19 | King Arthur, Passacaglia in g | — | ||
| 9-20 | Abdelazer, Overture in d | — | ||
| 9-21 | Abdelazer, Rondeau in d | — | ||
| 9-22 | Abdelazer, Aire in D. Aire in G | — | ||
| 9-23 | Abdelazer, Minuette in G. Aire in g | — | ||
| 9-24 | Abdelazer, Jigg in g | — | ||
| 9-25 | Abdelazer, Hornpipe in B. Aire in g | — | ||
| 10-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | — | |
| 10-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | — | |
| 10-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | — | |
| 10-4 | Sonata for Violoncello and Piano, op. 19: Andante | Arcadi Volodos | T-902.907.611-7 | |
| 10-5 | Morceaux de fantaisie, op. 3 no. 5: Serenade in B-flat minor | Arcadi Volodos | — | |
| 10-6 | Morceaux de salon, op. 10 no. 6: Romance in F minor | Arcadi Volodos | — | |
| 10-7 | 13 Preludes, op. 32 no. 6: Prelude in F minor | Arcadi Volodos | — | |
| 10-8 | Prelude in D minor, op. (posth.) | Arcadi Volodos | — | |
| 10-9 | Etude-Tableaux in C-sharp minor, op. 33 no. 6 (9) | Arcadi Volodos | T-915.735.004-4 | |
| 11-1 | Violinkonzert op. 35 D-Dur, I. Allegro molto | — | ||
| 11-2 | Violinkonzert op. 35 D-Dur, II. Conzonetta: Andante | — | ||
| 11-3 | Violinkonzert op. 35 D-Dur, III. Finale: Allegro vivacissimo | — | ||
| 11-4 | Souvenir d'un Lieu Cher op. 42, I. Méditation | — | ||
| 11-5 | Souvenir d'un Lieu Cher op. 42, II. Scherzo | — | ||
| 11-6 | Souvenir d'un Lieu Cher op. 42, Mélodie | — | ||
| 11-7 | Schwanensee op. 20, Pas d'action aus dem 2. Akt | — | ||
| 11-8 | Schwanensee op. 20, Danse Russe aus 3. Akt | — | ||
| 12-1 | Konzert für Violine und Orchester Nr. 3 G-Dur, KV 216: I. Allegro | — | ||
| 12-2 | Konzert für Violine und Orchester Nr. 3 G-Dur, KV 216: II. Adagio | — | ||
| 12-3 | Konzert für Violine und Orchester Nr. 3 G-Dur, KV 216: III. Rondeau. Allegro | — | ||
| 12-4 | Konzert für Violine und Orchester Nr. 4 D-Dur, KV 218: I. Allegro | — | ||
| 12-5 | Konzert für Violine und Orchester Nr. 4 D-Dur, KV 218: II. Andante cantabile | — | ||
| 12-6 | Konzert für Violine und Orchester Nr. 4 D-Dur, KV 218: III. Rondeau. Andante grazioso - Allegro ma non troppo | — | ||
| 12-7 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto - Adagio - Allegro aperto | — | ||
| 12-8 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: II. Adagio | — | ||
| 12-9 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: III. Rondeau. Tempo di Menuetto - Allegro - Tempo di Menuetto | — | ||
| 13-1 | Tannhäuser, Ouvertüre | — | ||
| 13-2 | Tannhäuser, Bacchanal | — | ||
| 13-3 | Lohengrin, Vorspiel 1. Akt | — | ||
| 13-4 | Lohengrin, Vorspiel 3. Akt | — | ||
| 13-5 | Die Walküre, Der Walkürenritt | — | ||
| 13-6 | Götterdämmerung, Siegfrieds Rheinfahrt | — | ||
| 13-7 | Götterdämmerung, Trauermarsch | — | ||
| 14-1 | Sonate C-Dur "Grand Duo" D 812, I. Allegro moderato | — | ||
| 14-2 | Sonate C-Dur "Grand Duo" D 812, II. Andante | — | ||
| 14-3 | Sonate C-Dur "Grand Duo" D 812, III. Scherzo. Allegro vivace | — | ||
| 14-4 | Sonate C-Dur "Grand Duo" D 812, IV. Allegro vivace | — | ||
| 14-5 | Fantasie f-Moll D 940, Allegro molto moderato - Largo - Allegro vivace - Tempo I | — | ||
| 14-6 | Allegro a-Moll "Lebensstürme" D 947 | — | ||
| 15-1 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Prélude | — | ||
| 15-2 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Allemande I | — | ||
| 15-3 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Allemande II | — | ||
| 15-4 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Courante | — | ||
| 15-5 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Gigue | — | ||
| 15-6 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Sarabande I-II | — | ||
| 15-7 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Vénitienne | — | ||
| 15-8 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Gavotte | — | ||
| 15-9 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Menuet | — | ||
| 15-10 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Allemande | — | ||
| 15-11 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Courante | — | ||
| 15-12 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Gigue en rondeau | — | ||
| 15-13 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Deuxième Gigue en rondeau | — | ||
| 15-14 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Le Rappel des Oiseaux | — | ||
| 15-15 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll,Rigaudon I-II | — | ||
| 15-16 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Musette en rondeau | — | ||
| 15-17 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Tambourin | — | ||
| 15-18 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, La Villagoise (Rondeau) | — | ||
| 15-19 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Allemande | — | ||
| 15-20 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Courante | — | ||
| 15-21 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Sarabande | — | ||
| 15-22 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Les Trois Mains | — | ||
| 15-23 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Fanfarinette | — | ||
| 15-24 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, La Triomphante | — | ||
| 15-25 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Gavotte | — | ||
| 15-26 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Premier Double de la Gavotte | — | ||
| 15-27 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Deuxième Double | — | ||
| 15-28 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Troisième Double | — | ||
| 15-29 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Quatrième Double | — | ||
| 15-30 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Cinquième Double | — | ||
| 15-31 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Sixième Double | — | ||
| 16-1 | La Traviata: Vorspiel | — | ||
| 16-2 | L'elisir d'amore: "Una furtiva lagrima" | — | ||
| 16-3 | Rigoletto: "Questa o quella" | — | ||
| 16-4 | Madama Butterfly: "Un bel di vedremo" | — | ||
| 16-5 | Rigoletto: "La donna è mobile" | — | ||
| 16-6 | La Rondine: "Chi il bel sogno di Doretta" | — | ||
| 16-7 | Andrea Chenier: "Come un bel dì du maggio" | — | ||
| 16-8 | La bohème: Atto I. “Sì. Mi chiamano Mimì” | Montserrat Caballé, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 16-9 | Tosca: "Recondita armonia" | — | ||
| 16-10 | Rigoletto: "Gualtier Maldè, Caro nome" | — | ||
| 16-11 | Il Barbiere di Siviglia: "Largo al factotum" | — | ||
| 16-12 | La Bohème: "Che gelida manina" | — | ||
| 16-13 | Aida: "Celeste Aida" | — | ||
| 16-14 | Tosca: "Vissi d'arte" | — | ||
| 16-15 | Tosca: "E lucevan le stelle" | — | ||
| 16-16 | Gianna Schicchi: "O mio babbino caro" | — | ||
| 16-17 | I Pagliacci: "Vesti la giubba" | — | ||
| 16-18 | La Forza del Destino: "Pace, pace, mio Dio" | — | ||
| 16-19 | Turandot: "Nessun dorma" | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
886979512924 is a Universal Product Code (UPC) assigned to KulturSPIEGEL: Die besten guten Klassik-CDs, Vol. 1 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 246 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Goldberg Variations, BWV 988: Aria | Glenn Gould | — |
| Goldberg Variations, BWV 988: Aria | Glenn Gould | T-801.806.984-7 |
| Goldberg Variations, BWV 988: Aria | Glenn Gould | T-801.806.984-7 |
The UPC for “KulturSPIEGEL: Die besten guten Klassik-CDs, Vol. 1” by Various Artists is 886979512924. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. This release contains 246 tracks, each with its own ISRC. Tracks include HKI190701108, USSM10008530, USSM10008531.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Goldberg Variations, BWV 988: Aria | Glenn Gould | T-902.128.688-4 | |
| 2 | Goldberg-Variationen BWV 988, Variatio 1, a 1 Clav. | — | ||
| 3 | Goldberg-Variationen BWV 988, Variatio 2, a 1 Clav. | — | ||
| 4 | Goldberg-Variationen BWV 988, Variatio 3, a 1 Clav. Canone all Unisono | — | ||
| 5 | Goldberg-Variationen BWV 988, Variatio 4, a 1 Clav. | — | ||
| 6 | Goldberg-Variationen BWV 988, Variatio 5, a 1 ovvero 2 Clav. | — | ||
| 7 | Goldberg-Variationen BWV 988, Variatio 6, a 1 Clav. Canone alla Seconda | — | ||
| 8 | Goldberg-Variationen BWV 988, Variatio 7, a 1 ovvero 2 Clav. Al tempo di Giga | — | ||
| 9 | Goldberg-Variationen BWV 988, Variatio 8, a 2 Clav. | — | ||
| 10 | Goldberg-Variationen BWV 988, Variatio 9, a 1 Clav. Canone alla Terza | — | ||
| 11 | Goldberg-Variationen BWV 988, Variatio 10, a 1 Clav. Fughetta | — | ||
| 12 | Goldberg-Variationen BWV 988, Variatio 11, a 2 Clav. | — | ||
| 13 | Goldberg-Variationen BWV 988, Variatio 12, Canone alla Quarta | — | ||
| 14 | Goldberg-Variationen BWV 988, Variatio 13, a 2 Clav. | — | ||
| 15 | Goldberg-Variationen BWV 988, Variatio 14, a 2 Clav. | — | ||
| 16 | Goldberg-Variationen BWV 988, Variatio 15, a 1 Clav. Canone alla Quinta. Andante | — | ||
| 17 | Goldberg-Variationen BWV 988, Variatio 16, a 1 Clav. Ouverture | — | ||
| 18 | Goldberg-Variationen BWV 988, Variatio 17, a 2 Clav. | — | ||
| 19 | Goldberg-Variationen BWV 988, Variatio 18, a 1 Clav. Canone alla Sesta | — | ||
| 20 | Goldberg-Variationen BWV 988, Variatio 19, a 1 Clav. | — | ||
| 21 | Goldberg-Variationen BWV 988, Variatio 20, a 2 Clav. | — | ||
| 22 | Goldberg-Variationen BWV 988, Variatio 21, Canone alla Settima | — | ||
| 23 | Goldberg-Variationen BWV 988, Variatio 22, a 1 Clav. Alla breve | — | ||
| 24 | Goldberg-Variationen BWV 988, Variatio 23, a 2 Clav. | — | ||
| 25 | Goldberg-Variationen BWV 988, Variatio 24, a 1 Clav. Canone all'Ottava | — | ||
| 26 | Goldberg-Variationen BWV 988, Variatio 25, a 2 Clav. Adagio | — | ||
| 27 | Goldberg-Variationen BWV 988, Variatio 26, a 2 Clav. | — | ||
| 28 | Goldberg-Variationen BWV 988, Variatio 27, a 2 Clav. Canone alla Nona | — | ||
| 29 | Goldberg-Variationen BWV 988, Variatio 28, a 2 Clav. | — | ||
| 30 | Goldberg-Variationen BWV 988, Variatio 29, a 1 ovvero 2 Clav. | — | ||
| 31 | Goldberg-Variationen BWV 988, Variatio 30, a 1 Clav. Quodlibet | — | ||
| 32 | Goldberg-Variationen BWV 988, Aria da Capo | — | ||
| 33 | Das wohltemperierte Clavier II, Fuge Nr. 4 fis-Moll BWV 883 | — | ||
| 34 | Das wohltemperierte Clavier II, Fuge Nr. 9 E-Dur BWV 878 | — | ||
| 2-1 | Rokoko-Variationen A-Dur op. 33, Moderato quasi Andante | — | ||
| 2-2 | Rokoko-Variationen A-Dur op. 33, Thema: Moderato semplice | — | ||
| 2-3 | Rokoko-Variationen A-Dur op. 33, Variation I: Tempo della Thema | — | ||
| 2-4 | Rokoko-Variationen A-Dur op. 33, Variation II: Tempo della Thema | — | ||
| 2-5 | Rokoko-Variationen A-Dur op. 33, Variation III: Andante sostenuto | — | ||
| 2-6 | Rokoko-Variationen A-Dur op. 33, Variation IV: Andante grazioso | — | ||
| 2-7 | Rokoko-Variationen A-Dur op. 33, Variation V: Allegro moderato | — | ||
| 2-8 | Rokoko-Variationen A-Dur op. 33, Variation VI: Andante | — | ||
| 2-9 | Rokoko-Variationen A-Dur op. 33, Variation VII e Coda: Allegro Vivo | — | ||
| 2-10 | Andante cantabile op. posth. (1888) | — | ||
| 2-11 | Pezzo capriccioso op. 62 | — | ||
| 2-12 | Nocturne (1888) | — | ||
| 2-13 | Konzert für Violoncello und Orchester Nr. 1 a-Moll op. 33, Allegro non troppo | — | ||
| 2-14 | Konzert für Violoncello und Orchester Nr. 1 a-Moll op. 33, Allegretto con moto | — | ||
| 2-15 | Konzert für Violoncello und Orchester Nr. 1 a-Moll op. 33, Tempo primo | — | ||
| 3-1 | Sinfonie Nr. 82 C-Dur Hob. 1:82 "L'Ours" (1786), I. Vivace assai | — | ||
| 3-2 | Sinfonie Nr. 82 C-Dur Hob. 1:82 "L'Ours" (1786), II. Allegretto | — | ||
| 3-3 | Sinfonie Nr. 82 C-Dur Hob. 1:82 "L'Ours" (1786), III. Menuet/Trio | — | ||
| 3-4 | Sinfonie Nr. 82 C-Dur Hob. 1:82 "L'Ours" (1786), IV. Finale: Vivace | — | ||
| 3-5 | Sinfonie Nr. 83 g-Moll Hob 1:83 "La Poule" (1785), I. Allegro spiritoso | — | ||
| 3-6 | Sinfonie Nr. 83 g-Moll Hob 1:83 "La Poule" (1785), II. Andante | — | ||
| 3-7 | Sinfonie Nr. 83 g-Moll Hob 1:83 "La Poule" (1785), III. Menuetto: Allegretto/Trio | — | ||
| 3-8 | Sinfonie Nr. 83 g-Moll Hob 1:83 "La Poule" (1785), IV. Finale: Vivace | — | ||
| 4-1 | Ariodante: “Qui d'amor“ | — | ||
| 4-2 | Ariodante: “T'amerò dunque” - Arie: “Con l'ali di constanza” | — | ||
| 4-3 | Ariodante: “Scherza infida” | — | ||
| 4-4 | Ariodante: “Dopo notte” | — | ||
| 4-5 | Giulio Cesare: “Svegliatevi nel core” | — | ||
| 4-6 | Giulio Cesare: “Cara speme” | — | ||
| 4-7 | Giulio Cesare: “L'angue offeso” | — | ||
| 4-8 | Arianna in Creta: “Sdegnata sei” | — | ||
| 4-9 | Arianna in Creta: “Oh patria! - Sol ristoro” | — | ||
| 4-10 | Arianna in Creta: “Salda quercia” | — | ||
| 4-11 | Arianna in Creta: “Qual Leonardo Leon” | — | ||
| 4-12 | Arianna in Creta: “Ove son” - Arie: “Qui ti sfido” | — | ||
| 5-1 | 12 Etüden op. 10, Etüde Nr. 1 C-Dur | — | ||
| 5-2 | 12 Etüden op. 10, Etüde Nr. 2 a-Moll | — | ||
| 5-3 | 12 Etüden op. 10, Etüde Nr. 3 E-Dur | — | ||
| 5-4 | 12 Etüden op. 10, Etüde Nr. 4 cis-Moll | — | ||
| 5-5 | 12 Etüden op. 10, Etüde Nr. 5 Ges-Dur "Scharze Tasten Etüde" | — | ||
| 5-6 | 12 Etüden op. 10, Etüde Nr. 6 es-Moll | — | ||
| 5-7 | 12 Etüden op. 10, Etüde Nr. 7 C-Dur | — | ||
| 5-8 | 12 Etüden op. 10, Etüde Nr. 8 F-Dur | — | ||
| 5-9 | 12 Etüden op. 10, Etüde Nr. 9 f-Moll | — | ||
| 5-10 | 12 Etüden op. 10, Etüde Nr. 10 As-Dur | — | ||
| 5-11 | 12 Etüden op. 10, Etüde Nr. 11 Es-Dur | — | ||
| 5-12 | 12 Etüden op. 10, Etüde Nr. 12 c-Moll "Revolutionsetüde" | — | ||
| 5-13 | 12 Etüden op. 25, Etüde Nr. 1 As-Dur | — | ||
| 5-14 | 12 Etüden op. 25, Etüde Nr. 2 f-Moll | — | ||
| 5-15 | 12 Etüden op. 25, Etüde Nr. 3 F-Dur | — | ||
| 5-16 | 12 Etüden op. 25, Etüde Nr. 4 a-Moll | — | ||
| 5-17 | 12 Etüden op. 25, Etüde Nr. 5 e-Moll | — | ||
| 5-18 | 12 Etüden op. 25, Etüde Nr. 6 gis-Moll "Terzenetüde" | — | ||
| 5-19 | 12 Etüden op. 25, Etüde Nr. 7 cis-Moll | — | ||
| 5-20 | 12 Etüden op. 25, Etüde Nr. 8 Des-Dur "Sextenetüde" | — | ||
| 5-21 | 12 Etüden op. 25, Etüde Nr. 9 Ges-Dur | — | ||
| 5-22 | 12 Etüden op. 25, Etüde Nr. 10 h-Moll "Oktavenetüde" | — | ||
| 5-23 | 12 Etüden op. 25, Etüde Nr. 11 a-Moll | — | ||
| 5-24 | 12 Etüden op. 25, Etüde Nr. 12 c-Moll | — | ||
| 6-1 | L'Olimpiade, "Tu me da me dividi" | — | ||
| 6-2 | Lucio Papirio, "Morte amara" | — | ||
| 6-3 | Flavio Anicio Olibrio, "Se non dovesse il piè" | — | ||
| 6-4 | Artaserse, "Fra cento affanni e cento" | — | ||
| 6-5 | Il Demetrio, "Manca sollecita" | — | ||
| 6-6 | Viriate, "Cone nave in mezzo all'onde" | — | ||
| 6-7 | Adriano in Siria, "Lieto così talvolta" | — | ||
| 6-8 | Antigono, "Perché, se tanti siete" | — | ||
| 6-9 | Artaserse, "No che non ha la sorte" "Vo solcando un mar crudele" | — | ||
| 6-10 | Lucio Papirio, "Tocco il porto" | — | ||
| 6-11 | Didone abbandonata, "Tu dici ch'io non speri" "L'augelletto in lacci stretto" | — | ||
| 6-12 | L'Olimpiade, "Mentre dormi amor fomenti" | — | ||
| 7-1 | Concerto g-Moll für Blockflöte, Streicher und B.C., I. Allegro | — | ||
| 7-2 | Concerto g-Moll für Blockflöte, Streicher und B.C., II. Adagio | — | ||
| 7-3 | Concerto g-Moll für Blockflöte, Streicher und B.C., III. Allegro | — | ||
| 7-4 | Concerto C-Dur für Blockflöte, Streicher und B.C., I. Allegretto | — | ||
| 7-5 | Concerto C-Dur für Blockflöte, Streicher und B.C., II. Allegro | — | ||
| 7-6 | Concerto C-Dur für Blockflöte, Streicher und B.C., III. Andante | — | ||
| 7-7 | Concerto C-Dur für Blockflöte, Streicher und B.C., IV. Tempo di menuet | — | ||
| 7-8 | Suite F-Dur für Blockflöte, Streicher und B.C., I. Ouverture | — | ||
| 7-9 | Suite F-Dur für Blockflöte, Streicher und B.C., II. La speranza (tempo giusto) | — | ||
| 7-10 | Suite F-Dur für Blockflöte, Streicher und B.C., III. Air en gavotte | — | ||
| 7-11 | Suite F-Dur für Blockflöte, Streicher und B.C., IV. Menuet | — | ||
| 7-12 | Suite F-Dur für Blockflöte, Streicher und B.C., V. Air | — | ||
| 7-13 | Suite F-Dur für Blockflöte, Streicher und B.C., VI. Plaisantrie | — | ||
| 7-14 | Concerto G-Dur für Blockflöte, Streicher und B.C., I. Allegro | — | ||
| 7-15 | Concerto G-Dur für Blockflöte, Streicher und B.C., II. Adagio | — | ||
| 7-16 | Concerto G-Dur für Blockflöte, Streicher und B.C., III. Vivace | — | ||
| 8-1 | Serenade D-Dur KV 320 "Posthorn-Serenade", I. Adagio maestoso - Allegro con spirito | — | ||
| 8-2 | Serenade D-Dur KV 320 "Posthorn-Serenade", II. Menuetto: Allegretto - Trio | — | ||
| 8-3 | Serenade D-Dur KV 320 "Posthorn-Serenade", III. Concertante: Andante grazioso | — | ||
| 8-4 | Serenade D-Dur KV 320 "Posthorn-Serenade", IV. Rondeau: Allegro ma non troppo | — | ||
| 8-5 | Serenade D-Dur KV 320 "Posthorn-Serenade", V. Andantino | — | ||
| 8-6 | Serenade D-Dur KV 320 "Posthorn-Serenade", VI. Menuetto - Trio I - Trio II | — | ||
| 8-7 | Serenade D-Dur KV 320 "Posthorn-Serenade", VII. Finale: Presto | — | ||
| 8-8 | Sinfonie Nr. 36 C-Dur KV 425 "Linzer Sinfonie", I. Adagio - Allegro spiritoso | — | ||
| 8-9 | Sinfonie Nr. 36 C-Dur KV 425 "Linzer Sinfonie", II. Andante | — | ||
| 8-10 | Sinfonie Nr. 36 C-Dur KV 425 "Linzer Sinfonie", III. Menuetto - Trio | — | ||
| 8-11 | Sinfonie Nr. 36 C-Dur KV 425 "Linzer Sinfonie", IV. Presto | — | ||
| 9-1 | The Fairy Queen, Prelude in g. Hornpipe in g | — | ||
| 9-2 | The Fairy Queen, Air in B. Rondeau in B | — | ||
| 9-3 | The Fairy Queen, Overture in D | — | ||
| 9-4 | The Fairy Queen, Prelude in C. Entry Dance in C. Dance for the Fairies in G | — | ||
| 9-5 | The Fairy Queen, Overture in g (Symphony while the swans come forward). Air in G (Song: If love's a sweet passion). Prelude in g | — | ||
| 9-6 | The Fairy Queen, Hornpipe in g | — | ||
| 9-7 | The Fairy Queen, Symphony. Canzona - Largo - Allegro - Adagio - Allegro | — | ||
| 9-8 | Dido and Aeneas, Overture in c. Air in c (Song: Peace and I are strangers grown). The Triumphing Dance in C | — | ||
| 9-9 | Dido and Aeneas, Ritornelle in d. Air (Chorus: Thanks to these lonesime vales). Dance in d (A Dance to entertain Aeneas by Dido's women) | — | ||
| 9-10 | Dido and Aeneas, Echo Dance of Furies in F | — | ||
| 9-11 | Dido and Aeneas, The Sailors' Dance in B | — | ||
| 9-12 | Dido and Aeneas, The Witches' Dance in B | — | ||
| 9-13 | Dido and Aeneas, Chacony | — | ||
| 9-14 | King Arthur, Overture in d. Air in d. Overture in D | — | ||
| 9-15 | King Arthur, Symphony in g. Air in G. Hornpipe in g | — | ||
| 9-16 | King Arthur, Air in d. Air in a. Song Tune in a | — | ||
| 9-17 | King Arthur, Symphony in C. Trumpet Tune in C | — | ||
| 9-18 | King Arthur, Frost Dance in c. Hornpipe in G | — | ||
| 9-19 | King Arthur, Passacaglia in g | — | ||
| 9-20 | Abdelazer, Overture in d | — | ||
| 9-21 | Abdelazer, Rondeau in d | — | ||
| 9-22 | Abdelazer, Aire in D. Aire in G | — | ||
| 9-23 | Abdelazer, Minuette in G. Aire in g | — | ||
| 9-24 | Abdelazer, Jigg in g | — | ||
| 9-25 | Abdelazer, Hornpipe in B. Aire in g | — | ||
| 10-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | — | |
| 10-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | — | |
| 10-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | — | |
| 10-4 | Sonata for Violoncello and Piano, op. 19: Andante | Arcadi Volodos | T-902.907.611-7 | |
| 10-5 | Morceaux de fantaisie, op. 3 no. 5: Serenade in B-flat minor | Arcadi Volodos | — | |
| 10-6 | Morceaux de salon, op. 10 no. 6: Romance in F minor | Arcadi Volodos | — | |
| 10-7 | 13 Preludes, op. 32 no. 6: Prelude in F minor | Arcadi Volodos | — | |
| 10-8 | Prelude in D minor, op. (posth.) | Arcadi Volodos | — | |
| 10-9 | Etude-Tableaux in C-sharp minor, op. 33 no. 6 (9) | Arcadi Volodos | T-915.735.004-4 | |
| 11-1 | Violinkonzert op. 35 D-Dur, I. Allegro molto | — | ||
| 11-2 | Violinkonzert op. 35 D-Dur, II. Conzonetta: Andante | — | ||
| 11-3 | Violinkonzert op. 35 D-Dur, III. Finale: Allegro vivacissimo | — | ||
| 11-4 | Souvenir d'un Lieu Cher op. 42, I. Méditation | — | ||
| 11-5 | Souvenir d'un Lieu Cher op. 42, II. Scherzo | — | ||
| 11-6 | Souvenir d'un Lieu Cher op. 42, Mélodie | — | ||
| 11-7 | Schwanensee op. 20, Pas d'action aus dem 2. Akt | — | ||
| 11-8 | Schwanensee op. 20, Danse Russe aus 3. Akt | — | ||
| 12-1 | Konzert für Violine und Orchester Nr. 3 G-Dur, KV 216: I. Allegro | — | ||
| 12-2 | Konzert für Violine und Orchester Nr. 3 G-Dur, KV 216: II. Adagio | — | ||
| 12-3 | Konzert für Violine und Orchester Nr. 3 G-Dur, KV 216: III. Rondeau. Allegro | — | ||
| 12-4 | Konzert für Violine und Orchester Nr. 4 D-Dur, KV 218: I. Allegro | — | ||
| 12-5 | Konzert für Violine und Orchester Nr. 4 D-Dur, KV 218: II. Andante cantabile | — | ||
| 12-6 | Konzert für Violine und Orchester Nr. 4 D-Dur, KV 218: III. Rondeau. Andante grazioso - Allegro ma non troppo | — | ||
| 12-7 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto - Adagio - Allegro aperto | — | ||
| 12-8 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: II. Adagio | — | ||
| 12-9 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: III. Rondeau. Tempo di Menuetto - Allegro - Tempo di Menuetto | — | ||
| 13-1 | Tannhäuser, Ouvertüre | — | ||
| 13-2 | Tannhäuser, Bacchanal | — | ||
| 13-3 | Lohengrin, Vorspiel 1. Akt | — | ||
| 13-4 | Lohengrin, Vorspiel 3. Akt | — | ||
| 13-5 | Die Walküre, Der Walkürenritt | — | ||
| 13-6 | Götterdämmerung, Siegfrieds Rheinfahrt | — | ||
| 13-7 | Götterdämmerung, Trauermarsch | — | ||
| 14-1 | Sonate C-Dur "Grand Duo" D 812, I. Allegro moderato | — | ||
| 14-2 | Sonate C-Dur "Grand Duo" D 812, II. Andante | — | ||
| 14-3 | Sonate C-Dur "Grand Duo" D 812, III. Scherzo. Allegro vivace | — | ||
| 14-4 | Sonate C-Dur "Grand Duo" D 812, IV. Allegro vivace | — | ||
| 14-5 | Fantasie f-Moll D 940, Allegro molto moderato - Largo - Allegro vivace - Tempo I | — | ||
| 14-6 | Allegro a-Moll "Lebensstürme" D 947 | — | ||
| 15-1 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Prélude | — | ||
| 15-2 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Allemande I | — | ||
| 15-3 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Allemande II | — | ||
| 15-4 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Courante | — | ||
| 15-5 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Gigue | — | ||
| 15-6 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Sarabande I-II | — | ||
| 15-7 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Vénitienne | — | ||
| 15-8 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Gavotte | — | ||
| 15-9 | "Pièces de Claventin I, Nr. 1-9 (Premier livre)" (1706) Suite a-Moll, Menuet | — | ||
| 15-10 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Allemande | — | ||
| 15-11 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Courante | — | ||
| 15-12 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Gigue en rondeau | — | ||
| 15-13 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Deuxième Gigue en rondeau | — | ||
| 15-14 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Le Rappel des Oiseaux | — | ||
| 15-15 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll,Rigaudon I-II | — | ||
| 15-16 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Musette en rondeau | — | ||
| 15-17 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, Tambourin | — | ||
| 15-18 | aus: "Pièces de Claventin II (Second livre)" (1724, revidierte Ausgabe 1731) Suite e-Moll, La Villagoise (Rondeau) | — | ||
| 15-19 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Allemande | — | ||
| 15-20 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Courante | — | ||
| 15-21 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Sarabande | — | ||
| 15-22 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Les Trois Mains | — | ||
| 15-23 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Fanfarinette | — | ||
| 15-24 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, La Triomphante | — | ||
| 15-25 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Gavotte | — | ||
| 15-26 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Premier Double de la Gavotte | — | ||
| 15-27 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Deuxième Double | — | ||
| 15-28 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Troisième Double | — | ||
| 15-29 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Quatrième Double | — | ||
| 15-30 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Cinquième Double | — | ||
| 15-31 | aus: "Pièces de Claventin III (Nouvelle suite)" (1728) Suite a-Moll, Sixième Double | — | ||
| 16-1 | La Traviata: Vorspiel | — | ||
| 16-2 | L'elisir d'amore: "Una furtiva lagrima" | — | ||
| 16-3 | Rigoletto: "Questa o quella" | — | ||
| 16-4 | Madama Butterfly: "Un bel di vedremo" | — | ||
| 16-5 | Rigoletto: "La donna è mobile" | — | ||
| 16-6 | La Rondine: "Chi il bel sogno di Doretta" | — | ||
| 16-7 | Andrea Chenier: "Come un bel dì du maggio" | — | ||
| 16-8 | La bohème: Atto I. “Sì. Mi chiamano Mimì” | Montserrat Caballé, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 16-9 | Tosca: "Recondita armonia" | — | ||
| 16-10 | Rigoletto: "Gualtier Maldè, Caro nome" | — | ||
| 16-11 | Il Barbiere di Siviglia: "Largo al factotum" | — | ||
| 16-12 | La Bohème: "Che gelida manina" | — | ||
| 16-13 | Aida: "Celeste Aida" | — | ||
| 16-14 | Tosca: "Vissi d'arte" | — | ||
| 16-15 | Tosca: "E lucevan le stelle" | — | ||
| 16-16 | Gianna Schicchi: "O mio babbino caro" | — | ||
| 16-17 | I Pagliacci: "Vesti la giubba" | — | ||
| 16-18 | La Forza del Destino: "Pace, pace, mio Dio" | — | ||
| 16-19 | Turandot: "Nessun dorma" | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Goldberg Variations, BWV 988: Aria | Glenn Gould | — |
| Goldberg Variations, BWV 988: Aria | Glenn Gould | T-801.806.984-7 |
| Goldberg Variations, BWV 988: Aria | Glenn Gould | T-801.806.984-7 |
