UPC · Release
Various Artists
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The UPC for “English Renaissance & Baroque Music Edition” by Various Artists is 886979744820. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 171 tracks, each with its own ISRC. Tracks include DEE470400565, DEE470400566, DEE470400566.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prelude in G major | — | ||
| 2 | Ground in G major | — | ||
| 3 | Lessons in D minor | — | ||
| 4 | Lessons in A minor | — | ||
| 5 | Lessons in G minor | — | ||
| 6 | Chaconne in F major | — | ||
| 7 | Suite No. 3 in C minor, D221 | — | ||
| 8 | The Indian Queen, Z.630: Suite | — | ||
| 9 | Suite in A major | — | ||
| 2-1 | 3 tunes new to John Playford's Dancing Master | — | ||
| 2-2 | William Lawes: Why so pale / Henry Lawes: Bid me to live / Anonymous: 2 tunes new to John Playford's Dancing Master | — | ||
| 2-3 | Nicola Matteis: Passages in Imitation of the Trumpet / Anonymous: 5 marches and tunes from John Playford's new tunes | — | ||
| 2-4 | Fantazie, Suite in A major | — | ||
| 2-5 | Court Masques under Charles I and Charles II | — | ||
| 2-6 | Toccata / The Plaint / Ground in A major | — | ||
| 2-7 | The black Joak | — | ||
| 2-8 | A Ground in D major | — | ||
| 3-1 | Barafostus' Dream | — | ||
| 3-2 | The King's Hunt | — | ||
| 3-3 | Pavan & Gaillarde of Mr. Peter | — | ||
| 3-4 | Fantasia no. 6 in D | — | ||
| 3-5 | Pavane no. 16 in G | — | ||
| 3-6 | Walsingham-Variationen | — | ||
| 3-7 | Fancy no. 3 in d | — | ||
| 3-8 | Maske in G | — | ||
| 3-9 | Fantasia in D | — | ||
| 3-10 | English Toy | — | ||
| 3-11 | Fantasia in D | — | ||
| 4-1 | Prelude & Symphony | — | ||
| 4-2 | If Music Be the Food of Love | — | ||
| 4-3 | Hark! The Echoing Air | — | ||
| 4-4 | Three Parts Upon a Ground | — | ||
| 4-5 | 'Tis Nature's Voice | — | ||
| 4-6 | Round-O | — | ||
| 4-7 | Overture in G Minor | — | ||
| 4-8 | A Divine Hymn: Lord, What Is Man | — | ||
| 4-9 | Chacony | — | ||
| 4-10 | Music for a While | — | ||
| 4-11 | Lovely Albina's Come Ashore | — | ||
| 4-12 | Fantazia 5 | — | ||
| 4-13 | Ground & Two in One Upon a Ground | — | ||
| 4-14 | Thrice Happy Lovers | — | ||
| 4-15 | Pavan in B Flat | — | ||
| 4-16 | An Evening Hymn | — | ||
| 5-1 | Venus and Adonis: Prologue: Overture | — | ||
| 5-2 | Venus and Adonis: Prologue: Cupid's Entry | — | ||
| 5-3 | Venus and Adonis: Prologue: Behold my arrows and my bow (Cupid) | — | ||
| 5-4 | Venus and Adonis: Prologue: Come shepherd's all, let's sing and play (Cupid, Choir) | — | ||
| 5-5 | Venus and Adonis: Prologue: Cupid's Entry (da capo) | — | ||
| 5-6 | Venus and Adonis: Act I: Introduction | — | ||
| 5-7 | Venus and Adonis: Act I: Venus... - Adonis... / Come follow to the noblest game | — | ||
| 5-8 | Venus and Adonis: Act I: Entry - a dance by a huntsman | — | ||
| 5-9 | Venus and Adonis: Act II: Introduction | — | ||
| 5-10 | Venus and Adonis: Act II: You place with such delicate care / The insolent, the arrogant | — | ||
| 5-11 | Venus and Adonis: Act II: Dance of the Cupids | — | ||
| 5-12 | Venus and Adonis: Act II: Call the Graces! / Mortals below, Cupids above | — | ||
| 5-13 | Venus and Adonis: Act II: Dance of the Graces | — | ||
| 5-14 | Venus and Adonis: Act II: Gavotte | — | ||
| 5-15 | Venus and Adonis: Act II: Saraband for the Graces | — | ||
| 5-16 | Venus and Adonis: Act II: A Ground | — | ||
| 5-17 | Venus and Adonis: Act III: Introduction | — | ||
| 5-18 | Venus and Adonis: Act III: Adonis, Adonis | — | ||
| 5-19 | Venus and Adonis: Act III: With solemn pomp let mourning Cupids bear | — | ||
| 5-20 | Cupid and Death: First Entry: Cupid: Curtain Music | — | ||
| 5-21 | Cupid and Death: First Entry: Cupid: Are all things in their preparation? | — | ||
| 5-22 | Cupid and Death: First Entry: Cupid: Entrance of Cupid and his Train of Folly and Madness | — | ||
| 5-23 | Cupid and Death: First Entry: Cupid: Song (Soprano): "Though little be the God of love"/Chorus: "Thus Love can fiery spirits tame" | — | ||
| 5-24 | Cupid and Death: Second Entry: Death: Suite of Dances | — | ||
| 6-1 | Cupid and Death: Second Entry: Death: Death's Entrance Dance | — | ||
| 6-2 | Cupid and Death: Second Entry: Death: Holla, within | — | ||
| 6-3 | Cupid and Death: Second Entry: Death: Suite of Dances | — | ||
| 6-4 | Cupid and Death: Second Entry: Death: Song (Soprano): "Victorious men of Earth" - Chorus: "He hath at will" | — | ||
| 6-5 | Cupid and Death: Third Entry: The Exchange of Arrows: Suite of Dances | — | ||
| 6-6 | Cupid and Death: Third Entry: The Exchange of Arrows: Ho master | — | ||
| 6-7 | Cupid and Death: Third Entry: The Exchange of Arrows: Song (Soprano): "Stay, Cupid, wither art thou flying?" - Chorus: "O let the weeping virgins strow" | — | ||
| 6-8 | Cupid and Death: Fourth Entry: Distraught Nature: Suite of Dances | — | ||
| 6-9 | Cupid and Death: Fourth Entry: Distraught Nature: Nature's Entrance and Aria: "Fly, fly my children" | — | ||
| 6-10 | Cupid and Death: Fourth Entry: Distraught Nature: Old Men and Women Dance | — | ||
| 6-11 | Cupid and Death: Fourth Entry: Distraught Nature: Song (Bass): "What will it, Death, advance thy name" - Chorus: "O Love! O Death!" | — | ||
| 6-12 | Cupid and Death: Fourth Entry: Distraught Nature: Soldier's Dance (The Hector's Dance) | — | ||
| 6-13 | Cupid and Death: Fourth Entry: Distraught Nature: Nature's Song: "Change, o change your fatal bows" - Chorus: "Take pity, gods!" | — | ||
| 6-14 | Cupid and Death: Fifth Entry: Mercury Descends: Suite of Dances | — | ||
| 6-15 | Cupid and Death: Fifth Entry: Mercury Descends: Chamberlain's and Apes' Entrance and Aria: "O yes ..." | — | ||
| 6-16 | Cupid and Death: Fifth Entry: Mercury Descends: Apes and Satyr Dance | — | ||
| 6-17 | Cupid and Death: Fifth Entry: Mercury Descends: A Symphony for Mercury's Entrance | — | ||
| 6-18 | Cupid and Death: Fifth Entry: Mercury Descends: Mercury's Aria: "Hence ye profane" | — | ||
| 6-19 | Cupid and Death: Fifth Entry: Mercury Descends: Cupid, Mercury, Death, Nature: "I am here. What send the gods by Mercury? | — | ||
| 6-20 | Cupid and Death: Fifth Entry: Mercury Descends: Music for Elysium Nature, Mercury: "Where am I?" | — | ||
| 6-21 | Cupid and Death: Fifth Entry: Mercury Descends: Song (Soprano, Bass): "Open bless'd Elysian grove" - Chorus: "If this place be not heaven" - Nature, Mercury: "O who shall guide me hence?" | — | ||
| 6-22 | Cupid and Death: Fifth Entry: Mercury Descends: The Grand Dance | — | ||
| 6-23 | Cupid and Death: Fifth Entry: Mercury Descends: Mercury's Aria: "Return, return you happy men" | — | ||
| 6-24 | Cupid and Death: Fifth Entry: Mercury Descends: Chorus: "Like a perfurming gale o' er flowers" | — | ||
| 7-1 | Joyne Hands | — | ||
| 7-2 | Now, o now I needs must part | — | ||
| 7-3 | O let me live, o let me die | — | ||
| 7-4 | Sola, soletta | — | ||
| 7-5 | If that a sinners sighes | — | ||
| 7-6 | Almighty God | — | ||
| 7-7 | My Lord Willoughby's Welcome Home | — | ||
| 7-8 | The three ravens (partsong) | — | ||
| 7-9 | Gather your rosebuds (partsong) | — | ||
| 7-10 | See how in gathering (catch) | — | ||
| 7-11 | Though I am young (partsong) | — | ||
| 7-12 | Oedipus, Z. 593: Hear ye sullen powers - Music for a while - Come away, do not stay | — | ||
| 7-13 | Lost is my quiet for ever | — | ||
| 7-14 | Arise, ye subterranean winds | — | ||
| 7-15 | 'Tis wine was made to rule the day | — | ||
| 8-1 | It was a lover and his lass | — | ||
| 8-2 | Take, o take those lips away | — | ||
| 8-3 | O mistress mine | — | ||
| 8-4 | Strike it up Tabor | — | ||
| 8-5 | Willow song | — | ||
| 8-6 | Where the bee sucks | — | ||
| 8-7 | How should I your love know | — | ||
| 8-8 | Walsingham variations | — | ||
| 8-9 | We be soldiers three | — | ||
| 8-10 | When griping griefs | — | ||
| 8-11 | Full fathom five | — | ||
| 8-12 | Caleno custure me | — | ||
| 8-13 | Then they for sudden joy did weep | — | ||
| 8-14 | Bonny sweet Robin | — | ||
| 8-15 | When that I was | — | ||
| 8-16 | Kemp's jig | — | ||
| 8-17 | Greensleeves | — | ||
| 8-18 | He that will an alehouse keep | — | ||
| 8-19 | Non nobis Domine | — | ||
| 8-20 | Hark, all ye | — | ||
| 8-21 | Sweet Phillida | — | ||
| 8-22 | The sheep shearing | — | ||
| 8-23 | The sailor and the young | — | ||
| 8-24 | O waly, waly | — | ||
| 9-1 | A Fancy | — | ||
| 9-2 | My lady Hunsdons Puffe | — | ||
| 9-3 | Alman | — | ||
| 9-4 | Frogg galliard | — | ||
| 9-5 | Scott's Lament | — | ||
| 9-6 | Pavana lacrima | — | ||
| 9-7 | Suzanna Galliard | — | ||
| 9-8 | Rowland | — | ||
| 9-9 | Can shee excuse | — | ||
| 9-10 | Robin | — | ||
| 9-11 | Praeludium to ye Fancie | — | ||
| 9-12 | Fantasia | — | ||
| 9-13 | Coranto | — | ||
| 9-14 | A Gigg | — | ||
| 9-15 | Tarletons Jigge | — | ||
| 9-16 | Mrs Winter's Jumpp | — | ||
| 9-17 | Tarletones Riserrectione | — | ||
| 9-18 | Cormacke | — | ||
| 9-19 | Allmane | — | ||
| 9-20 | Mr: Cormake Allman | — | ||
| 9-21 | Schoc.a.torum Cormacke | — | ||
| 9-22 | The Queens Maske | — | ||
| 9-23 | Fine knacks for ladies | — | ||
| 9-24 | Awake, sweet loue, thou art returnd | — | ||
| 9-25 | Go christall teares | — | ||
| 9-26 | My thoughts are wingd with hopes | — | ||
| 9-27 | Semper Dowland semper dolens | — | ||
| 9-28 | Farwell | — | ||
| 9-29 | My dear adieu, my sweet love farewell | — | ||
| 10-1 | Graduale Sarisburiense: Kyrie "Orbis Factor" (cum veribus) | — | ||
| 10-2 | Missa sine nomine ("The Meane Mass"): I. Gloria | — | ||
| 10-3 | Missa sine nomine ("The Meane Mass"): II. Credo | — | ||
| 10-4 | Missa sine nomine ("The Meane Mass"): III. Sanctus und Benedictus | — | ||
| 10-5 | Missa sine nomine ("The Meane Mass"): IV. Agnus Dei | — | ||
| 10-6 | Lamentationes for 5 voices | — | ||
| 10-7 | "Playnsong Mass for a Meane": I. Kyrie | John Sheppard | T-902.704.637-3 | |
| 10-8 | "Playnsong Mass for a Meane": III. Credo | John Sheppard | — | |
| 10-9 | "Playnsong Mass for a Meane": III. Credo | John Sheppard | — | |
| 10-10 | "Playnsong Mass for a Meane": IV. Sanctus und Benedictus | John Sheppard | — | |
| 10-11 | "Playnsong Mass for a Meane": V. Agnus Dei | John Sheppard | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
886979744820 is a Universal Product Code (UPC) assigned to English Renaissance & Baroque Music Edition by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 171 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “English Renaissance & Baroque Music Edition” by Various Artists is 886979744820. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 171 tracks, each with its own ISRC. Tracks include DEE470400565, DEE470400566, DEE470400566.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prelude in G major | — | ||
| 2 | Ground in G major | — | ||
| 3 | Lessons in D minor | — | ||
| 4 | Lessons in A minor | — | ||
| 5 | Lessons in G minor | — | ||
| 6 | Chaconne in F major | — | ||
| 7 | Suite No. 3 in C minor, D221 | — | ||
| 8 | The Indian Queen, Z.630: Suite | — | ||
| 9 | Suite in A major | — | ||
| 2-1 | 3 tunes new to John Playford's Dancing Master | — | ||
| 2-2 | William Lawes: Why so pale / Henry Lawes: Bid me to live / Anonymous: 2 tunes new to John Playford's Dancing Master | — | ||
| 2-3 | Nicola Matteis: Passages in Imitation of the Trumpet / Anonymous: 5 marches and tunes from John Playford's new tunes | — | ||
| 2-4 | Fantazie, Suite in A major | — | ||
| 2-5 | Court Masques under Charles I and Charles II | — | ||
| 2-6 | Toccata / The Plaint / Ground in A major | — | ||
| 2-7 | The black Joak | — | ||
| 2-8 | A Ground in D major | — | ||
| 3-1 | Barafostus' Dream | — | ||
| 3-2 | The King's Hunt | — | ||
| 3-3 | Pavan & Gaillarde of Mr. Peter | — | ||
| 3-4 | Fantasia no. 6 in D | — | ||
| 3-5 | Pavane no. 16 in G | — | ||
| 3-6 | Walsingham-Variationen | — | ||
| 3-7 | Fancy no. 3 in d | — | ||
| 3-8 | Maske in G | — | ||
| 3-9 | Fantasia in D | — | ||
| 3-10 | English Toy | — | ||
| 3-11 | Fantasia in D | — | ||
| 4-1 | Prelude & Symphony | — | ||
| 4-2 | If Music Be the Food of Love | — | ||
| 4-3 | Hark! The Echoing Air | — | ||
| 4-4 | Three Parts Upon a Ground | — | ||
| 4-5 | 'Tis Nature's Voice | — | ||
| 4-6 | Round-O | — | ||
| 4-7 | Overture in G Minor | — | ||
| 4-8 | A Divine Hymn: Lord, What Is Man | — | ||
| 4-9 | Chacony | — | ||
| 4-10 | Music for a While | — | ||
| 4-11 | Lovely Albina's Come Ashore | — | ||
| 4-12 | Fantazia 5 | — | ||
| 4-13 | Ground & Two in One Upon a Ground | — | ||
| 4-14 | Thrice Happy Lovers | — | ||
| 4-15 | Pavan in B Flat | — | ||
| 4-16 | An Evening Hymn | — | ||
| 5-1 | Venus and Adonis: Prologue: Overture | — | ||
| 5-2 | Venus and Adonis: Prologue: Cupid's Entry | — | ||
| 5-3 | Venus and Adonis: Prologue: Behold my arrows and my bow (Cupid) | — | ||
| 5-4 | Venus and Adonis: Prologue: Come shepherd's all, let's sing and play (Cupid, Choir) | — | ||
| 5-5 | Venus and Adonis: Prologue: Cupid's Entry (da capo) | — | ||
| 5-6 | Venus and Adonis: Act I: Introduction | — | ||
| 5-7 | Venus and Adonis: Act I: Venus... - Adonis... / Come follow to the noblest game | — | ||
| 5-8 | Venus and Adonis: Act I: Entry - a dance by a huntsman | — | ||
| 5-9 | Venus and Adonis: Act II: Introduction | — | ||
| 5-10 | Venus and Adonis: Act II: You place with such delicate care / The insolent, the arrogant | — | ||
| 5-11 | Venus and Adonis: Act II: Dance of the Cupids | — | ||
| 5-12 | Venus and Adonis: Act II: Call the Graces! / Mortals below, Cupids above | — | ||
| 5-13 | Venus and Adonis: Act II: Dance of the Graces | — | ||
| 5-14 | Venus and Adonis: Act II: Gavotte | — | ||
| 5-15 | Venus and Adonis: Act II: Saraband for the Graces | — | ||
| 5-16 | Venus and Adonis: Act II: A Ground | — | ||
| 5-17 | Venus and Adonis: Act III: Introduction | — | ||
| 5-18 | Venus and Adonis: Act III: Adonis, Adonis | — | ||
| 5-19 | Venus and Adonis: Act III: With solemn pomp let mourning Cupids bear | — | ||
| 5-20 | Cupid and Death: First Entry: Cupid: Curtain Music | — | ||
| 5-21 | Cupid and Death: First Entry: Cupid: Are all things in their preparation? | — | ||
| 5-22 | Cupid and Death: First Entry: Cupid: Entrance of Cupid and his Train of Folly and Madness | — | ||
| 5-23 | Cupid and Death: First Entry: Cupid: Song (Soprano): "Though little be the God of love"/Chorus: "Thus Love can fiery spirits tame" | — | ||
| 5-24 | Cupid and Death: Second Entry: Death: Suite of Dances | — | ||
| 6-1 | Cupid and Death: Second Entry: Death: Death's Entrance Dance | — | ||
| 6-2 | Cupid and Death: Second Entry: Death: Holla, within | — | ||
| 6-3 | Cupid and Death: Second Entry: Death: Suite of Dances | — | ||
| 6-4 | Cupid and Death: Second Entry: Death: Song (Soprano): "Victorious men of Earth" - Chorus: "He hath at will" | — | ||
| 6-5 | Cupid and Death: Third Entry: The Exchange of Arrows: Suite of Dances | — | ||
| 6-6 | Cupid and Death: Third Entry: The Exchange of Arrows: Ho master | — | ||
| 6-7 | Cupid and Death: Third Entry: The Exchange of Arrows: Song (Soprano): "Stay, Cupid, wither art thou flying?" - Chorus: "O let the weeping virgins strow" | — | ||
| 6-8 | Cupid and Death: Fourth Entry: Distraught Nature: Suite of Dances | — | ||
| 6-9 | Cupid and Death: Fourth Entry: Distraught Nature: Nature's Entrance and Aria: "Fly, fly my children" | — | ||
| 6-10 | Cupid and Death: Fourth Entry: Distraught Nature: Old Men and Women Dance | — | ||
| 6-11 | Cupid and Death: Fourth Entry: Distraught Nature: Song (Bass): "What will it, Death, advance thy name" - Chorus: "O Love! O Death!" | — | ||
| 6-12 | Cupid and Death: Fourth Entry: Distraught Nature: Soldier's Dance (The Hector's Dance) | — | ||
| 6-13 | Cupid and Death: Fourth Entry: Distraught Nature: Nature's Song: "Change, o change your fatal bows" - Chorus: "Take pity, gods!" | — | ||
| 6-14 | Cupid and Death: Fifth Entry: Mercury Descends: Suite of Dances | — | ||
| 6-15 | Cupid and Death: Fifth Entry: Mercury Descends: Chamberlain's and Apes' Entrance and Aria: "O yes ..." | — | ||
| 6-16 | Cupid and Death: Fifth Entry: Mercury Descends: Apes and Satyr Dance | — | ||
| 6-17 | Cupid and Death: Fifth Entry: Mercury Descends: A Symphony for Mercury's Entrance | — | ||
| 6-18 | Cupid and Death: Fifth Entry: Mercury Descends: Mercury's Aria: "Hence ye profane" | — | ||
| 6-19 | Cupid and Death: Fifth Entry: Mercury Descends: Cupid, Mercury, Death, Nature: "I am here. What send the gods by Mercury? | — | ||
| 6-20 | Cupid and Death: Fifth Entry: Mercury Descends: Music for Elysium Nature, Mercury: "Where am I?" | — | ||
| 6-21 | Cupid and Death: Fifth Entry: Mercury Descends: Song (Soprano, Bass): "Open bless'd Elysian grove" - Chorus: "If this place be not heaven" - Nature, Mercury: "O who shall guide me hence?" | — | ||
| 6-22 | Cupid and Death: Fifth Entry: Mercury Descends: The Grand Dance | — | ||
| 6-23 | Cupid and Death: Fifth Entry: Mercury Descends: Mercury's Aria: "Return, return you happy men" | — | ||
| 6-24 | Cupid and Death: Fifth Entry: Mercury Descends: Chorus: "Like a perfurming gale o' er flowers" | — | ||
| 7-1 | Joyne Hands | — | ||
| 7-2 | Now, o now I needs must part | — | ||
| 7-3 | O let me live, o let me die | — | ||
| 7-4 | Sola, soletta | — | ||
| 7-5 | If that a sinners sighes | — | ||
| 7-6 | Almighty God | — | ||
| 7-7 | My Lord Willoughby's Welcome Home | — | ||
| 7-8 | The three ravens (partsong) | — | ||
| 7-9 | Gather your rosebuds (partsong) | — | ||
| 7-10 | See how in gathering (catch) | — | ||
| 7-11 | Though I am young (partsong) | — | ||
| 7-12 | Oedipus, Z. 593: Hear ye sullen powers - Music for a while - Come away, do not stay | — | ||
| 7-13 | Lost is my quiet for ever | — | ||
| 7-14 | Arise, ye subterranean winds | — | ||
| 7-15 | 'Tis wine was made to rule the day | — | ||
| 8-1 | It was a lover and his lass | — | ||
| 8-2 | Take, o take those lips away | — | ||
| 8-3 | O mistress mine | — | ||
| 8-4 | Strike it up Tabor | — | ||
| 8-5 | Willow song | — | ||
| 8-6 | Where the bee sucks | — | ||
| 8-7 | How should I your love know | — | ||
| 8-8 | Walsingham variations | — | ||
| 8-9 | We be soldiers three | — | ||
| 8-10 | When griping griefs | — | ||
| 8-11 | Full fathom five | — | ||
| 8-12 | Caleno custure me | — | ||
| 8-13 | Then they for sudden joy did weep | — | ||
| 8-14 | Bonny sweet Robin | — | ||
| 8-15 | When that I was | — | ||
| 8-16 | Kemp's jig | — | ||
| 8-17 | Greensleeves | — | ||
| 8-18 | He that will an alehouse keep | — | ||
| 8-19 | Non nobis Domine | — | ||
| 8-20 | Hark, all ye | — | ||
| 8-21 | Sweet Phillida | — | ||
| 8-22 | The sheep shearing | — | ||
| 8-23 | The sailor and the young | — | ||
| 8-24 | O waly, waly | — | ||
| 9-1 | A Fancy | — | ||
| 9-2 | My lady Hunsdons Puffe | — | ||
| 9-3 | Alman | — | ||
| 9-4 | Frogg galliard | — | ||
| 9-5 | Scott's Lament | — | ||
| 9-6 | Pavana lacrima | — | ||
| 9-7 | Suzanna Galliard | — | ||
| 9-8 | Rowland | — | ||
| 9-9 | Can shee excuse | — | ||
| 9-10 | Robin | — | ||
| 9-11 | Praeludium to ye Fancie | — | ||
| 9-12 | Fantasia | — | ||
| 9-13 | Coranto | — | ||
| 9-14 | A Gigg | — | ||
| 9-15 | Tarletons Jigge | — | ||
| 9-16 | Mrs Winter's Jumpp | — | ||
| 9-17 | Tarletones Riserrectione | — | ||
| 9-18 | Cormacke | — | ||
| 9-19 | Allmane | — | ||
| 9-20 | Mr: Cormake Allman | — | ||
| 9-21 | Schoc.a.torum Cormacke | — | ||
| 9-22 | The Queens Maske | — | ||
| 9-23 | Fine knacks for ladies | — | ||
| 9-24 | Awake, sweet loue, thou art returnd | — | ||
| 9-25 | Go christall teares | — | ||
| 9-26 | My thoughts are wingd with hopes | — | ||
| 9-27 | Semper Dowland semper dolens | — | ||
| 9-28 | Farwell | — | ||
| 9-29 | My dear adieu, my sweet love farewell | — | ||
| 10-1 | Graduale Sarisburiense: Kyrie "Orbis Factor" (cum veribus) | — | ||
| 10-2 | Missa sine nomine ("The Meane Mass"): I. Gloria | — | ||
| 10-3 | Missa sine nomine ("The Meane Mass"): II. Credo | — | ||
| 10-4 | Missa sine nomine ("The Meane Mass"): III. Sanctus und Benedictus | — | ||
| 10-5 | Missa sine nomine ("The Meane Mass"): IV. Agnus Dei | — | ||
| 10-6 | Lamentationes for 5 voices | — | ||
| 10-7 | "Playnsong Mass for a Meane": I. Kyrie | John Sheppard | T-902.704.637-3 | |
| 10-8 | "Playnsong Mass for a Meane": III. Credo | John Sheppard | — | |
| 10-9 | "Playnsong Mass for a Meane": III. Credo | John Sheppard | — | |
| 10-10 | "Playnsong Mass for a Meane": IV. Sanctus und Benedictus | John Sheppard | — | |
| 10-11 | "Playnsong Mass for a Meane": V. Agnus Dei | John Sheppard | — |
