UPC · Release
The Preservation Hall 50th Anniversary Collection
Preservation Hall Jazz Band
Last verified:
887254112129 is the Universal Product Code (UPC barcode) for the release “The Preservation Hall 50th Anniversary Collection” by Preservation Hall Jazz Band, released 2012-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include USBLZ0700004, USRX10313006, USSM18600649.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (57)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Band Introduction by Allan Jaffe | Preservation Hall Jazz Band | — | |
| 2 | Eh La Bas | Preservation Hall Jazz Band | — | |
| 3 | Oh Didn't He Ramble | Preservation Hall Jazz Band | — | |
| 4 | I Get the Blues When It Rains | Preservation Hall Jazz Band | — | |
| 6 | Ice Cream | Preservation Hall Jazz Band | — | |
| 7 | In the Evening (When the Sun Goes Down) | Preservation Hall Jazz Band | — | |
| 8 | Down by the Riverside | Preservation Hall Jazz Band | T-922.769.351-8 | |
| 9 | Corinna, Corinna | Preservation Hall Jazz Band | — | |
| 10 | I'm Alone Because I Love You | Preservation Hall Jazz Band | — | |
| 11 | El Manicero | Preservation Hall Jazz Band | T-042.623.018-3 | |
| 12 | Do Lord | Preservation Hall Jazz Band | T-071.080.795-6 | |
| 13 | St. James Infirmary | Preservation Hall Jazz Band | T-902.883.621-7 | |
| 14 | Just a Little While to Stay Here | Preservation Hall Jazz Band | T-205.079.449-2 | |
| 15 | Complicated Life | Preservation Hall Jazz Band | — | |
| 16 | We Shall Overcome | Preservation Hall Jazz Band | — | |
| 2-1 | His Eye Is on the Sparrow | Preservation Hall Jazz Band | — | |
| 2-2 | Shake It and Break It | Preservation Hall Jazz Band, Andrew Bird | — | |
| 2-3 | Nellie Grey | Preservation Hall Jazz Band | — | |
| 2-4 | When the Saints Go Marchin’ In | Preservation Hall Jazz Band | — | |
| 2-5 | Little Liza Jane | Preservation Hall Jazz Band | — | |
| 2-6 | (True) You Don't Love Me | Preservation Hall Jazz Band | T-070.282.210-3 | |
| 2-7 | In the Sweet Bye and Bye | Preservation Hall Jazz Band | — | |
| 2-8 | I’ll Fly Away | The Del McCoury Band, Preservation Hall Jazz Band | T-306.380.949-0 | |
| 2-9 | That Bucket's Got a Hole in It | Preservation Hall Jazz Band | — | |
| 2-10 | Love Song of the Nile | Preservation Hall Jazz Band | T-070.097.508-1 | |
| 2-11 | Blue Yodel #9 | Preservation Hall Jazz Band | — | |
| 2-12 | Shine | Preservation Hall Jazz Band | — | |
| 2-13 | Burgundy Street Blues | Preservation Hall Jazz Band | — | |
| 2-14 | I Want a Little Girl | Preservation Hall Jazz Band | — | |
| 2-15 | Chimes Blues | Preservation Hall Jazz Band | — | |
| 3-1 | Whenever You're Lonesome | Preservation Hall Jazz Band | — | |
| 3-2 | Lord, Lord, Lord, You Sure Been Good to Me | Preservation Hall Jazz Band | — | |
| 3-3 | Sing On | Preservation Hall Jazz Band | — | |
| 3-4 | Joe Avery | Preservation Hall Jazz Band | — | |
| 3-5 | Louisiana Fairytale | Preservation Hall Jazz Band, Yim Yames | T-911.424.750-6 | |
| 3-6 | Shake That Thing | Preservation Hall Jazz Band | T-071.340.133-2 | |
| 3-7 | Short Dressed Gal | Preservation Hall Jazz Band | — | |
| 3-8 | Freight Train Blues | Preservation Hall Jazz Band | T-011.017.485-0 | |
| 3-9 | Over in the Gloryland | Preservation Hall Jazz Band | — | |
| 3-10 | A Good Man Is Hard to Find | Preservation Hall Jazz Band | — | |
| 3-11 | Nobody Knows the Way I Feel This Morning | Preservation Hall Jazz Band | — | |
| 3-12 | I Ain't Got Nobody | Preservation Hall Jazz Band | — | |
| 3-13 | Amen | Preservation Hall Jazz Band | — | |
| 4-1 | Tootie Ma Is a Big Fine Thing | Preservation Hall Jazz Band, Tom Waits | — | |
| 4-2 | Bourbon Street Parade | Preservation Hall Jazz Band | T-070.233.121-2 | |
| 4-3 | I'm Confessin' | Preservation Hall Jazz Band | T-926.429.120-5 | |
| 4-4 | Le Petit Fleur | Preservation Hall Jazz Band | — | |
| 4-5 | One More ’Fore I Die | The Del McCoury Band, Preservation Hall Jazz Band | — | |
| 4-6 | Shake It and Break It | Preservation Hall Jazz Band | — | |
| 4-7 | C.C. Rider | Preservation Hall Jazz Band | — | |
| 4-8 | That's a Plenty | Preservation Hall Jazz Band | — | |
| 4-9 | Westlawn Dirge | Preservation Hall Jazz Band | — | |
| 4-10 | Who Threw the Whiskey in the Well? | Preservation Hall Jazz Band | T-911.065.547-5 | |
| 4-11 | Peanut Vendor | Preservation Hall Jazz Band | T-042.623.018-3 | |
| 4-12 | Trouble in Mind | Preservation Hall Jazz Band, Richie Havens | T-072.337.914-3 | |
| 4-13 | A Good Gal | The Del McCoury Band, Preservation Hall Jazz Band | — | |
| 4-14 | Precious Lord | Preservation Hall Jazz Band | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| St. James Infirmary (King Britt remix) | Preservation Hall Jazz Band | T-902.883.621-7 |
| Tootie Ma Is a Big Fine Thing | Preservation Hall Jazz Band, Tom Waits | — |
| Shake It and Break It | Preservation Hall Jazz Band, Andrew Bird | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 887254112129?
887254112129 is a Universal Product Code (UPC) assigned to The Preservation Hall 50th Anniversary Collection by Preservation Hall Jazz Band. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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