UPC · Album
Magiel Wagli
Various Artists
Last verified:
887254310822 is the Universal Product Code (UPC barcode) for the release “Magiel Wagli” by Various Artists, released 2012-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include GBBBM9601007, USAR19900509, USAR19990050.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (6)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Even After All | Finley Quaye | GBBBM9601007 |
| Let’s Ride | Q-Tip | USAR19900509 |
| Let’s Ride | Q-Tip | USAR19990050 |
| Home Is Where the Hatred Is | Esther Phillips | USSM10012254 |
| The Soul of a Man | Blind Willie Johnson | USSM10203504 |
| All Blues | Miles Davis | USSM15900116 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+19 more
People also ask
Verified on
What is UPC 887254310822?
887254310822 is a Universal Product Code (UPC) assigned to Magiel Wagli by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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