UPC · Release
Various Artists
Last verified:
The UPC for “Classical Masterworks” by Various Artists is 887254521921. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 360 tracks, each with its own ISRC. Tracks include DEP629800155, DEP629800156, DEP629800157.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Goldberg Variations BWV 988 – Aria. Andante espressivo | — | ||
| 2 | Goldberg Variations BWV 988 – Variation 1: Allegro moderato | — | ||
| 3 | Goldberg Variations BWV 988 – Variation 2: Allegretto | — | ||
| 4 | Goldberg Variations BWV 988 – Variation 3: Canone all' Unisono. Poco Andante ma con moto | — | ||
| 5 | Goldberg Variations BWV 988 – Variation 4: L'istesso movimento | — | ||
| 6 | Goldberg Variations BWV 988 – Variation 5: Allegro vivace | — | ||
| 7 | Goldberg Variations BWV 988 – Variation 6: Canone alla Seconda. Allegretto | — | ||
| 8 | Goldberg Variations BWV 988 – Variation 7: Un poco vivace | — | ||
| 9 | Goldberg Variations BWV 988 – Variation 8: Allegro | — | ||
| 10 | Goldberg Variations BWV 988 – Variation 9: Canone alla Terza. Moderato | — | ||
| 11 | Goldberg Variations BWV 988 – Variation 10: Fughetta. Un poco animato | — | ||
| 12 | Goldberg Variations BWV 988 – Variation 11: Allegro e leggier | — | ||
| 13 | Goldberg Variations BWV 988 – Variation 12: Canone alla Quarta in moto contrario. Allegretto moderato | — | ||
| 14 | Goldberg Variations BWV 988 – Variation 13: Andantino | — | ||
| 15 | Goldberg Variations BWV 988 – Variation 14: Allegro moderato | — | ||
| 16 | Goldberg Variations BWV 988 – Variation 15: Canone alla Quinta in moto contraio. Andante | — | ||
| 17 | Goldberg Variations BWV 988 – Variation 16: Ouverture. Maestoso | — | ||
| 18 | Goldberg Variations BWV 988 – Variation 17: Allegro | — | ||
| 19 | Goldberg Variations BWV 988 – Variation 18: Canone alla Sesta. Con moto | — | ||
| 20 | Goldberg Variations BWV 988 – Variation 19: Allegro vivace | — | ||
| 21 | Goldberg Variations BWV 988 – Variation 20: Allegro | — | ||
| 22 | Goldberg Variations BWV 988 – Variation 21: Canone alla Settima. Andante con moto | — | ||
| 23 | Goldberg Variations BWV 988 – Variation 22: Alla breve | — | ||
| 24 | Goldberg Variations BWV 988 – Variation 23: Allegro moderato | — | ||
| 25 | Goldberg Variations BWV 988 – Variation 24: Canone all' Ottava. Allegretto con moto | — | ||
| 26 | Goldberg Variations BWV 988 – Variation 25: Andante espressivo | — | ||
| 27 | Goldberg Variations BWV 988 – Variation 26: Allegro | — | ||
| 28 | Goldberg Variations BWV 988 – Variation 27: Canone alla Nona. Un Poco vivace | — | ||
| 29 | Goldberg Variations BWV 988 – Variation 28: Allegro | — | ||
| 30 | Goldberg Variations BWV 988 – Variation 29: Brillante | — | ||
| 31 | Goldberg Variations BWV 988 – Variation 30: Quodlibet. Moderato | — | ||
| 32 | Goldberg Variations BWV 988 – Aria da capo | — | ||
| 2-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-4 | Symphony no. 9 in D minor, op. 125: IV. Presto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-5 | Symphony no. 9 in D minor, op. 125: V. Allegro assai vivace alla marcia. End | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-6 | Symphony no. 9 in D minor, op. 125: VI. Allegro assai vivace alla marcia. End, with Beethoven’s original general pause in bar 747 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-1 | Symphonie Fantastique Op. 14 "Episode De La Vie D'un Artiste" – Rêverie. Passions | — | ||
| 3-2 | Symphonie Fantastique Op. 14 "Episode De La Vie D'un Artiste" – Un bal | — | ||
| 3-3 | Symphonie Fantastique Op. 14 "Episode De La Vie D'un Artiste" – Scène aux champs | — | ||
| 3-4 | Symphonie Fantastique Op. 14 "Episode De La Vie D'un Artiste" – Marche au supplice | — | ||
| 3-5 | Symphonie Fantastique Op. 14 "Episode De La Vie D'un Artiste" – Songe d'une nuit du Sabbat | — | ||
| 4-1 | Carmen : Prélude | — | ||
| 4-2 | Carmen : Acte I. « Dans l'air nous suivons des yeux » (Chorus of Cigarette Girls) | — | ||
| 4-3 | Carmen : Acte I. « La voilà, la voilà » | — | ||
| 4-4 | Carmen : Acte I. « L'amour est un oiseau rebelle » (Habanera) | — | ||
| 4-5 | Carmen : Acte I. « Près des remparts de Séville » (Seguidilla) | — | ||
| 4-6 | Carmen : Acte I. Entr'acte | — | ||
| 4-7 | Carmen : Acte II. « Les tringles des sistres tintaient » (Gypsy Song) | — | ||
| 4-8 | Carmen : Acte II. « Messieurs, Pastia me dit » | — | ||
| 4-9 | Carmen : Acte II. « Vivat, vivat le Toréro ! » | — | ||
| 4-10 | Carmen : Acte II. Toreador Song. « Votre toast, je peux vous le rendre » | Wilhelm Pitz, Bernard Demigny, Monique Linval, Geneviève Macaux, Leontyne Price, Frank Schooten, Chor der Wiener Staatsoper, Robert Merrill, Vienna Philharmonic Orchestra, Herbert von Karajan | T-900.149.622-6 | |
| 4-11 | Carmen : Acte II. « Nous avons en tête une affaire » (Quintet) | — | ||
| 4-12 | Carmen : Acte II. « Lalalala - Attends un peu, Carmen » | — | ||
| 4-13 | Carmen : Acte II. « La fleur que tu m'avais jetée » (Flower Song) | — | ||
| 4-14 | Carmen : Acte II. Entr'acte | — | ||
| 4-15 | Carmen : Acte III. « Mêlons ! Coupons ! » (Card Scene) | — | ||
| 4-16 | Carmen : Acte III. « Je dis que rien ne m'épouvante » (Micaela's Air) | — | ||
| 4-17 | Carmen : Acte III. Entr'acte | — | ||
| 4-18 | Carmen : Acte IV. « C'est toi ! - C'est moi ! » | — | ||
| 4-19 | Carmen : Acte IV. « Où vas-tu ? - Laisse-moi ! » | — | ||
| 5-1 | Ein deutsches Requiem Op. 45 – Ziemlich langsam und mit Ausdruck | — | ||
| 5-2 | Ein deutsches Requiem Op. 45 – Langsam, marschmäßig - Allegro non troppo | — | ||
| 5-3 | Ein deutsches Requiem Op. 45 – Andante moderato | — | ||
| 5-4 | Ein deutsches Requiem Op. 45 – Mäßig bewegt | — | ||
| 5-5 | Ein deutsches Requiem Op. 45 – Langsam | — | ||
| 5-6 | Ein deutsches Requiem Op. 45 – Andante - Vivace - Allegro | — | ||
| 5-7 | Ein deutsches Requiem Op. 45 – Feierlich | — | ||
| 6-1 | Symphony No. 9 in D Minor "Dem lieben Gott" – Feierlich. Misterioso | — | ||
| 6-2 | Symphony No. 9 in D Minor "Dem lieben Gott" – Scherzo. Bewegt, lebhaft - Trio. Schnell | — | ||
| 6-3 | Symphony No. 9 in D Minor "Dem lieben Gott" – Adagio. Langsam, feierlich | — | ||
| 7-1 | Préludes & Valses – 24 Préludes op. 28 – Agitato | — | ||
| 7-2 | Préludes & Valses – 24 Préludes op. 28 – Lento | — | ||
| 7-3 | Préludes & Valses – 24 Préludes op. 28 – Vivace | — | ||
| 7-4 | Préludes & Valses – 24 Préludes op. 28 – Largo | — | ||
| 7-5 | Préludes & Valses – 24 Préludes op. 28 – Allegro molto | — | ||
| 7-6 | Préludes & Valses – 24 Préludes op. 28 – Lento assai | — | ||
| 7-7 | Préludes & Valses – 24 Préludes op. 28 – Andantino | — | ||
| 7-8 | Préludes & Valses – 24 Préludes op. 28 – Molto agitato | — | ||
| 7-9 | Préludes & Valses – 24 Préludes op. 28 – Largo | — | ||
| 7-10 | Préludes & Valses – 24 Préludes op. 28 – Allegro molto | — | ||
| 7-11 | Préludes & Valses – 24 Préludes op. 28 – Vivace | — | ||
| 7-12 | Préludes & Valses – 24 Préludes op. 28 – Presto | — | ||
| 7-13 | Préludes & Valses – 24 Préludes op. 28 – Lento | — | ||
| 7-14 | Préludes & Valses – 24 Préludes op. 28 – Allegro | — | ||
| 7-15 | Préludes & Valses – 24 Préludes op. 28 – Sostenuto | — | ||
| 7-16 | Préludes & Valses – 24 Préludes op. 28 – Presto con fuoco | — | ||
| 7-17 | Préludes & Valses – 24 Préludes op. 28 – Allegretto | — | ||
| 7-18 | Préludes & Valses – 24 Préludes op. 28 – Allegro molto | — | ||
| 7-19 | Préludes & Valses – 24 Préludes op. 28 – Vivace | — | ||
| 7-20 | Préludes & Valses – 24 Préludes op. 28 – Largo | — | ||
| 7-21 | Préludes & Valses – 24 Préludes op. 28 – Cantabile | — | ||
| 7-22 | Préludes & Valses – 24 Préludes op. 28 – Molto agitato | — | ||
| 7-23 | Préludes & Valses – 24 Préludes op. 28 – Moderato | — | ||
| 7-24 | Préludes & Valses – 24 Préludes op. 28 – Allegro appassionato | — | ||
| 7-25 | Préludes & Valses – Nocturne No. 8 in D flat major op. 27/2 | — | ||
| 7-26 | Préludes & Valses – Andante spianato | — | ||
| 7-27 | Préludes & Valses – Grande Polonaise brillante op. 22 in E flat major | — | ||
| 7-28 | Préludes & Valses – Ballade No. 1 in G minor op. 23 | — | ||
| 7-29 | Préludes & Valses – Valse Op. 64/1 in D flat major | — | ||
| 7-30 | Préludes & Valses – Valse Op. 64/2 in C sharp minor | — | ||
| 8-1 | Symphony No. 9 in E Minor Op. 95 "From the New World" – Adagio - Allegro molto | — | ||
| 8-2 | Symphony No. 9 in E Minor Op. 95 "From the New World" – Largo un poco mosso | — | ||
| 8-3 | Symphony No. 9 in E Minor Op. 95 "From the New World" – Scherzo. Molto vivace - un poco sostenuto | — | ||
| 8-4 | Symphony No. 9 in E Minor Op. 95 "From the New World" – Allegro con fuoco | — | ||
| 8-5 | Slavic Dances Op. 72 – No. 13 in B flat minor | — | ||
| 8-6 | Slavic Dances Op. 72 – No. 14 in B flat major | — | ||
| 8-7 | Slavic Dances Op. 72 – No. 15 in C major | — | ||
| 8-8 | Slavic Dances Op. 72 – No. 16 in A flat major | — | ||
| 9-1 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Ouverture | — | ||
| 9-2 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Adagio e staccato | — | ||
| 9-3 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Allegro | — | ||
| 9-4 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Andante - Allegro | — | ||
| 9-5 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Passepied | — | ||
| 9-6 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Air | — | ||
| 9-7 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Minuet | — | ||
| 9-8 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Bourée | — | ||
| 9-9 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Hornpipe | — | ||
| 9-10 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Allegro | — | ||
| 9-11 | Wassermusik (Water Music) – Suite No. 2 in D Major HWV 349 – Ouverture | — | ||
| 9-12 | Wassermusik (Water Music) – Suite No. 2 in D Major HWV 349 – Alla Hornpipe | — | ||
| 9-13 | Wassermusik (Water Music) – Suite No. 2 in D Major HWV 349 – Minuet | — | ||
| 9-14 | Wassermusik (Water Music) – Suite No. 2 in D Major HWV 349 – Lentement | — | ||
| 9-15 | Wassermusik (Water Music) – Suite No. 2 in D Major HWV 349 – Bourée | — | ||
| 9-16 | Wassermusik (Water Music) – Suite No. 3 in G Major HWV 350 – Ouverture | — | ||
| 9-17 | Wassermusik (Water Music) – Suite No. 3 in G Major HWV 350 – Rigaudon | — | ||
| 9-18 | Wassermusik (Water Music) – Suite No. 3 in G Major HWV 350 – Minuet | — | ||
| 9-19 | Wassermusik (Water Music) – Suite No. 3 in G Major HWV 350 – Cantabile | — | ||
| 9-20 | Wassermusik (Water Music) – Concerto Grosso in G Major Op. 3 No. 3 HWV 314 – Largo e staccato - Allegro | — | ||
| 9-21 | Wassermusik (Water Music) – Concerto Grosso in G Major Op. 3 No. 3 HWV 314 – Adagio - Allegro | — | ||
| 10-1 | Symphony No. 93 in D Major – Adagio - Allegro assai | — | ||
| 10-2 | Symphony No. 93 in D Major – Largo cantabile | — | ||
| 10-3 | Symphony No. 93 in D Major – Menuetto. Allegro | — | ||
| 10-4 | Symphony No. 93 in D Major – Finale. Presto ma non troppo | — | ||
| 10-5 | Symphony No. 94 in G Major "Surprise" – Adagio - Vivace assai | — | ||
| 10-6 | Symphony No. 94 in G Major "Surprise" – Andante | — | ||
| 10-7 | Symphony No. 94 in G Major "Surprise" – Menuet. Allegro molto | — | ||
| 10-8 | Symphony No. 94 in G Major "Surprise" – Finale. Allegro di molto | — | ||
| 10-9 | Symphony No. 95 in C Minor – Allegro moderato | — | ||
| 10-10 | Symphony No. 95 in C Minor – Andante cantabile | — | ||
| 10-11 | Symphony No. 95 in C Minor – Menuet | — | ||
| 10-12 | Symphony No. 95 in C Minor – Finale. Vivace | — | ||
| 11-1 | Hungarian Fantasy | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-2 | Piano Concerto no. 1 in E-flat: I. Allegro maestoso | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-3 | Piano Concerto no. 1 in E-flat: II. Quasi Adagio - Allegretto vivace - Allegro animato | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-4 | Piano Concerto no. 1 in E-flat: III. Allegro marziale animato | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-5 | Piano Concerto no. 2 in A: I. Adagio sostenuto assai | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-6 | Piano Concerto no. 2 in A: II. Allegro agitato assai | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-7 | Piano Concerto no. 2 in A: III. Allegro moderato | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-8 | Piano Concerto no. 2 in A: IV. Allegro deciso | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-9 | Piano Concerto no. 2 in A: V. Marziale, un poco meno Allegro | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-10 | Piano Concerto no. 2 in A: VI. Allegro animato | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 12-1 | Symphony No. 1 in D Major – Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich | — | ||
| 12-2 | Symphony No. 1 in D Major – Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemütlich | — | ||
| 12-3 | Symphony No. 1 in D Major – Feierlich und gemessen, ohne zu schleppen | — | ||
| 12-4 | Symphony No. 1 in D Major – Stürmisch bewegt | — | ||
| 13-1 | Die Hebriden op. 26 (Fingal's Cave) | — | ||
| 13-2 | Symphony No. 1 in C Minor Op. 11 – Allegro di molto | — | ||
| 13-3 | Symphony No. 1 in C Minor Op. 11 – Andante | — | ||
| 13-4 | Symphony No. 1 in C Minor Op. 11 – Menuetto - Trio | — | ||
| 13-5 | Symphony No. 1 in C Minor Op. 11 – Allegro con fuoco | — | ||
| 13-6 | Symphony No. 4 in A Major Op. 90 "Italian" – Allegro vivace | — | ||
| 13-7 | Symphony No. 4 in A Major Op. 90 "Italian" – Andante con moto | — | ||
| 13-8 | Symphony No. 4 in A Major Op. 90 "Italian" – Con moto moderato | — | ||
| 13-9 | Symphony No. 4 in A Major Op. 90 "Italian" – Saltarello, presto | — | ||
| 14-1 | Serenata Notturna K 239 – Marcia | — | ||
| 14-2 | Serenata Notturna K 239 – Menuetto | — | ||
| 14-3 | Serenata Notturna K 239 – Rondo | — | ||
| 14-4 | Maurerische Trauermusik K 477 | — | ||
| 14-5 | Eine kleine Nachtmusik K – Allegro | — | ||
| 14-6 | Eine kleine Nachtmusik K – Romance (Andante) | — | ||
| 14-7 | Eine kleine Nachtmusik K – Menuetto (Allegretto) | — | ||
| 14-8 | Eine kleine Nachtmusik K – Rondo (Allegro) | — | ||
| 14-9 | Divertimento No. 11 in D Major K 251 – Allegro molto | — | ||
| 14-10 | Divertimento No. 11 in D Major K 251 – Menuetto | — | ||
| 14-11 | Divertimento No. 11 in D Major K 251 – Andantino | — | ||
| 14-12 | Divertimento No. 11 in D Major K 251 – Menuetto (Tempo con Variazioni) | — | ||
| 14-13 | Divertimento No. 11 in D Major K 251 – Rondo (Allegro assai) | — | ||
| 14-14 | Divertimento No. 11 in D Major K 251 – Marcia alla francese | — | ||
| 15-1 | Pictures at an Exhibition – Version for Piano – Promenade | — | ||
| 15-2 | Pictures at an Exhibition – Version for Piano – No. 1: Gnomus | — | ||
| 15-3 | Pictures at an Exhibition – Version for Piano – Promenade | — | ||
| 15-4 | Pictures at an Exhibition – Version for Piano – No. 2: Il vecchio castello | — | ||
| 15-5 | Pictures at an Exhibition – Version for Piano – Promenade | — | ||
| 15-7 | Pictures at an Exhibition – Version for Piano – No. 4: Bydlo | — | ||
| 15-8 | Pictures at an Exhibition – Version for Piano – Promenade | — | ||
| 15-9 | Pictures at an Exhibition – Version for Piano – No. 5: Ballet of the Unhatched Chicks | — | ||
| 15-10 | Pictures at an Exhibition – Version for Piano – No. 6: Samuel Goldenberg and Schmuyle | — | ||
| 15-11 | Pictures at an Exhibition – Version for Piano – Promenade | — | ||
| 15-13 | Pictures at an Exhibition – Version for Piano – No. 8: Catacombae. Sepulcrum Romanum | — | ||
| 15-14 | Pictures at an Exhibition – Version for Piano – Con mortuis in lingua mortua | — | ||
| 15-16 | Pictures at an Exhibition – Version for Piano – No. 10: The Great Gate at Kiev | — | ||
| 15-17 | Pictures at an Exhibition – Version for Orchestra – Promenade | — | ||
| 15-18 | Pictures at an Exhibition – Version for Orchestra – No. 1 Gnomus | — | ||
| 15-19 | Pictures at an Exhibition – Version for Orchestra – Promenade | — | ||
| 15-20 | Pictures at an Exhibition – Version for Orchestra – No. 2 Il vecchio castello | — | ||
| 15-21 | Pictures at an Exhibition – Version for Orchestra – Promenade | — | ||
| 15-23 | Pictures at an Exhibition – Version for Orchestra – No. 4 Bydlo | — | ||
| 15-24 | Pictures at an Exhibition – Version for Orchestra – Promenade | — | ||
| 15-25 | Pictures at an Exhibition – Version for Orchestra – No. 5 Ballet of the Unhatched Chicks | — | ||
| 15-26 | Pictures at an Exhibition – Version for Orchestra – No. 6 Samuel Goldenberg and Schmuyle | — | ||
| 15-28 | Pictures at an Exhibition – Version for Orchestra – No. 8 Catacombae. Sepulcrum Romanum | — | ||
| 15-29 | Pictures at an Exhibition – Version for Orchestra – Con mortuis in lingua mortua | — | ||
| 15-31 | Pictures at an Exhibition – Version for Orchestra – No. 10 The Great Gate at Kiev | — | ||
| 16-1 | Carmina Burana – Fortuna Imperatrix Mundi – O Fortuna | — | ||
| 16-2 | Carmina Burana – Fortuna Imperatrix Mundi – Fortune plango vulnera | — | ||
| 16-3 | Carmina Burana – I. Primo Vere – Veris leta facies | — | ||
| 16-4 | Carmina Burana – I. Primo Vere – Omnia Sol temperat | — | ||
| 16-5 | Carmina Burana – I. Primo Vere – Ecce gratum | — | ||
| 16-6 | Carmina Burana – Uf Dem Anger – Tanz | — | ||
| 16-7 | Carmina Burana – Uf Dem Anger – Floret silve | — | ||
| 16-8 | Carmina Burana – Uf Dem Anger – Chramer, gip die varwe mir | — | ||
| 16-9 | Carmina Burana – Uf Dem Anger – Reie Swaz hie gat umbe Chume, chum geselle min | — | ||
| 16-10 | Carmina Burana – Uf Dem Anger – Were diu werlt alle min | — | ||
| 16-11 | Carmina Burana – II. In Taberna – Estuans interius | — | ||
| 16-12 | Carmina Burana – II. In Taberna – Olim lacus colueram | — | ||
| 16-13 | Carmina Burana – II. In Taberna – Ego sum abbas | — | ||
| 16-14 | Carmina Burana – II. In Taberna – In taberna quando sumus | — | ||
| 16-15 | Carmina Burana – III. Cour D'Amours – Amor volat undique | — | ||
| 16-16 | Carmina Burana – III. Cour D'Amours – Dies, nox et omnia | — | ||
| 16-17 | Carmina Burana – III. Cour D'Amours – Stetit puella | — | ||
| 16-18 | Carmina Burana – III. Cour D'Amours – Circa mea pectora | — | ||
| 16-19 | Carmina Burana – III. Cour D'Amours – Si puer cum puellula | — | ||
| 16-20 | Carmina Burana – III. Cour D'Amours – Veni, veni, venias | — | ||
| 16-21 | Carmina Burana – III. Cour D'Amours – In trutina | — | ||
| 16-22 | Carmina Burana – III. Cour D'Amours – Tempus est iocundum | — | ||
| 16-23 | Carmina Burana – III. Cour D'Amours – Dulcissime | — | ||
| 16-24 | Carmina Burana – Blanzifor et Helena – Ave Formoissima | — | ||
| 16-25 | Carmina Burana – Fortuna Imperatrix Mundi – O Fortuna | — | ||
| 17-1 | Stabat Mater – Stabat mater dolorosa | — | ||
| 17-2 | Stabat Mater – Cuius animam gementem | — | ||
| 17-3 | Stabat Mater – O quam tristis et afflicta | — | ||
| 17-4 | Stabat Mater – Quae moerebat et dolebat | — | ||
| 17-5 | Stabat Mater – Quis est home, qui non fleret | — | ||
| 17-6 | Stabat Mater – Vidit suum dulcem natum | — | ||
| 17-7 | Stabat Mater – Eia Mater, fons amoris | — | ||
| 17-8 | Stabat Mater – Fac ut aedeat cor meum | — | ||
| 17-9 | Stabat Mater – Sancta Mater, istud agas | — | ||
| 17-10 | Stabat Mater – Fac ut portem Christi mortem | — | ||
| 17-11 | Stabat Mater – Inflammatus et accensus | — | ||
| 17-12 | Stabat Mater – Quando corpus morietur | — | ||
| 18-1 | Boléro | — | ||
| 18-2 | Daphnis et Chloé, Suite No. 2 – Lever du jour | — | ||
| 18-3 | Daphnis et Chloé, Suite No. 2 – Pantomime | — | ||
| 18-4 | Daphnis et Chloé, Suite No. 2 – Danse générale | — | ||
| 18-5 | Piano Concerto in G Major – Allegramente | — | ||
| 18-6 | Piano Concerto in G Major – Adagio assai | — | ||
| 18-7 | Piano Concerto in G Major – Presto | — | ||
| 18-8 | Rhapsodie Espagnole – Prélude à la nuit | — | ||
| 18-9 | Rhapsodie Espagnole – Malaguena | — | ||
| 18-10 | Rhapsodie Espagnole – Habanera | — | ||
| 18-11 | Rhapsodie Espagnole – Feria | — | ||
| 19-1 | Opera Overtures – L'Italiana in Algheri | — | ||
| 19-2 | Opera Overtures – Il Barbiere in Seviglia | — | ||
| 19-3 | Opera Overtures – La Cenerentola | — | ||
| 19-4 | Opera Overtures – La Gazza Ladra | — | ||
| 19-5 | Opera Overtures – Semiramide | — | ||
| 19-6 | Opera Overtures – L'Assiedo di Corinto | — | ||
| 19-7 | Opera Overtures – Guglielmo Tell | — | ||
| 20-1 | Prelude to "Le Déluge" op. 45 | — | ||
| 20-2 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 1 Introduction et Marche Royale du Lion | — | ||
| 20-3 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 2 Poules et Coqs | — | ||
| 20-4 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 3 Hémiones - Animaux véloces | — | ||
| 20-5 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 4 Tortues | — | ||
| 20-6 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 5 L'Eléphant | — | ||
| 20-7 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 6 Kangourous | — | ||
| 20-8 | Carnival of the Animals: Aquarium | London Festival Orchestra, Ross Pople | T-004.976.716-9 | |
| 20-9 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 8 Personnages á longues Oreilles | — | ||
| 20-10 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 9 Le Coucou au Fond des Bois | — | ||
| 20-11 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 10 Voliére | — | ||
| 20-12 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 11 Pianistes | — | ||
| 20-13 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 12 Fossiles | — | ||
| 20-14 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 13 Le Cygne | — | ||
| 20-15 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 14 Final | — | ||
| 20-16 | Wedding Cake A flat major op. 76 | — | ||
| 20-17 | Septet E Flat Major Op. 65 – Préambule | — | ||
| 20-18 | Septet E Flat Major Op. 65 – Menuet | — | ||
| 20-19 | Septet E Flat Major Op. 65 – Intermède | — | ||
| 20-20 | Septet E Flat Major Op. 65 – Gavotte et Final | — | ||
| 20-21 | Sarabande in E major No. 1 op. 93 | — | ||
| 21-1 | Piano Quintet Op. Posth. 114 in A Major, D 667 - "Forellenquintett" « Trout Quintet » – Allegro vivace | — | ||
| 21-2 | Piano Quintet Op. Posth. 114 in A Major, D 667 - "Forellenquintett" « Trout Quintet » – Andante | — | ||
| 21-3 | Piano Quintet Op. Posth. 114 in A Major, D 667 - "Forellenquintett" « Trout Quintet » – Scherzo - Trio - Scherzo | — | ||
| 21-4 | Piano Quintet Op. Posth. 114 in A Major, D 667 - "Forellenquintett" « Trout Quintet » – Thema. Andantino - Variazioni I-V - Allegretto | — | ||
| 21-5 | Piano Quintet Op. Posth. 114 in A Major, D 667 - "Forellenquintett" « Trout Quintet » – Finale. Allegro giusto | — | ||
| 21-6 | Symphony No. 8 in B Minor, D759, "Unfinished" – Allegro moderato | — | ||
| 21-7 | Symphony No. 8 in B Minor, D759, "Unfinished" – Andante con moto | — | ||
| 22-1 | Introduction and Allegro Appasionato in G Major Op. 92 – Introduction | — | ||
| 22-2 | Introduction and Allegro Appasionato in G Major Op. 92 – Allegro | — | ||
| 22-3 | Concerto Allegro with Introduction for Piano & Orchestra in D Minor Op. 134 – Concerto Allegro with Introduction for Piano & Orchestra | — | ||
| 22-4 | Concert Piece for four Horns and Orchestra Op. 86 – Lebhaft | — | ||
| 22-5 | Concert Piece for four Horns and Orchestra Op. 86 – Romanze | — | ||
| 22-6 | Symphony No. 1 in B Flat Major Op. 38 – Andante un poco maestoso - Allegro molto vivace | — | ||
| 22-7 | Symphony No. 1 in B Flat Major Op. 38 – Larghetto | — | ||
| 22-8 | Symphony No. 1 in B Flat Major Op. 38 – Scherzo | — | ||
| 22-9 | Symphony No. 1 in B Flat Major Op. 38 – Allegro animato e grazioso | — | ||
| 23-1 | Symphony No. 11 Op. 103 "The Year 1905" – Palace Square (Adagio) | — | ||
| 23-2 | Symphony No. 11 Op. 103 "The Year 1905" – The Ninth of January (Allegro) | — | ||
| 23-3 | Symphony No. 11 Op. 103 "The Year 1905" – In Memoriam (Adagio) | — | ||
| 23-4 | Symphony No. 11 Op. 103 "The Year 1905" – The Tocsin (Allegro non troppo) | — | ||
| 24-1 | Violin Concerto in D Minor Op. 47 – Allegro moderato | — | ||
| 24-2 | Violin Concerto in D Minor Op. 47 – Adagio di molto | — | ||
| 24-3 | Violin Concerto in D Minor Op. 47 – Allegro, ma non tanto | — | ||
| 24-4 | Symphony No. 5 in E Flat Major Op. 82 – Tempo molto moderato - Allegro moderato (ma popo a poco stretto) - Vivace molto - Presto | — | ||
| 24-5 | Symphony No. 5 in E Flat Major Op. 82 – Andante mosso, quasi allegretto | — | ||
| 24-6 | Symphony No. 5 in E Flat Major Op. 82 – Allegro molto | — | ||
| 25-1 | Má Vlast (My Country) – Vysehrad | — | ||
| 25-2 | Má Vlast (My Country) – Vltava (The Moldau) | — | ||
| 25-3 | Má Vlast (My Country) – Sárka | — | ||
| 25-4 | Má Vlast (My Country) – Z českých luhů a hájů (From Bohemian Fields and Groves) | — | ||
| 25-5 | Má Vlast (My Country) – Tábor | — | ||
| 25-6 | Má Vlast (My Country) – Blaník | — | ||
| 26-1 | Vienna Concert Gala – Der Zigeunerbaron - Overture | — | ||
| 26-2 | Vienna Concert Gala – Eine Nacht in Venedig - Komm in die Gondel | — | ||
| 26-3 | Vienna Concert Gala – Der Zigeunerbaron - Wer uns getraut | — | ||
| 26-4 | Vienna Concert Gala – Perpetuum mobile | — | ||
| 26-5 | Vienna Concert Gala – G'schichten aus dem Wiener Wald | — | ||
| 26-6 | Vienna Concert Gala – Unter Donner und Blitz | — | ||
| 26-7 | Vienna Concert Gala – Die Fledermaus - Overture | — | ||
| 26-8 | Vienna Concert Gala – Dieser Anstand! So manierlich | — | ||
| 26-9 | Vienna Concert Gala – Tritsch-Tratsch-Polka | — | ||
| 26-10 | Vienna Concert Gala – An der schönen blauen Donau | — | ||
| 26-11 | Vienna Concert Gala – Radetzky-Marsch (Johann Strauss sen.) | — | ||
| 27-1 | Symphonic Poems – Don Juan op. 20 | — | ||
| 27-2 | Symphonic Poems – Till Eulenspiegels lustige Streiche op. 28 | — | ||
| 27-3 | Symphonic Poems – Also sprach Zarathustra op. 30 | — | ||
| 28-1 | Symphony No. 4 in F Minor Op. 36 – Andante sostenuto. Moderato con anima | — | ||
| 28-2 | Symphony No. 4 in F Minor Op. 36 – Andantino in modo di canzone | — | ||
| 28-3 | Symphony No. 4 in F Minor Op. 36 – Scherzo. Pizzicato ostinato. Allegro | — | ||
| 28-4 | Symphony No. 4 in F Minor Op. 36 – Finale. Allegro con fuoco | — | ||
| 28-5 | Suite from the ballet "The Nutcracker" Op. 71a – No. 1 "Ouverture miniature" / No. 2 "Danses caractéristiques" | — | ||
| 28-6 | Suite from the ballet "The Nutcracker" Op. 71a – Marche | — | ||
| 28-7 | Suite from the ballet "The Nutcracker" Op. 71a – Danse de la fée dragée | — | ||
| 28-8 | Suite from the ballet "The Nutcracker" Op. 71a – Danse russe Trepak | — | ||
| 28-9 | Suite from the ballet "The Nutcracker" Op. 71a – Danse arabe | — | ||
| 28-10 | Suite from the ballet "The Nutcracker" Op. 71a – Danse chinoise | — | ||
| 28-11 | Suite from the ballet "The Nutcracker" Op. 71a – Danse des mirlitons | — | ||
| 28-12 | Suite from the ballet "The Nutcracker" Op. 71a – No. 3 Valse des fleurs | — | ||
| 29-1 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 1 La Primavera (Spring) – Allegro | — | ||
| 29-2 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 1 La Primavera (Spring) – Largo | — | ||
| 29-3 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 1 La Primavera (Spring) – Allegro, Danza Pastorale | — | ||
| 29-4 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 2 L'Estate (Summer) – Allegro non molto | — | ||
| 29-5 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 2 L'Estate (Summer) – Adagio - Presto | — | ||
| 29-6 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 2 L'Estate (Summer) – Presto - Tempo impetuoso d'Estate | — | ||
| 29-7 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 3 L'Autunno (Autumn) – Allegro, Ballo e Canto de'Villanelli | — | ||
| 29-8 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 3 L'Autunno (Autumn) – Adagio, Ubriachi dormienti | — | ||
| 29-9 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 3 L'Autunno (Autumn) – Allegro, la caccia | — | ||
| 29-10 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 4 L'Inverno (Winter) – Allegro non molto | — | ||
| 29-11 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 4 L'Inverno (Winter) – Largo | — | ||
| 29-12 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 4 L'Inverno (Winter) – Allegro | — | ||
| 29-13 | Concerto Grosso in D Minor Op. 3 No. 11 – Allegro - Adagio - Allegro | — | ||
| 29-14 | Concerto Grosso in D Minor Op. 3 No. 11 – Largo | — | ||
| 29-15 | Concerto Grosso in D Minor Op. 3 No. 11 – Allegro | — | ||
| 30-1 | Orchestral Highlights – Die Meistersinger von Nürnberg: Prelude Act 1 | — | ||
| 30-2 | Orchestral Highlights – Lohengrin: Prelude Act 1 | — | ||
| 30-3 | Orchestral Highlights – Tristan und Isolde: Prelude and Liebestod | — | ||
| 30-4 | Orchestral Highlights – Parsifal: Karfreitagszauber | — | ||
| 30-5 | Orchestral Highlights – Der fliegende Holländer: Overture | — | ||
| 30-6 | Orchestral Highlights – Die Walküre: Walkürenritt | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
887254521921 is a Universal Product Code (UPC) assigned to Classical Masterworks by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 360 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Classical Masterworks” by Various Artists is 887254521921. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 360 tracks, each with its own ISRC. Tracks include DEP629800155, DEP629800156, DEP629800157.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Goldberg Variations BWV 988 – Aria. Andante espressivo | — | ||
| 2 | Goldberg Variations BWV 988 – Variation 1: Allegro moderato | — | ||
| 3 | Goldberg Variations BWV 988 – Variation 2: Allegretto | — | ||
| 4 | Goldberg Variations BWV 988 – Variation 3: Canone all' Unisono. Poco Andante ma con moto | — | ||
| 5 | Goldberg Variations BWV 988 – Variation 4: L'istesso movimento | — | ||
| 6 | Goldberg Variations BWV 988 – Variation 5: Allegro vivace | — | ||
| 7 | Goldberg Variations BWV 988 – Variation 6: Canone alla Seconda. Allegretto | — | ||
| 8 | Goldberg Variations BWV 988 – Variation 7: Un poco vivace | — | ||
| 9 | Goldberg Variations BWV 988 – Variation 8: Allegro | — | ||
| 10 | Goldberg Variations BWV 988 – Variation 9: Canone alla Terza. Moderato | — | ||
| 11 | Goldberg Variations BWV 988 – Variation 10: Fughetta. Un poco animato | — | ||
| 12 | Goldberg Variations BWV 988 – Variation 11: Allegro e leggier | — | ||
| 13 | Goldberg Variations BWV 988 – Variation 12: Canone alla Quarta in moto contrario. Allegretto moderato | — | ||
| 14 | Goldberg Variations BWV 988 – Variation 13: Andantino | — | ||
| 15 | Goldberg Variations BWV 988 – Variation 14: Allegro moderato | — | ||
| 16 | Goldberg Variations BWV 988 – Variation 15: Canone alla Quinta in moto contraio. Andante | — | ||
| 17 | Goldberg Variations BWV 988 – Variation 16: Ouverture. Maestoso | — | ||
| 18 | Goldberg Variations BWV 988 – Variation 17: Allegro | — | ||
| 19 | Goldberg Variations BWV 988 – Variation 18: Canone alla Sesta. Con moto | — | ||
| 20 | Goldberg Variations BWV 988 – Variation 19: Allegro vivace | — | ||
| 21 | Goldberg Variations BWV 988 – Variation 20: Allegro | — | ||
| 22 | Goldberg Variations BWV 988 – Variation 21: Canone alla Settima. Andante con moto | — | ||
| 23 | Goldberg Variations BWV 988 – Variation 22: Alla breve | — | ||
| 24 | Goldberg Variations BWV 988 – Variation 23: Allegro moderato | — | ||
| 25 | Goldberg Variations BWV 988 – Variation 24: Canone all' Ottava. Allegretto con moto | — | ||
| 26 | Goldberg Variations BWV 988 – Variation 25: Andante espressivo | — | ||
| 27 | Goldberg Variations BWV 988 – Variation 26: Allegro | — | ||
| 28 | Goldberg Variations BWV 988 – Variation 27: Canone alla Nona. Un Poco vivace | — | ||
| 29 | Goldberg Variations BWV 988 – Variation 28: Allegro | — | ||
| 30 | Goldberg Variations BWV 988 – Variation 29: Brillante | — | ||
| 31 | Goldberg Variations BWV 988 – Variation 30: Quodlibet. Moderato | — | ||
| 32 | Goldberg Variations BWV 988 – Aria da capo | — | ||
| 2-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-4 | Symphony no. 9 in D minor, op. 125: IV. Presto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-5 | Symphony no. 9 in D minor, op. 125: V. Allegro assai vivace alla marcia. End | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-6 | Symphony no. 9 in D minor, op. 125: VI. Allegro assai vivace alla marcia. End, with Beethoven’s original general pause in bar 747 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-1 | Symphonie Fantastique Op. 14 "Episode De La Vie D'un Artiste" – Rêverie. Passions | — | ||
| 3-2 | Symphonie Fantastique Op. 14 "Episode De La Vie D'un Artiste" – Un bal | — | ||
| 3-3 | Symphonie Fantastique Op. 14 "Episode De La Vie D'un Artiste" – Scène aux champs | — | ||
| 3-4 | Symphonie Fantastique Op. 14 "Episode De La Vie D'un Artiste" – Marche au supplice | — | ||
| 3-5 | Symphonie Fantastique Op. 14 "Episode De La Vie D'un Artiste" – Songe d'une nuit du Sabbat | — | ||
| 4-1 | Carmen : Prélude | — | ||
| 4-2 | Carmen : Acte I. « Dans l'air nous suivons des yeux » (Chorus of Cigarette Girls) | — | ||
| 4-3 | Carmen : Acte I. « La voilà, la voilà » | — | ||
| 4-4 | Carmen : Acte I. « L'amour est un oiseau rebelle » (Habanera) | — | ||
| 4-5 | Carmen : Acte I. « Près des remparts de Séville » (Seguidilla) | — | ||
| 4-6 | Carmen : Acte I. Entr'acte | — | ||
| 4-7 | Carmen : Acte II. « Les tringles des sistres tintaient » (Gypsy Song) | — | ||
| 4-8 | Carmen : Acte II. « Messieurs, Pastia me dit » | — | ||
| 4-9 | Carmen : Acte II. « Vivat, vivat le Toréro ! » | — | ||
| 4-10 | Carmen : Acte II. Toreador Song. « Votre toast, je peux vous le rendre » | Wilhelm Pitz, Bernard Demigny, Monique Linval, Geneviève Macaux, Leontyne Price, Frank Schooten, Chor der Wiener Staatsoper, Robert Merrill, Vienna Philharmonic Orchestra, Herbert von Karajan | T-900.149.622-6 | |
| 4-11 | Carmen : Acte II. « Nous avons en tête une affaire » (Quintet) | — | ||
| 4-12 | Carmen : Acte II. « Lalalala - Attends un peu, Carmen » | — | ||
| 4-13 | Carmen : Acte II. « La fleur que tu m'avais jetée » (Flower Song) | — | ||
| 4-14 | Carmen : Acte II. Entr'acte | — | ||
| 4-15 | Carmen : Acte III. « Mêlons ! Coupons ! » (Card Scene) | — | ||
| 4-16 | Carmen : Acte III. « Je dis que rien ne m'épouvante » (Micaela's Air) | — | ||
| 4-17 | Carmen : Acte III. Entr'acte | — | ||
| 4-18 | Carmen : Acte IV. « C'est toi ! - C'est moi ! » | — | ||
| 4-19 | Carmen : Acte IV. « Où vas-tu ? - Laisse-moi ! » | — | ||
| 5-1 | Ein deutsches Requiem Op. 45 – Ziemlich langsam und mit Ausdruck | — | ||
| 5-2 | Ein deutsches Requiem Op. 45 – Langsam, marschmäßig - Allegro non troppo | — | ||
| 5-3 | Ein deutsches Requiem Op. 45 – Andante moderato | — | ||
| 5-4 | Ein deutsches Requiem Op. 45 – Mäßig bewegt | — | ||
| 5-5 | Ein deutsches Requiem Op. 45 – Langsam | — | ||
| 5-6 | Ein deutsches Requiem Op. 45 – Andante - Vivace - Allegro | — | ||
| 5-7 | Ein deutsches Requiem Op. 45 – Feierlich | — | ||
| 6-1 | Symphony No. 9 in D Minor "Dem lieben Gott" – Feierlich. Misterioso | — | ||
| 6-2 | Symphony No. 9 in D Minor "Dem lieben Gott" – Scherzo. Bewegt, lebhaft - Trio. Schnell | — | ||
| 6-3 | Symphony No. 9 in D Minor "Dem lieben Gott" – Adagio. Langsam, feierlich | — | ||
| 7-1 | Préludes & Valses – 24 Préludes op. 28 – Agitato | — | ||
| 7-2 | Préludes & Valses – 24 Préludes op. 28 – Lento | — | ||
| 7-3 | Préludes & Valses – 24 Préludes op. 28 – Vivace | — | ||
| 7-4 | Préludes & Valses – 24 Préludes op. 28 – Largo | — | ||
| 7-5 | Préludes & Valses – 24 Préludes op. 28 – Allegro molto | — | ||
| 7-6 | Préludes & Valses – 24 Préludes op. 28 – Lento assai | — | ||
| 7-7 | Préludes & Valses – 24 Préludes op. 28 – Andantino | — | ||
| 7-8 | Préludes & Valses – 24 Préludes op. 28 – Molto agitato | — | ||
| 7-9 | Préludes & Valses – 24 Préludes op. 28 – Largo | — | ||
| 7-10 | Préludes & Valses – 24 Préludes op. 28 – Allegro molto | — | ||
| 7-11 | Préludes & Valses – 24 Préludes op. 28 – Vivace | — | ||
| 7-12 | Préludes & Valses – 24 Préludes op. 28 – Presto | — | ||
| 7-13 | Préludes & Valses – 24 Préludes op. 28 – Lento | — | ||
| 7-14 | Préludes & Valses – 24 Préludes op. 28 – Allegro | — | ||
| 7-15 | Préludes & Valses – 24 Préludes op. 28 – Sostenuto | — | ||
| 7-16 | Préludes & Valses – 24 Préludes op. 28 – Presto con fuoco | — | ||
| 7-17 | Préludes & Valses – 24 Préludes op. 28 – Allegretto | — | ||
| 7-18 | Préludes & Valses – 24 Préludes op. 28 – Allegro molto | — | ||
| 7-19 | Préludes & Valses – 24 Préludes op. 28 – Vivace | — | ||
| 7-20 | Préludes & Valses – 24 Préludes op. 28 – Largo | — | ||
| 7-21 | Préludes & Valses – 24 Préludes op. 28 – Cantabile | — | ||
| 7-22 | Préludes & Valses – 24 Préludes op. 28 – Molto agitato | — | ||
| 7-23 | Préludes & Valses – 24 Préludes op. 28 – Moderato | — | ||
| 7-24 | Préludes & Valses – 24 Préludes op. 28 – Allegro appassionato | — | ||
| 7-25 | Préludes & Valses – Nocturne No. 8 in D flat major op. 27/2 | — | ||
| 7-26 | Préludes & Valses – Andante spianato | — | ||
| 7-27 | Préludes & Valses – Grande Polonaise brillante op. 22 in E flat major | — | ||
| 7-28 | Préludes & Valses – Ballade No. 1 in G minor op. 23 | — | ||
| 7-29 | Préludes & Valses – Valse Op. 64/1 in D flat major | — | ||
| 7-30 | Préludes & Valses – Valse Op. 64/2 in C sharp minor | — | ||
| 8-1 | Symphony No. 9 in E Minor Op. 95 "From the New World" – Adagio - Allegro molto | — | ||
| 8-2 | Symphony No. 9 in E Minor Op. 95 "From the New World" – Largo un poco mosso | — | ||
| 8-3 | Symphony No. 9 in E Minor Op. 95 "From the New World" – Scherzo. Molto vivace - un poco sostenuto | — | ||
| 8-4 | Symphony No. 9 in E Minor Op. 95 "From the New World" – Allegro con fuoco | — | ||
| 8-5 | Slavic Dances Op. 72 – No. 13 in B flat minor | — | ||
| 8-6 | Slavic Dances Op. 72 – No. 14 in B flat major | — | ||
| 8-7 | Slavic Dances Op. 72 – No. 15 in C major | — | ||
| 8-8 | Slavic Dances Op. 72 – No. 16 in A flat major | — | ||
| 9-1 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Ouverture | — | ||
| 9-2 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Adagio e staccato | — | ||
| 9-3 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Allegro | — | ||
| 9-4 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Andante - Allegro | — | ||
| 9-5 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Passepied | — | ||
| 9-6 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Air | — | ||
| 9-7 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Minuet | — | ||
| 9-8 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Bourée | — | ||
| 9-9 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Hornpipe | — | ||
| 9-10 | Wassermusik (Water Music) – Suite No. 1 in F Major HWV 348 – Allegro | — | ||
| 9-11 | Wassermusik (Water Music) – Suite No. 2 in D Major HWV 349 – Ouverture | — | ||
| 9-12 | Wassermusik (Water Music) – Suite No. 2 in D Major HWV 349 – Alla Hornpipe | — | ||
| 9-13 | Wassermusik (Water Music) – Suite No. 2 in D Major HWV 349 – Minuet | — | ||
| 9-14 | Wassermusik (Water Music) – Suite No. 2 in D Major HWV 349 – Lentement | — | ||
| 9-15 | Wassermusik (Water Music) – Suite No. 2 in D Major HWV 349 – Bourée | — | ||
| 9-16 | Wassermusik (Water Music) – Suite No. 3 in G Major HWV 350 – Ouverture | — | ||
| 9-17 | Wassermusik (Water Music) – Suite No. 3 in G Major HWV 350 – Rigaudon | — | ||
| 9-18 | Wassermusik (Water Music) – Suite No. 3 in G Major HWV 350 – Minuet | — | ||
| 9-19 | Wassermusik (Water Music) – Suite No. 3 in G Major HWV 350 – Cantabile | — | ||
| 9-20 | Wassermusik (Water Music) – Concerto Grosso in G Major Op. 3 No. 3 HWV 314 – Largo e staccato - Allegro | — | ||
| 9-21 | Wassermusik (Water Music) – Concerto Grosso in G Major Op. 3 No. 3 HWV 314 – Adagio - Allegro | — | ||
| 10-1 | Symphony No. 93 in D Major – Adagio - Allegro assai | — | ||
| 10-2 | Symphony No. 93 in D Major – Largo cantabile | — | ||
| 10-3 | Symphony No. 93 in D Major – Menuetto. Allegro | — | ||
| 10-4 | Symphony No. 93 in D Major – Finale. Presto ma non troppo | — | ||
| 10-5 | Symphony No. 94 in G Major "Surprise" – Adagio - Vivace assai | — | ||
| 10-6 | Symphony No. 94 in G Major "Surprise" – Andante | — | ||
| 10-7 | Symphony No. 94 in G Major "Surprise" – Menuet. Allegro molto | — | ||
| 10-8 | Symphony No. 94 in G Major "Surprise" – Finale. Allegro di molto | — | ||
| 10-9 | Symphony No. 95 in C Minor – Allegro moderato | — | ||
| 10-10 | Symphony No. 95 in C Minor – Andante cantabile | — | ||
| 10-11 | Symphony No. 95 in C Minor – Menuet | — | ||
| 10-12 | Symphony No. 95 in C Minor – Finale. Vivace | — | ||
| 11-1 | Hungarian Fantasy | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-2 | Piano Concerto no. 1 in E-flat: I. Allegro maestoso | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-3 | Piano Concerto no. 1 in E-flat: II. Quasi Adagio - Allegretto vivace - Allegro animato | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-4 | Piano Concerto no. 1 in E-flat: III. Allegro marziale animato | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-5 | Piano Concerto no. 2 in A: I. Adagio sostenuto assai | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-6 | Piano Concerto no. 2 in A: II. Allegro agitato assai | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-7 | Piano Concerto no. 2 in A: III. Allegro moderato | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-8 | Piano Concerto no. 2 in A: IV. Allegro deciso | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-9 | Piano Concerto no. 2 in A: V. Marziale, un poco meno Allegro | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 11-10 | Piano Concerto no. 2 in A: VI. Allegro animato | Gerhard Oppitz, Bamberger Symphoniker, Roberto Abbado | — | |
| 12-1 | Symphony No. 1 in D Major – Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich | — | ||
| 12-2 | Symphony No. 1 in D Major – Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemütlich | — | ||
| 12-3 | Symphony No. 1 in D Major – Feierlich und gemessen, ohne zu schleppen | — | ||
| 12-4 | Symphony No. 1 in D Major – Stürmisch bewegt | — | ||
| 13-1 | Die Hebriden op. 26 (Fingal's Cave) | — | ||
| 13-2 | Symphony No. 1 in C Minor Op. 11 – Allegro di molto | — | ||
| 13-3 | Symphony No. 1 in C Minor Op. 11 – Andante | — | ||
| 13-4 | Symphony No. 1 in C Minor Op. 11 – Menuetto - Trio | — | ||
| 13-5 | Symphony No. 1 in C Minor Op. 11 – Allegro con fuoco | — | ||
| 13-6 | Symphony No. 4 in A Major Op. 90 "Italian" – Allegro vivace | — | ||
| 13-7 | Symphony No. 4 in A Major Op. 90 "Italian" – Andante con moto | — | ||
| 13-8 | Symphony No. 4 in A Major Op. 90 "Italian" – Con moto moderato | — | ||
| 13-9 | Symphony No. 4 in A Major Op. 90 "Italian" – Saltarello, presto | — | ||
| 14-1 | Serenata Notturna K 239 – Marcia | — | ||
| 14-2 | Serenata Notturna K 239 – Menuetto | — | ||
| 14-3 | Serenata Notturna K 239 – Rondo | — | ||
| 14-4 | Maurerische Trauermusik K 477 | — | ||
| 14-5 | Eine kleine Nachtmusik K – Allegro | — | ||
| 14-6 | Eine kleine Nachtmusik K – Romance (Andante) | — | ||
| 14-7 | Eine kleine Nachtmusik K – Menuetto (Allegretto) | — | ||
| 14-8 | Eine kleine Nachtmusik K – Rondo (Allegro) | — | ||
| 14-9 | Divertimento No. 11 in D Major K 251 – Allegro molto | — | ||
| 14-10 | Divertimento No. 11 in D Major K 251 – Menuetto | — | ||
| 14-11 | Divertimento No. 11 in D Major K 251 – Andantino | — | ||
| 14-12 | Divertimento No. 11 in D Major K 251 – Menuetto (Tempo con Variazioni) | — | ||
| 14-13 | Divertimento No. 11 in D Major K 251 – Rondo (Allegro assai) | — | ||
| 14-14 | Divertimento No. 11 in D Major K 251 – Marcia alla francese | — | ||
| 15-1 | Pictures at an Exhibition – Version for Piano – Promenade | — | ||
| 15-2 | Pictures at an Exhibition – Version for Piano – No. 1: Gnomus | — | ||
| 15-3 | Pictures at an Exhibition – Version for Piano – Promenade | — | ||
| 15-4 | Pictures at an Exhibition – Version for Piano – No. 2: Il vecchio castello | — | ||
| 15-5 | Pictures at an Exhibition – Version for Piano – Promenade | — | ||
| 15-7 | Pictures at an Exhibition – Version for Piano – No. 4: Bydlo | — | ||
| 15-8 | Pictures at an Exhibition – Version for Piano – Promenade | — | ||
| 15-9 | Pictures at an Exhibition – Version for Piano – No. 5: Ballet of the Unhatched Chicks | — | ||
| 15-10 | Pictures at an Exhibition – Version for Piano – No. 6: Samuel Goldenberg and Schmuyle | — | ||
| 15-11 | Pictures at an Exhibition – Version for Piano – Promenade | — | ||
| 15-13 | Pictures at an Exhibition – Version for Piano – No. 8: Catacombae. Sepulcrum Romanum | — | ||
| 15-14 | Pictures at an Exhibition – Version for Piano – Con mortuis in lingua mortua | — | ||
| 15-16 | Pictures at an Exhibition – Version for Piano – No. 10: The Great Gate at Kiev | — | ||
| 15-17 | Pictures at an Exhibition – Version for Orchestra – Promenade | — | ||
| 15-18 | Pictures at an Exhibition – Version for Orchestra – No. 1 Gnomus | — | ||
| 15-19 | Pictures at an Exhibition – Version for Orchestra – Promenade | — | ||
| 15-20 | Pictures at an Exhibition – Version for Orchestra – No. 2 Il vecchio castello | — | ||
| 15-21 | Pictures at an Exhibition – Version for Orchestra – Promenade | — | ||
| 15-23 | Pictures at an Exhibition – Version for Orchestra – No. 4 Bydlo | — | ||
| 15-24 | Pictures at an Exhibition – Version for Orchestra – Promenade | — | ||
| 15-25 | Pictures at an Exhibition – Version for Orchestra – No. 5 Ballet of the Unhatched Chicks | — | ||
| 15-26 | Pictures at an Exhibition – Version for Orchestra – No. 6 Samuel Goldenberg and Schmuyle | — | ||
| 15-28 | Pictures at an Exhibition – Version for Orchestra – No. 8 Catacombae. Sepulcrum Romanum | — | ||
| 15-29 | Pictures at an Exhibition – Version for Orchestra – Con mortuis in lingua mortua | — | ||
| 15-31 | Pictures at an Exhibition – Version for Orchestra – No. 10 The Great Gate at Kiev | — | ||
| 16-1 | Carmina Burana – Fortuna Imperatrix Mundi – O Fortuna | — | ||
| 16-2 | Carmina Burana – Fortuna Imperatrix Mundi – Fortune plango vulnera | — | ||
| 16-3 | Carmina Burana – I. Primo Vere – Veris leta facies | — | ||
| 16-4 | Carmina Burana – I. Primo Vere – Omnia Sol temperat | — | ||
| 16-5 | Carmina Burana – I. Primo Vere – Ecce gratum | — | ||
| 16-6 | Carmina Burana – Uf Dem Anger – Tanz | — | ||
| 16-7 | Carmina Burana – Uf Dem Anger – Floret silve | — | ||
| 16-8 | Carmina Burana – Uf Dem Anger – Chramer, gip die varwe mir | — | ||
| 16-9 | Carmina Burana – Uf Dem Anger – Reie Swaz hie gat umbe Chume, chum geselle min | — | ||
| 16-10 | Carmina Burana – Uf Dem Anger – Were diu werlt alle min | — | ||
| 16-11 | Carmina Burana – II. In Taberna – Estuans interius | — | ||
| 16-12 | Carmina Burana – II. In Taberna – Olim lacus colueram | — | ||
| 16-13 | Carmina Burana – II. In Taberna – Ego sum abbas | — | ||
| 16-14 | Carmina Burana – II. In Taberna – In taberna quando sumus | — | ||
| 16-15 | Carmina Burana – III. Cour D'Amours – Amor volat undique | — | ||
| 16-16 | Carmina Burana – III. Cour D'Amours – Dies, nox et omnia | — | ||
| 16-17 | Carmina Burana – III. Cour D'Amours – Stetit puella | — | ||
| 16-18 | Carmina Burana – III. Cour D'Amours – Circa mea pectora | — | ||
| 16-19 | Carmina Burana – III. Cour D'Amours – Si puer cum puellula | — | ||
| 16-20 | Carmina Burana – III. Cour D'Amours – Veni, veni, venias | — | ||
| 16-21 | Carmina Burana – III. Cour D'Amours – In trutina | — | ||
| 16-22 | Carmina Burana – III. Cour D'Amours – Tempus est iocundum | — | ||
| 16-23 | Carmina Burana – III. Cour D'Amours – Dulcissime | — | ||
| 16-24 | Carmina Burana – Blanzifor et Helena – Ave Formoissima | — | ||
| 16-25 | Carmina Burana – Fortuna Imperatrix Mundi – O Fortuna | — | ||
| 17-1 | Stabat Mater – Stabat mater dolorosa | — | ||
| 17-2 | Stabat Mater – Cuius animam gementem | — | ||
| 17-3 | Stabat Mater – O quam tristis et afflicta | — | ||
| 17-4 | Stabat Mater – Quae moerebat et dolebat | — | ||
| 17-5 | Stabat Mater – Quis est home, qui non fleret | — | ||
| 17-6 | Stabat Mater – Vidit suum dulcem natum | — | ||
| 17-7 | Stabat Mater – Eia Mater, fons amoris | — | ||
| 17-8 | Stabat Mater – Fac ut aedeat cor meum | — | ||
| 17-9 | Stabat Mater – Sancta Mater, istud agas | — | ||
| 17-10 | Stabat Mater – Fac ut portem Christi mortem | — | ||
| 17-11 | Stabat Mater – Inflammatus et accensus | — | ||
| 17-12 | Stabat Mater – Quando corpus morietur | — | ||
| 18-1 | Boléro | — | ||
| 18-2 | Daphnis et Chloé, Suite No. 2 – Lever du jour | — | ||
| 18-3 | Daphnis et Chloé, Suite No. 2 – Pantomime | — | ||
| 18-4 | Daphnis et Chloé, Suite No. 2 – Danse générale | — | ||
| 18-5 | Piano Concerto in G Major – Allegramente | — | ||
| 18-6 | Piano Concerto in G Major – Adagio assai | — | ||
| 18-7 | Piano Concerto in G Major – Presto | — | ||
| 18-8 | Rhapsodie Espagnole – Prélude à la nuit | — | ||
| 18-9 | Rhapsodie Espagnole – Malaguena | — | ||
| 18-10 | Rhapsodie Espagnole – Habanera | — | ||
| 18-11 | Rhapsodie Espagnole – Feria | — | ||
| 19-1 | Opera Overtures – L'Italiana in Algheri | — | ||
| 19-2 | Opera Overtures – Il Barbiere in Seviglia | — | ||
| 19-3 | Opera Overtures – La Cenerentola | — | ||
| 19-4 | Opera Overtures – La Gazza Ladra | — | ||
| 19-5 | Opera Overtures – Semiramide | — | ||
| 19-6 | Opera Overtures – L'Assiedo di Corinto | — | ||
| 19-7 | Opera Overtures – Guglielmo Tell | — | ||
| 20-1 | Prelude to "Le Déluge" op. 45 | — | ||
| 20-2 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 1 Introduction et Marche Royale du Lion | — | ||
| 20-3 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 2 Poules et Coqs | — | ||
| 20-4 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 3 Hémiones - Animaux véloces | — | ||
| 20-5 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 4 Tortues | — | ||
| 20-6 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 5 L'Eléphant | — | ||
| 20-7 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 6 Kangourous | — | ||
| 20-8 | Carnival of the Animals: Aquarium | London Festival Orchestra, Ross Pople | T-004.976.716-9 | |
| 20-9 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 8 Personnages á longues Oreilles | — | ||
| 20-10 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 9 Le Coucou au Fond des Bois | — | ||
| 20-11 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 10 Voliére | — | ||
| 20-12 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 11 Pianistes | — | ||
| 20-13 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 12 Fossiles | — | ||
| 20-14 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 13 Le Cygne | — | ||
| 20-15 | Le Carneval des Animaux - Grande Fantaisie Zoologique – No. 14 Final | — | ||
| 20-16 | Wedding Cake A flat major op. 76 | — | ||
| 20-17 | Septet E Flat Major Op. 65 – Préambule | — | ||
| 20-18 | Septet E Flat Major Op. 65 – Menuet | — | ||
| 20-19 | Septet E Flat Major Op. 65 – Intermède | — | ||
| 20-20 | Septet E Flat Major Op. 65 – Gavotte et Final | — | ||
| 20-21 | Sarabande in E major No. 1 op. 93 | — | ||
| 21-1 | Piano Quintet Op. Posth. 114 in A Major, D 667 - "Forellenquintett" « Trout Quintet » – Allegro vivace | — | ||
| 21-2 | Piano Quintet Op. Posth. 114 in A Major, D 667 - "Forellenquintett" « Trout Quintet » – Andante | — | ||
| 21-3 | Piano Quintet Op. Posth. 114 in A Major, D 667 - "Forellenquintett" « Trout Quintet » – Scherzo - Trio - Scherzo | — | ||
| 21-4 | Piano Quintet Op. Posth. 114 in A Major, D 667 - "Forellenquintett" « Trout Quintet » – Thema. Andantino - Variazioni I-V - Allegretto | — | ||
| 21-5 | Piano Quintet Op. Posth. 114 in A Major, D 667 - "Forellenquintett" « Trout Quintet » – Finale. Allegro giusto | — | ||
| 21-6 | Symphony No. 8 in B Minor, D759, "Unfinished" – Allegro moderato | — | ||
| 21-7 | Symphony No. 8 in B Minor, D759, "Unfinished" – Andante con moto | — | ||
| 22-1 | Introduction and Allegro Appasionato in G Major Op. 92 – Introduction | — | ||
| 22-2 | Introduction and Allegro Appasionato in G Major Op. 92 – Allegro | — | ||
| 22-3 | Concerto Allegro with Introduction for Piano & Orchestra in D Minor Op. 134 – Concerto Allegro with Introduction for Piano & Orchestra | — | ||
| 22-4 | Concert Piece for four Horns and Orchestra Op. 86 – Lebhaft | — | ||
| 22-5 | Concert Piece for four Horns and Orchestra Op. 86 – Romanze | — | ||
| 22-6 | Symphony No. 1 in B Flat Major Op. 38 – Andante un poco maestoso - Allegro molto vivace | — | ||
| 22-7 | Symphony No. 1 in B Flat Major Op. 38 – Larghetto | — | ||
| 22-8 | Symphony No. 1 in B Flat Major Op. 38 – Scherzo | — | ||
| 22-9 | Symphony No. 1 in B Flat Major Op. 38 – Allegro animato e grazioso | — | ||
| 23-1 | Symphony No. 11 Op. 103 "The Year 1905" – Palace Square (Adagio) | — | ||
| 23-2 | Symphony No. 11 Op. 103 "The Year 1905" – The Ninth of January (Allegro) | — | ||
| 23-3 | Symphony No. 11 Op. 103 "The Year 1905" – In Memoriam (Adagio) | — | ||
| 23-4 | Symphony No. 11 Op. 103 "The Year 1905" – The Tocsin (Allegro non troppo) | — | ||
| 24-1 | Violin Concerto in D Minor Op. 47 – Allegro moderato | — | ||
| 24-2 | Violin Concerto in D Minor Op. 47 – Adagio di molto | — | ||
| 24-3 | Violin Concerto in D Minor Op. 47 – Allegro, ma non tanto | — | ||
| 24-4 | Symphony No. 5 in E Flat Major Op. 82 – Tempo molto moderato - Allegro moderato (ma popo a poco stretto) - Vivace molto - Presto | — | ||
| 24-5 | Symphony No. 5 in E Flat Major Op. 82 – Andante mosso, quasi allegretto | — | ||
| 24-6 | Symphony No. 5 in E Flat Major Op. 82 – Allegro molto | — | ||
| 25-1 | Má Vlast (My Country) – Vysehrad | — | ||
| 25-2 | Má Vlast (My Country) – Vltava (The Moldau) | — | ||
| 25-3 | Má Vlast (My Country) – Sárka | — | ||
| 25-4 | Má Vlast (My Country) – Z českých luhů a hájů (From Bohemian Fields and Groves) | — | ||
| 25-5 | Má Vlast (My Country) – Tábor | — | ||
| 25-6 | Má Vlast (My Country) – Blaník | — | ||
| 26-1 | Vienna Concert Gala – Der Zigeunerbaron - Overture | — | ||
| 26-2 | Vienna Concert Gala – Eine Nacht in Venedig - Komm in die Gondel | — | ||
| 26-3 | Vienna Concert Gala – Der Zigeunerbaron - Wer uns getraut | — | ||
| 26-4 | Vienna Concert Gala – Perpetuum mobile | — | ||
| 26-5 | Vienna Concert Gala – G'schichten aus dem Wiener Wald | — | ||
| 26-6 | Vienna Concert Gala – Unter Donner und Blitz | — | ||
| 26-7 | Vienna Concert Gala – Die Fledermaus - Overture | — | ||
| 26-8 | Vienna Concert Gala – Dieser Anstand! So manierlich | — | ||
| 26-9 | Vienna Concert Gala – Tritsch-Tratsch-Polka | — | ||
| 26-10 | Vienna Concert Gala – An der schönen blauen Donau | — | ||
| 26-11 | Vienna Concert Gala – Radetzky-Marsch (Johann Strauss sen.) | — | ||
| 27-1 | Symphonic Poems – Don Juan op. 20 | — | ||
| 27-2 | Symphonic Poems – Till Eulenspiegels lustige Streiche op. 28 | — | ||
| 27-3 | Symphonic Poems – Also sprach Zarathustra op. 30 | — | ||
| 28-1 | Symphony No. 4 in F Minor Op. 36 – Andante sostenuto. Moderato con anima | — | ||
| 28-2 | Symphony No. 4 in F Minor Op. 36 – Andantino in modo di canzone | — | ||
| 28-3 | Symphony No. 4 in F Minor Op. 36 – Scherzo. Pizzicato ostinato. Allegro | — | ||
| 28-4 | Symphony No. 4 in F Minor Op. 36 – Finale. Allegro con fuoco | — | ||
| 28-5 | Suite from the ballet "The Nutcracker" Op. 71a – No. 1 "Ouverture miniature" / No. 2 "Danses caractéristiques" | — | ||
| 28-6 | Suite from the ballet "The Nutcracker" Op. 71a – Marche | — | ||
| 28-7 | Suite from the ballet "The Nutcracker" Op. 71a – Danse de la fée dragée | — | ||
| 28-8 | Suite from the ballet "The Nutcracker" Op. 71a – Danse russe Trepak | — | ||
| 28-9 | Suite from the ballet "The Nutcracker" Op. 71a – Danse arabe | — | ||
| 28-10 | Suite from the ballet "The Nutcracker" Op. 71a – Danse chinoise | — | ||
| 28-11 | Suite from the ballet "The Nutcracker" Op. 71a – Danse des mirlitons | — | ||
| 28-12 | Suite from the ballet "The Nutcracker" Op. 71a – No. 3 Valse des fleurs | — | ||
| 29-1 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 1 La Primavera (Spring) – Allegro | — | ||
| 29-2 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 1 La Primavera (Spring) – Largo | — | ||
| 29-3 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 1 La Primavera (Spring) – Allegro, Danza Pastorale | — | ||
| 29-4 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 2 L'Estate (Summer) – Allegro non molto | — | ||
| 29-5 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 2 L'Estate (Summer) – Adagio - Presto | — | ||
| 29-6 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 2 L'Estate (Summer) – Presto - Tempo impetuoso d'Estate | — | ||
| 29-7 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 3 L'Autunno (Autumn) – Allegro, Ballo e Canto de'Villanelli | — | ||
| 29-8 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 3 L'Autunno (Autumn) – Adagio, Ubriachi dormienti | — | ||
| 29-9 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 3 L'Autunno (Autumn) – Allegro, la caccia | — | ||
| 29-10 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 4 L'Inverno (Winter) – Allegro non molto | — | ||
| 29-11 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 4 L'Inverno (Winter) – Largo | — | ||
| 29-12 | Le Quattro Stagioni (The Four Seasons) Op. 8 – No. 4 L'Inverno (Winter) – Allegro | — | ||
| 29-13 | Concerto Grosso in D Minor Op. 3 No. 11 – Allegro - Adagio - Allegro | — | ||
| 29-14 | Concerto Grosso in D Minor Op. 3 No. 11 – Largo | — | ||
| 29-15 | Concerto Grosso in D Minor Op. 3 No. 11 – Allegro | — | ||
| 30-1 | Orchestral Highlights – Die Meistersinger von Nürnberg: Prelude Act 1 | — | ||
| 30-2 | Orchestral Highlights – Lohengrin: Prelude Act 1 | — | ||
| 30-3 | Orchestral Highlights – Tristan und Isolde: Prelude and Liebestod | — | ||
| 30-4 | Orchestral Highlights – Parsifal: Karfreitagszauber | — | ||
| 30-5 | Orchestral Highlights – Der fliegende Holländer: Overture | — | ||
| 30-6 | Orchestral Highlights – Die Walküre: Walkürenritt | — |
