UPC · Release
Gary Graffman
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887254623922 is the Universal Product Code (UPC barcode) for the release “The Complete RCA And Columbia Album Collection” by Gary Graffman, released 2013-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 276 tracks, each with its own ISRC. Tracks include USBC10603245, USBC10603246, USBC10603247.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantasia in C major "Wanderer", D. 760 - I. Allegro con fuoco ma non troppo - | — | ||
| 2 | Fantasia in C major "Wanderer", D. 760 - II. Adagio - | — | ||
| 3 | Fantasia in C major "Wanderer", D. 760 - III. Presto - | — | ||
| 4 | Fantasia in C major "Wanderer", D. 760 - IV. Allegro | — | ||
| 5 | Piano Sonata n° 2 in D minor, Op. 14 - I. Allegro, ma non troppo | — | ||
| 6 | Piano Sonata n° 2 in D minor, Op. 14 - II. Scherzo. Allegro marcato | — | ||
| 7 | Piano Sonata n° 2 in D minor, Op. 14 - III. Andante | — | ||
| 8 | Piano Sonata n° 2 in D minor, Op. 14 - IV. Vivace | — | ||
| 9 | Piano Sonata n° 3 in A minor ("From Old Notebooks"), Op. 28 | — | ||
| 2-1 | Piano Concerto n° 3 in C major, Op. 26 - I. Andante - Allegro | — | ||
| 2-2 | Piano Concerto n° 3 in C major, Op. 26 - II. Var. n° 1-5 - Tema. L'Istesso tempo | — | ||
| 2-3 | Piano Concerto n° 3 in C major, Op. 26 - III. Allegro ma non troppo | — | ||
| 2-4 | Symphony n° 1 in D major "Classical", Op. 25 - I. Allegro | — | ||
| 2-5 | Symphony n° 1 in D major "Classical", Op. 25 - II. Larghetto | — | ||
| 2-6 | Symphony n° 1 in D major "Classical", Op. 25 - III. Gavotta. Non troppo allegro | — | ||
| 2-7 | Symphony n° 1 in D major "Classical", Op. 25 - IV. Finale. Molto vivace | — | ||
| 3-1 | Piano Sonata n° 2 in G minor, Op. 22 - I. So rasch wie möglich | — | ||
| 3-2 | Piano Sonata n° 2 in G minor, Op. 22 - II. Andantino. Getragen | — | ||
| 3-3 | Piano Sonata n° 2 in G minor, Op. 22 - III. Scherzo. Sehr rasch und markiert | — | ||
| 3-4 | Piano Sonata n° 2 in G minor, Op. 22 - IV. Rondo. Presto | — | ||
| 3-5 | Romance in F sharp major (Einfach), Op. 28 n° 2 | — | ||
| 3-6 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - Thema. Andante | — | ||
| 3-7 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - I. Un poco più vivo | — | ||
| 3-8 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - II. Marcate il canto | — | ||
| 3-9 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - III. Vivace | — | ||
| 3-10 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - IV. Etude | — | ||
| 3-11 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - V. Scherzando | — | ||
| 3-12 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - VI. Agitato | — | ||
| 3-13 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - VII. Allegro molto | — | ||
| 3-14 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - VIII. Sempre marcatissimo | — | ||
| 3-15 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - IX. Presto possibile | — | ||
| 3-16 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - X. Con energia sempre | — | ||
| 3-17 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - XI. Sotto voce, ma marcato | — | ||
| 3-18 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - XII. Allegro brillante | — | ||
| 4-1 | PIANO CONCERTO NO 1 IN D MINOR OP 15 I MAESTOSO | Gary Graffman, Boston Symphony Orchestra, Charles Munch | — | |
| 4-2 | BRAHMS: PIANO CONCERTO NO. 1 IN D MINOR, OP. 15: II. ADAGIO | Gary Graffman, Boston Symphony Orchestra, Charles Munch | — | |
| 4-3 | PIANO CONCERTO NO. 1 IN D MINOR, OP. 15: III. ALLEGRO NON TROPPO | Gary Graffman, Boston Symphony Orchestra, Charles Munch | — | |
| 5-1 | Ballade n° 1 in G minor, Op. 23 | — | ||
| 5-2 | Ballade n° 2 in F major, Op. 38 | — | ||
| 5-3 | Ballade n° 3 in A-Flat major, Op. 47 | — | ||
| 5-4 | Ballade n° 4 in F minor, Op. 52 | — | ||
| 5-5 | Andante spianato and grande polonaise, Op. 22 | — | ||
| 6-1 | Piano Concerto n° 3 in C minor, Op. 37 - I. Allegro con brio | — | ||
| 6-2 | Piano Concerto n° 3 in C minor, Op. 37 - II. Largo | — | ||
| 6-3 | Piano Concerto n° 3 in C minor, Op. 37 - III. Rondo. Allegro | — | ||
| 7-1 | Liebesträume n° 3 in A-Flat Major ("O Lieb, so lang du lieben kannst"), S. 541 n° 3 | — | ||
| 7-2 | Un sospiro (Grande Etudes de concert n° 3, in D-Flat Major), S. 144 n° 3 | — | ||
| 7-3 | Hungarian Rhapsody n° 11 in A Minor, S. 244 n° 11 | — | ||
| 7-4 | Il penseroso II (Années de Pèlerinage, II n° 2), S. 161 n° 2 | — | ||
| 7-5 | Consolation n° 3 in D-Flat Major "Lento placido", S. 172 n° 3 | — | ||
| 7-6 | Paganini Etudes, S. 141 (LW A173) - N° 1 in G Minor. Preludio. Tremolo | — | ||
| 7-7 | Paganini Etudes, S. 141 (LW A173) - N° 2 in E-Flat Major. Octave | — | ||
| 7-8 | Paganini Etudes, S. 141 (LW A173) - N° 3 in G-Sharp Minor. La Campanella | — | ||
| 7-9 | Paganini Etudes, S. 141 (LW A173) - N° 4 in E Major. Arpeggio | — | ||
| 7-10 | Paganini Etudes, S. 141 (LW A173) - N° 5 in E Major. La Chasse | — | ||
| 7-11 | Paganini Etudes, S. 141 (LW A173) - N° 6 in A Minor. Tema con Variazioni | — | ||
| 8-1 | Piano Concerto n° 1 in E Minor, Op. 11 - I. Allegro maestoso | — | ||
| 8-2 | Piano Concerto n° 1 in E Minor, Op. 11 - II. Romance | — | ||
| 8-3 | Piano Concerto n° 1 in E Minor, Op. 11 - III. Rondo | — | ||
| 8-4 | Capriccio brillant in B minor, Op. 22 | — | ||
| 9-1 | Sonata for violin & piano n° 1 in A major, Op. 13 - I. Allegro molto | — | ||
| 9-2 | Sonata for violin & piano n° 1 in A major, Op. 13 - II. Andante | — | ||
| 9-3 | Sonata for violin & piano n° 1 in A major, Op. 13 - III. Allegro vivo | — | ||
| 9-4 | Sonata for violin & piano n° 1 in A major, Op. 13 - IV. Allegro quasi presto | — | ||
| 9-5 | Sonata for violin & piano, L. 140 - I. Allegro vivo | — | ||
| 9-6 | Sonata for violin & piano, L. 140 - II. Fantasque et léger | — | ||
| 9-7 | Sonata for violin & piano, L. 140 - III. Finale. Tres animé | — | ||
| 10-1 | Pictures at an Exhibition: Promenade | Gary Graffman | — | |
| 10-2 | Pictures at an Exhibition: Gnomus | Gary Graffman | T-001.438.118-0 | |
| 10-3 | Pictures at an Exhibition: Promenade | Gary Graffman | T-920.064.650-0 | |
| 10-4 | Pictures at an Exhibition: The Old Castle | Gary Graffman | T-011.600.131-0 | |
| 10-5 | Pictures at an Exhibition: Promenade | Gary Graffman | — | |
| 10-6 | Pictures at an Exhibition: Les Tuileries | Gary Graffman | — | |
| 10-7 | Pictures at an Exhibition: Bydlo | Gary Graffman | — | |
| 10-9 | Pictures at an Exhibition: Ballet of the Unhatched Chicks | Gary Graffman | — | |
| 10-10 | Pictures at an Exhibition: Two Polish Jews (One Rich, the Other Poor) | Gary Graffman | — | |
| 10-11 | Pictures at an Exhibition: Promenade | Gary Graffman | — | |
| 10-12 | Pictures at an Exhibition: The Market Place at Limoges | Gary Graffman | — | |
| 10-13 | Pictures at an Exhibition: The Catacombs | Gary Graffman | — | |
| 10-14 | Pictures at an Exhibition: The Hut of Baba Yaga | Gary Graffman | — | |
| 10-15 | Pictures at an Exhibition: The Great Gate of Kiev | Gary Graffman | — | |
| 10-16 | Islamey | Gary Graffman | T-913.074.709-0 | |
| 11-1 | Piano Sonata n° 2 in D Minor, Op. 14 - I. Allegro, ma non troppo | — | ||
| 11-2 | Piano Sonata n° 2 in D Minor, Op. 14 - II. Scherzo. Allegro marcato | — | ||
| 11-3 | Piano Sonata n° 2 in D Minor, Op. 14 - III. Andante | — | ||
| 11-4 | Piano Sonata n° 2 in D Minor, Op. 14 - IV. Vivace | — | ||
| 11-5 | Piano Sonata n° 3 in A Minor ("From Old Notebooks"), Op. 28 | — | ||
| 11-6 | Etudes-Tableaux Op. 33 n° 9 in C-Sharp Minor | — | ||
| 11-7 | Barcarolle in G Minor (Morceaux de salon Op. 10 n° 3) | — | ||
| 11-8 | Prelude for piano n° 19 in A Minor, Op. 32 n° 8 | — | ||
| 11-9 | Prelude for piano n° 23 in G-Sharp Minor, Op. 32 n° 12 | — | ||
| 11-10 | Prelude for piano n° 16 in G Major, Op. 32 n° 5 | — | ||
| 11-11 | Élégie in E-Flat Minor (Morceaux de fantaisie Op. 3 n° 1) | — | ||
| 11-12 | Polichinelle in F-Sharp Minor (Morceaux de fantaisie Op. 3 n° 4) | — | ||
| 12-1 | Piano Trio n° 2 in C Major, Op. 87 - I. Allegro | — | ||
| 12-2 | Piano Trio n° 2 in C Major, Op. 87 - II. Andante con moto | — | ||
| 12-3 | Piano Trio n° 2 in C Major, Op. 87 - III. Presto - (Trio) Poco meno presto | — | ||
| 12-4 | Piano Trio n° 2 in C Major, Op. 87 - IV. Finale. Allegro giocoso | — | ||
| 12-5 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Introduzione. Adagio assai | — | ||
| 12-6 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Tema. Allegretto | — | ||
| 12-7 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 1 | — | ||
| 12-8 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 2 | — | ||
| 12-9 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 3 | — | ||
| 12-10 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 4 | — | ||
| 12-11 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 5 | — | ||
| 12-12 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 6 | — | ||
| 12-13 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 7 | — | ||
| 12-14 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 8 | — | ||
| 12-15 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 9. Adagio espressivo | — | ||
| 12-16 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 10. Presto | — | ||
| 12-17 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Allegretto | — | ||
| 13-1 | Concerto No. 2 in C minor, Op. 18: I. Moderato | — | ||
| 13-2 | Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto | — | ||
| 13-3 | Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando | — | ||
| 13-4 | Rhapsody on a Theme of Paganini, Op. 43 | — | ||
| 14-1 | Fantasia for piano in C Major "Wanderer", D. 760 - I. Allegro con fuoco ma non troppo - | — | ||
| 14-2 | Fantasia for piano in C Major "Wanderer", D. 760 - II. Adagio | — | ||
| 14-3 | Fantasia for piano in C Major "Wanderer", D. 760 - III. Presto | — | ||
| 14-4 | Fantasia for piano in C Major "Wanderer", D. 760 - IV. Allegro | — | ||
| 14-5 | Piano Sonata n° 19 in C Minor, D. 958 - I. Allegro | — | ||
| 14-6 | Piano Sonata n° 19 in C Minor, D. 958 - III. Adagio | — | ||
| 14-7 | Piano Sonata n° 19 in C Minor, D. 958 - IIII. Menuetto. Allegro - Trio | — | ||
| 14-8 | Piano Sonata n° 19 in C Minor, D. 958 - IIV. Allegro | — | ||
| 15-1 | Concerto for Piano and Orchestra no. 2 in G major, op. 44: I. Allegro brillante e molto vivace | Gary Graffman, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-2 | Concerto for Piano and Orchestra no. 2 in G major, op. 44: II. Andante non troppo | Gary Graffman, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-3 | Concerto for Piano and Orchestra no. 2 in G major, op. 44: III. Allegro con fuoco | Gary Graffman, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-4 | Concerto for Piano and Orchestra no. 3 in E-flat major, op. posth. 75: Allegro brillante | Gary Graffman, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-1 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-2 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-3 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-4 | Concerto for Piano and Orchestra no. 1 in D-flat major, op. 10: Allegro brioso - Poco più mosso - Tempo I - | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-5 | Concerto for Piano and Orchestra no. 1 in D-flat major, op. 10: Meno mosso - Più mosso (Tempo I) - Animato - | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-6 | Concerto for Piano and Orchestra no. 1 in D-flat major, op. 10: Andante assai - | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-7 | Concerto for Piano and Orchestra no. 1 in D-flat major, op. 10: Allegro scherzando - Poco più sostenuto - Più mosso - Animato | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-8 | Piano Sonata no. 1 in A minor “From Old Notebooks”, op. 28: Allegro tempestoso - Moderato - Allegro tempestoso - Moderato - Più lento - Più animato - Allegro I - Poco più mosso | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 17-1 | Carnaval Op. 9 - Préambule. Quasi maestoso | — | ||
| 17-2 | Carnaval Op. 9 - Pierrot. Moderato | — | ||
| 17-3 | Carnaval Op. 9 - Arlequin. Vivo | — | ||
| 17-4 | Carnaval Op. 9 - Valse noble. Un poco maestoso | — | ||
| 17-5 | Carnaval Op. 9 - Eusebius. Adagio | — | ||
| 17-6 | Carnaval Op. 9 - Florestan. Passionato | — | ||
| 17-7 | Carnaval Op. 9 - Coquette. Vivo | — | ||
| 17-8 | Carnaval Op. 9 - Réplique (Sphinxes). L'istesso tempo | — | ||
| 17-9 | Carnaval Op. 9 - Papillons. Prestissimo | — | ||
| 17-10 | Carnaval Op. 9 - A.S.C.H.-S.C.H.A. (Lettres dansantes). Presto | — | ||
| 17-11 | Carnaval Op. 9 - Chiarina. Passionato | — | ||
| 17-12 | Carnaval Op. 9 - Chopin. Agitato | — | ||
| 17-13 | Carnaval Op. 9 - Estrella. Con affetto | — | ||
| 17-14 | Carnaval Op. 9 - Reconnaissance. Animato | — | ||
| 17-15 | Carnaval Op. 9 - Pantalon et Colombine. Presto | — | ||
| 17-16 | Carnaval Op. 9 - Valse allemande. Molto vivace | — | ||
| 17-17 | Carnaval Op. 9 - Paganini. Intermezzo. Presto | — | ||
| 17-18 | Carnaval Op. 9 - Aveu. Passionato | — | ||
| 17-19 | Carnaval Op. 9 - Promenade. Comodo | — | ||
| 17-20 | Carnaval Op. 9 - Pause. Vivo | — | ||
| 17-21 | Carnaval Op. 9 - Marche des "Davidsbündler" contre les Philistins. Non allegro | — | ||
| 17-22 | Symphonic Etudes Op. 13 - Thema. Andante | — | ||
| 17-23 | Symphonic Etudes Op. 13 - N° 1. Un poco più vivo | — | ||
| 17-24 | Symphonic Etudes Op. 13 - N° 2. Marcate il canto | — | ||
| 17-25 | Symphonic Etudes Op. 13 - N° 3. Vivace | — | ||
| 17-26 | Symphonic Etudes Op. 13 - N° 4. (Etude) | — | ||
| 17-27 | Symphonic Etudes Op. 13 - N° 5. Scherzando | — | ||
| 17-28 | Symphonic Etudes Op. 13 - N° 6. Agitato | — | ||
| 17-29 | Symphonic Etudes Op. 13 - N° 7. Allegro molto | — | ||
| 17-30 | Symphonic Etudes Op. 13 - N° 8. Sempre marcatissimo | — | ||
| 17-31 | Symphonic Etudes Op. 13 - N° 9. Presto possibile | — | ||
| 17-32 | Symphonic Etudes Op. 13 - N° 10. Con energia sempre | — | ||
| 17-33 | Symphonic Etudes Op. 13 - N° 11. Sotto voce, ma marcato | — | ||
| 17-34 | Symphonic Etudes Op. 13 - N° 12. Allegro brillante | — | ||
| 18-1 | Variations on a Theme by Paganini book I: Theme | Gary Graffman | T-917.142.790-0 | |
| 18-2 | Variations on a Theme by Paganini book I: Variation I | Gary Graffman | T-917.142.790-0 | |
| 18-3 | Variations on a Theme by Paganini book I: Variation II | Gary Graffman | — | |
| 18-4 | Variations on a Theme by Paganini book I: Variation III | Gary Graffman | T-917.142.790-0 | |
| 18-5 | Variations on a Theme by Paganini book I: Variation IV | Gary Graffman | — | |
| 18-6 | Variations on a Theme by Paganini book I: Variation V | Gary Graffman | T-912.658.196-2 | |
| 18-7 | Variations on a Theme by Paganini book I: Variation VI | Gary Graffman | T-917.142.790-0 | |
| 18-8 | Variations on a Theme by Paganini book I: Variation VII | Gary Graffman | T-917.142.790-0 | |
| 18-9 | Variations on a Theme by Paganini book I: Variation VIII | Gary Graffman | T-917.142.790-0 | |
| 18-10 | Variations on a Theme by Paganini book I: Variation IX | Gary Graffman | T-912.658.196-2 | |
| 18-11 | Variations on a Theme by Paganini book I: Variation X | Gary Graffman | T-010.512.679-1 | |
| 18-12 | Variations on a Theme by Paganini book I: Variation XI | Gary Graffman | T-010.512.679-1 | |
| 18-13 | Variations on a Theme by Paganini book I: Variation XII | Gary Graffman | T-010.512.679-1 | |
| 18-14 | Variations on a Theme by Paganini book I: Variation XIII | Gary Graffman | — | |
| 18-15 | Variations on a Theme by Paganini book I: Variation XIV | Gary Graffman | T-010.512.679-1 | |
| 18-16 | Variations on a Theme by Paganini book II: Theme | Gary Graffman | T-917.142.790-0 | |
| 18-17 | Variations on a Theme by Paganini book II: Variation I | Gary Graffman | T-010.512.679-1 | |
| 18-18 | Variations on a Theme by Paganini book II: Variation II | Gary Graffman | T-912.658.196-2 | |
| 18-19 | Variations on a Theme by Paganini book II: Variation III | Gary Graffman | T-912.658.196-2 | |
| 18-20 | Variations on a Theme by Paganini book II: Variation IV | Gary Graffman | — | |
| 18-21 | Variations on a Theme by Paganini book II: Variation V | Gary Graffman | — | |
| 18-22 | Variations on a Theme by Paganini book II: Variation VI | Gary Graffman | — | |
| 18-23 | Variations on a Theme by Paganini book II: Variation VII | Gary Graffman | — | |
| 18-24 | Variations on a Theme by Paganini book II: Variation VIII | Gary Graffman | T-917.142.790-0 | |
| 18-25 | Variations on a Theme by Paganini book II: Variation IX | Gary Graffman | T-912.658.196-2 | |
| 18-26 | Variations on a Theme by Paganini book II: Variation X | Gary Graffman | T-010.512.679-1 | |
| 18-27 | Variations on a Theme by Paganini book II: Variation XI | Gary Graffman | — | |
| 18-28 | Variations on a Theme by Paganini book II: Variation XII | Gary Graffman | T-010.512.679-1 | |
| 18-29 | Variations on a Theme by Paganini book II: Variation XIII | Gary Graffman | T-010.512.679-1 | |
| 18-30 | Variations on a Theme by Paganini book II: Variation XIV | Gary Graffman | T-010.512.679-1 | |
| 18-31 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Thema. Aria | — | ||
| 18-32 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 1 | — | ||
| 18-33 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 2 | — | ||
| 18-34 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 3 | — | ||
| 18-35 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 4 | — | ||
| 18-36 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 5 | — | ||
| 18-37 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 6 | — | ||
| 18-38 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 7 | — | ||
| 18-39 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 8 | — | ||
| 18-40 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 9 | — | ||
| 18-41 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 10 | — | ||
| 18-42 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 11 | — | ||
| 18-43 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 12 | — | ||
| 18-44 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 13 | — | ||
| 18-45 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 14 | — | ||
| 18-46 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 15 | — | ||
| 18-47 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 16 | — | ||
| 18-48 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 17 | — | ||
| 18-49 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 18 | — | ||
| 18-50 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 19 | — | ||
| 18-51 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 20 | — | ||
| 18-52 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 21 | — | ||
| 18-53 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 22 | — | ||
| 18-54 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 23 | — | ||
| 18-55 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 24 | — | ||
| 18-56 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 25 | — | ||
| 18-57 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Fuga | — | ||
| 19-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 19-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante simplice | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 19-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco – Allegro vivo | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 20-1 | Piano Sonata n° 21 in C Major "Waldstein", Op. 53 - I. Allegro con brio | — | ||
| 20-2 | Piano Sonata n° 21 in C Major "Waldstein", Op. 53 - II. Introduzione. Adagio molto - | — | ||
| 20-3 | Piano Sonata n° 21 in C Major "Waldstein", Op. 53 - III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 20-4 | Piano Sonata n° 23 in F Minor "Appassionata", Op. 57 - I. Allegro assai | — | ||
| 20-5 | Piano Sonata n° 23 in F Minor "Appassionata", Op. 57 - II. Andante con moto - | — | ||
| 20-6 | Piano Sonata n° 23 in F Minor "Appassionata", Op. 57 - III. Allegro, ma non troppo - Presto | — | ||
| 21-1 | Scherzo n° 2 in B-Flat Minor, Op. 31 | — | ||
| 21-2 | Prelude n° 15 in D-Flat Major, Op. 28 n° 15 | — | ||
| 21-3 | Prelude n° 24 in D Minor, Op. 28 n° 24 | — | ||
| 21-4 | Ballade for piano n° 1 in G Minor, Op. 23 | — | ||
| 21-5 | Andante spianato and grande polonaise for piano & orchestra, Op. 22 | — | ||
| 21-6 | Nocturne n° 7 in C-Sharp Minor, Op. 27 n° 1 | — | ||
| 21-7 | Nocturne n° 8 in D flat Major, Op. 27 n° 2 | — | ||
| 22-1 | Piano Sonata n° 31 in A-Flat Major, Op. 110 - I. Moderato cantabile molto espressivo | — | ||
| 22-2 | Piano Sonata n° 31 in A-Flat Major, Op. 110 - II. Allegro molto | — | ||
| 22-3 | Piano Sonata n° 31 in A-Flat Major, Op. 110 - III. Adagio ma non troppo - Fuga. Allegro ma non troppo | — | ||
| 22-4 | Piano Sonata n° 32 in C Minor, Op. 11 1 - I. Maestoso - Allegro con brio ed appassionato | — | ||
| 22-5 | Piano Sonata n° 32 in C Minor, Op. 11 1 - II. Arietta. Adagio molto semplice e cantabile | — | ||
| 23-1 | Piano Sonata n° 4 - I. Allegro con energia | — | ||
| 23-2 | Piano Sonata n° 4 - II. Adagio | — | ||
| 23-3 | Piano Sonata n° 4 - III. Allegro deciso | — | ||
| 23-4 | Suite for piano, Sz. 62, BB 70 (Op. 14) - I. Allegretto | — | ||
| 23-5 | Suite for piano, Sz. 62, BB 70 (Op. 14) - II. Scherzo | — | ||
| 23-6 | Suite for piano, Sz. 62, BB 70 (Op. 14) - III. Allegro molto | — | ||
| 23-7 | Suite for piano, Sz. 62, BB 70 (Op. 14) - IV. Sostenuto | — | ||
| 23-8 | Piano Sonata n° 2 in D Minor, Op. 14 - I. Allegro, ma non troppo | — | ||
| 23-9 | Piano Sonata n° 2 in D Minor, Op. 14 - II. Scherzo. Allegro marcato | — | ||
| 23-10 | Piano Sonata n° 2 in D Minor, Op. 14 - III. Andante | — | ||
| 23-11 | Piano Sonata n° 2 in D Minor, Op. 14 - IV. Vivace | — | ||
| 24-1 | Rhapsody in Blue | — | ||
| 24-2 | Land of the Gay Caballero | — | ||
| 24-3 | Someone to Watch Over Me | — | ||
| 24-4 | I've Got a Crush on You | — | ||
| 24-5 | Do, Do, Do | — | ||
| 24-6 | Mine | — | ||
| 24-7 | He Loves and She Loves | — | ||
| 24-8 | Bronco Busters | — | ||
| 24-9 | Oh Lady Be Good | — | ||
| 24-10 | 'S Wonderful | — | ||
| 24-11 | Love Is Here to Stay | — | ||
| 24-12 | Sweet and Low-Down | — | ||
| 24-13 | Blue, Blue, Blue | — | ||
| 24-14 | Embraceable You | — | ||
| 24-15 | He Loves and She Loves | — | ||
| 24-16 | Love Is Sweeping the Country / Land of the Gay Caballero | — | ||
| 24-17 | Strike Up the Band | — | ||
| 24-18 | But Not for Me | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Pictures at an Exhibition: Promenade | Gary Graffman | T-920.064.650-0 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
887254623922 is a Universal Product Code (UPC) assigned to The Complete RCA And Columbia Album Collection by Gary Graffman. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 276 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
887254623922 is the Universal Product Code (UPC barcode) for the release “The Complete RCA And Columbia Album Collection” by Gary Graffman, released 2013-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 276 tracks, each with its own ISRC. Tracks include USBC10603245, USBC10603246, USBC10603247.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantasia in C major "Wanderer", D. 760 - I. Allegro con fuoco ma non troppo - | — | ||
| 2 | Fantasia in C major "Wanderer", D. 760 - II. Adagio - | — | ||
| 3 | Fantasia in C major "Wanderer", D. 760 - III. Presto - | — | ||
| 4 | Fantasia in C major "Wanderer", D. 760 - IV. Allegro | — | ||
| 5 | Piano Sonata n° 2 in D minor, Op. 14 - I. Allegro, ma non troppo | — | ||
| 6 | Piano Sonata n° 2 in D minor, Op. 14 - II. Scherzo. Allegro marcato | — | ||
| 7 | Piano Sonata n° 2 in D minor, Op. 14 - III. Andante | — | ||
| 8 | Piano Sonata n° 2 in D minor, Op. 14 - IV. Vivace | — | ||
| 9 | Piano Sonata n° 3 in A minor ("From Old Notebooks"), Op. 28 | — | ||
| 2-1 | Piano Concerto n° 3 in C major, Op. 26 - I. Andante - Allegro | — | ||
| 2-2 | Piano Concerto n° 3 in C major, Op. 26 - II. Var. n° 1-5 - Tema. L'Istesso tempo | — | ||
| 2-3 | Piano Concerto n° 3 in C major, Op. 26 - III. Allegro ma non troppo | — | ||
| 2-4 | Symphony n° 1 in D major "Classical", Op. 25 - I. Allegro | — | ||
| 2-5 | Symphony n° 1 in D major "Classical", Op. 25 - II. Larghetto | — | ||
| 2-6 | Symphony n° 1 in D major "Classical", Op. 25 - III. Gavotta. Non troppo allegro | — | ||
| 2-7 | Symphony n° 1 in D major "Classical", Op. 25 - IV. Finale. Molto vivace | — | ||
| 3-1 | Piano Sonata n° 2 in G minor, Op. 22 - I. So rasch wie möglich | — | ||
| 3-2 | Piano Sonata n° 2 in G minor, Op. 22 - II. Andantino. Getragen | — | ||
| 3-3 | Piano Sonata n° 2 in G minor, Op. 22 - III. Scherzo. Sehr rasch und markiert | — | ||
| 3-4 | Piano Sonata n° 2 in G minor, Op. 22 - IV. Rondo. Presto | — | ||
| 3-5 | Romance in F sharp major (Einfach), Op. 28 n° 2 | — | ||
| 3-6 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - Thema. Andante | — | ||
| 3-7 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - I. Un poco più vivo | — | ||
| 3-8 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - II. Marcate il canto | — | ||
| 3-9 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - III. Vivace | — | ||
| 3-10 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - IV. Etude | — | ||
| 3-11 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - V. Scherzando | — | ||
| 3-12 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - VI. Agitato | — | ||
| 3-13 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - VII. Allegro molto | — | ||
| 3-14 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - VIII. Sempre marcatissimo | — | ||
| 3-15 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - IX. Presto possibile | — | ||
| 3-16 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - X. Con energia sempre | — | ||
| 3-17 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - XI. Sotto voce, ma marcato | — | ||
| 3-18 | Symphonic Etudes ("Etudes in the form of variations"), Op. 13 - XII. Allegro brillante | — | ||
| 4-1 | PIANO CONCERTO NO 1 IN D MINOR OP 15 I MAESTOSO | Gary Graffman, Boston Symphony Orchestra, Charles Munch | — | |
| 4-2 | BRAHMS: PIANO CONCERTO NO. 1 IN D MINOR, OP. 15: II. ADAGIO | Gary Graffman, Boston Symphony Orchestra, Charles Munch | — | |
| 4-3 | PIANO CONCERTO NO. 1 IN D MINOR, OP. 15: III. ALLEGRO NON TROPPO | Gary Graffman, Boston Symphony Orchestra, Charles Munch | — | |
| 5-1 | Ballade n° 1 in G minor, Op. 23 | — | ||
| 5-2 | Ballade n° 2 in F major, Op. 38 | — | ||
| 5-3 | Ballade n° 3 in A-Flat major, Op. 47 | — | ||
| 5-4 | Ballade n° 4 in F minor, Op. 52 | — | ||
| 5-5 | Andante spianato and grande polonaise, Op. 22 | — | ||
| 6-1 | Piano Concerto n° 3 in C minor, Op. 37 - I. Allegro con brio | — | ||
| 6-2 | Piano Concerto n° 3 in C minor, Op. 37 - II. Largo | — | ||
| 6-3 | Piano Concerto n° 3 in C minor, Op. 37 - III. Rondo. Allegro | — | ||
| 7-1 | Liebesträume n° 3 in A-Flat Major ("O Lieb, so lang du lieben kannst"), S. 541 n° 3 | — | ||
| 7-2 | Un sospiro (Grande Etudes de concert n° 3, in D-Flat Major), S. 144 n° 3 | — | ||
| 7-3 | Hungarian Rhapsody n° 11 in A Minor, S. 244 n° 11 | — | ||
| 7-4 | Il penseroso II (Années de Pèlerinage, II n° 2), S. 161 n° 2 | — | ||
| 7-5 | Consolation n° 3 in D-Flat Major "Lento placido", S. 172 n° 3 | — | ||
| 7-6 | Paganini Etudes, S. 141 (LW A173) - N° 1 in G Minor. Preludio. Tremolo | — | ||
| 7-7 | Paganini Etudes, S. 141 (LW A173) - N° 2 in E-Flat Major. Octave | — | ||
| 7-8 | Paganini Etudes, S. 141 (LW A173) - N° 3 in G-Sharp Minor. La Campanella | — | ||
| 7-9 | Paganini Etudes, S. 141 (LW A173) - N° 4 in E Major. Arpeggio | — | ||
| 7-10 | Paganini Etudes, S. 141 (LW A173) - N° 5 in E Major. La Chasse | — | ||
| 7-11 | Paganini Etudes, S. 141 (LW A173) - N° 6 in A Minor. Tema con Variazioni | — | ||
| 8-1 | Piano Concerto n° 1 in E Minor, Op. 11 - I. Allegro maestoso | — | ||
| 8-2 | Piano Concerto n° 1 in E Minor, Op. 11 - II. Romance | — | ||
| 8-3 | Piano Concerto n° 1 in E Minor, Op. 11 - III. Rondo | — | ||
| 8-4 | Capriccio brillant in B minor, Op. 22 | — | ||
| 9-1 | Sonata for violin & piano n° 1 in A major, Op. 13 - I. Allegro molto | — | ||
| 9-2 | Sonata for violin & piano n° 1 in A major, Op. 13 - II. Andante | — | ||
| 9-3 | Sonata for violin & piano n° 1 in A major, Op. 13 - III. Allegro vivo | — | ||
| 9-4 | Sonata for violin & piano n° 1 in A major, Op. 13 - IV. Allegro quasi presto | — | ||
| 9-5 | Sonata for violin & piano, L. 140 - I. Allegro vivo | — | ||
| 9-6 | Sonata for violin & piano, L. 140 - II. Fantasque et léger | — | ||
| 9-7 | Sonata for violin & piano, L. 140 - III. Finale. Tres animé | — | ||
| 10-1 | Pictures at an Exhibition: Promenade | Gary Graffman | — | |
| 10-2 | Pictures at an Exhibition: Gnomus | Gary Graffman | T-001.438.118-0 | |
| 10-3 | Pictures at an Exhibition: Promenade | Gary Graffman | T-920.064.650-0 | |
| 10-4 | Pictures at an Exhibition: The Old Castle | Gary Graffman | T-011.600.131-0 | |
| 10-5 | Pictures at an Exhibition: Promenade | Gary Graffman | — | |
| 10-6 | Pictures at an Exhibition: Les Tuileries | Gary Graffman | — | |
| 10-7 | Pictures at an Exhibition: Bydlo | Gary Graffman | — | |
| 10-9 | Pictures at an Exhibition: Ballet of the Unhatched Chicks | Gary Graffman | — | |
| 10-10 | Pictures at an Exhibition: Two Polish Jews (One Rich, the Other Poor) | Gary Graffman | — | |
| 10-11 | Pictures at an Exhibition: Promenade | Gary Graffman | — | |
| 10-12 | Pictures at an Exhibition: The Market Place at Limoges | Gary Graffman | — | |
| 10-13 | Pictures at an Exhibition: The Catacombs | Gary Graffman | — | |
| 10-14 | Pictures at an Exhibition: The Hut of Baba Yaga | Gary Graffman | — | |
| 10-15 | Pictures at an Exhibition: The Great Gate of Kiev | Gary Graffman | — | |
| 10-16 | Islamey | Gary Graffman | T-913.074.709-0 | |
| 11-1 | Piano Sonata n° 2 in D Minor, Op. 14 - I. Allegro, ma non troppo | — | ||
| 11-2 | Piano Sonata n° 2 in D Minor, Op. 14 - II. Scherzo. Allegro marcato | — | ||
| 11-3 | Piano Sonata n° 2 in D Minor, Op. 14 - III. Andante | — | ||
| 11-4 | Piano Sonata n° 2 in D Minor, Op. 14 - IV. Vivace | — | ||
| 11-5 | Piano Sonata n° 3 in A Minor ("From Old Notebooks"), Op. 28 | — | ||
| 11-6 | Etudes-Tableaux Op. 33 n° 9 in C-Sharp Minor | — | ||
| 11-7 | Barcarolle in G Minor (Morceaux de salon Op. 10 n° 3) | — | ||
| 11-8 | Prelude for piano n° 19 in A Minor, Op. 32 n° 8 | — | ||
| 11-9 | Prelude for piano n° 23 in G-Sharp Minor, Op. 32 n° 12 | — | ||
| 11-10 | Prelude for piano n° 16 in G Major, Op. 32 n° 5 | — | ||
| 11-11 | Élégie in E-Flat Minor (Morceaux de fantaisie Op. 3 n° 1) | — | ||
| 11-12 | Polichinelle in F-Sharp Minor (Morceaux de fantaisie Op. 3 n° 4) | — | ||
| 12-1 | Piano Trio n° 2 in C Major, Op. 87 - I. Allegro | — | ||
| 12-2 | Piano Trio n° 2 in C Major, Op. 87 - II. Andante con moto | — | ||
| 12-3 | Piano Trio n° 2 in C Major, Op. 87 - III. Presto - (Trio) Poco meno presto | — | ||
| 12-4 | Piano Trio n° 2 in C Major, Op. 87 - IV. Finale. Allegro giocoso | — | ||
| 12-5 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Introduzione. Adagio assai | — | ||
| 12-6 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Tema. Allegretto | — | ||
| 12-7 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 1 | — | ||
| 12-8 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 2 | — | ||
| 12-9 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 3 | — | ||
| 12-10 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 4 | — | ||
| 12-11 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 5 | — | ||
| 12-12 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 6 | — | ||
| 12-13 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 7 | — | ||
| 12-14 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 8 | — | ||
| 12-15 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 9. Adagio espressivo | — | ||
| 12-16 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Variation n° 10. Presto | — | ||
| 12-17 | Piano Trio in G Major "Kakadu Variations", Op. 121a - Allegretto | — | ||
| 13-1 | Concerto No. 2 in C minor, Op. 18: I. Moderato | — | ||
| 13-2 | Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto | — | ||
| 13-3 | Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando | — | ||
| 13-4 | Rhapsody on a Theme of Paganini, Op. 43 | — | ||
| 14-1 | Fantasia for piano in C Major "Wanderer", D. 760 - I. Allegro con fuoco ma non troppo - | — | ||
| 14-2 | Fantasia for piano in C Major "Wanderer", D. 760 - II. Adagio | — | ||
| 14-3 | Fantasia for piano in C Major "Wanderer", D. 760 - III. Presto | — | ||
| 14-4 | Fantasia for piano in C Major "Wanderer", D. 760 - IV. Allegro | — | ||
| 14-5 | Piano Sonata n° 19 in C Minor, D. 958 - I. Allegro | — | ||
| 14-6 | Piano Sonata n° 19 in C Minor, D. 958 - III. Adagio | — | ||
| 14-7 | Piano Sonata n° 19 in C Minor, D. 958 - IIII. Menuetto. Allegro - Trio | — | ||
| 14-8 | Piano Sonata n° 19 in C Minor, D. 958 - IIV. Allegro | — | ||
| 15-1 | Concerto for Piano and Orchestra no. 2 in G major, op. 44: I. Allegro brillante e molto vivace | Gary Graffman, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-2 | Concerto for Piano and Orchestra no. 2 in G major, op. 44: II. Andante non troppo | Gary Graffman, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-3 | Concerto for Piano and Orchestra no. 2 in G major, op. 44: III. Allegro con fuoco | Gary Graffman, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-4 | Concerto for Piano and Orchestra no. 3 in E-flat major, op. posth. 75: Allegro brillante | Gary Graffman, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-1 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-2 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-3 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-4 | Concerto for Piano and Orchestra no. 1 in D-flat major, op. 10: Allegro brioso - Poco più mosso - Tempo I - | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-5 | Concerto for Piano and Orchestra no. 1 in D-flat major, op. 10: Meno mosso - Più mosso (Tempo I) - Animato - | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-6 | Concerto for Piano and Orchestra no. 1 in D-flat major, op. 10: Andante assai - | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-7 | Concerto for Piano and Orchestra no. 1 in D-flat major, op. 10: Allegro scherzando - Poco più sostenuto - Più mosso - Animato | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 16-8 | Piano Sonata no. 1 in A minor “From Old Notebooks”, op. 28: Allegro tempestoso - Moderato - Allegro tempestoso - Moderato - Più lento - Più animato - Allegro I - Poco più mosso | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 17-1 | Carnaval Op. 9 - Préambule. Quasi maestoso | — | ||
| 17-2 | Carnaval Op. 9 - Pierrot. Moderato | — | ||
| 17-3 | Carnaval Op. 9 - Arlequin. Vivo | — | ||
| 17-4 | Carnaval Op. 9 - Valse noble. Un poco maestoso | — | ||
| 17-5 | Carnaval Op. 9 - Eusebius. Adagio | — | ||
| 17-6 | Carnaval Op. 9 - Florestan. Passionato | — | ||
| 17-7 | Carnaval Op. 9 - Coquette. Vivo | — | ||
| 17-8 | Carnaval Op. 9 - Réplique (Sphinxes). L'istesso tempo | — | ||
| 17-9 | Carnaval Op. 9 - Papillons. Prestissimo | — | ||
| 17-10 | Carnaval Op. 9 - A.S.C.H.-S.C.H.A. (Lettres dansantes). Presto | — | ||
| 17-11 | Carnaval Op. 9 - Chiarina. Passionato | — | ||
| 17-12 | Carnaval Op. 9 - Chopin. Agitato | — | ||
| 17-13 | Carnaval Op. 9 - Estrella. Con affetto | — | ||
| 17-14 | Carnaval Op. 9 - Reconnaissance. Animato | — | ||
| 17-15 | Carnaval Op. 9 - Pantalon et Colombine. Presto | — | ||
| 17-16 | Carnaval Op. 9 - Valse allemande. Molto vivace | — | ||
| 17-17 | Carnaval Op. 9 - Paganini. Intermezzo. Presto | — | ||
| 17-18 | Carnaval Op. 9 - Aveu. Passionato | — | ||
| 17-19 | Carnaval Op. 9 - Promenade. Comodo | — | ||
| 17-20 | Carnaval Op. 9 - Pause. Vivo | — | ||
| 17-21 | Carnaval Op. 9 - Marche des "Davidsbündler" contre les Philistins. Non allegro | — | ||
| 17-22 | Symphonic Etudes Op. 13 - Thema. Andante | — | ||
| 17-23 | Symphonic Etudes Op. 13 - N° 1. Un poco più vivo | — | ||
| 17-24 | Symphonic Etudes Op. 13 - N° 2. Marcate il canto | — | ||
| 17-25 | Symphonic Etudes Op. 13 - N° 3. Vivace | — | ||
| 17-26 | Symphonic Etudes Op. 13 - N° 4. (Etude) | — | ||
| 17-27 | Symphonic Etudes Op. 13 - N° 5. Scherzando | — | ||
| 17-28 | Symphonic Etudes Op. 13 - N° 6. Agitato | — | ||
| 17-29 | Symphonic Etudes Op. 13 - N° 7. Allegro molto | — | ||
| 17-30 | Symphonic Etudes Op. 13 - N° 8. Sempre marcatissimo | — | ||
| 17-31 | Symphonic Etudes Op. 13 - N° 9. Presto possibile | — | ||
| 17-32 | Symphonic Etudes Op. 13 - N° 10. Con energia sempre | — | ||
| 17-33 | Symphonic Etudes Op. 13 - N° 11. Sotto voce, ma marcato | — | ||
| 17-34 | Symphonic Etudes Op. 13 - N° 12. Allegro brillante | — | ||
| 18-1 | Variations on a Theme by Paganini book I: Theme | Gary Graffman | T-917.142.790-0 | |
| 18-2 | Variations on a Theme by Paganini book I: Variation I | Gary Graffman | T-917.142.790-0 | |
| 18-3 | Variations on a Theme by Paganini book I: Variation II | Gary Graffman | — | |
| 18-4 | Variations on a Theme by Paganini book I: Variation III | Gary Graffman | T-917.142.790-0 | |
| 18-5 | Variations on a Theme by Paganini book I: Variation IV | Gary Graffman | — | |
| 18-6 | Variations on a Theme by Paganini book I: Variation V | Gary Graffman | T-912.658.196-2 | |
| 18-7 | Variations on a Theme by Paganini book I: Variation VI | Gary Graffman | T-917.142.790-0 | |
| 18-8 | Variations on a Theme by Paganini book I: Variation VII | Gary Graffman | T-917.142.790-0 | |
| 18-9 | Variations on a Theme by Paganini book I: Variation VIII | Gary Graffman | T-917.142.790-0 | |
| 18-10 | Variations on a Theme by Paganini book I: Variation IX | Gary Graffman | T-912.658.196-2 | |
| 18-11 | Variations on a Theme by Paganini book I: Variation X | Gary Graffman | T-010.512.679-1 | |
| 18-12 | Variations on a Theme by Paganini book I: Variation XI | Gary Graffman | T-010.512.679-1 | |
| 18-13 | Variations on a Theme by Paganini book I: Variation XII | Gary Graffman | T-010.512.679-1 | |
| 18-14 | Variations on a Theme by Paganini book I: Variation XIII | Gary Graffman | — | |
| 18-15 | Variations on a Theme by Paganini book I: Variation XIV | Gary Graffman | T-010.512.679-1 | |
| 18-16 | Variations on a Theme by Paganini book II: Theme | Gary Graffman | T-917.142.790-0 | |
| 18-17 | Variations on a Theme by Paganini book II: Variation I | Gary Graffman | T-010.512.679-1 | |
| 18-18 | Variations on a Theme by Paganini book II: Variation II | Gary Graffman | T-912.658.196-2 | |
| 18-19 | Variations on a Theme by Paganini book II: Variation III | Gary Graffman | T-912.658.196-2 | |
| 18-20 | Variations on a Theme by Paganini book II: Variation IV | Gary Graffman | — | |
| 18-21 | Variations on a Theme by Paganini book II: Variation V | Gary Graffman | — | |
| 18-22 | Variations on a Theme by Paganini book II: Variation VI | Gary Graffman | — | |
| 18-23 | Variations on a Theme by Paganini book II: Variation VII | Gary Graffman | — | |
| 18-24 | Variations on a Theme by Paganini book II: Variation VIII | Gary Graffman | T-917.142.790-0 | |
| 18-25 | Variations on a Theme by Paganini book II: Variation IX | Gary Graffman | T-912.658.196-2 | |
| 18-26 | Variations on a Theme by Paganini book II: Variation X | Gary Graffman | T-010.512.679-1 | |
| 18-27 | Variations on a Theme by Paganini book II: Variation XI | Gary Graffman | — | |
| 18-28 | Variations on a Theme by Paganini book II: Variation XII | Gary Graffman | T-010.512.679-1 | |
| 18-29 | Variations on a Theme by Paganini book II: Variation XIII | Gary Graffman | T-010.512.679-1 | |
| 18-30 | Variations on a Theme by Paganini book II: Variation XIV | Gary Graffman | T-010.512.679-1 | |
| 18-31 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Thema. Aria | — | ||
| 18-32 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 1 | — | ||
| 18-33 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 2 | — | ||
| 18-34 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 3 | — | ||
| 18-35 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 4 | — | ||
| 18-36 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 5 | — | ||
| 18-37 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 6 | — | ||
| 18-38 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 7 | — | ||
| 18-39 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 8 | — | ||
| 18-40 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 9 | — | ||
| 18-41 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 10 | — | ||
| 18-42 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 11 | — | ||
| 18-43 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 12 | — | ||
| 18-44 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 13 | — | ||
| 18-45 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 14 | — | ||
| 18-46 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 15 | — | ||
| 18-47 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 16 | — | ||
| 18-48 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 17 | — | ||
| 18-49 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 18 | — | ||
| 18-50 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 19 | — | ||
| 18-51 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 20 | — | ||
| 18-52 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 21 | — | ||
| 18-53 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 22 | — | ||
| 18-54 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 23 | — | ||
| 18-55 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 24 | — | ||
| 18-56 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Var. n° 25 | — | ||
| 18-57 | Variations & Fugue on a Theme of Handel in B-Flat Major, Op. 24 - Fuga | — | ||
| 19-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 19-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante simplice | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 19-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco – Allegro vivo | Gary Graffman, The Cleveland Orchestra, George Szell | — | |
| 20-1 | Piano Sonata n° 21 in C Major "Waldstein", Op. 53 - I. Allegro con brio | — | ||
| 20-2 | Piano Sonata n° 21 in C Major "Waldstein", Op. 53 - II. Introduzione. Adagio molto - | — | ||
| 20-3 | Piano Sonata n° 21 in C Major "Waldstein", Op. 53 - III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 20-4 | Piano Sonata n° 23 in F Minor "Appassionata", Op. 57 - I. Allegro assai | — | ||
| 20-5 | Piano Sonata n° 23 in F Minor "Appassionata", Op. 57 - II. Andante con moto - | — | ||
| 20-6 | Piano Sonata n° 23 in F Minor "Appassionata", Op. 57 - III. Allegro, ma non troppo - Presto | — | ||
| 21-1 | Scherzo n° 2 in B-Flat Minor, Op. 31 | — | ||
| 21-2 | Prelude n° 15 in D-Flat Major, Op. 28 n° 15 | — | ||
| 21-3 | Prelude n° 24 in D Minor, Op. 28 n° 24 | — | ||
| 21-4 | Ballade for piano n° 1 in G Minor, Op. 23 | — | ||
| 21-5 | Andante spianato and grande polonaise for piano & orchestra, Op. 22 | — | ||
| 21-6 | Nocturne n° 7 in C-Sharp Minor, Op. 27 n° 1 | — | ||
| 21-7 | Nocturne n° 8 in D flat Major, Op. 27 n° 2 | — | ||
| 22-1 | Piano Sonata n° 31 in A-Flat Major, Op. 110 - I. Moderato cantabile molto espressivo | — | ||
| 22-2 | Piano Sonata n° 31 in A-Flat Major, Op. 110 - II. Allegro molto | — | ||
| 22-3 | Piano Sonata n° 31 in A-Flat Major, Op. 110 - III. Adagio ma non troppo - Fuga. Allegro ma non troppo | — | ||
| 22-4 | Piano Sonata n° 32 in C Minor, Op. 11 1 - I. Maestoso - Allegro con brio ed appassionato | — | ||
| 22-5 | Piano Sonata n° 32 in C Minor, Op. 11 1 - II. Arietta. Adagio molto semplice e cantabile | — | ||
| 23-1 | Piano Sonata n° 4 - I. Allegro con energia | — | ||
| 23-2 | Piano Sonata n° 4 - II. Adagio | — | ||
| 23-3 | Piano Sonata n° 4 - III. Allegro deciso | — | ||
| 23-4 | Suite for piano, Sz. 62, BB 70 (Op. 14) - I. Allegretto | — | ||
| 23-5 | Suite for piano, Sz. 62, BB 70 (Op. 14) - II. Scherzo | — | ||
| 23-6 | Suite for piano, Sz. 62, BB 70 (Op. 14) - III. Allegro molto | — | ||
| 23-7 | Suite for piano, Sz. 62, BB 70 (Op. 14) - IV. Sostenuto | — | ||
| 23-8 | Piano Sonata n° 2 in D Minor, Op. 14 - I. Allegro, ma non troppo | — | ||
| 23-9 | Piano Sonata n° 2 in D Minor, Op. 14 - II. Scherzo. Allegro marcato | — | ||
| 23-10 | Piano Sonata n° 2 in D Minor, Op. 14 - III. Andante | — | ||
| 23-11 | Piano Sonata n° 2 in D Minor, Op. 14 - IV. Vivace | — | ||
| 24-1 | Rhapsody in Blue | — | ||
| 24-2 | Land of the Gay Caballero | — | ||
| 24-3 | Someone to Watch Over Me | — | ||
| 24-4 | I've Got a Crush on You | — | ||
| 24-5 | Do, Do, Do | — | ||
| 24-6 | Mine | — | ||
| 24-7 | He Loves and She Loves | — | ||
| 24-8 | Bronco Busters | — | ||
| 24-9 | Oh Lady Be Good | — | ||
| 24-10 | 'S Wonderful | — | ||
| 24-11 | Love Is Here to Stay | — | ||
| 24-12 | Sweet and Low-Down | — | ||
| 24-13 | Blue, Blue, Blue | — | ||
| 24-14 | Embraceable You | — | ||
| 24-15 | He Loves and She Loves | — | ||
| 24-16 | Love Is Sweeping the Country / Land of the Gay Caballero | — | ||
| 24-17 | Strike Up the Band | — | ||
| 24-18 | But Not for Me | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Pictures at an Exhibition: Promenade | Gary Graffman | T-920.064.650-0 |
