UPC · Release
Various Artists
Last verified:
The UPC for “100 Greatest Motown Hits” by Various Artists is 887396014022. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-05-28. This release contains 100 tracks, each with its own ISRC. Tracks include ES5832110565, USMO10500508, USMO16200272.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | My Guy (re‐recorded) | — | ||
| 2 | Ain’t No Mountain High Enough (live) | — | ||
| 3 | Reach Out, I’ll Be There (re‐recorded) | — | ||
| 4 | My Baby Won’t Come Back | — | ||
| 5 | Do You Love Me? | — | ||
| 6 | Hello There, Angel | — | ||
| 7 | Because I Love Her (explicit) | — | ||
| 8 | When a Man Loves a Woman (re‐recorded) | — | ||
| 9 | Your Wonderful Love | The Temptations | T-070.211.514-7 | |
| 10 | That’s What He Is to Me | — | ||
| 11 | Tracks of My Tears (re‐recorded) | — | ||
| 12 | You Never Miss a Good Thing | — | ||
| 13 | I Cried All Night | — | ||
| 14 | White House Twist | — | ||
| 15 | Don’t Say Bye‐Bye | — | ||
| 16 | Come to Me | — | ||
| 17 | You’ll Never Cherish a Love So True (Till You Lose It) | — | ||
| 18 | I Am Your Man | — | ||
| 19 | Buttered Popcorn | — | ||
| 20 | Behold the Saints of God | — | ||
| 21 | Take a Chance on Me | — | ||
| 22 | Your Baby’s Back | — | ||
| 23 | Fire | — | ||
| 24 | There He Is (at My Door) | — | ||
| 25 | I Remember You | — | ||
| 26 | Same Old Song (re‐recorded) | — | ||
| 27 | Don’t Feel Sorry for Me | — | ||
| 28 | Take a Chance | — | ||
| 29 | Small Sad Sam | — | ||
| 30 | Money and Me | — | ||
| 31 | Don’t Say Bye‐Bye | — | ||
| 32 | Motor City | — | ||
| 33 | What Is a Man (Without a Woman) | — | ||
| 34 | Isn’t She Pretty | The Temptations | — | |
| 35 | Hey Fool | — | ||
| 36 | Actions Speak Louder Than Words | — | ||
| 37 | Someone to Call My Own | — | ||
| 38 | Toodle Loo | — | ||
| 39 | Precious Memories | — | ||
| 40 | Never Let You Go (Sha Lu Bop) | — | ||
| 41 | It Moves Me | — | ||
| 42 | Poor Sam Jones | — | ||
| 43 | I’ll Call You | — | ||
| 44 | The Chaperone | — | ||
| 45 | Cool and Crazy | — | ||
| 46 | Same Old Story | — | ||
| 47 | Uptight | — | ||
| 48 | I Out‐Duked the Duke | — | ||
| 49 | Don’t Take It Away | — | ||
| 50 | Playboy | — | ||
| 2-1 | Whisper | — | ||
| 2-2 | Camel Walk | — | ||
| 2-3 | Mr. Sandman | — | ||
| 2-4 | I Call It Pretty Music, but the Old People Call It the Blues, Pt. 1 | — | ||
| 2-5 | I Call It Pretty Music, but the Old People Call It the Blues, Pt. 2 | — | ||
| 2-6 | Blue Cinderella | — | ||
| 2-7 | Jesus Loves | — | ||
| 2-8 | Trouble Lover | — | ||
| 2-9 | What’s the Matter, Baby? | — | ||
| 2-10 | Your Heart Belongs to Me | The Supremes | — | |
| 2-11 | I’ll Never Love Again | — | ||
| 2-12 | Opus No. 3 | — | ||
| 2-13 | You Better Get in Line | — | ||
| 2-14 | I’ll Love You Till I Die | — | ||
| 2-15 | Just for You | — | ||
| 2-16 | I Found Myself a Brand New Baby | — | ||
| 2-17 | Hold Me Tight | — | ||
| 2-18 | Angel in Blue | — | ||
| 2-19 | Don’t Be Afraid | — | ||
| 2-20 | Part Time Love | — | ||
| 2-21 | Congo, Pt. 1 | — | ||
| 2-22 | Congo, Pt. 2 | — | ||
| 2-23 | Shoo‐Doo | — | ||
| 2-24 | Have I the Right | — | ||
| 2-25 | Is It True (What They Say About You) | — | ||
| 2-26 | Darling Tonight | — | ||
| 2-27 | Let’s Rock | — | ||
| 2-28 | Mind Over Matter (I’m Gonna Make You Mine) | — | ||
| 2-29 | Dearest One | — | ||
| 2-30 | Any Girl in Town | — | ||
| 2-31 | I Want a Guy | — | ||
| 2-32 | Continental Strut | — | ||
| 2-33 | Someday Pretty Baby | — | ||
| 2-34 | I’ll Still Be Around | — | ||
| 2-35 | Little Water Boy | — | ||
| 2-36 | Beechwood 4‒5789 | — | ||
| 2-37 | Come Into My Palace | — | ||
| 2-38 | Snake Walk, Pt. 1 | — | ||
| 2-39 | Snake Walk, Pt. 2 | — | ||
| 2-40 | Romance Without Finance | The Temptations | T-071.211.894-9 | |
| 2-41 | What’s So Good About Good Bye | — | ||
| 2-42 | It’s Not Too Late | — | ||
| 2-43 | Whole Lotta Woman | — | ||
| 2-44 | I’ll Have to Let Him Go | — | ||
| 2-45 | A New Girl | — | ||
| 2-46 | Please Mr. Postman | The Marvelettes | T-070.167.023-6 | |
| 2-47 | You’re My Inspiration | — | ||
| 2-48 | (I’m Afraid) The Masquerade Is Over | — | ||
| 2-49 | I Can’t Help Myself (Sugar Pie, Honey Bunch) (re‐recorded) | — | ||
| 2-50 | Two Lovers | Mary Wells | T-070.182.044-1 |
Identifier Graph
887396014022 is a Universal Product Code (UPC) assigned to 100 Greatest Motown Hits by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Your Heart Belongs to Me | The Supremes | — |
Songwriters/Publishers (IPI)
The UPC for “100 Greatest Motown Hits” by Various Artists is 887396014022. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-05-28. This release contains 100 tracks, each with its own ISRC. Tracks include ES5832110565, USMO10500508, USMO16200272.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | My Guy (re‐recorded) | — | ||
| 2 | Ain’t No Mountain High Enough (live) | — | ||
| 3 | Reach Out, I’ll Be There (re‐recorded) | — | ||
| 4 | My Baby Won’t Come Back | — | ||
| 5 | Do You Love Me? | — | ||
| 6 | Hello There, Angel | — | ||
| 7 | Because I Love Her (explicit) | — | ||
| 8 | When a Man Loves a Woman (re‐recorded) | — | ||
| 9 | Your Wonderful Love | The Temptations | T-070.211.514-7 | |
| 10 | That’s What He Is to Me | — | ||
| 11 | Tracks of My Tears (re‐recorded) | — | ||
| 12 | You Never Miss a Good Thing | — | ||
| 13 | I Cried All Night | — | ||
| 14 | White House Twist | — | ||
| 15 | Don’t Say Bye‐Bye | — | ||
| 16 | Come to Me | — | ||
| 17 | You’ll Never Cherish a Love So True (Till You Lose It) | — | ||
| 18 | I Am Your Man | — | ||
| 19 | Buttered Popcorn | — | ||
| 20 | Behold the Saints of God | — | ||
| 21 | Take a Chance on Me | — | ||
| 22 | Your Baby’s Back | — | ||
| 23 | Fire | — | ||
| 24 | There He Is (at My Door) | — | ||
| 25 | I Remember You | — | ||
| 26 | Same Old Song (re‐recorded) | — | ||
| 27 | Don’t Feel Sorry for Me | — | ||
| 28 | Take a Chance | — | ||
| 29 | Small Sad Sam | — | ||
| 30 | Money and Me | — | ||
| 31 | Don’t Say Bye‐Bye | — | ||
| 32 | Motor City | — | ||
| 33 | What Is a Man (Without a Woman) | — | ||
| 34 | Isn’t She Pretty | The Temptations | — | |
| 35 | Hey Fool | — | ||
| 36 | Actions Speak Louder Than Words | — | ||
| 37 | Someone to Call My Own | — | ||
| 38 | Toodle Loo | — | ||
| 39 | Precious Memories | — | ||
| 40 | Never Let You Go (Sha Lu Bop) | — | ||
| 41 | It Moves Me | — | ||
| 42 | Poor Sam Jones | — | ||
| 43 | I’ll Call You | — | ||
| 44 | The Chaperone | — | ||
| 45 | Cool and Crazy | — | ||
| 46 | Same Old Story | — | ||
| 47 | Uptight | — | ||
| 48 | I Out‐Duked the Duke | — | ||
| 49 | Don’t Take It Away | — | ||
| 50 | Playboy | — | ||
| 2-1 | Whisper | — | ||
| 2-2 | Camel Walk | — | ||
| 2-3 | Mr. Sandman | — | ||
| 2-4 | I Call It Pretty Music, but the Old People Call It the Blues, Pt. 1 | — | ||
| 2-5 | I Call It Pretty Music, but the Old People Call It the Blues, Pt. 2 | — | ||
| 2-6 | Blue Cinderella | — | ||
| 2-7 | Jesus Loves | — | ||
| 2-8 | Trouble Lover | — | ||
| 2-9 | What’s the Matter, Baby? | — | ||
| 2-10 | Your Heart Belongs to Me | The Supremes | — | |
| 2-11 | I’ll Never Love Again | — | ||
| 2-12 | Opus No. 3 | — | ||
| 2-13 | You Better Get in Line | — | ||
| 2-14 | I’ll Love You Till I Die | — | ||
| 2-15 | Just for You | — | ||
| 2-16 | I Found Myself a Brand New Baby | — | ||
| 2-17 | Hold Me Tight | — | ||
| 2-18 | Angel in Blue | — | ||
| 2-19 | Don’t Be Afraid | — | ||
| 2-20 | Part Time Love | — | ||
| 2-21 | Congo, Pt. 1 | — | ||
| 2-22 | Congo, Pt. 2 | — | ||
| 2-23 | Shoo‐Doo | — | ||
| 2-24 | Have I the Right | — | ||
| 2-25 | Is It True (What They Say About You) | — | ||
| 2-26 | Darling Tonight | — | ||
| 2-27 | Let’s Rock | — | ||
| 2-28 | Mind Over Matter (I’m Gonna Make You Mine) | — | ||
| 2-29 | Dearest One | — | ||
| 2-30 | Any Girl in Town | — | ||
| 2-31 | I Want a Guy | — | ||
| 2-32 | Continental Strut | — | ||
| 2-33 | Someday Pretty Baby | — | ||
| 2-34 | I’ll Still Be Around | — | ||
| 2-35 | Little Water Boy | — | ||
| 2-36 | Beechwood 4‒5789 | — | ||
| 2-37 | Come Into My Palace | — | ||
| 2-38 | Snake Walk, Pt. 1 | — | ||
| 2-39 | Snake Walk, Pt. 2 | — | ||
| 2-40 | Romance Without Finance | The Temptations | T-071.211.894-9 | |
| 2-41 | What’s So Good About Good Bye | — | ||
| 2-42 | It’s Not Too Late | — | ||
| 2-43 | Whole Lotta Woman | — | ||
| 2-44 | I’ll Have to Let Him Go | — | ||
| 2-45 | A New Girl | — | ||
| 2-46 | Please Mr. Postman | The Marvelettes | T-070.167.023-6 | |
| 2-47 | You’re My Inspiration | — | ||
| 2-48 | (I’m Afraid) The Masquerade Is Over | — | ||
| 2-49 | I Can’t Help Myself (Sugar Pie, Honey Bunch) (re‐recorded) | — | ||
| 2-50 | Two Lovers | Mary Wells | T-070.182.044-1 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Your Heart Belongs to Me | The Supremes | — |
