UPC · Release
Pearl Jam Twenty
Pearl Jam
887654041296
98 tracksReleased 2011-01-01Columbia
Last verified:
887654041296 is the Universal Product Code (UPC barcode) for the release “Pearl Jam Twenty” by Pearl Jam, released 2011-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 98 tracks, each with its own ISRC.
Format
8Number system
87654Manufacturer
04129Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCPearl Jam Twenty
ISWC27 works
Track List (98)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Seattle, 1989 | — | ||
| 2 | His Name Was Andy Wood – Stardog Champion | — | ||
| 3 | Lightning Strikes Twice – Times of Trouble / Footsteps | — | ||
| 4 | The Sixth Day – Alive | — | ||
| 5 | We Were Strangers – Release | — | ||
| 6 | Sense of Community – Reach Down / Hunger Strike | — | ||
| 7 | Mookie Knows We’re Changing the Name – Breath and a Scream / Why Go | — | ||
| 8 | The First Unplugged – Garden / Jeremy / Porch/Black | — | ||
| 9 | Lollapalooza – Baba O’Riley | — | ||
| 10 | Conceptual Video – Jeremy | — | ||
| 11 | We’re Used to Playing Clubs – Even Flow / Porch | — | ||
| 12 | Daughter on the Bus – Brother (Daughter) | — | ||
| 13 | The Birth of No – State of Love and Trust | — | ||
| 14 | Let’s Keep Things Rolling, Tab – Overblown | — | ||
| 15 | Fucking Circus – Blood | — | ||
| 16 | Don’t Hurt Me – Indifference | — | ||
| 17 | Faceless – Last Exit | — | ||
| 18 | Uncle Neil – Rockin’ in the Free World | — | ||
| 19 | The Powers That Be – Spin the Black Circle / Not for You | — | ||
| 20 | Something in the Basement – Do the Evolution | — | ||
| 21 | Big Sandy – Thumbing My Way | — | ||
| 22 | In Touch With the Good Stuff – Nothing as It Seems | — | ||
| 23 | Great Look, Good Drummer / Binaural – of the Girl | — | ||
| 24 | Roskilde – Inside Job | — | ||
| 25 | The Beginning of What – Crown of Thorns | — | ||
| 26 | It’s Okay to Get Booed – Bu$hleaguer | — | ||
| 27 | Dependably Unpredictable – Faithful | — | ||
| 28 | Influences – the Seeker | — | ||
| 29 | Pure Stoke – Let Me Sleep | — | ||
| 30 | Communal Exchange – Better Man | — | ||
| 31 | It’s Different Every Night – Alive | — | ||
| 32 | Credits – Walk With Me / Just Breathe | — | ||
| 33 | Mike McCready Writing “Faithfull” | — | ||
| 34 | Jeff Ament in Montana | — | ||
| 35 | Stone Gossard Seattle Driving Tour | — | ||
| 36 | Boom Gaspar Joins the Band | — | ||
| 37 | Eddie Vedder House Tour | — | ||
| 38 | Matt Cameron Writing “The Fixer” | — | ||
| 39 | No Anything | — | ||
| 40 | Come Back | — | ||
| 2-1 | Intro – Seattle, 1990 | — | ||
| 2-2 | Alive 1990 | — | ||
| 2-3 | Release | — | ||
| 2-4 | Why Go | — | ||
| 2-5 | No Compromise | — | ||
| 2-6 | Garden | — | ||
| 2-7 | Brother (Daughter) | — | ||
| 2-8 | Slower Tracks | — | ||
| 2-9 | Blood | — | ||
| 2-10 | Indifference | — | ||
| 2-11 | Aye Davanita | — | ||
| 2-12 | Last Exit | — | ||
| 2-13 | Band Name | — | ||
| 2-14 | Rockin’ in the Free World | — | ||
| 2-15 | Evil Little Goat | — | ||
| 2-16 | Not for You | — | ||
| 2-17 | I Don’t Relate to You Anymore | — | ||
| 2-18 | Do the Evolution | — | ||
| 2-19 | [unknown] | — | ||
| 2-20 | Thumbing My Way | — | ||
| 2-21 | Given to Fly | — | ||
| 2-22 | Identify Yourselves | — | ||
| 2-23 | Nothing as It Seems | — | ||
| 2-24 | Crown of the Thorns | — | ||
| 2-25 | You Got That Footage? | — | ||
| 2-26 | Bu$hleaguer | — | ||
| 2-27 | Faithfull | — | ||
| 2-28 | Let Me Sleep | — | ||
| 2-29 | Revolutionary | — | ||
| 2-30 | Better Man | — | ||
| 2-31 | Alive 2009 | — | ||
| 2-32 | Walk With Me | — | ||
| 2-33 | Gonna See My Friend | — | ||
| 2-34 | 3d Chess | — | ||
| 2-35 | Credits – Just Breathe | — | ||
| 2-36 | Del Mar “Porch” | — | ||
| 2-37 | Shadow | — | ||
| 2-38 | “Even Flow” Fan Tackle | — | ||
| 3-1 | Small Town | — | ||
| 3-2 | Smile | — | ||
| 3-4 | Brain of J | — | ||
| 3-5 | In My Tree | — | ||
| 3-7 | Intro‐Animal | — | ||
| 3-8 | Rearviewmirror | — | ||
| 3-9 | Low Light | — | ||
| 3-10 | Corduroy | — | ||
| 3-11 | Bugs | — | ||
| 3-12 | Even Flow – Matt Cameron | — | ||
| 3-13 | Black | — | ||
| 3-14 | Daughter / It’s Okay | — | ||
| 3-15 | Yellow Ledbetter / Star Spangled Banner | — | ||
| 3-16 | Bee Girl | — | ||
| 3-17 | Present Tense | — | ||
| 3-19 | Fans on the Band (Ten club) | — | ||
| 3-20 | Fandom – a Statistical Analysis | — | ||
| 3-21 | Hard to Imagine | — | ||
| 3-22 | South America 2005 | — | ||
| 3-23 | Last Show of Ten Tour, Hawaii | — |
Seattle, 1989
—
His Name Was Andy Wood – Stardog Champion
—
Lightning Strikes Twice – Times of Trouble / Footsteps
—
The Sixth Day – Alive
—
We Were Strangers – Release
—
Sense of Community – Reach Down / Hunger Strike
—
Mookie Knows We’re Changing the Name – Breath and a Scream / Why Go
—
The First Unplugged – Garden / Jeremy / Porch/Black
—
Lollapalooza – Baba O’Riley
—
Conceptual Video – Jeremy
—
We’re Used to Playing Clubs – Even Flow / Porch
—
Daughter on the Bus – Brother (Daughter)
—
The Birth of No – State of Love and Trust
—
Let’s Keep Things Rolling, Tab – Overblown
—
Fucking Circus – Blood
—
Don’t Hurt Me – Indifference
—
Faceless – Last Exit
—
Uncle Neil – Rockin’ in the Free World
—
The Powers That Be – Spin the Black Circle / Not for You
—
Something in the Basement – Do the Evolution
—
Big Sandy – Thumbing My Way
—
In Touch With the Good Stuff – Nothing as It Seems
—
Great Look, Good Drummer / Binaural – of the Girl
—
Roskilde – Inside Job
—
The Beginning of What – Crown of Thorns
—
It’s Okay to Get Booed – Bu$hleaguer
—
Dependably Unpredictable – Faithful
—
Influences – the Seeker
—
Pure Stoke – Let Me Sleep
—
Communal Exchange – Better Man
—
It’s Different Every Night – Alive
—
Credits – Walk With Me / Just Breathe
—
Mike McCready Writing “Faithfull”
—
Jeff Ament in Montana
—
Stone Gossard Seattle Driving Tour
—
Boom Gaspar Joins the Band
—
Eddie Vedder House Tour
—
Matt Cameron Writing “The Fixer”
—
No Anything
—
Come Back
—
Intro – Seattle, 1990
—
Alive 1990
—
Release
—
Why Go
—
No Compromise
—
Garden
—
Brother (Daughter)
—
Slower Tracks
—
Blood
—
Indifference
—
Aye Davanita
—
Last Exit
—
Band Name
—
Rockin’ in the Free World
—
Evil Little Goat
—
Not for You
—
I Don’t Relate to You Anymore
—
Do the Evolution
—
[unknown]
—
Thumbing My Way
—
Given to Fly
—
Identify Yourselves
—
Nothing as It Seems
—
Crown of the Thorns
—
You Got That Footage?
—
Bu$hleaguer
—
Faithfull
—
Let Me Sleep
—
Revolutionary
—
Better Man
—
Alive 2009
—
Walk With Me
—
Gonna See My Friend
—
3d Chess
—
Credits – Just Breathe
—
Del Mar “Porch”
—
Shadow
—
“Even Flow” Fan Tackle
—
Small Town
—
Smile
—
Brain of J
—
In My Tree
—
Intro‐Animal
—
Rearviewmirror
—
Low Light
—
Corduroy
—
Bugs
—
Even Flow – Matt Cameron
—
Black
—
Daughter / It’s Okay
—
Yellow Ledbetter / Star Spangled Banner
—
Bee Girl
—
Present Tense
—
Fans on the Band (Ten club)
—
Fandom – a Statistical Analysis
—
Hard to Imagine
—
South America 2005
—
Last Show of Ten Tour, Hawaii
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 887654041296?
887654041296 is a Universal Product Code (UPC) assigned to Pearl Jam Twenty by Pearl Jam. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 98 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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