UPC · Release
J. S. Bach
Last verified:
887654434326 is the Universal Product Code (UPC barcode) for the release “J. S. Bach Edition” by J. S. Bach, released 2013-01-01 on Deutsche Harmonia Mundi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 129 tracks, each with its own ISRC. Tracks include DEE479502234, DEE479502235, DEE479502236.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | La Petite Bande, Sigiswald Kuijken | — | |
| 3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto | La Petite Bande, Sigiswald Kuijken | — | |
| 5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | La Petite Bande, Sigiswald Kuijken | — | |
| 7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | La Petite Bande, Sigiswald Kuijken | — | |
| 8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro / II. Adagio | La Petite Bande, Sigiswald Kuijken | — | |
| 9 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | La Petite Bande, Sigiswald Kuijken | T-307.292.946-1 | |
| 2-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | La Petite Bande, Sigiswald Kuijken | — | |
| 2-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | La Petite Bande, Sigiswald Kuijken | T-914.323.771-2 | |
| 2-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | La Petite Bande, Sigiswald Kuijken | — | |
| 2-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | La Petite Bande, Sigiswald Kuijken | — | |
| 2-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 3-1 | Die Kunst der Fuge, BWV 1080: Contrapunctus I a 4 | Collegium Aureum | — | |
| 3-2 | Die Kunst der Fuge, BWV 1080: Contrapunctus II a 4 | Collegium Aureum | — | |
| 3-3 | Die Kunst der Fuge, BWV 1080: Contrapunctus III a 4 | Collegium Aureum | — | |
| 3-4 | Die Kunst der Fuge, BWV 1080: Contrapunctus IV a 4 | Collegium Aureum | — | |
| 3-5 | Die Kunst der Fuge, BWV 1080: Contrapunctus V a 4 | Collegium Aureum | — | |
| 3-6 | Die Kunst der Fuge, BWV 1080: Contrapunctus VI a 4 | Collegium Aureum | — | |
| 3-7 | Die Kunst der Fuge, BWV 1080: Contrapunctus VII a 4 | Collegium Aureum | — | |
| 3-8 | Die Kunst der Fuge, BWV 1080: Contrapunctus VIII a 3 | Collegium Aureum | — | |
| 3-9 | Die Kunst der Fuge, BWV 1080: Contrapunctus IX a 4 | Collegium Aureum | — | |
| 3-10 | Die Kunst der Fuge, BWV 1080: Contrapunctus X a 4 | Collegium Aureum | — | |
| 4-1 | Die Kunst der Fuge, BWV 1080, Contrapunctus XI a 4 | Collegium Aureum | — | |
| 4-2 | Die Kunst der Fuge, BWV 1080, Contrapunctus XII a 4 | Collegium Aureum | — | |
| 4-3 | Die Kunst der Fuge, BWV 1080, Contrapunctus XIII a 3 | Collegium Aureum | — | |
| 4-4 | Die Kunst der Fuge, BWV 1080, Contrapunctus XIII a 2 | Collegium Aureum | — | |
| 4-5 | Die Kunst der Fuge, BWV 1080, Contrapunctus XIV | Collegium Aureum | — | |
| 4-6 | Die Kunst der Fuge, BWV 1080, Contrapunctus XV | Collegium Aureum | — | |
| 4-7 | Die Kunst der Fuge, BWV 1080, Contrapunctus XVI | Collegium Aureum | — | |
| 4-8 | Die Kunst der Fuge, BWV 1080, Contrapunctus XVII | Collegium Aureum | — | |
| 4-9 | Die Kunst der Fuge, BWV 1080, Contrapunctus XVIII | Collegium Aureum | — | |
| 5-1 | Messe h-moll, BWV 232: Teil I. Kyrie: Chor "Kyrie eleison" | — | ||
| 5-2 | Messe h-moll, BWV 232: Teil I. Kyrie: Duetto "Christe eleison" | — | ||
| 5-3 | Messe h-moll, BWV 232: Teil I. Kyrie: Chor "Kyrie eleison" (2) | — | ||
| 5-4 | Messe h-moll, BWV 232: Teil I. Gloria: Chor "Gloria in excelsis Deo" | — | ||
| 5-5 | Messe h-moll, BWV 232: Teil I. Gloria: Chor "Et in terra pax" | — | ||
| 5-6 | Messe h-moll, BWV 232: Teil I. Gloria: Arie "Laudamus te" | — | ||
| 5-7 | Messe h-moll, BWV 232: Teil I. Gloria: Chor "Gratias agimus tibi" | — | ||
| 5-8 | Messe h-moll, BWV 232: Teil I. Gloria: Duetto "Domine Deus" | — | ||
| 5-9 | Messe h-moll, BWV 232: Teil I. Gloria: Chor "Qui tollis peccata mundi" | — | ||
| 5-10 | Messe h-moll, BWV 232: Teil I. Gloria: Arie "Qui sedes ad dextram patris" | — | ||
| 5-11 | Messe h-moll, BWV 232: Teil I. Gloria: Arie "Quoniam tu solus Sanctus" | — | ||
| 5-12 | Messe h-moll, BWV 232: Teil I. Gloria: Chor "Cum Sancto Spiritu" | — | ||
| 6-1 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Credo unum Deum" | — | ||
| 6-2 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Patrem omnipotentem" | — | ||
| 6-3 | Messe h-moll, BWV 232: Teil II. Credo. Duetto "Et in unum Dominum" | — | ||
| 6-4 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Et incarnatus est" | — | ||
| 6-5 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Crucifixus" | — | ||
| 6-6 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Et resurrexit" | — | ||
| 6-7 | Messe h-moll, BWV 232: Teil II. Credo. Arie "Et in Spiritum Sanctum" | — | ||
| 6-8 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Confiteor" | — | ||
| 6-9 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Et expecto" | — | ||
| 6-10 | Messe h-moll, BWV 232: Teil II. Sanctus. Chor "Sanctus" | — | ||
| 6-11 | Messe h-moll, BWV 232: Teil II. Sanctus. Doppelchor "Osanna" (1) | — | ||
| 6-12 | Messe h-moll, BWV 232: Teil II. Sanctus. Arie "Benedictus" | — | ||
| 6-13 | Messe h-moll, BWV 232: Teil II. Sanctus. Doppelchor: Osanna" (2) | — | ||
| 6-14 | Messe h-moll, BWV 232: Teil II. Agnus dei. Arie "Agnus Dei" | — | ||
| 6-15 | Messe h-moll, BWV 232: Teil II. Agnus dei. Chor "Dona nobis pacem" | — | ||
| 7-1 | Sonata I g-moll, BWV 1001: I. Adagio | — | ||
| 7-2 | Sonata I g-moll, BWV 1001: II. Fuga. Allegro | — | ||
| 7-3 | Sonata I g-moll, BWV 1001: III. Siciliana | — | ||
| 7-4 | Sonata I g-moll, BWV 1001: IV. Presto | — | ||
| 7-5 | Partita I h-moll, BWV 1002: I. Allemanda | — | ||
| 7-6 | Partita I h-moll, BWV 1002: II. Double | — | ||
| 7-7 | Partita I h-moll, BWV 1002: III. Correnta | — | ||
| 7-8 | Partita I h-moll, BWV 1002: IV. Double. Presto | — | ||
| 7-9 | Partita I h-moll, BWV 1002: V. Sarabande | — | ||
| 7-10 | Partita I h-moll, BWV 1002: VI. Double | — | ||
| 7-11 | Partita I h-moll, BWV 1002: VII. Tempo di Borea | — | ||
| 7-12 | Partita I h-moll, BWV 1002: VIII. Double | — | ||
| 7-13 | Sonata II a-moll, BWV 1003: I. Grave | — | ||
| 7-14 | Sonata II a-moll, BWV 1003: II. Fuga | — | ||
| 7-15 | Sonata II a-moll, BWV 1003: III. Andante | — | ||
| 7-16 | Sonata II a-moll, BWV 1003: IV. Allegro | — | ||
| 8-1 | Partita II d-moll, BWV 1004: I. Allemanda | — | ||
| 8-2 | Partita II d-moll, BWV 1004: II. Corrente | — | ||
| 8-3 | Partita II d-moll, BWV 1004: III. Sarabanda | — | ||
| 8-4 | Partita II d-moll, BWV 1004: IV. Giga | — | ||
| 8-5 | Partita II d-moll, BWV 1004: V. Ciaccona | — | ||
| 8-6 | Sonata III C-dur, BWV 1005: I. Adagio | — | ||
| 8-7 | Sonata III C-dur, BWV 1005: II. Fuga | — | ||
| 8-8 | Sonata III C-dur, BWV 1005: III. Largo | — | ||
| 8-9 | Sonata III C-dur, BWV 1005: IV. Allegro assai | — | ||
| 8-10 | Partita III E-dur, BWV 1006: I. Preludio | — | ||
| 8-11 | Partita III E-dur, BWV 1006: II. Loure | — | ||
| 8-12 | Partita III E-dur, BWV 1006: III. Gavotte en Rondeaux | — | ||
| 8-13 | Partita III E-dur, BWV 1006: IV. Menuet I & Menuett II | — | ||
| 8-14 | Partita III E-dur, BWV 1006: VI. Bourée | — | ||
| 8-15 | Partita III E-dur, BWV 1006: VII. Gigue | — | ||
| 9-1 | Musicalisches Opfer, BWV 1079: Ricercar a 3 | — | ||
| 9-2 | Musicalisches Opfer, BWV 1079: Canon perpetuus super Thema Regium | — | ||
| 9-3 | Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, cancrizans | — | ||
| 9-4 | Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, Violin: in Unisono | — | ||
| 9-5 | Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, per Motum contrarium | — | ||
| 9-6 | Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, per Augmentationem, contrario Motu | — | ||
| 9-7 | Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, per Tonos | — | ||
| 9-8 | Musicalisches Opfer, BWV 1079: Fuga canonica in Epidiapente | — | ||
| 9-9 | Musicalisches Opfer, BWV 1079: Ricercar a 6 | — | ||
| 9-10 | Musicalisches Opfer, BWV 1079: Quaerendo invenietis: Canon a 2 | — | ||
| 9-11 | Musicalisches Opfer, BWV 1079: Quaerendo invenietis: Canon a 4 | — | ||
| 9-12 | Musicalisches Opfer, BWV 1079: Sonata sopr' il Sogetto Reale a Traversa, Violino e Continuo: Largo | — | ||
| 9-13 | Musicalisches Opfer, BWV 1079: Sonata sopr' il Sogetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 9-14 | Musicalisches Opfer, BWV 1079: Sonata sopr' il Sogetto Reale a Traversa, Violino e Continuo: Andante | — | ||
| 9-15 | Musicalisches Opfer, BWV 1079: Sonata sopr' il Sogetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 9-16 | Musicalisches Opfer, BWV 1079: Canon perpetuus (a Traversa, Violino e Continuo) | — | ||
| 10-1 | Polonaise g-moll, BWV Anh 119 | Gustav Leonhardt | — | |
| 10-2 | Marche Es-dur, BWV Anh 127 | Gustav Leonhardt | — | |
| 10-3 | Menuet G-dur & g-moll, BWV 114-115 | Gustav Leonhardt | — | |
| 10-4 | Willst du dein Herz mir schenken, BWV 518 | Elly Ameling, Gustav Leonhardt | — | |
| 10-5 | Rondeau B-dur, BWV Anh 183 | Gustav Leonhardt | — | |
| 10-6 | Bist du bei mir, BWV 508 | Elly Ameling, Johannes Koch, Gustav Leonhardt, Angelica May | T-900.201.788-1 | |
| 10-7 | Aria für Clavier G-dur, BWV 988, 1 | Gustav Leonhardt | — | |
| 10-8 | So oft ich meine Tobackspfeife, BWV 515a | Hans-Martin Linde, Johannes Koch, Gustav Leonhardt, Angelica May | — | |
| 10-9 | Marche G-dur, BWV Anh 124 | Gustav Leonhardt | — | |
| 10-10 | Allemande d-moll, BWV 812, 1 | Gustav Leonhardt | — | |
| 10-11 | Dir, dir Jehova, will ich singen, BWV 299 | Elly Ameling, Rudolf Ewerhart, Johannes Koch, Gustav Leonhardt, Angelica May | — | |
| 10-12 | Praeludium C-dur, BWV 846, 1 | Gustav Leonhardt | T-910.415.372-2 | |
| 10-13 | Menuet G-dur, BWV Anh.116 | Gustav Leonhardt | — | |
| 10-14 | Marche D-dur (C.PH.E.Bach), BWV Anh. 122 | Gustav Leonhardt | — | |
| 10-15 | Musette D-dur, BWV Anh.126 | Gustav Leonhardt | T-308.943.341-6 | |
| 10-16 | Rezitativ Ich hab genug und Arie: Schlummert ein ihr matten Augen, BWV 82, 2 & 3 | Elly Ameling, Johannes Koch, Gustav Leonhardt, Angelica May | — | |
| 10-17 | Chorealbeabeitung Er nur den lieben Gott lasst walten, BWV 691 | Gustav Leonhardt | — | |
| 10-18 | O Ewigkeit du Donnerwort, BWV 513 (4 stimmig) | Tölzer Knabenchor | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
887654434326 is a Universal Product Code (UPC) assigned to J. S. Bach Edition by J. S. Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 129 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
887654434326 is the Universal Product Code (UPC barcode) for the release “J. S. Bach Edition” by J. S. Bach, released 2013-01-01 on Deutsche Harmonia Mundi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 129 tracks, each with its own ISRC. Tracks include DEE479502234, DEE479502235, DEE479502236.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | La Petite Bande, Sigiswald Kuijken | — | |
| 3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto | La Petite Bande, Sigiswald Kuijken | — | |
| 5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | La Petite Bande, Sigiswald Kuijken | — | |
| 7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | La Petite Bande, Sigiswald Kuijken | — | |
| 8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro / II. Adagio | La Petite Bande, Sigiswald Kuijken | — | |
| 9 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | La Petite Bande, Sigiswald Kuijken | T-307.292.946-1 | |
| 2-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | La Petite Bande, Sigiswald Kuijken | — | |
| 2-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | La Petite Bande, Sigiswald Kuijken | T-914.323.771-2 | |
| 2-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | La Petite Bande, Sigiswald Kuijken | — | |
| 2-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 2-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | La Petite Bande, Sigiswald Kuijken | — | |
| 2-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | La Petite Bande, Sigiswald Kuijken | — | |
| 3-1 | Die Kunst der Fuge, BWV 1080: Contrapunctus I a 4 | Collegium Aureum | — | |
| 3-2 | Die Kunst der Fuge, BWV 1080: Contrapunctus II a 4 | Collegium Aureum | — | |
| 3-3 | Die Kunst der Fuge, BWV 1080: Contrapunctus III a 4 | Collegium Aureum | — | |
| 3-4 | Die Kunst der Fuge, BWV 1080: Contrapunctus IV a 4 | Collegium Aureum | — | |
| 3-5 | Die Kunst der Fuge, BWV 1080: Contrapunctus V a 4 | Collegium Aureum | — | |
| 3-6 | Die Kunst der Fuge, BWV 1080: Contrapunctus VI a 4 | Collegium Aureum | — | |
| 3-7 | Die Kunst der Fuge, BWV 1080: Contrapunctus VII a 4 | Collegium Aureum | — | |
| 3-8 | Die Kunst der Fuge, BWV 1080: Contrapunctus VIII a 3 | Collegium Aureum | — | |
| 3-9 | Die Kunst der Fuge, BWV 1080: Contrapunctus IX a 4 | Collegium Aureum | — | |
| 3-10 | Die Kunst der Fuge, BWV 1080: Contrapunctus X a 4 | Collegium Aureum | — | |
| 4-1 | Die Kunst der Fuge, BWV 1080, Contrapunctus XI a 4 | Collegium Aureum | — | |
| 4-2 | Die Kunst der Fuge, BWV 1080, Contrapunctus XII a 4 | Collegium Aureum | — | |
| 4-3 | Die Kunst der Fuge, BWV 1080, Contrapunctus XIII a 3 | Collegium Aureum | — | |
| 4-4 | Die Kunst der Fuge, BWV 1080, Contrapunctus XIII a 2 | Collegium Aureum | — | |
| 4-5 | Die Kunst der Fuge, BWV 1080, Contrapunctus XIV | Collegium Aureum | — | |
| 4-6 | Die Kunst der Fuge, BWV 1080, Contrapunctus XV | Collegium Aureum | — | |
| 4-7 | Die Kunst der Fuge, BWV 1080, Contrapunctus XVI | Collegium Aureum | — | |
| 4-8 | Die Kunst der Fuge, BWV 1080, Contrapunctus XVII | Collegium Aureum | — | |
| 4-9 | Die Kunst der Fuge, BWV 1080, Contrapunctus XVIII | Collegium Aureum | — | |
| 5-1 | Messe h-moll, BWV 232: Teil I. Kyrie: Chor "Kyrie eleison" | — | ||
| 5-2 | Messe h-moll, BWV 232: Teil I. Kyrie: Duetto "Christe eleison" | — | ||
| 5-3 | Messe h-moll, BWV 232: Teil I. Kyrie: Chor "Kyrie eleison" (2) | — | ||
| 5-4 | Messe h-moll, BWV 232: Teil I. Gloria: Chor "Gloria in excelsis Deo" | — | ||
| 5-5 | Messe h-moll, BWV 232: Teil I. Gloria: Chor "Et in terra pax" | — | ||
| 5-6 | Messe h-moll, BWV 232: Teil I. Gloria: Arie "Laudamus te" | — | ||
| 5-7 | Messe h-moll, BWV 232: Teil I. Gloria: Chor "Gratias agimus tibi" | — | ||
| 5-8 | Messe h-moll, BWV 232: Teil I. Gloria: Duetto "Domine Deus" | — | ||
| 5-9 | Messe h-moll, BWV 232: Teil I. Gloria: Chor "Qui tollis peccata mundi" | — | ||
| 5-10 | Messe h-moll, BWV 232: Teil I. Gloria: Arie "Qui sedes ad dextram patris" | — | ||
| 5-11 | Messe h-moll, BWV 232: Teil I. Gloria: Arie "Quoniam tu solus Sanctus" | — | ||
| 5-12 | Messe h-moll, BWV 232: Teil I. Gloria: Chor "Cum Sancto Spiritu" | — | ||
| 6-1 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Credo unum Deum" | — | ||
| 6-2 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Patrem omnipotentem" | — | ||
| 6-3 | Messe h-moll, BWV 232: Teil II. Credo. Duetto "Et in unum Dominum" | — | ||
| 6-4 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Et incarnatus est" | — | ||
| 6-5 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Crucifixus" | — | ||
| 6-6 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Et resurrexit" | — | ||
| 6-7 | Messe h-moll, BWV 232: Teil II. Credo. Arie "Et in Spiritum Sanctum" | — | ||
| 6-8 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Confiteor" | — | ||
| 6-9 | Messe h-moll, BWV 232: Teil II. Credo. Chor "Et expecto" | — | ||
| 6-10 | Messe h-moll, BWV 232: Teil II. Sanctus. Chor "Sanctus" | — | ||
| 6-11 | Messe h-moll, BWV 232: Teil II. Sanctus. Doppelchor "Osanna" (1) | — | ||
| 6-12 | Messe h-moll, BWV 232: Teil II. Sanctus. Arie "Benedictus" | — | ||
| 6-13 | Messe h-moll, BWV 232: Teil II. Sanctus. Doppelchor: Osanna" (2) | — | ||
| 6-14 | Messe h-moll, BWV 232: Teil II. Agnus dei. Arie "Agnus Dei" | — | ||
| 6-15 | Messe h-moll, BWV 232: Teil II. Agnus dei. Chor "Dona nobis pacem" | — | ||
| 7-1 | Sonata I g-moll, BWV 1001: I. Adagio | — | ||
| 7-2 | Sonata I g-moll, BWV 1001: II. Fuga. Allegro | — | ||
| 7-3 | Sonata I g-moll, BWV 1001: III. Siciliana | — | ||
| 7-4 | Sonata I g-moll, BWV 1001: IV. Presto | — | ||
| 7-5 | Partita I h-moll, BWV 1002: I. Allemanda | — | ||
| 7-6 | Partita I h-moll, BWV 1002: II. Double | — | ||
| 7-7 | Partita I h-moll, BWV 1002: III. Correnta | — | ||
| 7-8 | Partita I h-moll, BWV 1002: IV. Double. Presto | — | ||
| 7-9 | Partita I h-moll, BWV 1002: V. Sarabande | — | ||
| 7-10 | Partita I h-moll, BWV 1002: VI. Double | — | ||
| 7-11 | Partita I h-moll, BWV 1002: VII. Tempo di Borea | — | ||
| 7-12 | Partita I h-moll, BWV 1002: VIII. Double | — | ||
| 7-13 | Sonata II a-moll, BWV 1003: I. Grave | — | ||
| 7-14 | Sonata II a-moll, BWV 1003: II. Fuga | — | ||
| 7-15 | Sonata II a-moll, BWV 1003: III. Andante | — | ||
| 7-16 | Sonata II a-moll, BWV 1003: IV. Allegro | — | ||
| 8-1 | Partita II d-moll, BWV 1004: I. Allemanda | — | ||
| 8-2 | Partita II d-moll, BWV 1004: II. Corrente | — | ||
| 8-3 | Partita II d-moll, BWV 1004: III. Sarabanda | — | ||
| 8-4 | Partita II d-moll, BWV 1004: IV. Giga | — | ||
| 8-5 | Partita II d-moll, BWV 1004: V. Ciaccona | — | ||
| 8-6 | Sonata III C-dur, BWV 1005: I. Adagio | — | ||
| 8-7 | Sonata III C-dur, BWV 1005: II. Fuga | — | ||
| 8-8 | Sonata III C-dur, BWV 1005: III. Largo | — | ||
| 8-9 | Sonata III C-dur, BWV 1005: IV. Allegro assai | — | ||
| 8-10 | Partita III E-dur, BWV 1006: I. Preludio | — | ||
| 8-11 | Partita III E-dur, BWV 1006: II. Loure | — | ||
| 8-12 | Partita III E-dur, BWV 1006: III. Gavotte en Rondeaux | — | ||
| 8-13 | Partita III E-dur, BWV 1006: IV. Menuet I & Menuett II | — | ||
| 8-14 | Partita III E-dur, BWV 1006: VI. Bourée | — | ||
| 8-15 | Partita III E-dur, BWV 1006: VII. Gigue | — | ||
| 9-1 | Musicalisches Opfer, BWV 1079: Ricercar a 3 | — | ||
| 9-2 | Musicalisches Opfer, BWV 1079: Canon perpetuus super Thema Regium | — | ||
| 9-3 | Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, cancrizans | — | ||
| 9-4 | Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, Violin: in Unisono | — | ||
| 9-5 | Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, per Motum contrarium | — | ||
| 9-6 | Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, per Augmentationem, contrario Motu | — | ||
| 9-7 | Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, per Tonos | — | ||
| 9-8 | Musicalisches Opfer, BWV 1079: Fuga canonica in Epidiapente | — | ||
| 9-9 | Musicalisches Opfer, BWV 1079: Ricercar a 6 | — | ||
| 9-10 | Musicalisches Opfer, BWV 1079: Quaerendo invenietis: Canon a 2 | — | ||
| 9-11 | Musicalisches Opfer, BWV 1079: Quaerendo invenietis: Canon a 4 | — | ||
| 9-12 | Musicalisches Opfer, BWV 1079: Sonata sopr' il Sogetto Reale a Traversa, Violino e Continuo: Largo | — | ||
| 9-13 | Musicalisches Opfer, BWV 1079: Sonata sopr' il Sogetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 9-14 | Musicalisches Opfer, BWV 1079: Sonata sopr' il Sogetto Reale a Traversa, Violino e Continuo: Andante | — | ||
| 9-15 | Musicalisches Opfer, BWV 1079: Sonata sopr' il Sogetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 9-16 | Musicalisches Opfer, BWV 1079: Canon perpetuus (a Traversa, Violino e Continuo) | — | ||
| 10-1 | Polonaise g-moll, BWV Anh 119 | Gustav Leonhardt | — | |
| 10-2 | Marche Es-dur, BWV Anh 127 | Gustav Leonhardt | — | |
| 10-3 | Menuet G-dur & g-moll, BWV 114-115 | Gustav Leonhardt | — | |
| 10-4 | Willst du dein Herz mir schenken, BWV 518 | Elly Ameling, Gustav Leonhardt | — | |
| 10-5 | Rondeau B-dur, BWV Anh 183 | Gustav Leonhardt | — | |
| 10-6 | Bist du bei mir, BWV 508 | Elly Ameling, Johannes Koch, Gustav Leonhardt, Angelica May | T-900.201.788-1 | |
| 10-7 | Aria für Clavier G-dur, BWV 988, 1 | Gustav Leonhardt | — | |
| 10-8 | So oft ich meine Tobackspfeife, BWV 515a | Hans-Martin Linde, Johannes Koch, Gustav Leonhardt, Angelica May | — | |
| 10-9 | Marche G-dur, BWV Anh 124 | Gustav Leonhardt | — | |
| 10-10 | Allemande d-moll, BWV 812, 1 | Gustav Leonhardt | — | |
| 10-11 | Dir, dir Jehova, will ich singen, BWV 299 | Elly Ameling, Rudolf Ewerhart, Johannes Koch, Gustav Leonhardt, Angelica May | — | |
| 10-12 | Praeludium C-dur, BWV 846, 1 | Gustav Leonhardt | T-910.415.372-2 | |
| 10-13 | Menuet G-dur, BWV Anh.116 | Gustav Leonhardt | — | |
| 10-14 | Marche D-dur (C.PH.E.Bach), BWV Anh. 122 | Gustav Leonhardt | — | |
| 10-15 | Musette D-dur, BWV Anh.126 | Gustav Leonhardt | T-308.943.341-6 | |
| 10-16 | Rezitativ Ich hab genug und Arie: Schlummert ein ihr matten Augen, BWV 82, 2 & 3 | Elly Ameling, Johannes Koch, Gustav Leonhardt, Angelica May | — | |
| 10-17 | Chorealbeabeitung Er nur den lieben Gott lasst walten, BWV 691 | Gustav Leonhardt | — | |
| 10-18 | O Ewigkeit du Donnerwort, BWV 513 (4 stimmig) | Tölzer Knabenchor | — |
