UPC · Release
Various Artists
Last verified:
The UPC for “Vivarte - 60 CD Collection” by Various Artists is 887654488824. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Sony Classical. This release contains 871 tracks, each with its own ISRC. Tracks include USBC16500213, USSM19930162, USSM19930163.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite for Lute in G minor, BWV 995 - I. Prélude | — | ||
| 2 | Suite for Lute in G minor, BWV 995 - II. Allemande | — | ||
| 3 | Suite for Lute in G minor, BWV 995 - III. Courante | — | ||
| 4 | Suite for Lute in G minor, BWV 995 - IV. Sarabande | — | ||
| 5 | Suite for Lute in G minor, BWV 995 - V. Gavotte I - VI. Gavotte II En Rondeau / Gavotte 1 | — | ||
| 6 | Suite for Lute in G minor, BWV 995 - VII. Gigue | — | ||
| 7 | Fugue for Lute in G minor, BWV 1000 | — | ||
| 8 | Suite for Lute in E minor, BWV 996 - I. Praeludio: Passaggio - Presto | — | ||
| 9 | Suite for Lute in E minor, BWV 996 - II. Allemande | — | ||
| 10 | Suite for Lute in E minor, BWV 996 - III. Courante | — | ||
| 11 | Suite for Lute in E minor, BWV 996 - IV. Sarabande | — | ||
| 12 | Lute Suite No. 1 in E minor, BWV 996: V. Bourrée | Julian Bream | T-924.225.131-6 | |
| 13 | Suite for Lute in E minor, BWV 996 - VI. Gigue | — | ||
| 14 | Prélude, Fuga and Allegro, for Lute in E-flat major, BWV 998 - I. Prélude | — | ||
| 15 | Prélude, Fuga and Allegro, for Lute in E-flat major, BWV 998 - II. Fuga | — | ||
| 16 | Prélude, Fuga and Allegro, for Lute in E-flat major, BWV 998 - III. Allegro | — | ||
| 2-1 | Partita for Lute in C minor, BWV 997 - I. Prélude | — | ||
| 2-2 | Partita for Lute in C minor, BWV 997 - II. Fuga | — | ||
| 2-3 | Partita for Lute in C minor, BWV 997 - III. Sarabande | — | ||
| 2-4 | Partita for Lute in C minor, BWV 997 - IV. Gigue | — | ||
| 2-5 | Partita for Lute in C minor, BWV 997 - V. Double | — | ||
| 2-6 | Prélude for Lute in C minor, BWV 999 | — | ||
| 2-7 | Partita for Lute in E major, BWV 1006a - I. Prélude | — | ||
| 2-8 | Partita for Lute in E major, BWV 1006a - II. Loure | — | ||
| 2-9 | Partita for Lute in E major, BWV 1006a - III. Gavotte En Rondeau | — | ||
| 2-10 | Partita for Lute in E major, BWV 1006a - IV. Menuet I | — | ||
| 2-11 | Partita for Lute in E major, BWV 1006a - V. Menuet II | — | ||
| 2-12 | Partita for Lute in E major, BWV 1006a - VI. Bourrée | — | ||
| 2-13 | Partita for Lute in E major, BWV 1006a - VII. Gigue | — | ||
| 3-1 | Sonata III G-moll, BWV 1029: Vivace | Anner Bylsma, Bob van Asperen | — | |
| 3-2 | Sonata III G-moll, BWV 1029: Adagio | Anner Bylsma, Bob van Asperen | T-307.292.935-8 | |
| 3-3 | Sonata III G-moll, BWV 1029: Allegro | Anner Bylsma, Bob van Asperen | — | |
| 3-4 | Sonata II D-Dur, BWV 1028: Adagio | Anner Bylsma, Bob van Asperen | — | |
| 3-5 | Sonata II D-Dur, BWV 1028: Allegro | Anner Bylsma, Bob van Asperen | — | |
| 3-6 | Sonata II D-Dur, BWV 1028: Andante | Anner Bylsma, Bob van Asperen | — | |
| 3-7 | Sonata II D-Dur, BWV 1028: Allegro | Anner Bylsma, Bob van Asperen | — | |
| 3-8 | Sonata I G-Dur, BWV 1027: Adagio | Anner Bylsma, Bob van Asperen | — | |
| 3-9 | Sonata I G-Dur, BWV 1027:Allegro ma non tanto | Anner Bylsma, Bob van Asperen | — | |
| 3-10 | Sonata I G-Dur, BWV 1027: Andante | Anner Bylsma, Bob van Asperen | — | |
| 3-11 | Sonata I G-Dur, BWV 1027: Allegro moderato | Anner Bylsma, Bob van Asperen | — | |
| 3-12 | Sonata A-Dur: Larghetto | Anner Bylsma, Bob van Asperen | — | |
| 3-13 | Sonata A-Dur: Allegro | Anner Bylsma, Bob van Asperen | — | |
| 3-14 | Sonata A-Dur: Tempo di Minuetto | Anner Bylsma, Bob van Asperen | — | |
| 4-1 | Anonymous (1580): From the 'Clavier Album' Di Suzanne Van Soldt - Brande Champanje | — | ||
| 4-2 | Anonymous (1580): From the 'Clavier Album' Di Suzanne Van Soldt - Susanna Vung Jour | — | ||
| 4-3 | Anonymous (1580): From the 'Clavier Album' Di Suzanne Van Soldt - Brabanschen Ronden Dans Ofte Brand | — | ||
| 4-4 | Suite V in G minor - Preludio | — | ||
| 4-5 | Suite V in G minor - Allemanda | — | ||
| 4-6 | Suite V in G minor - Corrente | — | ||
| 4-7 | Suite V in G minor - Sarabanda | — | ||
| 4-8 | Suite V in G minor - Tempo di Gavpieter Bustijnotta | — | ||
| 4-9 | Pavana Lachrimae | — | ||
| 4-10 | Ballo Del Granduca | — | ||
| 4-11 | Fantasia Cromatica | — | ||
| 4-12 | Fantasia II | — | ||
| 4-13 | Sonata a Cimbalo Solo (1702) | — | ||
| 4-14 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - I. Adagio | — | ||
| 4-15 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - II. Fuga | — | ||
| 4-16 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - III. Adagio - Presto | — | ||
| 4-17 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - IV. Allemande | — | ||
| 4-18 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - V. Courante | — | ||
| 4-19 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - VI. Sarabande | — | ||
| 4-20 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - VII. Gigue | — | ||
| 5-1 | Cantata, BWV 207a "Auf, schmetternde Töne": I. Chorus. "Auf, schmetternde Töne der muntern Trompeten" | Kammerchor Stuttgart, Concerto Köln, Frieder Bernius | — | |
| 5-2 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Recitative: Die stille Pleiss spielt | Christoph Prégardien, Concerto Köln, Frieder Bernius | — | |
| 5-3 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Aria: Augustus' Namenstages Schimmer | Christoph Prégardien, Concerto Köln, Frieder Bernius | — | |
| 5-4 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Recitative: Augustus' Wohl | Ruth Ziesak, Concerto Köln, Frieder Bernius | — | |
| 5-5 | Cantata, BWV 207a "Auf, schmetternde Töne": V. Duetto. "Mich kann die süße Ruhe laben" | Concerto Köln, Frieder Bernius | — | |
| 5-6 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Recitative: Augustus schutzt die frohen Felder | Michael Chance, Concerto Köln, Frieder Bernius | — | |
| 5-7 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Aria: Preiset, späte Folgezeiten | Michael Chance, Concerto Köln, Frieder Bernius | — | |
| 5-8 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Recitative: Ihr Fröhlichen, herbei! | Michael Chance, Peter Kooij, Christoph Prégardien, Ruth Ziesak, Concerto Köln, Frieder Bernius | — | |
| 5-9 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Chorus: August lebe, lebe, König! | Kammerchor Stuttgart, Concerto Köln, Frieder Bernius | — | |
| 5-10 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Chorus: Schleicht, spielende Wellen | Kammerchor Stuttgart, Concerto Köln, Frieder Bernius | — | |
| 5-11 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: O glückliche Veränderung | Peter Kooij, Concerto Köln, Frieder Bernius | — | |
| 5-12 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Aria: Schleuss des Janustempels Türen | Peter Kooij, Concerto Köln, Frieder Bernius | — | |
| 5-13 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: So recht, beglückter Weichselstrom | Christoph Prégardien, Concerto Köln, Frieder Bernius | — | |
| 5-14 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Aria: Jede Woge meiner Wellen | Christoph Prégardien, Concerto Köln, Frieder Bernius | — | |
| 5-15 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: Ich nehm zugleich an deiner Freude teil | Michael Chance, Concerto Köln, Frieder Bernius | — | |
| 5-16 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Aria: Reis von Habsburgs hohem Stamme | Michael Chance, Concerto Köln, Frieder Bernius | — | |
| 5-17 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: Verzeiht, bemooste Häupter starker Ströme | Ruth Ziesak, Concerto Köln, Frieder Bernius | — | |
| 5-18 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Aria: Hört doch! Der sanften Flöten Chor | Ruth Ziesak, Concerto Köln, Frieder Bernius | — | |
| 5-19 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: Ich muß, ich will gehorsam sein | Michael Chance, Peter Kooij, Christoph Prégardien, Ruth Ziesak, Concerto Köln, Frieder Bernius | — | |
| 5-20 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Chorus: Die himmlische Vorsicht der ewigen Güte | Kammerchor Stuttgart, Concerto Köln, Frieder Bernius | — | |
| 6-1 | Missa long C-Dur, KV 262 (246a): Kyrie | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-2 | Missa long C-Dur, KV 262 (246a): Gloria | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | T-072.888.167-1 | |
| 6-3 | Missa long C-Dur, KV 262 (246a): Credo | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-4 | Missa long C-Dur, KV 262 (246a): Sanctus | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-5 | Missa long C-Dur, KV 262 (246a): Benedictus | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-6 | Missa long C-Dur, KV 262 (246a): Agnus Dei | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-7 | Inter natos mulierum G-dur, KV 72 (74f) | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-8 | Te Deum Laudamus, K. 141 | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-9 | Venite populi, K. 260 | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-10 | Regina coeli, K. 276 | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | T-923.240.411-4 | |
| 6-11 | Ave verum corpus, K. 618 | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 7-1 | Divertimento no. 17 for 2 Horns & Strings in D major, K. 334/320b: I. Allegro | L’Archibudelli | — | |
| 7-2 | Divertimento no. 17 for 2 Horns & Strings in D major, K. 334/320b: II. Tema con variazioni. Andante | L’Archibudelli | — | |
| 7-3 | Divertimento no. 17 for 2 Horns & Strings in D major, K. 334/320b: III. Menuetto. Trio | L’Archibudelli | — | |
| 7-4 | Divertimento no. 17 for 2 Horns & Strings in D major, K. 334/320b: IV. Adagio | L’Archibudelli | — | |
| 7-5 | Divertimento no. 17 for 2 Horns & Strings in D Major, K. 334/320b: V. Menuetto. Trio I. Trio II | L’Archibudelli | — | |
| 7-6 | Divertimento no. 17 for 2 Horns & Strings in D major, K. 334/320b: VI. Rondo. Allegro | L’Archibudelli | — | |
| 7-7 | Divertimento in F major for 2 Violins, Viola, Cello and 2 Horns ('i. Lodronische Nachtmusik'), K. 247 - I. Allegro | — | ||
| 7-8 | Divertimento in F major for 2 Violins, Viola, Cello and 2 Horns ('i. Lodronische Nachtmusik'), K. 247 - II. Andante Grazioso | — | ||
| 7-9 | Divertimento in F major for 2 Violins, Viola, Cello and 2 Horns ('i. Lodronische Nachtmusik'), K. 247 - III. Menuetto | — | ||
| 7-10 | Divertimento in F major for 2 Violins, Viola, Cello and 2 Horns ('i. Lodronische Nachtmusik'), K. 247 - IV. Adagio | — | ||
| 7-11 | Divertimento in F major for 2 Violins, Viola, Cello and 2 Horns ('i. Lodronische Nachtmusik'), K. 247 - V. Menuetto. Trio | — | ||
| 7-12 | Divertimento in F major for 2 Violins, Viola, Cello and 2 Horns ('i. Lodronische Nachtmusik'), K. 247 - VI. Andante. Allegro Assai | — | ||
| 8-1 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563 - I. Allegro | — | ||
| 8-2 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563 - II. Adagio | — | ||
| 8-3 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563 - III. Menuetto. Allegretto - Trio | — | ||
| 8-4 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563 - IV. Andante | — | ||
| 8-5 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563 - V. Menuetto. Allegretto - Trio I - Trio II | — | ||
| 8-6 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563 - VI. Allegro | — | ||
| 8-7 | Adagio and Fugue (After W. F. Bach) For Violin, Viola & Cello in F minor, (K. 404a No. 6) - I. Adagio | — | ||
| 8-8 | Adagio and Fugue (After W. F. Bach) For Violin, Viola & Cello in F minor, (K. 404a No. 6) - II. Fugue | — | ||
| 8-9 | Adagio and Fugue (After J. S. Bach) For Violin, Viola & Cello in D minor, (K. 404a No. 1) - I. Adagio | — | ||
| 8-10 | Adagio and Fugue (After J. S. Bach) For Violin, Viola & Cello in D minor, (K. 404a No. 1) - II. Fugue | — | ||
| 8-11 | Adagio and Fugue (After J. S. Bach) For Violin, Viola & Cello in G minor, (K. 404a No. 2) - I. Adagio | — | ||
| 8-12 | Adagio and Fugue (After J. S. Bach) For Violin, Viola & Cello in G minor, (K. 404a No. 2) - II. Fugue | — | ||
| 8-13 | Adagio and Fugue (After J. S. Bach) For Violin, Viola & Cello in F major, (K. 404a No. 3) - I. Adagio | — | ||
| 8-14 | Adagio and Fugue (After J. S. Bach) For Violin, Viola & Cello in F major, (K. 404a No. 3) - II. Fugue | — | ||
| 9-1 | Quintet for 2 Violins, Viola & 2 Cellos in C major, D. 956 (Op. Posth. 163) - I. Allegro Ma Non Troppo | — | ||
| 9-2 | Quintet for 2 Violins, Viola & 2 Cellos in C major, D. 956 (Op. Posth. 163) - II. Adagio | — | ||
| 9-3 | Quintet for 2 Violins, Viola & 2 Cellos in C major, D. 956 (Op. Posth. 163) - III. Scherzo; Presto; Trio; Andante Sostenuto | — | ||
| 9-4 | Quintet for 2 Violins, Viola & 2 Cellos in C major, D. 956 (Op. Posth. 163) - IV. Allegretto | — | ||
| 9-5 | Rondo for Violin & String Quartet in A major, D. 438 | — | ||
| 10-1 | Symphony No. 5 in B-flat major, D. 485 - I. Allegro | — | ||
| 10-2 | Symphony No. 5 in B-flat major, D. 485 - II. Andante Con Moto | — | ||
| 10-3 | Symphony No. 5 in B-flat major, D. 485 - III. Menuetto: Allegro Molto | — | ||
| 10-4 | Symphony No. 5 in B-flat major, D. 485 - IV. Allegro Vivace | — | ||
| 10-5 | Symphony No. 6 in C major, D. 589 - I. Adagio; Allegro | — | ||
| 10-6 | Symphony No. 6 in C major, D. 589 - II. Andante | — | ||
| 10-7 | Symphony No. 6 in C major, D. 589 - III. Scherzo: Presto; Più Lento | — | ||
| 10-8 | Symphony No. 6 in C major, D. 589 - IV. Allegro Moderato | — | ||
| 11-1 | Der Herr Sprach Zu Meinem Herren, SWV 22 | — | ||
| 11-2 | Warum Toben Die Heiden, SWV 23 | — | ||
| 11-3 | Ach Herr, Straf Mich Nicht in Deinem Zorn, SWV 24 | — | ||
| 11-4 | Aus Der Tiefe Ruf Ich, Herr, Zu Dir, SWV 25 | — | ||
| 11-5 | Ich Freu Mich Des, Das Mir Geredt Ist, SWV 26 | — | ||
| 11-6 | Herr, Unser Herrscher, SWV 27 | — | ||
| 11-7 | Wohl Dem, Der Nicht Wandelt, SWV 28 | — | ||
| 11-8 | Wie Lieblich Sind Deine Wohnungen, SWV 29 | — | ||
| 11-9 | Wohl Dem, Der Den Herren Fürchtet, SWV 30 | — | ||
| 11-10 | Ich Hebe Meine Augen Auf Zu Den Bergen, SWV 31 | — | ||
| 11-11 | Danket Dem Herren, Denn Er Ist Freundlich, SWV 32 | — | ||
| 11-12 | Der Herr Ist Mein Hirt, SWV 33 | — | ||
| 11-13 | Ich Danke Dem Herrn Von Ganzem Herzen, SWV 34 | — | ||
| 12-1 | Singet Dem Herrn Ein Neues Lied, SWV 35 | — | ||
| 12-2 | Jauchzet Dem Herren, Alle Welt, SWV 36 | — | ||
| 12-3 | An Den Wassern Zu Babel, SWV 37 | — | ||
| 12-4 | Alleluja! Lobet Den Herren in Seinem Heiligtum, SWV 38 | — | ||
| 12-5 | Lobe Den Herren, Meine Seele, SWV 39 | — | ||
| 12-6 | Ist Nicht Ephraim Mein Teurer Sohn, SWV 40 | — | ||
| 12-7 | Nun Lob, Mein Seel, Den Herren, SWV 41 | — | ||
| 12-8 | Die Mit Tränen Säen, SWV 42 | — | ||
| 12-9 | Nicht Uns, Herr, Sondern Deinem Namen, SWV 43 | — | ||
| 12-10 | Wohl Dem, Der Den Herren Fürchtet, SWV 44 | — | ||
| 12-11 | Danket Dem Herren, Denn Er Ist Freundlich, SWV 45 | — | ||
| 12-12 | Zion Spricht, Der Herr Hat Mich Verlassen, SWV 46 | — | ||
| 12-13 | Jauchzet Dem Herren, Alle Welt, SWV 47 | — | ||
| 13-1 | Suites pour violoncelles N°1 en Sol majeur BWV 1007 | Anner Bylsma | — | |
| 13-2 | Suite no. 1 in G major, BWV 1007: II. Allemande | Anner Bylsma | — | |
| 13-3 | Suite no. 1 in G major, BWV 1007: III. Courante | Anner Bylsma | — | |
| 13-4 | Suite no. 1 in G major, BWV 1007: IV. Sarabande | Anner Bylsma | — | |
| 13-5 | Suite no. 1 in G major, BWV 1007: V. Menuet I/II | Anner Bylsma | — | |
| 13-6 | Suite no. 1 in G major, BWV 1007: VI. Gigue | Anner Bylsma | — | |
| 13-7 | Suite no. 2 in D minor, BWV 1008: I. Prélude | Anner Bylsma | — | |
| 13-8 | Suite no. 2 in D minor, BWV 1008: II. Allemande | Anner Bylsma | — | |
| 13-9 | Suite no. 2 in D minor, BWV 1008: III. Courante | Anner Bylsma | — | |
| 13-10 | Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Anner Bylsma | — | |
| 13-11 | Suite no. 2 in D minor, BWV 1008: V. Menuett I/II | Anner Bylsma | — | |
| 13-12 | Suite no. 2 in D minor, BWV 1008: VI. Gigue | Anner Bylsma | — | |
| 13-13 | Suite no. 3 in C major, BWV 1009: I. Prélude | Anner Bylsma | — | |
| 13-14 | Suite no. 3 in C major, BWV 1009: II. Allemande | Anner Bylsma | — | |
| 13-15 | Suite no. 3 in C major, BWV 1009: III. Courante | Anner Bylsma | — | |
| 13-16 | Suite no. 3 in C major, BWV 1009: IV. Sarabande | Anner Bylsma | — | |
| 13-17 | Suite no. 3 in C major, BWV 1009: V. Bourrée I/II | Anner Bylsma | — | |
| 13-18 | Suite no. 3 in C major, BWV 1009: VI. Gigue | Anner Bylsma | — | |
| 14-1 | Suite no. 4 in E-flat major, BWV 1010: I. Prélude | Anner Bylsma | — | |
| 14-2 | Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Anner Bylsma | — | |
| 14-3 | Suite no. 4 in E-flat major, BWV 1010: III. Courante | Anner Bylsma | — | |
| 14-4 | Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Anner Bylsma | — | |
| 14-5 | Suite no. 4 in E-flat major, BWV 1010: V. Bourrée I/II | Anner Bylsma | — | |
| 14-6 | Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Anner Bylsma | — | |
| 14-7 | Suite no. 5 in C minor, BWV 1011: I. Prélude | Anner Bylsma | — | |
| 14-8 | Suite no. 5 in C minor, BWV 1011: II. Allemande | Anner Bylsma | — | |
| 14-9 | Suite no. 5 in C minor, BWV 1011: III. Courante | Anner Bylsma | — | |
| 14-10 | Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Anner Bylsma | — | |
| 14-11 | Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II | Anner Bylsma | — | |
| 14-12 | Suite no. 5 in C minor, BWV 1011: VI. Gigue | Anner Bylsma | — | |
| 14-13 | Suite no. 6 in D major, BWV 1012: I. Prélude | Anner Bylsma | — | |
| 14-14 | Suite no. 6 in D major, BWV 1012: II. Allemande | Anner Bylsma | — | |
| 14-15 | Suite no. 6 in D major, BWV 1012: III. Courante | Anner Bylsma | — | |
| 14-16 | Suite no. 6 in D major, BWV 1012: IV. Sarabande | Anner Bylsma | — | |
| 14-17 | Suite no. 6 in D major, BWV 1012: V. Gavotte I/II | Anner Bylsma | — | |
| 14-18 | Suite no. 6 in D major, BWV 1012: VI. Gigue | Anner Bylsma | — | |
| 15-1 | Italia Mia | — | ||
| 15-2 | Agnus Dei 'Italia Mia' | — | ||
| 15-3 | Anonymous (early Xvith) - Fortuna Desperate | — | ||
| 15-4 | Anonymous (Xvth) - Canto Degli Ebrei Battezzati | — | ||
| 15-5 | Il Piu Leggiadro Viso | — | ||
| 15-6 | Calami Sonum Ferentes | — | ||
| 15-7 | De Lamentatione Hieremiae Feria 6 in Parasceve - Lectio Prima | — | ||
| 15-8 | De Lamentatione Hieremiae Feria 6 in Parasceve - Lectio Secunda | — | ||
| 15-9 | De Lamentatione Hieremiae Feria 6 in Parasceve - Lectio Tertia | — | ||
| 15-10 | Io Piango | — | ||
| 15-11 | Ingrata Pastorella | — | ||
| 15-12 | Ancide Sol La Morte | — | ||
| 15-13 | La Mia Doglia S'Avanza | — | ||
| 16-1 | Anonymous: Italiana (La Volta) | — | ||
| 16-2 | Franceso Canova da Milano: Fantasia | — | ||
| 16-3 | Anonymous: Galliarda | — | ||
| 16-4 | Anonymous: Passamezzo Moderno | — | ||
| 16-5 | Alonso Mudarra: Fantasia | — | ||
| 16-6 | Robert Godard: Ce Mois de May | — | ||
| 16-7 | Jacob de Reis: Courante | — | ||
| 16-8 | Hans Leo Hassler: Canzon | — | ||
| 16-9 | Elias Mertel: So Wünsch Ich Ihr Eine Gute Nacht | — | ||
| 16-10 | John Dowland: A Dream, Pavan, P 75 | — | ||
| 16-11 | John Dowland: The Shoemaker's Wife, P 58 | — | ||
| 16-12 | Johann Hieronymus Kapsberger: 1. Toccata | — | ||
| 16-13 | Johann Hieronymus Kapsberger: 2. Corrente I | — | ||
| 16-14 | Johann Hieronymus Kapsberger: 3. Corrente II | — | ||
| 16-15 | Robert Ballard: Branles de Village | — | ||
| 16-16 | Manuscript Milleran: Sarabande | — | ||
| 16-17 | Charles Mouton: Menuet | — | ||
| 16-18 | Denis Gaultier: Gigue | — | ||
| 16-19 | Manuscript Milleran: La Cardinalle | — | ||
| 16-20 | Ennemond Gaultier: Chaconne | — | ||
| 16-21 | Charles Mouton: Prélude and Chaconne | — | ||
| 16-22 | Silvius Leopold Weiss: Tombeau Sur La Mort de Monsieur Comt de Logy | — | ||
| 16-23 | Adam Falkenhagen: Variationen Uber 'Wer Nur Den Lieben Gott Lasst Walten' | — | ||
| 16-24 | Paul Charles Durant: Carillon | — | ||
| 17-1 | Sextet for 2 Horns & String Quartet in E-flat major, Op. 81b - I. Allegro Con Brio | — | ||
| 17-2 | Sextet for 2 Horns & String Quartet in E-flat major, Op. 81b - II. Adagio | — | ||
| 17-3 | Sextet for 2 Horns & String Quartet in E-flat major, Op. 81b - III. Rondo. Allegro | — | ||
| 17-4 | Duo for Viola & Cello in E-flat major ('with Two Eyeglasses Obbligato'), Woo 32 - I. [Allegro] | — | ||
| 17-5 | Duo for Viola & Cello in E-flat major ('with Two Eyeglasses Obbligato'), Woo 32 - II. Minuetto. Allegretto | — | ||
| 17-6 | Quintet for 2 Violins, Viola & 2 Cellos in A major - I. Adagio Sostenuto - Presto | — | ||
| 17-7 | Quintet for 2 Violins, Viola & 2 Cellos in A major - II. Andante Con Variazioni | — | ||
| 17-8 | Quintet for 2 Violins, Viola & 2 Cellos in A major - III. Finale. Presto | — | ||
| 18-1 | Symphony No.7 (8) in B minor, D.759 'Unfinished' - I. Allegro Moderato | — | ||
| 18-2 | Symphony No.7 (8) in B minor, D.759 'Unfinished' - II. Andante Con Moto | — | ||
| 18-3 | Symphony No.8 (9) in C major, D.944 'The Great' - I. Andante - Allegro Ma Non Troppo | — | ||
| 18-4 | Symphony No.8 (9) in C major, D.944 'The Great' - II. Andante Con Moto | — | ||
| 18-5 | Symphony No.8 (9) in C major, D.944 'The Great' - III. Scherzo. Allegro Vivace - Trio | — | ||
| 18-6 | Symphony No.8 (9) in C major, D.944 'The Great' - IV. Finale. Allegro Vivace | — | ||
| 19-1 | Trio for Violin, Viola & Cello in G major, Op. 9 No. 1 - I. Adagio - Allegro Con Brio | — | ||
| 19-2 | Trio for Violin, Viola & Cello in G major, Op. 9 No. 1 - II. Adagio, Ma Non Tanto E Cantabile | — | ||
| 19-3 | Trio for Violin, Viola & Cello in G major, Op. 9 No. 1 - III. Scherzo. Allegro | — | ||
| 19-4 | Trio for Violin, Viola & Cello in G major, Op. 9 No. 1 - IV. Presto | — | ||
| 19-5 | Trio for Violin, Viola & Cello in D major, Op. 9 No. 2 - I. Allegretto | — | ||
| 19-6 | Trio for Violin, Viola & Cello in D major, Op. 9 No. 2 - II. Andante Quasi Allegretto | — | ||
| 19-7 | Trio for Violin, Viola & Cello in D major, Op. 9 No. 2 - III. Menuetto. Allegro | — | ||
| 19-8 | Trio for Violin, Viola & Cello in D major, Op. 9 No. 2 - IV. Rondo. Allegro | — | ||
| 19-9 | Trio for Violin, Viola & Cello in C minor, Op. 9 No. 3 - I. Allegro Con Spirito | — | ||
| 19-10 | Trio for Violin, Viola & Cello in C minor, Op. 9 No. 3 - II. Adagio Con Espressione | — | ||
| 19-11 | Trio for Violin, Viola & Cello in C minor, Op. 9 No. 3 - III. Scherzo. Allegro Molto E Vivace | — | ||
| 19-12 | Trio for Violin, Viola & Cello in C minor, Op. 9 No. 3 - IV. Finale. Presto | — | ||
| 20-1 | Anonymous: Le Mont Aon de Thrace (C1370) | — | ||
| 20-2 | Trebor: En Seumeillant | — | ||
| 20-3 | Anonymous: Febus Mundo Oriens - Lanista Viereus - Cornibus (C1360) | — | ||
| 20-4 | Anonymous: Tres Dous Compains (C1335) | — | ||
| 20-5 | Anonymous: Altissonis Aptatis - Hin Principes (C1350) | — | ||
| 20-6 | Solage: Fumeux Fume | — | ||
| 20-7 | Anonymous: Inter Densas - Imbribus Irriguis (C1385) | — | ||
| 20-8 | Johannes Cuvelier: Se Galaas | — | ||
| 21-1 | Regina Coeli, Antiphon a 12 | — | ||
| 21-2 | In Te Domine Speravi, Motet a 6 | — | ||
| 21-3 | Media Vita, Motet a 6 | — | ||
| 21-4 | Tous Les Regretz, Chanson a 6 | — | ||
| 21-5 | Je Prens Congie, Chanson a 8 | — | ||
| 21-6 | Magnificat Secundi Toni - A. Et Exultavit a 4 | — | ||
| 21-7 | Magnificat Secundi Toni - B. Quia Fecit a 4 | — | ||
| 21-8 | Magnificat Secundi Toni - C. Fecit Potentiam a 3 | — | ||
| 21-9 | Magnificat Secundi Toni - D. Esurientes a 2 | — | ||
| 21-10 | Magnificat Secundi Toni - E. Sicut Locutus Est a 4 | — | ||
| 21-11 | Magnificat Secundi Toni - (f. Sicut Erat a 5) | — | ||
| 21-12 | Missa Tempore Paschali - A. Kyrie a 6 | — | ||
| 21-13 | Missa Tempore Paschali - B. Gloria a 6 | — | ||
| 21-14 | Missa Tempore Paschali - C. Credo a 8 | — | ||
| 21-15 | Missa Tempore Paschali - D. Sanctus a 6 - Pleni Sunt Caeli a 5 - Hosanna a 6 - Benedictus a 4 - Hosanna a 6 | — | ||
| 21-16 | Missa Tempore Paschali - E. Agnus Dei I & II a 6 | — | ||
| 21-17 | Missa Tempore Paschali - (f. Agnus Dei III a 12) | — | ||
| 22-1 | Anonymous: 'Patoureau M'Ayme Tu Bien?' (Soprano, Baritone, Lute) | — | ||
| 22-2 | Antonine Francisque (1575-1605): Branle Simple (Lute) | — | ||
| 22-3 | Anonymous: 'Des Maux Si Deplorables' (Baritone, Lute) | — | ||
| 22-4 | Anonymous: 'Nos Esprits Libres & Contents?' (Soprano, Lute) | — | ||
| 22-5 | Robert Ballard (C1575-1650): Ballet Des Chevaux (Lute) | — | ||
| 22-6 | Anonymous: 'Quoi? Tu Faignois Amour' (Soprano, Baritone, Lute) | — | ||
| 22-7 | Anonymous: 'Qui Prestera La Parole' (Baritone, Lute) | — | ||
| 22-8 | Robert Ballard: Courante de La Reyne (Lute) | — | ||
| 22-9 | Pierre Guerdron (1570/75-1619/20): 'Aux Plaisirs, Aux Delices Bergeres' (Soprano, Lute) | — | ||
| 22-10 | Gabriel Bataille (1575-1630): 'Un Satire Cornu' (Baritone, Lute) | — | ||
| 22-11 | Anonymous: 'Hola, Hola, Charon' (Soprano, Baritone, Lute) | — | ||
| 22-12 | Pierre Guedron: 'Vostre Heros n'Est Plus' (Soprano, Baritone, Lute) | — | ||
| 22-13 | Robert Ballard: Trois Ballets Des Princes (Lute) | — | ||
| 22-14 | Anonymous: 'Qu'Avons Nous Commis Contre Les Dieux?' (Soprano, Baritone, Lute) | — | ||
| 22-15 | Anthoine Boesset: 'Cesses, o Divine Beaute' (Soprano, Lute) | — | ||
| 22-16 | Robert Ballard: Volte (Lute) | — | ||
| 22-17 | Etienne Moulinie (C1600-After1669): 'Enfin La Beaute Que J'Adore' (Soprano, Lute) | — | ||
| 22-18 | Anonymous: 'Mes Yeux Ou Sont Vos Pleurs' (Soprano, Baritone, Lute) | — | ||
| 22-19 | Grand Rue (?): 'Lors Que Te Beaux Yeux' (Baritone, Lute) | — | ||
| 22-20 | Francois Richard (?-1650): 'Ruisseau Qui Cours Apres Toy-Mesme' (Soprano, Lute) | — | ||
| 22-21 | Robert Ballard: Courante (Lute) | — | ||
| 22-22 | Gabriel Bataille: 'Depuis Que Le Flambeau Du Jour' (Baritone, Lute) | — | ||
| 22-23 | Pierre Guerdron: 'Puis Qi'Il Faut Desormais' (Soprano, Lute) | — | ||
| 22-24 | Jean Boyer (Before1600-1648): 'Sus, Sus Reveilles Vous' (Baritone, Lute) | — | ||
| 23-1 | Concerto No.1 in E major, Op.8 RV 269 'La Primavera' (Spring) - I. Allegro. Il Capraro Che Dorme | — | ||
| 23-2 | Concerto No.1 in E major, Op.8 RV 269 'La Primavera' (Spring) - II. Largo | — | ||
| 23-3 | Concerto No.1 in E major, Op.8 RV 269 'La Primavera' (Spring) - III. Allegro - Danza Pastorale | — | ||
| 23-4 | Concerto No.2 in G minor, Op.8 RV 315 'l'Estate' (Summer) - I. Allegro Non Molto. Languideza Per Il Caldo | — | ||
| 23-5 | Concerto No.2 in G minor, Op.8 RV 315 'l'Estate' (Summer) - II. Adagio E Piano | — | ||
| 23-6 | Concerto No.2 in G minor, Op.8 RV 315 'l'Estate' (Summer) - III. Presto. Tempo Impetuoso D'Estate | — | ||
| 23-7 | Concerto No.3 in F major, Op.8 RV 293 'l'Autunno' (Autumn) - I. Allegro. Ballo E Canto di Villanelli | — | ||
| 23-8 | Concerto No.3 in F major, Op.8 RV 293 'l'Autunno' (Autumn) - II. Adagio Molto. Ubriachi Dormienti | — | ||
| 23-9 | Concerto No.3 in F major, Op.8 RV 293 'l'Autunno' (Autumn) - III. Allegro. La Caccia | — | ||
| 23-10 | Concerto No.4 in F minor, Op.8 RV 297 'l'Inverno' (Winter) - I. Allegro Non Molto | — | ||
| 23-11 | Concerto No.4 in F minor, Op.8 RV 297 'l'Inverno' (Winter) - II. Largo | — | ||
| 23-12 | Concerto No.4 in F minor, Op.8 RV 297 'l'Inverno' (Winter) - III. Allegro | — | ||
| 23-13 | Sinfonia in B minor, RV 169 'Al Santo Sepolcro' (At the Holy Grave) - Adagio Molto - Allegro Ma Non Poco | — | ||
| 23-14 | Concerto in B minor, Op.3 No.10 RV 580 'l'Estro Armonico' - I. Allegro | — | ||
| 23-15 | Concerto in B minor, Op.3 No.10 RV 580 'l'Estro Armonico' - II. Largo | — | ||
| 23-16 | Concerto in B minor, Op.3 No.10 RV 580 'l'Estro Armonico' - III. Allegro | — | ||
| 24-1 | Sinfonia No. 41 in C major, Hob. I:41 - I. Allegro Con Spirito | — | ||
| 24-2 | Sinfonia No. 41 in C major, Hob. I:41 - II. Un Poco Andante | — | ||
| 24-3 | Sinfonia No. 41 in C major, Hob. I:41 - III. Menuet - Trio | — | ||
| 24-4 | Sinfonia No. 41 in C major, Hob. I:41 - IV. Finale. Presto | — | ||
| 24-5 | Sinfonia No. 42 in D major, Hob. I:42 - I. Moderato E Maestoso | — | ||
| 24-6 | Sinfonia No. 42 in D major, Hob. I:42 - II. Andantino E Cantabile | — | ||
| 24-7 | Sinfonia No. 42 in D major, Hob. I:42 - III. Menuet. Allegretto - Trio | — | ||
| 24-8 | Sinfonia No. 42 in D major, Hob. I:42 - IV. Finale. Scherzando E Presto | — | ||
| 24-9 | Sinfonia No. 43 in E-flat major, Hob. I:43 'Mercury' - I. Allegro | — | ||
| 24-10 | Sinfonia No. 43 in E-flat major, Hob. I:43 'Mercury' - II. Adagio | — | ||
| 24-11 | Sinfonia No. 43 in E-flat major, Hob. I:43 'Mercury' - III. Menuetto - Trio | — | ||
| 24-12 | Sinfonia No. 43 in E-flat major, Hob. I:43 'Mercury' - IV. Finale. Allegro | — | ||
| 25-1 | Symphony No. 44 in E minor 'Trauer', Hob. I:44 - I. Allegro Con Brio | — | ||
| 25-2 | Symphony No. 44 in E minor 'Trauer', Hob. I:44 - II. Menuetto. Allegretto (Canone in Diaspason) - Trio | — | ||
| 25-3 | Symphony No. 44 in E minor 'Trauer', Hob. I:44 - III. Adagio | — | ||
| 25-4 | Symphony No. 44 in E minor 'Trauer', Hob. I:44 - IV. Finale. Presto | — | ||
| 25-5 | Symphony No. 51 in B-flat major, Hob. I:51 - I. Vivace | — | ||
| 25-6 | Symphony No. 51 in B-flat major, Hob. I:51 - II. Adagio | — | ||
| 25-7 | Symphony No. 51 in B-flat major, Hob. I:51 - III. Menuetto - Trio I - Trio II | — | ||
| 25-8 | Symphony No. 51 in B-flat major, Hob. I:51 - IV. Finale. Allegro | — | ||
| 25-9 | Symphony No. 52 in C minor, Hob. I:52 - I. Allegro Assai Con Brio | — | ||
| 25-10 | Symphony No. 52 in C minor, Hob. I:52 - II. Andante | — | ||
| 25-11 | Symphony No. 52 in C minor, Hob. I:52 - III. Menuetto. Allegretto - Trio | — | ||
| 25-12 | Symphony No. 52 in C minor, Hob. I:52 - IV. Finale. Presto | — | ||
| 26-1 | Prélude in D major | — | ||
| 26-2 | Capriccio in D major | — | ||
| 26-3 | Fantasia in C major | — | ||
| 26-4 | Preludio in E-flat major | — | ||
| 26-5 | Suite in B-flat major - 1. Prélude | — | ||
| 26-6 | Suite in B-flat major - 2. Ouverture - Allegro - Largo | — | ||
| 26-7 | Suite in B-flat major - 3. Courante | — | ||
| 26-8 | Suite in B-flat major - 4. Bourée | — | ||
| 26-9 | Suite in B-flat major - 5. Gavotte | — | ||
| 26-10 | Suite in D minor - 1. Prélude | — | ||
| 26-11 | Suite in D minor - 2. Andantino | — | ||
| 26-12 | Suite in D minor - 3. Polonaise | — | ||
| 26-13 | Suite in D minor - 4. Courante | — | ||
| 26-14 | Suite in D minor - 5. Allegro | — | ||
| 26-15 | Suite in D minor - 6. Menuet I - Trio | — | ||
| 26-16 | Suite in D minor - 7. Paisane - Trio | — | ||
| 26-17 | Suite in D minor - 8. Menuet II | — | ||
| 26-18 | Suite in D minor - 9. Bourrée | — | ||
| 26-19 | Suite in D minor - 10. Allegro | — | ||
| 26-20 | Suite in D minor - 11. Polonaise | — | ||
| 26-21 | Suite in D minor - 12. Polonaise | — | ||
| 27-1 | Suite in A major (L'Esprit Italien) - 1. Fantaisie | — | ||
| 27-2 | Suite in A major (L'Esprit Italien) - 2. Allemande | — | ||
| 27-3 | Suite in A major (L'Esprit Italien) - 3. Courante | — | ||
| 27-4 | Suite in A major (L'Esprit Italien) - 4. Gavotte | — | ||
| 27-5 | Suite in A major (L'Esprit Italien) - 5. Menuet | — | ||
| 27-6 | Suite in A major (L'Esprit Italien) - 6. Rondeau | — | ||
| 27-7 | Suite in A major (L'Esprit Italien) - 7. Gigue | — | ||
| 27-8 | Suite in A major (L'Esprit Italien) - 8. Menuet I | — | ||
| 27-9 | Suite in A major (L'Esprit Italien) - 9. Menuet II | — | ||
| 27-10 | L'Amant Malheureux in A minor | — | ||
| 27-11 | Prélude, Courante, Fuga & Presto in D minor - 1. Prélude | — | ||
| 27-12 | Prélude, Courante, Fuga & Presto in D minor - 2. Courante, Allegro, Largo | — | ||
| 27-13 | Prélude, Courante, Fuga & Presto in D minor - 3. Fuga | — | ||
| 27-14 | Prélude, Courante, Fuga & Presto in D minor - 4. Presto | — | ||
| 27-15 | Suite in G minor - 1. Prélude - Allemande Andante | — | ||
| 27-16 | Suite in G minor - 2. Passepied | — | ||
| 27-17 | Suite in G minor - 3. Bourrée | — | ||
| 27-18 | Suite in G minor - 4. Sarabande | — | ||
| 27-19 | Suite in G minor - 5. Menuet | — | ||
| 27-20 | Suite in G minor - 6. Gigue | — | ||
| 27-21 | Plainte in B-flat major | — | ||
| 27-22 | Sonata in F major - 1. Andantino | — | ||
| 27-23 | Sonata in F major - 2. Courante | — | ||
| 27-24 | Sonata in F major - 3. Bourrée | — | ||
| 27-25 | Sonata in F major - 4. Polonaise | — | ||
| 27-26 | Sonata in F major - 5. Gigue | — | ||
| 28-1 | Sonata for Cello & Continuo No. 1 in B-flat major, Op. 14-1, RV 47 - I. Largo | — | ||
| 28-2 | Sonata for Cello & Continuo No. 1 in B-flat major, Op. 14-1, RV 47 - II. Allegro | — | ||
| 28-3 | Sonata for Cello & Continuo No. 1 in B-flat major, Op. 14-1, RV 47 - III. Largo | — | ||
| 28-4 | Sonata for Cello & Continuo No. 1 in B-flat major, Op. 14-1, RV 47 - IV. Allegro | — | ||
| 28-5 | Sonata for Cello & Continuo No. 2 in F major, Op. 14-2, RV 41 - I. Largo | — | ||
| 28-6 | Sonata for Cello & Continuo No. 2 in F major, Op. 14-2, RV 41 - II. Allegro | — | ||
| 28-7 | Sonata for Cello & Continuo No. 2 in F major, Op. 14-2, RV 41 - III. Largo | — | ||
| 28-8 | Sonata for Cello & Continuo No. 2 in F major, Op. 14-2, RV 41 - IV. Allegro | — | ||
| 28-9 | Sonata for Cello & Continuo No. 3 in A minor, Op. 14-3, RV 43 - I. Largo | — | ||
| 28-10 | Sonata for Cello & Continuo No. 3 in A minor, Op. 14-3, RV 43 - II. Allegro | — | ||
| 28-11 | Sonata for Cello & Continuo No. 3 in A minor, Op. 14-3, RV 43 - III. Largo | — | ||
| 28-12 | Sonata for Cello & Continuo No. 3 in A minor, Op. 14-3, RV 43 - IV. Allegro | — | ||
| 28-13 | Sonata, for Cello & Continuo No. 4 in B-flat major, Op. 14-4, RV 45 - I. Largo | — | ||
| 28-14 | Sonata, for Cello & Continuo No. 4 in B-flat major, Op. 14-4, RV 45 - II. Allegro | — | ||
| 28-15 | Sonata, for Cello & Continuo No. 4 in B-flat major, Op. 14-4, RV 45 - III. Largo | — | ||
| 28-16 | Sonata, for Cello & Continuo No. 4 in B-flat major, Op. 14-4, RV 45 - IV. Allegro | — | ||
| 28-17 | Sonata for Cello & Continuo No. 5 in E minor, Op. 14-5, RV 40 - I. Largo | — | ||
| 28-18 | Sonata for Cello & Continuo No. 5 in E minor, Op. 14-5, RV 40 - II. Allegro | — | ||
| 28-19 | Sonata for Cello & Continuo No. 5 in E minor, Op. 14-5, RV 40 - III. Largo | — | ||
| 28-20 | Sonata for Cello & Continuo No. 5 in E minor, Op. 14-5, RV 40 - IV. Allegro | — | ||
| 28-21 | Sonata for Cello & Continuo No. 6 in B-flat major, Op. 14-6, RV 46 - I. Largo | — | ||
| 28-22 | Sonata for Cello & Continuo No. 6 in B-flat major, Op. 14-6, RV 46 - II. Allegro | — | ||
| 28-23 | Sonata for Cello & Continuo No. 6 in B-flat major, Op. 14-6, RV 46 - III. Largo | — | ||
| 28-24 | Sonata for Cello & Continuo No. 6 in B-flat major, Op. 14-6, RV 46 - IV. Allegro | — | ||
| 29-1 | Piano Trio in B-flat major, 'Archduke', Op. 97 - I. Allegro Moderato | — | ||
| 29-2 | Piano Trio in B-flat major, 'Archduke', Op. 97 - II. Scherzo: Allegro | — | ||
| 29-3 | Piano Trio in B-flat major, 'Archduke', Op. 97 - III. Andante Cantabile | — | ||
| 29-4 | Piano Trio in B-flat major, 'Archduke', Op. 97 - IV. Allegro Moderato | — | ||
| 29-5 | Piano Trio in D major, 'Ghost', Op. 70 No. 1 - I. Allegro Vivace E Con Brio | — | ||
| 29-6 | Piano Trio in D major, 'Ghost', Op. 70 No. 1 - II. Largo Assai Ed Espressivo | — | ||
| 29-7 | Piano Trio in D major, 'Ghost', Op. 70 No. 1 - III. Presto | — | ||
| 30-1 | Concerto Grosso in B-flat major, Op.3 No.1 HWV 312 - I. Allegro | — | ||
| 30-2 | Concerto Grosso in B-flat major, Op.3 No.1 HWV 312 - II. Largo | — | ||
| 30-3 | Concerto Grosso in B-flat major, Op.3 No.1 HWV 312 - III. Allegro | — | ||
| 30-4 | Concerto Grosso in B-flat major, Op.3 No.2 HWV 313 - I. Vivace | — | ||
| 30-5 | Concerto Grosso in B-flat major, Op.3 No.2 HWV 313 - II. Largo | — | ||
| 30-6 | Concerto Grosso in B-flat major, Op.3 No.2 HWV 313 - III. Allegro | — | ||
| 30-7 | Concerto Grosso in B-flat major, Op.3 No.2 HWV 313 - IV. Vivace | — | ||
| 30-8 | Concerto Grosso in B-flat major, Op.3 No.2 HWV 313 - V. [Allegro] | — | ||
| 30-9 | Concerto Grosso in G major, Op.3 No.3 HWV 314 - I. Largo E Staccato - Allegro | — | ||
| 30-10 | Concerto Grosso in G major, Op.3 No.3 HWV 314 - II. Adagio | — | ||
| 30-11 | Concerto Grosso in G major, Op.3 No.3 HWV 314 - III. Allegro | — | ||
| 30-12 | Concerto Grosso in F major, Op.3 No.4 HWV 315 - I. Ouverture | — | ||
| 30-13 | Concerto Grosso in F major, Op.3 No.4 HWV 315 - II. Andante | — | ||
| 30-14 | Concerto Grosso in F major, Op.3 No.4 HWV 315 - III. Allegro | — | ||
| 30-15 | Concerto Grosso in F major, Op.3 No.4 HWV 315 - IV. Minuetto Alternativo | — | ||
| 30-16 | Concerto Grosso in D minor, Op.3 No.5 HWV 316 - I. [without Tempo Indication] | — | ||
| 30-17 | Concerto Grosso in D minor, Op.3 No.5 HWV 316 - II. Allegro | — | ||
| 30-18 | Concerto Grosso in D minor, Op.3 No.5 HWV 316 - III. Adagio | — | ||
| 30-19 | Concerto Grosso in D minor, Op.3 No.5 HWV 316 - IV. Allegro Ma Non Troppo | — | ||
| 30-20 | Concerto Grosso in D minor, Op.3 No.5 HWV 316 - V. Allegro | — | ||
| 30-21 | Concerto Grosso in D major, Op3. No.6 HWV 317 - I. Vivace | — | ||
| 30-22 | Concerto Grosso in D major, Op3. No.6 HWV 317 - II. Adagio | — | ||
| 30-23 | Concerto Grosso in D major, Op3. No.6 HWV 317 - III. Allegro | — | ||
| 30-24 | Concerto Grosso in D major, Op3. No.6 HWV 317 - IV. Allegro | — | ||
| 31-1 | Rupert Ignaz Mayr (1646-1712) - Dominus Regnavit | — | ||
| 31-2 | Alberich Mazak (1609-1661) - Magnificat Anima Mea Dominum | — | ||
| 31-3 | Philipp Jakob Rittler (1637-1690) - Ave Regina Coelorum | — | ||
| 31-4 | Caspar Endres (? - 1674) - O Alma Virgo Maria | — | ||
| 31-5 | Johann Heinrich Schmelzer (1630-1680) - Inquietum Est Cor Meum | — | ||
| 31-6 | Benedikt Anton Aufschnaiter (1516-1565) - Improperium Exspectavit | — | ||
| 31-7 | Vinzenz Fux (1606-1659) - Justorum Animae | — | ||
| 31-8 | Steffano Bernardi (About1575-1637) - Magnificat Anima Mea Dominum | — | ||
| 31-9 | Johann Stadlmayr (About1570-1648) - Coelo Rores Fluunt Flores | — | ||
| 31-10 | Johann Baptist Dolar (1620-1673) - Salve Regina | — | ||
| 31-11 | Alessandro Pogliotti (?-1683) - Ave Regina Coelorum | — | ||
| 31-12 | Heinrich Ignaz Franz Von Biber (1644-1704) - Ne Cedite Mentes | — | ||
| 31-13 | Andreas Hofer (1629-1654) - Laudate Pueri Dominum | — | ||
| 31-14 | Vinzenz Fux (1606-1659) - Litaniae Beate Mariae Virginis | — | ||
| 32-1 | Piano Trio No. 43 in C major, Hob. XV:27 - I. Allegro | — | ||
| 32-2 | Piano Trio No. 43 in C major, Hob. XV:27 - II. Andante | — | ||
| 32-3 | Piano Trio No. 43 in C major, Hob. XV:27 - III. Finale. Presto | — | ||
| 32-4 | Piano Trio No. 44 in E major, Hob. XV:28 - 1. Allegro Moderato | — | ||
| 32-5 | Piano Trio No. 44 in E major, Hob. XV:28 - II. Allegretto | — | ||
| 32-6 | Piano Trio No. 44 in E major, Hob. XV:28 - III. Finale. Allegro | — | ||
| 32-7 | Piano Trio No. 45 in E-flat major, Hob. XV:29 - I. Poco Allegretto | — | ||
| 32-8 | Piano Trio No. 45 in E-flat major, Hob. XV:29 - II. Andantino Ed Innocentemente | — | ||
| 32-9 | Piano Trio No. 45 in E-flat major, Hob. XV:29 - III. Finale. Allemande. Presto Assai | — | ||
| 32-10 | Piano Trio No. 42 in E-flat major, Hob. XV:30 - I. Allegro Moderato | — | ||
| 32-11 | Piano Trio No. 42 in E-flat major, Hob. XV:30 - II. Andante Con Moto | — | ||
| 32-12 | Piano Trio No. 42 in E-flat major, Hob. XV:30 - III. Presto | — | ||
| 33-1 | Overture (Sinfonia) in D major, Op. 43, G. 521 - Allegro Con Spirito Molto - Andantino - Tempo I | — | ||
| 33-2 | Concerto for Violoncello and Orchestra in D major, G. 476 - I. Allegro | — | ||
| 33-3 | Concerto for Violoncello and Orchestra in D major, G. 476 - II. Largo | — | ||
| 33-4 | Concerto for Violoncello and Orchestra in D major, G. 476 - III. Allegro Piacere | — | ||
| 33-5 | Octet (Notturno) in G major Op. 38 No. 4, G. 470* - I. Andantino Amoroso Ma Non Largo | — | ||
| 33-6 | Octet (Notturno) in G major Op. 38 No. 4, G. 470* - II. Minuetto | — | ||
| 33-7 | Octet (Notturno) in G major Op. 38 No. 4, G. 470* - III. Finale. Allegro Vivo | — | ||
| 33-8 | Concerto for Violoncello and Orchestra in C major, G. 573 - I. Maestoso | — | ||
| 33-9 | Concerto for Violoncello and Orchestra in C major, G. 573 - II. Largo Cantabile | — | ||
| 33-10 | Concerto for Violoncello and Orchestra in C major, G. 573 - III. Allegro Comodo | — | ||
| 33-11 | Sinfonia in C minor, G. 519 - I. Allegro Vivo Assai | — | ||
| 33-12 | Sinfonia in C minor, G. 519 - II. Pastorale. Lentarello | — | ||
| 33-13 | Sinfonia in C minor, G. 519 - III. Minuetto. Allegro | — | ||
| 33-14 | Sinfonia in C minor, G. 519 - IV. Finale. Allegro | — | ||
| 34-1 | Sonata for Cello & Continuo in B-flat major, G. 8 - I. Allegro | — | ||
| 34-2 | Sonata for Cello & Continuo in B-flat major, G. 8 - II. Andante Affettuoso | — | ||
| 34-3 | Sonata for Cello & Continuo in B-flat major, G. 8 - III. Allegro | — | ||
| 34-4 | Fugue for 2 Cellos in F major, G. 73 No. 2 - Allegro | — | ||
| 34-5 | Sonata for Cello & Continuo in E-flat major, G. 10 - I. Allegro | — | ||
| 34-6 | Sonata for Cello & Continuo in E-flat major, G. 10 - II. Adagio | — | ||
| 34-7 | Sonata for Cello & Continuo in E-flat major, G. 10 - III. Affettuoso | — | ||
| 34-8 | Sonata for Cello & Continuo in F major, G. 9 - I. Andantino | — | ||
| 34-9 | Sonata for Cello & Continuo in F major, G. 9 - II. Adagio Assai | — | ||
| 34-10 | Sonata for Cello & Continuo in F major, G. 9 - III. Tempo di Minuetto Amoroso | — | ||
| 34-11 | Fugue for 2 Cellos in B-flat major, G. 73 No. 3 - Allegro | — | ||
| 34-12 | Sonata for Cello & Continuo in C minor, G. 2 - I. Adagio | — | ||
| 34-13 | Sonata for Cello & Continuo in C minor, G. 2 - II. Allegro | — | ||
| 34-14 | Sonata for Cello & Continuo in C minor, G. 2 - III. Allegretto | — | ||
| 34-15 | Fugue for 2 Cellos in A major, G. 73 No. 5 - Allegro | — | ||
| 34-16 | Sonata for Cello & Continuo in G major, G. 15 - I. Allegro | — | ||
| 34-17 | Sonata for Cello & Continuo in G major, G. 15 - II. Larghetto | — | ||
| 34-18 | Sonata for Cello & Continuo in G major, G. 15 - III. Allegro | — | ||
| 35-1 | Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Vera Beths, Anner Bylsma, Jürgen Kussmaul, Charles Neidich, Lucy van Dael | — | |
| 35-2 | Quintet for Clarinet, Two Violins, Viola and Cello in A major, K. 581 "Stadler Quintet": II. Larghetto | Charles Neidich, L’Archibudelli | — | |
| 35-3 | Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": III. Minuetto | Vera Beths, Anner Bylsma, Jürgen Kussmaul, Charles Neidich, Lucy van Dael | — | |
| 35-4 | Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": IV. Allegretto con variazioni | Vera Beths, Anner Bylsma, Jürgen Kussmaul, Charles Neidich, Lucy van Dael | T-926.819.126-0 | |
| 35-5 | Quartet for Clarinet, Violin, Viola & Cello in B-flat major after Sonata for Violin & Keyboard No. 34, K. 317d / KV 378: I. Allegro moderato | Vera Beths, Anner Bylsma, Jürgen Kussmaul, Charles Neidich | — | |
| 35-6 | Quartet for Clarinet, Violin, Viola & Cello in B-flat major after Sonata for Violin & Keyboard No. 34, K. 317d / KV 378: II. Andante sostenuto, cantabile | Vera Beths, Anner Bylsma, Jürgen Kussmaul, Charles Neidich | — | |
| 35-7 | Quartet for Clarinet, Violin, Viola & Cello in B-flat major after Sonata for Violin & Keyboard No. 34, K. 317d / KV 378: III. Rondo. Allegro - Allegro vivace - Tempo primo | Vera Beths, Anner Bylsma, Jürgen Kussmaul, Charles Neidich | T-308.457.046-3 | |
| 35-8 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": I. Andante | Jürgen Kussmaul, Robert Levin, Charles Neidich | T-902.128.688-4 | |
| 35-9 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": II. Minuetto & Trio | Jürgen Kussmaul, Robert Levin, Charles Neidich | — | |
| 35-10 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": III. Rondo. Allegretto | Jürgen Kussmaul, Robert Levin, Charles Neidich | — | |
| 36-1 | Johann Lorentz (About 1580-1650) - Praeludium in D minor | — | ||
| 36-2 | Anonymous (Netherlands, About 1630) - Almande D'Amor | — | ||
| 36-3 | Delphin Strungk (About 1601-1694) - Lass Mich Dein Sein (Ach Herr, Mich Armen Sünder) | — | ||
| 36-4 | Peter Morhardt (?-1685) - Aus Tiefer Not Schrei Ich Zu Dir | — | ||
| 36-5 | Matthias Weckmann (About 1619-1674) - Lucidor, Einst Hüt't Der Schaf | — | ||
| 36-6 | Anonymous (Netherlands, About 1650) - 3 Variations on 'Daphne' | — | ||
| 36-7 | Anonymous (Netherlands, About 1610) - Niederländisch Liedgen 'Windecken Daer Het Bosch Af Drilt' | — | ||
| 36-8 | Melchior Schuldt (About 1592-1667) - 3 Variations on 'Gleichwie Das Feuer' | — | ||
| 36-9 | Heinrich Scheidemann (About 1595 - About 1663) - Galliarda in D minor | — | ||
| 36-10 | Heinrich Scheidemann - Praeludium No. 11 in F major | — | ||
| 36-11 | Delphin Strungk - 3 Variations on the Magnificat 'Meine Sehl Erhebet Den Herrn' | — | ||
| 36-12 | Johann Adam Reincken (1623-1722) - Fuga in G minor | — | ||
| 36-13 | Matthias Weckmann - Canzona in C minor | — | ||
| 36-14 | Georg Böhm (1661-1733) - 2 Variations on 'Vater Unser in Himmelreich' | — | ||
| 36-15 | Christian Ritter (About 1645-About 1717) - Sonatina in D minor | — | ||
| 37-1 | Sonata in E-flat major, H 545 (BWV 1031) - I. Allegro Moderato | — | ||
| 37-2 | Sonata in E-flat major, H 545 (BWV 1031) - II. Siciliana | — | ||
| 37-3 | Sonata in E-flat major, H 545 (BWV 1031) - III. Allegro | — | ||
| 37-4 | Sonata in G major, H 509 (Wq 86) - I. Andante | — | ||
| 37-5 | Sonata in G major, H 509 (Wq 86) - II. Allegretto | — | ||
| 37-6 | Sonata in G major, H 509 (Wq 86) - III. Allegro | — | ||
| 37-7 | Sonata in C major, H 515 (Wq 87) - I. Allegretto | — | ||
| 37-8 | Sonata in C major, H 515 (Wq 87) - II. Andantino | — | ||
| 37-9 | Sonata in C major, H 515 (Wq 87) - III. Allegro | — | ||
| 37-10 | Sonata in B-flat major, H 578 (Wq 161 No. 2) - I. Allegro | — | ||
| 37-11 | Sonata in B-flat major, H 578 (Wq 161 No. 2) - II. Adagio Ma Non Troppo | — | ||
| 37-12 | Sonata in B-flat major, H 578 (Wq 161 No. 2) - III. Allegretto | — | ||
| 37-13 | Sonata in D major, H 505 (Wq 83) - I. Allegro Un Poco | — | ||
| 37-14 | Sonata in D major, H 505 (Wq 83) - II. Largo | — | ||
| 37-15 | Sonata in D major, H 505 (Wq 83) - III. Allegro | — | ||
| 38-1 | Sonata in G minor, H 542.5 (BWV 1020) - I. Allegro | — | ||
| 38-2 | Sonata in G minor, H 542.5 (BWV 1020) - II. Adagio | — | ||
| 38-3 | Sonata in G minor, H 542.5 (BWV 1020) - III. Allegro | — | ||
| 38-4 | Sonata in B-flat major, H543 (Wq 159/163) - I. Un Poco Andante | — | ||
| 38-5 | Sonata in B-flat major, H543 (Wq 159/163) - II. Allegretto | — | ||
| 38-6 | Sonata in B-flat major, H543 (Wq 159/163) - III. Allegro | — | ||
| 38-7 | Sonata in C major, H 504 (Wq 73/149) - I. Allegro di Molto | — | ||
| 38-8 | Sonata in C major, H 504 (Wq 73/149) - II. Andante | — | ||
| 38-9 | Sonata in C major, H 504 (Wq 73/149) - III. Allegretto | — | ||
| 38-10 | Sonata in G major, H 508 (Wq 85) - I. Allegretto | — | ||
| 38-11 | Sonata in G major, H 508 (Wq 85) - II. Andantino | — | ||
| 38-12 | Sonata in G major, H 508 (Wq 85) - III. Allegro | — | ||
| 38-13 | Sonata in E major, H 506 (Wq 84) - I. Allegretto | — | ||
| 38-14 | Sonata in E major, H 506 (Wq 84) - II. Adagio di Molto | — | ||
| 38-15 | Sonata in E major, H 506 (Wq 84) - III. Allegro Assai | — | ||
| 39-1 | Air Auvergnat Varié in A minor, Op. 26 (Andante-Tema.Andante-L'Istesso Tempo-Allegro Non Troppo-A Tempo Ben Risoluto) | — | ||
| 39-2 | Caprice in C major, Op. 7 No. 7 (Andante Maestoso-Allegro Agitato-Tempo I) | — | ||
| 39-3 | Nocturne in G major (Andante Cantabile-Lento Sostenuto-Tempo I) | — | ||
| 39-4 | Grande Valse, Op. 34 (Introduction. Largo-Allegro) | — | ||
| 39-5 | [Franchomme & Chopin] Grand Duo Concertant Pour Piano Et Violoncelle Sur Des Themes de 'Robert Le Diable' | — | ||
| 39-6 | Caprice in A minor, Op. 7 No. 4 (Largo) | — | ||
| 39-7 | Nocturne in A-flat major, Op. 15 No. 3 (Andante Sostenuto) | — | ||
| 39-8 | Caprice in E minor, Op. 7 No. 2 (Andante) | — | ||
| 39-9 | Air Russe Varié in D minor, No. 2, Op. 32 (Poco Lento-Tema. Andante Sostenuto-Allegro Moderato-Allegro-Lento-Allegro Moderato) | — | ||
| 40-1 | Mass in A-flat major, D 678 - I. Kyrie | — | ||
| 40-2 | Mass in A-flat major, D 678 - II. Gloria | — | ||
| 40-3 | Mass in A-flat major, D 678 - III. Credo | — | ||
| 40-4 | Mass in A-flat major, D 678 - IV. Sanctus | — | ||
| 40-5 | Mass in A-flat major, D 678 - V. Benedictus | — | ||
| 40-6 | Mass in A-flat major, D 678 - VI. Agnus Dei | — | ||
| 40-7 | 'Deutsche Messe', D 872 - I. Zum Eingang | — | ||
| 40-8 | 'Deutsche Messe', D 872 - II. Zum Gloria | — | ||
| 40-9 | 'Deutsche Messe', D 872 - III. Zum Evangelium Und Credo | — | ||
| 40-10 | 'Deutsche Messe', D 872 - IV. Zum Offertorium | — | ||
| 40-11 | 'Deutsche Messe', D 872 - V. Zum Sanctus | — | ||
| 40-12 | 'Deutsche Messe', D 872 - VI. Nach Der Wandlung | — | ||
| 40-13 | 'Deutsche Messe', D 872 - VII. Zum Agnus Dei | — | ||
| 40-14 | 'Deutsche Messe', D 872 - VIII. Zum Schlussgesang | — | ||
| 41-1 | Jacques Boyvin (C1649-1706) - Suite Du Premier Ton in D From 'Premier Livre D'Orgue' | — | ||
| 41-2 | Jean-Adam Guillaume Guilain (Fl.1702-1739) - Suite Du Second Ton in G | — | ||
| 41-3 | Johann Krieger (1652-1735) - Passacaglia in D minor | — | ||
| 41-4 | Abraham Van Den Kerckhoven (C1618-1701) - Fantasia in D minor | — | ||
| 41-5 | Abraham Van Den Kerckhoven - Fantasia in F major | — | ||
| 41-6 | Johann Kaspar Kerll (1627-1693) - Canzona in E minor | — | ||
| 41-7 | Carl Luython (C1557-1620) - Fuga Suavissima in G major | — | ||
| 41-8 | Johann Jacob Froberger (1616-1667) - Toccata V da Sonarsi Alla Levatione in D minor | — | ||
| 41-9 | Johann Jacob Froberger - Capriccio II in A minor | — | ||
| 41-10 | Johann Jacob Froberger - Canzona VI in A | — | ||
| 41-11 | Lambert Chaumont (C1630-1712) - Deuxième Ton (Pièces D'Orgue) In G | — | ||
| 42-1 | Die Schöpfung, Hob. XX1:2: Part I, no. 1. Ouvertüre: Die Vorstellung der Chaos | Tafelmusik, Bruno Weil | — | |
| 42-2 | Die Schöpfung, Hob. XX1:2: Part I, no. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" - "Und der Geist Gottes schwebte auf der Fläche der Wasser" - "Und Gott sah das Licht" (Raphael, Chor, Uriel) | Jörg Hering, Harry van der Kamp, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 42-3 | Die Schöpfung, Hob. XX1:2: Part I, no. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" - "Verzweiflung, Wut und Schrecken" (Uriel, Chor) | Jörg Hering, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 42-4 | Die Schöpfung, Hob. XX1:2: Part I, no. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 42-5 | Die Schöpfung, Hob. XX1:2: Part I, no. 5. Solo und Chor "Mit Staunen sieht das Wunderwerk" - "Und laut ertönt aus ihren Kehlen" (Gabriel, Chor) | Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 42-6 | Die Schöpfung, Hob. XX1:2: Part I, no. 6. Rezitativ "Und Gott sprach: Es sammle sich das Wasser" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 42-7 | Die Schöpfung, Hob. XX1:2: Part I, no. 7. Arie "Rollend in schaümenden Wellen" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 42-8 | Die Schöpfung, Hob. XX1:2: Part I, no. 8. Rezitativ "Und Gott sprach: Es bringe di Erde Gras hervor" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 42-9 | Die Schöpfung, Hob. XX1:2: Part I, no. 9. Arie "Nun beut di Flur das frische Grün" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 42-10 | Die Schöpfung, Hob. XX1:2: Part I, no. 10. Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 42-11 | Die Schöpfung, Hob. XX1:2: Part I, no. 11. Chor "Stimmt an die Saiten" (Chor) | Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 42-12 | Die Schöpfung, Hob. XX1:2: Part I, no. 12. Rezitativ "Und Gott sprach: Es sei'n Lichter" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 42-13 | Die Schöpfung, Hob. XX1:2: Part I, no. 13. Rezitativ "In vollem Glanze steiget jetzt" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 42-14 | Die Schöpfung, Hob. XX1:2: Part I, no. 14. Terzett und Chor "Die Himmel erzählen die Ehre Gottes" - Dem kommenden Tage sagt es der Tag" (Chor, Gabriel, Uriel, Raphael) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 42-15 | Die Schöpfung, Hob. XX1:2: Part II, no. 15. Rezitativ "Und Gott sprach: Es bringe das Wasser" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 42-16 | Die Schöpfung, Hob. XX1:2: Part II, no. 16. Arie "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 42-17 | Die Schöpfung, Hob. XX1:2: Part II, no. 17. Rezitativ "Und Gott schuf große Walfische" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 42-18 | Die Schöpfung, Hob. XX1:2: Part II, no. 18. Rezitativ "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 42-19 | Die Schöpfung, Hob. XX1:2: Part II, no. 19a. Terzett "In holder Anmut steh'n" (Gabriel, Uriel, Raphael) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 42-20 | Die Schöpfung, Hob. XX1:2: Part II, no. 19b. Terzett und Chor "Der Herr ist groß in seiner Macht" (Gabriel, Uriel, Raphael, Chor) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 43-1 | Die Schöpfung, Hob. XX1:2: Part II, no. 20. Rezitativ "Und Gott sprach: Es bringe die Erde" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 43-2 | Die Schöpfung, Hob. XX1:2: Part II, no. 21. Rezitativ "Gleich öffnet sich der Erde Schoß" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 43-3 | Die Schöpfung, Hob. XX1:2: Part II, no. 22. Arie "Nun scheint in vollem Glanze der Himmel" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 43-4 | Die Schöpfung, Hob. XX1:2: Part II, no. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 43-5 | Die Schöpfung, Hob. XX1:2: Part II, no. 24. Arie "Mit Würd' und Hoheit angetan" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 43-6 | Die Schöpfung, Hob. XX1:2: Part II, no. 25. Rezitativ "Und Gott sah jedes Ding" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 43-7 | Die Schöpfung, Hob. XX1:2: Part II, no. 26a. Chor "Vollendet ist das große Werk" (Chor) | Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 43-8 | Die Schöpfung, Hob. XX1:2: Part II, no. 26b. Terzett "Zu dir, o Herr, blickt alles auf" (Gabriel, Uriel, Raphael) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 43-9 | Die Schöpfung, Hob. XX1:2: Part II, no. 26c. Chor "Vollendet ist das große Werk" (Chor) | Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 43-10 | Die Schöpfung, Hob. XX1:2: Part III, no. 27. Rezitativ "Aus Rosenwolken" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 43-11 | Die Schöpfung, Hob. XX1:2: Part III, no. 28a. Duett und Chor "Von deiner Güt', o Herr und Gott" - "Gesegnet sei des Herren Macht" (Eva, Adam, Chor) | Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 43-12 | Die Schöpfung, Hob. XX1:2: Part III, no. 28b. Duett und Chor "Der Sterne hellster" - "Heil dir, o Gott!" (Adam, Eva, Chor) | Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 43-13 | Die Schöpfung, Hob. XX1:2: Part III, no. 29. Rezitativ "Nun ist die erste Pflicht erfüllt" (Adam, Eva) | Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 43-14 | Die Schöpfung, Hob. XX1:2: Part III, no. 30. Duett "Holde Gattin, dir zur Seite" (Adam, Eva) | Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 43-15 | Die Schöpfung, Hob. XX1:2: Part III, no. 31. Rezitativ "O glücklich Paar, und glücklich immerfort" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 43-16 | Die Schöpfung, Hob. XX1:2: Part III, no. 32. Schlußchor (mit Soli) "Singt dem Herren, alle Stimmen!" (Chor, Solisten) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 44-1 | In the “Chant sur le livre” Style: “Gaudeamus omnes in Domino” a 2 | Huelgas Ensemble | — | |
| 44-2 | In the “Chant sur le livre” Style: “De tous biens playne” a 3 | Huelgas Ensemble | — | |
| 44-3 | In the “Chant sur le livre” Style: “Dung aultre amer” a 3 | Huelgas Ensemble | — | |
| 44-4 | In the “Chant sur le livre” Style: “Virgo sub ethereis” a 3 | Huelgas Ensemble | — | |
| 44-5 | Missa Guazzabuglio: Kyrie from Missa Je ne demande a 4 | Huelgas Ensemble | — | |
| 44-6 | Missa Guazzabuglio: Gloria from Missa Secundi Toni a 4 | Huelgas Ensemble | — | |
| 44-7 | Missa Guazzabuglio: Credo from Missa Le serviteur a 4 | Huelgas Ensemble | — | |
| 44-8 | Missa Guazzabuglio: Sanctus from Missa Re-fa-mi-re-fa a 4 | Huelgas Ensemble | T-322.297.984-8 | |
| 44-9 | Missa Guazzabuglio: Agnus Dei from Missa In Myne Zyn a 4 | Huelgas Ensemble | — | |
| 44-10 | 3 Chansons: “Je nay dueil” a 4 (Bergerette) | Huelgas Ensemble | — | |
| 44-11 | 3 Chansons: “Se mieulx ne vient d'amours” a 3 (Rondeau) | Huelgas Ensemble | — | |
| 44-12 | 3 Chansons: “Fortuna desperata" a 6 (Canzona) | Huelgas Ensemble | — | |
| 44-13 | “Salve Regina” a 4 | Huelgas Ensemble | — | |
| 45-1 | Sonata for Pianoforte and Violoncello in A major, Op. 69 - I. Allegro Ma Non Tanto | — | ||
| 45-2 | Sonata for Pianoforte and Violoncello in A major, Op. 69 - II. Scherzo. Allegro Molto | — | ||
| 45-3 | Sonata for Pianoforte and Violoncello in A major, Op. 69 - III. Adagio Cantabile | — | ||
| 45-4 | Sonata for Pianoforte and Violoncello in A major, Op. 69 - IV. Allegro Vivace | — | ||
| 45-5 | Sonata for Pianoforte and Violoncello in F major, Op. 5, No. 1 - I. Adagio Sostenuto | — | ||
| 45-6 | Sonata for Pianoforte and Violoncello in F major, Op. 5, No. 1 - II. Allegro | — | ||
| 45-7 | Sonata for Pianoforte and Violoncello in F major, Op. 5, No. 1 - III. Rondo. Allegro Vivace | — | ||
| 45-8 | Sonata for Pianoforte and Violoncello in G minor, Op. 5, No. 2 - I. Adagio Sostenuto E Espressivo | — | ||
| 45-9 | Sonata for Pianoforte and Violoncello in G minor, Op. 5, No. 2 - II. Allegro Molto Più Tosto Presto | — | ||
| 45-10 | Sonata for Pianoforte and Violoncello in G minor, Op. 5, No. 2 - III. Rondo. Allegro | — | ||
| 46-1 | Sonata for Pianoforte and Violoncello in C major, op. 102 no. 1: I. Andante | — | ||
| 46-2 | Sonata for Pianoforte and Violoncello in C major, op. 102 no. 1: II. Allegro vivace | — | ||
| 46-3 | Sonata for Pianoforte and Violoncello in C major, op. 102 no. 1: III. Adagio - Tempo d'andante | — | ||
| 46-4 | Sonata for Pianoforte and Violoncello in C major, op. 102 no. 1: IV. Allegro vivace | — | ||
| 46-5 | Sonata for Pianoforte and Violoncello in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 46-6 | Sonata for Pianoforte and Violoncello in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | — | ||
| 46-7 | Sonata for Pianoforte and Violoncello in D major, op. 102 no. 2: III. Allegro fugato | — | ||
| 46-8 | 12 Variations on “Ein Madchen Oder Weibchen” From Mozart's “Die Zauberflöte” for Pianoforte and Violoncello in F major, op. 66 | — | ||
| 47-1 | Requiem, K. 626: I. Introitus | Tafelmusik, Bruno Weil | — | |
| 47-2 | Requiem, K. 626: II. Kyrie | Tafelmusik, Bruno Weil | T-070.093.418-4 | |
| 47-3 | Requiem, K. 626: III. Sequenz: 1. Dies irae | Tafelmusik, Bruno Weil | — | |
| 47-4 | Requiem, K. 626: III. Sequenz: 2. Tuba mirum | Tafelmusik, Bruno Weil | — | |
| 47-5 | Requiem, K. 626: III. Sequenz: 3. Rex tremendae | Tafelmusik, Bruno Weil | — | |
| 47-6 | Requiem, K. 626: III. Sequenz: 4. Recordare | Tafelmusik, Bruno Weil | — | |
| 47-7 | Requiem, K. 626: III. Sequenz: 5. Confutatis | Tafelmusik, Bruno Weil | — | |
| 47-8 | Requiem, K. 626: III. Sequenz: 6. Lacrimosa | Tafelmusik, Bruno Weil | T-921.960.942-4 | |
| 47-9 | Requiem, K. 626: IV. Offertorium: 1. Domine | Tafelmusik, Bruno Weil | T-919.097.742-5 | |
| 47-10 | Requiem, K. 626: IV. Offertorium: 2. Hostias | Tafelmusik, Bruno Weil | — | |
| 47-11 | Requiem, K. 626: V. Sanctus | Tafelmusik, Bruno Weil | T-922.061.546-3 | |
| 47-12 | Requiem, K. 626: VI. Benedictus | Tafelmusik, Bruno Weil | T-106.642.813-3 | |
| 47-13 | Requiem, K. 626: VII. Agnus Dei | Tafelmusik, Bruno Weil | — | |
| 47-14 | Requiem, K. 626: VIII. Communio | Tafelmusik, Bruno Weil | T-910.952.061-8 | |
| 48-1 | Trio in B-flat major for Piano, Violin and Violoncello, D. 898 (Op. 99) - I. Allegro Moderato | — | ||
| 48-2 | Trio in B-flat major for Piano, Violin and Violoncello, D. 898 (Op. 99) - II. Andante Un Poco Mosso | — | ||
| 48-3 | Trio in B-flat major for Piano, Violin and Violoncello, D. 898 (Op. 99) - III. Scherzo. Allegro - Trio | — | ||
| 48-4 | Trio in B-flat major for Piano, Violin and Violoncello, D. 898 (Op. 99) - IV. Rondo. Allegro Vivace - Presto | — | ||
| 48-5 | Trio in E-flat major for Piano, Violin and Violoncello, D. 929 (Op. 100) - I. Allegro | — | ||
| 48-6 | Trio in E-flat major for Piano, Violin and Violoncello, D. 929 (Op. 100) - II. Andante Con Moto | — | ||
| 48-7 | Trio in E-flat major for Piano, Violin and Violoncello, D. 929 (Op. 100) - III. Scherzando. Allegro Moderato - Trio | — | ||
| 48-8 | Trio in E-flat major for Piano, Violin and Violoncello, D. 929 (Op. 100) - IV. Allegro Moderato | — | ||
| 49-1 | Concerto for Strings in G minor, RV 157 | — | ||
| 49-2 | Concerto for Violoncello and Strings in D major, RV 403 | — | ||
| 49-3 | Concerto for Strings in G minor, RV 152 | — | ||
| 49-4 | Concerto for Violoncello and Strings in B minor, RV 424 | — | ||
| 49-5 | Concerto for Strings in D minor, RV 127 | — | ||
| 49-6 | Concerto for 2 Violins, 2 Violoncellos and Strings in D major, RV 564 | — | ||
| 49-7 | Concerto for 2 Oboes and Strings in D minor, RV 535 | — | ||
| 49-8 | Concerto for Violoncello and Strings in A minor, RV 419 | — | ||
| 49-9 | Concerto for Violoncello, Basson and Strings in E minor, RV 409 | — | ||
| 49-10 | Concerto for 2 Oboes, 2 Violins, Bassoon and Strings in C major, RV 557 | — | ||
| 49-11 | Concerto for Strings in G major, RV 151 | — | ||
| 50-1 | String Quartet (No. 66) in G major, Op. 77 No. 1, Hob. III:81 - I. Allegro Moderato | — | ||
| 50-2 | String Quartet (No. 66) in G major, Op. 77 No. 1, Hob. III:81 - II. Adagio | — | ||
| 50-3 | String Quartet (No. 66) in G major, Op. 77 No. 1, Hob. III:81 - III. Menuetto. Presto | — | ||
| 50-4 | String Quartet (No. 66) in G major, Op. 77 No. 1, Hob. III:81 - IV. Finale. Presto | — | ||
| 50-5 | String Quartet (No. 67) in F major, Op. 77 No. 2, Hob. III:82 - I. Allegro Moderato | — | ||
| 50-6 | String Quartet (No. 67) in F major, Op. 77 No. 2, Hob. III:82 - II. Menuetto. Presto, Ma Non Troppo | — | ||
| 50-7 | String Quartet (No. 67) in F major, Op. 77 No. 2, Hob. III:82 - III. Andante | — | ||
| 50-8 | String Quartet (No. 67) in F major, Op. 77 No. 2, Hob. III:82 - IV. Finale. Vivace Assai | — | ||
| 50-9 | String Quartet (No. 68) in D minor, Op. 103, Hob. III:83 (Unfinished) - I. Andante Grazioso | — | ||
| 50-10 | String Quartet (No. 68) in D minor, Op. 103, Hob. III:83 (Unfinished) - II. Menuetto Ma Non Troppo. Presto | — | ||
| 50-11 | Quartettsatz 'Der Greis' (Part Song for 4 Voices & Keyboard) Hob. Xxvc:5 | — | ||
| 51-1 | Music for the Royal Fireworks, for Orchestra, HWV 351 - Ouverture | — | ||
| 51-2 | Music for the Royal Fireworks, for Orchestra, HWV 351 - Bourrée | — | ||
| 51-3 | Music for the Royal Fireworks, for Orchestra, HWV 351 - La Paix | — | ||
| 51-4 | Music for the Royal Fireworks, for Orchestra, HWV 351 - La Réjouissance | — | ||
| 51-5 | Music for the Royal Fireworks, for Orchestra, HWV 351 - Menuet I | — | ||
| 51-6 | Music for the Royal Fireworks, for Orchestra, HWV 351 - Menuet II | — | ||
| 51-7 | Concerto a Due Cori No.2 in F major, HWV 333 - Pomposo - Allegro | — | ||
| 51-8 | Concerto a Due Cori No.2 in F major, HWV 333 - A Tempo Giusto | — | ||
| 51-9 | Concerto a Due Cori No.2 in F major, HWV 333 - Largo | — | ||
| 51-10 | Concerto a Due Cori No.2 in F major, HWV 333 - Allegro Ma Non Troppo | — | ||
| 51-11 | Concerto a Due Cori No.2 in F major, HWV 333 - A Tempo Ordinario | — | ||
| 51-12 | Concerto a Due Cori No.1 in B-flat major, HWV 332 - Ouverture - Allegro Ma Non Troppo | — | ||
| 51-13 | Concerto a Due Cori No.1 in B-flat major, HWV 332 - Allegro | — | ||
| 51-14 | Concerto a Due Cori No.1 in B-flat major, HWV 332 - Largo | — | ||
| 51-15 | Concerto a Due Cori No.1 in B-flat major, HWV 332 - A Tempo Ordinario | — | ||
| 51-16 | Concerto a Due Cori No.1 in B-flat major, HWV 332 - Alla Breve Moderato | — | ||
| 51-17 | Concerto a Due Cori No.1 in B-flat major, HWV 332 - Menuet | — | ||
| 51-18 | Concerto a Due Cori No.3 in F major, HWV 334 - Ouverture - Allegro | — | ||
| 51-19 | Concerto a Due Cori No.3 in F major, HWV 334 - Allegro Ma Non Troppo | — | ||
| 51-20 | Concerto a Due Cori No.3 in F major, HWV 334 - Adagio | — | ||
| 51-21 | Concerto a Due Cori No.3 in F major, HWV 334 - Andante Larghetto | — | ||
| 51-22 | Concerto a Due Cori No.3 in F major, HWV 334 - Allegro | — | ||
| 52-1 | Paris Quartet No. 1: Concerto Primo in G major, TWV 43:G1 - 1. Grave - Allegro | — | ||
| 52-2 | Paris Quartet No. 1: Concerto Primo in G major, TWV 43:G1 - 2. Largo | — | ||
| 52-3 | Paris Quartet No. 1: Concerto Primo in G major, TWV 43:G1 - 3. Presto | — | ||
| 52-4 | Paris Quartet No. 1: Concerto Primo in G major, TWV 43:G1 - 4. Largo | — | ||
| 52-5 | Paris Quartet No. 1: Concerto Primo in G major, TWV 43:G1 - 5. Allegro | — | ||
| 52-6 | Paris Quartet No. 2: Concerto Secondo in D major, TWV 43:D1 - 1. Allegro | — | ||
| 52-7 | Paris Quartet No. 2: Concerto Secondo in D major, TWV 43:D1 - 2. Affettuoso | — | ||
| 52-8 | Paris Quartet No. 2: Concerto Secondo in D major, TWV 43:D1 - 3. Vivace | — | ||
| 52-9 | Paris Quartet No. 3: Sonata Prima in A major, TWV 43:A1 - 1. Soave | — | ||
| 52-10 | Paris Quartet No. 3: Sonata Prima in A major, TWV 43:A1 - 2. Allegro | — | ||
| 52-11 | Paris Quartet No. 3: Sonata Prima in A major, TWV 43:A1 - 3. Andante | — | ||
| 52-12 | Paris Quartet No. 3: Sonata Prima in A major, TWV 43:A1 - 4. Vivace | — | ||
| 52-13 | Paris Quartet No. 4: Sonata Seconda in G minor, TWV 43:G1 - 1. Andante | — | ||
| 52-14 | Paris Quartet No. 4: Sonata Seconda in G minor, TWV 43:G1 - 2. Allegro | — | ||
| 52-15 | Paris Quartet No. 4: Sonata Seconda in G minor, TWV 43:G1 - 3. Largo | — | ||
| 52-16 | Paris Quartet No. 4: Sonata Seconda in G minor, TWV 43:G1 - 4. Allegro | — | ||
| 52-17 | Paris Quartet No. 5: Première Suite in E minor, TWV 43:E1 - 1. Prélude. Vitement | — | ||
| 52-18 | Paris Quartet No. 5: Première Suite in E minor, TWV 43:E1 - 2. Rigaudon | — | ||
| 52-19 | Paris Quartet No. 5: Première Suite in E minor, TWV 43:E1 - 3. Air | — | ||
| 52-20 | Paris Quartet No. 5: Première Suite in E minor, TWV 43:E1 - 4. Replique | — | ||
| 52-21 | Paris Quartet No. 5: Première Suite in E minor, TWV 43:E1 - 5. Menuet I - Menuet II | — | ||
| 52-22 | Paris Quartet No. 5: Première Suite in E minor, TWV 43:E1 - 6. Gigue | — | ||
| 52-23 | Paris Quartet No. 6: Deuxième Suite in B minor, TWV 43:H1 - 1. Prelude. Gaiement | — | ||
| 52-24 | Paris Quartet No. 6: Deuxième Suite in B minor, TWV 43:H1 - 2. Air. Modérément | — | ||
| 52-25 | Paris Quartet No. 6: Deuxième Suite in B minor, TWV 43:H1 - 3. Réjouissance | — | ||
| 52-26 | Paris Quartet No. 6: Deuxième Suite in B minor, TWV 43:H1 - 4. Courante | — | ||
| 52-27 | Paris Quartet No. 6: Deuxième Suite in B minor, TWV 43:H1 - 5. Passepied | — | ||
| 53-1 | Nouveaux Quatuors Parisiens No. 7: Premier Quatuor TWV 43:D3 - 1. Prélude. Vivement | — | ||
| 53-2 | Nouveaux Quatuors Parisiens No. 7: Premier Quatuor TWV 43:D3 - 2. Tendrement | — | ||
| 53-3 | Nouveaux Quatuors Parisiens No. 7: Premier Quatuor TWV 43:D3 - 3. Vite | — | ||
| 53-4 | Nouveaux Quatuors Parisiens No. 7: Premier Quatuor TWV 43:D3 - 4. Gaiment | — | ||
| 53-5 | Nouveaux Quatuors Parisiens No. 7: Premier Quatuor TWV 43:D3 - 5. Moderement | — | ||
| 53-6 | Nouveaux Quatuors Parisiens No. 7: Premier Quatuor TWV 43:D3 - 6. Vite | — | ||
| 53-7 | Nouveaux Quatuors Parisiens No. 8: Deuxième Quatuor TWV 43:A2 - 1. Allegrement | — | ||
| 53-8 | Nouveaux Quatuors Parisiens No. 8: Deuxième Quatuor TWV 43:A2 - 2. Flatteusement | — | ||
| 53-9 | Nouveaux Quatuors Parisiens No. 8: Deuxième Quatuor TWV 43:A2 - 3. Légèrement | — | ||
| 53-10 | Nouveaux Quatuors Parisiens No. 8: Deuxième Quatuor TWV 43:A2 - 4. Un Peu Vivement | — | ||
| 53-11 | Nouveaux Quatuors Parisiens No. 8: Deuxième Quatuor TWV 43:A2 - 5. Vite | — | ||
| 53-12 | Nouveaux Quatuors Parisiens No. 8: Deuxième Quatuor TWV 43:A2 - 6. Coulant | — | ||
| 53-13 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 1. Prélude. Un Peu Vivement | — | ||
| 53-14 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 2. Légèrement | — | ||
| 53-15 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 3. Gracieusement | — | ||
| 53-16 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 4. Vite | — | ||
| 53-17 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 5. Modéré | — | ||
| 53-18 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 6. Gai | — | ||
| 53-19 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 7. Lentement - Vite | — | ||
| 54-1 | Nouveaux Quatuors Parisiens No. 10 - Quatrième Quatuor TWV 43:H2 - 1. Prélude. Vivement - Flatteusement | — | ||
| 54-2 | Nouveaux Quatuors Parisiens No. 10 - Quatrième Quatuor TWV 43:H2 - 2. Coulant | — | ||
| 54-3 | Nouveaux Quatuors Parisiens No. 10 - Quatrième Quatuor TWV 43:H2 - 3. Gai | — | ||
| 54-4 | Nouveaux Quatuors Parisiens No. 10 - Quatrième Quatuor TWV 43:H2 - 4. Vite | — | ||
| 54-5 | Nouveaux Quatuors Parisiens No. 10 - Quatrième Quatuor TWV 43:H2 - 5. Triste | — | ||
| 54-6 | Nouveaux Quatuors Parisiens No. 10 - Quatrième Quatuor TWV 43:H2 - 6. Menuet. Modéré | — | ||
| 54-7 | Nouveaux Quatuors Parisiens No. 11 - Cinquième Quatuor TWV 43:A3 - 1. Prélude. Vivement | — | ||
| 54-8 | Nouveaux Quatuors Parisiens No. 11 - Cinquième Quatuor TWV 43:A3 - 2. Gai | — | ||
| 54-9 | Nouveaux Quatuors Parisiens No. 11 - Cinquième Quatuor TWV 43:A3 - 3. Modéré | — | ||
| 54-10 | Nouveaux Quatuors Parisiens No. 11 - Cinquième Quatuor TWV 43:A3 - 4. Modéré | — | ||
| 54-11 | Nouveaux Quatuors Parisiens No. 11 - Cinquième Quatuor TWV 43:A3 - 5. Pas Vite | — | ||
| 54-12 | Nouveaux Quatuors Parisiens No. 11 - Cinquième Quatuor TWV 43:A3 - 6. Un Peu Gai | — | ||
| 54-13 | Nouveaux Quatuors Parisiens No. 12 - Sixième Quatuor TWV 43:E4 - 1. Prélude. A Discrétion - Très Vite | — | ||
| 54-14 | Nouveaux Quatuors Parisiens No. 12 - Sixième Quatuor TWV 43:E4 - 2. Gai | — | ||
| 54-15 | Nouveaux Quatuors Parisiens No. 12 - Sixième Quatuor TWV 43:E4- 3. Vite | — | ||
| 54-16 | Nouveaux Quatuors Parisiens No. 12 - Sixième Quatuor TWV 43:E4 - 4. Gracieusement | — | ||
| 54-17 | Nouveaux Quatuors Parisiens No. 12 - Sixième Quatuor TWV 43:E4 - 5. Distrait | — | ||
| 54-18 | Nouveaux Quatuors Parisiens No. 12 - Sixième Quatuor TWV 43:E4 - 6. Modéré | — | ||
| 55-1 | Thomas Tallis - Spem in Alium, 40-Part Motet | — | ||
| 55-2 | Costanzo Porta - Sanctus - Agnus Dei (From “Missa Ducalis”), for 13 Parts | — | ||
| 55-3 | Josquin Desprez - Qui Habitat (Psalm 90), 24-Part Motet | — | ||
| 55-4 | Deo gratias | Huelgas Ensemble, Paul Van Nevel | — | |
| 55-5 | Pierre de Manchicourt - Laudate Dominum, 6-Part Motet | — | ||
| 55-6 | Giovanni Gabrieli - Exaudi Me Domine, 16-Part Motet | — | ||
| 55-7 | Alessandro Striggio - Ecce Beatam Lucem, 40-Part Non-Liturgical Motet | — | ||
| 56-1 | Concerto in A minor for Violin, Strings & B.C., BWV 1041 - I. [] | — | ||
| 56-2 | Concerto in A minor for Violin, Strings & B.C., BWV 1041 - II. Andante | — | ||
| 56-3 | Concerto in A minor for Violin, Strings & B.C., BWV 1041 - III. Allegro Assai | — | ||
| 56-4 | Concerto for Two Violins in D minor ("Double"), BWV 1043: I. Vivace | Jeanne Lamon, Linda Melsted, Tafelmusik | — | |
| 56-5 | Concerto in D minor for 2 Violins, Strings & B.C., BWV 1043 - II. Largo Ma Non Tanto | — | ||
| 56-6 | Concerto in D minor for 2 Violins, Strings & B.C., BWV 1043 - III. Allegro | — | ||
| 56-7 | Concerto in E major for Violin, Strings & B.C., BWV 1042 - I. Allegro | — | ||
| 56-8 | Concerto in E major for Violin, Strings & B.C., BWV 1042 - II. Adagio | — | ||
| 56-9 | Concerto in E major for Violin, Strings & B.C., BWV 1042 - III. Allegro Assai | — | ||
| 56-10 | Concerto in D major for 3 Violins, Strings & B.C., BWV 1064R - I. Allegro | — | ||
| 56-11 | Concerto in D major for 3 Violins, Strings & B.C., BWV 1064R - II. Adagio | — | ||
| 56-12 | Concerto in D major for 3 Violins, Strings & B.C., BWV 1064R - III. Allegro | — | ||
| 57-1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. (-) | Tafelmusik, Jeanne Lamon | T-801.411.105-9 | |
| 57-2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 57-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 57-4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio - Polonaise - Trio | Tafelmusik, Jeanne Lamon | T-307.292.941-6 | |
| 57-5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. (-) | Tafelmusik, Jeanne Lamon | T-801.411.105-9 | |
| 57-6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Tafelmusik, Jeanne Lamon | — | |
| 57-7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Tafelmusik, Jeanne Lamon | — | |
| 57-8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. (-) | Tafelmusik, Jeanne Lamon | T-801.411.105-9 | |
| 57-9 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 58-1 | Concerto No.4 in G major, BWV 1049 - I. Allegro | — | ||
| 58-2 | Concerto No.4 in G major, BWV 1049 - II. Andante | — | ||
| 58-3 | Concerto No.4 in G major, BWV 1049 - III. Presto | — | ||
| 58-4 | Concerto No. 5 in D major, BWV 1050 - I. Allegro | — | ||
| 58-5 | Concerto No. 5 in D major, BWV 1050 - II. Affettuoso | — | ||
| 58-6 | Concerto No. 5 in D major, BWV 1050 - III. Allegro | — | ||
| 58-7 | Concerto No. 6 in B-flat major, BWV 1051 - I. [-] | — | ||
| 58-8 | Concerto No. 6 in B-flat major, BWV 1051 - II. Adagio Ma Non Troppo | — | ||
| 58-9 | Concerto No. 6 in B-flat major, BWV 1051 - III. Allegro | — | ||
| 59-1 | Sonata for Piano and Cello in E minor, Op. 38 - I. Allegro Non Troppo | — | ||
| 59-2 | Sonata for Piano and Cello in E minor, Op. 38 - II. Allegretto Quasi Menuetto - Trio | — | ||
| 59-3 | Sonata for Piano and Cello in E minor, Op. 38 - III. Allegro | — | ||
| 59-4 | 5 Stücke Im Volkston Op. 102 for Cello and Piano - I. Vanitas Vanitatum. Mit Humor | — | ||
| 59-5 | 5 Stücke Im Volkston Op. 102 for Cello and Piano - II. Langsam | — | ||
| 59-6 | 5 Stücke Im Volkston Op. 102 for Cello and Piano - III. Nicht Schnell, Mit Viel Ton Zu Spielen | — | ||
| 59-7 | 5 Stücke Im Volkston Op. 102 for Cello and Piano - IV. Nicht Zu Rasch | — | ||
| 59-8 | 5 Stücke Im Volkston Op. 102 for Cello and Piano - V. Stark Und Markiert | — | ||
| 59-9 | Sonata for Piano and Cello in F major, Op. 99 - I. Allegro Vivace | — | ||
| 59-10 | Sonata for Piano and Cello in F major, Op. 99 - II. Adagio Affettuoso | — | ||
| 59-11 | Sonata for Piano and Cello in F major, Op. 99 - III. Allegro Passionato - Trio | — | ||
| 59-12 | Sonata for Piano and Cello in F major, Op. 99 - IV. Allegro Molto | — | ||
| 60-1 | Water Music, Suite No. 1 in F major, HWV 348: I. Overture. Largo - Allegro | Tafelmusik, Jeanne Lamon | T-923.432.792-5 | |
| 60-2 | Water Music, Suite No. 1 in F major, HWV 348: II. Adagio e staccato | Tafelmusik, Jeanne Lamon | — | |
| 60-3 | Water Music, Suite No. 1 in F major, HWV 348: 3. (Allegro) / 4. Andante / 3. (Allegro) da capo | Tafelmusik, Jeanne Lamon | — | |
| 60-4 | Water Music, Suite No. 1 in F major, HWV 348: 5. (Minuet I/II/I) | Tafelmusik, Jeanne Lamon | — | |
| 60-5 | Water Music, Suite No. 1 in F major, HWV 348: 6. Air | Tafelmusik, Jeanne Lamon | T-306.036.936-6 | |
| 60-6 | Water Music, Suite No. 1 in F major, HWV 348: 7. Minuet | Tafelmusik, Jeanne Lamon | — | |
| 60-7 | Water Music, Suite No. 1 in F major, HWV 348: 8. Bourrée | Tafelmusik, Jeanne Lamon | T-001.322.754-7 | |
| 60-8 | Water Music, Suite No. 1 in F major, HWV 348: 9. Hornpipe | Tafelmusik, Jeanne Lamon | T-902.314.028-5 | |
| 60-9 | Water Music, Suite No. 1 in F major, HWV 348: 10. (Andante) | Tafelmusik, Jeanne Lamon | — | |
| 60-10 | Water Music, Suite No. 2 in D major, HWV 349: 11. (Allegro) | Tafelmusik, Jeanne Lamon | T-306.036.936-6 | |
| 60-11 | Water Music, Suite No. 2 in D major, HWV 349: 12. Alla hornpipe | Tafelmusik, Jeanne Lamon | T-905.384.308-6 | |
| 60-12 | Water Music, Suite No. 3 in G major, HWV 350: 16: (Sarabande) | Tafelmusik, Jeanne Lamon | T-306.036.936-6 | |
| 60-13 | Water Music, Suite No. 3 in G major, HWV 350: 17. Rigaudon / 18. (Rigaudon) / 17. Rigaudon I da capo | Tafelmusik, Jeanne Lamon | — | |
| 60-14 | Water Music, Suite No. 2 in D major, HWV 349: 14. Lentement | Tafelmusik, Jeanne Lamon | — | |
| 60-15 | Water Music, Suite No. 2 in D major, HWV 349: 15. Bourrée | Tafelmusik, Jeanne Lamon | — | |
| 60-16 | Water Music, Suite No. 3 in G major, HWV 350: 19: Minuet / 20. (Minuet) | Tafelmusik, Jeanne Lamon | — | |
| 60-17 | Water Music, Suite No. 3 in G major, HWV 350: 21. (Country Dance) / 22. (Country Dance) / 21. (Country Dance) da capo | Tafelmusik, Jeanne Lamon | — | |
| 60-18 | Water Music, Suite No. 2 in D major, HWV 349: 13. Minuet | Tafelmusik, Jeanne Lamon | T-011.781.858-2 | |
| 60-19 | Suite from "Il pastor fido", HWV 8c: 1. Ouverture. Largo - Allegro | Tafelmusik, Jeanne Lamon | T-923.432.792-5 | |
| 60-20 | Suite from "Il pastor fido", HWV 8c: 2. (Ballo) | Tafelmusik, Jeanne Lamon | — | |
| 60-21 | Suite from "Il pastor fido", HWV 8c: 3. (Tambourin) | Tafelmusik, Jeanne Lamon | — | |
| 60-22 | Suite from "Il pastor fido", HWV 8c: 4. Musette | Tafelmusik, Jeanne Lamon | — | |
| 60-23 | Suite from "Il pastor fido", HWV 8c: 5. Menuet | Tafelmusik, Jeanne Lamon | T-900.962.202-0 | |
| 60-24 | Suite from "Il pastor fido", HWV 8c: Balli. 6. March / 7 Pour les Chasseurs / 6. March da capo | Tafelmusik, Jeanne Lamon | — | |
| 60-25 | Suite from "Il pastor fido", HWV 8c: 8. (Ballo) | Tafelmusik, Jeanne Lamon | — | |
| 60-26 | Suite from "Il pastor fido", HWV 8c: 9. Sarabanda. Largo assai | Tafelmusik, Jeanne Lamon | — | |
| 60-27 | Suite from "Il pastor fido", HWV 8c: 10. Gavotte | Tafelmusik, Jeanne Lamon | — | |
| 60-28 | Suite from "Il pastor fido", HWV 8c: 11. Gigue. Presto | Tafelmusik, Jeanne Lamon | — | |
| 60-29 | Suite from "Il pastor fido", HWV 8c: 12. Chacconne | Tafelmusik, Jeanne Lamon | — |
Identifier Graph
887654488824 is a Universal Product Code (UPC) assigned to Vivarte - 60 CD Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 871 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Quintet for Clarinet, Two Violins, Viola and Cello in A major, K. 581 "Stadler Quintet": II. Larghetto | Charles Neidich, L’Archibudelli | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Vivarte - 60 CD Collection” by Various Artists is 887654488824. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Sony Classical. This release contains 871 tracks, each with its own ISRC. Tracks include USBC16500213, USSM19930162, USSM19930163.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite for Lute in G minor, BWV 995 - I. Prélude | — | ||
| 2 | Suite for Lute in G minor, BWV 995 - II. Allemande | — | ||
| 3 | Suite for Lute in G minor, BWV 995 - III. Courante | — | ||
| 4 | Suite for Lute in G minor, BWV 995 - IV. Sarabande | — | ||
| 5 | Suite for Lute in G minor, BWV 995 - V. Gavotte I - VI. Gavotte II En Rondeau / Gavotte 1 | — | ||
| 6 | Suite for Lute in G minor, BWV 995 - VII. Gigue | — | ||
| 7 | Fugue for Lute in G minor, BWV 1000 | — | ||
| 8 | Suite for Lute in E minor, BWV 996 - I. Praeludio: Passaggio - Presto | — | ||
| 9 | Suite for Lute in E minor, BWV 996 - II. Allemande | — | ||
| 10 | Suite for Lute in E minor, BWV 996 - III. Courante | — | ||
| 11 | Suite for Lute in E minor, BWV 996 - IV. Sarabande | — | ||
| 12 | Lute Suite No. 1 in E minor, BWV 996: V. Bourrée | Julian Bream | T-924.225.131-6 | |
| 13 | Suite for Lute in E minor, BWV 996 - VI. Gigue | — | ||
| 14 | Prélude, Fuga and Allegro, for Lute in E-flat major, BWV 998 - I. Prélude | — | ||
| 15 | Prélude, Fuga and Allegro, for Lute in E-flat major, BWV 998 - II. Fuga | — | ||
| 16 | Prélude, Fuga and Allegro, for Lute in E-flat major, BWV 998 - III. Allegro | — | ||
| 2-1 | Partita for Lute in C minor, BWV 997 - I. Prélude | — | ||
| 2-2 | Partita for Lute in C minor, BWV 997 - II. Fuga | — | ||
| 2-3 | Partita for Lute in C minor, BWV 997 - III. Sarabande | — | ||
| 2-4 | Partita for Lute in C minor, BWV 997 - IV. Gigue | — | ||
| 2-5 | Partita for Lute in C minor, BWV 997 - V. Double | — | ||
| 2-6 | Prélude for Lute in C minor, BWV 999 | — | ||
| 2-7 | Partita for Lute in E major, BWV 1006a - I. Prélude | — | ||
| 2-8 | Partita for Lute in E major, BWV 1006a - II. Loure | — | ||
| 2-9 | Partita for Lute in E major, BWV 1006a - III. Gavotte En Rondeau | — | ||
| 2-10 | Partita for Lute in E major, BWV 1006a - IV. Menuet I | — | ||
| 2-11 | Partita for Lute in E major, BWV 1006a - V. Menuet II | — | ||
| 2-12 | Partita for Lute in E major, BWV 1006a - VI. Bourrée | — | ||
| 2-13 | Partita for Lute in E major, BWV 1006a - VII. Gigue | — | ||
| 3-1 | Sonata III G-moll, BWV 1029: Vivace | Anner Bylsma, Bob van Asperen | — | |
| 3-2 | Sonata III G-moll, BWV 1029: Adagio | Anner Bylsma, Bob van Asperen | T-307.292.935-8 | |
| 3-3 | Sonata III G-moll, BWV 1029: Allegro | Anner Bylsma, Bob van Asperen | — | |
| 3-4 | Sonata II D-Dur, BWV 1028: Adagio | Anner Bylsma, Bob van Asperen | — | |
| 3-5 | Sonata II D-Dur, BWV 1028: Allegro | Anner Bylsma, Bob van Asperen | — | |
| 3-6 | Sonata II D-Dur, BWV 1028: Andante | Anner Bylsma, Bob van Asperen | — | |
| 3-7 | Sonata II D-Dur, BWV 1028: Allegro | Anner Bylsma, Bob van Asperen | — | |
| 3-8 | Sonata I G-Dur, BWV 1027: Adagio | Anner Bylsma, Bob van Asperen | — | |
| 3-9 | Sonata I G-Dur, BWV 1027:Allegro ma non tanto | Anner Bylsma, Bob van Asperen | — | |
| 3-10 | Sonata I G-Dur, BWV 1027: Andante | Anner Bylsma, Bob van Asperen | — | |
| 3-11 | Sonata I G-Dur, BWV 1027: Allegro moderato | Anner Bylsma, Bob van Asperen | — | |
| 3-12 | Sonata A-Dur: Larghetto | Anner Bylsma, Bob van Asperen | — | |
| 3-13 | Sonata A-Dur: Allegro | Anner Bylsma, Bob van Asperen | — | |
| 3-14 | Sonata A-Dur: Tempo di Minuetto | Anner Bylsma, Bob van Asperen | — | |
| 4-1 | Anonymous (1580): From the 'Clavier Album' Di Suzanne Van Soldt - Brande Champanje | — | ||
| 4-2 | Anonymous (1580): From the 'Clavier Album' Di Suzanne Van Soldt - Susanna Vung Jour | — | ||
| 4-3 | Anonymous (1580): From the 'Clavier Album' Di Suzanne Van Soldt - Brabanschen Ronden Dans Ofte Brand | — | ||
| 4-4 | Suite V in G minor - Preludio | — | ||
| 4-5 | Suite V in G minor - Allemanda | — | ||
| 4-6 | Suite V in G minor - Corrente | — | ||
| 4-7 | Suite V in G minor - Sarabanda | — | ||
| 4-8 | Suite V in G minor - Tempo di Gavpieter Bustijnotta | — | ||
| 4-9 | Pavana Lachrimae | — | ||
| 4-10 | Ballo Del Granduca | — | ||
| 4-11 | Fantasia Cromatica | — | ||
| 4-12 | Fantasia II | — | ||
| 4-13 | Sonata a Cimbalo Solo (1702) | — | ||
| 4-14 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - I. Adagio | — | ||
| 4-15 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - II. Fuga | — | ||
| 4-16 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - III. Adagio - Presto | — | ||
| 4-17 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - IV. Allemande | — | ||
| 4-18 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - V. Courante | — | ||
| 4-19 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - VI. Sarabande | — | ||
| 4-20 | Sonata in A minor (Hortus Musicus, 1688) [BWV 965, Arr. By JS Bach] - VII. Gigue | — | ||
| 5-1 | Cantata, BWV 207a "Auf, schmetternde Töne": I. Chorus. "Auf, schmetternde Töne der muntern Trompeten" | Kammerchor Stuttgart, Concerto Köln, Frieder Bernius | — | |
| 5-2 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Recitative: Die stille Pleiss spielt | Christoph Prégardien, Concerto Köln, Frieder Bernius | — | |
| 5-3 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Aria: Augustus' Namenstages Schimmer | Christoph Prégardien, Concerto Köln, Frieder Bernius | — | |
| 5-4 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Recitative: Augustus' Wohl | Ruth Ziesak, Concerto Köln, Frieder Bernius | — | |
| 5-5 | Cantata, BWV 207a "Auf, schmetternde Töne": V. Duetto. "Mich kann die süße Ruhe laben" | Concerto Köln, Frieder Bernius | — | |
| 5-6 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Recitative: Augustus schutzt die frohen Felder | Michael Chance, Concerto Köln, Frieder Bernius | — | |
| 5-7 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Aria: Preiset, späte Folgezeiten | Michael Chance, Concerto Köln, Frieder Bernius | — | |
| 5-8 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Recitative: Ihr Fröhlichen, herbei! | Michael Chance, Peter Kooij, Christoph Prégardien, Ruth Ziesak, Concerto Köln, Frieder Bernius | — | |
| 5-9 | Cantate 'Auf, schmetternde Töne der muntern Trompeten' BWV 207a - Chorus: August lebe, lebe, König! | Kammerchor Stuttgart, Concerto Köln, Frieder Bernius | — | |
| 5-10 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Chorus: Schleicht, spielende Wellen | Kammerchor Stuttgart, Concerto Köln, Frieder Bernius | — | |
| 5-11 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: O glückliche Veränderung | Peter Kooij, Concerto Köln, Frieder Bernius | — | |
| 5-12 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Aria: Schleuss des Janustempels Türen | Peter Kooij, Concerto Köln, Frieder Bernius | — | |
| 5-13 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: So recht, beglückter Weichselstrom | Christoph Prégardien, Concerto Köln, Frieder Bernius | — | |
| 5-14 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Aria: Jede Woge meiner Wellen | Christoph Prégardien, Concerto Köln, Frieder Bernius | — | |
| 5-15 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: Ich nehm zugleich an deiner Freude teil | Michael Chance, Concerto Köln, Frieder Bernius | — | |
| 5-16 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Aria: Reis von Habsburgs hohem Stamme | Michael Chance, Concerto Köln, Frieder Bernius | — | |
| 5-17 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: Verzeiht, bemooste Häupter starker Ströme | Ruth Ziesak, Concerto Köln, Frieder Bernius | — | |
| 5-18 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Aria: Hört doch! Der sanften Flöten Chor | Ruth Ziesak, Concerto Köln, Frieder Bernius | — | |
| 5-19 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: Ich muß, ich will gehorsam sein | Michael Chance, Peter Kooij, Christoph Prégardien, Ruth Ziesak, Concerto Köln, Frieder Bernius | — | |
| 5-20 | Cantate 'Schleicht, spielende Wellen' BWV 206 - Chorus: Die himmlische Vorsicht der ewigen Güte | Kammerchor Stuttgart, Concerto Köln, Frieder Bernius | — | |
| 6-1 | Missa long C-Dur, KV 262 (246a): Kyrie | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-2 | Missa long C-Dur, KV 262 (246a): Gloria | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | T-072.888.167-1 | |
| 6-3 | Missa long C-Dur, KV 262 (246a): Credo | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-4 | Missa long C-Dur, KV 262 (246a): Sanctus | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-5 | Missa long C-Dur, KV 262 (246a): Benedictus | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-6 | Missa long C-Dur, KV 262 (246a): Agnus Dei | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-7 | Inter natos mulierum G-dur, KV 72 (74f) | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-8 | Te Deum Laudamus, K. 141 | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-9 | Venite populi, K. 260 | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 6-10 | Regina coeli, K. 276 | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | T-923.240.411-4 | |
| 6-11 | Ave verum corpus, K. 618 | Tölzer Knabenchor, European Baroque Soloists, Gerhard Schmidt-Gaden | — | |
| 7-1 | Divertimento no. 17 for 2 Horns & Strings in D major, K. 334/320b: I. Allegro | L’Archibudelli | — | |
| 7-2 | Divertimento no. 17 for 2 Horns & Strings in D major, K. 334/320b: II. Tema con variazioni. Andante | L’Archibudelli | — | |
| 7-3 | Divertimento no. 17 for 2 Horns & Strings in D major, K. 334/320b: III. Menuetto. Trio | L’Archibudelli | — | |
| 7-4 | Divertimento no. 17 for 2 Horns & Strings in D major, K. 334/320b: IV. Adagio | L’Archibudelli | — | |
| 7-5 | Divertimento no. 17 for 2 Horns & Strings in D Major, K. 334/320b: V. Menuetto. Trio I. Trio II | L’Archibudelli | — | |
| 7-6 | Divertimento no. 17 for 2 Horns & Strings in D major, K. 334/320b: VI. Rondo. Allegro | L’Archibudelli | — | |
| 7-7 | Divertimento in F major for 2 Violins, Viola, Cello and 2 Horns ('i. Lodronische Nachtmusik'), K. 247 - I. Allegro | — | ||
| 7-8 | Divertimento in F major for 2 Violins, Viola, Cello and 2 Horns ('i. Lodronische Nachtmusik'), K. 247 - II. Andante Grazioso | — | ||
| 7-9 | Divertimento in F major for 2 Violins, Viola, Cello and 2 Horns ('i. Lodronische Nachtmusik'), K. 247 - III. Menuetto | — | ||
| 7-10 | Divertimento in F major for 2 Violins, Viola, Cello and 2 Horns ('i. Lodronische Nachtmusik'), K. 247 - IV. Adagio | — | ||
| 7-11 | Divertimento in F major for 2 Violins, Viola, Cello and 2 Horns ('i. Lodronische Nachtmusik'), K. 247 - V. Menuetto. Trio | — | ||
| 7-12 | Divertimento in F major for 2 Violins, Viola, Cello and 2 Horns ('i. Lodronische Nachtmusik'), K. 247 - VI. Andante. Allegro Assai | — | ||
| 8-1 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563 - I. Allegro | — | ||
| 8-2 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563 - II. Adagio | — | ||
| 8-3 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563 - III. Menuetto. Allegretto - Trio | — | ||
| 8-4 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563 - IV. Andante | — | ||
| 8-5 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563 - V. Menuetto. Allegretto - Trio I - Trio II | — | ||
| 8-6 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563 - VI. Allegro | — | ||
| 8-7 | Adagio and Fugue (After W. F. Bach) For Violin, Viola & Cello in F minor, (K. 404a No. 6) - I. Adagio | — | ||
| 8-8 | Adagio and Fugue (After W. F. Bach) For Violin, Viola & Cello in F minor, (K. 404a No. 6) - II. Fugue | — | ||
| 8-9 | Adagio and Fugue (After J. S. Bach) For Violin, Viola & Cello in D minor, (K. 404a No. 1) - I. Adagio | — | ||
| 8-10 | Adagio and Fugue (After J. S. Bach) For Violin, Viola & Cello in D minor, (K. 404a No. 1) - II. Fugue | — | ||
| 8-11 | Adagio and Fugue (After J. S. Bach) For Violin, Viola & Cello in G minor, (K. 404a No. 2) - I. Adagio | — | ||
| 8-12 | Adagio and Fugue (After J. S. Bach) For Violin, Viola & Cello in G minor, (K. 404a No. 2) - II. Fugue | — | ||
| 8-13 | Adagio and Fugue (After J. S. Bach) For Violin, Viola & Cello in F major, (K. 404a No. 3) - I. Adagio | — | ||
| 8-14 | Adagio and Fugue (After J. S. Bach) For Violin, Viola & Cello in F major, (K. 404a No. 3) - II. Fugue | — | ||
| 9-1 | Quintet for 2 Violins, Viola & 2 Cellos in C major, D. 956 (Op. Posth. 163) - I. Allegro Ma Non Troppo | — | ||
| 9-2 | Quintet for 2 Violins, Viola & 2 Cellos in C major, D. 956 (Op. Posth. 163) - II. Adagio | — | ||
| 9-3 | Quintet for 2 Violins, Viola & 2 Cellos in C major, D. 956 (Op. Posth. 163) - III. Scherzo; Presto; Trio; Andante Sostenuto | — | ||
| 9-4 | Quintet for 2 Violins, Viola & 2 Cellos in C major, D. 956 (Op. Posth. 163) - IV. Allegretto | — | ||
| 9-5 | Rondo for Violin & String Quartet in A major, D. 438 | — | ||
| 10-1 | Symphony No. 5 in B-flat major, D. 485 - I. Allegro | — | ||
| 10-2 | Symphony No. 5 in B-flat major, D. 485 - II. Andante Con Moto | — | ||
| 10-3 | Symphony No. 5 in B-flat major, D. 485 - III. Menuetto: Allegro Molto | — | ||
| 10-4 | Symphony No. 5 in B-flat major, D. 485 - IV. Allegro Vivace | — | ||
| 10-5 | Symphony No. 6 in C major, D. 589 - I. Adagio; Allegro | — | ||
| 10-6 | Symphony No. 6 in C major, D. 589 - II. Andante | — | ||
| 10-7 | Symphony No. 6 in C major, D. 589 - III. Scherzo: Presto; Più Lento | — | ||
| 10-8 | Symphony No. 6 in C major, D. 589 - IV. Allegro Moderato | — | ||
| 11-1 | Der Herr Sprach Zu Meinem Herren, SWV 22 | — | ||
| 11-2 | Warum Toben Die Heiden, SWV 23 | — | ||
| 11-3 | Ach Herr, Straf Mich Nicht in Deinem Zorn, SWV 24 | — | ||
| 11-4 | Aus Der Tiefe Ruf Ich, Herr, Zu Dir, SWV 25 | — | ||
| 11-5 | Ich Freu Mich Des, Das Mir Geredt Ist, SWV 26 | — | ||
| 11-6 | Herr, Unser Herrscher, SWV 27 | — | ||
| 11-7 | Wohl Dem, Der Nicht Wandelt, SWV 28 | — | ||
| 11-8 | Wie Lieblich Sind Deine Wohnungen, SWV 29 | — | ||
| 11-9 | Wohl Dem, Der Den Herren Fürchtet, SWV 30 | — | ||
| 11-10 | Ich Hebe Meine Augen Auf Zu Den Bergen, SWV 31 | — | ||
| 11-11 | Danket Dem Herren, Denn Er Ist Freundlich, SWV 32 | — | ||
| 11-12 | Der Herr Ist Mein Hirt, SWV 33 | — | ||
| 11-13 | Ich Danke Dem Herrn Von Ganzem Herzen, SWV 34 | — | ||
| 12-1 | Singet Dem Herrn Ein Neues Lied, SWV 35 | — | ||
| 12-2 | Jauchzet Dem Herren, Alle Welt, SWV 36 | — | ||
| 12-3 | An Den Wassern Zu Babel, SWV 37 | — | ||
| 12-4 | Alleluja! Lobet Den Herren in Seinem Heiligtum, SWV 38 | — | ||
| 12-5 | Lobe Den Herren, Meine Seele, SWV 39 | — | ||
| 12-6 | Ist Nicht Ephraim Mein Teurer Sohn, SWV 40 | — | ||
| 12-7 | Nun Lob, Mein Seel, Den Herren, SWV 41 | — | ||
| 12-8 | Die Mit Tränen Säen, SWV 42 | — | ||
| 12-9 | Nicht Uns, Herr, Sondern Deinem Namen, SWV 43 | — | ||
| 12-10 | Wohl Dem, Der Den Herren Fürchtet, SWV 44 | — | ||
| 12-11 | Danket Dem Herren, Denn Er Ist Freundlich, SWV 45 | — | ||
| 12-12 | Zion Spricht, Der Herr Hat Mich Verlassen, SWV 46 | — | ||
| 12-13 | Jauchzet Dem Herren, Alle Welt, SWV 47 | — | ||
| 13-1 | Suites pour violoncelles N°1 en Sol majeur BWV 1007 | Anner Bylsma | — | |
| 13-2 | Suite no. 1 in G major, BWV 1007: II. Allemande | Anner Bylsma | — | |
| 13-3 | Suite no. 1 in G major, BWV 1007: III. Courante | Anner Bylsma | — | |
| 13-4 | Suite no. 1 in G major, BWV 1007: IV. Sarabande | Anner Bylsma | — | |
| 13-5 | Suite no. 1 in G major, BWV 1007: V. Menuet I/II | Anner Bylsma | — | |
| 13-6 | Suite no. 1 in G major, BWV 1007: VI. Gigue | Anner Bylsma | — | |
| 13-7 | Suite no. 2 in D minor, BWV 1008: I. Prélude | Anner Bylsma | — | |
| 13-8 | Suite no. 2 in D minor, BWV 1008: II. Allemande | Anner Bylsma | — | |
| 13-9 | Suite no. 2 in D minor, BWV 1008: III. Courante | Anner Bylsma | — | |
| 13-10 | Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Anner Bylsma | — | |
| 13-11 | Suite no. 2 in D minor, BWV 1008: V. Menuett I/II | Anner Bylsma | — | |
| 13-12 | Suite no. 2 in D minor, BWV 1008: VI. Gigue | Anner Bylsma | — | |
| 13-13 | Suite no. 3 in C major, BWV 1009: I. Prélude | Anner Bylsma | — | |
| 13-14 | Suite no. 3 in C major, BWV 1009: II. Allemande | Anner Bylsma | — | |
| 13-15 | Suite no. 3 in C major, BWV 1009: III. Courante | Anner Bylsma | — | |
| 13-16 | Suite no. 3 in C major, BWV 1009: IV. Sarabande | Anner Bylsma | — | |
| 13-17 | Suite no. 3 in C major, BWV 1009: V. Bourrée I/II | Anner Bylsma | — | |
| 13-18 | Suite no. 3 in C major, BWV 1009: VI. Gigue | Anner Bylsma | — | |
| 14-1 | Suite no. 4 in E-flat major, BWV 1010: I. Prélude | Anner Bylsma | — | |
| 14-2 | Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Anner Bylsma | — | |
| 14-3 | Suite no. 4 in E-flat major, BWV 1010: III. Courante | Anner Bylsma | — | |
| 14-4 | Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Anner Bylsma | — | |
| 14-5 | Suite no. 4 in E-flat major, BWV 1010: V. Bourrée I/II | Anner Bylsma | — | |
| 14-6 | Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Anner Bylsma | — | |
| 14-7 | Suite no. 5 in C minor, BWV 1011: I. Prélude | Anner Bylsma | — | |
| 14-8 | Suite no. 5 in C minor, BWV 1011: II. Allemande | Anner Bylsma | — | |
| 14-9 | Suite no. 5 in C minor, BWV 1011: III. Courante | Anner Bylsma | — | |
| 14-10 | Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Anner Bylsma | — | |
| 14-11 | Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II | Anner Bylsma | — | |
| 14-12 | Suite no. 5 in C minor, BWV 1011: VI. Gigue | Anner Bylsma | — | |
| 14-13 | Suite no. 6 in D major, BWV 1012: I. Prélude | Anner Bylsma | — | |
| 14-14 | Suite no. 6 in D major, BWV 1012: II. Allemande | Anner Bylsma | — | |
| 14-15 | Suite no. 6 in D major, BWV 1012: III. Courante | Anner Bylsma | — | |
| 14-16 | Suite no. 6 in D major, BWV 1012: IV. Sarabande | Anner Bylsma | — | |
| 14-17 | Suite no. 6 in D major, BWV 1012: V. Gavotte I/II | Anner Bylsma | — | |
| 14-18 | Suite no. 6 in D major, BWV 1012: VI. Gigue | Anner Bylsma | — | |
| 15-1 | Italia Mia | — | ||
| 15-2 | Agnus Dei 'Italia Mia' | — | ||
| 15-3 | Anonymous (early Xvith) - Fortuna Desperate | — | ||
| 15-4 | Anonymous (Xvth) - Canto Degli Ebrei Battezzati | — | ||
| 15-5 | Il Piu Leggiadro Viso | — | ||
| 15-6 | Calami Sonum Ferentes | — | ||
| 15-7 | De Lamentatione Hieremiae Feria 6 in Parasceve - Lectio Prima | — | ||
| 15-8 | De Lamentatione Hieremiae Feria 6 in Parasceve - Lectio Secunda | — | ||
| 15-9 | De Lamentatione Hieremiae Feria 6 in Parasceve - Lectio Tertia | — | ||
| 15-10 | Io Piango | — | ||
| 15-11 | Ingrata Pastorella | — | ||
| 15-12 | Ancide Sol La Morte | — | ||
| 15-13 | La Mia Doglia S'Avanza | — | ||
| 16-1 | Anonymous: Italiana (La Volta) | — | ||
| 16-2 | Franceso Canova da Milano: Fantasia | — | ||
| 16-3 | Anonymous: Galliarda | — | ||
| 16-4 | Anonymous: Passamezzo Moderno | — | ||
| 16-5 | Alonso Mudarra: Fantasia | — | ||
| 16-6 | Robert Godard: Ce Mois de May | — | ||
| 16-7 | Jacob de Reis: Courante | — | ||
| 16-8 | Hans Leo Hassler: Canzon | — | ||
| 16-9 | Elias Mertel: So Wünsch Ich Ihr Eine Gute Nacht | — | ||
| 16-10 | John Dowland: A Dream, Pavan, P 75 | — | ||
| 16-11 | John Dowland: The Shoemaker's Wife, P 58 | — | ||
| 16-12 | Johann Hieronymus Kapsberger: 1. Toccata | — | ||
| 16-13 | Johann Hieronymus Kapsberger: 2. Corrente I | — | ||
| 16-14 | Johann Hieronymus Kapsberger: 3. Corrente II | — | ||
| 16-15 | Robert Ballard: Branles de Village | — | ||
| 16-16 | Manuscript Milleran: Sarabande | — | ||
| 16-17 | Charles Mouton: Menuet | — | ||
| 16-18 | Denis Gaultier: Gigue | — | ||
| 16-19 | Manuscript Milleran: La Cardinalle | — | ||
| 16-20 | Ennemond Gaultier: Chaconne | — | ||
| 16-21 | Charles Mouton: Prélude and Chaconne | — | ||
| 16-22 | Silvius Leopold Weiss: Tombeau Sur La Mort de Monsieur Comt de Logy | — | ||
| 16-23 | Adam Falkenhagen: Variationen Uber 'Wer Nur Den Lieben Gott Lasst Walten' | — | ||
| 16-24 | Paul Charles Durant: Carillon | — | ||
| 17-1 | Sextet for 2 Horns & String Quartet in E-flat major, Op. 81b - I. Allegro Con Brio | — | ||
| 17-2 | Sextet for 2 Horns & String Quartet in E-flat major, Op. 81b - II. Adagio | — | ||
| 17-3 | Sextet for 2 Horns & String Quartet in E-flat major, Op. 81b - III. Rondo. Allegro | — | ||
| 17-4 | Duo for Viola & Cello in E-flat major ('with Two Eyeglasses Obbligato'), Woo 32 - I. [Allegro] | — | ||
| 17-5 | Duo for Viola & Cello in E-flat major ('with Two Eyeglasses Obbligato'), Woo 32 - II. Minuetto. Allegretto | — | ||
| 17-6 | Quintet for 2 Violins, Viola & 2 Cellos in A major - I. Adagio Sostenuto - Presto | — | ||
| 17-7 | Quintet for 2 Violins, Viola & 2 Cellos in A major - II. Andante Con Variazioni | — | ||
| 17-8 | Quintet for 2 Violins, Viola & 2 Cellos in A major - III. Finale. Presto | — | ||
| 18-1 | Symphony No.7 (8) in B minor, D.759 'Unfinished' - I. Allegro Moderato | — | ||
| 18-2 | Symphony No.7 (8) in B minor, D.759 'Unfinished' - II. Andante Con Moto | — | ||
| 18-3 | Symphony No.8 (9) in C major, D.944 'The Great' - I. Andante - Allegro Ma Non Troppo | — | ||
| 18-4 | Symphony No.8 (9) in C major, D.944 'The Great' - II. Andante Con Moto | — | ||
| 18-5 | Symphony No.8 (9) in C major, D.944 'The Great' - III. Scherzo. Allegro Vivace - Trio | — | ||
| 18-6 | Symphony No.8 (9) in C major, D.944 'The Great' - IV. Finale. Allegro Vivace | — | ||
| 19-1 | Trio for Violin, Viola & Cello in G major, Op. 9 No. 1 - I. Adagio - Allegro Con Brio | — | ||
| 19-2 | Trio for Violin, Viola & Cello in G major, Op. 9 No. 1 - II. Adagio, Ma Non Tanto E Cantabile | — | ||
| 19-3 | Trio for Violin, Viola & Cello in G major, Op. 9 No. 1 - III. Scherzo. Allegro | — | ||
| 19-4 | Trio for Violin, Viola & Cello in G major, Op. 9 No. 1 - IV. Presto | — | ||
| 19-5 | Trio for Violin, Viola & Cello in D major, Op. 9 No. 2 - I. Allegretto | — | ||
| 19-6 | Trio for Violin, Viola & Cello in D major, Op. 9 No. 2 - II. Andante Quasi Allegretto | — | ||
| 19-7 | Trio for Violin, Viola & Cello in D major, Op. 9 No. 2 - III. Menuetto. Allegro | — | ||
| 19-8 | Trio for Violin, Viola & Cello in D major, Op. 9 No. 2 - IV. Rondo. Allegro | — | ||
| 19-9 | Trio for Violin, Viola & Cello in C minor, Op. 9 No. 3 - I. Allegro Con Spirito | — | ||
| 19-10 | Trio for Violin, Viola & Cello in C minor, Op. 9 No. 3 - II. Adagio Con Espressione | — | ||
| 19-11 | Trio for Violin, Viola & Cello in C minor, Op. 9 No. 3 - III. Scherzo. Allegro Molto E Vivace | — | ||
| 19-12 | Trio for Violin, Viola & Cello in C minor, Op. 9 No. 3 - IV. Finale. Presto | — | ||
| 20-1 | Anonymous: Le Mont Aon de Thrace (C1370) | — | ||
| 20-2 | Trebor: En Seumeillant | — | ||
| 20-3 | Anonymous: Febus Mundo Oriens - Lanista Viereus - Cornibus (C1360) | — | ||
| 20-4 | Anonymous: Tres Dous Compains (C1335) | — | ||
| 20-5 | Anonymous: Altissonis Aptatis - Hin Principes (C1350) | — | ||
| 20-6 | Solage: Fumeux Fume | — | ||
| 20-7 | Anonymous: Inter Densas - Imbribus Irriguis (C1385) | — | ||
| 20-8 | Johannes Cuvelier: Se Galaas | — | ||
| 21-1 | Regina Coeli, Antiphon a 12 | — | ||
| 21-2 | In Te Domine Speravi, Motet a 6 | — | ||
| 21-3 | Media Vita, Motet a 6 | — | ||
| 21-4 | Tous Les Regretz, Chanson a 6 | — | ||
| 21-5 | Je Prens Congie, Chanson a 8 | — | ||
| 21-6 | Magnificat Secundi Toni - A. Et Exultavit a 4 | — | ||
| 21-7 | Magnificat Secundi Toni - B. Quia Fecit a 4 | — | ||
| 21-8 | Magnificat Secundi Toni - C. Fecit Potentiam a 3 | — | ||
| 21-9 | Magnificat Secundi Toni - D. Esurientes a 2 | — | ||
| 21-10 | Magnificat Secundi Toni - E. Sicut Locutus Est a 4 | — | ||
| 21-11 | Magnificat Secundi Toni - (f. Sicut Erat a 5) | — | ||
| 21-12 | Missa Tempore Paschali - A. Kyrie a 6 | — | ||
| 21-13 | Missa Tempore Paschali - B. Gloria a 6 | — | ||
| 21-14 | Missa Tempore Paschali - C. Credo a 8 | — | ||
| 21-15 | Missa Tempore Paschali - D. Sanctus a 6 - Pleni Sunt Caeli a 5 - Hosanna a 6 - Benedictus a 4 - Hosanna a 6 | — | ||
| 21-16 | Missa Tempore Paschali - E. Agnus Dei I & II a 6 | — | ||
| 21-17 | Missa Tempore Paschali - (f. Agnus Dei III a 12) | — | ||
| 22-1 | Anonymous: 'Patoureau M'Ayme Tu Bien?' (Soprano, Baritone, Lute) | — | ||
| 22-2 | Antonine Francisque (1575-1605): Branle Simple (Lute) | — | ||
| 22-3 | Anonymous: 'Des Maux Si Deplorables' (Baritone, Lute) | — | ||
| 22-4 | Anonymous: 'Nos Esprits Libres & Contents?' (Soprano, Lute) | — | ||
| 22-5 | Robert Ballard (C1575-1650): Ballet Des Chevaux (Lute) | — | ||
| 22-6 | Anonymous: 'Quoi? Tu Faignois Amour' (Soprano, Baritone, Lute) | — | ||
| 22-7 | Anonymous: 'Qui Prestera La Parole' (Baritone, Lute) | — | ||
| 22-8 | Robert Ballard: Courante de La Reyne (Lute) | — | ||
| 22-9 | Pierre Guerdron (1570/75-1619/20): 'Aux Plaisirs, Aux Delices Bergeres' (Soprano, Lute) | — | ||
| 22-10 | Gabriel Bataille (1575-1630): 'Un Satire Cornu' (Baritone, Lute) | — | ||
| 22-11 | Anonymous: 'Hola, Hola, Charon' (Soprano, Baritone, Lute) | — | ||
| 22-12 | Pierre Guedron: 'Vostre Heros n'Est Plus' (Soprano, Baritone, Lute) | — | ||
| 22-13 | Robert Ballard: Trois Ballets Des Princes (Lute) | — | ||
| 22-14 | Anonymous: 'Qu'Avons Nous Commis Contre Les Dieux?' (Soprano, Baritone, Lute) | — | ||
| 22-15 | Anthoine Boesset: 'Cesses, o Divine Beaute' (Soprano, Lute) | — | ||
| 22-16 | Robert Ballard: Volte (Lute) | — | ||
| 22-17 | Etienne Moulinie (C1600-After1669): 'Enfin La Beaute Que J'Adore' (Soprano, Lute) | — | ||
| 22-18 | Anonymous: 'Mes Yeux Ou Sont Vos Pleurs' (Soprano, Baritone, Lute) | — | ||
| 22-19 | Grand Rue (?): 'Lors Que Te Beaux Yeux' (Baritone, Lute) | — | ||
| 22-20 | Francois Richard (?-1650): 'Ruisseau Qui Cours Apres Toy-Mesme' (Soprano, Lute) | — | ||
| 22-21 | Robert Ballard: Courante (Lute) | — | ||
| 22-22 | Gabriel Bataille: 'Depuis Que Le Flambeau Du Jour' (Baritone, Lute) | — | ||
| 22-23 | Pierre Guerdron: 'Puis Qi'Il Faut Desormais' (Soprano, Lute) | — | ||
| 22-24 | Jean Boyer (Before1600-1648): 'Sus, Sus Reveilles Vous' (Baritone, Lute) | — | ||
| 23-1 | Concerto No.1 in E major, Op.8 RV 269 'La Primavera' (Spring) - I. Allegro. Il Capraro Che Dorme | — | ||
| 23-2 | Concerto No.1 in E major, Op.8 RV 269 'La Primavera' (Spring) - II. Largo | — | ||
| 23-3 | Concerto No.1 in E major, Op.8 RV 269 'La Primavera' (Spring) - III. Allegro - Danza Pastorale | — | ||
| 23-4 | Concerto No.2 in G minor, Op.8 RV 315 'l'Estate' (Summer) - I. Allegro Non Molto. Languideza Per Il Caldo | — | ||
| 23-5 | Concerto No.2 in G minor, Op.8 RV 315 'l'Estate' (Summer) - II. Adagio E Piano | — | ||
| 23-6 | Concerto No.2 in G minor, Op.8 RV 315 'l'Estate' (Summer) - III. Presto. Tempo Impetuoso D'Estate | — | ||
| 23-7 | Concerto No.3 in F major, Op.8 RV 293 'l'Autunno' (Autumn) - I. Allegro. Ballo E Canto di Villanelli | — | ||
| 23-8 | Concerto No.3 in F major, Op.8 RV 293 'l'Autunno' (Autumn) - II. Adagio Molto. Ubriachi Dormienti | — | ||
| 23-9 | Concerto No.3 in F major, Op.8 RV 293 'l'Autunno' (Autumn) - III. Allegro. La Caccia | — | ||
| 23-10 | Concerto No.4 in F minor, Op.8 RV 297 'l'Inverno' (Winter) - I. Allegro Non Molto | — | ||
| 23-11 | Concerto No.4 in F minor, Op.8 RV 297 'l'Inverno' (Winter) - II. Largo | — | ||
| 23-12 | Concerto No.4 in F minor, Op.8 RV 297 'l'Inverno' (Winter) - III. Allegro | — | ||
| 23-13 | Sinfonia in B minor, RV 169 'Al Santo Sepolcro' (At the Holy Grave) - Adagio Molto - Allegro Ma Non Poco | — | ||
| 23-14 | Concerto in B minor, Op.3 No.10 RV 580 'l'Estro Armonico' - I. Allegro | — | ||
| 23-15 | Concerto in B minor, Op.3 No.10 RV 580 'l'Estro Armonico' - II. Largo | — | ||
| 23-16 | Concerto in B minor, Op.3 No.10 RV 580 'l'Estro Armonico' - III. Allegro | — | ||
| 24-1 | Sinfonia No. 41 in C major, Hob. I:41 - I. Allegro Con Spirito | — | ||
| 24-2 | Sinfonia No. 41 in C major, Hob. I:41 - II. Un Poco Andante | — | ||
| 24-3 | Sinfonia No. 41 in C major, Hob. I:41 - III. Menuet - Trio | — | ||
| 24-4 | Sinfonia No. 41 in C major, Hob. I:41 - IV. Finale. Presto | — | ||
| 24-5 | Sinfonia No. 42 in D major, Hob. I:42 - I. Moderato E Maestoso | — | ||
| 24-6 | Sinfonia No. 42 in D major, Hob. I:42 - II. Andantino E Cantabile | — | ||
| 24-7 | Sinfonia No. 42 in D major, Hob. I:42 - III. Menuet. Allegretto - Trio | — | ||
| 24-8 | Sinfonia No. 42 in D major, Hob. I:42 - IV. Finale. Scherzando E Presto | — | ||
| 24-9 | Sinfonia No. 43 in E-flat major, Hob. I:43 'Mercury' - I. Allegro | — | ||
| 24-10 | Sinfonia No. 43 in E-flat major, Hob. I:43 'Mercury' - II. Adagio | — | ||
| 24-11 | Sinfonia No. 43 in E-flat major, Hob. I:43 'Mercury' - III. Menuetto - Trio | — | ||
| 24-12 | Sinfonia No. 43 in E-flat major, Hob. I:43 'Mercury' - IV. Finale. Allegro | — | ||
| 25-1 | Symphony No. 44 in E minor 'Trauer', Hob. I:44 - I. Allegro Con Brio | — | ||
| 25-2 | Symphony No. 44 in E minor 'Trauer', Hob. I:44 - II. Menuetto. Allegretto (Canone in Diaspason) - Trio | — | ||
| 25-3 | Symphony No. 44 in E minor 'Trauer', Hob. I:44 - III. Adagio | — | ||
| 25-4 | Symphony No. 44 in E minor 'Trauer', Hob. I:44 - IV. Finale. Presto | — | ||
| 25-5 | Symphony No. 51 in B-flat major, Hob. I:51 - I. Vivace | — | ||
| 25-6 | Symphony No. 51 in B-flat major, Hob. I:51 - II. Adagio | — | ||
| 25-7 | Symphony No. 51 in B-flat major, Hob. I:51 - III. Menuetto - Trio I - Trio II | — | ||
| 25-8 | Symphony No. 51 in B-flat major, Hob. I:51 - IV. Finale. Allegro | — | ||
| 25-9 | Symphony No. 52 in C minor, Hob. I:52 - I. Allegro Assai Con Brio | — | ||
| 25-10 | Symphony No. 52 in C minor, Hob. I:52 - II. Andante | — | ||
| 25-11 | Symphony No. 52 in C minor, Hob. I:52 - III. Menuetto. Allegretto - Trio | — | ||
| 25-12 | Symphony No. 52 in C minor, Hob. I:52 - IV. Finale. Presto | — | ||
| 26-1 | Prélude in D major | — | ||
| 26-2 | Capriccio in D major | — | ||
| 26-3 | Fantasia in C major | — | ||
| 26-4 | Preludio in E-flat major | — | ||
| 26-5 | Suite in B-flat major - 1. Prélude | — | ||
| 26-6 | Suite in B-flat major - 2. Ouverture - Allegro - Largo | — | ||
| 26-7 | Suite in B-flat major - 3. Courante | — | ||
| 26-8 | Suite in B-flat major - 4. Bourée | — | ||
| 26-9 | Suite in B-flat major - 5. Gavotte | — | ||
| 26-10 | Suite in D minor - 1. Prélude | — | ||
| 26-11 | Suite in D minor - 2. Andantino | — | ||
| 26-12 | Suite in D minor - 3. Polonaise | — | ||
| 26-13 | Suite in D minor - 4. Courante | — | ||
| 26-14 | Suite in D minor - 5. Allegro | — | ||
| 26-15 | Suite in D minor - 6. Menuet I - Trio | — | ||
| 26-16 | Suite in D minor - 7. Paisane - Trio | — | ||
| 26-17 | Suite in D minor - 8. Menuet II | — | ||
| 26-18 | Suite in D minor - 9. Bourrée | — | ||
| 26-19 | Suite in D minor - 10. Allegro | — | ||
| 26-20 | Suite in D minor - 11. Polonaise | — | ||
| 26-21 | Suite in D minor - 12. Polonaise | — | ||
| 27-1 | Suite in A major (L'Esprit Italien) - 1. Fantaisie | — | ||
| 27-2 | Suite in A major (L'Esprit Italien) - 2. Allemande | — | ||
| 27-3 | Suite in A major (L'Esprit Italien) - 3. Courante | — | ||
| 27-4 | Suite in A major (L'Esprit Italien) - 4. Gavotte | — | ||
| 27-5 | Suite in A major (L'Esprit Italien) - 5. Menuet | — | ||
| 27-6 | Suite in A major (L'Esprit Italien) - 6. Rondeau | — | ||
| 27-7 | Suite in A major (L'Esprit Italien) - 7. Gigue | — | ||
| 27-8 | Suite in A major (L'Esprit Italien) - 8. Menuet I | — | ||
| 27-9 | Suite in A major (L'Esprit Italien) - 9. Menuet II | — | ||
| 27-10 | L'Amant Malheureux in A minor | — | ||
| 27-11 | Prélude, Courante, Fuga & Presto in D minor - 1. Prélude | — | ||
| 27-12 | Prélude, Courante, Fuga & Presto in D minor - 2. Courante, Allegro, Largo | — | ||
| 27-13 | Prélude, Courante, Fuga & Presto in D minor - 3. Fuga | — | ||
| 27-14 | Prélude, Courante, Fuga & Presto in D minor - 4. Presto | — | ||
| 27-15 | Suite in G minor - 1. Prélude - Allemande Andante | — | ||
| 27-16 | Suite in G minor - 2. Passepied | — | ||
| 27-17 | Suite in G minor - 3. Bourrée | — | ||
| 27-18 | Suite in G minor - 4. Sarabande | — | ||
| 27-19 | Suite in G minor - 5. Menuet | — | ||
| 27-20 | Suite in G minor - 6. Gigue | — | ||
| 27-21 | Plainte in B-flat major | — | ||
| 27-22 | Sonata in F major - 1. Andantino | — | ||
| 27-23 | Sonata in F major - 2. Courante | — | ||
| 27-24 | Sonata in F major - 3. Bourrée | — | ||
| 27-25 | Sonata in F major - 4. Polonaise | — | ||
| 27-26 | Sonata in F major - 5. Gigue | — | ||
| 28-1 | Sonata for Cello & Continuo No. 1 in B-flat major, Op. 14-1, RV 47 - I. Largo | — | ||
| 28-2 | Sonata for Cello & Continuo No. 1 in B-flat major, Op. 14-1, RV 47 - II. Allegro | — | ||
| 28-3 | Sonata for Cello & Continuo No. 1 in B-flat major, Op. 14-1, RV 47 - III. Largo | — | ||
| 28-4 | Sonata for Cello & Continuo No. 1 in B-flat major, Op. 14-1, RV 47 - IV. Allegro | — | ||
| 28-5 | Sonata for Cello & Continuo No. 2 in F major, Op. 14-2, RV 41 - I. Largo | — | ||
| 28-6 | Sonata for Cello & Continuo No. 2 in F major, Op. 14-2, RV 41 - II. Allegro | — | ||
| 28-7 | Sonata for Cello & Continuo No. 2 in F major, Op. 14-2, RV 41 - III. Largo | — | ||
| 28-8 | Sonata for Cello & Continuo No. 2 in F major, Op. 14-2, RV 41 - IV. Allegro | — | ||
| 28-9 | Sonata for Cello & Continuo No. 3 in A minor, Op. 14-3, RV 43 - I. Largo | — | ||
| 28-10 | Sonata for Cello & Continuo No. 3 in A minor, Op. 14-3, RV 43 - II. Allegro | — | ||
| 28-11 | Sonata for Cello & Continuo No. 3 in A minor, Op. 14-3, RV 43 - III. Largo | — | ||
| 28-12 | Sonata for Cello & Continuo No. 3 in A minor, Op. 14-3, RV 43 - IV. Allegro | — | ||
| 28-13 | Sonata, for Cello & Continuo No. 4 in B-flat major, Op. 14-4, RV 45 - I. Largo | — | ||
| 28-14 | Sonata, for Cello & Continuo No. 4 in B-flat major, Op. 14-4, RV 45 - II. Allegro | — | ||
| 28-15 | Sonata, for Cello & Continuo No. 4 in B-flat major, Op. 14-4, RV 45 - III. Largo | — | ||
| 28-16 | Sonata, for Cello & Continuo No. 4 in B-flat major, Op. 14-4, RV 45 - IV. Allegro | — | ||
| 28-17 | Sonata for Cello & Continuo No. 5 in E minor, Op. 14-5, RV 40 - I. Largo | — | ||
| 28-18 | Sonata for Cello & Continuo No. 5 in E minor, Op. 14-5, RV 40 - II. Allegro | — | ||
| 28-19 | Sonata for Cello & Continuo No. 5 in E minor, Op. 14-5, RV 40 - III. Largo | — | ||
| 28-20 | Sonata for Cello & Continuo No. 5 in E minor, Op. 14-5, RV 40 - IV. Allegro | — | ||
| 28-21 | Sonata for Cello & Continuo No. 6 in B-flat major, Op. 14-6, RV 46 - I. Largo | — | ||
| 28-22 | Sonata for Cello & Continuo No. 6 in B-flat major, Op. 14-6, RV 46 - II. Allegro | — | ||
| 28-23 | Sonata for Cello & Continuo No. 6 in B-flat major, Op. 14-6, RV 46 - III. Largo | — | ||
| 28-24 | Sonata for Cello & Continuo No. 6 in B-flat major, Op. 14-6, RV 46 - IV. Allegro | — | ||
| 29-1 | Piano Trio in B-flat major, 'Archduke', Op. 97 - I. Allegro Moderato | — | ||
| 29-2 | Piano Trio in B-flat major, 'Archduke', Op. 97 - II. Scherzo: Allegro | — | ||
| 29-3 | Piano Trio in B-flat major, 'Archduke', Op. 97 - III. Andante Cantabile | — | ||
| 29-4 | Piano Trio in B-flat major, 'Archduke', Op. 97 - IV. Allegro Moderato | — | ||
| 29-5 | Piano Trio in D major, 'Ghost', Op. 70 No. 1 - I. Allegro Vivace E Con Brio | — | ||
| 29-6 | Piano Trio in D major, 'Ghost', Op. 70 No. 1 - II. Largo Assai Ed Espressivo | — | ||
| 29-7 | Piano Trio in D major, 'Ghost', Op. 70 No. 1 - III. Presto | — | ||
| 30-1 | Concerto Grosso in B-flat major, Op.3 No.1 HWV 312 - I. Allegro | — | ||
| 30-2 | Concerto Grosso in B-flat major, Op.3 No.1 HWV 312 - II. Largo | — | ||
| 30-3 | Concerto Grosso in B-flat major, Op.3 No.1 HWV 312 - III. Allegro | — | ||
| 30-4 | Concerto Grosso in B-flat major, Op.3 No.2 HWV 313 - I. Vivace | — | ||
| 30-5 | Concerto Grosso in B-flat major, Op.3 No.2 HWV 313 - II. Largo | — | ||
| 30-6 | Concerto Grosso in B-flat major, Op.3 No.2 HWV 313 - III. Allegro | — | ||
| 30-7 | Concerto Grosso in B-flat major, Op.3 No.2 HWV 313 - IV. Vivace | — | ||
| 30-8 | Concerto Grosso in B-flat major, Op.3 No.2 HWV 313 - V. [Allegro] | — | ||
| 30-9 | Concerto Grosso in G major, Op.3 No.3 HWV 314 - I. Largo E Staccato - Allegro | — | ||
| 30-10 | Concerto Grosso in G major, Op.3 No.3 HWV 314 - II. Adagio | — | ||
| 30-11 | Concerto Grosso in G major, Op.3 No.3 HWV 314 - III. Allegro | — | ||
| 30-12 | Concerto Grosso in F major, Op.3 No.4 HWV 315 - I. Ouverture | — | ||
| 30-13 | Concerto Grosso in F major, Op.3 No.4 HWV 315 - II. Andante | — | ||
| 30-14 | Concerto Grosso in F major, Op.3 No.4 HWV 315 - III. Allegro | — | ||
| 30-15 | Concerto Grosso in F major, Op.3 No.4 HWV 315 - IV. Minuetto Alternativo | — | ||
| 30-16 | Concerto Grosso in D minor, Op.3 No.5 HWV 316 - I. [without Tempo Indication] | — | ||
| 30-17 | Concerto Grosso in D minor, Op.3 No.5 HWV 316 - II. Allegro | — | ||
| 30-18 | Concerto Grosso in D minor, Op.3 No.5 HWV 316 - III. Adagio | — | ||
| 30-19 | Concerto Grosso in D minor, Op.3 No.5 HWV 316 - IV. Allegro Ma Non Troppo | — | ||
| 30-20 | Concerto Grosso in D minor, Op.3 No.5 HWV 316 - V. Allegro | — | ||
| 30-21 | Concerto Grosso in D major, Op3. No.6 HWV 317 - I. Vivace | — | ||
| 30-22 | Concerto Grosso in D major, Op3. No.6 HWV 317 - II. Adagio | — | ||
| 30-23 | Concerto Grosso in D major, Op3. No.6 HWV 317 - III. Allegro | — | ||
| 30-24 | Concerto Grosso in D major, Op3. No.6 HWV 317 - IV. Allegro | — | ||
| 31-1 | Rupert Ignaz Mayr (1646-1712) - Dominus Regnavit | — | ||
| 31-2 | Alberich Mazak (1609-1661) - Magnificat Anima Mea Dominum | — | ||
| 31-3 | Philipp Jakob Rittler (1637-1690) - Ave Regina Coelorum | — | ||
| 31-4 | Caspar Endres (? - 1674) - O Alma Virgo Maria | — | ||
| 31-5 | Johann Heinrich Schmelzer (1630-1680) - Inquietum Est Cor Meum | — | ||
| 31-6 | Benedikt Anton Aufschnaiter (1516-1565) - Improperium Exspectavit | — | ||
| 31-7 | Vinzenz Fux (1606-1659) - Justorum Animae | — | ||
| 31-8 | Steffano Bernardi (About1575-1637) - Magnificat Anima Mea Dominum | — | ||
| 31-9 | Johann Stadlmayr (About1570-1648) - Coelo Rores Fluunt Flores | — | ||
| 31-10 | Johann Baptist Dolar (1620-1673) - Salve Regina | — | ||
| 31-11 | Alessandro Pogliotti (?-1683) - Ave Regina Coelorum | — | ||
| 31-12 | Heinrich Ignaz Franz Von Biber (1644-1704) - Ne Cedite Mentes | — | ||
| 31-13 | Andreas Hofer (1629-1654) - Laudate Pueri Dominum | — | ||
| 31-14 | Vinzenz Fux (1606-1659) - Litaniae Beate Mariae Virginis | — | ||
| 32-1 | Piano Trio No. 43 in C major, Hob. XV:27 - I. Allegro | — | ||
| 32-2 | Piano Trio No. 43 in C major, Hob. XV:27 - II. Andante | — | ||
| 32-3 | Piano Trio No. 43 in C major, Hob. XV:27 - III. Finale. Presto | — | ||
| 32-4 | Piano Trio No. 44 in E major, Hob. XV:28 - 1. Allegro Moderato | — | ||
| 32-5 | Piano Trio No. 44 in E major, Hob. XV:28 - II. Allegretto | — | ||
| 32-6 | Piano Trio No. 44 in E major, Hob. XV:28 - III. Finale. Allegro | — | ||
| 32-7 | Piano Trio No. 45 in E-flat major, Hob. XV:29 - I. Poco Allegretto | — | ||
| 32-8 | Piano Trio No. 45 in E-flat major, Hob. XV:29 - II. Andantino Ed Innocentemente | — | ||
| 32-9 | Piano Trio No. 45 in E-flat major, Hob. XV:29 - III. Finale. Allemande. Presto Assai | — | ||
| 32-10 | Piano Trio No. 42 in E-flat major, Hob. XV:30 - I. Allegro Moderato | — | ||
| 32-11 | Piano Trio No. 42 in E-flat major, Hob. XV:30 - II. Andante Con Moto | — | ||
| 32-12 | Piano Trio No. 42 in E-flat major, Hob. XV:30 - III. Presto | — | ||
| 33-1 | Overture (Sinfonia) in D major, Op. 43, G. 521 - Allegro Con Spirito Molto - Andantino - Tempo I | — | ||
| 33-2 | Concerto for Violoncello and Orchestra in D major, G. 476 - I. Allegro | — | ||
| 33-3 | Concerto for Violoncello and Orchestra in D major, G. 476 - II. Largo | — | ||
| 33-4 | Concerto for Violoncello and Orchestra in D major, G. 476 - III. Allegro Piacere | — | ||
| 33-5 | Octet (Notturno) in G major Op. 38 No. 4, G. 470* - I. Andantino Amoroso Ma Non Largo | — | ||
| 33-6 | Octet (Notturno) in G major Op. 38 No. 4, G. 470* - II. Minuetto | — | ||
| 33-7 | Octet (Notturno) in G major Op. 38 No. 4, G. 470* - III. Finale. Allegro Vivo | — | ||
| 33-8 | Concerto for Violoncello and Orchestra in C major, G. 573 - I. Maestoso | — | ||
| 33-9 | Concerto for Violoncello and Orchestra in C major, G. 573 - II. Largo Cantabile | — | ||
| 33-10 | Concerto for Violoncello and Orchestra in C major, G. 573 - III. Allegro Comodo | — | ||
| 33-11 | Sinfonia in C minor, G. 519 - I. Allegro Vivo Assai | — | ||
| 33-12 | Sinfonia in C minor, G. 519 - II. Pastorale. Lentarello | — | ||
| 33-13 | Sinfonia in C minor, G. 519 - III. Minuetto. Allegro | — | ||
| 33-14 | Sinfonia in C minor, G. 519 - IV. Finale. Allegro | — | ||
| 34-1 | Sonata for Cello & Continuo in B-flat major, G. 8 - I. Allegro | — | ||
| 34-2 | Sonata for Cello & Continuo in B-flat major, G. 8 - II. Andante Affettuoso | — | ||
| 34-3 | Sonata for Cello & Continuo in B-flat major, G. 8 - III. Allegro | — | ||
| 34-4 | Fugue for 2 Cellos in F major, G. 73 No. 2 - Allegro | — | ||
| 34-5 | Sonata for Cello & Continuo in E-flat major, G. 10 - I. Allegro | — | ||
| 34-6 | Sonata for Cello & Continuo in E-flat major, G. 10 - II. Adagio | — | ||
| 34-7 | Sonata for Cello & Continuo in E-flat major, G. 10 - III. Affettuoso | — | ||
| 34-8 | Sonata for Cello & Continuo in F major, G. 9 - I. Andantino | — | ||
| 34-9 | Sonata for Cello & Continuo in F major, G. 9 - II. Adagio Assai | — | ||
| 34-10 | Sonata for Cello & Continuo in F major, G. 9 - III. Tempo di Minuetto Amoroso | — | ||
| 34-11 | Fugue for 2 Cellos in B-flat major, G. 73 No. 3 - Allegro | — | ||
| 34-12 | Sonata for Cello & Continuo in C minor, G. 2 - I. Adagio | — | ||
| 34-13 | Sonata for Cello & Continuo in C minor, G. 2 - II. Allegro | — | ||
| 34-14 | Sonata for Cello & Continuo in C minor, G. 2 - III. Allegretto | — | ||
| 34-15 | Fugue for 2 Cellos in A major, G. 73 No. 5 - Allegro | — | ||
| 34-16 | Sonata for Cello & Continuo in G major, G. 15 - I. Allegro | — | ||
| 34-17 | Sonata for Cello & Continuo in G major, G. 15 - II. Larghetto | — | ||
| 34-18 | Sonata for Cello & Continuo in G major, G. 15 - III. Allegro | — | ||
| 35-1 | Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Vera Beths, Anner Bylsma, Jürgen Kussmaul, Charles Neidich, Lucy van Dael | — | |
| 35-2 | Quintet for Clarinet, Two Violins, Viola and Cello in A major, K. 581 "Stadler Quintet": II. Larghetto | Charles Neidich, L’Archibudelli | — | |
| 35-3 | Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": III. Minuetto | Vera Beths, Anner Bylsma, Jürgen Kussmaul, Charles Neidich, Lucy van Dael | — | |
| 35-4 | Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": IV. Allegretto con variazioni | Vera Beths, Anner Bylsma, Jürgen Kussmaul, Charles Neidich, Lucy van Dael | T-926.819.126-0 | |
| 35-5 | Quartet for Clarinet, Violin, Viola & Cello in B-flat major after Sonata for Violin & Keyboard No. 34, K. 317d / KV 378: I. Allegro moderato | Vera Beths, Anner Bylsma, Jürgen Kussmaul, Charles Neidich | — | |
| 35-6 | Quartet for Clarinet, Violin, Viola & Cello in B-flat major after Sonata for Violin & Keyboard No. 34, K. 317d / KV 378: II. Andante sostenuto, cantabile | Vera Beths, Anner Bylsma, Jürgen Kussmaul, Charles Neidich | — | |
| 35-7 | Quartet for Clarinet, Violin, Viola & Cello in B-flat major after Sonata for Violin & Keyboard No. 34, K. 317d / KV 378: III. Rondo. Allegro - Allegro vivace - Tempo primo | Vera Beths, Anner Bylsma, Jürgen Kussmaul, Charles Neidich | T-308.457.046-3 | |
| 35-8 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": I. Andante | Jürgen Kussmaul, Robert Levin, Charles Neidich | T-902.128.688-4 | |
| 35-9 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": II. Minuetto & Trio | Jürgen Kussmaul, Robert Levin, Charles Neidich | — | |
| 35-10 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": III. Rondo. Allegretto | Jürgen Kussmaul, Robert Levin, Charles Neidich | — | |
| 36-1 | Johann Lorentz (About 1580-1650) - Praeludium in D minor | — | ||
| 36-2 | Anonymous (Netherlands, About 1630) - Almande D'Amor | — | ||
| 36-3 | Delphin Strungk (About 1601-1694) - Lass Mich Dein Sein (Ach Herr, Mich Armen Sünder) | — | ||
| 36-4 | Peter Morhardt (?-1685) - Aus Tiefer Not Schrei Ich Zu Dir | — | ||
| 36-5 | Matthias Weckmann (About 1619-1674) - Lucidor, Einst Hüt't Der Schaf | — | ||
| 36-6 | Anonymous (Netherlands, About 1650) - 3 Variations on 'Daphne' | — | ||
| 36-7 | Anonymous (Netherlands, About 1610) - Niederländisch Liedgen 'Windecken Daer Het Bosch Af Drilt' | — | ||
| 36-8 | Melchior Schuldt (About 1592-1667) - 3 Variations on 'Gleichwie Das Feuer' | — | ||
| 36-9 | Heinrich Scheidemann (About 1595 - About 1663) - Galliarda in D minor | — | ||
| 36-10 | Heinrich Scheidemann - Praeludium No. 11 in F major | — | ||
| 36-11 | Delphin Strungk - 3 Variations on the Magnificat 'Meine Sehl Erhebet Den Herrn' | — | ||
| 36-12 | Johann Adam Reincken (1623-1722) - Fuga in G minor | — | ||
| 36-13 | Matthias Weckmann - Canzona in C minor | — | ||
| 36-14 | Georg Böhm (1661-1733) - 2 Variations on 'Vater Unser in Himmelreich' | — | ||
| 36-15 | Christian Ritter (About 1645-About 1717) - Sonatina in D minor | — | ||
| 37-1 | Sonata in E-flat major, H 545 (BWV 1031) - I. Allegro Moderato | — | ||
| 37-2 | Sonata in E-flat major, H 545 (BWV 1031) - II. Siciliana | — | ||
| 37-3 | Sonata in E-flat major, H 545 (BWV 1031) - III. Allegro | — | ||
| 37-4 | Sonata in G major, H 509 (Wq 86) - I. Andante | — | ||
| 37-5 | Sonata in G major, H 509 (Wq 86) - II. Allegretto | — | ||
| 37-6 | Sonata in G major, H 509 (Wq 86) - III. Allegro | — | ||
| 37-7 | Sonata in C major, H 515 (Wq 87) - I. Allegretto | — | ||
| 37-8 | Sonata in C major, H 515 (Wq 87) - II. Andantino | — | ||
| 37-9 | Sonata in C major, H 515 (Wq 87) - III. Allegro | — | ||
| 37-10 | Sonata in B-flat major, H 578 (Wq 161 No. 2) - I. Allegro | — | ||
| 37-11 | Sonata in B-flat major, H 578 (Wq 161 No. 2) - II. Adagio Ma Non Troppo | — | ||
| 37-12 | Sonata in B-flat major, H 578 (Wq 161 No. 2) - III. Allegretto | — | ||
| 37-13 | Sonata in D major, H 505 (Wq 83) - I. Allegro Un Poco | — | ||
| 37-14 | Sonata in D major, H 505 (Wq 83) - II. Largo | — | ||
| 37-15 | Sonata in D major, H 505 (Wq 83) - III. Allegro | — | ||
| 38-1 | Sonata in G minor, H 542.5 (BWV 1020) - I. Allegro | — | ||
| 38-2 | Sonata in G minor, H 542.5 (BWV 1020) - II. Adagio | — | ||
| 38-3 | Sonata in G minor, H 542.5 (BWV 1020) - III. Allegro | — | ||
| 38-4 | Sonata in B-flat major, H543 (Wq 159/163) - I. Un Poco Andante | — | ||
| 38-5 | Sonata in B-flat major, H543 (Wq 159/163) - II. Allegretto | — | ||
| 38-6 | Sonata in B-flat major, H543 (Wq 159/163) - III. Allegro | — | ||
| 38-7 | Sonata in C major, H 504 (Wq 73/149) - I. Allegro di Molto | — | ||
| 38-8 | Sonata in C major, H 504 (Wq 73/149) - II. Andante | — | ||
| 38-9 | Sonata in C major, H 504 (Wq 73/149) - III. Allegretto | — | ||
| 38-10 | Sonata in G major, H 508 (Wq 85) - I. Allegretto | — | ||
| 38-11 | Sonata in G major, H 508 (Wq 85) - II. Andantino | — | ||
| 38-12 | Sonata in G major, H 508 (Wq 85) - III. Allegro | — | ||
| 38-13 | Sonata in E major, H 506 (Wq 84) - I. Allegretto | — | ||
| 38-14 | Sonata in E major, H 506 (Wq 84) - II. Adagio di Molto | — | ||
| 38-15 | Sonata in E major, H 506 (Wq 84) - III. Allegro Assai | — | ||
| 39-1 | Air Auvergnat Varié in A minor, Op. 26 (Andante-Tema.Andante-L'Istesso Tempo-Allegro Non Troppo-A Tempo Ben Risoluto) | — | ||
| 39-2 | Caprice in C major, Op. 7 No. 7 (Andante Maestoso-Allegro Agitato-Tempo I) | — | ||
| 39-3 | Nocturne in G major (Andante Cantabile-Lento Sostenuto-Tempo I) | — | ||
| 39-4 | Grande Valse, Op. 34 (Introduction. Largo-Allegro) | — | ||
| 39-5 | [Franchomme & Chopin] Grand Duo Concertant Pour Piano Et Violoncelle Sur Des Themes de 'Robert Le Diable' | — | ||
| 39-6 | Caprice in A minor, Op. 7 No. 4 (Largo) | — | ||
| 39-7 | Nocturne in A-flat major, Op. 15 No. 3 (Andante Sostenuto) | — | ||
| 39-8 | Caprice in E minor, Op. 7 No. 2 (Andante) | — | ||
| 39-9 | Air Russe Varié in D minor, No. 2, Op. 32 (Poco Lento-Tema. Andante Sostenuto-Allegro Moderato-Allegro-Lento-Allegro Moderato) | — | ||
| 40-1 | Mass in A-flat major, D 678 - I. Kyrie | — | ||
| 40-2 | Mass in A-flat major, D 678 - II. Gloria | — | ||
| 40-3 | Mass in A-flat major, D 678 - III. Credo | — | ||
| 40-4 | Mass in A-flat major, D 678 - IV. Sanctus | — | ||
| 40-5 | Mass in A-flat major, D 678 - V. Benedictus | — | ||
| 40-6 | Mass in A-flat major, D 678 - VI. Agnus Dei | — | ||
| 40-7 | 'Deutsche Messe', D 872 - I. Zum Eingang | — | ||
| 40-8 | 'Deutsche Messe', D 872 - II. Zum Gloria | — | ||
| 40-9 | 'Deutsche Messe', D 872 - III. Zum Evangelium Und Credo | — | ||
| 40-10 | 'Deutsche Messe', D 872 - IV. Zum Offertorium | — | ||
| 40-11 | 'Deutsche Messe', D 872 - V. Zum Sanctus | — | ||
| 40-12 | 'Deutsche Messe', D 872 - VI. Nach Der Wandlung | — | ||
| 40-13 | 'Deutsche Messe', D 872 - VII. Zum Agnus Dei | — | ||
| 40-14 | 'Deutsche Messe', D 872 - VIII. Zum Schlussgesang | — | ||
| 41-1 | Jacques Boyvin (C1649-1706) - Suite Du Premier Ton in D From 'Premier Livre D'Orgue' | — | ||
| 41-2 | Jean-Adam Guillaume Guilain (Fl.1702-1739) - Suite Du Second Ton in G | — | ||
| 41-3 | Johann Krieger (1652-1735) - Passacaglia in D minor | — | ||
| 41-4 | Abraham Van Den Kerckhoven (C1618-1701) - Fantasia in D minor | — | ||
| 41-5 | Abraham Van Den Kerckhoven - Fantasia in F major | — | ||
| 41-6 | Johann Kaspar Kerll (1627-1693) - Canzona in E minor | — | ||
| 41-7 | Carl Luython (C1557-1620) - Fuga Suavissima in G major | — | ||
| 41-8 | Johann Jacob Froberger (1616-1667) - Toccata V da Sonarsi Alla Levatione in D minor | — | ||
| 41-9 | Johann Jacob Froberger - Capriccio II in A minor | — | ||
| 41-10 | Johann Jacob Froberger - Canzona VI in A | — | ||
| 41-11 | Lambert Chaumont (C1630-1712) - Deuxième Ton (Pièces D'Orgue) In G | — | ||
| 42-1 | Die Schöpfung, Hob. XX1:2: Part I, no. 1. Ouvertüre: Die Vorstellung der Chaos | Tafelmusik, Bruno Weil | — | |
| 42-2 | Die Schöpfung, Hob. XX1:2: Part I, no. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" - "Und der Geist Gottes schwebte auf der Fläche der Wasser" - "Und Gott sah das Licht" (Raphael, Chor, Uriel) | Jörg Hering, Harry van der Kamp, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 42-3 | Die Schöpfung, Hob. XX1:2: Part I, no. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" - "Verzweiflung, Wut und Schrecken" (Uriel, Chor) | Jörg Hering, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 42-4 | Die Schöpfung, Hob. XX1:2: Part I, no. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 42-5 | Die Schöpfung, Hob. XX1:2: Part I, no. 5. Solo und Chor "Mit Staunen sieht das Wunderwerk" - "Und laut ertönt aus ihren Kehlen" (Gabriel, Chor) | Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 42-6 | Die Schöpfung, Hob. XX1:2: Part I, no. 6. Rezitativ "Und Gott sprach: Es sammle sich das Wasser" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 42-7 | Die Schöpfung, Hob. XX1:2: Part I, no. 7. Arie "Rollend in schaümenden Wellen" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 42-8 | Die Schöpfung, Hob. XX1:2: Part I, no. 8. Rezitativ "Und Gott sprach: Es bringe di Erde Gras hervor" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 42-9 | Die Schöpfung, Hob. XX1:2: Part I, no. 9. Arie "Nun beut di Flur das frische Grün" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 42-10 | Die Schöpfung, Hob. XX1:2: Part I, no. 10. Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 42-11 | Die Schöpfung, Hob. XX1:2: Part I, no. 11. Chor "Stimmt an die Saiten" (Chor) | Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 42-12 | Die Schöpfung, Hob. XX1:2: Part I, no. 12. Rezitativ "Und Gott sprach: Es sei'n Lichter" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 42-13 | Die Schöpfung, Hob. XX1:2: Part I, no. 13. Rezitativ "In vollem Glanze steiget jetzt" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 42-14 | Die Schöpfung, Hob. XX1:2: Part I, no. 14. Terzett und Chor "Die Himmel erzählen die Ehre Gottes" - Dem kommenden Tage sagt es der Tag" (Chor, Gabriel, Uriel, Raphael) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 42-15 | Die Schöpfung, Hob. XX1:2: Part II, no. 15. Rezitativ "Und Gott sprach: Es bringe das Wasser" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 42-16 | Die Schöpfung, Hob. XX1:2: Part II, no. 16. Arie "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 42-17 | Die Schöpfung, Hob. XX1:2: Part II, no. 17. Rezitativ "Und Gott schuf große Walfische" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 42-18 | Die Schöpfung, Hob. XX1:2: Part II, no. 18. Rezitativ "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 42-19 | Die Schöpfung, Hob. XX1:2: Part II, no. 19a. Terzett "In holder Anmut steh'n" (Gabriel, Uriel, Raphael) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 42-20 | Die Schöpfung, Hob. XX1:2: Part II, no. 19b. Terzett und Chor "Der Herr ist groß in seiner Macht" (Gabriel, Uriel, Raphael, Chor) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 43-1 | Die Schöpfung, Hob. XX1:2: Part II, no. 20. Rezitativ "Und Gott sprach: Es bringe die Erde" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 43-2 | Die Schöpfung, Hob. XX1:2: Part II, no. 21. Rezitativ "Gleich öffnet sich der Erde Schoß" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 43-3 | Die Schöpfung, Hob. XX1:2: Part II, no. 22. Arie "Nun scheint in vollem Glanze der Himmel" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 43-4 | Die Schöpfung, Hob. XX1:2: Part II, no. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 43-5 | Die Schöpfung, Hob. XX1:2: Part II, no. 24. Arie "Mit Würd' und Hoheit angetan" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 43-6 | Die Schöpfung, Hob. XX1:2: Part II, no. 25. Rezitativ "Und Gott sah jedes Ding" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 43-7 | Die Schöpfung, Hob. XX1:2: Part II, no. 26a. Chor "Vollendet ist das große Werk" (Chor) | Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 43-8 | Die Schöpfung, Hob. XX1:2: Part II, no. 26b. Terzett "Zu dir, o Herr, blickt alles auf" (Gabriel, Uriel, Raphael) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 43-9 | Die Schöpfung, Hob. XX1:2: Part II, no. 26c. Chor "Vollendet ist das große Werk" (Chor) | Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 43-10 | Die Schöpfung, Hob. XX1:2: Part III, no. 27. Rezitativ "Aus Rosenwolken" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 43-11 | Die Schöpfung, Hob. XX1:2: Part III, no. 28a. Duett und Chor "Von deiner Güt', o Herr und Gott" - "Gesegnet sei des Herren Macht" (Eva, Adam, Chor) | Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 43-12 | Die Schöpfung, Hob. XX1:2: Part III, no. 28b. Duett und Chor "Der Sterne hellster" - "Heil dir, o Gott!" (Adam, Eva, Chor) | Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 43-13 | Die Schöpfung, Hob. XX1:2: Part III, no. 29. Rezitativ "Nun ist die erste Pflicht erfüllt" (Adam, Eva) | Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 43-14 | Die Schöpfung, Hob. XX1:2: Part III, no. 30. Duett "Holde Gattin, dir zur Seite" (Adam, Eva) | Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 43-15 | Die Schöpfung, Hob. XX1:2: Part III, no. 31. Rezitativ "O glücklich Paar, und glücklich immerfort" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 43-16 | Die Schöpfung, Hob. XX1:2: Part III, no. 32. Schlußchor (mit Soli) "Singt dem Herren, alle Stimmen!" (Chor, Solisten) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 44-1 | In the “Chant sur le livre” Style: “Gaudeamus omnes in Domino” a 2 | Huelgas Ensemble | — | |
| 44-2 | In the “Chant sur le livre” Style: “De tous biens playne” a 3 | Huelgas Ensemble | — | |
| 44-3 | In the “Chant sur le livre” Style: “Dung aultre amer” a 3 | Huelgas Ensemble | — | |
| 44-4 | In the “Chant sur le livre” Style: “Virgo sub ethereis” a 3 | Huelgas Ensemble | — | |
| 44-5 | Missa Guazzabuglio: Kyrie from Missa Je ne demande a 4 | Huelgas Ensemble | — | |
| 44-6 | Missa Guazzabuglio: Gloria from Missa Secundi Toni a 4 | Huelgas Ensemble | — | |
| 44-7 | Missa Guazzabuglio: Credo from Missa Le serviteur a 4 | Huelgas Ensemble | — | |
| 44-8 | Missa Guazzabuglio: Sanctus from Missa Re-fa-mi-re-fa a 4 | Huelgas Ensemble | T-322.297.984-8 | |
| 44-9 | Missa Guazzabuglio: Agnus Dei from Missa In Myne Zyn a 4 | Huelgas Ensemble | — | |
| 44-10 | 3 Chansons: “Je nay dueil” a 4 (Bergerette) | Huelgas Ensemble | — | |
| 44-11 | 3 Chansons: “Se mieulx ne vient d'amours” a 3 (Rondeau) | Huelgas Ensemble | — | |
| 44-12 | 3 Chansons: “Fortuna desperata" a 6 (Canzona) | Huelgas Ensemble | — | |
| 44-13 | “Salve Regina” a 4 | Huelgas Ensemble | — | |
| 45-1 | Sonata for Pianoforte and Violoncello in A major, Op. 69 - I. Allegro Ma Non Tanto | — | ||
| 45-2 | Sonata for Pianoforte and Violoncello in A major, Op. 69 - II. Scherzo. Allegro Molto | — | ||
| 45-3 | Sonata for Pianoforte and Violoncello in A major, Op. 69 - III. Adagio Cantabile | — | ||
| 45-4 | Sonata for Pianoforte and Violoncello in A major, Op. 69 - IV. Allegro Vivace | — | ||
| 45-5 | Sonata for Pianoforte and Violoncello in F major, Op. 5, No. 1 - I. Adagio Sostenuto | — | ||
| 45-6 | Sonata for Pianoforte and Violoncello in F major, Op. 5, No. 1 - II. Allegro | — | ||
| 45-7 | Sonata for Pianoforte and Violoncello in F major, Op. 5, No. 1 - III. Rondo. Allegro Vivace | — | ||
| 45-8 | Sonata for Pianoforte and Violoncello in G minor, Op. 5, No. 2 - I. Adagio Sostenuto E Espressivo | — | ||
| 45-9 | Sonata for Pianoforte and Violoncello in G minor, Op. 5, No. 2 - II. Allegro Molto Più Tosto Presto | — | ||
| 45-10 | Sonata for Pianoforte and Violoncello in G minor, Op. 5, No. 2 - III. Rondo. Allegro | — | ||
| 46-1 | Sonata for Pianoforte and Violoncello in C major, op. 102 no. 1: I. Andante | — | ||
| 46-2 | Sonata for Pianoforte and Violoncello in C major, op. 102 no. 1: II. Allegro vivace | — | ||
| 46-3 | Sonata for Pianoforte and Violoncello in C major, op. 102 no. 1: III. Adagio - Tempo d'andante | — | ||
| 46-4 | Sonata for Pianoforte and Violoncello in C major, op. 102 no. 1: IV. Allegro vivace | — | ||
| 46-5 | Sonata for Pianoforte and Violoncello in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 46-6 | Sonata for Pianoforte and Violoncello in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | — | ||
| 46-7 | Sonata for Pianoforte and Violoncello in D major, op. 102 no. 2: III. Allegro fugato | — | ||
| 46-8 | 12 Variations on “Ein Madchen Oder Weibchen” From Mozart's “Die Zauberflöte” for Pianoforte and Violoncello in F major, op. 66 | — | ||
| 47-1 | Requiem, K. 626: I. Introitus | Tafelmusik, Bruno Weil | — | |
| 47-2 | Requiem, K. 626: II. Kyrie | Tafelmusik, Bruno Weil | T-070.093.418-4 | |
| 47-3 | Requiem, K. 626: III. Sequenz: 1. Dies irae | Tafelmusik, Bruno Weil | — | |
| 47-4 | Requiem, K. 626: III. Sequenz: 2. Tuba mirum | Tafelmusik, Bruno Weil | — | |
| 47-5 | Requiem, K. 626: III. Sequenz: 3. Rex tremendae | Tafelmusik, Bruno Weil | — | |
| 47-6 | Requiem, K. 626: III. Sequenz: 4. Recordare | Tafelmusik, Bruno Weil | — | |
| 47-7 | Requiem, K. 626: III. Sequenz: 5. Confutatis | Tafelmusik, Bruno Weil | — | |
| 47-8 | Requiem, K. 626: III. Sequenz: 6. Lacrimosa | Tafelmusik, Bruno Weil | T-921.960.942-4 | |
| 47-9 | Requiem, K. 626: IV. Offertorium: 1. Domine | Tafelmusik, Bruno Weil | T-919.097.742-5 | |
| 47-10 | Requiem, K. 626: IV. Offertorium: 2. Hostias | Tafelmusik, Bruno Weil | — | |
| 47-11 | Requiem, K. 626: V. Sanctus | Tafelmusik, Bruno Weil | T-922.061.546-3 | |
| 47-12 | Requiem, K. 626: VI. Benedictus | Tafelmusik, Bruno Weil | T-106.642.813-3 | |
| 47-13 | Requiem, K. 626: VII. Agnus Dei | Tafelmusik, Bruno Weil | — | |
| 47-14 | Requiem, K. 626: VIII. Communio | Tafelmusik, Bruno Weil | T-910.952.061-8 | |
| 48-1 | Trio in B-flat major for Piano, Violin and Violoncello, D. 898 (Op. 99) - I. Allegro Moderato | — | ||
| 48-2 | Trio in B-flat major for Piano, Violin and Violoncello, D. 898 (Op. 99) - II. Andante Un Poco Mosso | — | ||
| 48-3 | Trio in B-flat major for Piano, Violin and Violoncello, D. 898 (Op. 99) - III. Scherzo. Allegro - Trio | — | ||
| 48-4 | Trio in B-flat major for Piano, Violin and Violoncello, D. 898 (Op. 99) - IV. Rondo. Allegro Vivace - Presto | — | ||
| 48-5 | Trio in E-flat major for Piano, Violin and Violoncello, D. 929 (Op. 100) - I. Allegro | — | ||
| 48-6 | Trio in E-flat major for Piano, Violin and Violoncello, D. 929 (Op. 100) - II. Andante Con Moto | — | ||
| 48-7 | Trio in E-flat major for Piano, Violin and Violoncello, D. 929 (Op. 100) - III. Scherzando. Allegro Moderato - Trio | — | ||
| 48-8 | Trio in E-flat major for Piano, Violin and Violoncello, D. 929 (Op. 100) - IV. Allegro Moderato | — | ||
| 49-1 | Concerto for Strings in G minor, RV 157 | — | ||
| 49-2 | Concerto for Violoncello and Strings in D major, RV 403 | — | ||
| 49-3 | Concerto for Strings in G minor, RV 152 | — | ||
| 49-4 | Concerto for Violoncello and Strings in B minor, RV 424 | — | ||
| 49-5 | Concerto for Strings in D minor, RV 127 | — | ||
| 49-6 | Concerto for 2 Violins, 2 Violoncellos and Strings in D major, RV 564 | — | ||
| 49-7 | Concerto for 2 Oboes and Strings in D minor, RV 535 | — | ||
| 49-8 | Concerto for Violoncello and Strings in A minor, RV 419 | — | ||
| 49-9 | Concerto for Violoncello, Basson and Strings in E minor, RV 409 | — | ||
| 49-10 | Concerto for 2 Oboes, 2 Violins, Bassoon and Strings in C major, RV 557 | — | ||
| 49-11 | Concerto for Strings in G major, RV 151 | — | ||
| 50-1 | String Quartet (No. 66) in G major, Op. 77 No. 1, Hob. III:81 - I. Allegro Moderato | — | ||
| 50-2 | String Quartet (No. 66) in G major, Op. 77 No. 1, Hob. III:81 - II. Adagio | — | ||
| 50-3 | String Quartet (No. 66) in G major, Op. 77 No. 1, Hob. III:81 - III. Menuetto. Presto | — | ||
| 50-4 | String Quartet (No. 66) in G major, Op. 77 No. 1, Hob. III:81 - IV. Finale. Presto | — | ||
| 50-5 | String Quartet (No. 67) in F major, Op. 77 No. 2, Hob. III:82 - I. Allegro Moderato | — | ||
| 50-6 | String Quartet (No. 67) in F major, Op. 77 No. 2, Hob. III:82 - II. Menuetto. Presto, Ma Non Troppo | — | ||
| 50-7 | String Quartet (No. 67) in F major, Op. 77 No. 2, Hob. III:82 - III. Andante | — | ||
| 50-8 | String Quartet (No. 67) in F major, Op. 77 No. 2, Hob. III:82 - IV. Finale. Vivace Assai | — | ||
| 50-9 | String Quartet (No. 68) in D minor, Op. 103, Hob. III:83 (Unfinished) - I. Andante Grazioso | — | ||
| 50-10 | String Quartet (No. 68) in D minor, Op. 103, Hob. III:83 (Unfinished) - II. Menuetto Ma Non Troppo. Presto | — | ||
| 50-11 | Quartettsatz 'Der Greis' (Part Song for 4 Voices & Keyboard) Hob. Xxvc:5 | — | ||
| 51-1 | Music for the Royal Fireworks, for Orchestra, HWV 351 - Ouverture | — | ||
| 51-2 | Music for the Royal Fireworks, for Orchestra, HWV 351 - Bourrée | — | ||
| 51-3 | Music for the Royal Fireworks, for Orchestra, HWV 351 - La Paix | — | ||
| 51-4 | Music for the Royal Fireworks, for Orchestra, HWV 351 - La Réjouissance | — | ||
| 51-5 | Music for the Royal Fireworks, for Orchestra, HWV 351 - Menuet I | — | ||
| 51-6 | Music for the Royal Fireworks, for Orchestra, HWV 351 - Menuet II | — | ||
| 51-7 | Concerto a Due Cori No.2 in F major, HWV 333 - Pomposo - Allegro | — | ||
| 51-8 | Concerto a Due Cori No.2 in F major, HWV 333 - A Tempo Giusto | — | ||
| 51-9 | Concerto a Due Cori No.2 in F major, HWV 333 - Largo | — | ||
| 51-10 | Concerto a Due Cori No.2 in F major, HWV 333 - Allegro Ma Non Troppo | — | ||
| 51-11 | Concerto a Due Cori No.2 in F major, HWV 333 - A Tempo Ordinario | — | ||
| 51-12 | Concerto a Due Cori No.1 in B-flat major, HWV 332 - Ouverture - Allegro Ma Non Troppo | — | ||
| 51-13 | Concerto a Due Cori No.1 in B-flat major, HWV 332 - Allegro | — | ||
| 51-14 | Concerto a Due Cori No.1 in B-flat major, HWV 332 - Largo | — | ||
| 51-15 | Concerto a Due Cori No.1 in B-flat major, HWV 332 - A Tempo Ordinario | — | ||
| 51-16 | Concerto a Due Cori No.1 in B-flat major, HWV 332 - Alla Breve Moderato | — | ||
| 51-17 | Concerto a Due Cori No.1 in B-flat major, HWV 332 - Menuet | — | ||
| 51-18 | Concerto a Due Cori No.3 in F major, HWV 334 - Ouverture - Allegro | — | ||
| 51-19 | Concerto a Due Cori No.3 in F major, HWV 334 - Allegro Ma Non Troppo | — | ||
| 51-20 | Concerto a Due Cori No.3 in F major, HWV 334 - Adagio | — | ||
| 51-21 | Concerto a Due Cori No.3 in F major, HWV 334 - Andante Larghetto | — | ||
| 51-22 | Concerto a Due Cori No.3 in F major, HWV 334 - Allegro | — | ||
| 52-1 | Paris Quartet No. 1: Concerto Primo in G major, TWV 43:G1 - 1. Grave - Allegro | — | ||
| 52-2 | Paris Quartet No. 1: Concerto Primo in G major, TWV 43:G1 - 2. Largo | — | ||
| 52-3 | Paris Quartet No. 1: Concerto Primo in G major, TWV 43:G1 - 3. Presto | — | ||
| 52-4 | Paris Quartet No. 1: Concerto Primo in G major, TWV 43:G1 - 4. Largo | — | ||
| 52-5 | Paris Quartet No. 1: Concerto Primo in G major, TWV 43:G1 - 5. Allegro | — | ||
| 52-6 | Paris Quartet No. 2: Concerto Secondo in D major, TWV 43:D1 - 1. Allegro | — | ||
| 52-7 | Paris Quartet No. 2: Concerto Secondo in D major, TWV 43:D1 - 2. Affettuoso | — | ||
| 52-8 | Paris Quartet No. 2: Concerto Secondo in D major, TWV 43:D1 - 3. Vivace | — | ||
| 52-9 | Paris Quartet No. 3: Sonata Prima in A major, TWV 43:A1 - 1. Soave | — | ||
| 52-10 | Paris Quartet No. 3: Sonata Prima in A major, TWV 43:A1 - 2. Allegro | — | ||
| 52-11 | Paris Quartet No. 3: Sonata Prima in A major, TWV 43:A1 - 3. Andante | — | ||
| 52-12 | Paris Quartet No. 3: Sonata Prima in A major, TWV 43:A1 - 4. Vivace | — | ||
| 52-13 | Paris Quartet No. 4: Sonata Seconda in G minor, TWV 43:G1 - 1. Andante | — | ||
| 52-14 | Paris Quartet No. 4: Sonata Seconda in G minor, TWV 43:G1 - 2. Allegro | — | ||
| 52-15 | Paris Quartet No. 4: Sonata Seconda in G minor, TWV 43:G1 - 3. Largo | — | ||
| 52-16 | Paris Quartet No. 4: Sonata Seconda in G minor, TWV 43:G1 - 4. Allegro | — | ||
| 52-17 | Paris Quartet No. 5: Première Suite in E minor, TWV 43:E1 - 1. Prélude. Vitement | — | ||
| 52-18 | Paris Quartet No. 5: Première Suite in E minor, TWV 43:E1 - 2. Rigaudon | — | ||
| 52-19 | Paris Quartet No. 5: Première Suite in E minor, TWV 43:E1 - 3. Air | — | ||
| 52-20 | Paris Quartet No. 5: Première Suite in E minor, TWV 43:E1 - 4. Replique | — | ||
| 52-21 | Paris Quartet No. 5: Première Suite in E minor, TWV 43:E1 - 5. Menuet I - Menuet II | — | ||
| 52-22 | Paris Quartet No. 5: Première Suite in E minor, TWV 43:E1 - 6. Gigue | — | ||
| 52-23 | Paris Quartet No. 6: Deuxième Suite in B minor, TWV 43:H1 - 1. Prelude. Gaiement | — | ||
| 52-24 | Paris Quartet No. 6: Deuxième Suite in B minor, TWV 43:H1 - 2. Air. Modérément | — | ||
| 52-25 | Paris Quartet No. 6: Deuxième Suite in B minor, TWV 43:H1 - 3. Réjouissance | — | ||
| 52-26 | Paris Quartet No. 6: Deuxième Suite in B minor, TWV 43:H1 - 4. Courante | — | ||
| 52-27 | Paris Quartet No. 6: Deuxième Suite in B minor, TWV 43:H1 - 5. Passepied | — | ||
| 53-1 | Nouveaux Quatuors Parisiens No. 7: Premier Quatuor TWV 43:D3 - 1. Prélude. Vivement | — | ||
| 53-2 | Nouveaux Quatuors Parisiens No. 7: Premier Quatuor TWV 43:D3 - 2. Tendrement | — | ||
| 53-3 | Nouveaux Quatuors Parisiens No. 7: Premier Quatuor TWV 43:D3 - 3. Vite | — | ||
| 53-4 | Nouveaux Quatuors Parisiens No. 7: Premier Quatuor TWV 43:D3 - 4. Gaiment | — | ||
| 53-5 | Nouveaux Quatuors Parisiens No. 7: Premier Quatuor TWV 43:D3 - 5. Moderement | — | ||
| 53-6 | Nouveaux Quatuors Parisiens No. 7: Premier Quatuor TWV 43:D3 - 6. Vite | — | ||
| 53-7 | Nouveaux Quatuors Parisiens No. 8: Deuxième Quatuor TWV 43:A2 - 1. Allegrement | — | ||
| 53-8 | Nouveaux Quatuors Parisiens No. 8: Deuxième Quatuor TWV 43:A2 - 2. Flatteusement | — | ||
| 53-9 | Nouveaux Quatuors Parisiens No. 8: Deuxième Quatuor TWV 43:A2 - 3. Légèrement | — | ||
| 53-10 | Nouveaux Quatuors Parisiens No. 8: Deuxième Quatuor TWV 43:A2 - 4. Un Peu Vivement | — | ||
| 53-11 | Nouveaux Quatuors Parisiens No. 8: Deuxième Quatuor TWV 43:A2 - 5. Vite | — | ||
| 53-12 | Nouveaux Quatuors Parisiens No. 8: Deuxième Quatuor TWV 43:A2 - 6. Coulant | — | ||
| 53-13 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 1. Prélude. Un Peu Vivement | — | ||
| 53-14 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 2. Légèrement | — | ||
| 53-15 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 3. Gracieusement | — | ||
| 53-16 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 4. Vite | — | ||
| 53-17 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 5. Modéré | — | ||
| 53-18 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 6. Gai | — | ||
| 53-19 | Nouveaux Quatuors Parisiens No. 9: Troisième Quatuor TWV 43:G4 - 7. Lentement - Vite | — | ||
| 54-1 | Nouveaux Quatuors Parisiens No. 10 - Quatrième Quatuor TWV 43:H2 - 1. Prélude. Vivement - Flatteusement | — | ||
| 54-2 | Nouveaux Quatuors Parisiens No. 10 - Quatrième Quatuor TWV 43:H2 - 2. Coulant | — | ||
| 54-3 | Nouveaux Quatuors Parisiens No. 10 - Quatrième Quatuor TWV 43:H2 - 3. Gai | — | ||
| 54-4 | Nouveaux Quatuors Parisiens No. 10 - Quatrième Quatuor TWV 43:H2 - 4. Vite | — | ||
| 54-5 | Nouveaux Quatuors Parisiens No. 10 - Quatrième Quatuor TWV 43:H2 - 5. Triste | — | ||
| 54-6 | Nouveaux Quatuors Parisiens No. 10 - Quatrième Quatuor TWV 43:H2 - 6. Menuet. Modéré | — | ||
| 54-7 | Nouveaux Quatuors Parisiens No. 11 - Cinquième Quatuor TWV 43:A3 - 1. Prélude. Vivement | — | ||
| 54-8 | Nouveaux Quatuors Parisiens No. 11 - Cinquième Quatuor TWV 43:A3 - 2. Gai | — | ||
| 54-9 | Nouveaux Quatuors Parisiens No. 11 - Cinquième Quatuor TWV 43:A3 - 3. Modéré | — | ||
| 54-10 | Nouveaux Quatuors Parisiens No. 11 - Cinquième Quatuor TWV 43:A3 - 4. Modéré | — | ||
| 54-11 | Nouveaux Quatuors Parisiens No. 11 - Cinquième Quatuor TWV 43:A3 - 5. Pas Vite | — | ||
| 54-12 | Nouveaux Quatuors Parisiens No. 11 - Cinquième Quatuor TWV 43:A3 - 6. Un Peu Gai | — | ||
| 54-13 | Nouveaux Quatuors Parisiens No. 12 - Sixième Quatuor TWV 43:E4 - 1. Prélude. A Discrétion - Très Vite | — | ||
| 54-14 | Nouveaux Quatuors Parisiens No. 12 - Sixième Quatuor TWV 43:E4 - 2. Gai | — | ||
| 54-15 | Nouveaux Quatuors Parisiens No. 12 - Sixième Quatuor TWV 43:E4- 3. Vite | — | ||
| 54-16 | Nouveaux Quatuors Parisiens No. 12 - Sixième Quatuor TWV 43:E4 - 4. Gracieusement | — | ||
| 54-17 | Nouveaux Quatuors Parisiens No. 12 - Sixième Quatuor TWV 43:E4 - 5. Distrait | — | ||
| 54-18 | Nouveaux Quatuors Parisiens No. 12 - Sixième Quatuor TWV 43:E4 - 6. Modéré | — | ||
| 55-1 | Thomas Tallis - Spem in Alium, 40-Part Motet | — | ||
| 55-2 | Costanzo Porta - Sanctus - Agnus Dei (From “Missa Ducalis”), for 13 Parts | — | ||
| 55-3 | Josquin Desprez - Qui Habitat (Psalm 90), 24-Part Motet | — | ||
| 55-4 | Deo gratias | Huelgas Ensemble, Paul Van Nevel | — | |
| 55-5 | Pierre de Manchicourt - Laudate Dominum, 6-Part Motet | — | ||
| 55-6 | Giovanni Gabrieli - Exaudi Me Domine, 16-Part Motet | — | ||
| 55-7 | Alessandro Striggio - Ecce Beatam Lucem, 40-Part Non-Liturgical Motet | — | ||
| 56-1 | Concerto in A minor for Violin, Strings & B.C., BWV 1041 - I. [] | — | ||
| 56-2 | Concerto in A minor for Violin, Strings & B.C., BWV 1041 - II. Andante | — | ||
| 56-3 | Concerto in A minor for Violin, Strings & B.C., BWV 1041 - III. Allegro Assai | — | ||
| 56-4 | Concerto for Two Violins in D minor ("Double"), BWV 1043: I. Vivace | Jeanne Lamon, Linda Melsted, Tafelmusik | — | |
| 56-5 | Concerto in D minor for 2 Violins, Strings & B.C., BWV 1043 - II. Largo Ma Non Tanto | — | ||
| 56-6 | Concerto in D minor for 2 Violins, Strings & B.C., BWV 1043 - III. Allegro | — | ||
| 56-7 | Concerto in E major for Violin, Strings & B.C., BWV 1042 - I. Allegro | — | ||
| 56-8 | Concerto in E major for Violin, Strings & B.C., BWV 1042 - II. Adagio | — | ||
| 56-9 | Concerto in E major for Violin, Strings & B.C., BWV 1042 - III. Allegro Assai | — | ||
| 56-10 | Concerto in D major for 3 Violins, Strings & B.C., BWV 1064R - I. Allegro | — | ||
| 56-11 | Concerto in D major for 3 Violins, Strings & B.C., BWV 1064R - II. Adagio | — | ||
| 56-12 | Concerto in D major for 3 Violins, Strings & B.C., BWV 1064R - III. Allegro | — | ||
| 57-1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. (-) | Tafelmusik, Jeanne Lamon | T-801.411.105-9 | |
| 57-2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 57-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 57-4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio - Polonaise - Trio | Tafelmusik, Jeanne Lamon | T-307.292.941-6 | |
| 57-5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. (-) | Tafelmusik, Jeanne Lamon | T-801.411.105-9 | |
| 57-6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Tafelmusik, Jeanne Lamon | — | |
| 57-7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Tafelmusik, Jeanne Lamon | — | |
| 57-8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. (-) | Tafelmusik, Jeanne Lamon | T-801.411.105-9 | |
| 57-9 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 58-1 | Concerto No.4 in G major, BWV 1049 - I. Allegro | — | ||
| 58-2 | Concerto No.4 in G major, BWV 1049 - II. Andante | — | ||
| 58-3 | Concerto No.4 in G major, BWV 1049 - III. Presto | — | ||
| 58-4 | Concerto No. 5 in D major, BWV 1050 - I. Allegro | — | ||
| 58-5 | Concerto No. 5 in D major, BWV 1050 - II. Affettuoso | — | ||
| 58-6 | Concerto No. 5 in D major, BWV 1050 - III. Allegro | — | ||
| 58-7 | Concerto No. 6 in B-flat major, BWV 1051 - I. [-] | — | ||
| 58-8 | Concerto No. 6 in B-flat major, BWV 1051 - II. Adagio Ma Non Troppo | — | ||
| 58-9 | Concerto No. 6 in B-flat major, BWV 1051 - III. Allegro | — | ||
| 59-1 | Sonata for Piano and Cello in E minor, Op. 38 - I. Allegro Non Troppo | — | ||
| 59-2 | Sonata for Piano and Cello in E minor, Op. 38 - II. Allegretto Quasi Menuetto - Trio | — | ||
| 59-3 | Sonata for Piano and Cello in E minor, Op. 38 - III. Allegro | — | ||
| 59-4 | 5 Stücke Im Volkston Op. 102 for Cello and Piano - I. Vanitas Vanitatum. Mit Humor | — | ||
| 59-5 | 5 Stücke Im Volkston Op. 102 for Cello and Piano - II. Langsam | — | ||
| 59-6 | 5 Stücke Im Volkston Op. 102 for Cello and Piano - III. Nicht Schnell, Mit Viel Ton Zu Spielen | — | ||
| 59-7 | 5 Stücke Im Volkston Op. 102 for Cello and Piano - IV. Nicht Zu Rasch | — | ||
| 59-8 | 5 Stücke Im Volkston Op. 102 for Cello and Piano - V. Stark Und Markiert | — | ||
| 59-9 | Sonata for Piano and Cello in F major, Op. 99 - I. Allegro Vivace | — | ||
| 59-10 | Sonata for Piano and Cello in F major, Op. 99 - II. Adagio Affettuoso | — | ||
| 59-11 | Sonata for Piano and Cello in F major, Op. 99 - III. Allegro Passionato - Trio | — | ||
| 59-12 | Sonata for Piano and Cello in F major, Op. 99 - IV. Allegro Molto | — | ||
| 60-1 | Water Music, Suite No. 1 in F major, HWV 348: I. Overture. Largo - Allegro | Tafelmusik, Jeanne Lamon | T-923.432.792-5 | |
| 60-2 | Water Music, Suite No. 1 in F major, HWV 348: II. Adagio e staccato | Tafelmusik, Jeanne Lamon | — | |
| 60-3 | Water Music, Suite No. 1 in F major, HWV 348: 3. (Allegro) / 4. Andante / 3. (Allegro) da capo | Tafelmusik, Jeanne Lamon | — | |
| 60-4 | Water Music, Suite No. 1 in F major, HWV 348: 5. (Minuet I/II/I) | Tafelmusik, Jeanne Lamon | — | |
| 60-5 | Water Music, Suite No. 1 in F major, HWV 348: 6. Air | Tafelmusik, Jeanne Lamon | T-306.036.936-6 | |
| 60-6 | Water Music, Suite No. 1 in F major, HWV 348: 7. Minuet | Tafelmusik, Jeanne Lamon | — | |
| 60-7 | Water Music, Suite No. 1 in F major, HWV 348: 8. Bourrée | Tafelmusik, Jeanne Lamon | T-001.322.754-7 | |
| 60-8 | Water Music, Suite No. 1 in F major, HWV 348: 9. Hornpipe | Tafelmusik, Jeanne Lamon | T-902.314.028-5 | |
| 60-9 | Water Music, Suite No. 1 in F major, HWV 348: 10. (Andante) | Tafelmusik, Jeanne Lamon | — | |
| 60-10 | Water Music, Suite No. 2 in D major, HWV 349: 11. (Allegro) | Tafelmusik, Jeanne Lamon | T-306.036.936-6 | |
| 60-11 | Water Music, Suite No. 2 in D major, HWV 349: 12. Alla hornpipe | Tafelmusik, Jeanne Lamon | T-905.384.308-6 | |
| 60-12 | Water Music, Suite No. 3 in G major, HWV 350: 16: (Sarabande) | Tafelmusik, Jeanne Lamon | T-306.036.936-6 | |
| 60-13 | Water Music, Suite No. 3 in G major, HWV 350: 17. Rigaudon / 18. (Rigaudon) / 17. Rigaudon I da capo | Tafelmusik, Jeanne Lamon | — | |
| 60-14 | Water Music, Suite No. 2 in D major, HWV 349: 14. Lentement | Tafelmusik, Jeanne Lamon | — | |
| 60-15 | Water Music, Suite No. 2 in D major, HWV 349: 15. Bourrée | Tafelmusik, Jeanne Lamon | — | |
| 60-16 | Water Music, Suite No. 3 in G major, HWV 350: 19: Minuet / 20. (Minuet) | Tafelmusik, Jeanne Lamon | — | |
| 60-17 | Water Music, Suite No. 3 in G major, HWV 350: 21. (Country Dance) / 22. (Country Dance) / 21. (Country Dance) da capo | Tafelmusik, Jeanne Lamon | — | |
| 60-18 | Water Music, Suite No. 2 in D major, HWV 349: 13. Minuet | Tafelmusik, Jeanne Lamon | T-011.781.858-2 | |
| 60-19 | Suite from "Il pastor fido", HWV 8c: 1. Ouverture. Largo - Allegro | Tafelmusik, Jeanne Lamon | T-923.432.792-5 | |
| 60-20 | Suite from "Il pastor fido", HWV 8c: 2. (Ballo) | Tafelmusik, Jeanne Lamon | — | |
| 60-21 | Suite from "Il pastor fido", HWV 8c: 3. (Tambourin) | Tafelmusik, Jeanne Lamon | — | |
| 60-22 | Suite from "Il pastor fido", HWV 8c: 4. Musette | Tafelmusik, Jeanne Lamon | — | |
| 60-23 | Suite from "Il pastor fido", HWV 8c: 5. Menuet | Tafelmusik, Jeanne Lamon | T-900.962.202-0 | |
| 60-24 | Suite from "Il pastor fido", HWV 8c: Balli. 6. March / 7 Pour les Chasseurs / 6. March da capo | Tafelmusik, Jeanne Lamon | — | |
| 60-25 | Suite from "Il pastor fido", HWV 8c: 8. (Ballo) | Tafelmusik, Jeanne Lamon | — | |
| 60-26 | Suite from "Il pastor fido", HWV 8c: 9. Sarabanda. Largo assai | Tafelmusik, Jeanne Lamon | — | |
| 60-27 | Suite from "Il pastor fido", HWV 8c: 10. Gavotte | Tafelmusik, Jeanne Lamon | — | |
| 60-28 | Suite from "Il pastor fido", HWV 8c: 11. Gigue. Presto | Tafelmusik, Jeanne Lamon | — | |
| 60-29 | Suite from "Il pastor fido", HWV 8c: 12. Chacconne | Tafelmusik, Jeanne Lamon | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Quintet for Clarinet, Two Violins, Viola and Cello in A major, K. 581 "Stadler Quintet": II. Larghetto | Charles Neidich, L’Archibudelli | — |
