UPC · Release
Bruno Walter, Columbia Symphony Orchestra, New York Philharmonic
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The UPC for “Bruno Walter The Edition” by Bruno Walter, Columbia Symphony Orchestra, New York Philharmonic is 887654895226. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Sony Classical. This release contains 302 tracks, each with its own ISRC. Tracks include USSM11808755, USSM11808756, USSM11808757.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace - Trio | Columbia Symphony Orchestra, Bruno Walter | T-300.456.250-5 | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 5 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro - Trio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 9 | Coriolan Overture, op. 62: Allegro con brio | — | ||
| 2-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Columbia Symphony Orchestra, Bruno Walter | T-909.821.799-3 | |
| 2-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 3-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio; Allegro vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 3-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Columbia Symphony Orchestra, Bruno Walter | T-001.444.317-4 | |
| 3-3 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto (Allegro vivace) Trio (un poco meno allegro) | Columbia Symphony Orchestra, Bruno Walter | T-001.444.317-4 | |
| 3-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Columbia Symphony Orchestra, Bruno Walter | T-001.444.317-4 | |
| 3-5 | Symphony no. 6 in F major op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | — | ||
| 3-6 | Symphony no. 6 in F major op. 68 "Pastoral": II. Szene am Bach. Andante molto moto | — | ||
| 3-7 | Symphony no. 6 in F major op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 3-8 | Symphony no. 6 in F major op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro | — | ||
| 3-9 | Symphony no. 6 in F major op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Columbia Symphony Orchestra, Bruno Walter | T-314.638.300-4 | |
| 4-7 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto - Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 5-1 | Symphony no. 9 in D minor “Choral”, op. 125: I. Allegro ma non troppo, un poco maestoso | Columbia Symphony Orchestra, Bruno Walter | — | |
| 5-2 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace - Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 5-3 | Symphony no. 9 in D minor “Choral”, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 5-4 | Symphony no. 9 in D minor op. 125 "Choral": IV. Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto | — | ||
| 5-5 | Symphony no. 9 in D minor op. 125 "Choral": IV. Rezitativo: "O Freunde, nicht diese Töne!" - Allegro assai - Allegro assai vivace. Alla marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allergro energico e sempre ben marcato - Allegro ma non tanto - Presto - Maestoso - Prestissimo | — | ||
| 6-1 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: I. Allegro | — | ||
| 6-2 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: II. Adagio un poco moto - attacca | — | ||
| 6-3 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: III. Rondo. Allegro | — | ||
| 6-4 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | — | ||
| 6-5 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso - attacca | — | ||
| 6-6 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 7-1 | Violin Concerto in D Major, Op. 61, I. Allegro ma non Troppo (Joachim cadenza) | — | ||
| 7-2 | Violin Concerto in D Major, Op. 61, II. Larghetto | — | ||
| 7-3 | Violin Concerto in D Major, Op. 61, III. Rondo. Allegro (Joachim cadenza) | — | ||
| 7-4 | Violin Concerto in E Minor, Op. 64, I. Allegro molto appassionato | — | ||
| 7-5 | Violin Concerto in E Minor, Op. 64, II. Andante | — | ||
| 7-6 | Violin Concerto in E Minor, Op. 64, III. Allegro ma non troppo - Allegro molto vivace | — | ||
| 8-1 | Concerto for Vioin, Cello and Orchestra in A minor “Double Concerto”, op. 102: I. Allegro | — | ||
| 8-2 | Concerto for Vioin, Cello and Orchestra in A minor “Double Concerto”, op. 102: II. Andante | — | ||
| 8-3 | Concerto for Vioin, Cello and Orchestra in A minor “Double Concerto”, op. 102: III. Vivace non troppo | — | ||
| 8-4 | Concerto for Piano, Violin, Cello and Orchestra in C major “Triple Concerto”, op. 56: I. Allegro | — | ||
| 8-5 | Concerto for Piano, Violin, Cello and Orchestra in C major “Triple Concerto”, op. 56: II. Largo - attacca | — | ||
| 8-6 | Concerto for Piano, Violin, Cello and Orchestra in C major “Triple Concerto”, op. 56: III. Rondo alla Polacca | — | ||
| 9-1 | Symphony no. 4 in B-flat major, op. 60: II. Adagio (Rehearsal) | — | ||
| 9-2 | - Sinfonia No. 5 Primer Movimiento | — | ||
| 9-3 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (Rehearsal) | — | ||
| 9-4 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace (Rehearsal) | — | ||
| 10-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 10-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 10-3 | Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso | Columbia Symphony Orchestra, Bruno Walter | — | |
| 10-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più Andante - Allegro non troppo, ma con brio - Più Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 10-5 | Variations on a Theme by Joseph Haydn, op. 56a: Thema. Chorale St Antoni. Andante | — | ||
| 10-6 | Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato | — | ||
| 10-7 | Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace | — | ||
| 10-8 | Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto | — | ||
| 10-9 | Variations on a Theme by Joseph Haydn, op. 56a: Variation IV. Andante con moto | — | ||
| 10-10 | Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace | — | ||
| 10-11 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VI. Vivace | — | ||
| 10-12 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VII. Grazioso | — | ||
| 10-13 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII. Presto non troppo | — | ||
| 10-14 | Variations on a Theme by Joseph Haydn, op. 56a: Variation Finale. Andante | — | ||
| 10-15 | Academic Festival Overture, op. 80: Allegro – Maestoso | — | ||
| 11-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 11-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 11-3 | Symphony no. 2 in D major, op. 73: III. Allegro grazioso (Quasi Andantino) – Presto ma non assai | — | ||
| 11-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 11-5 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 11-6 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 11-7 | Symphony no. 3 in F major, op. 90: III. Poco Allegretto | — | ||
| 11-8 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 12-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 12-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 12-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 12-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più Allegro | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 12-5 | Tragic Overture, op. 81 | Columbia Symphony Orchestra, Bruno Walter | — | |
| 12-6 | Schicksalslied, op. 54: I. Langsam und sehnsuchtsvoll - “Ihr wandelt droben im Licht” / II. Allegro - “Doch uns ist gegeben, auf keiner Stätte zu ruhn” / III. Adagio | Occidental College Concert Choir, Columbia Symphony Orchestra, Bruno Walter | T-322.185.896-0 | |
| 13-1 | Ein deutsche requiem, Op. 45: I. Selig sind, die da Leid tragen | — | ||
| 13-2 | Ein deutsche requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras | — | ||
| 13-3 | Ein deutsche requiem, Op. 45: III. Herr, lehre doch mich | — | ||
| 13-4 | Ein deutsche requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen | — | ||
| 13-5 | Ein deutsche requiem, Op. 45: V. Ihr habt nun Traurigkeit | — | ||
| 13-6 | Ein deutsche requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt | — | ||
| 13-7 | Ein deutsche requiem, Op. 45: VII. Selig sind die Toten | — | ||
| 13-8 | Alto Rhapsodie, Op. 53 | — | ||
| 14-1 | Symphony No. 4 "Romantic": I. Bewegt, nicht zu schnell | — | ||
| 14-2 | Symphony No. 4 "Romantic": II. Andante quasi allegretto | — | ||
| 14-3 | Symphony No. 4 "Romantic": III. Scherzo: Trio | — | ||
| 14-4 | Symphony No. 4 "Romantic": IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 15-1 | Symphony No. 7 in E major, WAB 107: I. Allegro moderato | — | ||
| 15-2 | Symphony No. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam | — | ||
| 15-3 | Symphony No. 7 in E major, WAB 107: III. Scherzo: Sehr schnell - Trio: Etwas langsamer | — | ||
| 15-4 | Symphony No. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 16-1 | Symphony no. 9: I Feierlich, Misterioso | — | ||
| 16-2 | Symphony no. 9: II Scherzo: Bewegt, Lebhaft. Trio: Schnell | — | ||
| 16-3 | Symphony no. 9: III Adagio: Langsam, Feierlich | — | ||
| 17-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | — | ||
| 17-2 | Symphony no. 8 in G major, op. 88: II. Adagio | — | ||
| 17-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | — | ||
| 17-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | — | ||
| 17-5 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | — | ||
| 17-6 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 17-7 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo: Molto vivace | — | ||
| 17-8 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | — | ||
| 18-1 | Symphony in G major, Hob. I: 88: I. Adagio - Allegro | — | ||
| 18-2 | Symphony in G major, Hob. I: 88: II. Largo | — | ||
| 18-3 | Symphony in G major, Hob. I: 88: III. Menuetto. Allegretto - Trio | — | ||
| 18-4 | Symphony in G major, Hob. I: 88: IV. Finale. Allegro con spirito | — | ||
| 18-5 | Symphony in G major, Hob. I: 100 "Military": I. Adagio - Allegro | — | ||
| 18-6 | Symphony in G major, Hob. I: 100 "Military": II. Allegretto | — | ||
| 18-7 | Symphony in G major, Hob. I: 100 "Military": III. Menuet. Allegro - Trio | — | ||
| 18-8 | Symphony in G major, Hob. I: 100 "Military": IV. Finale. Presto | — | ||
| 18-9 | Symphony in B-flat major, Hob. I: 102: I. Largo - Vivace | — | ||
| 18-10 | Symphony in B-flat major, Hob. I: 102: II. Adagio | — | ||
| 18-11 | Symphony in B-flat major, Hob. I: 102: III. Menuet: Allegro - Trio | — | ||
| 18-12 | Symphony in B-flat major, Hob. I: 102: IV. Finale. Presto | — | ||
| 19-1 | Sinfonie No. 1 "Titan" D-dur: I. Langsam. Schleppend. Wie ein Naturlaut | — | ||
| 19-2 | Sinfonie No. 1 "Titan" D-dur: II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 19-3 | Sinfonie No. 1 "Titan" D-dur: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 19-4 | Sinfonie No. 1 "Titan" D-dur: IV. Stürmisch bewegt: Energisch | — | ||
| 19-5 | Sinfonie No. 2 "Auferstehung": I. Allegro maestoso | — | ||
| 20-1 | Symphony No. 2 'Resurrection': II. Andante moderato | — | ||
| 20-2 | Symphony No. 2 'Resurrection': III. [Scherzo]. In ruhig fließender Bewegung | — | ||
| 20-3 | Symphony No. 2 'Resurrection': IV. 'Urlicht'. Sehr feierlich, aber schlicht (feat. contralto: Maureen Forrester) | — | ||
| 20-4 | Symphony No. 2 'Resurrection': V. Im Tempo des Scherzos. Wild herausfahrend (feat. contralto: Maureen Forrester; soprano: Emilia Cundari; Westminster Choir) | — | ||
| 20-5 | Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht | — | ||
| 20-6 | Lieder eines fahrenden Gesellen: II. Ging heut morgen übers Feld | — | ||
| 20-7 | Lieder eines fahrenden Gesellen: III. Ich hab ein glühen Messer | — | ||
| 20-8 | Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen | — | ||
| 21-1 | Symphonie no. 4 en sol majeur: I. Bedächtig. Nicht eilen | — | ||
| 21-2 | Symphonie no. 4 en sol majeur: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 21-3 | Symphonie no. 4 en sol majeur: III. Ruhevoll | — | ||
| 21-4 | Symphonie no. 4 en sol majeur: IV. Sehr behaglich - “Wir genießen die himmlischen Freuden” | — | ||
| 21-5 | Lieder und Gesänge aus der Jugendzeit: Erinnerung | — | ||
| 21-6 | Lieder und Gesänge aus der Jugendzeit: Scheiden und Meiden | — | ||
| 21-7 | Lieder und Gesänge aus der Jugendzeit: Nicht wiedersehen! | — | ||
| 21-8 | Lieder und Gesänge aus der Jugendzeit: Ich ging mit Lust durch einen grünen Wald | — | ||
| 21-9 | Lieder und Gesänge aus der Jugendzeit: Ablösung im Sommer | — | ||
| 21-10 | Lieder und Gesänge aus der Jugendzeit: Hans und Grete | — | ||
| 21-11 | Lieder und Gesänge aus der Jugendzeit: Frühlingsmorgen | — | ||
| 21-12 | Lieder und Gesänge aus der Jugendzeit: Starke Einbildungskraft | — | ||
| 22-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | New York Philharmonic, Bruno Walter | — | |
| 22-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz | New York Philharmonic, Bruno Walter | — | |
| 22-3 | Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell | New York Philharmonic, Bruno Walter | — | |
| 22-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam | New York Philharmonic, Bruno Walter | — | |
| 22-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro | New York Philharmonic, Bruno Walter | — | |
| 23-1 | A Talking Portrait: Bruno Walter in Conversation with Arnold Michaelis | — | ||
| 23-2 | A Working Portrait: Recording the Mahler Ninth Symphony | — | ||
| 23-3 | Symphony no. 9 in D major: I. Andante comodo | — | ||
| 24-1 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 24-2 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | — | ||
| 24-3 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | — | ||
| 25-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde. Allegro pesante | — | ||
| 25-2 | Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet | — | ||
| 25-3 | Das Lied von der Erde: III. Von der Jugend. Behaglich heiter | — | ||
| 25-4 | Das Lied von der Erde: IV. Von der Schönheit. Comodo dolcissimo | — | ||
| 25-5 | Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro | — | ||
| 25-6 | Das Lied von der Erde: VI. Der Abschied. Schwer | — | ||
| 26-1 | Symphony no. 25 in G minor, K. 173dB/183: I. Allegro con brio | — | ||
| 26-2 | Symphony no. 25 in G minor, K. 173dB/183: II. Andante | — | ||
| 26-3 | Symphony no. 25 in G minor, K. 173dB/183: III. Minuetto - Trio | — | ||
| 26-4 | Symphony no. 25 in G minor, K. 173dB/183: IV. Allegro | — | ||
| 26-5 | Symphony no. 28 in C major, K. 189k/200: I. Allegro spiritoso | — | ||
| 26-6 | Symphony no. 28 in C major, K. 189k/200: II. Andante | — | ||
| 26-7 | Symphony no. 28 in C major, K. 189k/200: III. Minuetto. Allegretto - Trio | — | ||
| 26-8 | Symphony no. 28 in C major, K. 189k/200: IV. Presto | — | ||
| 26-9 | Symphony no. 29 in A major, K. 186a/201: I. Allegro moderato | — | ||
| 26-10 | Symphony no. 29 in A major, K. 186a/201: II. Andante | — | ||
| 26-11 | Symphony no. 29 in A major, K. 186a/201: III. Minuetto - Trio | — | ||
| 26-12 | Symphony no. 29 in A major, K. 186a/201: IV. Allegro con spirito | — | ||
| 26-13 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | — | ||
| 26-14 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | — | ||
| 26-15 | Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto - Trio | — | ||
| 26-16 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | — | ||
| 27-1 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: I. Adagio - Allegro spiritoso | — | ||
| 27-2 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: II. Andante | — | ||
| 27-3 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: III. Menuetto - Trio | — | ||
| 28-1 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: IV. Presto | — | ||
| 28-2 | Symphony No. 36 in C major, K. 425 "Linz": I. Adagio - allegro con spirito | — | ||
| 28-3 | Symphony No. 36 in C major, K. 425 "Linz": II. Andante | — | ||
| 28-4 | Symphony No. 36 in C major, K. 425 "Linz": III. Minuetto & Trio | — | ||
| 28-5 | Symphony No. 36 in C major, K. 425 "Linz": IV. Presto | — | ||
| 28-6 | Symphony no. 38 in D major “Prague”, K. 504: I. Adagio - Allegro | — | ||
| 28-7 | Symphony no. 38 in D major “Prague”, K. 504: II. Andante | — | ||
| 28-8 | Symphony no. 38 in D major “Prague”, K. 504: III. Presto | — | ||
| 29-1 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | New York Philharmonic, Bruno Walter | — | |
| 29-2 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | New York Philharmonic, Bruno Walter | — | |
| 29-3 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegro - Trio | New York Philharmonic, Bruno Walter | T-902.774.400-9 | |
| 29-4 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | New York Philharmonic, Bruno Walter | — | |
| 29-5 | Symphony no. 40 in G minor with clarinets, K. 550: I. Molto Allegro | New York Philharmonic, Bruno Walter | — | |
| 29-6 | Symphony no. 40 in G minor with clarinets, K. 550: II. Andante | New York Philharmonic, Bruno Walter | T-802.445.410-3 | |
| 29-7 | Symphony no. 40 in G minor with clarinets, K. 550: III. Menuetto. Allegretto - Trio | New York Philharmonic, Bruno Walter | T-902.774.400-9 | |
| 29-8 | Symphony no. 40 in G minor with clarinets, K. 550: IV. Allegro assai | New York Philharmonic, Bruno Walter | T-306.395.786-4 | |
| 29-9 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | New York Philharmonic, Bruno Walter | T-335.920.325-7 | |
| 29-10 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | New York Philharmonic, Bruno Walter | — | |
| 29-11 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio | New York Philharmonic, Bruno Walter | T-335.920.325-7 | |
| 29-12 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto Allegro | New York Philharmonic, Bruno Walter | T-316.103.728-7 | |
| 30-1 | Concerto for Violin and Orchestra no. 3 in G major K. 216: I. Allegro | — | ||
| 30-2 | Concerto for Violin and Orchestra no. 3 in G major K. 216: II. Adagio | — | ||
| 30-3 | Concerto for Violin and Orchestra no. 3 in G major K. 216: III. Rondeau. Allegro | — | ||
| 30-4 | Concerto for Violin and Orchestra no. 4 in D major K. 218: I. Allegro | — | ||
| 30-5 | Concerto for Violin and Orchestra no. 4 in D major K. 218: II. Andante cantabile | — | ||
| 30-6 | Concerto for Violin and Orchestra no. 4 in D major K. 218: III. Rondeau. Andante grazioso – Allegro ma non Troppo | — | ||
| 30-7 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-8 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | — | ||
| 30-9 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-10 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | — | ||
| 31-1 | Minuet and Trio in F major K. 599/5 | — | ||
| 31-2 | Minuet and Trio in C major K. 568/1 | — | ||
| 31-3 | Three German Dances K. 605: No. 1 in D major | Columbia Symphony Orchestra, Bruno Walter | — | |
| 31-4 | Three German Dances K. 605: No. 2 in G major | Columbia Symphony Orchestra, Bruno Walter | — | |
| 31-5 | Three German Dances K. 605: No. 3 in C major "Sleigh Ride" | Columbia Symphony Orchestra, Bruno Walter | — | |
| 31-6 | Maurische Trauermusik K. 477 | — | ||
| 31-7 | Die Zauberflöte, K. 620: Overture. Adagio - Allegro | Columbia Symphony Orchestra, Bruno Walter | T-903.529.769-9 | |
| 31-8 | Le nozze di Figaro, K. 492: Overture. Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 31-9 | Così fan tutte, K. 588: Ouverture | Columbia Symphony Orchestra, Bruno Walter | T-902.763.968-5 | |
| 31-10 | Der Schauspieldirektor, K. 486: Overture. Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 31-11 | Symphony no. 96 in D major “The Miracle”, Hob. I:96: I. Adagio - Allegro | — | ||
| 31-12 | Symphony no. 96 in D major “The Miracle”, Hob. I:96: II. Andante | — | ||
| 31-13 | Symphony no. 96 in D major “The Miracle”, Hob. I:96: III. Menuetto. Allegretto - Trio | — | ||
| 31-14 | Symphony no. 96 in D major “The Miracle”, Hob. I:96: IV. Finale. Vivace assai | — | ||
| 32-1 | Te Deum in C major: I. Te Deum. Allegro moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-2 | Te Deum in C major: II. Te ergo. Moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-3 | Te Deum in C major: III. Aeterna fac. Allegro. Moderato. Feierlich, mit Kraft. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-4 | Te Deum in C major: IVa. Salvum fac: Salvum fac. Moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-5 | Te Deum in C major: IVb. Salvum fac: Per singulos dies benedicimus te. Allegro moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-6 | Te Deum in C major: Va. In te, Domine, speravi. Mäßig bewegt. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-7 | Te Deum in C major: Vb. In te, Domine, speravi. Fuge. Im gleichen gemäßigten Tempo - Alla breve. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-8 | Requiem in D minor, K. 626: I. Introitus: Requiem. Adagio. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-9 | Requiem in D minor, K. 626: II. Kyrie: Kyrie eleison. Allegro. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-070.093.418-4 | |
| 32-10 | Requiem in D minor, K. 626: IIIa. Sequentia: Dies irae. Allegro assai. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-924.404.440-4 | |
| 32-11 | Requiem in D minor, K. 626: IIIb. Sequentia: Tuba mirum. Andante. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-12 | Requiem in D minor, K. 626: IIIc. Sequentia: Rex tremendae | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-13 | Requiem in D minor, K. 626: IIId. Sequentia: Recordare | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-14 | Requiem in D minor, K. 626: IIIe. Sequentia: Confutatis. Andante. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-15 | Requiem in D minor, K. 626: IIIf. Sequentia: Lacrimosa | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-905.391.973-6 | |
| 32-16 | Requiem in D minor, K. 626: IVa. Offertorium: Domine Jesu. Andante con moto | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-919.097.742-5 | |
| 32-17 | Requiem in D minor, K. 626: IVb. Offertorium: Hostias. Andante - Andante con moto. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-18 | Requiem in D minor, K. 626: V. Sanctus. Adagio - allegro | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-922.061.546-3 | |
| 32-19 | Requiem in D minor, K. 626: VI. Benedictus. Andante - allegro | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-20 | Requiem in D minor, K. 626: V. Agnus Dei | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-21 | Requiem in D minor, K. 626: VI. Communio: Lux aeterna | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-910.952.061-8 | |
| 33-1 | Symphony no. 5 in B-flat major: I. Allegro | — | ||
| 33-2 | Symphony no. 5 in B-flat major: II. Andante con moto | — | ||
| 33-3 | Symphony no. 5 in B-flat major: III. Menuetto. Allegro molto | — | ||
| 33-4 | Symphony no. 5 in B-flat major: IV. Allegro vivace | — | ||
| 33-5 | Symphony no. 8 in B minor "Unfinished": I. Allegro moderato | — | ||
| 33-6 | Symphony no. 8 in B minor "Unfinished": II. Andante con moto | — | ||
| 33-7 | Leonore Overture no. 3, op. 72a: Adagio - Allegro | — | ||
| 34-1 | Symphony no. 9 in C major “Great”, D 944: I. Andante - Allegro ma non troppo | — | ||
| 34-2 | Symphony no. 9 in C major “Great”, D 944: II. Andante con moto | — | ||
| 34-3 | Symphony no. 9 in C major “Great”, D 944: III. Scherzo. Allegro vivace - Trio | — | ||
| 34-4 | Symphony no. 9 in C major “Great”, D 944: IV. Allegro vivace | — | ||
| 34-5 | Rosamunde, Fürstin von Zypern, D 797: Overture. Andante - Allegro vivace (from Die Zauberharfe, D 644) | — | ||
| 34-6 | Rosamunde, Fürstin von Zypern, D 797: No. 9: Ballet. Andantino | — | ||
| 34-7 | Rosamunde, Fürstin von Zypern, D 797: No. 5: Entr'acte after Act III. Andantino - Minore I - Minore II | — | ||
| 35-1 | Symphony No. 3 "Rheinische": I. Lebhaft | — | ||
| 35-2 | Symphony No. 3 "Rheinische": II. Scherzo | — | ||
| 35-3 | Symphony No. 3 "Rheinische": III. Nicht schnell | — | ||
| 35-4 | Symphony No. 3 "Rheinische": IV. Feierlich | — | ||
| 35-5 | Symphony No. 3 "Rheinische": V. Lebhaft | — | ||
| 35-6 | Overture "Egmont": Sostenuto | — | ||
| 35-7 | Overture "Leonore II": Adagio | — | ||
| 36-1 | "An der schönen, blauen Donau", Op. 314 | — | ||
| 36-2 | "G'schichten aus dem Wienerwald", Op. 325 | — | ||
| 36-3 | "Kaiser-Walzer", Op. 437 | — | ||
| 36-4 | "Wiener Blut", Op. 354 | — | ||
| 36-5 | Overtures: "Der Zigeunerbaron" | — | ||
| 36-6 | Overtures: "Die Fledermaus" | — | ||
| 36-7 | Hungarian Dances: No. 1 in G minor | — | ||
| 36-8 | Hungarian Dances: No. 3 in F major | — | ||
| 36-9 | Hungarian Dances: No. 10 in E major | — | ||
| 36-10 | Hungarian Dances: No. 17 in F-sharp minor | — | ||
| 36-11 | The Moldau (Vltava) | — | ||
| 37-1 | Don Juan, op. 20 | — | ||
| 37-2 | Tod und Verklärung, op. 24 | — | ||
| 37-3 | Symphony no. 1, op. 9: I. Allegro ma non troppo | — | ||
| 37-4 | Symphony no. 1, op. 9: II. Allegro molto | — | ||
| 37-5 | Symphony no. 1, op. 9: III. Andante tranquillo | — | ||
| 37-6 | Symphony no. 1, op. 9: IV. Con moto. (Passacaglia) | — | ||
| 37-7 | Slavonic Dance in C major, op. 46: No. 1 | — | ||
| 38-1 | Siegfried Idyll (Bruno Walter Rehearses) | — | ||
| 38-2 | Siegfried Idyll | — | ||
| 38-3 | Die Meistersinger von Nürnberg: Vorspiel zum 1. Aufzug | — | ||
| 39-1 | Der fliegende Holländer: Ouvertüre | — | ||
| 39-2 | Lohengrin: Vorspiel zum 1. Aufzug | — | ||
| 39-3 | Parsifal: Vorspiel zum 1. Aufzug | — | ||
| 39-4 | Parsifal: Karfreitagszauber | — | ||
| 39-5 | Tannhäuser: Ouvertüre & Bacchanale (Venusberg) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
887654895226 is a Universal Product Code (UPC) assigned to Bruno Walter The Edition by Bruno Walter, Columbia Symphony Orchestra, New York Philharmonic. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 302 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Bruno Walter The Edition” by Bruno Walter, Columbia Symphony Orchestra, New York Philharmonic is 887654895226. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Sony Classical. This release contains 302 tracks, each with its own ISRC. Tracks include USSM11808755, USSM11808756, USSM11808757.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace - Trio | Columbia Symphony Orchestra, Bruno Walter | T-300.456.250-5 | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 5 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro - Trio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 9 | Coriolan Overture, op. 62: Allegro con brio | — | ||
| 2-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Columbia Symphony Orchestra, Bruno Walter | T-909.821.799-3 | |
| 2-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 2-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 3-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio; Allegro vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 3-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Columbia Symphony Orchestra, Bruno Walter | T-001.444.317-4 | |
| 3-3 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto (Allegro vivace) Trio (un poco meno allegro) | Columbia Symphony Orchestra, Bruno Walter | T-001.444.317-4 | |
| 3-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Columbia Symphony Orchestra, Bruno Walter | T-001.444.317-4 | |
| 3-5 | Symphony no. 6 in F major op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | — | ||
| 3-6 | Symphony no. 6 in F major op. 68 "Pastoral": II. Szene am Bach. Andante molto moto | — | ||
| 3-7 | Symphony no. 6 in F major op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 3-8 | Symphony no. 6 in F major op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro | — | ||
| 3-9 | Symphony no. 6 in F major op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Columbia Symphony Orchestra, Bruno Walter | T-314.638.300-4 | |
| 4-7 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto - Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 4-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 5-1 | Symphony no. 9 in D minor “Choral”, op. 125: I. Allegro ma non troppo, un poco maestoso | Columbia Symphony Orchestra, Bruno Walter | — | |
| 5-2 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace - Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 5-3 | Symphony no. 9 in D minor “Choral”, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 5-4 | Symphony no. 9 in D minor op. 125 "Choral": IV. Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto | — | ||
| 5-5 | Symphony no. 9 in D minor op. 125 "Choral": IV. Rezitativo: "O Freunde, nicht diese Töne!" - Allegro assai - Allegro assai vivace. Alla marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allergro energico e sempre ben marcato - Allegro ma non tanto - Presto - Maestoso - Prestissimo | — | ||
| 6-1 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: I. Allegro | — | ||
| 6-2 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: II. Adagio un poco moto - attacca | — | ||
| 6-3 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: III. Rondo. Allegro | — | ||
| 6-4 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | — | ||
| 6-5 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso - attacca | — | ||
| 6-6 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 7-1 | Violin Concerto in D Major, Op. 61, I. Allegro ma non Troppo (Joachim cadenza) | — | ||
| 7-2 | Violin Concerto in D Major, Op. 61, II. Larghetto | — | ||
| 7-3 | Violin Concerto in D Major, Op. 61, III. Rondo. Allegro (Joachim cadenza) | — | ||
| 7-4 | Violin Concerto in E Minor, Op. 64, I. Allegro molto appassionato | — | ||
| 7-5 | Violin Concerto in E Minor, Op. 64, II. Andante | — | ||
| 7-6 | Violin Concerto in E Minor, Op. 64, III. Allegro ma non troppo - Allegro molto vivace | — | ||
| 8-1 | Concerto for Vioin, Cello and Orchestra in A minor “Double Concerto”, op. 102: I. Allegro | — | ||
| 8-2 | Concerto for Vioin, Cello and Orchestra in A minor “Double Concerto”, op. 102: II. Andante | — | ||
| 8-3 | Concerto for Vioin, Cello and Orchestra in A minor “Double Concerto”, op. 102: III. Vivace non troppo | — | ||
| 8-4 | Concerto for Piano, Violin, Cello and Orchestra in C major “Triple Concerto”, op. 56: I. Allegro | — | ||
| 8-5 | Concerto for Piano, Violin, Cello and Orchestra in C major “Triple Concerto”, op. 56: II. Largo - attacca | — | ||
| 8-6 | Concerto for Piano, Violin, Cello and Orchestra in C major “Triple Concerto”, op. 56: III. Rondo alla Polacca | — | ||
| 9-1 | Symphony no. 4 in B-flat major, op. 60: II. Adagio (Rehearsal) | — | ||
| 9-2 | - Sinfonia No. 5 Primer Movimiento | — | ||
| 9-3 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (Rehearsal) | — | ||
| 9-4 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace (Rehearsal) | — | ||
| 10-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 10-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 10-3 | Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso | Columbia Symphony Orchestra, Bruno Walter | — | |
| 10-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più Andante - Allegro non troppo, ma con brio - Più Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 10-5 | Variations on a Theme by Joseph Haydn, op. 56a: Thema. Chorale St Antoni. Andante | — | ||
| 10-6 | Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato | — | ||
| 10-7 | Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace | — | ||
| 10-8 | Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto | — | ||
| 10-9 | Variations on a Theme by Joseph Haydn, op. 56a: Variation IV. Andante con moto | — | ||
| 10-10 | Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace | — | ||
| 10-11 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VI. Vivace | — | ||
| 10-12 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VII. Grazioso | — | ||
| 10-13 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII. Presto non troppo | — | ||
| 10-14 | Variations on a Theme by Joseph Haydn, op. 56a: Variation Finale. Andante | — | ||
| 10-15 | Academic Festival Overture, op. 80: Allegro – Maestoso | — | ||
| 11-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 11-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 11-3 | Symphony no. 2 in D major, op. 73: III. Allegro grazioso (Quasi Andantino) – Presto ma non assai | — | ||
| 11-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 11-5 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 11-6 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 11-7 | Symphony no. 3 in F major, op. 90: III. Poco Allegretto | — | ||
| 11-8 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 12-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 12-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 12-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 12-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più Allegro | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 12-5 | Tragic Overture, op. 81 | Columbia Symphony Orchestra, Bruno Walter | — | |
| 12-6 | Schicksalslied, op. 54: I. Langsam und sehnsuchtsvoll - “Ihr wandelt droben im Licht” / II. Allegro - “Doch uns ist gegeben, auf keiner Stätte zu ruhn” / III. Adagio | Occidental College Concert Choir, Columbia Symphony Orchestra, Bruno Walter | T-322.185.896-0 | |
| 13-1 | Ein deutsche requiem, Op. 45: I. Selig sind, die da Leid tragen | — | ||
| 13-2 | Ein deutsche requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras | — | ||
| 13-3 | Ein deutsche requiem, Op. 45: III. Herr, lehre doch mich | — | ||
| 13-4 | Ein deutsche requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen | — | ||
| 13-5 | Ein deutsche requiem, Op. 45: V. Ihr habt nun Traurigkeit | — | ||
| 13-6 | Ein deutsche requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt | — | ||
| 13-7 | Ein deutsche requiem, Op. 45: VII. Selig sind die Toten | — | ||
| 13-8 | Alto Rhapsodie, Op. 53 | — | ||
| 14-1 | Symphony No. 4 "Romantic": I. Bewegt, nicht zu schnell | — | ||
| 14-2 | Symphony No. 4 "Romantic": II. Andante quasi allegretto | — | ||
| 14-3 | Symphony No. 4 "Romantic": III. Scherzo: Trio | — | ||
| 14-4 | Symphony No. 4 "Romantic": IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 15-1 | Symphony No. 7 in E major, WAB 107: I. Allegro moderato | — | ||
| 15-2 | Symphony No. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam | — | ||
| 15-3 | Symphony No. 7 in E major, WAB 107: III. Scherzo: Sehr schnell - Trio: Etwas langsamer | — | ||
| 15-4 | Symphony No. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 16-1 | Symphony no. 9: I Feierlich, Misterioso | — | ||
| 16-2 | Symphony no. 9: II Scherzo: Bewegt, Lebhaft. Trio: Schnell | — | ||
| 16-3 | Symphony no. 9: III Adagio: Langsam, Feierlich | — | ||
| 17-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | — | ||
| 17-2 | Symphony no. 8 in G major, op. 88: II. Adagio | — | ||
| 17-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | — | ||
| 17-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | — | ||
| 17-5 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | — | ||
| 17-6 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 17-7 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo: Molto vivace | — | ||
| 17-8 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | — | ||
| 18-1 | Symphony in G major, Hob. I: 88: I. Adagio - Allegro | — | ||
| 18-2 | Symphony in G major, Hob. I: 88: II. Largo | — | ||
| 18-3 | Symphony in G major, Hob. I: 88: III. Menuetto. Allegretto - Trio | — | ||
| 18-4 | Symphony in G major, Hob. I: 88: IV. Finale. Allegro con spirito | — | ||
| 18-5 | Symphony in G major, Hob. I: 100 "Military": I. Adagio - Allegro | — | ||
| 18-6 | Symphony in G major, Hob. I: 100 "Military": II. Allegretto | — | ||
| 18-7 | Symphony in G major, Hob. I: 100 "Military": III. Menuet. Allegro - Trio | — | ||
| 18-8 | Symphony in G major, Hob. I: 100 "Military": IV. Finale. Presto | — | ||
| 18-9 | Symphony in B-flat major, Hob. I: 102: I. Largo - Vivace | — | ||
| 18-10 | Symphony in B-flat major, Hob. I: 102: II. Adagio | — | ||
| 18-11 | Symphony in B-flat major, Hob. I: 102: III. Menuet: Allegro - Trio | — | ||
| 18-12 | Symphony in B-flat major, Hob. I: 102: IV. Finale. Presto | — | ||
| 19-1 | Sinfonie No. 1 "Titan" D-dur: I. Langsam. Schleppend. Wie ein Naturlaut | — | ||
| 19-2 | Sinfonie No. 1 "Titan" D-dur: II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 19-3 | Sinfonie No. 1 "Titan" D-dur: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 19-4 | Sinfonie No. 1 "Titan" D-dur: IV. Stürmisch bewegt: Energisch | — | ||
| 19-5 | Sinfonie No. 2 "Auferstehung": I. Allegro maestoso | — | ||
| 20-1 | Symphony No. 2 'Resurrection': II. Andante moderato | — | ||
| 20-2 | Symphony No. 2 'Resurrection': III. [Scherzo]. In ruhig fließender Bewegung | — | ||
| 20-3 | Symphony No. 2 'Resurrection': IV. 'Urlicht'. Sehr feierlich, aber schlicht (feat. contralto: Maureen Forrester) | — | ||
| 20-4 | Symphony No. 2 'Resurrection': V. Im Tempo des Scherzos. Wild herausfahrend (feat. contralto: Maureen Forrester; soprano: Emilia Cundari; Westminster Choir) | — | ||
| 20-5 | Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht | — | ||
| 20-6 | Lieder eines fahrenden Gesellen: II. Ging heut morgen übers Feld | — | ||
| 20-7 | Lieder eines fahrenden Gesellen: III. Ich hab ein glühen Messer | — | ||
| 20-8 | Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen | — | ||
| 21-1 | Symphonie no. 4 en sol majeur: I. Bedächtig. Nicht eilen | — | ||
| 21-2 | Symphonie no. 4 en sol majeur: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 21-3 | Symphonie no. 4 en sol majeur: III. Ruhevoll | — | ||
| 21-4 | Symphonie no. 4 en sol majeur: IV. Sehr behaglich - “Wir genießen die himmlischen Freuden” | — | ||
| 21-5 | Lieder und Gesänge aus der Jugendzeit: Erinnerung | — | ||
| 21-6 | Lieder und Gesänge aus der Jugendzeit: Scheiden und Meiden | — | ||
| 21-7 | Lieder und Gesänge aus der Jugendzeit: Nicht wiedersehen! | — | ||
| 21-8 | Lieder und Gesänge aus der Jugendzeit: Ich ging mit Lust durch einen grünen Wald | — | ||
| 21-9 | Lieder und Gesänge aus der Jugendzeit: Ablösung im Sommer | — | ||
| 21-10 | Lieder und Gesänge aus der Jugendzeit: Hans und Grete | — | ||
| 21-11 | Lieder und Gesänge aus der Jugendzeit: Frühlingsmorgen | — | ||
| 21-12 | Lieder und Gesänge aus der Jugendzeit: Starke Einbildungskraft | — | ||
| 22-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | New York Philharmonic, Bruno Walter | — | |
| 22-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz | New York Philharmonic, Bruno Walter | — | |
| 22-3 | Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell | New York Philharmonic, Bruno Walter | — | |
| 22-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam | New York Philharmonic, Bruno Walter | — | |
| 22-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro | New York Philharmonic, Bruno Walter | — | |
| 23-1 | A Talking Portrait: Bruno Walter in Conversation with Arnold Michaelis | — | ||
| 23-2 | A Working Portrait: Recording the Mahler Ninth Symphony | — | ||
| 23-3 | Symphony no. 9 in D major: I. Andante comodo | — | ||
| 24-1 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 24-2 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | — | ||
| 24-3 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | — | ||
| 25-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde. Allegro pesante | — | ||
| 25-2 | Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet | — | ||
| 25-3 | Das Lied von der Erde: III. Von der Jugend. Behaglich heiter | — | ||
| 25-4 | Das Lied von der Erde: IV. Von der Schönheit. Comodo dolcissimo | — | ||
| 25-5 | Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro | — | ||
| 25-6 | Das Lied von der Erde: VI. Der Abschied. Schwer | — | ||
| 26-1 | Symphony no. 25 in G minor, K. 173dB/183: I. Allegro con brio | — | ||
| 26-2 | Symphony no. 25 in G minor, K. 173dB/183: II. Andante | — | ||
| 26-3 | Symphony no. 25 in G minor, K. 173dB/183: III. Minuetto - Trio | — | ||
| 26-4 | Symphony no. 25 in G minor, K. 173dB/183: IV. Allegro | — | ||
| 26-5 | Symphony no. 28 in C major, K. 189k/200: I. Allegro spiritoso | — | ||
| 26-6 | Symphony no. 28 in C major, K. 189k/200: II. Andante | — | ||
| 26-7 | Symphony no. 28 in C major, K. 189k/200: III. Minuetto. Allegretto - Trio | — | ||
| 26-8 | Symphony no. 28 in C major, K. 189k/200: IV. Presto | — | ||
| 26-9 | Symphony no. 29 in A major, K. 186a/201: I. Allegro moderato | — | ||
| 26-10 | Symphony no. 29 in A major, K. 186a/201: II. Andante | — | ||
| 26-11 | Symphony no. 29 in A major, K. 186a/201: III. Minuetto - Trio | — | ||
| 26-12 | Symphony no. 29 in A major, K. 186a/201: IV. Allegro con spirito | — | ||
| 26-13 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | — | ||
| 26-14 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | — | ||
| 26-15 | Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto - Trio | — | ||
| 26-16 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | — | ||
| 27-1 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: I. Adagio - Allegro spiritoso | — | ||
| 27-2 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: II. Andante | — | ||
| 27-3 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: III. Menuetto - Trio | — | ||
| 28-1 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: IV. Presto | — | ||
| 28-2 | Symphony No. 36 in C major, K. 425 "Linz": I. Adagio - allegro con spirito | — | ||
| 28-3 | Symphony No. 36 in C major, K. 425 "Linz": II. Andante | — | ||
| 28-4 | Symphony No. 36 in C major, K. 425 "Linz": III. Minuetto & Trio | — | ||
| 28-5 | Symphony No. 36 in C major, K. 425 "Linz": IV. Presto | — | ||
| 28-6 | Symphony no. 38 in D major “Prague”, K. 504: I. Adagio - Allegro | — | ||
| 28-7 | Symphony no. 38 in D major “Prague”, K. 504: II. Andante | — | ||
| 28-8 | Symphony no. 38 in D major “Prague”, K. 504: III. Presto | — | ||
| 29-1 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | New York Philharmonic, Bruno Walter | — | |
| 29-2 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | New York Philharmonic, Bruno Walter | — | |
| 29-3 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegro - Trio | New York Philharmonic, Bruno Walter | T-902.774.400-9 | |
| 29-4 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | New York Philharmonic, Bruno Walter | — | |
| 29-5 | Symphony no. 40 in G minor with clarinets, K. 550: I. Molto Allegro | New York Philharmonic, Bruno Walter | — | |
| 29-6 | Symphony no. 40 in G minor with clarinets, K. 550: II. Andante | New York Philharmonic, Bruno Walter | T-802.445.410-3 | |
| 29-7 | Symphony no. 40 in G minor with clarinets, K. 550: III. Menuetto. Allegretto - Trio | New York Philharmonic, Bruno Walter | T-902.774.400-9 | |
| 29-8 | Symphony no. 40 in G minor with clarinets, K. 550: IV. Allegro assai | New York Philharmonic, Bruno Walter | T-306.395.786-4 | |
| 29-9 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | New York Philharmonic, Bruno Walter | T-335.920.325-7 | |
| 29-10 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | New York Philharmonic, Bruno Walter | — | |
| 29-11 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio | New York Philharmonic, Bruno Walter | T-335.920.325-7 | |
| 29-12 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto Allegro | New York Philharmonic, Bruno Walter | T-316.103.728-7 | |
| 30-1 | Concerto for Violin and Orchestra no. 3 in G major K. 216: I. Allegro | — | ||
| 30-2 | Concerto for Violin and Orchestra no. 3 in G major K. 216: II. Adagio | — | ||
| 30-3 | Concerto for Violin and Orchestra no. 3 in G major K. 216: III. Rondeau. Allegro | — | ||
| 30-4 | Concerto for Violin and Orchestra no. 4 in D major K. 218: I. Allegro | — | ||
| 30-5 | Concerto for Violin and Orchestra no. 4 in D major K. 218: II. Andante cantabile | — | ||
| 30-6 | Concerto for Violin and Orchestra no. 4 in D major K. 218: III. Rondeau. Andante grazioso – Allegro ma non Troppo | — | ||
| 30-7 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-8 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | — | ||
| 30-9 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-10 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | — | ||
| 31-1 | Minuet and Trio in F major K. 599/5 | — | ||
| 31-2 | Minuet and Trio in C major K. 568/1 | — | ||
| 31-3 | Three German Dances K. 605: No. 1 in D major | Columbia Symphony Orchestra, Bruno Walter | — | |
| 31-4 | Three German Dances K. 605: No. 2 in G major | Columbia Symphony Orchestra, Bruno Walter | — | |
| 31-5 | Three German Dances K. 605: No. 3 in C major "Sleigh Ride" | Columbia Symphony Orchestra, Bruno Walter | — | |
| 31-6 | Maurische Trauermusik K. 477 | — | ||
| 31-7 | Die Zauberflöte, K. 620: Overture. Adagio - Allegro | Columbia Symphony Orchestra, Bruno Walter | T-903.529.769-9 | |
| 31-8 | Le nozze di Figaro, K. 492: Overture. Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 31-9 | Così fan tutte, K. 588: Ouverture | Columbia Symphony Orchestra, Bruno Walter | T-902.763.968-5 | |
| 31-10 | Der Schauspieldirektor, K. 486: Overture. Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 31-11 | Symphony no. 96 in D major “The Miracle”, Hob. I:96: I. Adagio - Allegro | — | ||
| 31-12 | Symphony no. 96 in D major “The Miracle”, Hob. I:96: II. Andante | — | ||
| 31-13 | Symphony no. 96 in D major “The Miracle”, Hob. I:96: III. Menuetto. Allegretto - Trio | — | ||
| 31-14 | Symphony no. 96 in D major “The Miracle”, Hob. I:96: IV. Finale. Vivace assai | — | ||
| 32-1 | Te Deum in C major: I. Te Deum. Allegro moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-2 | Te Deum in C major: II. Te ergo. Moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-3 | Te Deum in C major: III. Aeterna fac. Allegro. Moderato. Feierlich, mit Kraft. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-4 | Te Deum in C major: IVa. Salvum fac: Salvum fac. Moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-5 | Te Deum in C major: IVb. Salvum fac: Per singulos dies benedicimus te. Allegro moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-6 | Te Deum in C major: Va. In te, Domine, speravi. Mäßig bewegt. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-7 | Te Deum in C major: Vb. In te, Domine, speravi. Fuge. Im gleichen gemäßigten Tempo - Alla breve. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 32-8 | Requiem in D minor, K. 626: I. Introitus: Requiem. Adagio. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-9 | Requiem in D minor, K. 626: II. Kyrie: Kyrie eleison. Allegro. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-070.093.418-4 | |
| 32-10 | Requiem in D minor, K. 626: IIIa. Sequentia: Dies irae. Allegro assai. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-924.404.440-4 | |
| 32-11 | Requiem in D minor, K. 626: IIIb. Sequentia: Tuba mirum. Andante. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-12 | Requiem in D minor, K. 626: IIIc. Sequentia: Rex tremendae | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-13 | Requiem in D minor, K. 626: IIId. Sequentia: Recordare | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-14 | Requiem in D minor, K. 626: IIIe. Sequentia: Confutatis. Andante. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-15 | Requiem in D minor, K. 626: IIIf. Sequentia: Lacrimosa | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-905.391.973-6 | |
| 32-16 | Requiem in D minor, K. 626: IVa. Offertorium: Domine Jesu. Andante con moto | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-919.097.742-5 | |
| 32-17 | Requiem in D minor, K. 626: IVb. Offertorium: Hostias. Andante - Andante con moto. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-18 | Requiem in D minor, K. 626: V. Sanctus. Adagio - allegro | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-922.061.546-3 | |
| 32-19 | Requiem in D minor, K. 626: VI. Benedictus. Andante - allegro | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-20 | Requiem in D minor, K. 626: V. Agnus Dei | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-21 | Requiem in D minor, K. 626: VI. Communio: Lux aeterna | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-910.952.061-8 | |
| 33-1 | Symphony no. 5 in B-flat major: I. Allegro | — | ||
| 33-2 | Symphony no. 5 in B-flat major: II. Andante con moto | — | ||
| 33-3 | Symphony no. 5 in B-flat major: III. Menuetto. Allegro molto | — | ||
| 33-4 | Symphony no. 5 in B-flat major: IV. Allegro vivace | — | ||
| 33-5 | Symphony no. 8 in B minor "Unfinished": I. Allegro moderato | — | ||
| 33-6 | Symphony no. 8 in B minor "Unfinished": II. Andante con moto | — | ||
| 33-7 | Leonore Overture no. 3, op. 72a: Adagio - Allegro | — | ||
| 34-1 | Symphony no. 9 in C major “Great”, D 944: I. Andante - Allegro ma non troppo | — | ||
| 34-2 | Symphony no. 9 in C major “Great”, D 944: II. Andante con moto | — | ||
| 34-3 | Symphony no. 9 in C major “Great”, D 944: III. Scherzo. Allegro vivace - Trio | — | ||
| 34-4 | Symphony no. 9 in C major “Great”, D 944: IV. Allegro vivace | — | ||
| 34-5 | Rosamunde, Fürstin von Zypern, D 797: Overture. Andante - Allegro vivace (from Die Zauberharfe, D 644) | — | ||
| 34-6 | Rosamunde, Fürstin von Zypern, D 797: No. 9: Ballet. Andantino | — | ||
| 34-7 | Rosamunde, Fürstin von Zypern, D 797: No. 5: Entr'acte after Act III. Andantino - Minore I - Minore II | — | ||
| 35-1 | Symphony No. 3 "Rheinische": I. Lebhaft | — | ||
| 35-2 | Symphony No. 3 "Rheinische": II. Scherzo | — | ||
| 35-3 | Symphony No. 3 "Rheinische": III. Nicht schnell | — | ||
| 35-4 | Symphony No. 3 "Rheinische": IV. Feierlich | — | ||
| 35-5 | Symphony No. 3 "Rheinische": V. Lebhaft | — | ||
| 35-6 | Overture "Egmont": Sostenuto | — | ||
| 35-7 | Overture "Leonore II": Adagio | — | ||
| 36-1 | "An der schönen, blauen Donau", Op. 314 | — | ||
| 36-2 | "G'schichten aus dem Wienerwald", Op. 325 | — | ||
| 36-3 | "Kaiser-Walzer", Op. 437 | — | ||
| 36-4 | "Wiener Blut", Op. 354 | — | ||
| 36-5 | Overtures: "Der Zigeunerbaron" | — | ||
| 36-6 | Overtures: "Die Fledermaus" | — | ||
| 36-7 | Hungarian Dances: No. 1 in G minor | — | ||
| 36-8 | Hungarian Dances: No. 3 in F major | — | ||
| 36-9 | Hungarian Dances: No. 10 in E major | — | ||
| 36-10 | Hungarian Dances: No. 17 in F-sharp minor | — | ||
| 36-11 | The Moldau (Vltava) | — | ||
| 37-1 | Don Juan, op. 20 | — | ||
| 37-2 | Tod und Verklärung, op. 24 | — | ||
| 37-3 | Symphony no. 1, op. 9: I. Allegro ma non troppo | — | ||
| 37-4 | Symphony no. 1, op. 9: II. Allegro molto | — | ||
| 37-5 | Symphony no. 1, op. 9: III. Andante tranquillo | — | ||
| 37-6 | Symphony no. 1, op. 9: IV. Con moto. (Passacaglia) | — | ||
| 37-7 | Slavonic Dance in C major, op. 46: No. 1 | — | ||
| 38-1 | Siegfried Idyll (Bruno Walter Rehearses) | — | ||
| 38-2 | Siegfried Idyll | — | ||
| 38-3 | Die Meistersinger von Nürnberg: Vorspiel zum 1. Aufzug | — | ||
| 39-1 | Der fliegende Holländer: Ouvertüre | — | ||
| 39-2 | Lohengrin: Vorspiel zum 1. Aufzug | — | ||
| 39-3 | Parsifal: Vorspiel zum 1. Aufzug | — | ||
| 39-4 | Parsifal: Karfreitagszauber | — | ||
| 39-5 | Tannhäuser: Ouvertüre & Bacchanale (Venusberg) | — |
