UPC · Release
We Are Beat Happening
Beat Happening
Last verified:
887830010931 is the Universal Product Code (UPC barcode) for the release “We Are Beat Happening” by Beat Happening, released 2019-01-01 on Domino. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 79 tracks, each with its own ISRC. Tracks include USK110400101, USK110400102, USK110400203.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (79)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Foggy Eyes | — | ||
| 2 | Bad Seeds | — | ||
| 3 | I Let Him Get to Me | — | ||
| 4 | I Spy | — | ||
| 5 | Run Down the Stairs | — | ||
| 6 | In Love With You Thing | — | ||
| 7 | I Love You | — | ||
| 8 | Down at the Sea | — | ||
| 9 | Our Secret | Beat Happening | T-910.582.011-9 | |
| 10 | What’s Important | Beat Happening | — | |
| 11 | Fourteen | — | ||
| 12 | Bad Seeds (live) | — | ||
| 2-1 | Run Down the Stairs | — | ||
| 2-2 | In My Memory | — | ||
| 2-3 | Honey Pot | — | ||
| 2-4 | The Fall | — | ||
| 2-5 | Youth | — | ||
| 2-6 | Don’t Mix the Colors | — | ||
| 2-7 | Christmas | — | ||
| 2-8 | Fourteen | — | ||
| 2-9 | Let’s Kiss | — | ||
| 2-10 | 1, 2, 3 | — | ||
| 2-11 | Look Around | — | ||
| 2-12 | I Love You (demo) | — | ||
| 3-1 | Bewitched | — | ||
| 3-2 | In Between | — | ||
| 3-3 | Indian Summer | Beat Happening | T-700.030.027-8 | |
| 3-4 | Hangman | — | ||
| 3-5 | Jamboree | — | ||
| 3-6 | Ask Me | — | ||
| 3-7 | Crashing Through | — | ||
| 3-8 | Cat Walk | — | ||
| 3-9 | Drive Car Girl | — | ||
| 3-10 | Midnight a Go-Go | — | ||
| 3-11 | The This Many Boyfriends Club | — | ||
| 4-1 | Other Side | — | ||
| 4-2 | Black Candy | — | ||
| 4-3 | Knick Knack | — | ||
| 4-4 | Pajama Party in a Haunted Hive | — | ||
| 4-5 | Gravedigger Blues | — | ||
| 4-6 | Cast a Shadow | — | ||
| 4-7 | Bonfire | — | ||
| 4-8 | T.V. Girl | — | ||
| 4-9 | Playhouse | — | ||
| 4-10 | Ponytail | — | ||
| 5-1 | Me Untamed | — | ||
| 5-2 | Left Behind | — | ||
| 5-3 | Hot Chocolate Boy | — | ||
| 5-4 | I’ve Lost You | — | ||
| 5-5 | Cry for a Shadow | — | ||
| 5-6 | Collide | — | ||
| 5-7 | Nancy Sin | — | ||
| 5-8 | Fortune Cookie Prize | — | ||
| 5-9 | Revolution Come and Gone | — | ||
| 5-10 | Red Head Walking | — | ||
| 6-1 | Tiger Trap | — | ||
| 6-2 | Noise | — | ||
| 6-3 | Pinebox Derby | — | ||
| 6-4 | Teenage Caveman | — | ||
| 6-5 | Sleepy Head | — | ||
| 6-6 | You Turn Me On | — | ||
| 6-7 | Godsend | — | ||
| 6-8 | Hey Day | — | ||
| 6-9 | Bury the Hammer | — | ||
| 7-1 | Angel Gone | — | ||
| 7-2 | Nancy Sin | — | ||
| 7-3 | Sea Hunt | — | ||
| 7-4 | Look Around | — | ||
| 7-5 | Not a Care in the World | — | ||
| 7-6 | Dreamy | — | ||
| 7-7 | That Girl | — | ||
| 7-8 | Secret Picnic Spot | — | ||
| 7-9 | Zombie Limbo Time | — | ||
| 7-10 | Foggy Eyes | — | ||
| 7-11 | Knock on Any Door | — | ||
| 7-12 | Sea Babies | — | ||
| 7-13 | Tales of a Brave Aphrodite | — | ||
| 7-14 | Polly Pereguinn | — | ||
| 7-15 | I Dig You | — |
What other identifiers does this connect to?
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People also ask
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What is UPC 887830010931?
887830010931 is a Universal Product Code (UPC) assigned to We Are Beat Happening by Beat Happening. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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