UPC · Album
The Best of R.E.M. at the BBC
R.E.M.
Last verified:
888072068544 is the Universal Product Code (UPC barcode) for the release “The Best of R.E.M. at the BBC” by R.E.M., released 2018-01-01 on Craft Recordings. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 34 tracks, each with its own ISRC. Tracks include GBCAD1800936, GBCAD1800938, GBCAD1800939.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (33)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| World Leader Pretend (live from Into the Night on BBC Radio 1 / 1991) | R.E.M. | GBCAD1800936 |
| Half a World Away (live from Into the Night on BBC Radio 1 / 1991) | R.E.M. | GBCAD1800938 |
| Radio Song (live from Into the Night on BBC Radio 1 / 1991) | R.E.M. | GBCAD1800939 |
| Losing My Religion (live from Into the Night on BBC Radio 1 / 1991) | R.E.M. | GBCAD1800940 |
| Lotus (live from John Peel studio session on BBC Radio 1 / 1998) | R.E.M. | GBCAD1800944 |
| At My Most Beautiful (live from John Peel studio session on BBC Radio 1 / 1998) | R.E.M. | GBCAD1800945 |
| Bad Day (live from Mark and Lard on BBC Radio 1 / 2003) | R.E.M. | GBCAD1800946 |
| Orange Crush (live from Mark and Lard on BBC Radio 1 / 2003) | R.E.M. | GBCAD1800947 |
| Man on the Moon (live from Drivetime on BBC Radio 2 / 2003) | R.E.M. | GBCAD1800948 |
| Imitation of Life (live from Drivetime on BBC Radio 2 / 2003) | R.E.M. | GBCAD1800949 |
| Supernatural Superserious (live from BBC Radio 1 Live Lounge / 2008) | R.E.M. | GBCAD1800950 |
| Electrolite (live from John Peel public session on BBC Radio 1 / 1998) | R.E.M. | GBCAD1800957 |
| Perfect Circle (live from John Peel public session on BBC Radio 1 / 1998) | R.E.M. | GBCAD1800958 |
| Daysleeper (live from John Peel public session on BBC Radio 1 / 1998) | R.E.M. | GBCAD1800960 |
| (Don’t Go Back to) Rockville | R.E.M. | GBCAD1800969 |
| So. Central Rain (I’m Sorry) | R.E.M. | GBCAD1800971 |
| Gardening at Night | R.E.M. | GBCAD1800973 |
| Driver 8 | R.E.M. | GBCAD1800976 |
| Radio Free Europe (live from Rock City, Nottingham / 1984) | R.E.M. | GBCAD1800978 |
| What’s the Frequency, Kenneth? (live from the National Bowl, Milton Keynes / 1995) | R.E.M. | GBCAD1800981 |
| Crush With Eyeliner | R.E.M. | GBCAD1800982 |
| Drive (live from the National Bowl, Milton Keynes / 1995) | R.E.M. | GBCAD1800983 |
| Country Feedback (live from the National Bowl, Milton Keynes / 1995) | R.E.M. | GBCAD1800994 |
| Half a World Away | R.E.M. | GBCAD1800995 |
| Pop Song ’89 | R.E.M. | GBCAD1800997 |
| Finest Worksong | R.E.M. | GBCAD1800998 |
| Fall on Me | R.E.M. | GBCAD1801010 |
| The One I Love | R.E.M. | GBCAD1801013 |
| Everybody Hurts | R.E.M. | GBCAD1801017 |
| It’s the End of the World as We Know It (and I Feel Fine) | R.E.M. | GBCAD1801026 |
| E‐Bow the Letter | R.E.M., Thom Yorke | GBCAD1801030 |
| Losing My Religion (live from St. James’s Church, London / 2004) | R.E.M. | GBCAD1801033 |
| Man on the Moon (live from St. James’s Church, London / 2004) | R.E.M. | GBCAD1801037 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
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What is UPC 888072068544?
888072068544 is a Universal Product Code (UPC) assigned to The Best of R.E.M. at the BBC by R.E.M.. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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