UPC · Release
Mozart, Henneberg, Benedikt Schack, Franz Xaver Gerl, Boston Baroque, Martin Pearlman, Cyndia Sieden, Sharon Baker, John Aler, Kevin Deas, Alan Ewing, Deanne Meek
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The UPC for “Mozart’s Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486” by Mozart, Henneberg, Benedikt Schack, Franz Xaver Gerl, Boston Baroque, Martin Pearlman, Cyndia Sieden, Sharon Baker, John Aler, Kevin Deas, Alan Ewing, Deanne Meek is 888072245488. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Impresario, K. 486: Overture | — | ||
| 2 | The Impresario, K. 486: Da schlägt die Abschiedsstunde | — | ||
| 3 | The Impresario, K. 486: Rondo. Bester Jüngling! | — | ||
| 4 | The Impresario, K. 486: Trio. Ich bin die erste Sängerin! | — | ||
| 5 | The Impresario, K. 486: Vaudeville. Jeder Künstler strebt nach Ehre | — | ||
| 6 | The Beneficent Dervish: Sinfonia | — | ||
| 7 | The Beneficent Dervish, Act I: Duet. Hier müssen wir uns beide trennen | — | ||
| 8 | The Beneficent Dervish, Act I: Aria. Welche nie empfund’ne Freude | — | ||
| 9 | The Beneficent Dervish, Act I: Duet. Liebes Weib | — | ||
| 10 | The Beneficent Dervish, Act I: Aria. Der Drache ist den armen Männern gut | — | ||
| 11 | The Beneficent Dervish, Act I: Chorus. O Abdallah | — | ||
| 12 | The Beneficent Dervish, Act I: March | — | ||
| 13 | The Beneficent Dervish, Act II: Chorus. Die Männer zu fesseln | — | ||
| 14 | The Beneficent Dervish, Act II: Wind Music | — | ||
| 15 | The Beneficent Dervish, Act II: Aria. Sofrano, fühltest du mein Leiden | — | ||
| 16 | The Beneficent Dervish, Act II: March | — | ||
| 17 | The Beneficent Dervish, Act II: Ballad. Ein Jüngling frisch wie Milch | — | ||
| 18 | The Beneficent Dervish, Act II: The Sea Battle | — | ||
| 19 | The Beneficent Dervish, Act III: So bald der Mann ist allzu Gut | — | ||
| 20 | The Beneficent Dervish, Act III: Duet. Ach, die Teure liebet mich! | — | ||
| 21 | The Beneficent Dervish, Act III: Recitative. Sofrano! Mein Sohn! | — | ||
| 22 | The Beneficent Dervish, Act III: Chorus. Vino pani | — | ||
| 23 | The Beneficent Dervish, Act III: Duet. Daß Männer unsre Sklaven sind | — | ||
| 24 | The Beneficent Dervish, Act III: Aria. Bald wird auch dieser Traum | — | ||
| 25 | The Beneficent Dervish, Act III: Duet. Wir sind die zwei lustigen Bauern vom Land | — | ||
| 26 | The Beneficent Dervish, Act III: Final Chorus. Ihr Undankbaren lebet wohl | — |
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888072245488 is a Universal Product Code (UPC) assigned to Mozart’s Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 by Mozart, Henneberg, Benedikt Schack, Franz Xaver Gerl, Boston Baroque, Martin Pearlman, Cyndia Sieden, Sharon Baker, John Aler, Kevin Deas, Alan Ewing, Deanne Meek. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “Mozart’s Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486” by Mozart, Henneberg, Benedikt Schack, Franz Xaver Gerl, Boston Baroque, Martin Pearlman, Cyndia Sieden, Sharon Baker, John Aler, Kevin Deas, Alan Ewing, Deanne Meek is 888072245488. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Impresario, K. 486: Overture | — | ||
| 2 | The Impresario, K. 486: Da schlägt die Abschiedsstunde | — | ||
| 3 | The Impresario, K. 486: Rondo. Bester Jüngling! | — | ||
| 4 | The Impresario, K. 486: Trio. Ich bin die erste Sängerin! | — | ||
| 5 | The Impresario, K. 486: Vaudeville. Jeder Künstler strebt nach Ehre | — | ||
| 6 | The Beneficent Dervish: Sinfonia | — | ||
| 7 | The Beneficent Dervish, Act I: Duet. Hier müssen wir uns beide trennen | — | ||
| 8 | The Beneficent Dervish, Act I: Aria. Welche nie empfund’ne Freude | — | ||
| 9 | The Beneficent Dervish, Act I: Duet. Liebes Weib | — | ||
| 10 | The Beneficent Dervish, Act I: Aria. Der Drache ist den armen Männern gut | — | ||
| 11 | The Beneficent Dervish, Act I: Chorus. O Abdallah | — | ||
| 12 | The Beneficent Dervish, Act I: March | — | ||
| 13 | The Beneficent Dervish, Act II: Chorus. Die Männer zu fesseln | — | ||
| 14 | The Beneficent Dervish, Act II: Wind Music | — | ||
| 15 | The Beneficent Dervish, Act II: Aria. Sofrano, fühltest du mein Leiden | — | ||
| 16 | The Beneficent Dervish, Act II: March | — | ||
| 17 | The Beneficent Dervish, Act II: Ballad. Ein Jüngling frisch wie Milch | — | ||
| 18 | The Beneficent Dervish, Act II: The Sea Battle | — | ||
| 19 | The Beneficent Dervish, Act III: So bald der Mann ist allzu Gut | — | ||
| 20 | The Beneficent Dervish, Act III: Duet. Ach, die Teure liebet mich! | — | ||
| 21 | The Beneficent Dervish, Act III: Recitative. Sofrano! Mein Sohn! | — | ||
| 22 | The Beneficent Dervish, Act III: Chorus. Vino pani | — | ||
| 23 | The Beneficent Dervish, Act III: Duet. Daß Männer unsre Sklaven sind | — | ||
| 24 | The Beneficent Dervish, Act III: Aria. Bald wird auch dieser Traum | — | ||
| 25 | The Beneficent Dervish, Act III: Duet. Wir sind die zwei lustigen Bauern vom Land | — | ||
| 26 | The Beneficent Dervish, Act III: Final Chorus. Ihr Undankbaren lebet wohl | — |
