Mozart’s Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486

UPC · Release

Mozart’s Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486

Mozart, Henneberg, Benedikt Schack, Franz Xaver Gerl, Boston Baroque, Martin Pearlman, Cyndia Sieden, Sharon Baker, John Aler, Kevin Deas, Alan Ewing, Deanne Meek

888072245488
26 tracks

Last verified:

888072245488 is the Universal Product Code (UPC barcode) for the release Mozart’s Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 by Mozart, Henneberg, Benedikt Schack, Franz Xaver Gerl, Boston Baroque, Martin Pearlman, Cyndia Sieden, Sharon Baker, John Aler, Kevin Deas, Alan Ewing, Deanne Meek. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC.

Format

8Number system
88072Manufacturer
24548Product
8Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (26)

The Impresario, K. 486: Overture
The Impresario, K. 486: Overture
The Impresario, K. 486: Da schlägt die Abschiedsstunde
The Impresario, K. 486: Da schlägt die Abschiedsstunde
The Impresario, K. 486: Rondo. Bester Jüngling!
The Impresario, K. 486: Rondo. Bester Jüngling!
The Impresario, K. 486: Trio. Ich bin die erste Sängerin!
The Impresario, K. 486: Trio. Ich bin die erste Sängerin!
The Impresario, K. 486: Vaudeville. Jeder Künstler strebt nach Ehre
The Impresario, K. 486: Vaudeville. Jeder Künstler strebt nach Ehre
The Beneficent Dervish: Sinfonia
The Beneficent Dervish: Sinfonia
The Beneficent Dervish, Act I: Duet. Hier müssen wir uns beide trennen
The Beneficent Dervish, Act I: Duet. Hier müssen wir uns beide trennen
The Beneficent Dervish, Act I: Aria. Welche nie empfund’ne Freude
The Beneficent Dervish, Act I: Aria. Welche nie empfund’ne Freude
The Beneficent Dervish, Act I: Duet. Liebes Weib
The Beneficent Dervish, Act I: Duet. Liebes Weib
The Beneficent Dervish, Act I: Aria. Der Drache ist den armen Männern gut
The Beneficent Dervish, Act I: Aria. Der Drache ist den armen Männern gut
The Beneficent Dervish, Act I: Chorus. O Abdallah
The Beneficent Dervish, Act I: Chorus. O Abdallah
The Beneficent Dervish, Act I: March
The Beneficent Dervish, Act I: March
The Beneficent Dervish, Act II: Chorus. Die Männer zu fesseln
The Beneficent Dervish, Act II: Chorus. Die Männer zu fesseln
The Beneficent Dervish, Act II: Wind Music
The Beneficent Dervish, Act II: Wind Music
The Beneficent Dervish, Act II: Aria. Sofrano, fühltest du mein Leiden
The Beneficent Dervish, Act II: Aria. Sofrano, fühltest du mein Leiden
The Beneficent Dervish, Act II: March
The Beneficent Dervish, Act II: March
The Beneficent Dervish, Act II: Ballad. Ein Jüngling frisch wie Milch
The Beneficent Dervish, Act II: Ballad. Ein Jüngling frisch wie Milch
The Beneficent Dervish, Act II: The Sea Battle
The Beneficent Dervish, Act II: The Sea Battle
The Beneficent Dervish, Act III: So bald der Mann ist allzu Gut
The Beneficent Dervish, Act III: So bald der Mann ist allzu Gut
The Beneficent Dervish, Act III: Duet. Ach, die Teure liebet mich!
The Beneficent Dervish, Act III: Duet. Ach, die Teure liebet mich!
The Beneficent Dervish, Act III: Recitative. Sofrano! Mein Sohn!
The Beneficent Dervish, Act III: Recitative. Sofrano! Mein Sohn!
The Beneficent Dervish, Act III: Chorus. Vino pani
The Beneficent Dervish, Act III: Chorus. Vino pani
The Beneficent Dervish, Act III: Duet. Daß Männer unsre Sklaven sind
The Beneficent Dervish, Act III: Duet. Daß Männer unsre Sklaven sind
The Beneficent Dervish, Act III: Aria. Bald wird auch dieser Traum
The Beneficent Dervish, Act III: Aria. Bald wird auch dieser Traum
The Beneficent Dervish, Act III: Duet. Wir sind die zwei lustigen Bauern vom Land
The Beneficent Dervish, Act III: Duet. Wir sind die zwei lustigen Bauern vom Land
The Beneficent Dervish, Act III: Final Chorus. Ihr Undankbaren lebet wohl
The Beneficent Dervish, Act III: Final Chorus. Ihr Undankbaren lebet wohl

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People also ask

What is UPC 888072245488?
UPC 888072245488 is the Universal Product Code (barcode) for "Mozart’s Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486" by Mozart, Henneberg, Benedikt Schack, Franz Xaver Gerl, Boston Baroque, Martin Pearlman, Cyndia Sieden, Sharon Baker, John Aler, Kevin Deas, Alan Ewing, Deanne Meek.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 888072245488?
UPC 888072245488 contains 26 tracks.
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Verified on

What is UPC 888072245488?

888072245488 is a Universal Product Code (UPC) assigned to Mozart’s Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 by Mozart, Henneberg, Benedikt Schack, Franz Xaver Gerl, Boston Baroque, Martin Pearlman, Cyndia Sieden, Sharon Baker, John Aler, Kevin Deas, Alan Ewing, Deanne Meek. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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