UPC · Release
Side Steps
John Coltrane
Last verified:
888072313453 is the Universal Product Code (UPC barcode) for the release “Side Steps” by John Coltrane, released 2009-01-01 on Prestige. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 43 tracks, each with its own ISRC. Tracks include DEU240819885, DEU240819886, DEU240819887.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (43)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Weeja | Elmo Hope Sextet | — | |
| 2 | Polka Dots and Moonbeams | Elmo Hope Sextet | T-070.166.193-9 | |
| 3 | On It | Elmo Hope Sextet | — | |
| 4 | Avalon | Elmo Hope Sextet | T-914.722.195-2 | |
| 5 | Mating Call | Tadd Dameron, John Coltrane | — | |
| 6 | Soultrane | Tadd Dameron, John Coltrane | T-070.139.860-8 | |
| 7 | Gnid | Tadd Dameron, John Coltrane | — | |
| 8 | Super Jet | Tadd Dameron, John Coltrane | — | |
| 9 | On a Misty Night | Tadd Dameron, John Coltrane | T-070.161.360-6 | |
| 10 | Romas | Tadd Dameron, John Coltrane | — | |
| 2-1 | Tenor Madness | Sonny Rollins Quartet | — | |
| 2-2 | Potpourri (1957) | — | ||
| 2-3 | J.M's Dream Doll (1957) | — | ||
| 2-4 | Don't Explain (1957) | — | ||
| 2-5 | Blue Calypso (1957) | — | ||
| 2-6 | Falling in Love With Love (1957) | — | ||
| 2-7 | The Way You Look Tonight (1957) | — | ||
| 2-8 | From This Moment On (1957) | — | ||
| 2-9 | One by One (1957) | — | ||
| 3-1 | Our Delight | The Red Garland Quintet | T-070.159.751-4 | |
| 3-2 | They Can't Take That Away From Me (1957) | — | ||
| 3-3 | Woody'n You (1957) | — | ||
| 3-4 | I've Got It Bad (1957) | — | ||
| 3-5 | Undecided (1957) | — | ||
| 3-6 | Soul Junction | The Red Garland Quintet, John Coltrane, Donald Byrd | — | |
| 3-7 | What Is There to Say? (1957) | — | ||
| 3-8 | Birk's Works (1957) | — | ||
| 3-9 | Hallelujah (1957) | — | ||
| 4-1 | All Morning Long (1957) | — | ||
| 4-2 | Billie’s Bounce | The Red Garland Quintet, John Coltrane | T-070.233.008-2 | |
| 4-3 | Solitude | The Red Garland Quintet, John Coltrane | T-071.070.380-2 | |
| 4-4 | Two Bass Hit (1957) | — | ||
| 4-5 | Soft Winds (1957) | — | ||
| 4-6 | Lazy Mae (1957) | — | ||
| 5-1 | Under Paris Skies (1957) | — | ||
| 5-2 | Clifford's Kappa (1957) | — | ||
| 5-3 | Filide (1957) | — | ||
| 5-4 | Two Sons (1957) | — | ||
| 5-5 | Paul's Pal (1957) | — | ||
| 5-6 | Ammon Joy (1958) | — | ||
| 5-7 | Groove Blues (1958) | — | ||
| 5-8 | The Real McCoy (1958) | — | ||
| 5-9 | It Might as Well Be Spring (1958) | — |
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mating Call | Tadd Dameron, John Coltrane | T-070.114.179-8 |
| GNID [MONO VERSION] | JOHN COLTRANE | T-070.264.229-2 |
| SOULTRANE - RUDY VAN GELDER REMASTER (FEAT. TADD DAMERON & JOHN COLTRANE) | VARIOUS ARTISTS | T-070.244.013-8 |
| ROMAS [MONO VERSION] | JOHN COLTRANE | — |
| SUPER JET | JOHN COLTRANE TADD DAMERON, JOHN COLTRANE;TADD DAMERON, TADD DAMERON | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 888072313453?
888072313453 is a Universal Product Code (UPC) assigned to Side Steps by John Coltrane. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 43 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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