UPC · Release
Live in 1967 – Volume Two
John Mayall & the Bluesbreakers
Last verified:
888295221672 is the Universal Product Code (UPC barcode) for the release “Live in 1967 – Volume Two” by John Mayall & the Bluesbreakers, released 2016-01-01 on Forty Below Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (13)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tears in My Eyes | — | ||
| 2 | Your Funeral and My Trail | — | ||
| 3 | So Many Roads | — | ||
| 4 | Bye Bye Bird | — | ||
| 5 | Please Don’t Tell | — | ||
| 6 | Sweet Little Angel | — | ||
| 7 | Talk to Your Daughter | — | ||
| 8 | Bad Boy | — | ||
| 9 | Stormy Monday | — | ||
| 10 | Greeny | — | ||
| 11 | Ridin’ on the L&N | — | ||
| 12 | Chicago Line | — | ||
| 13 | Double Trouble | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
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What is UPC 888295221672?
888295221672 is a Universal Product Code (UPC) assigned to Live in 1967 – Volume Two by John Mayall & the Bluesbreakers. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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