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Philippe Entremont
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888430132726 is the Universal Product Code (UPC barcode) for the release “The Complete Piano Concerto Recordings” by Philippe Entremont, released 2014-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 107 tracks, each with its own ISRC. Tracks include USSM15800936, USSM15800937, USSM15800938.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in A minor for Piano and Orchestra, op. 16: I: Allegro molto moderato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-902.781.050-0 | |
| 2 | Concerto in A minor for Piano and Orchestra, op. 16: II: Adagio | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-927.972.087-5 | |
| 3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 4 | Rhapsody on a Theme of Paganini, op. 43 | Philippe Entremont, Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio - III. Allegretto vivace. Allegro animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-3 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-4 | Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai. L'istesso tempo | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-5 | Piano Concerto no. 2 in A major, S. 125: II. Allegro agitato assai - Un poco piu mosso - Tempo del andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-6 | Piano Concerto no. 2 in A major, S. 125: III. Allegro moderato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-7 | Piano Concerto no. 2 in A major, S. 125: IV. Allegro deciso - L'istesso tempo - Sempre allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-8 | Piano Concerto no. 2 in A major, S. 125: V. Marziale un poco meno. Allegro - Un poco animato - Un poco piu mosso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-9 | Piano Concerto no. 2 in A major, S. 125: VI. Allegro animato - Stretto | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 3-1 | Piano Concerto no. 2 in C minor, op. 18: I. Allegro moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Philippe Entremont, New York Philharmonic, Leonard Bernstein | T-071.926.821-9 | |
| 3-4 | Prelude in D minor, op. 23 no. 3 | Philippe Entremont | — | |
| 3-5 | Prelude in E-flat major, op. 23 no. 6 | Philippe Entremont | — | |
| 3-6 | Prelude in C-sharp minor, op. 3 no. 2 | Philippe Entremont | — | |
| 4-1 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: I. Allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 4-2 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: II. Andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 4-3 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: III. Allegro - Andantino cantabile - Tempo I | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 4-4 | Piano Sonata no. 4 in E-flat major, K. 282: I. Adagio | Philippe Entremont | — | |
| 4-5 | Piano Sonata no. 4 in E-flat major, K. 282: II. Menuetto I - Menuetto II | Philippe Entremont | — | |
| 4-6 | Piano Sonata no. 4 in E-flat major, K. 282: III. Allegro | Philippe Entremont | — | |
| 5-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 5-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice – Prestissimo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 5-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 6-1 | Concerto for Piano and Orchestra no. 1 in F sharp minor, op. 1 : I. Vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-2 | Concerto for Piano and Orchestra no. 1 in F sharp minor, op. 1: II. Andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-802.445.410-3 | |
| 6-3 | Concerto for Piano and Orchestra no. 1 in F sharp minor, op. 1: III. Allegro vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-4 | Concerto for Piano and Orchestra no. 4 in G minor, op. 40: I. Allegro vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-5 | Concerto for Piano and Orchestra no. 4 in G minor, op. 40: II. Largo - attacca subito | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-6 | Concerto for Piano and Orchestra no. 4 in G minor, op. 40: III. Allegro vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 7-1 | Concerto for Piano and Orchestra in G major: I. Allegramente - Andante - Tempo I | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 7-2 | Concerto for Piano and Orchestra in G major: II. Adagio assai | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-305.194.465-7 | |
| 7-3 | Piano Concerto in G major: III. Presio | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-305.199.295-7 | |
| 7-4 | Noches en los jardines de España: I. En el Generalife | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 7-5 | Noches en los jardines de España: II. Danza lejana - attacca | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 7-6 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 8-1 | Concerto for Piano and Orchestra no. 2 in G minor, op. 22: I. Andante sostenuto | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 8-2 | Concerto for Piano and Orchestra no. 2 in G minor, op. 22: II. Allegro scherzando | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 8-3 | Concerto for Piano and Orchestra no. 2 in G minor, op. 22: III. Presto | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 8-4 | Concerto for Piano and Orchestra no. 4 in C minor, op. 44: I. Allegro moderato - Andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 8-5 | Concerto for Piano and Orchestra no. 4 in C minor, op. 44: II. Allegro vivace - Andante - Allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 9-1 | Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 9-2 | Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 9-3 | Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 9-4 | Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 9-5 | Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 9-6 | Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 10-1 | Concerto for Piano and Orchestra in F: I. Allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-070.025.723-3 | |
| 10-2 | Concerto for Piano and Orchestra in F: II. Adagio - Andante con moto | Gilbert Johnson, Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-070.025.723-3 | |
| 10-3 | Concerto for Piano and Orchestra in F: III. Allegro agitato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-070.025.723-3 | |
| 10-4 | Rhapsody in Blue | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-010.244.926-2 | |
| 12-1 | Concerto for Piano and Orchestra no. 13 in C major, K. 415 (387b): I. Allegro | Philippe Entremont, Collegium Musicum of Paris | — | |
| 12-2 | Concerto for Piano and Orchestra no. 13 in C major, K. 415 (387b): II. Andante | Philippe Entremont, Collegium Musicum of Paris | — | |
| 12-3 | Concerto for Piano and Orchestra no. 13 in C major, K. 415 (387b): III. Rondeau. Allegro | Philippe Entremont, Collegium Musicum of Paris | — | |
| 12-4 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro | Philippe Entremont, Collegium Musicum of Paris | — | |
| 12-5 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante | Philippe Entremont, Collegium Musicum of Paris | — | |
| 12-6 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto - Finale. Presto | Philippe Entremont, Collegium Musicum of Paris | — | |
| 13-1 | Concerto for Piano and Orchestra no. 2, Sz. 95: I. Allegro | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 13-2 | Concerto for Piano and Orchestra no. 2, Sz. 95: II. Adagio - Presto - Adagio | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 13-3 | Concerto for Piano and Orchestra no. 2, Sz. 95: III. Allegro molto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 13-4 | Concerto for Piano and Orchestra no. 3, Sz. 119: I. Allegretto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 13-5 | Concerto for Piano and Orchestra no. 3, Sz. 119: II. Adagio religioso | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 13-6 | Concerto for Piano and Orchestra no. 3, Sz. 119: III. Allegro vivace | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 14-1 | Concerto for Piano and Orchestra: I. Allegro deciso | Philippe Entremont, Orchestre de la Société des Concerts du Conservatoire, André Jolivet | — | |
| 14-2 | Concerto for Piano and Orchestra: II. Senzo rigore | Philippe Entremont, Orchestre de la Société des Concerts du Conservatoire, André Jolivet | — | |
| 14-3 | Concerto for Piano and Orchestra: III. Allegro frenetico | Philippe Entremont, Orchestre de la Société des Concerts du Conservatoire, André Jolivet | — | |
| 14-4 | Concerto for Piano and Orchestra no. 1, op. 127: I. Très vif | Philippe Entremont, Orchestre de la Société des Concerts du Conservatoire, Darius Milhaud | — | |
| 14-5 | Concerto for Piano and Orchestra no. 1, op. 127: II. Mouvement de Barcarolle | Philippe Entremont, Orchestre de la Société des Concerts du Conservatoire, Darius Milhaud | — | |
| 14-6 | Concerto for Piano and Orchestra no. 1, op. 127: III. Final. Animé | Philippe Entremont, Orchestre de la Société des Concerts du Conservatoire, Darius Milhaud | — | |
| 14-7 | La Création du monde, op. 81: I. Prélude. Modéré | Philippe Entremont, Jacques Ghestem, Trio à cordes français | — | |
| 14-8 | La Création du monde, op. 81: II. Fugue | Philippe Entremont, Jacques Ghestem, Trio à cordes français | — | |
| 14-9 | La Création du monde, op. 81: III. Romance. Tendre et doux | Philippe Entremont, Jacques Ghestem, Trio à cordes français | — | |
| 14-10 | La Création du monde, op. 81: IV. Scherzo | Philippe Entremont, Jacques Ghestem, Trio à cordes français | — | |
| 14-11 | La Création du monde, op. 81: IV. Final. Modéré | Philippe Entremont, Jacques Ghestem, Trio à cordes français | — | |
| 15-1 | Concerto for Piano and Orchestra in D-flat major, op. 38: I. Allegro ma non troppo e maestoso | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 15-2 | Concerto for Piano and Orchestra in D-flat major, op. 38: II. Andante con anima | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 15-3 | Concerto for Piano and Orchestra in D-flat major, op. 38: III. Allegro brillante | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 15-4 | Fantasia on Hungarian Folk Melodies, S. 123 | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 15-5 | Concerto for the Left Hand: Lento - Andante | Philippe Entremont, The Cleveland Orchestra, Pierre Boulez | T-003.007.888-6 | |
| 15-6 | Concerto for the Left Hand: Allegro | Philippe Entremont, The Cleveland Orchestra, Pierre Boulez | T-003.007.888-6 | |
| 15-7 | Concerto for the Left Hand: III. Tempo I | Philippe Entremont, The Cleveland Orchestra, Pierre Boulez | T-003.007.888-6 | |
| 16-1 | Concerto for Piano and Orchestra no. 1 in D major, op. 17: I. Andante - Allegro assai | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 16-2 | Piano Concerto No. 1 in D Major, Op. 17: II. Andante sostenuto quasi adagio | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, Orchestre national du Capitole de Toulouse | — | |
| 16-3 | Concerto for Piano and Orchestra no. 1 in D major, op. 17: III. Allegro con fuoco | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 16-4 | Piano Concerto No. 5 in F Major, Op. 103: I. Allegro animato | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, L'orchestre du Capitole de Toulouse | — | |
| 16-5 | Concerto for Piano and Orchestra no. 5 in F major, op. 103: II. Andante - Allegretto tranquillo quasi andantino - Andante | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 16-6 | Piano Concerto No. 5 in F Major, Op. 103: III. Molto allegro | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, L'orchestre du Capitole de Toulouse | — | |
| 17-1 | Concerto for Piano and Orchestra no. 2 in G minor, op. 22: I. Andante sostenuto | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 17-2 | Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, Orchestre national du Capitole de Toulouse | — | |
| 17-3 | Concerto for Piano and Orchestra no. 2 in G minor, op. 22: III. Presto | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 17-4 | Piano Concerto No. 4 in C Minor, Op. 44: I. Allegro moderato - Andante | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, Orchestre national du Capitole de Toulouse | — | |
| 17-5 | Concerto for Piano and Orchestra no. 4 in C minor, op. 44: II. Allegro vivace - Andante - Allegro | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 18-1 | Concerto for Piano and Orchestra no. 3 in E-flat major, op. 29: I. Moderato assai - Più mosso (Allegro maestoso) | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | T-905.750.680-6 | |
| 18-2 | Piano Concerto No. 3 in E-Flat Major, Op. 29: II. Andante | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, Orchestre national du Capitole de Toulouse | — | |
| 18-3 | Concerto for Piano and Orchestra no. 3 in E-flat major, op. 29: III. Allegro non troppo | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 18-4 | Rhapsodie d'Auvergne, op. 73: Lento - Andantino espressivo - Allegretto - Allegro molto - Andantino (Tempo I) | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 18-5 | Wedding Cake (Caprice-Valse), Op. 76 | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, L'orchestre du Capitole de Toulouse | — | |
| 18-6 | Africa (Fantasie for Piano and Orchestra), Op. 89 | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, Orchestre national du Capitole de Toulouse | — | |
| 19-1 | Symphonie sur un chant montagnard français, op. 25: I. Assez lent - Modérément animé - Assez lent | Philippe Entremont, Philharmonia Orchestra, Charles Dutoit | — | |
| 19-2 | Symphonie sur un chant montagnard français, op. 25: II. Assez modéré, mais sans lenteur | Philippe Entremont, Philharmonia Orchestra, Charles Dutoit | — | |
| 19-3 | Symphonie sur un chant montagnard français, op. 25: III. Animé | Philippe Entremont, Philharmonia Orchestra, Charles Dutoit | — | |
| 19-4 | Variations symphoniques: Poco allegro - Allegro - Allegretto quasi Andante - Molto più lento - Allegro non troppo - Un pochettino ritenuto - Tempo I | Philippe Entremont, Philharmonia Orchestra, Charles Dutoit | — | |
| 19-5 | Ballade, op. 19: Andante cantabile - Allegro moderato - Andante - Allegro - Allegro moderato | Philippe Entremont, Philharmonia Orchestra, Charles Dutoit | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Capriccio (1949 version): I. Presto - attacca | Philippe Entremont, Columbia Symphony Orchestra, Robert Craft | — |
| Capriccio (1949 version): II. Andante rapsodico | Philippe Entremont, Columbia Symphony Orchestra, Robert Craft | T-072.904.032-7 |
| Capriccio (1949 version): III. Allegro capriccio ma tempo giusto | Philippe Entremont, Columbia Symphony Orchestra, Robert Craft | — |
| Concerto for Piano and Wind Instruments (1950 version): I. Largo - Allegro - Più mosso - Maestoso (Largo del principio) | Philippe Entremont, Columbia Symphony Orchestra, Igor Stravinsky | — |
| Concerto for Piano and Wind Instruments (1950 version): II. LArgo - Più mosso - Doppio valore - Tempo primo | Philippe Entremont, Columbia Symphony Orchestra, Igor Stravinsky | — |
| Concerto for Piano and Wind Instruments (1950 version): III. Allegro - Agitato - Lento - Stringendo | Philippe Entremont, Columbia Symphony Orchestra, Igor Stravinsky | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
888430132726 is a Universal Product Code (UPC) assigned to The Complete Piano Concerto Recordings by Philippe Entremont. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 107 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
888430132726 is the Universal Product Code (UPC barcode) for the release “The Complete Piano Concerto Recordings” by Philippe Entremont, released 2014-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 107 tracks, each with its own ISRC. Tracks include USSM15800936, USSM15800937, USSM15800938.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in A minor for Piano and Orchestra, op. 16: I: Allegro molto moderato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-902.781.050-0 | |
| 2 | Concerto in A minor for Piano and Orchestra, op. 16: II: Adagio | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-927.972.087-5 | |
| 3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 4 | Rhapsody on a Theme of Paganini, op. 43 | Philippe Entremont, Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio - III. Allegretto vivace. Allegro animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-3 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-4 | Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai. L'istesso tempo | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-5 | Piano Concerto no. 2 in A major, S. 125: II. Allegro agitato assai - Un poco piu mosso - Tempo del andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-6 | Piano Concerto no. 2 in A major, S. 125: III. Allegro moderato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-7 | Piano Concerto no. 2 in A major, S. 125: IV. Allegro deciso - L'istesso tempo - Sempre allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-8 | Piano Concerto no. 2 in A major, S. 125: V. Marziale un poco meno. Allegro - Un poco animato - Un poco piu mosso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2-9 | Piano Concerto no. 2 in A major, S. 125: VI. Allegro animato - Stretto | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 3-1 | Piano Concerto no. 2 in C minor, op. 18: I. Allegro moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Philippe Entremont, New York Philharmonic, Leonard Bernstein | T-071.926.821-9 | |
| 3-4 | Prelude in D minor, op. 23 no. 3 | Philippe Entremont | — | |
| 3-5 | Prelude in E-flat major, op. 23 no. 6 | Philippe Entremont | — | |
| 3-6 | Prelude in C-sharp minor, op. 3 no. 2 | Philippe Entremont | — | |
| 4-1 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: I. Allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 4-2 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: II. Andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 4-3 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: III. Allegro - Andantino cantabile - Tempo I | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 4-4 | Piano Sonata no. 4 in E-flat major, K. 282: I. Adagio | Philippe Entremont | — | |
| 4-5 | Piano Sonata no. 4 in E-flat major, K. 282: II. Menuetto I - Menuetto II | Philippe Entremont | — | |
| 4-6 | Piano Sonata no. 4 in E-flat major, K. 282: III. Allegro | Philippe Entremont | — | |
| 5-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 5-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice – Prestissimo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 5-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 6-1 | Concerto for Piano and Orchestra no. 1 in F sharp minor, op. 1 : I. Vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-2 | Concerto for Piano and Orchestra no. 1 in F sharp minor, op. 1: II. Andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-802.445.410-3 | |
| 6-3 | Concerto for Piano and Orchestra no. 1 in F sharp minor, op. 1: III. Allegro vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-4 | Concerto for Piano and Orchestra no. 4 in G minor, op. 40: I. Allegro vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-5 | Concerto for Piano and Orchestra no. 4 in G minor, op. 40: II. Largo - attacca subito | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-6 | Concerto for Piano and Orchestra no. 4 in G minor, op. 40: III. Allegro vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 7-1 | Concerto for Piano and Orchestra in G major: I. Allegramente - Andante - Tempo I | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 7-2 | Concerto for Piano and Orchestra in G major: II. Adagio assai | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-305.194.465-7 | |
| 7-3 | Piano Concerto in G major: III. Presio | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-305.199.295-7 | |
| 7-4 | Noches en los jardines de España: I. En el Generalife | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 7-5 | Noches en los jardines de España: II. Danza lejana - attacca | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 7-6 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 8-1 | Concerto for Piano and Orchestra no. 2 in G minor, op. 22: I. Andante sostenuto | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 8-2 | Concerto for Piano and Orchestra no. 2 in G minor, op. 22: II. Allegro scherzando | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 8-3 | Concerto for Piano and Orchestra no. 2 in G minor, op. 22: III. Presto | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 8-4 | Concerto for Piano and Orchestra no. 4 in C minor, op. 44: I. Allegro moderato - Andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 8-5 | Concerto for Piano and Orchestra no. 4 in C minor, op. 44: II. Allegro vivace - Andante - Allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 9-1 | Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 9-2 | Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 9-3 | Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 9-4 | Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 9-5 | Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 9-6 | Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 10-1 | Concerto for Piano and Orchestra in F: I. Allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-070.025.723-3 | |
| 10-2 | Concerto for Piano and Orchestra in F: II. Adagio - Andante con moto | Gilbert Johnson, Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-070.025.723-3 | |
| 10-3 | Concerto for Piano and Orchestra in F: III. Allegro agitato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-070.025.723-3 | |
| 10-4 | Rhapsody in Blue | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-010.244.926-2 | |
| 12-1 | Concerto for Piano and Orchestra no. 13 in C major, K. 415 (387b): I. Allegro | Philippe Entremont, Collegium Musicum of Paris | — | |
| 12-2 | Concerto for Piano and Orchestra no. 13 in C major, K. 415 (387b): II. Andante | Philippe Entremont, Collegium Musicum of Paris | — | |
| 12-3 | Concerto for Piano and Orchestra no. 13 in C major, K. 415 (387b): III. Rondeau. Allegro | Philippe Entremont, Collegium Musicum of Paris | — | |
| 12-4 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro | Philippe Entremont, Collegium Musicum of Paris | — | |
| 12-5 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante | Philippe Entremont, Collegium Musicum of Paris | — | |
| 12-6 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto - Finale. Presto | Philippe Entremont, Collegium Musicum of Paris | — | |
| 13-1 | Concerto for Piano and Orchestra no. 2, Sz. 95: I. Allegro | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 13-2 | Concerto for Piano and Orchestra no. 2, Sz. 95: II. Adagio - Presto - Adagio | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 13-3 | Concerto for Piano and Orchestra no. 2, Sz. 95: III. Allegro molto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 13-4 | Concerto for Piano and Orchestra no. 3, Sz. 119: I. Allegretto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 13-5 | Concerto for Piano and Orchestra no. 3, Sz. 119: II. Adagio religioso | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 13-6 | Concerto for Piano and Orchestra no. 3, Sz. 119: III. Allegro vivace | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 14-1 | Concerto for Piano and Orchestra: I. Allegro deciso | Philippe Entremont, Orchestre de la Société des Concerts du Conservatoire, André Jolivet | — | |
| 14-2 | Concerto for Piano and Orchestra: II. Senzo rigore | Philippe Entremont, Orchestre de la Société des Concerts du Conservatoire, André Jolivet | — | |
| 14-3 | Concerto for Piano and Orchestra: III. Allegro frenetico | Philippe Entremont, Orchestre de la Société des Concerts du Conservatoire, André Jolivet | — | |
| 14-4 | Concerto for Piano and Orchestra no. 1, op. 127: I. Très vif | Philippe Entremont, Orchestre de la Société des Concerts du Conservatoire, Darius Milhaud | — | |
| 14-5 | Concerto for Piano and Orchestra no. 1, op. 127: II. Mouvement de Barcarolle | Philippe Entremont, Orchestre de la Société des Concerts du Conservatoire, Darius Milhaud | — | |
| 14-6 | Concerto for Piano and Orchestra no. 1, op. 127: III. Final. Animé | Philippe Entremont, Orchestre de la Société des Concerts du Conservatoire, Darius Milhaud | — | |
| 14-7 | La Création du monde, op. 81: I. Prélude. Modéré | Philippe Entremont, Jacques Ghestem, Trio à cordes français | — | |
| 14-8 | La Création du monde, op. 81: II. Fugue | Philippe Entremont, Jacques Ghestem, Trio à cordes français | — | |
| 14-9 | La Création du monde, op. 81: III. Romance. Tendre et doux | Philippe Entremont, Jacques Ghestem, Trio à cordes français | — | |
| 14-10 | La Création du monde, op. 81: IV. Scherzo | Philippe Entremont, Jacques Ghestem, Trio à cordes français | — | |
| 14-11 | La Création du monde, op. 81: IV. Final. Modéré | Philippe Entremont, Jacques Ghestem, Trio à cordes français | — | |
| 15-1 | Concerto for Piano and Orchestra in D-flat major, op. 38: I. Allegro ma non troppo e maestoso | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 15-2 | Concerto for Piano and Orchestra in D-flat major, op. 38: II. Andante con anima | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 15-3 | Concerto for Piano and Orchestra in D-flat major, op. 38: III. Allegro brillante | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 15-4 | Fantasia on Hungarian Folk Melodies, S. 123 | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 15-5 | Concerto for the Left Hand: Lento - Andante | Philippe Entremont, The Cleveland Orchestra, Pierre Boulez | T-003.007.888-6 | |
| 15-6 | Concerto for the Left Hand: Allegro | Philippe Entremont, The Cleveland Orchestra, Pierre Boulez | T-003.007.888-6 | |
| 15-7 | Concerto for the Left Hand: III. Tempo I | Philippe Entremont, The Cleveland Orchestra, Pierre Boulez | T-003.007.888-6 | |
| 16-1 | Concerto for Piano and Orchestra no. 1 in D major, op. 17: I. Andante - Allegro assai | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 16-2 | Piano Concerto No. 1 in D Major, Op. 17: II. Andante sostenuto quasi adagio | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, Orchestre national du Capitole de Toulouse | — | |
| 16-3 | Concerto for Piano and Orchestra no. 1 in D major, op. 17: III. Allegro con fuoco | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 16-4 | Piano Concerto No. 5 in F Major, Op. 103: I. Allegro animato | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, L'orchestre du Capitole de Toulouse | — | |
| 16-5 | Concerto for Piano and Orchestra no. 5 in F major, op. 103: II. Andante - Allegretto tranquillo quasi andantino - Andante | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 16-6 | Piano Concerto No. 5 in F Major, Op. 103: III. Molto allegro | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, L'orchestre du Capitole de Toulouse | — | |
| 17-1 | Concerto for Piano and Orchestra no. 2 in G minor, op. 22: I. Andante sostenuto | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 17-2 | Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, Orchestre national du Capitole de Toulouse | — | |
| 17-3 | Concerto for Piano and Orchestra no. 2 in G minor, op. 22: III. Presto | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 17-4 | Piano Concerto No. 4 in C Minor, Op. 44: I. Allegro moderato - Andante | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, Orchestre national du Capitole de Toulouse | — | |
| 17-5 | Concerto for Piano and Orchestra no. 4 in C minor, op. 44: II. Allegro vivace - Andante - Allegro | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 18-1 | Concerto for Piano and Orchestra no. 3 in E-flat major, op. 29: I. Moderato assai - Più mosso (Allegro maestoso) | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | T-905.750.680-6 | |
| 18-2 | Piano Concerto No. 3 in E-Flat Major, Op. 29: II. Andante | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, Orchestre national du Capitole de Toulouse | — | |
| 18-3 | Concerto for Piano and Orchestra no. 3 in E-flat major, op. 29: III. Allegro non troppo | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 18-4 | Rhapsodie d'Auvergne, op. 73: Lento - Andantino espressivo - Allegretto - Allegro molto - Andantino (Tempo I) | Philippe Entremont, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 18-5 | Wedding Cake (Caprice-Valse), Op. 76 | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, L'orchestre du Capitole de Toulouse | — | |
| 18-6 | Africa (Fantasie for Piano and Orchestra), Op. 89 | Camille Saint-Saëns, Philippe Entremont, Michel Plasson, Orchestre national du Capitole de Toulouse | — | |
| 19-1 | Symphonie sur un chant montagnard français, op. 25: I. Assez lent - Modérément animé - Assez lent | Philippe Entremont, Philharmonia Orchestra, Charles Dutoit | — | |
| 19-2 | Symphonie sur un chant montagnard français, op. 25: II. Assez modéré, mais sans lenteur | Philippe Entremont, Philharmonia Orchestra, Charles Dutoit | — | |
| 19-3 | Symphonie sur un chant montagnard français, op. 25: III. Animé | Philippe Entremont, Philharmonia Orchestra, Charles Dutoit | — | |
| 19-4 | Variations symphoniques: Poco allegro - Allegro - Allegretto quasi Andante - Molto più lento - Allegro non troppo - Un pochettino ritenuto - Tempo I | Philippe Entremont, Philharmonia Orchestra, Charles Dutoit | — | |
| 19-5 | Ballade, op. 19: Andante cantabile - Allegro moderato - Andante - Allegro - Allegro moderato | Philippe Entremont, Philharmonia Orchestra, Charles Dutoit | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Capriccio (1949 version): I. Presto - attacca | Philippe Entremont, Columbia Symphony Orchestra, Robert Craft | — |
| Capriccio (1949 version): II. Andante rapsodico | Philippe Entremont, Columbia Symphony Orchestra, Robert Craft | T-072.904.032-7 |
| Capriccio (1949 version): III. Allegro capriccio ma tempo giusto | Philippe Entremont, Columbia Symphony Orchestra, Robert Craft | — |
| Concerto for Piano and Wind Instruments (1950 version): I. Largo - Allegro - Più mosso - Maestoso (Largo del principio) | Philippe Entremont, Columbia Symphony Orchestra, Igor Stravinsky | — |
| Concerto for Piano and Wind Instruments (1950 version): II. LArgo - Più mosso - Doppio valore - Tempo primo | Philippe Entremont, Columbia Symphony Orchestra, Igor Stravinsky | — |
| Concerto for Piano and Wind Instruments (1950 version): III. Allegro - Agitato - Lento - Stringendo | Philippe Entremont, Columbia Symphony Orchestra, Igor Stravinsky | — |
