UPC · Release
Recorded Live on Stage in Memphis
Elvis Presley
Last verified:
888430179721 is the Universal Product Code (UPC barcode) for the release “Recorded Live on Stage in Memphis” by Elvis Presley, released 2014-01-01 on RCA. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include USRC19305727, USRC19305729, USRC19305731.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (52)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Also sprach Zarathustra (Theme From 2001: A Space Odyssey) | — | ||
| 2 | See See Rider (live) | Elvis Presley | T-070.236.648-0 | |
| 3 | Medley: I Got a Woman / Amen | — | ||
| 4 | Love Me (live) | Elvis Presley | T-010.729.942-2 | |
| 5 | Trying to Get to You | — | ||
| 6 | All Shook Up | — | ||
| 7 | Steamroller Blues | — | ||
| 8 | Medley: (Let Me Be Your) Teddy Bear / Don’t Be Cruel | — | ||
| 9 | Love Me Tender | — | ||
| 10 | Medley (live) | Elvis Presley | T-010.971.187-6 | |
| 11 | Fever | — | ||
| 12 | Polk Salad Annie | — | ||
| 13 | Why Me Lord (live) | Elvis Presley | T-070.248.011-2 | |
| 14 | How Great Thou Art (live) | Elvis Presley | T-902.923.589-0 | |
| 15 | Suspicious Minds | — | ||
| 16 | Introductions | — | ||
| 17 | Medley (live) | Elvis Presley | T-010.937.857-5 | |
| 18 | Help Me (live) | Elvis Presley | T-070.240.229-6 | |
| 19 | An American Trilogy | Elvis Presley | T-070.231.959-2 | |
| 20 | Let Me Be There (live) | Elvis Presley | T-010.173.444-4 | |
| 21 | My Baby Left Me (live) | Elvis Presley | T-070.242.348-0 | |
| 22 | Lawdy, Miss Clawdy | Elvis Presley | T-070.241.591-5 | |
| 23 | Funny How Time Slips Away | — | ||
| 24 | Can’t Help Falling in Love | — | ||
| 25 | Closing Vamp | — | ||
| 2-1 | Also sprach Zarathustra (Theme From 2001: A Space Odyssey) | — | ||
| 2-2 | See See Rider | — | ||
| 2-3 | Medley: I Got a Woman / Amen | Elvis Presley | T-070.919.077-1 | |
| 2-4 | Love Me | — | ||
| 2-5 | Trying to Get to You | Elvis Presley | T-920.327.043-3 | |
| 2-6 | All Shook Up | — | ||
| 2-7 | Steamroller Blues | — | ||
| 2-8 | Medley (Let Me Be Your) Teddy Bear / Don’t Be Cruel | — | ||
| 2-9 | Love Me Tender | — | ||
| 2-10 | Medley: Long Tall Sally / Whole Lotta Shakin’ Goin’ On / Your Mama Don’t Dance / Flip, Flop and Fly / Jailhouse Rock / Hound Dog | — | ||
| 2-11 | Fever | — | ||
| 2-12 | Polk Salad Annie | — | ||
| 2-13 | Why Me Lord | — | ||
| 2-14 | Suspicious Minds | — | ||
| 2-15 | Introductions | — | ||
| 2-16 | I Can’t Stop Loving You | — | ||
| 2-17 | Help Me | — | ||
| 2-18 | An American Trilogy | — | ||
| 2-19 | Let Me Be There | — | ||
| 2-20 | Funny How Time Slips Away | — | ||
| 2-21 | Can’t Help Falling in Love | Elvis Presley | T-070.026.688-1 | |
| 2-22 | Closing Vamp | — | ||
| 2-23 | Down in the Alley (The August 1974 RCA rehearsal) | — | ||
| 2-24 | Good Time Charlie’s Got the Blues (The August 1974 RCA rehearsal) | — | ||
| 2-25 | Softly as I Leave You (The August 1974 RCA rehearsal) | — | ||
| 2-26 | The First Time Ever I Saw Your Face (The August 1974 RCA rehearsal) | — | ||
| 2-27 | The Twelfth of Never (The August 1974 RCA rehearsal) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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People also ask
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What is UPC 888430179721?
888430179721 is a Universal Product Code (UPC) assigned to Recorded Live on Stage in Memphis by Elvis Presley. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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