UPC · Release
Claudio Abbado
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888430450523 is the Universal Product Code (UPC barcode) for the release “The Complete RCA And Sony Album Collection” by Claudio Abbado, released 2014-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 419 tracks, each with its own ISRC. Tracks include USSM10401430, USSM10311578, USSM10311457.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | March no. 1 in D major, K. 335 (320a) | Berliner Philharmoniker, Claudio Abbado | — | |
| 2 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : I. Adagio maestoso - allegro con spirito | — | ||
| 3 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Ii. Minuetto. Allegretto & Trio | — | ||
| 4 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Iii. Concertante. Andante grazioso | — | ||
| 5 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Iv. Rondeau. Allegro ma non troppo | — | ||
| 6 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : V. Andantino | — | ||
| 7 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Vi. Minuetto & Trio i & Trio ii | — | ||
| 8 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Vii. Finale. Presto | — | ||
| 9 | Marche en ré majeur n°2 K. 335 | — | ||
| 10 | Divertimento en ré majeur K. 251 "Nannerl septet" : I. Molto allegro | — | ||
| 11 | Divertimento en ré majeur K. 251 "Nannerl Septet" : II. Menuetto - Trio | — | ||
| 12 | "DIVERTIMENTO IN D MAJOR, K. 251 ""NANNERL SEPTET"": III. ANDANTINO" | Berliner Philharmoniker, Claudio Abbado | T-900.021.469-7 | |
| 13 | Divertimento en ré majeur K. 251 "Nannerl Septet" : IV. Menuetto. Tema con variazioni | — | ||
| 14 | Divertimento en ré majeur K. 251 "Nannerl Septet" : V. Rondeau. Allegro assai | — | ||
| 15 | Divertimento en ré majeur K. 251 "Nannerl Septet" : VI. Marcia alla francese | — | ||
| 2-1 | Symphonie n°23 en ré majeur K. 181 : I. Allegro spiritoso | — | ||
| 2-2 | Symphonie n°23 en ré majeur K. 181 : II. Andantino grazioso | — | ||
| 2-3 | Symphonie n°23 en ré majeur K. 181 : III. Presto assai | — | ||
| 2-4 | Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : I. Allegro maestoso | — | ||
| 2-5 | Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : II. Andante | — | ||
| 2-6 | Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : III. Presto | — | ||
| 2-7 | Symphonie n°36 en ut majeur "Linz" K. 425 : I. Adagio - Allegro spiritoso | — | ||
| 2-8 | Symphonie n°36 en ut majeur "Linz" K. 425 : II. Andante | — | ||
| 2-9 | Symphonie n°36 en ut majeur "Linz" K. 425 : III. Menuetto - Trio | — | ||
| 2-10 | Symphonie n°36 en ut majeur "Linz" K. 425 : IV. Presto | — | ||
| 3-1 | Symphony No. 28 in C major, K.200: I. Allegro spiritoso | — | ||
| 3-2 | Symphony No. 28 in C major, K.200: II. Andante | — | ||
| 3-3 | Symphony No. 28 in C major, K.200: III. Menuetto. Allegretto - Trio | — | ||
| 3-4 | Symphony No. 28 in C major, K.200: IV. Presto | — | ||
| 3-5 | Symphony No. 29 in A major, K. 201: I. Allegro moderato | — | ||
| 3-6 | Symphony No. 29 in A major, K. 201: II. Andante | — | ||
| 3-7 | Symphony No. 29 in A major, K. 201: III. Menuetto - Trio | — | ||
| 3-8 | Symphony No. 29 in A major, K. 201: IV. Allegro con spirito | — | ||
| 3-9 | Symphony No. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | — | ||
| 3-10 | Symphony No. 35 in D major, K. 385 "Haffner": II. Andante | — | ||
| 3-11 | Symphony No. 35 in D major, K. 385 "Haffner": III. Menuetto - Trio | — | ||
| 3-12 | Symphony No. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | — | ||
| 4-1 | Symphony No. 31 in D major, K. 300a/297 "Paris": I. Allegro assai | Berliner Philharmoniker, Claudio Abbado | T-306.395.786-4 | |
| 4-2 | Symphony No. 31 in D major, K. 300a/297 "Paris": II. Andante | Berliner Philharmoniker, Claudio Abbado | — | |
| 4-3 | Symphony No. 31 in D major, K. 300a/297 "Paris": III. Allegro | Berliner Philharmoniker, Claudio Abbado | — | |
| 4-5 | Masonic Funeral Music for Orchestra in C minor, K. 479a/477 | Berliner Philharmoniker, Claudio Abbado | T-011.365.099-9 | |
| 4-6 | Symphony No. 25 in G minor, K. 173dB/183: I. Allegro con brio | Berliner Philharmoniker, Claudio Abbado | — | |
| 4-7 | Symphony No. 25 in G minor, K. 173dB/183: II. Andante | Berliner Philharmoniker, Claudio Abbado | T-010.194.421-1 | |
| 4-8 | Symphony No. 25 in G minor, K. 173dB/183: III. Minuetto & Trio | Berliner Philharmoniker, Claudio Abbado | — | |
| 4-9 | Symphony No. 25 in G minor, K. 173dB/183: IV. Allegro | Berliner Philharmoniker, Claudio Abbado | — | |
| 4-10 | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": I. Adagio maestoso - allegro con spirito | Berliner Philharmoniker, Claudio Abbado | — | |
| 4-11 | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": V. Andantino | Berliner Philharmoniker, Claudio Abbado | T-900.086.689-7 | |
| 4-12 | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VII. Finale. Presto | Berliner Philharmoniker, Claudio Abbado | — | |
| 5-1 | Grande Messe en ut mineur K. 427 : I. Kyrie (Andante moderato) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-2 | Grande Messe en ut mineur K. 427 : II. Gloria : Gloria in Excelsis Deo (Allegro vivace) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-3 | Grande Messe en ut mineur K. 427 : Laudamus Te (Allegro aperto) | Arleen Augér, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-4 | Grande Messe en ut mineur K. 427 : Gratias agimus tibi (Allegro) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-5 | Grande Messe en ut mineur K. 427 : Domine (Allegro moderato) | Arleen Augér, Barbara Bonney, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-6 | Grande Messe en ut mineur K. 427 : Qui tollis (Largo) | Berliner Philharmoniker, Claudio Abbado | — | |
| 5-7 | Grande Messe en ut mineur K. 427 : Quoniam (Allegro) | Arleen Augér, Hans Peter Blochwitz, Barbara Bonney, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-8 | Grande Messe en ut mineur K. 427 : Jesu Christe (Adagio) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-9 | Grande Messe en ut mineur K. 427 : Cum Sancto Spiritu | Berliner Philharmoniker, Claudio Abbado | — | |
| 5-10 | Grande Messe en ut mineur K. 427 : III. Credo : Credo in unum Deum (Allegro maestoso) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-11 | Grande Messe en ut mineur K. 427 : Et incarnatus est | Barbara Bonney, Berliner Philharmoniker, Claudio Abbado | T-924.224.927-0 | |
| 5-12 | Grande Messe en ut mineur K. 427 : IV. Sanctus | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-13 | Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo) | Arleen Augér, Hans Peter Blochwitz, Barbara Bonney, Robert Holl, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 6-1 | Symphony No. 9 in D minor, Op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | — | ||
| 6-2 | Symphony No. 9 in D minor, Op. 125 “Choral”: II. Molto vivace | — | ||
| 6-3 | Symphony No. 9 in D minor, Op. 125 “Choral”: III. Adagio molto e cantabile | — | ||
| 6-4 | Symphony No. 9 in D minor, Op. 125 “Choral”: IV. Finale | — | ||
| 7-1 | Ein Sommernachtstraum‐Ouvertüre, op. 21: Allegro di molto | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-2 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 1. Scherzo. Allegro vivace | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-3 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 2. L’istesso tempo | Sigurd Brauns, Barbara Sukowa, Damen des Ernst-Senff-Chores, Angelika Kirchschlager, Sylvia McNair, Berliner Philharmoniker, Claudio Abbado | — | |
| 7-4 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: Elfenreigen. Allegro vivace | Barbara Sukowa, Berliner Philharmoniker, Claudio Abbado | — | |
| 7-5 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 3. Lied mit Chor. Allegro ma non troppo | Sigurd Brauns, Barbara Sukowa, Damen des Ernst-Senff-Chores, Angelika Kirchschlager, Sylvia McNair, Berliner Philharmoniker, Claudio Abbado | — | |
| 7-6 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 4. Andante | Sigurd Brauns, Barbara Sukowa, Damen des Ernst-Senff-Chores, Angelika Kirchschlager, Sylvia McNair, Berliner Philharmoniker, Claudio Abbado | — | |
| 7-7 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 5. Intermezzo. Allegro appassionato | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-8 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 7. Notturno. Con moto tranquillo | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-9 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 8. Andante | Sigurd Brauns, Barbara Sukowa, Damen des Ernst-Senff-Chores, Angelika Kirchschlager, Sylvia McNair, Berliner Philharmoniker, Claudio Abbado | — | |
| 7-10 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 9. Hochzeitsmarsch. Allegro vivace | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-11 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: Finale. Allegro di molto | Sigurd Brauns, Barbara Sukowa, Damen des Ernst-Senff-Chores, Angelika Kirchschlager, Sylvia McNair, Berliner Philharmoniker, Claudio Abbado | — | |
| 7-12 | Symphony no. 4 in A major, op. 90 “Italienische”: I. Allegro vivace | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-13 | Symphony no. 4 in A major, op. 90 “Italienische”: II. Andante con moto | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-14 | Symphony no. 4 in A major, op. 90 “Italienische”: III. Con moto moderato | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-15 | Symphony no. 4 in A major, op. 90 “Italienische”: IV. Salterello. Presto | Berliner Philharmoniker, Claudio Abbado | T-931.717.263-7 | |
| 8-1 | Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 8-2 | Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 8-3 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | — | ||
| 8-4 | Konzertstück, Op. 92 (Introduction & allegro appassionato for piano & orchestra) in G major | — | ||
| 8-5 | Konzertstück, Op. 134 (Introduction & allegro concertante for piano & orchestra) in D minor | — | ||
| 9-1 | Scenes from Goethe's Faust, WoO 3: Part I: Overture | — | ||
| 9-2 | Scenes from Goethe's Faust, WoO 3: Part I: I Garden Scene "Du kanntest mich, o kleiner Engel" | — | ||
| 9-3 | Scenes from Goethe's Faust, WoO 3: Part I: II Gretchen before the Image of the Mater Dolorosa "Ach neige" | — | ||
| 9-4 | Scenes from Goethe's Faust, WoO 3: Part I: III Scene in the Cathedral "Wie anders, Gretchen, war dir's" | — | ||
| 9-5 | Scenes from Goethe's Faust, WoO 3: Part II: IVa Ariel. Sunrise "Die ihr dies Haupt umschwebt" | — | ||
| 9-6 | Scenes from Goethe's Faust, WoO 3: Part II: IVb Ariel. Sunrise "Täler grüner, Hügel schwellen" | — | ||
| 9-7 | Scenes from Goethe's Faust, WoO 3: Part II: IVc Ariel. Sunrise "Des Lebens Pulse schlagen frisch-lebendig" | — | ||
| 9-8 | Scenes from Goethe's Faust, WoO 3: Part II: IVd Ariel. Sunrise "So ist es also" | — | ||
| 9-9 | Scenes from Goethe's Faust, WoO 3: Part II: Va Midnight "Ich heiße der Mangel" | — | ||
| 9-10 | Scenes from Goethe's Faust, WoO 3: Part II: Vb Midnight "Vier sah ich kommen, drei nur geh'n" | — | ||
| 9-11 | Scenes from Goethe's Faust, WoO 3: Part II: Vc Midnight "Die Nacht scheint tiefer tief hereinzudringen" | — | ||
| 9-12 | Scenes from Goethe's Faust, WoO 3: Part II: VI Faust's Death "Herbei, herbei! Herein, herein!" | — | ||
| 10-1 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration I "Waldung, sie schwankt heran" | — | ||
| 10-2 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration II "Ewiger Wonnebrand" | — | ||
| 10-3 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IIIa "Wie Felsenabgrund mir zu Füßen" | — | ||
| 10-4 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IIIb "Welch ein Morgenwölkchen" | — | ||
| 10-5 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IVa "Gerettet ist das edle Glied" | — | ||
| 10-6 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IVb "Gerettet ist das edle Glied" | — | ||
| 10-7 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration V "Hier ist die Aussicht frei" | — | ||
| 10-8 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration VI "Dir, der Unberührbaren" | — | ||
| 10-9 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration VII "Alles Vergängliche ist nur ein Gleichnis" | — | ||
| 11-1 | The Noonday Witch, op. 108 | Berliner Philharmoniker, Claudio Abbado | — | |
| 11-2 | Symphony no. 8 In G major, op. 88: I. Allegro con brio | Berliner Philharmoniker, Claudio Abbado | — | |
| 11-3 | Symphony no. 8 in G major, op. 88: II. Adagio | Berliner Philharmoniker, Claudio Abbado | — | |
| 11-4 | Symphony no. 8 In G major, op. 88: III. Allegretto grazioso – Molto vivace | Berliner Philharmoniker, Claudio Abbado | — | |
| 11-5 | Symphony no. 8 In G major, op. 88: IV. Allegro ma non troppo | Berliner Philharmoniker, Claudio Abbado | — | |
| 12-1 | St. John's Night on the Bare Mountain | Анатолій Іванович Кочерга, Rundfunkchor Berlin, Südtiroler Kinderchor, Berliner Philharmoniker, Claudio Abbado | — | |
| 12-2 | Khovanshchina: Prelude | Berliner Philharmoniker, Claudio Abbado | — | |
| 12-3 | Khovanshchina: Aria of Shaklovity "Spit streleckoe gnezdo" | Анатолій Іванович Кочерга, Berliner Philharmoniker, Claudio Abbado | — | |
| 12-4 | Khovanshchina: The Departure of Prince Golizyn | Berliner Philharmoniker, Claudio Abbado | — | |
| 12-5 | Khovanshchina: Aria of Marfa "Sily potajnye" | Marianna Tarasova, Berliner Philharmoniker, Claudio Abbado | — | |
| 12-6 | Khovanshchina: Dance of the Persian Slave Girls | Berliner Philharmoniker, Claudio Abbado | — | |
| 12-7 | Scherzo in B-flat major | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 12-8 | Intermezzo Symphonique in modo classico in B minor | Berliner Philharmoniker, Claudio Abbado | — | |
| 12-9 | Festive March from "Mlada" | Berliner Philharmoniker, Claudio Abbado | — | |
| 13-1 | Songs and Dances of Death: I. Lullaby | — | ||
| 13-2 | Songs and Dances of Death: II. Serenade | — | ||
| 13-3 | Songs and Dances of Death: III. Trepak | — | ||
| 13-4 | Songs and Dances of Death: IV. The Field Marshal | — | ||
| 13-5 | Symphony No.5 in E minor, Op.64: I. Andante - Allegro con anima | — | ||
| 13-6 | Symphony No.5 in E minor, Op.64: II. Andante cantabile,con alcuna licenza | — | ||
| 13-7 | Symphony No.5 in E minor, Op.64: III. Valse. Allegro moderato | — | ||
| 13-8 | Symphony No.5 in E minor, Op.64: IV. Finale. Andante maestoso - Allegro vivace | — | ||
| 14-1 | Khovanschchina: Act IV: Introduction (Golitzyn's Journey) | — | ||
| 14-2 | Joshua for Chorus, Contralto, Bass and Orchestra | — | ||
| 14-3 | Salammbô: Chorus of Priestesses | — | ||
| 14-4 | Scherzo in B-flat | — | ||
| 14-5 | The Destruction of Sennacherib for Chorus and Orchestra | — | ||
| 14-6 | St. John's Night on the Bare Mountain | — | ||
| 14-7 | Oedipus in Athens: Chorus of People in the Temple | — | ||
| 14-8 | Khovanschchina: Prelude (Dawn Over the Moscow River) | — | ||
| 14-9 | The Capture of Kars, Triumphal March | — | ||
| 15-1 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Dreams of a Winter Journey. Allegro tranquillo | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 15-2 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Gloomy Land, Misty Land. Adagio cantabile ma non tanto | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 15-3 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo. Allegro sherzando giocoso | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 15-4 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale. Andante lugubre - Allegro maestoso | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 15-5 | The Nutcracker - Suite, op. 71a: I. Ouverture miniature. Allegro giusto | Chicago Symphony Orchestra, Claudio Abbado | T-902.880.588-1 | |
| 15-6 | The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: a) Marche Tempo di marcia viva | Chicago Symphony Orchestra, Claudio Abbado | T-304.210.691-8 | |
| 15-7 | The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante non troppo | Chicago Symphony Orchestra, Claudio Abbado | T-902.880.588-1 | |
| 15-8 | The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Molto vivace | Chicago Symphony Orchestra, Claudio Abbado | T-800.639.771-4 | |
| 15-9 | The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto | Chicago Symphony Orchestra, Claudio Abbado | T-902.880.588-1 | |
| 15-10 | The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato | Chicago Symphony Orchestra, Claudio Abbado | T-902.880.588-1 | |
| 15-11 | The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai | Chicago Symphony Orchestra, Claudio Abbado | T-902.880.588-1 | |
| 15-12 | The Nutcracker - Suite, op. 71a: III. Valse des fleurs. Tempo di valse | Chicago Symphony Orchestra, Claudio Abbado | T-902.880.588-1 | |
| 16-1 | The Tempest, op. 18 | — | ||
| 16-2 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo - Andante sostenuto | — | ||
| 16-3 | Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato | — | ||
| 16-4 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo | — | ||
| 16-5 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo - Presto | — | ||
| 17-1 | Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione. Moderato assai (Tempo di marcia funebre) - Allegro brillante | — | ||
| 17-2 | Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca. Allegro moderato e semplice | — | ||
| 17-3 | Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco | — | ||
| 17-4 | Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo | — | ||
| 17-5 | Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco (Tempo di Polacca) | — | ||
| 17-6 | Ouverture Solonnelle "1812": Largo - Andante - Allegro giusto | — | ||
| 17-7 | Ouverture Solonnelle "1812": Largo - Allegro vivace | — | ||
| 18-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 18-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 18-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato – Allegro | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 18-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | Chicago Symphony Orchestra, Claudio Abbado | T-318.676.528-2 | |
| 18-5 | Romeo and Juliet (Fantasy Overture): after Shakespeare | Chicago Symphony Orchestra, Claudio Abbado | T-011.157.224-7 | |
| 19-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | — | ||
| 19-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza | — | ||
| 19-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 19-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace | — | ||
| 19-5 | The Voyevoda, op. 78: Allegro vivacissimo | — | ||
| 20-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 20-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 20-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 20-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 20-5 | Marche Slave, op. 31: Moderato in modo di marcia funebre - Piu mosso: Allegro - Andante molto maestoso - Allegro risouto | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 21-1 | Violin Concerto in D major, Op. 35: I. Allegro moderato | — | ||
| 21-2 | Violin Concerto in D major, Op. 35: II. Canzonetta. Andante | — | ||
| 21-3 | Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo | — | ||
| 21-4 | Violin Concerto No. 1 in A minor, Op. 99: I. Nocturne. Adagio | — | ||
| 21-5 | Violin Concerto No. 1 in A minor, Op. 99: II. Scherzo. Allegro non troppo | — | ||
| 21-6 | Violin Concerto No. 1 in A minor, Op. 99: III. Passacaglia. Andante | — | ||
| 21-7 | Violin Concerto No. 1 in A minor, Op. 99: IV. Burlesca. Allegro con brio | — | ||
| 22-1 | Concerto No. 2 for Piano and Orchestra, in C minor, Op. 18: I. Moderato | — | ||
| 22-2 | Concerto No. 2 for Piano and Orchestra, in C minor, Op. 18: II. Adagio sostenuto | — | ||
| 22-3 | Concerto No. 2 for Piano and Orchestra, in C minor, Op. 18: III. Allegro scherzando | — | ||
| 22-4 | Rhapsody on a Theme of Paganini, Op. 43 | — | ||
| 23-1 | Concerto for Piano and Orchestra no. 3 in D minor, op. 30: Allegro ma non tanto | London Symphony Orchestra, Claudio Abbado, Lazar Berman | — | |
| 23-2 | Concerto for Piano and Orchestra no. 3 in D minor, op. 30: Intermezzo, Adagio | London Symphony Orchestra, Claudio Abbado, Lazar Berman | — | |
| 23-3 | Concerto for Piano and Orchestra no. 3 in D minor, op. 30: Finale, Alla breve | London Symphony Orchestra, Claudio Abbado, Lazar Berman | — | |
| 24-1 | Double Concerto For Violin, Cello And Orchestra In A Minor, Op. 102: I. Allegro | — | ||
| 24-2 | Concerto for Violin and Cello in A minor, op. 102: II. Andante | Isaac Stern, Yo-Yo Ma, Chicago Symphony Orchestra, Claudio Abbado | T-312.542.566-9 | |
| 24-3 | Double Concerto For Violin, Cello And Orchestra In A Minor, Op. 102: III Vivace Non Troppo | — | ||
| 24-4 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: I. Thema Scherzoso Con Variazionii | Motto | — | ||
| 24-5 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Thema Scherzoso | — | ||
| 24-6 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation I | — | ||
| 24-7 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation II (Langsames Waltzertempo) | — | ||
| 24-8 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation III (Kräftig Bewegt) | — | ||
| 24-9 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation IV (Sehr Rasch) | — | ||
| 24-10 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation V (Tempo Primo) | — | ||
| 24-11 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: II. Adagio | — | ||
| 24-12 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: III. III. Rondo Ritmico Con Introduzione | — | ||
| 24-13 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Rondo Ritmico | — | ||
| 24-14 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Coda | — | ||
| 25-1 | Don Juan op.20 | — | ||
| 25-2 | Burleske für Klavier und Orchester d-moll | — | ||
| 25-3 | Till Eulenspiegels lustige Streiche op.28 | — | ||
| 25-4 | Der Rosenkavalier - Terzett und Finale (3. Akt) | — | ||
| 26-1 | Schicksalslied for Chorus and Orchestra, op.54 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | T-322.185.896-0 | |
| 26-2 | Drei Hymnen for Voice and Orchestra, op. 71: I. Hymne an die Liebe | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-3 | Drei Hymnen for Voice and Orchestra, op. 71: II. Rückkehr in die Heimat | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-4 | Drei Hymnen for Voice and Orchestra, op. 71: III. Die Liebe | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-5 | An die Hoffnung for Voice and Orchestra, op. 124 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-6 | Hölderlin Fragmente for Voice and Orchestra: Fragment 57 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-7 | Hölderlin Fragmente for Voice and Orchestra: Fragment 92 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-8 | Hölderlin Fragmente for Voice and Orchestra: Fragment 19 - An meine Schwester | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-9 | Hölderlin Fragmente for Voice and Orchestra: Fragment 14 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-10 | Hölderlin Fragmente for Voice and Orchestra: Fragment 27 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-11 | Hölderlin Fragmente for Voice and Orchestra: Fragment 17 - Empedokles auf dem Ätna | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-12 | Hölderlin Fragmente for Voice and Orchestra: Fragment 38 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-13 | Hölderlin Fragmente for Voice and Orchestra: Fragment 22 - Gestalt und Geist | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-14 | Hölderlin Fragmente for Voice and Orchestra: Fragment 4 - Lied des Schweden | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 27-1 | Die Geschöpfe des Prometheus, op. 43: Introduction. Allegro non troppo | — | ||
| 27-2 | Die Geschöpfe des Prometheus, op. 43: No. 1: Poco adagio - Allegro con brio | — | ||
| 27-3 | Die Geschöpfe des Prometheus, op. 43: No. 9: Adagio - Allegro molto | — | ||
| 27-4 | Die Geschöpfe des Prometheus, op. 43: No. 10: Pastorale. Allegro | — | ||
| 27-5 | Die Geschöpfe des Prometheus, op. 43: No. 14: Allegretto | — | ||
| 27-6 | Die Geschöpfe des Prometheus, op. 43: No. 15: Adagio - Allegro | — | ||
| 27-7 | Die Geschöpfe des Prometheus, op. 43: No. 16: Finale. Allegretto | — | ||
| 27-8 | Prometheus | — | ||
| 27-9 | Prométhée, poème du feu | — | ||
| 27-10 | Prometeo Suite 1992: 3 Voci (A) | — | ||
| 27-11 | Prometeo Suite 1992: Isola Seconda: (B) Hölderlin | — | ||
| 28-1 | Il canto sospeso: » Sofia, Zentralgefängnis 22. Juli 1942 « / » Papa! « / » Liebe Mama, Papa und Schwesterchen! « / » Mein verehrter Vater! « | Bruno Ganz, Susanne Lothar | — | |
| 28-2 | Il canto sospeso: I. Orchestra | Berliner Philharmoniker, Claudio Abbado | — | |
| 28-3 | Il canto sospeso: II. Coro a capella: “…muoio per un mondo” | Dietrich Knothe, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-4 | Il canto sospeso: III. Soprano, alto e tenore soli e orchestra: “…mi portano a Kessariani per l’esecuzione” | Barbara Bonney, Susanne Otto, Marek Torzewski, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-5 | Il canto sospeso: IV. Orchestra | Berliner Philharmoniker, Claudio Abbado | — | |
| 28-6 | Il canto sospeso: » Meine lieben Eltern! « / » Die Tore öffnen sich « / » Leb wohl, Mutter « / » Lieber Onkel! « / » Nach wenigen Stunden « / » Mein lieber Kamerad! « | Bruno Ganz, Susanne Lothar | — | |
| 28-7 | Il canto sospeso: V. Tenore solo e orchestra: “…se il cielo fosse carta” | Marek Torzewski, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-8 | Il canto sospeso: VIa. Coro e orchestra: “…le porte s’aprono” | Dietrich Knothe, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-9 | Il canto sospeso: VIb. Coro e orchestra: “Com'è duro dire addio per sempre” | Dietrich Knothe, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-10 | Il canto sospeso: VII. Soprano solo, coro femminile e orchestra: “…addio mamma” | Dietrich Knothe, Barbara Bonney, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-11 | Il canto sospeso: VIII. Orchestra | Berliner Philharmoniker, Claudio Abbado | — | |
| 28-12 | Il canto sospeso: IX. Coro e timpani: “…non ho paura della morte…” | Dietrich Knothe, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-13 | Kindertotenlieder: I. Nun will die Sonn so hell aufgehn | Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-14 | Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen | Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-15 | Kindertotenlieder: III. Wenn dein Mütterlein | Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-16 | Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen | Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-17 | Kindertotenlieder: V. In diesem Wetter | Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-18 | Ich bin der Welt abhanden gekommen | Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado | — | |
| 29-1 | Semiramide: Overture | — | ||
| 29-2 | La scala di seta: Overture | — | ||
| 29-3 | Il turco in Italia: Overture | — | ||
| 29-4 | Elisabetta, regina d’Inghilterra: Overture | — | ||
| 29-5 | Tancredi: Overture (Revis. Philip Gossett) | — | ||
| 29-6 | Guglielmo Tell: Overture | — | ||
| 30-1 | Nabucco | — | ||
| 30-2 | Aida | — | ||
| 30-3 | La Forza Del Destino | — | ||
| 30-4 | Aroldo | — | ||
| 30-5 | Luisa Miller | — | ||
| 30-6 | I Vespri Siciliani | — | ||
| 31-1 | Il viaggio a Reims: No. 1 Introduzione "Presto, presto, su coraggio!" | — | ||
| 31-2 | Il viaggio a Reims: No. 1 Introduzione "Benché, grazie al mio talento" | — | ||
| 31-3 | Il viaggio a Reims: No. 1 Introduzione "Di vaghi raggi adorno" | — | ||
| 31-4 | Il viaggio a Reims: No. 1 Introduzione "Or state attenti, badate bene" | — | ||
| 31-5 | Il viaggio a Reims: No. 1 Introduzione "Partire io pur vorrei" | — | ||
| 31-6 | Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Ahimè! Sta in gran pericolo" | — | ||
| 31-7 | Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Partir, o ciel! Desio" | — | ||
| 31-8 | Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Che miro! Ah! Qual sorpresa" | — | ||
| 31-9 | Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Grazie vi rendo, o Dèi!" | — | ||
| 31-10 | Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Eh! Senti, mastro Antonio!" | — | ||
| 31-11 | Il viaggio a Reims: No. 3 Sestetto "Sì di matti una gran gabbia" | — | ||
| 31-12 | Il viaggio a Reims: No. 3 Sestetto "Non pavento alcun periglio" | — | ||
| 31-13 | Il viaggio a Reims: No. 3 Sestetto "Arpa gentil, che fida" | — | ||
| 31-14 | Il viaggio a Reims: No. 3 Sestetto "Simbol di pace e gloria" | — | ||
| 31-15 | Il viaggio a Reims: No. 3 Sestetto "Gelsomin non ritorna" | — | ||
| 31-16 | Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Ah! Perché la conobbi?" | — | ||
| 31-17 | Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Invan strappar dal core" | — | ||
| 31-18 | Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Come dal ciel" | — | ||
| 31-19 | Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Dell'alma diva" | — | ||
| 32-1 | Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Milord,una parola" | — | ||
| 32-2 | Il viaggio a Reims: No. 5 Recitativo e Duetto di Corinna e del Cavaliere "Sola ritrovo alfin la bella Dèa" | — | ||
| 32-3 | Il viaggio a Reims: No. 5 Recitativo e Duetto di Corinna e del Cavaliere "Nel suo divin sembiante" | — | ||
| 32-4 | Il viaggio a Reims: No. 5 Recitativo e Duetto di Corinna e del Cavaliere "Dunque non v'è speranza" | — | ||
| 32-5 | Il viaggio a Reims: No. 5 Recitativo e Duetto di Corinna e del Cavaliere "Bravo il signor Ganimede" | — | ||
| 32-6 | Il viaggio a Reims: No. 6 Aria di Don Profondo "Io! Don Profondo" | — | ||
| 32-7 | Il viaggio a Reims: No. 6 Aria di Don Profondo "Vedeste il Cavaliere" | — | ||
| 32-8 | Il viaggio a Reims: No. 7 Gran pezzo concertato a 14 voci "Ah! A tal colpo inaspettato" | — | ||
| 32-9 | Il viaggio a Reims: No. 7 Gran pezzo concertato a 14 voci "Signor, Signori, ecco una lettera" | — | ||
| 32-10 | Il viaggio a Reims: No. 7 Gran pezzo concertato a 14 voci "Fra dolci e cari palpiti" | — | ||
| 32-11 | Il viaggio a Reims: No. 7 Gran pezzo concertato a 14 voci "Savio della Contessa il consiglio mi pare" | — | ||
| 32-12 | Il viaggio a Reims: No. 8 Scena e Duetto del Conte e della Marchesa "Di che son reo" | — | ||
| 32-13 | Il viaggio a Reims: No. 8 Scena e Duetto del Conte e della Marchesa "D'alma celeste, o Dio" | — | ||
| 32-14 | Il viaggio a Reims: No. 8 Scena e Duetto del Conte e della Marchesa "Qual barbaro rigore" | — | ||
| 32-15 | Il viaggio a Reims: No. 8 Scena e Duetto del Conte e della Marchesa "Madama qui mi manda" | — | ||
| 32-16 | Il viaggio a Reims: No. 9 Finale "Ritornello" | — | ||
| 32-17 | Il viaggio a Reims: No. 9 Finale "L'allegria è un somme bene" | — | ||
| 32-18 | Il viaggio a Reims: No. 9 Finale "Or, secondo l'uso" | — | ||
| 32-19 | Il viaggio a Reims: No. 9 Finale Inno tedesco "Or che regna fra le genti" | — | ||
| 32-20 | Il viaggio a Reims: No. 9 Finale Polacca "Ai prodi guerrieri" | — | ||
| 32-21 | Il viaggio a Reims: No. 9 Finale Inno Russo "Onore, gloria ed alto omaggio" | — | ||
| 32-22 | Il viaggio a Reims: No. 9 Finale Canzone Spagnola "Omaggio all'Augusto Duce" | — | ||
| 32-23 | Il viaggio a Reims: No. 9 Finale Inno Inglese "Dell'aurea pianta" | — | ||
| 32-24 | Il viaggio a Reims: No. 9 Finale Canzone Francese "Madre del nuovo Enrico" | — | ||
| 32-25 | Il viaggio a Reims: No. 9 Finale Tirolese "Più vivace e più fecondo" | — | ||
| 32-26 | Il viaggio a Reims: No. 9 Finale "Corinna,or spetta a voi" | — | ||
| 32-27 | Il viaggio a Reims: No. 9 Finale Improvviso di Corinna "All'ombra amena" | — | ||
| 32-28 | Il viaggio a Reims: No. 9 Finale "Viva il diletto" | — | ||
| 33-1 | Simon Boccanegra: Prologue, Scene I.-IV. "Che dicesti?" (Paolo, Pietro - Simon) | — | ||
| 33-2 | Simon Boccanegra: Prologue, Scene I.-IV. "All'alba tutti qui verrete" (Pietro, Coro, Paolo) | — | ||
| 33-3 | Simon Boccanegra: Prologue, Scene I.-IV. "L'atra magion vedete?" (Paolo, Coro, Pietro) | — | ||
| 33-4 | Simon Boccanegra: Prologue, Scene V. "A te l'estreme addio" (Fiesco - Coro) | — | ||
| 33-5 | Simon Boccanegra: Prologue, Scene VI.-VII. "Suona ogni labbro il mio nome..." (Simon, Fiesco) | — | ||
| 33-6 | Simon Boccanegra: Prologue, Scene VI.-VII. "O de' Fieschi implacata" (Simon, Fiesco, Coro) | — | ||
| 33-7 | Simon Boccanegra: Act I, Scene I. "Come in quest'ora" (Amelia) | — | ||
| 33-8 | Simon Boccanegra: Act I, Scene II. "Cielo di stelle orbato" (Gabriele, Amelia) | — | ||
| 33-9 | Simon Boccanegra: Act I, Scene III. "Vieni a mirar la cerula" (Amelia) | — | ||
| 33-10 | Simon Boccanegra: Act I, Scene IV. "Ah!" - "Che fia?" (Amelia, Gabriele) | — | ||
| 33-11 | Simon Boccanegra: Act I, Scene V. "Propizio e giunge!" (Gabriele, Fiesco) | — | ||
| 33-12 | Simon Boccanegra: Act I, Scene VI. "Paolo" - "Signor" (Simon, Paolo - Amelia) | — | ||
| 33-13 | Simon Boccanegra: Act I, Scene VII. "Orfanella il tetto umile" (Amelia, Simon) | — | ||
| 33-14 | Simon Boccanegra: Act I, Scene VIII.-IX. "Il vuoi! Scordasti ch mi devi" (Paolo, Pietro) | — | ||
| 33-15 | Simon Boccanegra: Act I, Scene X.-XII. "Messeri, il re di Tartari" (Simon, Coro, Paolo, Pietro - Gabriele, Fiesco) | — | ||
| 33-16 | Simon Boccanegra: Act I, Scene X.-XII. "Plebe, Patrizi, Popolo" (Simon, Amelia, Pietro, Paolo, Gabriele, Fiesco, Coro) | — | ||
| 34-1 | Simon Boccanegra: Act II, Scene I.-III. "Quei due vedesti? (Paolo, Pietro - Fiesco) | — | ||
| 34-2 | Simon Boccanegra: Act II, Scene IV."Udisti?" - "Vil disegno" (Paolo, Gabriele) | — | ||
| 34-3 | Simon Boccanegra: Act II, Scene V."O inferno! Amelia qui!" (Gabriele) | — | ||
| 34-4 | Simon Boccanegra: Act II, Scene VI."Tu qui?" - "Amelia" (Amelia, Gabriele) | — | ||
| 34-5 | Simon Boccanegra: Act II, Scene VII."Figlia" - "Si afflitto, o padre mio" (Simon, Amelia) | — | ||
| 34-6 | Simon Boccanegra: Act II, Scene VIII.-IX. "Ei dorme! Quale Sento ritegno?" (Gabriele - Amelia, Simon) | — | ||
| 34-7 | Simon Boccanegra: Act II, Scene VIII.-IX. "Perdon, Amelia. Indomito geloso" (Gabriele, Simon, Amelia) | — | ||
| 34-8 | Simon Boccanegra: Act III, Scene I.-II. "Eviva il Doge" (Coro, Capitano, Fiesco, Paolo) | — | ||
| 34-9 | Simon Boccanegra: Act III, Scene III. "Cittadini! per ordine de Doge" (Capitano) | — | ||
| 34-10 | Simon Boccanegra: Act III, Scene III. "M'ardon le tempia..." (Simon, Fiesco) | — | ||
| 34-11 | Simon Boccanegra: Act III, Scene III. "Piango, perche mi parla" (Fiesco, Simon) | — | ||
| 34-12 | Simon Boccanegra: Act III, Scene IV. "Chi veggo!" - "Vien..." (Amelia, Simon, Gabriele, Fiesco, Coro) | — | ||
| 35-1 | Boris Godunov: Prologue, Scene 1: Introduction | — | ||
| 35-2 | Boris Godunov: Prologue, Scene 1: "Well then, what's wrong with you?" (Police officer) | — | ||
| 35-3 | Boris Godunov: Prologue, Scene 1: "Who are you abandoning us to?" (Chorus, Mityukha, Police officer) | — | ||
| 35-4 | Boris Godunov: Prologue, Scene 1: "Who are you abandoning us to?" (Chorus, Police officer) | — | ||
| 35-5 | Boris Godunov: Prologue, Scene 1: "True believers! The boyar is implacable" (Shchelkalov) | — | ||
| 35-6 | Boris Godunov: Prologue, Scene 1: "Glory to Thee, Creator on high" (Chorus) | — | ||
| 35-7 | Boris Godunov: Prologue, Scene 1: "Did you hear what the holy pilgrims said?" (Chorus, Mityukha, Police officer) | — | ||
| 35-8 | Boris Godunov: Prologue, Scene 2: Introduction | — | ||
| 35-9 | Boris Godunov: Prologue, Scene 2: "Long live Tsar Boris Fyodorovich!" (Shuisky, Chorus) | — | ||
| 35-10 | Boris Godunov: Prologue, Scene 2: "My soul is sad" (Boris) | — | ||
| 35-11 | Boris Godunov: Prologue, Scene 2: "Glory!" (Chorus) | — | ||
| 35-12 | Boris Godunov: Act I, Scene 1: Introduction | — | ||
| 35-13 | Boris Godunov: Act I, Scene 1: "Just one final story" (Pimen) | — | ||
| 35-14 | Boris Godunov: Act I, Scene 1: "O Lord, strong and righteous" (Chorus, Grigory, Pimen) | — | ||
| 35-15 | Boris Godunov: Act I, Scene 1: "Do not complain, brother" (Pimen) | — | ||
| 35-16 | Boris Godunov: Act I, Scene 1: "For a long time, honoured father" (Grigory, Pimen) | — | ||
| 35-17 | Boris Godunov: Act I, Scene 1: "I arrived at night" (Pimen) | — | ||
| 35-18 | Boris Godunov: Act I, Scene 1: "How old was the murdered Tsarevich?" (Grigory, Pimen) | — | ||
| 35-19 | Boris Godunov: Act I, Scene 1: "They are ringing for matins" (Pimen, Chorus, Grigory) | — | ||
| 35-20 | Boris Godunov: Act I, Scene 2: Introduction | — | ||
| 35-21 | Boris Godunov: Act I, Scene 2: "I caught a grey drake" (Hostess) | — | ||
| 35-22 | Boris Godunov: Act I, Scene 2: "Give me some fun" (Hostess, Missail, Varlaam) | — | ||
| 35-23 | Boris Godunov: Act I, Scene 2: "Why are you so pensive, comrade?" (Varlaam, Grigory, Hostess, Missail) | — | ||
| 35-24 | Boris Godunov: Act I, Scene 2: "Here's what happened at the town of Kazan" (Missail) | — | ||
| 35-25 | Boris Godunov: Act I, Scene 2: "Why don't you sing along?" (Varlaam, Grigory, Missail, Hostess, Police officer) | — | ||
| 35-26 | Boris Godunov: Act I, Scene 2: "We are humble elders, honest monks" (Varlaam, Missail, Police officer, Grigory, Hostess) | — | ||
| 35-27 | Boris Godunov: Act I, Scene 2: "What are you staring at me like that for" (Varlaam, Police officer, Hostess, Grigory) | — | ||
| 35-28 | Boris Godunov: Act I, Scene 2: "And his age... and his age..." (Varlaam, Missail, Police officer) | — | ||
| 36-1 | Boris Godunov: Act II: "Where are you, my betrothed" (Xenia, Fyodor) | — | ||
| 36-2 | Boris Godunov: Act II: "Oh, that's enough, princess, my dear!" (Nurse, Xenia) | — | ||
| 36-3 | Boris Godunov: Act II: "A gnat was chopping wood" (Nurse, Fyodor) | — | ||
| 36-4 | Boris Godunov: Act II: "My little tale is about this and that" (Fyodor, Nurse) | — | ||
| 36-5 | Boris Godunov: Act II: "What's the matter? Has a wild beast surprised a sitting hen?" (Boris, Nurse, Xenia, Fyodor) | — | ||
| 36-6 | Boris Godunov: Act II: "I have achieved absolute power" (Boris) | — | ||
| 36-7 | Boris Godunov: Act II: "Hey, pss!" (Nannies, Boris, Boyar-in-attendance, Fyodor) | — | ||
| 36-8 | Boris Godunov: Act II: "Our little parrot was with the nannies" (Fyodor, Boris, Shuisky) | — | ||
| 36-9 | Boris Godunov: Act II: "Ah, it's you, glorious orator" (Boris, Shuisky, Fyodor) | — | ||
| 36-10 | Boris Godunov: Act II: "In Uglich, in the cathedral, in front of all the people" (Shuisky, Boris) | — | ||
| 36-11 | Boris Godunov: Act II: "Phew! I feel terrible! Let me catch my breath" (Boris) | — | ||
| 36-12 | Boris Godunov: Act III, Scene 1: "By the sky-blue waters of the Vistula, under a shady willow" (Chorus, Marina) | — | ||
| 36-13 | Boris Godunov: Act III, Scene 1: "Enough! The beautiful lady is grateful" (Marina) | — | ||
| 36-14 | Boris Godunov: Act III, Scene 1: "Marina is bored. Oh, how bored!" (Marina) | — | ||
| 36-15 | Boris Godunov: Act III, Scene 1: "Ah! Oh, it's you, my father" (Marina, Rangoni) | — | ||
| 36-16 | Boris Godunov: Act III, Scene 1: "With tender, ardent words of love" (Rangoni, Marina) | — | ||
| 36-17 | Boris Godunov: Act III, Scene 1: "What? You impudent liar!" (Marina, Rangoni) | — | ||
| 36-18 | Boris Godunov: Act III, Scene 2: "At midnight, in the garden, by the fountain" (Pretender) | — | ||
| 36-19 | Boris Godunov: Act III, Scene 2: "Tsarevich!" (Rangoni, Pretender) | — | ||
| 36-20 | Boris Godunov: Act III, Scene 2: "Can a humble and sinful man, praying for his dear ones" (Rangoni, Pretender) | — | ||
| 36-21 | Boris Godunov: Act III, Scene 2: "Tsarevich, hide!" (Rangoni, Pretender) | — | ||
| 36-22 | Boris Godunov: Act III, Scene 2: Polonaise - "I do not believe in your passion, sir" (Marina, Chorus) | — | ||
| 36-23 | Boris Godunov: Act III, Scene 2: "That crafty Jesuit, he has got me firmly in the grip" (Pretender, Marina) | — | ||
| 36-24 | Boris Godunov: Act III, Scene 2: "How long and agonizing" (Pretender, Marina) | — | ||
| 36-25 | Boris Godunov: Act III, Scene 2: "Oh, Tsarevich, I beg you" (Marina, Pretender) | — | ||
| 36-26 | Boris Godunov: Act III, Scene 2: "Oh, my turtledoves!" (Rangoni, Marina, Pretender) | — | ||
| 37-16 | Boris Godunov: Act IV, Scene 2: Introduction | — | ||
| 37-17 | Boris Godunov: Act IV, Scene 2: "Bring him over here!" (Tramps) | — | ||
| 37-18 | Boris Godunov: Act IV, Scene 2: "It's not a falcon flying in the heavens" (Tramps) | — | ||
| 37-19 | Boris Godunov: Act IV, Scene 2: "The sun and moon have grown dark" (Varlaam, Missail, Chorus) | — | ||
| 37-20 | Boris Godunov: Act IV, Scene 2: "Hey ho!" (Chorus, Varlaam, Missail) | — | ||
| 37-21 | Boris Godunov: Act IV, Scene 2: "Domine, Domine, salvum fac" (Lavitsky, Chernikovsky, Chorus, Varlaam, Missail) | — | ||
| 37-22 | Boris Godunov: Act IV, Scene 2: March - "Glory to you, Tsarevich" (Missail, Varlaam, Chorus) | — | ||
| 37-23 | Boris Godunov: Act IV, Scene 2: "We, Dimitri Ivanovich" (Pretender, Khrushchov, Chorus, Lavitsky, Chernikovsky) | — | ||
| 37-24 | Boris Godunov: Act IV, Scene 2: "Flow, flow, bitter tears" (Simpleton) | — | ||
| 38-1 | Brandenburg Concertos: Concerto no. 1 in F major, BWV 1046: I. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | T-914.323.771-2 | |
| 38-2 | Brandenburg Concertos: Concerto no. 1 in F major, BWV 1046: II. Adagio | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 38-3 | Brandenburg Concertos: Concerto no. 1 in F major, BWV 1046: III. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 38-4 | Brandenburg Concertos: Concerto no. 1 in F major, BWV 1046: Minuetto - Trio I - Minuetto - Polacca / Minuetto - Trio II - Minuetto | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 38-5 | Brandenburg Concertos: Concerto no. 2 in F major, BWV 1047: I. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | T-914.323.771-2 | |
| 38-6 | Brandenburg Concertos: Concerto no. 2 in F major, BWV 1047: II. Andante | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 38-7 | Brandenburg Concertos: Concerto no. 2 in F major, BWV 1047: III. Allegro Assai | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 38-8 | Brandenburg Concertos: Concerto no. 3 in G major, BWV 1048: I. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | T-914.323.771-2 | |
| 38-9 | Brandenburg Concertos: Concerto no. 3 in G major, BWV 1048: II. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 39-1 | Brandenburg Concertos: Concerto no. 4 in G major, BWV 1049: I. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | T-914.323.771-2 | |
| 39-2 | Brandenburg Concertos: Concerto no. 4 in G major, BWV 1049: II. Andante | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 39-3 | Brandenburg Concertos: Concerto no. 4 in G major, BWV 1049: III. Presto | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 39-4 | Brandenburg Concertos: Concerto no. 5 in D major, BWV 1050: I. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | T-914.323.771-2 | |
| 39-5 | Brandenburg Concertos: Concerto no. 5 in D major, BWV 1050: II. Affettuoso | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 39-6 | Brandenburg Concertos: Concerto no. 5 in D major, BWV 1050: III. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 39-7 | Brandenburg Concertos: Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | T-801.411.105-9 | |
| 39-8 | Brandenburg Concertos: Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 39-9 | Brandenburg Concertos: Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony No. 31 in D major, K. 300a/297 (second version) "Paris": III. Andante | Berliner Philharmoniker, Claudio Abbado | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
888430450523 is a Universal Product Code (UPC) assigned to The Complete RCA And Sony Album Collection by Claudio Abbado. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 419 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
888430450523 is the Universal Product Code (UPC barcode) for the release “The Complete RCA And Sony Album Collection” by Claudio Abbado, released 2014-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 419 tracks, each with its own ISRC. Tracks include USSM10401430, USSM10311578, USSM10311457.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | March no. 1 in D major, K. 335 (320a) | Berliner Philharmoniker, Claudio Abbado | — | |
| 2 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : I. Adagio maestoso - allegro con spirito | — | ||
| 3 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Ii. Minuetto. Allegretto & Trio | — | ||
| 4 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Iii. Concertante. Andante grazioso | — | ||
| 5 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Iv. Rondeau. Allegro ma non troppo | — | ||
| 6 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : V. Andantino | — | ||
| 7 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Vi. Minuetto & Trio i & Trio ii | — | ||
| 8 | Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Vii. Finale. Presto | — | ||
| 9 | Marche en ré majeur n°2 K. 335 | — | ||
| 10 | Divertimento en ré majeur K. 251 "Nannerl septet" : I. Molto allegro | — | ||
| 11 | Divertimento en ré majeur K. 251 "Nannerl Septet" : II. Menuetto - Trio | — | ||
| 12 | "DIVERTIMENTO IN D MAJOR, K. 251 ""NANNERL SEPTET"": III. ANDANTINO" | Berliner Philharmoniker, Claudio Abbado | T-900.021.469-7 | |
| 13 | Divertimento en ré majeur K. 251 "Nannerl Septet" : IV. Menuetto. Tema con variazioni | — | ||
| 14 | Divertimento en ré majeur K. 251 "Nannerl Septet" : V. Rondeau. Allegro assai | — | ||
| 15 | Divertimento en ré majeur K. 251 "Nannerl Septet" : VI. Marcia alla francese | — | ||
| 2-1 | Symphonie n°23 en ré majeur K. 181 : I. Allegro spiritoso | — | ||
| 2-2 | Symphonie n°23 en ré majeur K. 181 : II. Andantino grazioso | — | ||
| 2-3 | Symphonie n°23 en ré majeur K. 181 : III. Presto assai | — | ||
| 2-4 | Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : I. Allegro maestoso | — | ||
| 2-5 | Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : II. Andante | — | ||
| 2-6 | Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : III. Presto | — | ||
| 2-7 | Symphonie n°36 en ut majeur "Linz" K. 425 : I. Adagio - Allegro spiritoso | — | ||
| 2-8 | Symphonie n°36 en ut majeur "Linz" K. 425 : II. Andante | — | ||
| 2-9 | Symphonie n°36 en ut majeur "Linz" K. 425 : III. Menuetto - Trio | — | ||
| 2-10 | Symphonie n°36 en ut majeur "Linz" K. 425 : IV. Presto | — | ||
| 3-1 | Symphony No. 28 in C major, K.200: I. Allegro spiritoso | — | ||
| 3-2 | Symphony No. 28 in C major, K.200: II. Andante | — | ||
| 3-3 | Symphony No. 28 in C major, K.200: III. Menuetto. Allegretto - Trio | — | ||
| 3-4 | Symphony No. 28 in C major, K.200: IV. Presto | — | ||
| 3-5 | Symphony No. 29 in A major, K. 201: I. Allegro moderato | — | ||
| 3-6 | Symphony No. 29 in A major, K. 201: II. Andante | — | ||
| 3-7 | Symphony No. 29 in A major, K. 201: III. Menuetto - Trio | — | ||
| 3-8 | Symphony No. 29 in A major, K. 201: IV. Allegro con spirito | — | ||
| 3-9 | Symphony No. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | — | ||
| 3-10 | Symphony No. 35 in D major, K. 385 "Haffner": II. Andante | — | ||
| 3-11 | Symphony No. 35 in D major, K. 385 "Haffner": III. Menuetto - Trio | — | ||
| 3-12 | Symphony No. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | — | ||
| 4-1 | Symphony No. 31 in D major, K. 300a/297 "Paris": I. Allegro assai | Berliner Philharmoniker, Claudio Abbado | T-306.395.786-4 | |
| 4-2 | Symphony No. 31 in D major, K. 300a/297 "Paris": II. Andante | Berliner Philharmoniker, Claudio Abbado | — | |
| 4-3 | Symphony No. 31 in D major, K. 300a/297 "Paris": III. Allegro | Berliner Philharmoniker, Claudio Abbado | — | |
| 4-5 | Masonic Funeral Music for Orchestra in C minor, K. 479a/477 | Berliner Philharmoniker, Claudio Abbado | T-011.365.099-9 | |
| 4-6 | Symphony No. 25 in G minor, K. 173dB/183: I. Allegro con brio | Berliner Philharmoniker, Claudio Abbado | — | |
| 4-7 | Symphony No. 25 in G minor, K. 173dB/183: II. Andante | Berliner Philharmoniker, Claudio Abbado | T-010.194.421-1 | |
| 4-8 | Symphony No. 25 in G minor, K. 173dB/183: III. Minuetto & Trio | Berliner Philharmoniker, Claudio Abbado | — | |
| 4-9 | Symphony No. 25 in G minor, K. 173dB/183: IV. Allegro | Berliner Philharmoniker, Claudio Abbado | — | |
| 4-10 | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": I. Adagio maestoso - allegro con spirito | Berliner Philharmoniker, Claudio Abbado | — | |
| 4-11 | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": V. Andantino | Berliner Philharmoniker, Claudio Abbado | T-900.086.689-7 | |
| 4-12 | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VII. Finale. Presto | Berliner Philharmoniker, Claudio Abbado | — | |
| 5-1 | Grande Messe en ut mineur K. 427 : I. Kyrie (Andante moderato) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-2 | Grande Messe en ut mineur K. 427 : II. Gloria : Gloria in Excelsis Deo (Allegro vivace) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-3 | Grande Messe en ut mineur K. 427 : Laudamus Te (Allegro aperto) | Arleen Augér, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-4 | Grande Messe en ut mineur K. 427 : Gratias agimus tibi (Allegro) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-5 | Grande Messe en ut mineur K. 427 : Domine (Allegro moderato) | Arleen Augér, Barbara Bonney, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-6 | Grande Messe en ut mineur K. 427 : Qui tollis (Largo) | Berliner Philharmoniker, Claudio Abbado | — | |
| 5-7 | Grande Messe en ut mineur K. 427 : Quoniam (Allegro) | Arleen Augér, Hans Peter Blochwitz, Barbara Bonney, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-8 | Grande Messe en ut mineur K. 427 : Jesu Christe (Adagio) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-9 | Grande Messe en ut mineur K. 427 : Cum Sancto Spiritu | Berliner Philharmoniker, Claudio Abbado | — | |
| 5-10 | Grande Messe en ut mineur K. 427 : III. Credo : Credo in unum Deum (Allegro maestoso) | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-11 | Grande Messe en ut mineur K. 427 : Et incarnatus est | Barbara Bonney, Berliner Philharmoniker, Claudio Abbado | T-924.224.927-0 | |
| 5-12 | Grande Messe en ut mineur K. 427 : IV. Sanctus | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 5-13 | Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo) | Arleen Augér, Hans Peter Blochwitz, Barbara Bonney, Robert Holl, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 6-1 | Symphony No. 9 in D minor, Op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | — | ||
| 6-2 | Symphony No. 9 in D minor, Op. 125 “Choral”: II. Molto vivace | — | ||
| 6-3 | Symphony No. 9 in D minor, Op. 125 “Choral”: III. Adagio molto e cantabile | — | ||
| 6-4 | Symphony No. 9 in D minor, Op. 125 “Choral”: IV. Finale | — | ||
| 7-1 | Ein Sommernachtstraum‐Ouvertüre, op. 21: Allegro di molto | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-2 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 1. Scherzo. Allegro vivace | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-3 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 2. L’istesso tempo | Sigurd Brauns, Barbara Sukowa, Damen des Ernst-Senff-Chores, Angelika Kirchschlager, Sylvia McNair, Berliner Philharmoniker, Claudio Abbado | — | |
| 7-4 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: Elfenreigen. Allegro vivace | Barbara Sukowa, Berliner Philharmoniker, Claudio Abbado | — | |
| 7-5 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 3. Lied mit Chor. Allegro ma non troppo | Sigurd Brauns, Barbara Sukowa, Damen des Ernst-Senff-Chores, Angelika Kirchschlager, Sylvia McNair, Berliner Philharmoniker, Claudio Abbado | — | |
| 7-6 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 4. Andante | Sigurd Brauns, Barbara Sukowa, Damen des Ernst-Senff-Chores, Angelika Kirchschlager, Sylvia McNair, Berliner Philharmoniker, Claudio Abbado | — | |
| 7-7 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 5. Intermezzo. Allegro appassionato | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-8 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 7. Notturno. Con moto tranquillo | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-9 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 8. Andante | Sigurd Brauns, Barbara Sukowa, Damen des Ernst-Senff-Chores, Angelika Kirchschlager, Sylvia McNair, Berliner Philharmoniker, Claudio Abbado | — | |
| 7-10 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 9. Hochzeitsmarsch. Allegro vivace | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-11 | Ein Sommernachtstraum, Schauspiel Musik, op. 61: Finale. Allegro di molto | Sigurd Brauns, Barbara Sukowa, Damen des Ernst-Senff-Chores, Angelika Kirchschlager, Sylvia McNair, Berliner Philharmoniker, Claudio Abbado | — | |
| 7-12 | Symphony no. 4 in A major, op. 90 “Italienische”: I. Allegro vivace | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-13 | Symphony no. 4 in A major, op. 90 “Italienische”: II. Andante con moto | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-14 | Symphony no. 4 in A major, op. 90 “Italienische”: III. Con moto moderato | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-15 | Symphony no. 4 in A major, op. 90 “Italienische”: IV. Salterello. Presto | Berliner Philharmoniker, Claudio Abbado | T-931.717.263-7 | |
| 8-1 | Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 8-2 | Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 8-3 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | — | ||
| 8-4 | Konzertstück, Op. 92 (Introduction & allegro appassionato for piano & orchestra) in G major | — | ||
| 8-5 | Konzertstück, Op. 134 (Introduction & allegro concertante for piano & orchestra) in D minor | — | ||
| 9-1 | Scenes from Goethe's Faust, WoO 3: Part I: Overture | — | ||
| 9-2 | Scenes from Goethe's Faust, WoO 3: Part I: I Garden Scene "Du kanntest mich, o kleiner Engel" | — | ||
| 9-3 | Scenes from Goethe's Faust, WoO 3: Part I: II Gretchen before the Image of the Mater Dolorosa "Ach neige" | — | ||
| 9-4 | Scenes from Goethe's Faust, WoO 3: Part I: III Scene in the Cathedral "Wie anders, Gretchen, war dir's" | — | ||
| 9-5 | Scenes from Goethe's Faust, WoO 3: Part II: IVa Ariel. Sunrise "Die ihr dies Haupt umschwebt" | — | ||
| 9-6 | Scenes from Goethe's Faust, WoO 3: Part II: IVb Ariel. Sunrise "Täler grüner, Hügel schwellen" | — | ||
| 9-7 | Scenes from Goethe's Faust, WoO 3: Part II: IVc Ariel. Sunrise "Des Lebens Pulse schlagen frisch-lebendig" | — | ||
| 9-8 | Scenes from Goethe's Faust, WoO 3: Part II: IVd Ariel. Sunrise "So ist es also" | — | ||
| 9-9 | Scenes from Goethe's Faust, WoO 3: Part II: Va Midnight "Ich heiße der Mangel" | — | ||
| 9-10 | Scenes from Goethe's Faust, WoO 3: Part II: Vb Midnight "Vier sah ich kommen, drei nur geh'n" | — | ||
| 9-11 | Scenes from Goethe's Faust, WoO 3: Part II: Vc Midnight "Die Nacht scheint tiefer tief hereinzudringen" | — | ||
| 9-12 | Scenes from Goethe's Faust, WoO 3: Part II: VI Faust's Death "Herbei, herbei! Herein, herein!" | — | ||
| 10-1 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration I "Waldung, sie schwankt heran" | — | ||
| 10-2 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration II "Ewiger Wonnebrand" | — | ||
| 10-3 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IIIa "Wie Felsenabgrund mir zu Füßen" | — | ||
| 10-4 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IIIb "Welch ein Morgenwölkchen" | — | ||
| 10-5 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IVa "Gerettet ist das edle Glied" | — | ||
| 10-6 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IVb "Gerettet ist das edle Glied" | — | ||
| 10-7 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration V "Hier ist die Aussicht frei" | — | ||
| 10-8 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration VI "Dir, der Unberührbaren" | — | ||
| 10-9 | Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration VII "Alles Vergängliche ist nur ein Gleichnis" | — | ||
| 11-1 | The Noonday Witch, op. 108 | Berliner Philharmoniker, Claudio Abbado | — | |
| 11-2 | Symphony no. 8 In G major, op. 88: I. Allegro con brio | Berliner Philharmoniker, Claudio Abbado | — | |
| 11-3 | Symphony no. 8 in G major, op. 88: II. Adagio | Berliner Philharmoniker, Claudio Abbado | — | |
| 11-4 | Symphony no. 8 In G major, op. 88: III. Allegretto grazioso – Molto vivace | Berliner Philharmoniker, Claudio Abbado | — | |
| 11-5 | Symphony no. 8 In G major, op. 88: IV. Allegro ma non troppo | Berliner Philharmoniker, Claudio Abbado | — | |
| 12-1 | St. John's Night on the Bare Mountain | Анатолій Іванович Кочерга, Rundfunkchor Berlin, Südtiroler Kinderchor, Berliner Philharmoniker, Claudio Abbado | — | |
| 12-2 | Khovanshchina: Prelude | Berliner Philharmoniker, Claudio Abbado | — | |
| 12-3 | Khovanshchina: Aria of Shaklovity "Spit streleckoe gnezdo" | Анатолій Іванович Кочерга, Berliner Philharmoniker, Claudio Abbado | — | |
| 12-4 | Khovanshchina: The Departure of Prince Golizyn | Berliner Philharmoniker, Claudio Abbado | — | |
| 12-5 | Khovanshchina: Aria of Marfa "Sily potajnye" | Marianna Tarasova, Berliner Philharmoniker, Claudio Abbado | — | |
| 12-6 | Khovanshchina: Dance of the Persian Slave Girls | Berliner Philharmoniker, Claudio Abbado | — | |
| 12-7 | Scherzo in B-flat major | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 12-8 | Intermezzo Symphonique in modo classico in B minor | Berliner Philharmoniker, Claudio Abbado | — | |
| 12-9 | Festive March from "Mlada" | Berliner Philharmoniker, Claudio Abbado | — | |
| 13-1 | Songs and Dances of Death: I. Lullaby | — | ||
| 13-2 | Songs and Dances of Death: II. Serenade | — | ||
| 13-3 | Songs and Dances of Death: III. Trepak | — | ||
| 13-4 | Songs and Dances of Death: IV. The Field Marshal | — | ||
| 13-5 | Symphony No.5 in E minor, Op.64: I. Andante - Allegro con anima | — | ||
| 13-6 | Symphony No.5 in E minor, Op.64: II. Andante cantabile,con alcuna licenza | — | ||
| 13-7 | Symphony No.5 in E minor, Op.64: III. Valse. Allegro moderato | — | ||
| 13-8 | Symphony No.5 in E minor, Op.64: IV. Finale. Andante maestoso - Allegro vivace | — | ||
| 14-1 | Khovanschchina: Act IV: Introduction (Golitzyn's Journey) | — | ||
| 14-2 | Joshua for Chorus, Contralto, Bass and Orchestra | — | ||
| 14-3 | Salammbô: Chorus of Priestesses | — | ||
| 14-4 | Scherzo in B-flat | — | ||
| 14-5 | The Destruction of Sennacherib for Chorus and Orchestra | — | ||
| 14-6 | St. John's Night on the Bare Mountain | — | ||
| 14-7 | Oedipus in Athens: Chorus of People in the Temple | — | ||
| 14-8 | Khovanschchina: Prelude (Dawn Over the Moscow River) | — | ||
| 14-9 | The Capture of Kars, Triumphal March | — | ||
| 15-1 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Dreams of a Winter Journey. Allegro tranquillo | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 15-2 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Gloomy Land, Misty Land. Adagio cantabile ma non tanto | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 15-3 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo. Allegro sherzando giocoso | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 15-4 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale. Andante lugubre - Allegro maestoso | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 15-5 | The Nutcracker - Suite, op. 71a: I. Ouverture miniature. Allegro giusto | Chicago Symphony Orchestra, Claudio Abbado | T-902.880.588-1 | |
| 15-6 | The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: a) Marche Tempo di marcia viva | Chicago Symphony Orchestra, Claudio Abbado | T-304.210.691-8 | |
| 15-7 | The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante non troppo | Chicago Symphony Orchestra, Claudio Abbado | T-902.880.588-1 | |
| 15-8 | The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Molto vivace | Chicago Symphony Orchestra, Claudio Abbado | T-800.639.771-4 | |
| 15-9 | The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto | Chicago Symphony Orchestra, Claudio Abbado | T-902.880.588-1 | |
| 15-10 | The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato | Chicago Symphony Orchestra, Claudio Abbado | T-902.880.588-1 | |
| 15-11 | The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai | Chicago Symphony Orchestra, Claudio Abbado | T-902.880.588-1 | |
| 15-12 | The Nutcracker - Suite, op. 71a: III. Valse des fleurs. Tempo di valse | Chicago Symphony Orchestra, Claudio Abbado | T-902.880.588-1 | |
| 16-1 | The Tempest, op. 18 | — | ||
| 16-2 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo - Andante sostenuto | — | ||
| 16-3 | Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato | — | ||
| 16-4 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo | — | ||
| 16-5 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo - Presto | — | ||
| 17-1 | Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione. Moderato assai (Tempo di marcia funebre) - Allegro brillante | — | ||
| 17-2 | Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca. Allegro moderato e semplice | — | ||
| 17-3 | Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco | — | ||
| 17-4 | Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo | — | ||
| 17-5 | Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco (Tempo di Polacca) | — | ||
| 17-6 | Ouverture Solonnelle "1812": Largo - Andante - Allegro giusto | — | ||
| 17-7 | Ouverture Solonnelle "1812": Largo - Allegro vivace | — | ||
| 18-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 18-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 18-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato – Allegro | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 18-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | Chicago Symphony Orchestra, Claudio Abbado | T-318.676.528-2 | |
| 18-5 | Romeo and Juliet (Fantasy Overture): after Shakespeare | Chicago Symphony Orchestra, Claudio Abbado | T-011.157.224-7 | |
| 19-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | — | ||
| 19-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza | — | ||
| 19-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 19-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace | — | ||
| 19-5 | The Voyevoda, op. 78: Allegro vivacissimo | — | ||
| 20-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 20-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 20-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 20-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 20-5 | Marche Slave, op. 31: Moderato in modo di marcia funebre - Piu mosso: Allegro - Andante molto maestoso - Allegro risouto | Chicago Symphony Orchestra, Claudio Abbado | — | |
| 21-1 | Violin Concerto in D major, Op. 35: I. Allegro moderato | — | ||
| 21-2 | Violin Concerto in D major, Op. 35: II. Canzonetta. Andante | — | ||
| 21-3 | Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo | — | ||
| 21-4 | Violin Concerto No. 1 in A minor, Op. 99: I. Nocturne. Adagio | — | ||
| 21-5 | Violin Concerto No. 1 in A minor, Op. 99: II. Scherzo. Allegro non troppo | — | ||
| 21-6 | Violin Concerto No. 1 in A minor, Op. 99: III. Passacaglia. Andante | — | ||
| 21-7 | Violin Concerto No. 1 in A minor, Op. 99: IV. Burlesca. Allegro con brio | — | ||
| 22-1 | Concerto No. 2 for Piano and Orchestra, in C minor, Op. 18: I. Moderato | — | ||
| 22-2 | Concerto No. 2 for Piano and Orchestra, in C minor, Op. 18: II. Adagio sostenuto | — | ||
| 22-3 | Concerto No. 2 for Piano and Orchestra, in C minor, Op. 18: III. Allegro scherzando | — | ||
| 22-4 | Rhapsody on a Theme of Paganini, Op. 43 | — | ||
| 23-1 | Concerto for Piano and Orchestra no. 3 in D minor, op. 30: Allegro ma non tanto | London Symphony Orchestra, Claudio Abbado, Lazar Berman | — | |
| 23-2 | Concerto for Piano and Orchestra no. 3 in D minor, op. 30: Intermezzo, Adagio | London Symphony Orchestra, Claudio Abbado, Lazar Berman | — | |
| 23-3 | Concerto for Piano and Orchestra no. 3 in D minor, op. 30: Finale, Alla breve | London Symphony Orchestra, Claudio Abbado, Lazar Berman | — | |
| 24-1 | Double Concerto For Violin, Cello And Orchestra In A Minor, Op. 102: I. Allegro | — | ||
| 24-2 | Concerto for Violin and Cello in A minor, op. 102: II. Andante | Isaac Stern, Yo-Yo Ma, Chicago Symphony Orchestra, Claudio Abbado | T-312.542.566-9 | |
| 24-3 | Double Concerto For Violin, Cello And Orchestra In A Minor, Op. 102: III Vivace Non Troppo | — | ||
| 24-4 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: I. Thema Scherzoso Con Variazionii | Motto | — | ||
| 24-5 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Thema Scherzoso | — | ||
| 24-6 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation I | — | ||
| 24-7 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation II (Langsames Waltzertempo) | — | ||
| 24-8 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation III (Kräftig Bewegt) | — | ||
| 24-9 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation IV (Sehr Rasch) | — | ||
| 24-10 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation V (Tempo Primo) | — | ||
| 24-11 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: II. Adagio | — | ||
| 24-12 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: III. III. Rondo Ritmico Con Introduzione | — | ||
| 24-13 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Rondo Ritmico | — | ||
| 24-14 | Chamber Concerto For Piano And Violin With 13 Wind Instruments: Coda | — | ||
| 25-1 | Don Juan op.20 | — | ||
| 25-2 | Burleske für Klavier und Orchester d-moll | — | ||
| 25-3 | Till Eulenspiegels lustige Streiche op.28 | — | ||
| 25-4 | Der Rosenkavalier - Terzett und Finale (3. Akt) | — | ||
| 26-1 | Schicksalslied for Chorus and Orchestra, op.54 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | T-322.185.896-0 | |
| 26-2 | Drei Hymnen for Voice and Orchestra, op. 71: I. Hymne an die Liebe | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-3 | Drei Hymnen for Voice and Orchestra, op. 71: II. Rückkehr in die Heimat | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-4 | Drei Hymnen for Voice and Orchestra, op. 71: III. Die Liebe | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-5 | An die Hoffnung for Voice and Orchestra, op. 124 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-6 | Hölderlin Fragmente for Voice and Orchestra: Fragment 57 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-7 | Hölderlin Fragmente for Voice and Orchestra: Fragment 92 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-8 | Hölderlin Fragmente for Voice and Orchestra: Fragment 19 - An meine Schwester | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-9 | Hölderlin Fragmente for Voice and Orchestra: Fragment 14 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-10 | Hölderlin Fragmente for Voice and Orchestra: Fragment 27 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-11 | Hölderlin Fragmente for Voice and Orchestra: Fragment 17 - Empedokles auf dem Ätna | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-12 | Hölderlin Fragmente for Voice and Orchestra: Fragment 38 | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-13 | Hölderlin Fragmente for Voice and Orchestra: Fragment 22 - Gestalt und Geist | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 26-14 | Hölderlin Fragmente for Voice and Orchestra: Fragment 4 - Lied des Schweden | Claudio Abbado, Karita Mattila, Johannes M. Kösters, Berliner Philharmoniker | — | |
| 27-1 | Die Geschöpfe des Prometheus, op. 43: Introduction. Allegro non troppo | — | ||
| 27-2 | Die Geschöpfe des Prometheus, op. 43: No. 1: Poco adagio - Allegro con brio | — | ||
| 27-3 | Die Geschöpfe des Prometheus, op. 43: No. 9: Adagio - Allegro molto | — | ||
| 27-4 | Die Geschöpfe des Prometheus, op. 43: No. 10: Pastorale. Allegro | — | ||
| 27-5 | Die Geschöpfe des Prometheus, op. 43: No. 14: Allegretto | — | ||
| 27-6 | Die Geschöpfe des Prometheus, op. 43: No. 15: Adagio - Allegro | — | ||
| 27-7 | Die Geschöpfe des Prometheus, op. 43: No. 16: Finale. Allegretto | — | ||
| 27-8 | Prometheus | — | ||
| 27-9 | Prométhée, poème du feu | — | ||
| 27-10 | Prometeo Suite 1992: 3 Voci (A) | — | ||
| 27-11 | Prometeo Suite 1992: Isola Seconda: (B) Hölderlin | — | ||
| 28-1 | Il canto sospeso: » Sofia, Zentralgefängnis 22. Juli 1942 « / » Papa! « / » Liebe Mama, Papa und Schwesterchen! « / » Mein verehrter Vater! « | Bruno Ganz, Susanne Lothar | — | |
| 28-2 | Il canto sospeso: I. Orchestra | Berliner Philharmoniker, Claudio Abbado | — | |
| 28-3 | Il canto sospeso: II. Coro a capella: “…muoio per un mondo” | Dietrich Knothe, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-4 | Il canto sospeso: III. Soprano, alto e tenore soli e orchestra: “…mi portano a Kessariani per l’esecuzione” | Barbara Bonney, Susanne Otto, Marek Torzewski, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-5 | Il canto sospeso: IV. Orchestra | Berliner Philharmoniker, Claudio Abbado | — | |
| 28-6 | Il canto sospeso: » Meine lieben Eltern! « / » Die Tore öffnen sich « / » Leb wohl, Mutter « / » Lieber Onkel! « / » Nach wenigen Stunden « / » Mein lieber Kamerad! « | Bruno Ganz, Susanne Lothar | — | |
| 28-7 | Il canto sospeso: V. Tenore solo e orchestra: “…se il cielo fosse carta” | Marek Torzewski, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-8 | Il canto sospeso: VIa. Coro e orchestra: “…le porte s’aprono” | Dietrich Knothe, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-9 | Il canto sospeso: VIb. Coro e orchestra: “Com'è duro dire addio per sempre” | Dietrich Knothe, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-10 | Il canto sospeso: VII. Soprano solo, coro femminile e orchestra: “…addio mamma” | Dietrich Knothe, Barbara Bonney, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-11 | Il canto sospeso: VIII. Orchestra | Berliner Philharmoniker, Claudio Abbado | — | |
| 28-12 | Il canto sospeso: IX. Coro e timpani: “…non ho paura della morte…” | Dietrich Knothe, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-13 | Kindertotenlieder: I. Nun will die Sonn so hell aufgehn | Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-14 | Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen | Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-15 | Kindertotenlieder: III. Wenn dein Mütterlein | Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-16 | Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen | Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-17 | Kindertotenlieder: V. In diesem Wetter | Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado | — | |
| 28-18 | Ich bin der Welt abhanden gekommen | Marjana Lipovšek, Berliner Philharmoniker, Claudio Abbado | — | |
| 29-1 | Semiramide: Overture | — | ||
| 29-2 | La scala di seta: Overture | — | ||
| 29-3 | Il turco in Italia: Overture | — | ||
| 29-4 | Elisabetta, regina d’Inghilterra: Overture | — | ||
| 29-5 | Tancredi: Overture (Revis. Philip Gossett) | — | ||
| 29-6 | Guglielmo Tell: Overture | — | ||
| 30-1 | Nabucco | — | ||
| 30-2 | Aida | — | ||
| 30-3 | La Forza Del Destino | — | ||
| 30-4 | Aroldo | — | ||
| 30-5 | Luisa Miller | — | ||
| 30-6 | I Vespri Siciliani | — | ||
| 31-1 | Il viaggio a Reims: No. 1 Introduzione "Presto, presto, su coraggio!" | — | ||
| 31-2 | Il viaggio a Reims: No. 1 Introduzione "Benché, grazie al mio talento" | — | ||
| 31-3 | Il viaggio a Reims: No. 1 Introduzione "Di vaghi raggi adorno" | — | ||
| 31-4 | Il viaggio a Reims: No. 1 Introduzione "Or state attenti, badate bene" | — | ||
| 31-5 | Il viaggio a Reims: No. 1 Introduzione "Partire io pur vorrei" | — | ||
| 31-6 | Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Ahimè! Sta in gran pericolo" | — | ||
| 31-7 | Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Partir, o ciel! Desio" | — | ||
| 31-8 | Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Che miro! Ah! Qual sorpresa" | — | ||
| 31-9 | Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Grazie vi rendo, o Dèi!" | — | ||
| 31-10 | Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Eh! Senti, mastro Antonio!" | — | ||
| 31-11 | Il viaggio a Reims: No. 3 Sestetto "Sì di matti una gran gabbia" | — | ||
| 31-12 | Il viaggio a Reims: No. 3 Sestetto "Non pavento alcun periglio" | — | ||
| 31-13 | Il viaggio a Reims: No. 3 Sestetto "Arpa gentil, che fida" | — | ||
| 31-14 | Il viaggio a Reims: No. 3 Sestetto "Simbol di pace e gloria" | — | ||
| 31-15 | Il viaggio a Reims: No. 3 Sestetto "Gelsomin non ritorna" | — | ||
| 31-16 | Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Ah! Perché la conobbi?" | — | ||
| 31-17 | Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Invan strappar dal core" | — | ||
| 31-18 | Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Come dal ciel" | — | ||
| 31-19 | Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Dell'alma diva" | — | ||
| 32-1 | Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Milord,una parola" | — | ||
| 32-2 | Il viaggio a Reims: No. 5 Recitativo e Duetto di Corinna e del Cavaliere "Sola ritrovo alfin la bella Dèa" | — | ||
| 32-3 | Il viaggio a Reims: No. 5 Recitativo e Duetto di Corinna e del Cavaliere "Nel suo divin sembiante" | — | ||
| 32-4 | Il viaggio a Reims: No. 5 Recitativo e Duetto di Corinna e del Cavaliere "Dunque non v'è speranza" | — | ||
| 32-5 | Il viaggio a Reims: No. 5 Recitativo e Duetto di Corinna e del Cavaliere "Bravo il signor Ganimede" | — | ||
| 32-6 | Il viaggio a Reims: No. 6 Aria di Don Profondo "Io! Don Profondo" | — | ||
| 32-7 | Il viaggio a Reims: No. 6 Aria di Don Profondo "Vedeste il Cavaliere" | — | ||
| 32-8 | Il viaggio a Reims: No. 7 Gran pezzo concertato a 14 voci "Ah! A tal colpo inaspettato" | — | ||
| 32-9 | Il viaggio a Reims: No. 7 Gran pezzo concertato a 14 voci "Signor, Signori, ecco una lettera" | — | ||
| 32-10 | Il viaggio a Reims: No. 7 Gran pezzo concertato a 14 voci "Fra dolci e cari palpiti" | — | ||
| 32-11 | Il viaggio a Reims: No. 7 Gran pezzo concertato a 14 voci "Savio della Contessa il consiglio mi pare" | — | ||
| 32-12 | Il viaggio a Reims: No. 8 Scena e Duetto del Conte e della Marchesa "Di che son reo" | — | ||
| 32-13 | Il viaggio a Reims: No. 8 Scena e Duetto del Conte e della Marchesa "D'alma celeste, o Dio" | — | ||
| 32-14 | Il viaggio a Reims: No. 8 Scena e Duetto del Conte e della Marchesa "Qual barbaro rigore" | — | ||
| 32-15 | Il viaggio a Reims: No. 8 Scena e Duetto del Conte e della Marchesa "Madama qui mi manda" | — | ||
| 32-16 | Il viaggio a Reims: No. 9 Finale "Ritornello" | — | ||
| 32-17 | Il viaggio a Reims: No. 9 Finale "L'allegria è un somme bene" | — | ||
| 32-18 | Il viaggio a Reims: No. 9 Finale "Or, secondo l'uso" | — | ||
| 32-19 | Il viaggio a Reims: No. 9 Finale Inno tedesco "Or che regna fra le genti" | — | ||
| 32-20 | Il viaggio a Reims: No. 9 Finale Polacca "Ai prodi guerrieri" | — | ||
| 32-21 | Il viaggio a Reims: No. 9 Finale Inno Russo "Onore, gloria ed alto omaggio" | — | ||
| 32-22 | Il viaggio a Reims: No. 9 Finale Canzone Spagnola "Omaggio all'Augusto Duce" | — | ||
| 32-23 | Il viaggio a Reims: No. 9 Finale Inno Inglese "Dell'aurea pianta" | — | ||
| 32-24 | Il viaggio a Reims: No. 9 Finale Canzone Francese "Madre del nuovo Enrico" | — | ||
| 32-25 | Il viaggio a Reims: No. 9 Finale Tirolese "Più vivace e più fecondo" | — | ||
| 32-26 | Il viaggio a Reims: No. 9 Finale "Corinna,or spetta a voi" | — | ||
| 32-27 | Il viaggio a Reims: No. 9 Finale Improvviso di Corinna "All'ombra amena" | — | ||
| 32-28 | Il viaggio a Reims: No. 9 Finale "Viva il diletto" | — | ||
| 33-1 | Simon Boccanegra: Prologue, Scene I.-IV. "Che dicesti?" (Paolo, Pietro - Simon) | — | ||
| 33-2 | Simon Boccanegra: Prologue, Scene I.-IV. "All'alba tutti qui verrete" (Pietro, Coro, Paolo) | — | ||
| 33-3 | Simon Boccanegra: Prologue, Scene I.-IV. "L'atra magion vedete?" (Paolo, Coro, Pietro) | — | ||
| 33-4 | Simon Boccanegra: Prologue, Scene V. "A te l'estreme addio" (Fiesco - Coro) | — | ||
| 33-5 | Simon Boccanegra: Prologue, Scene VI.-VII. "Suona ogni labbro il mio nome..." (Simon, Fiesco) | — | ||
| 33-6 | Simon Boccanegra: Prologue, Scene VI.-VII. "O de' Fieschi implacata" (Simon, Fiesco, Coro) | — | ||
| 33-7 | Simon Boccanegra: Act I, Scene I. "Come in quest'ora" (Amelia) | — | ||
| 33-8 | Simon Boccanegra: Act I, Scene II. "Cielo di stelle orbato" (Gabriele, Amelia) | — | ||
| 33-9 | Simon Boccanegra: Act I, Scene III. "Vieni a mirar la cerula" (Amelia) | — | ||
| 33-10 | Simon Boccanegra: Act I, Scene IV. "Ah!" - "Che fia?" (Amelia, Gabriele) | — | ||
| 33-11 | Simon Boccanegra: Act I, Scene V. "Propizio e giunge!" (Gabriele, Fiesco) | — | ||
| 33-12 | Simon Boccanegra: Act I, Scene VI. "Paolo" - "Signor" (Simon, Paolo - Amelia) | — | ||
| 33-13 | Simon Boccanegra: Act I, Scene VII. "Orfanella il tetto umile" (Amelia, Simon) | — | ||
| 33-14 | Simon Boccanegra: Act I, Scene VIII.-IX. "Il vuoi! Scordasti ch mi devi" (Paolo, Pietro) | — | ||
| 33-15 | Simon Boccanegra: Act I, Scene X.-XII. "Messeri, il re di Tartari" (Simon, Coro, Paolo, Pietro - Gabriele, Fiesco) | — | ||
| 33-16 | Simon Boccanegra: Act I, Scene X.-XII. "Plebe, Patrizi, Popolo" (Simon, Amelia, Pietro, Paolo, Gabriele, Fiesco, Coro) | — | ||
| 34-1 | Simon Boccanegra: Act II, Scene I.-III. "Quei due vedesti? (Paolo, Pietro - Fiesco) | — | ||
| 34-2 | Simon Boccanegra: Act II, Scene IV."Udisti?" - "Vil disegno" (Paolo, Gabriele) | — | ||
| 34-3 | Simon Boccanegra: Act II, Scene V."O inferno! Amelia qui!" (Gabriele) | — | ||
| 34-4 | Simon Boccanegra: Act II, Scene VI."Tu qui?" - "Amelia" (Amelia, Gabriele) | — | ||
| 34-5 | Simon Boccanegra: Act II, Scene VII."Figlia" - "Si afflitto, o padre mio" (Simon, Amelia) | — | ||
| 34-6 | Simon Boccanegra: Act II, Scene VIII.-IX. "Ei dorme! Quale Sento ritegno?" (Gabriele - Amelia, Simon) | — | ||
| 34-7 | Simon Boccanegra: Act II, Scene VIII.-IX. "Perdon, Amelia. Indomito geloso" (Gabriele, Simon, Amelia) | — | ||
| 34-8 | Simon Boccanegra: Act III, Scene I.-II. "Eviva il Doge" (Coro, Capitano, Fiesco, Paolo) | — | ||
| 34-9 | Simon Boccanegra: Act III, Scene III. "Cittadini! per ordine de Doge" (Capitano) | — | ||
| 34-10 | Simon Boccanegra: Act III, Scene III. "M'ardon le tempia..." (Simon, Fiesco) | — | ||
| 34-11 | Simon Boccanegra: Act III, Scene III. "Piango, perche mi parla" (Fiesco, Simon) | — | ||
| 34-12 | Simon Boccanegra: Act III, Scene IV. "Chi veggo!" - "Vien..." (Amelia, Simon, Gabriele, Fiesco, Coro) | — | ||
| 35-1 | Boris Godunov: Prologue, Scene 1: Introduction | — | ||
| 35-2 | Boris Godunov: Prologue, Scene 1: "Well then, what's wrong with you?" (Police officer) | — | ||
| 35-3 | Boris Godunov: Prologue, Scene 1: "Who are you abandoning us to?" (Chorus, Mityukha, Police officer) | — | ||
| 35-4 | Boris Godunov: Prologue, Scene 1: "Who are you abandoning us to?" (Chorus, Police officer) | — | ||
| 35-5 | Boris Godunov: Prologue, Scene 1: "True believers! The boyar is implacable" (Shchelkalov) | — | ||
| 35-6 | Boris Godunov: Prologue, Scene 1: "Glory to Thee, Creator on high" (Chorus) | — | ||
| 35-7 | Boris Godunov: Prologue, Scene 1: "Did you hear what the holy pilgrims said?" (Chorus, Mityukha, Police officer) | — | ||
| 35-8 | Boris Godunov: Prologue, Scene 2: Introduction | — | ||
| 35-9 | Boris Godunov: Prologue, Scene 2: "Long live Tsar Boris Fyodorovich!" (Shuisky, Chorus) | — | ||
| 35-10 | Boris Godunov: Prologue, Scene 2: "My soul is sad" (Boris) | — | ||
| 35-11 | Boris Godunov: Prologue, Scene 2: "Glory!" (Chorus) | — | ||
| 35-12 | Boris Godunov: Act I, Scene 1: Introduction | — | ||
| 35-13 | Boris Godunov: Act I, Scene 1: "Just one final story" (Pimen) | — | ||
| 35-14 | Boris Godunov: Act I, Scene 1: "O Lord, strong and righteous" (Chorus, Grigory, Pimen) | — | ||
| 35-15 | Boris Godunov: Act I, Scene 1: "Do not complain, brother" (Pimen) | — | ||
| 35-16 | Boris Godunov: Act I, Scene 1: "For a long time, honoured father" (Grigory, Pimen) | — | ||
| 35-17 | Boris Godunov: Act I, Scene 1: "I arrived at night" (Pimen) | — | ||
| 35-18 | Boris Godunov: Act I, Scene 1: "How old was the murdered Tsarevich?" (Grigory, Pimen) | — | ||
| 35-19 | Boris Godunov: Act I, Scene 1: "They are ringing for matins" (Pimen, Chorus, Grigory) | — | ||
| 35-20 | Boris Godunov: Act I, Scene 2: Introduction | — | ||
| 35-21 | Boris Godunov: Act I, Scene 2: "I caught a grey drake" (Hostess) | — | ||
| 35-22 | Boris Godunov: Act I, Scene 2: "Give me some fun" (Hostess, Missail, Varlaam) | — | ||
| 35-23 | Boris Godunov: Act I, Scene 2: "Why are you so pensive, comrade?" (Varlaam, Grigory, Hostess, Missail) | — | ||
| 35-24 | Boris Godunov: Act I, Scene 2: "Here's what happened at the town of Kazan" (Missail) | — | ||
| 35-25 | Boris Godunov: Act I, Scene 2: "Why don't you sing along?" (Varlaam, Grigory, Missail, Hostess, Police officer) | — | ||
| 35-26 | Boris Godunov: Act I, Scene 2: "We are humble elders, honest monks" (Varlaam, Missail, Police officer, Grigory, Hostess) | — | ||
| 35-27 | Boris Godunov: Act I, Scene 2: "What are you staring at me like that for" (Varlaam, Police officer, Hostess, Grigory) | — | ||
| 35-28 | Boris Godunov: Act I, Scene 2: "And his age... and his age..." (Varlaam, Missail, Police officer) | — | ||
| 36-1 | Boris Godunov: Act II: "Where are you, my betrothed" (Xenia, Fyodor) | — | ||
| 36-2 | Boris Godunov: Act II: "Oh, that's enough, princess, my dear!" (Nurse, Xenia) | — | ||
| 36-3 | Boris Godunov: Act II: "A gnat was chopping wood" (Nurse, Fyodor) | — | ||
| 36-4 | Boris Godunov: Act II: "My little tale is about this and that" (Fyodor, Nurse) | — | ||
| 36-5 | Boris Godunov: Act II: "What's the matter? Has a wild beast surprised a sitting hen?" (Boris, Nurse, Xenia, Fyodor) | — | ||
| 36-6 | Boris Godunov: Act II: "I have achieved absolute power" (Boris) | — | ||
| 36-7 | Boris Godunov: Act II: "Hey, pss!" (Nannies, Boris, Boyar-in-attendance, Fyodor) | — | ||
| 36-8 | Boris Godunov: Act II: "Our little parrot was with the nannies" (Fyodor, Boris, Shuisky) | — | ||
| 36-9 | Boris Godunov: Act II: "Ah, it's you, glorious orator" (Boris, Shuisky, Fyodor) | — | ||
| 36-10 | Boris Godunov: Act II: "In Uglich, in the cathedral, in front of all the people" (Shuisky, Boris) | — | ||
| 36-11 | Boris Godunov: Act II: "Phew! I feel terrible! Let me catch my breath" (Boris) | — | ||
| 36-12 | Boris Godunov: Act III, Scene 1: "By the sky-blue waters of the Vistula, under a shady willow" (Chorus, Marina) | — | ||
| 36-13 | Boris Godunov: Act III, Scene 1: "Enough! The beautiful lady is grateful" (Marina) | — | ||
| 36-14 | Boris Godunov: Act III, Scene 1: "Marina is bored. Oh, how bored!" (Marina) | — | ||
| 36-15 | Boris Godunov: Act III, Scene 1: "Ah! Oh, it's you, my father" (Marina, Rangoni) | — | ||
| 36-16 | Boris Godunov: Act III, Scene 1: "With tender, ardent words of love" (Rangoni, Marina) | — | ||
| 36-17 | Boris Godunov: Act III, Scene 1: "What? You impudent liar!" (Marina, Rangoni) | — | ||
| 36-18 | Boris Godunov: Act III, Scene 2: "At midnight, in the garden, by the fountain" (Pretender) | — | ||
| 36-19 | Boris Godunov: Act III, Scene 2: "Tsarevich!" (Rangoni, Pretender) | — | ||
| 36-20 | Boris Godunov: Act III, Scene 2: "Can a humble and sinful man, praying for his dear ones" (Rangoni, Pretender) | — | ||
| 36-21 | Boris Godunov: Act III, Scene 2: "Tsarevich, hide!" (Rangoni, Pretender) | — | ||
| 36-22 | Boris Godunov: Act III, Scene 2: Polonaise - "I do not believe in your passion, sir" (Marina, Chorus) | — | ||
| 36-23 | Boris Godunov: Act III, Scene 2: "That crafty Jesuit, he has got me firmly in the grip" (Pretender, Marina) | — | ||
| 36-24 | Boris Godunov: Act III, Scene 2: "How long and agonizing" (Pretender, Marina) | — | ||
| 36-25 | Boris Godunov: Act III, Scene 2: "Oh, Tsarevich, I beg you" (Marina, Pretender) | — | ||
| 36-26 | Boris Godunov: Act III, Scene 2: "Oh, my turtledoves!" (Rangoni, Marina, Pretender) | — | ||
| 37-16 | Boris Godunov: Act IV, Scene 2: Introduction | — | ||
| 37-17 | Boris Godunov: Act IV, Scene 2: "Bring him over here!" (Tramps) | — | ||
| 37-18 | Boris Godunov: Act IV, Scene 2: "It's not a falcon flying in the heavens" (Tramps) | — | ||
| 37-19 | Boris Godunov: Act IV, Scene 2: "The sun and moon have grown dark" (Varlaam, Missail, Chorus) | — | ||
| 37-20 | Boris Godunov: Act IV, Scene 2: "Hey ho!" (Chorus, Varlaam, Missail) | — | ||
| 37-21 | Boris Godunov: Act IV, Scene 2: "Domine, Domine, salvum fac" (Lavitsky, Chernikovsky, Chorus, Varlaam, Missail) | — | ||
| 37-22 | Boris Godunov: Act IV, Scene 2: March - "Glory to you, Tsarevich" (Missail, Varlaam, Chorus) | — | ||
| 37-23 | Boris Godunov: Act IV, Scene 2: "We, Dimitri Ivanovich" (Pretender, Khrushchov, Chorus, Lavitsky, Chernikovsky) | — | ||
| 37-24 | Boris Godunov: Act IV, Scene 2: "Flow, flow, bitter tears" (Simpleton) | — | ||
| 38-1 | Brandenburg Concertos: Concerto no. 1 in F major, BWV 1046: I. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | T-914.323.771-2 | |
| 38-2 | Brandenburg Concertos: Concerto no. 1 in F major, BWV 1046: II. Adagio | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 38-3 | Brandenburg Concertos: Concerto no. 1 in F major, BWV 1046: III. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 38-4 | Brandenburg Concertos: Concerto no. 1 in F major, BWV 1046: Minuetto - Trio I - Minuetto - Polacca / Minuetto - Trio II - Minuetto | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 38-5 | Brandenburg Concertos: Concerto no. 2 in F major, BWV 1047: I. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | T-914.323.771-2 | |
| 38-6 | Brandenburg Concertos: Concerto no. 2 in F major, BWV 1047: II. Andante | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 38-7 | Brandenburg Concertos: Concerto no. 2 in F major, BWV 1047: III. Allegro Assai | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 38-8 | Brandenburg Concertos: Concerto no. 3 in G major, BWV 1048: I. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | T-914.323.771-2 | |
| 38-9 | Brandenburg Concertos: Concerto no. 3 in G major, BWV 1048: II. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 39-1 | Brandenburg Concertos: Concerto no. 4 in G major, BWV 1049: I. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | T-914.323.771-2 | |
| 39-2 | Brandenburg Concertos: Concerto no. 4 in G major, BWV 1049: II. Andante | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 39-3 | Brandenburg Concertos: Concerto no. 4 in G major, BWV 1049: III. Presto | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 39-4 | Brandenburg Concertos: Concerto no. 5 in D major, BWV 1050: I. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | T-914.323.771-2 | |
| 39-5 | Brandenburg Concertos: Concerto no. 5 in D major, BWV 1050: II. Affettuoso | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 39-6 | Brandenburg Concertos: Concerto no. 5 in D major, BWV 1050: III. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 39-7 | Brandenburg Concertos: Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | T-801.411.105-9 | |
| 39-8 | Brandenburg Concertos: Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | I Solisti Del Teatro Alla Scala, Claudio Abbado | — | |
| 39-9 | Brandenburg Concertos: Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | I Solisti Del Teatro Alla Scala, Claudio Abbado | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony No. 31 in D major, K. 300a/297 (second version) "Paris": III. Andante | Berliner Philharmoniker, Claudio Abbado | — |
