UPC · Release
The Complete Recordings
Jean Martinon, Chicago Symphony Orchestra
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888430627529 is the Universal Product Code (UPC barcode) for the release “The Complete Recordings” by Jean Martinon, Chicago Symphony Orchestra, released 2015-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 67 tracks, each with its own ISRC.
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- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
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Track List (67)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Daphnis et Chloé, Suite no. 2: I. Lever du jour | — | ||
| 2 | Daphnis et Chloé, Suite no. 2: II. Pantomime. Lent – Très lent – Vif – Très lent - ♩ = 80 | — | ||
| 3 | Daphnis et Chloé, Suite no. 2: III. Danse générale. Animé | — | ||
| 4 | Bacchus et Ariade, op. 43: Suite no. 2 | — | ||
| 2-1 | Arcana | — | ||
| 2-2 | Concerto for Seven Wind Instruments, Timpani, Percussion and Strings: I. Allegro ♩ = 104 | — | ||
| 2-3 | Concerto for Seven Wind Instruments, Timpani, Percussion and Strings: II. Adagietto ♩ = 56. Misterioso ed elegante | — | ||
| 2-4 | Concerto for Seven Wind Instruments, Timpani, Percussion and Strings: III. Allegro vivace ♩ = 69 | — | ||
| 3-1 | Symphony no. 4, op. 29 “The Inextinguishable”: I. Allegro – attacca | — | ||
| 3-2 | Symphony no. 4, op. 29 “The Inextinguishable”: II. Poco allegretto – attacca | — | ||
| 3-3 | Symphony no. 4, op. 29 “The Inextinguishable”: III. Poco adagio quasi andante – attacca | — | ||
| 3-4 | Symphony no. 4, op. 29 “The Inextinguishable”: IV. Allegro | — | ||
| 3-5 | Helios Overture, op. 17 | — | ||
| 4-1 | L'Arlésienne Suite, no. 1: I. Prélude. Allegro deciso (Tempo di Marcia) – Animato – Andantino – Tempo I – Andante molto | — | ||
| 4-2 | L'Arlésienne Suite, no. 1: II. Minuetto. Allegro giocoso | — | ||
| 4-3 | L'Arlésienne Suite, no. 1: III. Adagietto. Adagio | — | ||
| 4-4 | L'Arlésienne Suite, no. 1: IV. Carillon. Allegro moderato – Andantino – Tempo I | — | ||
| 4-5 | Le Roi d'Ys: Overture | — | ||
| 4-6 | L'Arlésienne Suite, no. 2: I. Pastorale. Andante sostenuto assai – Andantino – Tempo I | — | ||
| 4-7 | L'Arlésienne Suite, no. 2: II. Intermezzo. Andante moderato ma con tempo – Allegretto moderato – Tempo I | — | ||
| 4-8 | L'Arlésienne Suite, no. 2: III. Menuetto . Andantino quasi Allegretto | — | ||
| 4-9 | L'Arlésienne Suite, no. 2: IV. Farandole. Allegro deciso (Tempo di marcia) - Allegro vivo e deciso | — | ||
| 4-10 | Méditation from Thaïs | — | ||
| 5-1 | The Miraculous Mandarin, Sz 73 | — | ||
| 5-2 | Nobilissima Visione: I. Einleitung und Rondo. Sehr langsam – Rondo. Mäßig schnell | — | ||
| 5-3 | Nobilissima Visione: II. Marsch und Pastorale. Lebhaft | — | ||
| 5-4 | Nobilissima Visione: III. Passacaglia. Feierlich bewegt | — | ||
| 6-1 | Symphony no. 4, op. 53 “Altitudes”: I. La Porte des étoiles. Allegro agitato | — | ||
| 6-2 | Symphony no. 4, op. 53 “Altitudes”: II. Le Jardin vertical. Adagio misterioso | — | ||
| 6-3 | Symphony no. 4, op. 53 “Altitudes”: III. La Traversée des dieux. Allegro – Tempo di scherzo | — | ||
| 6-4 | Symphony no. 7 in One Movement “Variation Symphony”: Adagio – | — | ||
| 6-5 | Symphony no. 7 in One Movement “Variation Symphony”: Allegro – | — | ||
| 6-6 | Symphony no. 7 in One Movement “Variation Symphony”: Andante – | — | ||
| 6-7 | Symphony no. 7 in One Movement “Variation Symphony”: Moderato – | — | ||
| 6-8 | Symphony no. 7 in One Movement “Variation Symphony”: Allegro vivace | — | ||
| 7-1 | Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: I. Allegro | — | ||
| 7-2 | Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: II. Adagio ma non troppo | — | ||
| 7-3 | Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: III. Rondo. Allegretto | — | ||
| 7-4 | Concerto for Clarinet and Orchestra no. 2 in E-flat major, op. 74: I. Allegro | — | ||
| 7-5 | Concerto for Clarinet and Orchestra no. 2 in E-flat major, op. 74: II. Andante con moto | — | ||
| 7-6 | Concerto for Clarinet and Orchestra no. 2 in E-flat major, op. 74: III. Alla Polacca | — | ||
| 8-1 | Rhapsodie espagnole: I. Prélude à la nuit. Très modéré | — | ||
| 8-2 | Rhapsodie espagnole: II. Malagueña. Assez vif | — | ||
| 8-3 | Rhapsodie espagnole: III. Habanera. Assez lent et d’un rhythme las | — | ||
| 8-4 | Rhapsodie espagnole: IV. Feria. Assez animé | — | ||
| 8-5 | Alborada del gracioso | — | ||
| 8-6 | Ma mère l'Oye: I. Pavane de la Belle au bois dormant. Lent | — | ||
| 8-7 | Ma mère l'Oye: II. Petit Poucet. Très modéré | — | ||
| 8-8 | Ma mère l'Oye: III. Laideronnette, Impératrice des Pagodes. Mouvement de Marche | — | ||
| 8-9 | Ma mère l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de Valse modéré | — | ||
| 8-10 | Ma mère l'Oye: V. Le jardin féerique. Lent et grave | — | ||
| 8-11 | Introduction et Allegro for Harp with accompaniment of String Quartet, Flute and Clarinet | — | ||
| 9-1 | Symphony no. 1 in C major: I. Allegro vivo | — | ||
| 9-2 | Symphony no. 1 in C major: II. Adagio | — | ||
| 9-3 | Symphony no. 1 in C major: III. Scherzo. Allegro vivace | — | ||
| 9-4 | Symphony no. 1 in C major: IV. Allegro vivace | — | ||
| 9-5 | Ein Sommernachtstraum, op. 61: Ouverture. Allegro di molto | — | ||
| 9-6 | Ein Sommernachtstraum, op. 61: no. 1: Scherzo. Allegro vivace | — | ||
| 9-7 | Ein Sommernachtstraum, op. 61: no. 7: Notturno. Andante tranquillo | — | ||
| 9-8 | Ein Sommernachtstraum, op. 61: no. 9: Hochzeitsmarsch. Allegro vivace | — | ||
| 10-1 | Concerto for Piano and Orchestra no. 2, op. 37: I. Allegro con fuoco | — | ||
| 10-2 | Concerto for Piano and Orchestra no. 2, op. 37: II. Adagio ma non troppo | — | ||
| 10-3 | Concerto for Piano and Orchestra no. 2, op. 37: III. Allegro moderato | — | ||
| 10-4 | Moto perpetuo, op. 11 | — | ||
| 10-5 | Pavane pour une infante défunte | — | ||
| 10-6 | La Valse | — | ||
| 10-7 | Boléro | — |
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What is UPC 888430627529?
888430627529 is a Universal Product Code (UPC) assigned to The Complete Recordings by Jean Martinon, Chicago Symphony Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 67 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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