UPC · Release
Pierre Monteux
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888430734821 is the Universal Product Code (UPC barcode) for the release “The Complete RCA Album Collection” by Pierre Monteux, released 2014-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 384 tracks, each with its own ISRC. Tracks include USBC14100187, USSM11402069, USBC10402922.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La Valse | San Francisco Symphony, Pierre Monteux | T-305.194.234-4 | |
| 2 | Le coq d'or: Cortège des noces | San Francisco Symphony, Pierre Monteux | — | |
| 3 | Symphonie sur un chant montagnard français, op. 25 "Symphonie cévenole": I. Assez lent - Modérément animé | Maxim Shapiro, San Francisco Symphony, Pierre Monteux | — | |
| 4 | Symphonie sur un chant montagnard français, op. 25 "Symphonie cévenole": II. Assez modéré, mais sans lenteur | Maxim Shapiro, San Francisco Symphony, Pierre Monteux | — | |
| 5 | Symphonie sur un chant montagnard français, op. 25 "Symphonie cévenole": III. Animé | Maxim Shapiro, San Francisco Symphony, Pierre Monteux | — | |
| 6 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | San Francisco Symphony, Pierre Monteux | — | |
| 7 | Symphony in D minor, FWV 48: II. Allegretto | San Francisco Symphony, Pierre Monteux | — | |
| 8 | Symphony in D minor, FWV 48: III. Allegro non troppo | San Francisco Symphony, Pierre Monteux | — | |
| 2-1 | Pièce héroïque in B minor | San Francisco Symphony, Pierre Monteux | — | |
| 2-2 | Images pour orchestre, L. 122: No. 1. Gigues | San Francisco Symphony, Pierre Monteux | — | |
| 2-3 | Images pour orchestre, L. 122: No. 3. Rondes de printemps | San Francisco Symphony, Pierre Monteux | — | |
| 2-4 | Symphony no. 2 in B-flat major, op. 57: I. Extrêmement lent - Très vif | San Francisco Symphony, Pierre Monteux | — | |
| 2-5 | Symphony no. 2 in B-flat major, op. 57: II. Modérément lent | San Francisco Symphony, Pierre Monteux | — | |
| 2-6 | Symphony no. 2 in B-flat major, op. 57: III. Modéré - Très animé | San Francisco Symphony, Pierre Monteux | — | |
| 2-7 | Symphony no. 2 in B-flat major, op. 57: IV. Lent - Modéré et solennel - Assez vif | San Francisco Symphony, Pierre Monteux | — | |
| 2-8 | The Tale of Tsar Saltan: March | San Francisco Symphony, Pierre Monteux | — | |
| 2-9 | Le Roi d'Ys: Overture | Boris Blinder, San Francisco Symphony, Pierre Monteux | — | |
| 3-1 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-2 | Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-3 | Symphonie espagnole in D minor, op. 21: III. Intermezzo. Allegretto non troppo | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-4 | Symphonie espagnole in D minor, op. 21: IV. Andante | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-5 | Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-6 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-7 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: II. Adagio | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-8 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: III. Finale. Allegro energico – Presto | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 4-1 | Benvenuto Cellini, op. 23: Grande Ouverture | San Francisco Symphony, Pierre Monteux | — | |
| 4-2 | Les Troyens à Carthage: Prélude | San Francisco Symphony, Pierre Monteux | — | |
| 4-3 | Istar - Symphonic Variations, op. 42: I. Très lent | San Francisco Symphony, Pierre Monteux | — | |
| 4-4 | Istar - Symphonic Variations, op. 42: II. Un peu plus animé | San Francisco Symphony, Pierre Monteux | — | |
| 4-5 | Istar - Symphonic Variations, op. 42: III. Très animé | San Francisco Symphony, Pierre Monteux | — | |
| 4-6 | Istar - Symphonic Variations, op. 42: IV. Le double plus vite - Très lent | San Francisco Symphony, Pierre Monteux | — | |
| 4-7 | Symphony fantastique: I. Reveries; Passions | San Francisco Symphony, Pierre Monteux | — | |
| 4-8 | Symphony fantastique: II. A Ball | San Francisco Symphony, Pierre Monteux | — | |
| 4-9 | Symphony fantastique: III. Scene in the Country | San Francisco Symphony, Pierre Monteux | — | |
| 4-10 | Symphony fantastique: IV. March to the Scaffold | San Francisco Symphony, Pierre Monteux | — | |
| 4-11 | Symphony fantastique: V. Dream of a Witches' Sabbath | San Francisco Symphony, Pierre Monteux | — | |
| 5-1 | Fervaal, op. 40: Introduction du 1er Acte | San Francisco Symphony, Pierre Monteux | — | |
| 5-2 | Sadko, op. 5: Sadko on the Calm Sea | San Francisco Symphony, Pierre Monteux | — | |
| 5-3 | Sadko, op. 5: The Creatures of the Sea-King's Submarine Court | San Francisco Symphony, Pierre Monteux | — | |
| 5-4 | Sadko, op. 5: Sadko Sings Accompanied by His Gusli | San Francisco Symphony, Pierre Monteux | — | |
| 5-5 | Sadko, op. 5: Dance of the Sea Creatures to Sadko's Music | San Francisco Symphony, Pierre Monteux | — | |
| 5-6 | Sadko, op. 5: Sadko's Rescue and Return to His Home by St. Nicholas | San Francisco Symphony, Pierre Monteux | — | |
| 5-7 | Alto Rhapsody, op. 53 | Marian Anderson, San Francisco Symphony Chorus, San Francisco Symphony, Pierre Monteux | — | |
| 5-8 | The Rite of Spring: The Adoration of the Earth, Pt. 1: I. Introduction | San Francisco Symphony, Pierre Monteux | — | |
| 5-9 | The Rite of Spring: The Adoration of the Earth, Pt. 1: II. The Auguries of Spring - Dances of the Young Girls | San Francisco Symphony, Pierre Monteux | — | |
| 5-10 | The Rite of Spring: The Adoration of the Earth, Pt. 1: III. Game of Abduction | San Francisco Symphony, Pierre Monteux | — | |
| 5-11 | The Rite of Spring: The Adoration of the Earth, Pt. 1: IV. Spring Rounds | San Francisco Symphony, Pierre Monteux | — | |
| 5-12 | The Rite of Spring: The Adoration of the Earth, Pt. 1: V. Games of the Rival Tribes | San Francisco Symphony, Pierre Monteux | — | |
| 5-13 | The Rite of Spring: The Adoration of the Earth, Pt. 1: VI. Procession of the Sage | San Francisco Symphony, Pierre Monteux | — | |
| 5-14 | The Rite of Spring: The Adoration of the Earth, Pt. 1: VII. Adoration of the Earth - The Sage | San Francisco Symphony, Pierre Monteux | — | |
| 5-15 | The Rite of Spring: The Adoration of the Earth, Pt. 1: VIII. Dance of the Earth | San Francisco Symphony, Pierre Monteux | — | |
| 5-16 | The Rite of Spring: The Sacrifice, Pt. 2: I. Introduction | San Francisco Symphony, Pierre Monteux | — | |
| 5-17 | The Rite of Spring: The Sacrifice, Pt. 2: II. Mystic Circle of the Young Girls | San Francisco Symphony, Pierre Monteux | — | |
| 5-18 | The Rite of Spring: The Sacrifice, Pt. 2: III. Glorification of the Chosen One | San Francisco Symphony, Pierre Monteux | — | |
| 5-19 | The Rite of Spring: The Sacrifice, Pt. 2: IV. Evocation of the Ancestors | San Francisco Symphony, Pierre Monteux | — | |
| 5-20 | The Rite of Spring: The Sacrifice, Pt. 2: V. Ritual Action of the Ancestors | San Francisco Symphony, Pierre Monteux | — | |
| 5-21 | The Rite of Spring: The Sacrifice, Pt. 2: VI. Sacrificial Dance (The Chosen One) | San Francisco Symphony, Pierre Monteux | — | |
| 6-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | San Francisco Symphony, Pierre Monteux | — | |
| 6-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | San Francisco Symphony, Pierre Monteux | — | |
| 6-3 | Symphony no. 2 in D major, op. 73: III. Allegro grazioso (quasi andantino) | San Francisco Symphony, Pierre Monteux | — | |
| 6-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | San Francisco Symphony, Pierre Monteux | T-327.681.352-2 | |
| 6-5 | Le Coq d'or: Introduction et Cortège de noces | San Francisco Symphony, Pierre Monteux | — | |
| 7-1 | Suite symphonique, no. 2, op. 57 "Protée": I. Ouverture - Modéré | San Francisco Symphony, Pierre Monteux | — | |
| 7-2 | Suite symphonique, no. 2, op. 57 "Protée": II. Prélude et fugue - Très animé | San Francisco Symphony, Pierre Monteux | — | |
| 7-3 | Suite symphonique, no. 2, op. 57 "Protée": III. Pastorale - Souple et animé | San Francisco Symphony, Pierre Monteux | — | |
| 7-4 | Suite symphonique, no. 2, op. 57 "Protée": IV. Nocturne - Souple et modéré | San Francisco Symphony, Pierre Monteux | — | |
| 7-5 | Suite symphonique, no. 2, op. 57 "Protée": V. Final - Vif | San Francisco Symphony, Pierre Monteux | — | |
| 7-6 | Poème, op. 25 | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 7-7 | Violin Concerto, op. 47: I. Moderately | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 7-8 | Violin Concerto, op. 47: II. With simplicity and warmth | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 7-9 | Violin Concerto, op. 47: III. Lively and with good humor | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 8-1 | Escales: I. Rome - Palermo - Calme | San Francisco Symphony, Pierre Monteux | — | |
| 8-2 | Escales: II. Tunis - Nefta - Modéré, très rythmé | San Francisco Symphony, Pierre Monteux | — | |
| 8-3 | Escales: III. Valencia - Animé | San Francisco Symphony, Pierre Monteux | — | |
| 8-4 | Symphony no. 2, op. 9 "Antar": I. Largo | San Francisco Symphony, Pierre Monteux | — | |
| 8-5 | Symphony no. 2, op. 9 "Antar": II. Allegro | San Francisco Symphony, Pierre Monteux | — | |
| 8-6 | Symphony no. 2, op. 9 "Antar": III. Allegro risoluto alla Marcia | San Francisco Symphony, Pierre Monteux | — | |
| 8-7 | Symphony no. 2, op. 9 "Antar": IV. Allegretto vivace - Adagio | San Francisco Symphony, Pierre Monteux | — | |
| 8-8 | Valses nobles et sentimentales: I. Modéré - très franc | San Francisco Symphony, Pierre Monteux | — | |
| 8-9 | Valses nobles et sentimentales: II. Assez lent | San Francisco Symphony, Pierre Monteux | — | |
| 8-10 | Valses nobles et sentimentales: III. Modéré | San Francisco Symphony, Pierre Monteux | — | |
| 8-11 | Valses nobles et sentimentales: IV. Assez animé | San Francisco Symphony, Pierre Monteux | — | |
| 8-12 | Valses nobles et sentimentales: V. Presque lent | San Francisco Symphony, Pierre Monteux | — | |
| 8-13 | Valses nobles et sentimentales: VI. Assez vif | San Francisco Symphony, Pierre Monteux | — | |
| 8-14 | Valses nobles et sentimentales: VII. Moins vif | San Francisco Symphony, Pierre Monteux | — | |
| 8-15 | Valses nobles et sentimentales: VIII. Épilogue - Lent | San Francisco Symphony, Pierre Monteux | — | |
| 8-16 | Daphnis et Chloé - Suite No. 1: Nocturne | San Francisco Symphony, Pierre Monteux | — | |
| 8-17 | Daphnis et Chloé - Suite No. 1: Interlude | San Francisco Symphony, Pierre Monteux | — | |
| 8-18 | Daphnis et Chloé - Suite No. 1: Danse guerrière | San Francisco Symphony, Pierre Monteux | — | |
| 8-19 | Pour le Piano, L. 95: II. Sarabande | San Francisco Symphony, Pierre Monteux | — | |
| 9-1 | Ein Heldenleben, op. 40: Der Held | San Francisco Symphony, Pierre Monteux | — | |
| 9-2 | Ein Heldenleben, op. 40: Des Helden Widersacher | San Francisco Symphony, Pierre Monteux | — | |
| 9-3 | Ein Heldenleben, op. 40: Des Helden Gefährtin | San Francisco Symphony, Pierre Monteux | — | |
| 9-4 | Ein Heldenleben, op. 40: Des Helden Walstatt | San Francisco Symphony, Pierre Monteux | — | |
| 9-5 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | San Francisco Symphony, Pierre Monteux | — | |
| 9-6 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | San Francisco Symphony, Pierre Monteux | — | |
| 9-7 | Le Roi malgré lui: Fête polonaise | San Francisco Symphony, Pierre Monteux | — | |
| 10-1 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": I. Andante - Languido | — | ||
| 10-2 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": II. Allegro volando | — | ||
| 10-3 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": III. Lento | — | ||
| 10-4 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": IV. Allegro - Allegro dramatico | — | ||
| 10-5 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": V. Lento | — | ||
| 10-6 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": VI. Allegro volando | — | ||
| 10-7 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": VII. Lento | — | ||
| 10-8 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": VIII. Allegro molto - Leggierissimo - Volando | — | ||
| 10-9 | Faust : Acte V. Ballet I. Allegretto - Tempo di valse | — | ||
| 10-10 | Faust : Acte V. Ballet II. Adagio | — | ||
| 10-11 | Faust : Acte V. Ballet III. Allegretto | — | ||
| 10-12 | Faust : Acte V. Ballet IV. Moderaro maestoso | — | ||
| 10-13 | Faust : Acte V. Ballet V. Moderato con moto | — | ||
| 10-14 | Faust : Acte V. Ballet VI. Allegretto | — | ||
| 10-15 | Faust : Acte V. Ballet VII. Allegro vivo | — | ||
| 10-16 | Ruy Blas, op. 95: Overture | — | ||
| 10-17 | Alborada del gracioso | — | ||
| 10-18 | Benvenuto Cellini, op. 23: Overture | — | ||
| 10-19 | La Damnation de Faust, op. 24: Rákóczy March | — | ||
| 11-1 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | — | ||
| 11-2 | Scheherazade, op. 35: II. The Story of the Kalender Prince | — | ||
| 11-3 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | — | ||
| 11-4 | Scheherazade, op. 35: IV. Festival at Baghdad | — | ||
| 12-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | — | ||
| 12-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 12-3 | Symphony no. 2 in D major, op. 36: III. Scherzo - Allegro | — | ||
| 12-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 13-1 | Symphony in D minor: I. Lento - Allegro non troppo | — | ||
| 13-2 | Symphony in D minor: II. Allegretto | — | ||
| 13-3 | Symphony in D minor: III. Allegro non troppo | — | ||
| 14-1 | Symphonie Fantastique, op. 14: I. Rêveries - Passions | — | ||
| 14-2 | Symphonie Fantastique, op. 14: II. Un bal | — | ||
| 14-3 | Symphonie Fantastique, op. 14: III. Scène aux champs | — | ||
| 14-4 | Symphonie Fantastique, op. 14: IV. Marche au supplice | — | ||
| 14-5 | Symphonie Fantastique, op. 14: V. Songe d'une nuit de sabbat | — | ||
| 15-1 | The Rite of Spring: Part I. Introduction | — | ||
| 15-2 | The Rite of Spring: Part I. Dances of the Young Girls | — | ||
| 15-3 | The Rite of Spring: Part I. Game of Abductio | — | ||
| 15-4 | The Rite of Spring: Part I. Spring Rounds | — | ||
| 15-5 | The Rite of Spring: Part I. Games of the Rival Tribes | — | ||
| 15-6 | The Rite of Spring: Part I. Procession of the Sage | — | ||
| 15-7 | The Rite of Spring: Part I. Adoration of the Earth - The Sage | — | ||
| 15-8 | The Rite of Spring: Part I. Dance of the Earth | — | ||
| 15-9 | The Rite of Spring: Part II. Introduction | — | ||
| 15-10 | The Rite of Spring: Part II. Mystic Circles of the Young Girls | — | ||
| 15-11 | The Rite of Spring: Part II. Glorification of the Chosen One | — | ||
| 15-12 | The Rite of Spring: Part II. Evocation of the Ancestors | — | ||
| 15-13 | The Rite of Spring: Part II. Ritual Action of the Ancestors | — | ||
| 15-14 | The Rite of Spring: Part II. Sacrificial Dance | — | ||
| 16-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 16-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 16-3 | Symphony no. 2 in D major, op. 73: III. Allegro grazioso | — | ||
| 16-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 17-1 | Symphony in B-flat major, op. 20: I. Lento - Allegro vivo - Allegro molto | — | ||
| 17-2 | Symphony in B-flat major, op. 20: II. Très lent - Un peu plus vite | — | ||
| 17-3 | Symphony in B-flat major, op. 20: III. Animé - Très animé | — | ||
| 18-1 | Alto Rhapsody, op. 53 | — | ||
| 18-2 | Kindertotenlieder: Nun will die Sonn' so hell aufgehn | — | ||
| 18-3 | Kindertotenlieder: Nun seh ich wohl, warum so dunkle Flammen | — | ||
| 18-4 | Kindertotenlieder: Wenn dein Mütterlein | — | ||
| 18-5 | Kindertotenlieder: Oft denk ich, sie sind nur ausgegangen | — | ||
| 18-6 | Kindertotenlieder: In diesem Wetter, in diesem Braus | — | ||
| 19-1 | Images pour orchestre, L. 122: I. Gigues | — | ||
| 19-2 | Images pour orchestre, L. 122: II. Ibéria: a) Par les rues et par les chemins | — | ||
| 19-3 | Images pour orchestre, L. 122: II. Ibéria: b) Les parfums de la nuit | — | ||
| 19-4 | Images pour orchestre, L. 122: II. Ibéria: c) Le matin d'un jour de fête | — | ||
| 19-5 | Images pour orchestre, L. 122: III. Rondes de printemps | — | ||
| 20-1 | Song of Destiny, op. 54: I. Langsam und sehnsuchtsvoll - "Ihr wandelt droben im Licht" | San Francisco Symphony, Pierre Monteux | — | |
| 20-2 | Song of Destiny, op. 54: II. Allegro - "Doch uns ist gegeben, auf keiner Stätte zu ruhn" | San Francisco Symphony, Pierre Monteux | — | |
| 20-3 | Song of Destiny, op. 54: III. Adagio | San Francisco Symphony, Pierre Monteux | — | |
| 20-4 | Passacaglia and Fugue in C Minor, BWV 582: Passacaglia | San Francisco Symphony, Pierre Monteux | T-917.732.203-1 | |
| 20-5 | Passacaglia and Fugue in C Minor, BWV 582: Fugue | San Francisco Symphony, Pierre Monteux | — | |
| 20-6 | Christmas Oratorio, BWV 248: Sinfonia | San Francisco Symphony, Pierre Monteux | — | |
| 20-7 | The Ruins of Athens, op. 113: Overture | San Francisco Symphony, Pierre Monteux | T-909.574.378-5 | |
| 21-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | San Francisco Symphony, Pierre Monteux | — | |
| 21-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | San Francisco Symphony, Pierre Monteux | T-001.444.317-4 | |
| 21-3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | San Francisco Symphony, Pierre Monteux | T-001.444.317-4 | |
| 21-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | San Francisco Symphony, Pierre Monteux | T-001.444.317-4 | |
| 21-5 | Symphony no. 4 in D dinor, op. 120: I. Ziemlich langsam - Lebhaft | San Francisco Symphony, Pierre Monteux | — | |
| 21-6 | Symphony no. 4 in D dinor, op. 120: II. Romanze - Ziemlich langsam | San Francisco Symphony, Pierre Monteux | — | |
| 21-7 | Symphony no. 4 in D dinor, op. 120: III. Scherzo - Lebhaft - Trio | San Francisco Symphony, Pierre Monteux | — | |
| 21-8 | Symphony no. 4 in D dinor, op. 120: IV. Langsam - Lebhaft | San Francisco Symphony, Pierre Monteux | — | |
| 22-1 | Symphony no. 4, op. 54 "Le Poème de l'extase": Andante languido | — | ||
| 22-2 | Symphony no. 4, op. 54 "Le Poème de l'extase": Allegro volando | — | ||
| 22-3 | Symphony no. 4, op. 54 "Le Poème de l'extase": Lento | — | ||
| 22-4 | Symphony no. 4, op. 54 "Le Poème de l'extase": Allegro - Allegro dramatico | — | ||
| 22-5 | Symphony no. 4, op. 54 "Le Poème de l'extase": Lento | — | ||
| 22-6 | Symphony no. 4, op. 54 "Le Poème de l'extase": Allegro volando | — | ||
| 22-7 | Symphony no. 4, op. 54 "Le Poème de l'extase": Lento | — | ||
| 22-8 | Symphony no. 4, op. 54 "Le Poème de l'extase": Allegro molto - Leggierissimo - Volando | — | ||
| 22-9 | Les préludes, S. 97: Andante - Andante maestoso | — | ||
| 22-10 | Les préludes, S. 97: L'istesso tempo | — | ||
| 22-11 | Les préludes, S. 97: L'istesso tempo | — | ||
| 22-12 | Les préludes, S. 97: Allegro ma non troppo - Allegro tempestuoso | — | ||
| 22-13 | Les préludes, S. 97: Allegretto pastorale - Allegro marziale | — | ||
| 22-14 | Les préludes, S. 97: Allegro marziale animato - Andante maestoso | — | ||
| 23-1 | Concerto for Piano and Orchestra no. 12 in A major, K. 414: I. Allegro | — | ||
| 23-2 | Concerto for Piano and Orchestra no. 12 in A major, K. 414: II. Andante | — | ||
| 23-3 | Concerto for Piano and Orchestra no. 12 in A major, K. 414: III. Rondeau - Allegretto | — | ||
| 23-4 | Concerto for Piano and Orchestra no. 18 in B-flat major, KV. 456: I. Allegro vivace | — | ||
| 23-5 | Concerto for Piano and Orchestra no. 18 in B-flat major, KV. 456: II. Andante un poco sostenuto | — | ||
| 23-6 | Concerto for Piano and Orchestra no. 18 in B-flat major, KV. 456: III. Allegro vivace | — | ||
| 24-1 | Poème de l'amour et de la mer, op. 19: La fleur des eaux | — | ||
| 24-2 | Poème de l'amour et de la mer, op. 19: Interlude | — | ||
| 24-3 | Poème de l'amour et de la mer, op. 19: La Mort de l'amour | — | ||
| 24-4 | Poème de l'amour et de la mer, op. 19: Le Temps des lilas | — | ||
| 24-5 | Roméo et Juliette, op. 17: Premiers transports que nul n'oublie! | — | ||
| 24-6 | Si mes vers avaient des ailes | — | ||
| 24-7 | Mandoline, L. 29 | — | ||
| 24-8 | Chanson triste no. 4, op. 2 | — | ||
| 24-9 | Séparation | — | ||
| 24-10 | Carmen | — | ||
| 24-11 | Banalités, FP 107: II. Hôtel | — | ||
| 24-12 | Banalités, FP 107: IV. Voyage à Paris | — | ||
| 24-13 | Les Chemins de l'amour | — | ||
| 25-1 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 25-2 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 25-3 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | — | ||
| 25-4 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 25-5 | Passacaglia and Fugue in C minor, BWV 582: Passacaglia | — | ||
| 25-6 | Passacaglia and Fugue in C minor, BWV 582: Fugue | — | ||
| 25-7 | Benvenuto Cellini, op. 23: Overture | — | ||
| 26-1 | Sylvia: Prélude et Les Chasseresses | — | ||
| 26-2 | Sylvia: Intermezzo et Valse lente | — | ||
| 26-3 | Sylvia: Pas des Éthiopiens | — | ||
| 26-4 | Sylvia: Chant bacchique | — | ||
| 26-5 | Sylvia: Pizzicati | — | ||
| 26-6 | Sylvia: Cortége de Bacchus | — | ||
| 26-7 | Coppélia: Prélude et Mazurka | — | ||
| 26-8 | Coppélia: Scène et Valse de Swanhilde | — | ||
| 26-9 | Coppélia: Csárdás | — | ||
| 26-10 | Coppélia: Scène et Valse de la poupée | — | ||
| 26-11 | Coppélia: Ballade | — | ||
| 26-12 | Coppélia: Thème slave varié - Variations 1-4 | — | ||
| 26-13 | Coppélia: Prélude et Mazurka | — | ||
| 27-1 | La mer, L. 109: I. De l'aube à midi sur la mer | — | ||
| 27-2 | La mer, L. 109: II. Jeux des vagues | — | ||
| 27-3 | La mer, L. 109: III. Diaglogue du vent et de la mer | — | ||
| 27-4 | Nocturnes, L. 91: I. Nuages | — | ||
| 27-5 | Nocturnes, L. 91: II. Fêtes | — | ||
| 27-6 | Nocturnes, L. 91: III. Sirènes | — | ||
| 27-7 | La mer, L. 109: I. De l'aube à midi sur la mer | — | ||
| 28-1 | La traviata: Preludio | — | ||
| 28-2 | La traviata: Act I. "Dell' invito trascorsa è già l'ora" | — | ||
| 28-3 | La traviata: Act I. "Libiamo ne' lieti calici" | — | ||
| 28-4 | La traviata: Act I. "Che è ciò?" | — | ||
| 28-5 | La traviata: Act I. "Un dì felice, eterea" | — | ||
| 28-6 | La traviata: Act I. "Ebben? Che diavol fate?" | — | ||
| 28-7 | La traviata: Act I. "Si ridesta in ciel l'aurora" | — | ||
| 28-8 | La traviata: Act I. "È strano!... È strano!..." | — | ||
| 28-9 | La traviata: Act I. "Ah, fors'è lui che l'anima" | — | ||
| 28-10 | La traviata: Act I. "Follie! Follie! Delirio vano è questo!" | — | ||
| 28-11 | La traviata: Act I. "Sempre libera degg'i" | — | ||
| 28-12 | La traviata: Act II. "Lunge da lei per me non v'ha diletto!" | — | ||
| 28-13 | La traviata: Act II. "De' miei bollenti spiriti" | — | ||
| 28-14 | La traviata: Act II. "Annina, donde vieni?" | — | ||
| 28-15 | La traviata: Act II. "Pura siccome un angelo" | — | ||
| 28-16 | La traviata: Act II. "Non sapete quale affetto" | — | ||
| 28-17 | La traviata: Act II. "Un dì, quando le veneri" | — | ||
| 28-18 | La traviata: Act II. "Dite alla giovine sì bella e pura" | — | ||
| 28-19 | La traviata: Act II. "Or imponete - Non amarlo ditegli" | — | ||
| 28-20 | La traviata: Act II. "Morrò! La mia memoria" | — | ||
| 28-21 | La traviata: Act II. "Dammi tu forza, o cielo!" | — | ||
| 28-22 | La traviata: Act II. "Che fai?... Nulla" | — | ||
| 28-23 | La traviata: Act II. "Ah, vive sol quel core all'amor mio!" | — | ||
| 28-24 | La traviata: Act II. "Di Provenza il mar, il suol" | — | ||
| 29-1 | La traviata: Act II. "Avrem lieta di maschere la notte" | — | ||
| 29-2 | La traviata: Act II. "Noi siamo zingarelle" | — | ||
| 29-3 | La traviata: Act II. "Di Madride noi siam mattadori" | — | ||
| 29-4 | La traviata: Act II. "Alfredo! Voi!" | — | ||
| 29-5 | La traviata: Act II. "Invitato a qui seguirmi" | — | ||
| 29-6 | La traviata: Act II. "Ogni suo aver tal femmina" | — | ||
| 29-7 | La traviata: Act II. "Di sprezzo degno se stesso rende" | — | ||
| 29-8 | La traviata: Act II. "Alfredo, Alfredo, di questo core" | — | ||
| 29-9 | La traviata: Act II. Preludio | — | ||
| 29-10 | La traviata: Act III. "Annina? Comandate?" | — | ||
| 29-11 | La traviata: Act III. "Teneste la promessa" | — | ||
| 29-12 | La traviata: Act III. "Addio, del passato bei sogni ridenti" | — | ||
| 29-13 | La traviata: Act III. "Largo al quadrupede" | — | ||
| 29-14 | La traviata: Act III. "Signora! Che t'accade?" | — | ||
| 29-15 | La traviata: Act III. "Parigi, o cara, noi lasceremo" | — | ||
| 29-16 | La traviata: Act III. "Ah, non più! A un tempio" | — | ||
| 29-17 | La traviata: Act III. "Gran Dio! morir sì giovane" | — | ||
| 29-18 | La traviata: Act III. "Ah, Violetta! Voi, Signor" | — | ||
| 29-19 | La traviata: Act III. "Prendi - quest'è l'immagine" | — | ||
| 29-20 | La traviata: Act III. "Se una pudica vergine" | — | ||
| 30-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | — | ||
| 30-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 30-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Presto - Allegro molto vivace | — | ||
| 30-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale - Adagio lamentoso | — | ||
| 31-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 31-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile | — | ||
| 31-3 | Symphony no. 5 in E minor, op. 64: III. Valse - Allegro moderato | — | ||
| 31-4 | Symphony no. 5 in E minor, op. 64: IV. Finale - Andante maestoso | — | ||
| 32-1 | Concerto for Violin and Orchestra in D minor: I. Allegro con fermezza | — | ||
| 32-2 | Concerto for Violin and Orchestra in D minor: II. Andante sostenuto | — | ||
| 32-3 | Concerto for Violin and Orchestra in D minor: III. Allegro vivace | — | ||
| 32-4 | Havanaise in E major, op. 83: Allegretto lusinghiero | — | ||
| 32-5 | Havanaise in E major, op. 83: Allegro | — | ||
| 32-6 | Havanaise in E major, op. 83: Allegro non troppo | — | ||
| 33-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | — | ||
| 33-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | — | ||
| 33-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso | — | ||
| 34-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | — | ||
| 34-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 34-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo - Pizzicati ostinato - Allegro | — | ||
| 34-4 | Symphony no. 4 in F minor, op. 36: IV. Finale - Allegro con fuoco | — | ||
| 35-1 | Pétrouchka: Scene I. The Shrove-Tide Fair. Vivace | Boston Symphony Orchestra, Pierre Monteux | — | |
| 35-2 | Pétrouchka: Scene I - The Shrovetide Fair: The Magic Trick | — | ||
| 35-3 | Pétrouchka: Scene I - The Shrovetide Fair: Russian Dance. | — | ||
| 35-4 | Pétrouchka: Scene II - Pétrouchka's Room | — | ||
| 35-5 | Pétrouchka: Scene III - The Moor's Room: Feroce stringendo | — | ||
| 35-6 | Pétrouchka: Scene III - The Moor's Room: Danfe of the Ballerina | — | ||
| 35-7 | Pétrouchka: Scene III - The Moor's Room: Waltz - The Ballerina and the Moor | — | ||
| 35-8 | Pétrouchka: Scene III - The Moor's Room: Con moto | — | ||
| 35-9 | Pétrouchka: Scene IV - The Shrovetide Fair: The Wet Nurses' Dance | — | ||
| 35-10 | Pétrouchka: Scene IV - The Shrovetide Fair: The Peasant and the Bear | — | ||
| 35-11 | Pétrouchka: Scene IV - The Shrovetide Fair: The Joviel Merchant with Two Gypsy Girls | — | ||
| 35-12 | Pétrouchka: Scene IV - The Shrovetide Fair: Dance of the Coachmen and the Grooms | — | ||
| 35-13 | Pétrouchka: Scene IV - The Shrovetide Fair: The Masqueraders | — | ||
| 35-14 | Pétrouchka: Scene IV - The Shrovetide Fair: The Fight - The Moor and Pétrouchka | — | ||
| 35-15 | Pétrouchka: Scene IV - The Shrovetide Fair: Death of Pétrouchka | — | ||
| 35-16 | Pétrouchka: Scene IV - The Shrovetide Fair: Pétrouchka's Ghost | — | ||
| 36-1 | Orfeo ed Euridice: Act I. Overture | — | ||
| 36-2 | Orfeo ed Euridice: Act I. "Ah! Se intorno a quest'urna funesta" | — | ||
| 36-3 | Orfeo ed Euridice: Act I. "Amici, quel lamento" | — | ||
| 36-4 | Orfeo ed Euridice: Act I. Pantomime | — | ||
| 36-5 | Orfeo ed Euridice: Act I. "Ah! Se intorno a quest'urna funesta" | — | ||
| 36-6 | Orfeo ed Euridice: Act I. "Restar vogl'io da sol fra l'ombre oscure" | — | ||
| 36-7 | Orfeo ed Euridice: Act I. "Chiamo il mio ben cosi" | — | ||
| 36-8 | Orfeo ed Euridice: Act I. "Euridice, Euridice!" | — | ||
| 36-9 | Orfeo ed Euridice: Act I. "Cerco il mio ben così" | — | ||
| 36-10 | Orfeo ed Euridice: Act I. "Euridice, Euridice!" | — | ||
| 36-11 | Orfeo ed Euridice: Act I. "Piango il mio ben così" | — | ||
| 36-12 | Orfeo ed Euridice: Act I. "O Numi, barbari Numi" | — | ||
| 36-13 | Orfeo ed Euridice: Act I. "Amore assiterà l'infelice consorte" | — | ||
| 36-14 | Orfeo ed Euridice: Act I. "Se il dolce suon de la tua lira" | — | ||
| 36-15 | Orfeo ed Euridice: Act I. "Ciel! Rivederla potrò" | — | ||
| 36-16 | Orfeo ed Euridice: Act I. "Gli squardi trattieni" | — | ||
| 36-17 | Orfeo ed Euridice: Act I. "Che disse! Che ascoltai! Dunque Euridice vivrà" | — | ||
| 36-18 | Orfeo ed Euridice: Act II. Orchestral Introduction. | — | ||
| 36-19 | Orfeo ed Euridice: Act II. "Chi mai dell'Erebo" | — | ||
| 36-20 | Orfeo ed Euridice: Act II. Dance of the Fury | — | ||
| 36-21 | Orfeo ed Euridice: Act II. "Chi mai dell'Erebo" | — | ||
| 36-22 | Orfeo ed Euridice: Act II. "Deh! Placatevi con me" | — | ||
| 36-23 | Orfeo ed Euridice: Act II. "Misero giovane" | — | ||
| 36-24 | Orfeo ed Euridice: Act II. "Mille pene, ombre sdegnose" | — | ||
| 36-25 | Orfeo ed Euridice: Act II. "Ah! Quele incognito" | — | ||
| 36-26 | Orfeo ed Euridice: Act II. "Men tiranne, ah! Voi sareste" | — | ||
| 36-27 | Orfeo ed Euridice: Act II. "Ah! Quale icognito" | — | ||
| 36-28 | Orfeo ed Euridice: Act II. Dance of the Furies | — | ||
| 36-29 | Orfeo ed Euridice: Act II. Dance of the Blessed Spirits | — | ||
| 36-30 | Orfeo ed Euridice: Act II. Air | — | ||
| 36-31 | Orfeo ed Euridice: Act II. "Questo asilo di placide calme" | — | ||
| 36-32 | Orfeo ed Euridice: Act II. "Che puro ciel! Che chiaro sol!" | — | ||
| 36-33 | Orfeo ed Euridice: Act II. "Vieni a' regni del riposo" | — | ||
| 36-34 | Orfeo ed Euridice: Act II. Dance of the Heroes | — | ||
| 36-35 | Orfeo ed Euridice: Act II. "O voi, ombre felici" | — | ||
| 36-36 | Orfeo ed Euridice: Act II. "Torna, obella, al tuo consorte" | — | ||
| 37-1 | Orfeo ed Euridice: Act III. "Ah vieni, Euridice, dietro me" | — | ||
| 37-2 | Orfeo ed Euridice: Act III. "Vieni, appaga il tuo consorte" | — | ||
| 37-3 | Orfeo ed Euridice: Act III. "Qual vita è questa mai" | — | ||
| 37-4 | Orfeo ed Euridice: Act III. "Che fiero momento!" | — | ||
| 37-5 | Orfeo ed Euridice: Act III. "Avvezza al contento" | — | ||
| 37-6 | Orfeo ed Euridice: Act III. "Che fiero momento!" | — | ||
| 37-7 | Orfeo ed Euridice: Act III. "Ecco novel tormento!" | — | ||
| 37-8 | Orfeo ed Euridice: Act III. "Che farò senza Euridice?" | — | ||
| 37-9 | Orfeo ed Euridice: Act III. "Ma finisca, e per sempre" | — | ||
| 37-10 | Orfeo ed Euridice: Act III. "Non più! Che fai?" | — | ||
| 37-11 | Orfeo ed Euridice: Act III. "Divo amore, son tue pene" | — | ||
| 37-12 | Ordeo ed Euridice: Ballet. Gracieux | — | ||
| 37-13 | Ordeo ed Euridice: Ballet. Gavotte | — | ||
| 37-14 | Ordeo ed Euridice: Ballet. Air vif | — | ||
| 37-15 | Ordeo ed Euridice: Ballet. Menuet | — | ||
| 37-16 | Ordeo ed Euridice: Ballet. Maestoso | — | ||
| 37-17 | Ordeo ed Euridice: Ballet. Très lentement | — | ||
| 37-18 | Ordeo ed Euridice: Ballet. Chaconne | — | ||
| 37-19 | Ordeo ed Euridice: Ballet. Trionfi amore | — | ||
| 38-1 | Tod und Verklärung, op. 24: I. Largo | — | ||
| 38-2 | Tod und Verklärung, op. 24: II. Allegro molto agitato | — | ||
| 38-3 | Tod und Verklärung, op. 24: III. Meno mosso | — | ||
| 38-4 | Tod und Verklärung, op. 24: IV. Moderato | — | ||
| 38-5 | Siegfried Idyll | — | ||
| 39-1 | Symphony in D minor: I. Lento - Allegro ma non troppo | — | ||
| 39-2 | Symphony in D minor: II. Allegretto | — | ||
| 39-3 | Symphony in D minor: III. Finale - Allegro non troppo | — | ||
| 40-1 | Pierre Monteux: The 80th Birthday Interview | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
888430734821 is a Universal Product Code (UPC) assigned to The Complete RCA Album Collection by Pierre Monteux. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 384 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
888430734821 is the Universal Product Code (UPC barcode) for the release “The Complete RCA Album Collection” by Pierre Monteux, released 2014-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 384 tracks, each with its own ISRC. Tracks include USBC14100187, USSM11402069, USBC10402922.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La Valse | San Francisco Symphony, Pierre Monteux | T-305.194.234-4 | |
| 2 | Le coq d'or: Cortège des noces | San Francisco Symphony, Pierre Monteux | — | |
| 3 | Symphonie sur un chant montagnard français, op. 25 "Symphonie cévenole": I. Assez lent - Modérément animé | Maxim Shapiro, San Francisco Symphony, Pierre Monteux | — | |
| 4 | Symphonie sur un chant montagnard français, op. 25 "Symphonie cévenole": II. Assez modéré, mais sans lenteur | Maxim Shapiro, San Francisco Symphony, Pierre Monteux | — | |
| 5 | Symphonie sur un chant montagnard français, op. 25 "Symphonie cévenole": III. Animé | Maxim Shapiro, San Francisco Symphony, Pierre Monteux | — | |
| 6 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | San Francisco Symphony, Pierre Monteux | — | |
| 7 | Symphony in D minor, FWV 48: II. Allegretto | San Francisco Symphony, Pierre Monteux | — | |
| 8 | Symphony in D minor, FWV 48: III. Allegro non troppo | San Francisco Symphony, Pierre Monteux | — | |
| 2-1 | Pièce héroïque in B minor | San Francisco Symphony, Pierre Monteux | — | |
| 2-2 | Images pour orchestre, L. 122: No. 1. Gigues | San Francisco Symphony, Pierre Monteux | — | |
| 2-3 | Images pour orchestre, L. 122: No. 3. Rondes de printemps | San Francisco Symphony, Pierre Monteux | — | |
| 2-4 | Symphony no. 2 in B-flat major, op. 57: I. Extrêmement lent - Très vif | San Francisco Symphony, Pierre Monteux | — | |
| 2-5 | Symphony no. 2 in B-flat major, op. 57: II. Modérément lent | San Francisco Symphony, Pierre Monteux | — | |
| 2-6 | Symphony no. 2 in B-flat major, op. 57: III. Modéré - Très animé | San Francisco Symphony, Pierre Monteux | — | |
| 2-7 | Symphony no. 2 in B-flat major, op. 57: IV. Lent - Modéré et solennel - Assez vif | San Francisco Symphony, Pierre Monteux | — | |
| 2-8 | The Tale of Tsar Saltan: March | San Francisco Symphony, Pierre Monteux | — | |
| 2-9 | Le Roi d'Ys: Overture | Boris Blinder, San Francisco Symphony, Pierre Monteux | — | |
| 3-1 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-2 | Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-3 | Symphonie espagnole in D minor, op. 21: III. Intermezzo. Allegretto non troppo | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-4 | Symphonie espagnole in D minor, op. 21: IV. Andante | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-5 | Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-6 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-7 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: II. Adagio | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 3-8 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: III. Finale. Allegro energico – Presto | Yehudi Menuhin, San Francisco Symphony, Pierre Monteux | — | |
| 4-1 | Benvenuto Cellini, op. 23: Grande Ouverture | San Francisco Symphony, Pierre Monteux | — | |
| 4-2 | Les Troyens à Carthage: Prélude | San Francisco Symphony, Pierre Monteux | — | |
| 4-3 | Istar - Symphonic Variations, op. 42: I. Très lent | San Francisco Symphony, Pierre Monteux | — | |
| 4-4 | Istar - Symphonic Variations, op. 42: II. Un peu plus animé | San Francisco Symphony, Pierre Monteux | — | |
| 4-5 | Istar - Symphonic Variations, op. 42: III. Très animé | San Francisco Symphony, Pierre Monteux | — | |
| 4-6 | Istar - Symphonic Variations, op. 42: IV. Le double plus vite - Très lent | San Francisco Symphony, Pierre Monteux | — | |
| 4-7 | Symphony fantastique: I. Reveries; Passions | San Francisco Symphony, Pierre Monteux | — | |
| 4-8 | Symphony fantastique: II. A Ball | San Francisco Symphony, Pierre Monteux | — | |
| 4-9 | Symphony fantastique: III. Scene in the Country | San Francisco Symphony, Pierre Monteux | — | |
| 4-10 | Symphony fantastique: IV. March to the Scaffold | San Francisco Symphony, Pierre Monteux | — | |
| 4-11 | Symphony fantastique: V. Dream of a Witches' Sabbath | San Francisco Symphony, Pierre Monteux | — | |
| 5-1 | Fervaal, op. 40: Introduction du 1er Acte | San Francisco Symphony, Pierre Monteux | — | |
| 5-2 | Sadko, op. 5: Sadko on the Calm Sea | San Francisco Symphony, Pierre Monteux | — | |
| 5-3 | Sadko, op. 5: The Creatures of the Sea-King's Submarine Court | San Francisco Symphony, Pierre Monteux | — | |
| 5-4 | Sadko, op. 5: Sadko Sings Accompanied by His Gusli | San Francisco Symphony, Pierre Monteux | — | |
| 5-5 | Sadko, op. 5: Dance of the Sea Creatures to Sadko's Music | San Francisco Symphony, Pierre Monteux | — | |
| 5-6 | Sadko, op. 5: Sadko's Rescue and Return to His Home by St. Nicholas | San Francisco Symphony, Pierre Monteux | — | |
| 5-7 | Alto Rhapsody, op. 53 | Marian Anderson, San Francisco Symphony Chorus, San Francisco Symphony, Pierre Monteux | — | |
| 5-8 | The Rite of Spring: The Adoration of the Earth, Pt. 1: I. Introduction | San Francisco Symphony, Pierre Monteux | — | |
| 5-9 | The Rite of Spring: The Adoration of the Earth, Pt. 1: II. The Auguries of Spring - Dances of the Young Girls | San Francisco Symphony, Pierre Monteux | — | |
| 5-10 | The Rite of Spring: The Adoration of the Earth, Pt. 1: III. Game of Abduction | San Francisco Symphony, Pierre Monteux | — | |
| 5-11 | The Rite of Spring: The Adoration of the Earth, Pt. 1: IV. Spring Rounds | San Francisco Symphony, Pierre Monteux | — | |
| 5-12 | The Rite of Spring: The Adoration of the Earth, Pt. 1: V. Games of the Rival Tribes | San Francisco Symphony, Pierre Monteux | — | |
| 5-13 | The Rite of Spring: The Adoration of the Earth, Pt. 1: VI. Procession of the Sage | San Francisco Symphony, Pierre Monteux | — | |
| 5-14 | The Rite of Spring: The Adoration of the Earth, Pt. 1: VII. Adoration of the Earth - The Sage | San Francisco Symphony, Pierre Monteux | — | |
| 5-15 | The Rite of Spring: The Adoration of the Earth, Pt. 1: VIII. Dance of the Earth | San Francisco Symphony, Pierre Monteux | — | |
| 5-16 | The Rite of Spring: The Sacrifice, Pt. 2: I. Introduction | San Francisco Symphony, Pierre Monteux | — | |
| 5-17 | The Rite of Spring: The Sacrifice, Pt. 2: II. Mystic Circle of the Young Girls | San Francisco Symphony, Pierre Monteux | — | |
| 5-18 | The Rite of Spring: The Sacrifice, Pt. 2: III. Glorification of the Chosen One | San Francisco Symphony, Pierre Monteux | — | |
| 5-19 | The Rite of Spring: The Sacrifice, Pt. 2: IV. Evocation of the Ancestors | San Francisco Symphony, Pierre Monteux | — | |
| 5-20 | The Rite of Spring: The Sacrifice, Pt. 2: V. Ritual Action of the Ancestors | San Francisco Symphony, Pierre Monteux | — | |
| 5-21 | The Rite of Spring: The Sacrifice, Pt. 2: VI. Sacrificial Dance (The Chosen One) | San Francisco Symphony, Pierre Monteux | — | |
| 6-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | San Francisco Symphony, Pierre Monteux | — | |
| 6-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | San Francisco Symphony, Pierre Monteux | — | |
| 6-3 | Symphony no. 2 in D major, op. 73: III. Allegro grazioso (quasi andantino) | San Francisco Symphony, Pierre Monteux | — | |
| 6-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | San Francisco Symphony, Pierre Monteux | T-327.681.352-2 | |
| 6-5 | Le Coq d'or: Introduction et Cortège de noces | San Francisco Symphony, Pierre Monteux | — | |
| 7-1 | Suite symphonique, no. 2, op. 57 "Protée": I. Ouverture - Modéré | San Francisco Symphony, Pierre Monteux | — | |
| 7-2 | Suite symphonique, no. 2, op. 57 "Protée": II. Prélude et fugue - Très animé | San Francisco Symphony, Pierre Monteux | — | |
| 7-3 | Suite symphonique, no. 2, op. 57 "Protée": III. Pastorale - Souple et animé | San Francisco Symphony, Pierre Monteux | — | |
| 7-4 | Suite symphonique, no. 2, op. 57 "Protée": IV. Nocturne - Souple et modéré | San Francisco Symphony, Pierre Monteux | — | |
| 7-5 | Suite symphonique, no. 2, op. 57 "Protée": V. Final - Vif | San Francisco Symphony, Pierre Monteux | — | |
| 7-6 | Poème, op. 25 | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 7-7 | Violin Concerto, op. 47: I. Moderately | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 7-8 | Violin Concerto, op. 47: II. With simplicity and warmth | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 7-9 | Violin Concerto, op. 47: III. Lively and with good humor | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 8-1 | Escales: I. Rome - Palermo - Calme | San Francisco Symphony, Pierre Monteux | — | |
| 8-2 | Escales: II. Tunis - Nefta - Modéré, très rythmé | San Francisco Symphony, Pierre Monteux | — | |
| 8-3 | Escales: III. Valencia - Animé | San Francisco Symphony, Pierre Monteux | — | |
| 8-4 | Symphony no. 2, op. 9 "Antar": I. Largo | San Francisco Symphony, Pierre Monteux | — | |
| 8-5 | Symphony no. 2, op. 9 "Antar": II. Allegro | San Francisco Symphony, Pierre Monteux | — | |
| 8-6 | Symphony no. 2, op. 9 "Antar": III. Allegro risoluto alla Marcia | San Francisco Symphony, Pierre Monteux | — | |
| 8-7 | Symphony no. 2, op. 9 "Antar": IV. Allegretto vivace - Adagio | San Francisco Symphony, Pierre Monteux | — | |
| 8-8 | Valses nobles et sentimentales: I. Modéré - très franc | San Francisco Symphony, Pierre Monteux | — | |
| 8-9 | Valses nobles et sentimentales: II. Assez lent | San Francisco Symphony, Pierre Monteux | — | |
| 8-10 | Valses nobles et sentimentales: III. Modéré | San Francisco Symphony, Pierre Monteux | — | |
| 8-11 | Valses nobles et sentimentales: IV. Assez animé | San Francisco Symphony, Pierre Monteux | — | |
| 8-12 | Valses nobles et sentimentales: V. Presque lent | San Francisco Symphony, Pierre Monteux | — | |
| 8-13 | Valses nobles et sentimentales: VI. Assez vif | San Francisco Symphony, Pierre Monteux | — | |
| 8-14 | Valses nobles et sentimentales: VII. Moins vif | San Francisco Symphony, Pierre Monteux | — | |
| 8-15 | Valses nobles et sentimentales: VIII. Épilogue - Lent | San Francisco Symphony, Pierre Monteux | — | |
| 8-16 | Daphnis et Chloé - Suite No. 1: Nocturne | San Francisco Symphony, Pierre Monteux | — | |
| 8-17 | Daphnis et Chloé - Suite No. 1: Interlude | San Francisco Symphony, Pierre Monteux | — | |
| 8-18 | Daphnis et Chloé - Suite No. 1: Danse guerrière | San Francisco Symphony, Pierre Monteux | — | |
| 8-19 | Pour le Piano, L. 95: II. Sarabande | San Francisco Symphony, Pierre Monteux | — | |
| 9-1 | Ein Heldenleben, op. 40: Der Held | San Francisco Symphony, Pierre Monteux | — | |
| 9-2 | Ein Heldenleben, op. 40: Des Helden Widersacher | San Francisco Symphony, Pierre Monteux | — | |
| 9-3 | Ein Heldenleben, op. 40: Des Helden Gefährtin | San Francisco Symphony, Pierre Monteux | — | |
| 9-4 | Ein Heldenleben, op. 40: Des Helden Walstatt | San Francisco Symphony, Pierre Monteux | — | |
| 9-5 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | San Francisco Symphony, Pierre Monteux | — | |
| 9-6 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | San Francisco Symphony, Pierre Monteux | — | |
| 9-7 | Le Roi malgré lui: Fête polonaise | San Francisco Symphony, Pierre Monteux | — | |
| 10-1 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": I. Andante - Languido | — | ||
| 10-2 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": II. Allegro volando | — | ||
| 10-3 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": III. Lento | — | ||
| 10-4 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": IV. Allegro - Allegro dramatico | — | ||
| 10-5 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": V. Lento | — | ||
| 10-6 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": VI. Allegro volando | — | ||
| 10-7 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": VII. Lento | — | ||
| 10-8 | Symphony no. 4 in C major, op. 54 "Le Poème de l'extase": VIII. Allegro molto - Leggierissimo - Volando | — | ||
| 10-9 | Faust : Acte V. Ballet I. Allegretto - Tempo di valse | — | ||
| 10-10 | Faust : Acte V. Ballet II. Adagio | — | ||
| 10-11 | Faust : Acte V. Ballet III. Allegretto | — | ||
| 10-12 | Faust : Acte V. Ballet IV. Moderaro maestoso | — | ||
| 10-13 | Faust : Acte V. Ballet V. Moderato con moto | — | ||
| 10-14 | Faust : Acte V. Ballet VI. Allegretto | — | ||
| 10-15 | Faust : Acte V. Ballet VII. Allegro vivo | — | ||
| 10-16 | Ruy Blas, op. 95: Overture | — | ||
| 10-17 | Alborada del gracioso | — | ||
| 10-18 | Benvenuto Cellini, op. 23: Overture | — | ||
| 10-19 | La Damnation de Faust, op. 24: Rákóczy March | — | ||
| 11-1 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | — | ||
| 11-2 | Scheherazade, op. 35: II. The Story of the Kalender Prince | — | ||
| 11-3 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | — | ||
| 11-4 | Scheherazade, op. 35: IV. Festival at Baghdad | — | ||
| 12-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | — | ||
| 12-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 12-3 | Symphony no. 2 in D major, op. 36: III. Scherzo - Allegro | — | ||
| 12-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 13-1 | Symphony in D minor: I. Lento - Allegro non troppo | — | ||
| 13-2 | Symphony in D minor: II. Allegretto | — | ||
| 13-3 | Symphony in D minor: III. Allegro non troppo | — | ||
| 14-1 | Symphonie Fantastique, op. 14: I. Rêveries - Passions | — | ||
| 14-2 | Symphonie Fantastique, op. 14: II. Un bal | — | ||
| 14-3 | Symphonie Fantastique, op. 14: III. Scène aux champs | — | ||
| 14-4 | Symphonie Fantastique, op. 14: IV. Marche au supplice | — | ||
| 14-5 | Symphonie Fantastique, op. 14: V. Songe d'une nuit de sabbat | — | ||
| 15-1 | The Rite of Spring: Part I. Introduction | — | ||
| 15-2 | The Rite of Spring: Part I. Dances of the Young Girls | — | ||
| 15-3 | The Rite of Spring: Part I. Game of Abductio | — | ||
| 15-4 | The Rite of Spring: Part I. Spring Rounds | — | ||
| 15-5 | The Rite of Spring: Part I. Games of the Rival Tribes | — | ||
| 15-6 | The Rite of Spring: Part I. Procession of the Sage | — | ||
| 15-7 | The Rite of Spring: Part I. Adoration of the Earth - The Sage | — | ||
| 15-8 | The Rite of Spring: Part I. Dance of the Earth | — | ||
| 15-9 | The Rite of Spring: Part II. Introduction | — | ||
| 15-10 | The Rite of Spring: Part II. Mystic Circles of the Young Girls | — | ||
| 15-11 | The Rite of Spring: Part II. Glorification of the Chosen One | — | ||
| 15-12 | The Rite of Spring: Part II. Evocation of the Ancestors | — | ||
| 15-13 | The Rite of Spring: Part II. Ritual Action of the Ancestors | — | ||
| 15-14 | The Rite of Spring: Part II. Sacrificial Dance | — | ||
| 16-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 16-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 16-3 | Symphony no. 2 in D major, op. 73: III. Allegro grazioso | — | ||
| 16-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 17-1 | Symphony in B-flat major, op. 20: I. Lento - Allegro vivo - Allegro molto | — | ||
| 17-2 | Symphony in B-flat major, op. 20: II. Très lent - Un peu plus vite | — | ||
| 17-3 | Symphony in B-flat major, op. 20: III. Animé - Très animé | — | ||
| 18-1 | Alto Rhapsody, op. 53 | — | ||
| 18-2 | Kindertotenlieder: Nun will die Sonn' so hell aufgehn | — | ||
| 18-3 | Kindertotenlieder: Nun seh ich wohl, warum so dunkle Flammen | — | ||
| 18-4 | Kindertotenlieder: Wenn dein Mütterlein | — | ||
| 18-5 | Kindertotenlieder: Oft denk ich, sie sind nur ausgegangen | — | ||
| 18-6 | Kindertotenlieder: In diesem Wetter, in diesem Braus | — | ||
| 19-1 | Images pour orchestre, L. 122: I. Gigues | — | ||
| 19-2 | Images pour orchestre, L. 122: II. Ibéria: a) Par les rues et par les chemins | — | ||
| 19-3 | Images pour orchestre, L. 122: II. Ibéria: b) Les parfums de la nuit | — | ||
| 19-4 | Images pour orchestre, L. 122: II. Ibéria: c) Le matin d'un jour de fête | — | ||
| 19-5 | Images pour orchestre, L. 122: III. Rondes de printemps | — | ||
| 20-1 | Song of Destiny, op. 54: I. Langsam und sehnsuchtsvoll - "Ihr wandelt droben im Licht" | San Francisco Symphony, Pierre Monteux | — | |
| 20-2 | Song of Destiny, op. 54: II. Allegro - "Doch uns ist gegeben, auf keiner Stätte zu ruhn" | San Francisco Symphony, Pierre Monteux | — | |
| 20-3 | Song of Destiny, op. 54: III. Adagio | San Francisco Symphony, Pierre Monteux | — | |
| 20-4 | Passacaglia and Fugue in C Minor, BWV 582: Passacaglia | San Francisco Symphony, Pierre Monteux | T-917.732.203-1 | |
| 20-5 | Passacaglia and Fugue in C Minor, BWV 582: Fugue | San Francisco Symphony, Pierre Monteux | — | |
| 20-6 | Christmas Oratorio, BWV 248: Sinfonia | San Francisco Symphony, Pierre Monteux | — | |
| 20-7 | The Ruins of Athens, op. 113: Overture | San Francisco Symphony, Pierre Monteux | T-909.574.378-5 | |
| 21-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | San Francisco Symphony, Pierre Monteux | — | |
| 21-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | San Francisco Symphony, Pierre Monteux | T-001.444.317-4 | |
| 21-3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | San Francisco Symphony, Pierre Monteux | T-001.444.317-4 | |
| 21-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | San Francisco Symphony, Pierre Monteux | T-001.444.317-4 | |
| 21-5 | Symphony no. 4 in D dinor, op. 120: I. Ziemlich langsam - Lebhaft | San Francisco Symphony, Pierre Monteux | — | |
| 21-6 | Symphony no. 4 in D dinor, op. 120: II. Romanze - Ziemlich langsam | San Francisco Symphony, Pierre Monteux | — | |
| 21-7 | Symphony no. 4 in D dinor, op. 120: III. Scherzo - Lebhaft - Trio | San Francisco Symphony, Pierre Monteux | — | |
| 21-8 | Symphony no. 4 in D dinor, op. 120: IV. Langsam - Lebhaft | San Francisco Symphony, Pierre Monteux | — | |
| 22-1 | Symphony no. 4, op. 54 "Le Poème de l'extase": Andante languido | — | ||
| 22-2 | Symphony no. 4, op. 54 "Le Poème de l'extase": Allegro volando | — | ||
| 22-3 | Symphony no. 4, op. 54 "Le Poème de l'extase": Lento | — | ||
| 22-4 | Symphony no. 4, op. 54 "Le Poème de l'extase": Allegro - Allegro dramatico | — | ||
| 22-5 | Symphony no. 4, op. 54 "Le Poème de l'extase": Lento | — | ||
| 22-6 | Symphony no. 4, op. 54 "Le Poème de l'extase": Allegro volando | — | ||
| 22-7 | Symphony no. 4, op. 54 "Le Poème de l'extase": Lento | — | ||
| 22-8 | Symphony no. 4, op. 54 "Le Poème de l'extase": Allegro molto - Leggierissimo - Volando | — | ||
| 22-9 | Les préludes, S. 97: Andante - Andante maestoso | — | ||
| 22-10 | Les préludes, S. 97: L'istesso tempo | — | ||
| 22-11 | Les préludes, S. 97: L'istesso tempo | — | ||
| 22-12 | Les préludes, S. 97: Allegro ma non troppo - Allegro tempestuoso | — | ||
| 22-13 | Les préludes, S. 97: Allegretto pastorale - Allegro marziale | — | ||
| 22-14 | Les préludes, S. 97: Allegro marziale animato - Andante maestoso | — | ||
| 23-1 | Concerto for Piano and Orchestra no. 12 in A major, K. 414: I. Allegro | — | ||
| 23-2 | Concerto for Piano and Orchestra no. 12 in A major, K. 414: II. Andante | — | ||
| 23-3 | Concerto for Piano and Orchestra no. 12 in A major, K. 414: III. Rondeau - Allegretto | — | ||
| 23-4 | Concerto for Piano and Orchestra no. 18 in B-flat major, KV. 456: I. Allegro vivace | — | ||
| 23-5 | Concerto for Piano and Orchestra no. 18 in B-flat major, KV. 456: II. Andante un poco sostenuto | — | ||
| 23-6 | Concerto for Piano and Orchestra no. 18 in B-flat major, KV. 456: III. Allegro vivace | — | ||
| 24-1 | Poème de l'amour et de la mer, op. 19: La fleur des eaux | — | ||
| 24-2 | Poème de l'amour et de la mer, op. 19: Interlude | — | ||
| 24-3 | Poème de l'amour et de la mer, op. 19: La Mort de l'amour | — | ||
| 24-4 | Poème de l'amour et de la mer, op. 19: Le Temps des lilas | — | ||
| 24-5 | Roméo et Juliette, op. 17: Premiers transports que nul n'oublie! | — | ||
| 24-6 | Si mes vers avaient des ailes | — | ||
| 24-7 | Mandoline, L. 29 | — | ||
| 24-8 | Chanson triste no. 4, op. 2 | — | ||
| 24-9 | Séparation | — | ||
| 24-10 | Carmen | — | ||
| 24-11 | Banalités, FP 107: II. Hôtel | — | ||
| 24-12 | Banalités, FP 107: IV. Voyage à Paris | — | ||
| 24-13 | Les Chemins de l'amour | — | ||
| 25-1 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 25-2 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 25-3 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | — | ||
| 25-4 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 25-5 | Passacaglia and Fugue in C minor, BWV 582: Passacaglia | — | ||
| 25-6 | Passacaglia and Fugue in C minor, BWV 582: Fugue | — | ||
| 25-7 | Benvenuto Cellini, op. 23: Overture | — | ||
| 26-1 | Sylvia: Prélude et Les Chasseresses | — | ||
| 26-2 | Sylvia: Intermezzo et Valse lente | — | ||
| 26-3 | Sylvia: Pas des Éthiopiens | — | ||
| 26-4 | Sylvia: Chant bacchique | — | ||
| 26-5 | Sylvia: Pizzicati | — | ||
| 26-6 | Sylvia: Cortége de Bacchus | — | ||
| 26-7 | Coppélia: Prélude et Mazurka | — | ||
| 26-8 | Coppélia: Scène et Valse de Swanhilde | — | ||
| 26-9 | Coppélia: Csárdás | — | ||
| 26-10 | Coppélia: Scène et Valse de la poupée | — | ||
| 26-11 | Coppélia: Ballade | — | ||
| 26-12 | Coppélia: Thème slave varié - Variations 1-4 | — | ||
| 26-13 | Coppélia: Prélude et Mazurka | — | ||
| 27-1 | La mer, L. 109: I. De l'aube à midi sur la mer | — | ||
| 27-2 | La mer, L. 109: II. Jeux des vagues | — | ||
| 27-3 | La mer, L. 109: III. Diaglogue du vent et de la mer | — | ||
| 27-4 | Nocturnes, L. 91: I. Nuages | — | ||
| 27-5 | Nocturnes, L. 91: II. Fêtes | — | ||
| 27-6 | Nocturnes, L. 91: III. Sirènes | — | ||
| 27-7 | La mer, L. 109: I. De l'aube à midi sur la mer | — | ||
| 28-1 | La traviata: Preludio | — | ||
| 28-2 | La traviata: Act I. "Dell' invito trascorsa è già l'ora" | — | ||
| 28-3 | La traviata: Act I. "Libiamo ne' lieti calici" | — | ||
| 28-4 | La traviata: Act I. "Che è ciò?" | — | ||
| 28-5 | La traviata: Act I. "Un dì felice, eterea" | — | ||
| 28-6 | La traviata: Act I. "Ebben? Che diavol fate?" | — | ||
| 28-7 | La traviata: Act I. "Si ridesta in ciel l'aurora" | — | ||
| 28-8 | La traviata: Act I. "È strano!... È strano!..." | — | ||
| 28-9 | La traviata: Act I. "Ah, fors'è lui che l'anima" | — | ||
| 28-10 | La traviata: Act I. "Follie! Follie! Delirio vano è questo!" | — | ||
| 28-11 | La traviata: Act I. "Sempre libera degg'i" | — | ||
| 28-12 | La traviata: Act II. "Lunge da lei per me non v'ha diletto!" | — | ||
| 28-13 | La traviata: Act II. "De' miei bollenti spiriti" | — | ||
| 28-14 | La traviata: Act II. "Annina, donde vieni?" | — | ||
| 28-15 | La traviata: Act II. "Pura siccome un angelo" | — | ||
| 28-16 | La traviata: Act II. "Non sapete quale affetto" | — | ||
| 28-17 | La traviata: Act II. "Un dì, quando le veneri" | — | ||
| 28-18 | La traviata: Act II. "Dite alla giovine sì bella e pura" | — | ||
| 28-19 | La traviata: Act II. "Or imponete - Non amarlo ditegli" | — | ||
| 28-20 | La traviata: Act II. "Morrò! La mia memoria" | — | ||
| 28-21 | La traviata: Act II. "Dammi tu forza, o cielo!" | — | ||
| 28-22 | La traviata: Act II. "Che fai?... Nulla" | — | ||
| 28-23 | La traviata: Act II. "Ah, vive sol quel core all'amor mio!" | — | ||
| 28-24 | La traviata: Act II. "Di Provenza il mar, il suol" | — | ||
| 29-1 | La traviata: Act II. "Avrem lieta di maschere la notte" | — | ||
| 29-2 | La traviata: Act II. "Noi siamo zingarelle" | — | ||
| 29-3 | La traviata: Act II. "Di Madride noi siam mattadori" | — | ||
| 29-4 | La traviata: Act II. "Alfredo! Voi!" | — | ||
| 29-5 | La traviata: Act II. "Invitato a qui seguirmi" | — | ||
| 29-6 | La traviata: Act II. "Ogni suo aver tal femmina" | — | ||
| 29-7 | La traviata: Act II. "Di sprezzo degno se stesso rende" | — | ||
| 29-8 | La traviata: Act II. "Alfredo, Alfredo, di questo core" | — | ||
| 29-9 | La traviata: Act II. Preludio | — | ||
| 29-10 | La traviata: Act III. "Annina? Comandate?" | — | ||
| 29-11 | La traviata: Act III. "Teneste la promessa" | — | ||
| 29-12 | La traviata: Act III. "Addio, del passato bei sogni ridenti" | — | ||
| 29-13 | La traviata: Act III. "Largo al quadrupede" | — | ||
| 29-14 | La traviata: Act III. "Signora! Che t'accade?" | — | ||
| 29-15 | La traviata: Act III. "Parigi, o cara, noi lasceremo" | — | ||
| 29-16 | La traviata: Act III. "Ah, non più! A un tempio" | — | ||
| 29-17 | La traviata: Act III. "Gran Dio! morir sì giovane" | — | ||
| 29-18 | La traviata: Act III. "Ah, Violetta! Voi, Signor" | — | ||
| 29-19 | La traviata: Act III. "Prendi - quest'è l'immagine" | — | ||
| 29-20 | La traviata: Act III. "Se una pudica vergine" | — | ||
| 30-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | — | ||
| 30-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 30-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Presto - Allegro molto vivace | — | ||
| 30-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale - Adagio lamentoso | — | ||
| 31-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 31-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile | — | ||
| 31-3 | Symphony no. 5 in E minor, op. 64: III. Valse - Allegro moderato | — | ||
| 31-4 | Symphony no. 5 in E minor, op. 64: IV. Finale - Andante maestoso | — | ||
| 32-1 | Concerto for Violin and Orchestra in D minor: I. Allegro con fermezza | — | ||
| 32-2 | Concerto for Violin and Orchestra in D minor: II. Andante sostenuto | — | ||
| 32-3 | Concerto for Violin and Orchestra in D minor: III. Allegro vivace | — | ||
| 32-4 | Havanaise in E major, op. 83: Allegretto lusinghiero | — | ||
| 32-5 | Havanaise in E major, op. 83: Allegro | — | ||
| 32-6 | Havanaise in E major, op. 83: Allegro non troppo | — | ||
| 33-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | — | ||
| 33-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | — | ||
| 33-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso | — | ||
| 34-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | — | ||
| 34-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 34-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo - Pizzicati ostinato - Allegro | — | ||
| 34-4 | Symphony no. 4 in F minor, op. 36: IV. Finale - Allegro con fuoco | — | ||
| 35-1 | Pétrouchka: Scene I. The Shrove-Tide Fair. Vivace | Boston Symphony Orchestra, Pierre Monteux | — | |
| 35-2 | Pétrouchka: Scene I - The Shrovetide Fair: The Magic Trick | — | ||
| 35-3 | Pétrouchka: Scene I - The Shrovetide Fair: Russian Dance. | — | ||
| 35-4 | Pétrouchka: Scene II - Pétrouchka's Room | — | ||
| 35-5 | Pétrouchka: Scene III - The Moor's Room: Feroce stringendo | — | ||
| 35-6 | Pétrouchka: Scene III - The Moor's Room: Danfe of the Ballerina | — | ||
| 35-7 | Pétrouchka: Scene III - The Moor's Room: Waltz - The Ballerina and the Moor | — | ||
| 35-8 | Pétrouchka: Scene III - The Moor's Room: Con moto | — | ||
| 35-9 | Pétrouchka: Scene IV - The Shrovetide Fair: The Wet Nurses' Dance | — | ||
| 35-10 | Pétrouchka: Scene IV - The Shrovetide Fair: The Peasant and the Bear | — | ||
| 35-11 | Pétrouchka: Scene IV - The Shrovetide Fair: The Joviel Merchant with Two Gypsy Girls | — | ||
| 35-12 | Pétrouchka: Scene IV - The Shrovetide Fair: Dance of the Coachmen and the Grooms | — | ||
| 35-13 | Pétrouchka: Scene IV - The Shrovetide Fair: The Masqueraders | — | ||
| 35-14 | Pétrouchka: Scene IV - The Shrovetide Fair: The Fight - The Moor and Pétrouchka | — | ||
| 35-15 | Pétrouchka: Scene IV - The Shrovetide Fair: Death of Pétrouchka | — | ||
| 35-16 | Pétrouchka: Scene IV - The Shrovetide Fair: Pétrouchka's Ghost | — | ||
| 36-1 | Orfeo ed Euridice: Act I. Overture | — | ||
| 36-2 | Orfeo ed Euridice: Act I. "Ah! Se intorno a quest'urna funesta" | — | ||
| 36-3 | Orfeo ed Euridice: Act I. "Amici, quel lamento" | — | ||
| 36-4 | Orfeo ed Euridice: Act I. Pantomime | — | ||
| 36-5 | Orfeo ed Euridice: Act I. "Ah! Se intorno a quest'urna funesta" | — | ||
| 36-6 | Orfeo ed Euridice: Act I. "Restar vogl'io da sol fra l'ombre oscure" | — | ||
| 36-7 | Orfeo ed Euridice: Act I. "Chiamo il mio ben cosi" | — | ||
| 36-8 | Orfeo ed Euridice: Act I. "Euridice, Euridice!" | — | ||
| 36-9 | Orfeo ed Euridice: Act I. "Cerco il mio ben così" | — | ||
| 36-10 | Orfeo ed Euridice: Act I. "Euridice, Euridice!" | — | ||
| 36-11 | Orfeo ed Euridice: Act I. "Piango il mio ben così" | — | ||
| 36-12 | Orfeo ed Euridice: Act I. "O Numi, barbari Numi" | — | ||
| 36-13 | Orfeo ed Euridice: Act I. "Amore assiterà l'infelice consorte" | — | ||
| 36-14 | Orfeo ed Euridice: Act I. "Se il dolce suon de la tua lira" | — | ||
| 36-15 | Orfeo ed Euridice: Act I. "Ciel! Rivederla potrò" | — | ||
| 36-16 | Orfeo ed Euridice: Act I. "Gli squardi trattieni" | — | ||
| 36-17 | Orfeo ed Euridice: Act I. "Che disse! Che ascoltai! Dunque Euridice vivrà" | — | ||
| 36-18 | Orfeo ed Euridice: Act II. Orchestral Introduction. | — | ||
| 36-19 | Orfeo ed Euridice: Act II. "Chi mai dell'Erebo" | — | ||
| 36-20 | Orfeo ed Euridice: Act II. Dance of the Fury | — | ||
| 36-21 | Orfeo ed Euridice: Act II. "Chi mai dell'Erebo" | — | ||
| 36-22 | Orfeo ed Euridice: Act II. "Deh! Placatevi con me" | — | ||
| 36-23 | Orfeo ed Euridice: Act II. "Misero giovane" | — | ||
| 36-24 | Orfeo ed Euridice: Act II. "Mille pene, ombre sdegnose" | — | ||
| 36-25 | Orfeo ed Euridice: Act II. "Ah! Quele incognito" | — | ||
| 36-26 | Orfeo ed Euridice: Act II. "Men tiranne, ah! Voi sareste" | — | ||
| 36-27 | Orfeo ed Euridice: Act II. "Ah! Quale icognito" | — | ||
| 36-28 | Orfeo ed Euridice: Act II. Dance of the Furies | — | ||
| 36-29 | Orfeo ed Euridice: Act II. Dance of the Blessed Spirits | — | ||
| 36-30 | Orfeo ed Euridice: Act II. Air | — | ||
| 36-31 | Orfeo ed Euridice: Act II. "Questo asilo di placide calme" | — | ||
| 36-32 | Orfeo ed Euridice: Act II. "Che puro ciel! Che chiaro sol!" | — | ||
| 36-33 | Orfeo ed Euridice: Act II. "Vieni a' regni del riposo" | — | ||
| 36-34 | Orfeo ed Euridice: Act II. Dance of the Heroes | — | ||
| 36-35 | Orfeo ed Euridice: Act II. "O voi, ombre felici" | — | ||
| 36-36 | Orfeo ed Euridice: Act II. "Torna, obella, al tuo consorte" | — | ||
| 37-1 | Orfeo ed Euridice: Act III. "Ah vieni, Euridice, dietro me" | — | ||
| 37-2 | Orfeo ed Euridice: Act III. "Vieni, appaga il tuo consorte" | — | ||
| 37-3 | Orfeo ed Euridice: Act III. "Qual vita è questa mai" | — | ||
| 37-4 | Orfeo ed Euridice: Act III. "Che fiero momento!" | — | ||
| 37-5 | Orfeo ed Euridice: Act III. "Avvezza al contento" | — | ||
| 37-6 | Orfeo ed Euridice: Act III. "Che fiero momento!" | — | ||
| 37-7 | Orfeo ed Euridice: Act III. "Ecco novel tormento!" | — | ||
| 37-8 | Orfeo ed Euridice: Act III. "Che farò senza Euridice?" | — | ||
| 37-9 | Orfeo ed Euridice: Act III. "Ma finisca, e per sempre" | — | ||
| 37-10 | Orfeo ed Euridice: Act III. "Non più! Che fai?" | — | ||
| 37-11 | Orfeo ed Euridice: Act III. "Divo amore, son tue pene" | — | ||
| 37-12 | Ordeo ed Euridice: Ballet. Gracieux | — | ||
| 37-13 | Ordeo ed Euridice: Ballet. Gavotte | — | ||
| 37-14 | Ordeo ed Euridice: Ballet. Air vif | — | ||
| 37-15 | Ordeo ed Euridice: Ballet. Menuet | — | ||
| 37-16 | Ordeo ed Euridice: Ballet. Maestoso | — | ||
| 37-17 | Ordeo ed Euridice: Ballet. Très lentement | — | ||
| 37-18 | Ordeo ed Euridice: Ballet. Chaconne | — | ||
| 37-19 | Ordeo ed Euridice: Ballet. Trionfi amore | — | ||
| 38-1 | Tod und Verklärung, op. 24: I. Largo | — | ||
| 38-2 | Tod und Verklärung, op. 24: II. Allegro molto agitato | — | ||
| 38-3 | Tod und Verklärung, op. 24: III. Meno mosso | — | ||
| 38-4 | Tod und Verklärung, op. 24: IV. Moderato | — | ||
| 38-5 | Siegfried Idyll | — | ||
| 39-1 | Symphony in D minor: I. Lento - Allegro ma non troppo | — | ||
| 39-2 | Symphony in D minor: II. Allegretto | — | ||
| 39-3 | Symphony in D minor: III. Finale - Allegro non troppo | — | ||
| 40-1 | Pierre Monteux: The 80th Birthday Interview | — |
