UPC · Release
Various Artists
Last verified:
The UPC for “Piano: Great Recordings” by Various Artists is 888430917521. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Sony Classical. This release contains 435 tracks, each with its own ISRC. Tracks include USBC14000125, USBC10000697, HKI190018801.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prélude, op. 23, no. 10 in G-flat major | — | ||
| 2 | Prélude, op. 32, no. 3 in E major | — | ||
| 3 | Prélude, op. 32, no. 6 in F minor | — | ||
| 4 | Prélude, op. 32, no. 7 in F major | — | ||
| 5 | Étude-tableau, op. 33, no. 2 in C major | — | ||
| 6 | Étude-tableau, op. 33, no. 7 in E-flat major | — | ||
| 7 | Daisies, op. 38, no. 3 | — | ||
| 8 | Étude-tableau, op. 39, no. 6 in A minor | — | ||
| 9 | Oriental Sketch | — | ||
| 10 | Mélodie, op. 3, no. 3 in E major | — | ||
| 11 | Serenade, op. 3, no. 5 in B-flat minor | — | ||
| 12 | Morceaux de salon, for piano, op. 10: no. 5, Humoresque in G major | Сергей Васильевич Рахманинов | — | |
| 13 | Lilacs, op. 21, no. 5 | — | ||
| 14 | Moment musicaux, op. 16, no. 2 in E-flat minor | — | ||
| 15 | Polka W.R., for piano in A-flat major, TN ii/18 | Sergei Rachmaninoff | — | |
| 16 | Prélude, op. 3, no. 2 in C-sharp minor | — | ||
| 17 | Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 1, Prelude | Sergei Rachmaninoff | — | |
| 18 | Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 2, Gavotte en Rondeau | Sergei Rachmaninoff | T-902.821.642-4 | |
| 19 | Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 3, Gigue | Sergei Rachmaninoff | T-900.766.423-5 | |
| 20 | A Midsummer Night's Dream, incidental music, Op. 61 Scherzo | Sergei Rachmaninoff | T-900.113.227-0 | |
| 21 | Kreisler’s ’Liebesfreud’ for piano, TNiii/5 | Sergei Rachmaninoff | — | |
| 22 | Die schöne Müllerin, D. 795: Wohin? | — | ||
| 23 | The Fair at Sorochintsy: Hopak | — | ||
| 24 | Tchaikovsky’s ’Lullaby for piano, op. 16/1,’ TN iii/14 | Sergei Rachmaninoff | — | |
| 25 | Flight of the Bumblebee | Sergei Rachmaninoff | T-900.766.425-7 | |
| 2-1 | Contrasts: I. Verbunkos | — | ||
| 2-2 | Contrasts: II. Pihenö (Relaxation) | Benny Goodman, Joseph Szigeti, Béla Bartók | — | |
| 2-3 | Contrasts: III. Sebes | — | ||
| 2-4 | Mikrokosmos: No. 113. Bulgarian Rhythm | — | ||
| 2-5 | Mikrokosmos: No. 129. Alternating Thirds | — | ||
| 2-6 | Mikrokosmos: No. 131. Fourths | — | ||
| 2-7 | Mikrokosmos: No. 128. Peasant Dance | — | ||
| 2-8 | Mikrokosmos: No. 120. Fifth Chords | — | ||
| 2-9 | Mikrokosmos: No. 109. From the Island of Bali | — | ||
| 2-10 | Mikrokosmos: No. 138. Bagpipe | — | ||
| 2-11 | Mikrokosmos: No. 100. In the Style of a Folk Song | — | ||
| 2-12 | Mikrokosmos: No. 142. From the Diary of a Fly | — | ||
| 2-13 | Mikrokosmos: No. 140. Free Variations | — | ||
| 2-14 | Mikrokosmos: No. 133. Syncopation | — | ||
| 2-15 | Mikrokosmos: No. 149. Dance in Bulgarian Rhythm No. 2 | — | ||
| 2-16 | Mikrokosmos: No. 148. Dance in Bulgarian Rhythm No. 1 | — | ||
| 2-17 | Mikrokosmos: No. 108. Wrestling | — | ||
| 2-18 | Mikrokosmos: No. 150. Dance in Bulgarian Rhythm No. 3 | — | ||
| 2-19 | Mikrokosmos: No. 151. Dance in Bulgarian Rhythm No. 4 | — | ||
| 2-20 | Mikrokosmos: No. 94. Tale | — | ||
| 2-21 | Mikrokosmos: No. 152. Dance in Bulgarian Rhythm No. 5 | — | ||
| 2-22 | Mikrokosmos: No. 153. Dance in Bulgarian Rhythm No. 6 | — | ||
| 2-23 | Mikrokosmos: No. 126. Change of Time | — | ||
| 2-24 | Mikrokosmos: No. 116. Melody | — | ||
| 2-25 | Mikrokosmos: No. 130. Village Joke | — | ||
| 2-26 | Mikrokosmos: No. 139. Merry Andrew | — | ||
| 2-27 | Mikrokosmos: No. 147. March | — | ||
| 2-28 | Mikrokosmos: No. 144. Minor Seconds, Major Sevenths | — | ||
| 2-29 | Mikrokosmos: No. 97. Notturno | — | ||
| 2-30 | Mikrokosmos: No. 118. Triplets in 9/8 Time | — | ||
| 2-31 | Mikrokosmos: No. 141. Subject & Reflection | — | ||
| 2-32 | Mikrokosmos: No. 136. Whole-tone Scale | — | ||
| 2-33 | Mikrokosmos: No. 125. Boating | — | ||
| 2-34 | Mikrokosmos: No. 114. Theme & Inversion | — | ||
| 3-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 3-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 3-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 3-4 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 3-5 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 3-6 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 4-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Emil Gilels, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino simplice - Prestissimo - Tempo I | Emil Gilels, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Emil Gilels, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio - III. Allegretto vivace. Allegro animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-3 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-4 | Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai. L'istesso tempo | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-5 | Piano Concerto no. 2 in A major, S. 125: II. Allegro agitato assai - Un poco piu mosso - Tempo del andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-6 | Piano Concerto no. 2 in A major, S. 125: III. Allegro moderato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-7 | Piano Concerto no. 2 in A major, S. 125: IV. Allegro deciso - L'istesso tempo - Sempre allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-8 | Piano Concerto no. 2 in A major, S. 125: V. Marziale un poco meno. Allegro - Un poco animato - Un poco piu mosso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-9 | Piano Concerto no. 2 in A major, S. 125: VI. Allegro animato - Stretto | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-1 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | T-909.264.262-1 | |
| 6-2 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 6-3 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | T-909.264.262-1 | |
| 6-4 | Totentanz, S. 126 | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 7-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 7-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 7-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 7-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 7-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 7-6 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | — | ||
| 7-7 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 8-1 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro (Cadenza: Robert Casadesus) | Robert Casadesus, Cleveland Orchestra, George Szell | — | |
| 8-2 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Robert Casadesus, Membres du Cleveland Orchestra, George Szell | — | |
| 8-3 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: III. Allegro vivace assai (Cadenza: Robert Casadesus) | Robert Casadesus, Cleveland Orchestra, George Szell | — | |
| 8-4 | Concerto for Piano No. 24 in C minor, K. 491: I. Allegro (Cadenza: Camille Saint‐Saëns) | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 8-5 | Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 8-6 | Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto (Cadenza: Camille Saint‐Saëns) | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 8-7 | Piano Sonata no. 12 in F major, K. 332: I. Allegro | — | ||
| 8-8 | Piano Sonata no. 12 in F major, K. 332: II. Adagio | — | ||
| 8-9 | Piano Sonata no. 12 in F major, K. 332: III. Allegro assai | — | ||
| 9-1 | Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio | Leon Fleisher, The Cleveland Orchestra, George Szell | — | |
| 9-2 | Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio | Leon Fleisher, The Cleveland Orchestra, George Szell | — | |
| 9-3 | Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro | Leon Fleisher, The Cleveland Orchestra, George Szell | — | |
| 9-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 9-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 9-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 10-1 | Sonata in D major, K. 33 (L 424) | — | ||
| 10-2 | Sonata in A minor, K. 54 (L 241) | — | ||
| 10-3 | Sonata in F major, K. 525 (L 188) | — | ||
| 10-4 | Sonata in F minor, K. 466 (L 118) | — | ||
| 10-5 | Sonata in G major, K 146 (L349) | Vladimir Horowitz | — | |
| 10-6 | Sonata in D major, K. 96 (L 465) | — | ||
| 10-7 | Sonata in E major, K. 162 (L 21) | — | ||
| 10-8 | Sonata in E-flat major, K. 474 (L 203) | — | ||
| 10-9 | Sonata in E minor, K. 198 (L 22) | — | ||
| 10-10 | Sonata in D Major, K.491 (L.164): Allegro | Vladimir Horowitz | — | |
| 10-11 | Sonata in F minor, K. 481L 187) | — | ||
| 10-12 | Sonata in A major, K. 39 (L 391) | — | ||
| 10-13 | Sonata in G major, K. 547 (L S28) | — | ||
| 10-14 | Sonata in B minor, K. 197 (L 147) | — | ||
| 10-15 | Sonata in F-sharp minor, K. 25 (L 481) | — | ||
| 10-16 | Sonata in D minor, K. 52 (L 267) | — | ||
| 10-17 | Sonata in G major, K. 201 (L 129) | — | ||
| 10-18 | Sonata in C minor, K. 303 (L 9) | — | ||
| 11-1 | Waltz in E-flat major, op. 18: Grande valse brillante | — | ||
| 11-2 | Waltz in A-flat major, op. 34 no. 1 Valse brillante | — | ||
| 11-3 | Waltz in A minor, op. 34 no. 2: Valse brillante | — | ||
| 11-4 | Waltz in F major, op. 34 no. 3: Valse brillante | — | ||
| 11-5 | Waltz in A-flat major, op. 42: Two-four | — | ||
| 11-6 | Waltz no. 6 in D-flat major, op. 64 no. 1 'Minute' | Arthur Rubinstein | — | |
| 11-7 | Waltz in C-sharp minor, op. 64 no. 2 | — | ||
| 11-8 | Waltz in A-flat major, op. 64 no. 3 | — | ||
| 11-9 | Waltz in A-flat major, op. 69 no. 1: L'Adieu | — | ||
| 11-10 | Waltz in B minor, op. 69 no. 2 | — | ||
| 11-11 | Waltz in G-flat major, op. 70 no. 1 | — | ||
| 11-12 | Waltz in F minor, op. 70 no. 2 | — | ||
| 11-13 | Waltz in D-flat major, op. 70 no. 3 | — | ||
| 11-14 | Waltz in E minor, op. posth. | — | ||
| 11-15 | Impromptu in A-flat major, op. 29 | — | ||
| 11-16 | Impromptu in F-sharp major, op. 36 | — | ||
| 11-17 | Impromptu in G-flat major, op. 51 | — | ||
| 11-18 | Fantaisie-impromptu in C-sharp minor, op. 66 | Arthur Rubinstein | — | |
| 12-1 | Sonata for Piano no. 1 in C major, K. 189d/279: I. Allegro | Lili Kraus | T-306.395.786-4 | |
| 12-2 | Sonata for Piano no. 1 in C major, K. 189d/279: II. Andante | Lili Kraus | — | |
| 12-3 | Sonata for Piano no. 1 in C major, K. 189d/279: III. Allegro | Lili Kraus | — | |
| 12-4 | Sonata for Piano no. 2 in F major, K. 189e/280: I. Allegro assai | Lili Kraus | T-306.395.786-4 | |
| 12-5 | Sonata for Piano no. 2 in F major, K. 189e/280: II. Adagio | Lili Kraus | — | |
| 12-6 | Sonata for Piano no. 2 in F major, K. 189e/280: III. Presto | Lili Kraus | — | |
| 12-7 | Sonata for Piano no. 3 in B-flat major, K. 189f/281: I. Allegro | Lili Kraus | T-306.395.786-4 | |
| 12-8 | Sonata for Piano no. 3 in B-flat major, K. 189f/281: II. Andante amoroso | Lili Kraus | — | |
| 12-9 | Sonata for Piano no. 3 in B-flat major, K. 189f/281: III. Rondeau. Allegro | Lili Kraus | — | |
| 12-10 | Sonata for Piano no. 4 in E-flat major, K. 189g/282: I. Adagio | Lili Kraus | — | |
| 12-11 | Sonata for Piano no. 4 in E-flat major, K. 189g/282: II. Minutetto I / III. Minutetto II | Lili Kraus | — | |
| 12-12 | Sonata for Piano no. 4 in E-flat major, K. 189g/282: IV. Allegro | Lili Kraus | — | |
| 12-13 | Sonata for Piano no. 5 in G major, K. 189h/283: I. Allegro | Lili Kraus | T-306.395.786-4 | |
| 12-14 | Sonata for Piano no. 5 in G major, K. 189h/283: II. Andante | Lili Kraus | — | |
| 12-15 | Sonata for Piano no. 5 in G major, K. 189h/283: III. Presto | Lili Kraus | — | |
| 12-16 | Rondo for Piano in D major, K. 485 | Lili Kraus | — | |
| 13-1 | Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": I. Allegro | John Ogdon | — | |
| 13-2 | Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": II. Scherzo. Assai vivace | John Ogdon | — | |
| 13-3 | Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": III. Adagio sostenuto | John Ogdon | — | |
| 13-4 | Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": IV. Largo - Allegro risoluto | John Ogdon | — | |
| 13-5 | Chaconne, op. 32 | John Ogdon | — | |
| 13-6 | Suite, op. 45: I. Allegretto un pochettino | John Ogdon | — | |
| 13-7 | Suite, op. 45: II. Poco moderato | John Ogdon | — | |
| 13-8 | Suite, op. 45: III. Molto adagio e patètico | John Ogdon | — | |
| 13-9 | Suite, op. 45: IV. Allegretto innocente | John Ogdon | — | |
| 13-10 | Suite, op. 45: V. Allegretto vivo | John Ogdon | — | |
| 13-11 | Suite, op. 45: VI. Allegro non troppo ma vigoroso | John Ogdon | — | |
| 14-1 | French Suite no. 1 in D minor, BWV 812: I. Allemande | Glenn Gould | — | |
| 14-2 | French Suite no. 1 in D minor, BWV 812: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-3 | French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — | |
| 14-4 | French Suite no. 1 in D minor, BWV 812: IV. Menuet I | Glenn Gould | — | |
| 14-5 | French Suite no. 1 in D minor, BWV 812: V. Menuet II | Glenn Gould | — | |
| 14-6 | French Suite no. 1 in D minor, BWV 812: VI. Gigue | Glenn Gould | — | |
| 14-7 | French Suite no. 2 in C minor, BWV 813: I. Allemande | Glenn Gould | — | |
| 14-8 | French Suite no. 2 in C minor, BWV 813: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-9 | French Suite no. 2 in C minor, BWV 813: III. Sarabande | Glenn Gould | — | |
| 14-10 | French Suite no. 2 in C minor, BWV 813: IV. Air | Glenn Gould | — | |
| 14-11 | French Suite no. 2 in C minor, BWV 813: V. Menuet | Glenn Gould | — | |
| 14-12 | French Suite no. 2 in C minor, BWV 813: VI. Gigue | Glenn Gould | — | |
| 14-13 | French Suite no. 3 in B minor, BWV 814: I. Allemande | Glenn Gould | — | |
| 14-14 | French Suite no. 3 in B minor, BWV 814: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-15 | French Suite no. 3 in B minor, BWV 814: III. Sarabande | Glenn Gould | — | |
| 14-16 | French Suite no. 3 in B minor, BWV 814: IV. Menuet - Trio | Glenn Gould | T-307.292.941-6 | |
| 14-17 | French Suite no. 3 in B minor, BWV 814: V. Anglaise | Glenn Gould | — | |
| 14-18 | French Suite no. 3 in B minor, BWV 814: VI. Gigue | Glenn Gould | — | |
| 14-19 | French Suite no. 4 in E-flat major, BWV 815: I. Allemande | Glenn Gould | — | |
| 14-20 | French Suite no. 4 in E-flat major, BWV 815: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-21 | French Suite no. 4 in E-flat major, BWV 815: III. Sarabande | Glenn Gould | — | |
| 14-22 | French Suite no. 4 in E-flat major, BWV 815a: IV. Menuet | Glenn Gould | — | |
| 14-23 | French Suite no. 4 in E-flat major, BWV 815: V. Gavotte | Glenn Gould | — | |
| 14-24 | French Suite no. 4 in E-flat major, BWV 815: VI. Air | Glenn Gould | T-306.036.936-6 | |
| 14-25 | French Suite no. 4 in E-flat major, BWV 815: VII. Gigue | Glenn Gould | — | |
| 14-26 | French Suite no. 5 in G major, BWV 816: I. Allemande | Glenn Gould | — | |
| 14-27 | French Suite no. 5 in G major, BWV 816: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-28 | French Suite no. 5 in G major, BWV 816: III. Sarabande | Glenn Gould | — | |
| 14-29 | French Suite no. 5 in G major, BWV 816: IV. Gavotte | Glenn Gould | — | |
| 14-30 | French Suite no. 5 in G major, BWV 816: V. Bourée | Glenn Gould | — | |
| 14-31 | French Suite no. 5 in G major, BWV 816: VI. Loure | Glenn Gould | — | |
| 14-32 | French Suite no. 5 in G major, BWV 816: VII. Gigue | Glenn Gould | — | |
| 14-33 | French Suite no. 6 in E major, BWV 817: I. Allemande | Glenn Gould | — | |
| 14-34 | French Suite no. 6 in E major, BWV 817: II. Courante | Glenn Gould | — | |
| 14-35 | French Suite no. 6 in E major, BWV 817: III. Sarabande | Glenn Gould | — | |
| 14-36 | French Suite no. 6 in E major, BWV 817: IV. Gavotte | Glenn Gould | — | |
| 14-37 | French Suite no. 6 in E major, BWV 817: V. Polonaise | Glenn Gould | — | |
| 14-38 | French Suite no. 6 in E major, BWV 817: VI. Menuett | Glenn Gould | — | |
| 14-39 | French Suite no. 6 in E major, BWV 817: VII. Bourée | Glenn Gould | — | |
| 14-40 | French Suite no. 6 in E major, BWV 817: VIII. Gigue | Glenn Gould | — | |
| 15-1 | Fantasie in C major, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Tempo I | — | ||
| 15-2 | Fantasie in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | — | ||
| 15-3 | Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas gewegter | — | ||
| 15-4 | Fantasiestücke, op. 12: I. Der Abends. Sehr innig zu spielen | — | ||
| 15-5 | Fantasiestücke, op. 12: II. Aufschwung. Sehr rasch | — | ||
| 15-6 | Fantasiestücke, op. 12: III. Warum? Langsam und zahrt | — | ||
| 15-7 | Fantasiestücke, op. 12: IV. Grillen. Mit Humor | — | ||
| 15-8 | Fantasiestücke, op. 12: V. In der Nacht. Mit Leidenschaft | — | ||
| 15-9 | Fantasiestücke, op. 12: VI. Fabel. Langsam | — | ||
| 15-10 | Fantasiestücke, op. 12: VII. Traumes Wirren. Äußerst lebhaft | — | ||
| 15-11 | Fantasiestücke, op. 12: VIII. Ende vom Lied. Mit gutem Humor | — | ||
| 16-1 | Sonata for Two Pianos in D major, K. 375a/448: I. Allegro con spirito | — | ||
| 16-2 | Sonata for Two Pianos in D major, K. 375a/448: II. Andante | Murray Perahia, Radu Lupu | T-902.919.739-5 | |
| 16-3 | Sonata for Two Pianos in D major, K. 375a/448: III. Allegro molto | — | ||
| 16-4 | Fantasia for Piano, Four Hands in F minor D 940: Allegro molto moderato - Largo - Allegro vivace - Con delicatezza | — | ||
| 16-5 | Fantasia for Mechanical Organ in F minor, K. 608: I. Allegro ritenuto | Radu Lupu, Murray Perahia | T-070.160.313-5 | |
| 16-6 | Fantasia for Mechanical Organ in F minor, K. 608: II. Andante | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 16-7 | Fantasia for Mechanical Organ in F minor, K. 608: III. Allegro ritenuto | Radu Lupu, Murray Perahia | — | |
| 16-8 | Andante and Variations for Four Hands in G major, K. 501: I. Andante | Radu Lupu, Murray Perahia | T-003.979.618-3 | |
| 16-9 | Andante and Variations for Four Hands in G major, K. 501: II. Variation 1 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 16-10 | Andante and Variations for Four Hands in G major, K. 501: III. Variation 2 | Radu Lupu, Murray Perahia | — | |
| 16-11 | Andante and Variations for Four Hands in G major, K. 501: IV. Variation 3 | Radu Lupu, Murray Perahia | T-003.979.618-3 | |
| 16-12 | Andante and Variations for Four Hands in G major, K. 501: V. Variation 4 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 16-13 | Andante and Variations for Four Hands in G major, K. 501: VI. Variation 5 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 17-1 | Concerto no. 2 for Piano and Orchestra, in C minor, op. 18: I. Moderato | — | ||
| 17-2 | Concerto no. 2 for Piano and Orchestra, in C minor, op. 18: II. Adagio sostenuto | — | ||
| 17-3 | Concerto no. 2 for Piano and Orchestra, in C minor, op. 18: III. Allegro scherzando | — | ||
| 17-4 | Rhapsody on a Theme of Paganini, op. 43 | — | ||
| 18-1 | Keyboard Sonata no. 58 in C major, Hob. XVI:48: I. Andante con espressione | — | ||
| 18-2 | Keyboard Sonata no. 58 in C major, Hob. XVI:48: II. Rondo. Presto | — | ||
| 18-3 | Keyboard Sonata no. 33 in C minor, Hob. XVI:20: I. Moderato | — | ||
| 18-4 | Keyboard Sonata no. 33 in C minor, Hob. XVI:20: II. Antante con moto | — | ||
| 18-5 | Keyboard Sonata no. 33 in C minor, Hob. XVI:20: III. Finale. Allegro | — | ||
| 18-6 | Keyboard Sonata no. 60 in C major, Hob. XVI:50: I. Allegro | — | ||
| 18-7 | Keyboard Sonata no. 60 in C major, Hob. XVI:50: II. Adagio | — | ||
| 18-8 | Keyboard Sonata no. 60 in C major, Hob. XVI:50: III. Allegro molto | — | ||
| 18-9 | Keyboard Sonata no. 38 in F major, Hob. XVI:23: I. Allegro moderato | — | ||
| 18-10 | Keyboard Sonata no. 38 in F major, Hob. XVI:23: II. Adagio | — | ||
| 18-11 | Keyboard Sonata no. 38 in F major, Hob. XVI:23: III. Finale. Presto | — | ||
| 19-1 | Three Movements from Petrushka: Russian Dance | — | ||
| 19-2 | Three Movements from Petrushka: Petrushka's Cell | — | ||
| 19-3 | Three Movements from Petrushka: The Shrove - Tide Fair | — | ||
| 19-4 | Pictures at an Exhibition: Promenade | — | ||
| 19-5 | Pictures at an Exhibition: I. The Gnome | — | ||
| 19-6 | Pictures at an Exhibition: Promenade | — | ||
| 19-7 | Pictures at an Exhibition: II. The Old Castle | — | ||
| 19-8 | Pictures at an Exhibition: Promenade | — | ||
| 19-9 | Pictures at an Exhibition: III. The Tuileries | — | ||
| 19-10 | Pictures at an Exhibition: IV. The Ox Cart | — | ||
| 19-11 | Pictures at an Exhibition: Promenade | — | ||
| 19-12 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 19-13 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle | — | ||
| 19-14 | Pictures at an Exhibition: Promenade | — | ||
| 19-15 | Pictures at an Exhibition: VII. The Marketplace of Limoges | — | ||
| 19-16 | Pictures at an Exhibition: VIII. The Catacombs | — | ||
| 19-17 | Pictures at an Exhibition: Cum mortuis in lingua mortus | — | ||
| 19-18 | Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba - Yagá) | — | ||
| 19-19 | Pictures at an Exhibition: X. The Great Gate of Kiev | — | ||
| 19-20 | Dumka - Russian Rustic Scene in C minor, op. 59 | — | ||
| 20-1 | Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto | — | ||
| 20-2 | Fantasia for Piano in C minor, K. 475 | — | ||
| 20-3 | Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro | — | ||
| 20-4 | Piano Sonata no. 14 in C minor, K. 457: II. Adagio | — | ||
| 20-5 | Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 20-6 | "Le Nozze di Figaro", K. 492: Recitativo and Aria: "Giunse alfin il momento" - "Deh vieni, non Tardar" | — | ||
| 20-7 | Aria | — | ||
| 20-8 | Excercise 9 | — | ||
| 21-1 | Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro | — | ||
| 21-2 | Piano Concerto no. 22 in E-flat major, K. 482: II. Andante | — | ||
| 21-3 | Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro | — | ||
| 21-4 | Piano Concerto no. 26 in D major, K. 537 "Coronation": I. Allegro | — | ||
| 21-5 | Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto | — | ||
| 21-6 | Piano Concerto no. 26 in D major, K. 537 "Coronation": III. Allegretto | — | ||
| 22-1 | Konzertstück for Piano and Orchestra in F minor, op. 79 | — | ||
| 22-2 | Concerto for Piano no. 1 in C major, op. 11: I. Allegro | — | ||
| 22-3 | Concerto for Piano no. 1 in C major, op. 11: II. Adagio | — | ||
| 22-4 | Concerto for Piano no. 1 in C major, op. 11: III. Presto | — | ||
| 22-5 | Concerto for Piano no. 2 in E-flat major, op. 32: I. Allegro maestoso | — | ||
| 22-6 | Concerto for Piano no. 2 in E-flat major, op. 32: II. Adagio | — | ||
| 22-7 | Concerto for Piano no. 2 in E-flat major, op. 32: III. Rondo: Presto | — | ||
| 22-8 | Polonaise brillante "L'hilarité", op. 72 for Piano and Orchestra | — | ||
| 23-1 | Suite no. 5 in E major, HWV 430: I. Prelude | — | ||
| 23-2 | Suite no. 5 in E major, HWV 430: II. Allemande | — | ||
| 23-3 | Suite no. 5 in E major, HWV 430: III. Courante | — | ||
| 23-4 | Suite no. 5 in E major, HWV 430: IV. Air with 5 variations | — | ||
| 23-5 | Chaconne in G major, HWV 435 | — | ||
| 23-6 | Suite no. 3 in D minor, HWV 428: I. Prelude | — | ||
| 23-7 | Suite no. 3 in D minor, HWV 428: II. Allegro (Fugue) | — | ||
| 23-8 | Suite no. 3 in D minor, HWV 428: III. Allemande | — | ||
| 23-9 | Suite no. 3 in D minor, HWV 428: IV. Courante | — | ||
| 23-10 | Suite no. 3 in D minor, HWV 428: V. Air with 5 variations | — | ||
| 23-11 | Suite no. 3 in D minor, HWV 428: VI. Presto | — | ||
| 23-12 | Suite no. 2 in F major, HWV 427: I. Adagio | — | ||
| 23-13 | Suite no. 2 in F major, HWV 427: II. Allegro | — | ||
| 23-14 | Suite no. 2 in F major, HWV 427: III. Adagio | — | ||
| 23-15 | Suite no. 2 in F major, HWV 427: IV. Allegro (Fugue) | — | ||
| 23-16 | Sonata in D major, K 491 | — | ||
| 23-17 | Sonata in B minor, K 27 | — | ||
| 23-18 | Sonata in C-sharp minor, K 247 | — | ||
| 23-19 | Sonata in D major, K 29 | — | ||
| 23-20 | Sonata in A major, K 537 | — | ||
| 23-21 | Sonata in E major, K 206 | — | ||
| 23-22 | Sonata in A major, K 212 | Murray Perahia | — | |
| 24-1 | Ballade no. 1, op. 23 in G minor | — | ||
| 24-2 | Ballade no. 2, op. 38 in F major | — | ||
| 24-3 | Ballade no. 3, op. 47 in A-flat major | — | ||
| 24-4 | Ballade no. 4, op. 52 in F minor | — | ||
| 24-5 | Berceuse, op. 57 | — | ||
| 24-6 | Barcarolle, op. 60 | — | ||
| 24-7 | Scherzo no. 4, op. 54 in E major | — | ||
| 25-1 | Goldberg Variations, BWV 988: Aria | Murray Perahia | T-902.128.688-4 | |
| 25-2 | Goldberg Variations, BWV 988: Variation 1 | Murray Perahia | T-902.128.688-4 | |
| 25-3 | Goldberg Variations, BWV 988: Variation 2 | Murray Perahia | T-902.128.688-4 | |
| 25-4 | Goldberg Variations, BWV 988: Variation 3. Canon on the unison | Murray Perahia | T-902.128.688-4 | |
| 25-5 | Goldberg Variations, BWV 988: Variation 4 | Murray Perahia | T-902.128.688-4 | |
| 25-6 | Goldberg Variations, BWV 988: Variation 5 | Murray Perahia | T-902.128.688-4 | |
| 25-7 | Goldberg Variations, BWV 988: Variation 6. Canon on the second | Murray Perahia | T-902.128.688-4 | |
| 25-8 | Goldberg Variations, BWV 988: Variation 7 | Murray Perahia | T-010.504.520-2 | |
| 25-9 | Goldberg Variations, BWV 988: Variation 8 | Murray Perahia | T-902.128.688-4 | |
| 25-10 | Goldberg Variations, BWV 988: Variation 9. Canon on the third | Murray Perahia | T-902.128.688-4 | |
| 25-11 | Goldberg Variations, BWV 988: Variation 10. Fughetta | Murray Perahia | T-902.128.688-4 | |
| 25-12 | Goldberg Variations, BWV 988: Variation 11 | Murray Perahia | T-902.128.688-4 | |
| 25-13 | Goldberg Variations, BWV 988: Variation 12. Canon on the fourth | Murray Perahia | T-311.760.304-6 | |
| 25-14 | Goldberg Variations, BWV 988: Variation 13 | Murray Perahia | T-902.128.688-4 | |
| 25-15 | Goldberg Variations, BWV 988: Variation 14 | Murray Perahia | T-902.128.688-4 | |
| 25-16 | Goldberg Variations, BWV 988: Variation 15. Canon on the fifth | Murray Perahia | T-312.642.162-9 | |
| 25-17 | Goldberg Variations, BWV 988: Variation 16. Overture | Murray Perahia | T-902.128.688-4 | |
| 25-18 | Goldberg Variations, BWV 988: Variation 17 | Murray Perahia | T-010.909.095-0 | |
| 25-19 | Goldberg Variations, BWV 988: Variation 18. Canon on the sixth | Murray Perahia | T-902.128.688-4 | |
| 25-20 | Goldberg Variations, BWV 988: Variation 19 | Murray Perahia | T-902.128.688-4 | |
| 25-21 | Goldberg Variations, BWV 988: Variation 20 | Murray Perahia | T-902.128.688-4 | |
| 25-22 | Goldberg Variations, BWV 988: Variation 21. Canon on the seventh | Murray Perahia | T-312.642.162-9 | |
| 25-23 | Goldberg Variations, BWV 988: Variation 22 | Murray Perahia | T-902.128.688-4 | |
| 25-24 | Goldberg Variations, BWV 988: Variation 23 | Murray Perahia | T-902.128.688-4 | |
| 25-25 | Goldberg Variations, BWV 988: Variation 24. Canon on the octave | Murray Perahia | T-902.128.688-4 | |
| 25-26 | Goldberg Variations, BWV 988: Variation 25 | Murray Perahia | T-902.128.688-4 | |
| 25-27 | Goldberg Variations, BWV 988: Variation 26 | Murray Perahia | T-902.128.688-4 | |
| 25-28 | Goldberg Variations, BWV 988: Variation 27. Canon on the ninth | Murray Perahia | T-311.760.304-6 | |
| 25-29 | Goldberg Variations, BWV 988: Variation 28 | Murray Perahia | T-902.128.688-4 | |
| 25-30 | Goldberg Variations, BWV 988: Variation 29 | Murray Perahia | T-902.128.688-4 | |
| 25-31 | Goldberg Variations, BWV 988: Variation 30. Quodlibet | Murray Perahia | T-902.128.688-4 | |
| 25-32 | Goldberg Variations, BWV 988: Aria da capo | Murray Perahia | T-801.806.984-7 | |
| 26-1 | Piano sonata no. 1 in E major "unfinished", D. 157: I. Allegro ma non troppo | — | ||
| 26-2 | Piano sonata no. 1 in E major "unfinished", D. 157: II. Andante | — | ||
| 26-3 | Piano sonata no. 1 in E major "unfinished", D. 157: III. Menuetto. Allegro vivace - Trio | — | ||
| 26-4 | Piano sonata no. 18 in G major, D. 894: I. Molto moderato e cantabile | — | ||
| 26-5 | Piano sonata no. 18 in G major, D. 894: II. Andante | — | ||
| 26-6 | Piano sonata no. 18 in G major, D. 894: III. Menuetto. Allegro moderato - Trio | — | ||
| 26-7 | Piano sonata no. 18 in G major, D. 894: IV. Allegretto | — | ||
| 26-8 | Der Müller und der Bach, D. 795/19, S. 565/2 | — | ||
| 27-1 | Ich ruf zu dir, Herr - Chorale Prelude for Organ, BWV 639 | Martin Stadtfeld | — | |
| 27-2 | Italien Concerto in F major, BWV 971: I. Without tempo designation | Martin Stadtfeld | T-801.411.105-9 | |
| 27-3 | Italien Concerto in F major, BWV 971: II. Andante | Martin Stadtfeld | T-312.198.890-3 | |
| 27-4 | Italien Concerto in F major, BWV 971: III. Presto | Martin Stadtfeld | T-312.198.890-3 | |
| 27-5 | French Suite no. 2 in C minor, BWV 813: I. Allemande | Martin Stadtfeld | — | |
| 27-6 | French Suite no. 2 in C minor, BWV 813: II. Courante | Martin Stadtfeld | — | |
| 27-7 | French Suite no. 2 in C minor, BWV 813: III. Sarabande | Martin Stadtfeld | — | |
| 27-8 | French Suite no. 2 in C minor, BWV 813: IV. Air | Martin Stadtfeld | — | |
| 27-9 | French Suite no. 2 in C minor, BWV 813: V. Menuet | Martin Stadtfeld | — | |
| 27-10 | French Suite no. 2 in C minor, BWV 813: VI. Gigue | Martin Stadtfeld | — | |
| 27-11 | Sinfonia 1 BWV 787 | Martin Stadtfeld | — | |
| 27-12 | Sinfonia 2 BWV 788 | Martin Stadtfeld | — | |
| 27-13 | Sinfonia 3 BWV 789 | Martin Stadtfeld | — | |
| 27-14 | Sinfonia 4 BWV 790 | Martin Stadtfeld | — | |
| 27-15 | Sinfonia 5 BWV 791 | Martin Stadtfeld | — | |
| 27-16 | Sinfonia 6 BWV 792 | Martin Stadtfeld | — | |
| 27-17 | Sinfonia 7 BWV 793 | Martin Stadtfeld | — | |
| 27-18 | Sinfonia 8 BWV 794 | Martin Stadtfeld | — | |
| 27-19 | Sinfonia 9 BWV 795 | Martin Stadtfeld | — | |
| 27-20 | Sinfonia 10 BWV 796 | Martin Stadtfeld | — | |
| 27-21 | Sinfonia 11 BWV 797 | Martin Stadtfeld | — | |
| 27-22 | Sinfonia 12 BWV 798 | Martin Stadtfeld | — | |
| 27-23 | Sinfonia 13 BWV 799 | Martin Stadtfeld | — | |
| 27-24 | Sinfonia 14 BWV 800 | Martin Stadtfeld | — | |
| 27-25 | Sinfonia 15 BWV 801 | Martin Stadtfeld | — | |
| 27-26 | Fantasia in C minor. BWV 906 | Martin Stadtfeld | — | |
| 27-27 | Fantasia and Fugue in A minor, BWV 944 | Martin Stadtfeld | — | |
| 27-28 | Nun freut euch, lieben Christen g'mein - Chorale Prelude for Organ, BWV 734 | Martin Stadtfeld | — | |
| 27-29 | Prelude in B minor | Martin Stadtfeld | — | |
| 28-1 | "Wachet auf, ruft uns die Stimme" from Chorale Prelude, BWV 645 | — | ||
| 28-2 | "Jesus bleibet meine Freude" from Cantata, BWV 147 | — | ||
| 28-3 | "Gandharva - Music", op. 49 | — | ||
| 28-4 | Chaconne in G major, HWV 435 | — | ||
| 28-5 | "April - England", op. 48 | — | ||
| 28-6 | Symphony no. 7, S. 464: II. Allegretto | — | ||
| 28-7 | Fantasia on an Ostinato | — | ||
| 28-8 | Toccata in C minor, BWV 911 | — | ||
| 28-9 | Toccata in C major, op. 7 | — | ||
| 28-10 | Toccata in D minor, op. 11 | — | ||
| 29-1 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": I. Grave. Doppio movimento | — | ||
| 29-2 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": II. Scherzo | — | ||
| 29-3 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": III. Marche funèbre. Lento | — | ||
| 29-4 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": IV. Finale. Presto | — | ||
| 29-5 | Prelude for Piano in B minor | — | ||
| 29-6 | Moments musicaux, D. 780: No. 1 Moderato | — | ||
| 29-7 | Moments musicaux, D. 780: No. 2 Andantino | — | ||
| 29-8 | Moments musicaux, D. 780: No. 3 Allegro moderato | — | ||
| 29-9 | Moments musicaux, D. 780: No. 4 Moderato | — | ||
| 29-10 | Moments musicaux, D. 780: No. 5 Allegro vivace | — | ||
| 29-11 | Moments musicaux, D. 780: No. 6 Allegretto | — | ||
| 29-12 | Études d'exécution Transcendante d'après Paganini, S. 140: No. 3 "La Campanella" | — | ||
| 29-13 | Variations on a Theme by Paganini: Theme | — | ||
| 29-14 | Variations on a Theme by Paganini: Variation 1 | — | ||
| 29-15 | Variations on a Theme by Paganini: Variation 2 | — | ||
| 29-16 | Variations on a Theme by Paganini: Variation 3 | — | ||
| 29-17 | Variations on a Theme by Paganini: Variation 4 | — | ||
| 29-18 | Variations on a Theme by Paganini: Variation 5 | — | ||
| 29-19 | Variations on a Theme by Paganini: Variation 6 | — | ||
| 29-20 | Variations on a Theme by Paganini: Variation 7 | — | ||
| 29-21 | Variations on a Theme by Paganini: Variation 8 | — | ||
| 29-22 | Variations on a Theme by Paganini: Variation 9 | — | ||
| 29-23 | Variations on a Theme by Paganini: Variation 10 | — | ||
| 29-24 | Variations on a Theme by Paganini: Fuge | — | ||
| 30-1 | Slavonic Dances, op. 46: No. 1 in C major (Presto) | — | ||
| 30-2 | NO. 2 IN E MINOR: ALLEGRETTO SCHERZANDO - ALLEGRO VIVO | Duo Tal & Groethuysen | — | |
| 30-3 | Slavonic Dances, op. 46: No. 3 in A-flat major (Poco allegro - Piu mosso) | — | ||
| 30-4 | NO. 4 IN F MAJOR: TEMPO DI MINUETTO | Duo Tal & Groethuysen | — | |
| 30-5 | Slavonic Dances, op. 46: No. 5 in A major (Allegro vivace) | — | ||
| 30-6 | Slavonic Dances, op. 46: No. 6 in D major (Allegretto scherzando) | — | ||
| 30-7 | Slavonic Dances, op. 46: No. 7 in C minor (Allegro assai) | — | ||
| 30-8 | Slavonic Dances, op. 46: No. 8 in G minor (Presto) | — | ||
| 30-9 | Slavonic Dances, op. 72: No. 1 in B major (Molto vivace) | — | ||
| 30-10 | Slavonic Dances, op. 72: No. 2 in E minor (Allegretto grazioso) | — | ||
| 30-11 | Slavonic Dances, op. 72: No. 3 in F major (Allegro) | — | ||
| 30-12 | Slavonic Dances, op. 72: No. 4 in D-flat major (Allegretto grazioso) | — | ||
| 30-13 | Slavonic Dances, op. 72: No. 5 in B-flat minor (Poco adagio - Vivace) | — | ||
| 30-14 | Slavonic Dances, op. 72: No. 6 in B-flat major (Moderato, quasi minuetto) | — | ||
| 30-15 | Slavonic Dances, op. 72: No. 7 in C major (Presto) | — | ||
| 30-16 | Slavonic Dances, op. 72: No. 8 in A-flat major (Lento grazioso, quasi tempo di valse) | — |
Identifier Graph
888430917521 is a Universal Product Code (UPC) assigned to Piano: Great Recordings by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 435 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 1, Prelude | Sergei Rachmaninoff | — |
| Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Robert Casadesus, Membres du Cleveland Orchestra, George Szell | — |
| French Suite no. 5 in G major, BWV 816: I. Allemande | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: II. Courante | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: III. Sarabande | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: IV. Gavotte | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: V. Bourée | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: VI. Loure | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: I. Allemande | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: II. Courante | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: III. Sarabande | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: IV. Gavotte | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: V. Polonaise | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VI. Menuett | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VII. Bourée | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: VII. Gigue | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VIII. Gigue | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: I. Allemande | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: II. Courante | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: IV. Menuet I | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: V. Menuet II | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: VI. Gigue | Glenn Gould | — |
| French Suite no. 2 in C minor, BWV 813: I. Allemande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: II. Courante | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: III. Sarabande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: IV. Air | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: V. Menuet | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: VI. Gigue | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: I. Allemande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: II. Courante | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: III. Sarabande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: IV. Menuet - Trio | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: V. Anglaise | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: VI. Gigue | Glenn Gould | T-909.229.948-4 |
| French Suite no. 4 in E-flat major, BWV 815: I. Allemande | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: II. Courante | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: III. Sarabande | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815a: IV. Menuet | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: V. Gavotte | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: VI. Air | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: VII. Gigue | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — |
Creative Contributors (ISNI)
The UPC for “Piano: Great Recordings” by Various Artists is 888430917521. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Sony Classical. This release contains 435 tracks, each with its own ISRC. Tracks include USBC14000125, USBC10000697, HKI190018801.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prélude, op. 23, no. 10 in G-flat major | — | ||
| 2 | Prélude, op. 32, no. 3 in E major | — | ||
| 3 | Prélude, op. 32, no. 6 in F minor | — | ||
| 4 | Prélude, op. 32, no. 7 in F major | — | ||
| 5 | Étude-tableau, op. 33, no. 2 in C major | — | ||
| 6 | Étude-tableau, op. 33, no. 7 in E-flat major | — | ||
| 7 | Daisies, op. 38, no. 3 | — | ||
| 8 | Étude-tableau, op. 39, no. 6 in A minor | — | ||
| 9 | Oriental Sketch | — | ||
| 10 | Mélodie, op. 3, no. 3 in E major | — | ||
| 11 | Serenade, op. 3, no. 5 in B-flat minor | — | ||
| 12 | Morceaux de salon, for piano, op. 10: no. 5, Humoresque in G major | Сергей Васильевич Рахманинов | — | |
| 13 | Lilacs, op. 21, no. 5 | — | ||
| 14 | Moment musicaux, op. 16, no. 2 in E-flat minor | — | ||
| 15 | Polka W.R., for piano in A-flat major, TN ii/18 | Sergei Rachmaninoff | — | |
| 16 | Prélude, op. 3, no. 2 in C-sharp minor | — | ||
| 17 | Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 1, Prelude | Sergei Rachmaninoff | — | |
| 18 | Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 2, Gavotte en Rondeau | Sergei Rachmaninoff | T-902.821.642-4 | |
| 19 | Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 3, Gigue | Sergei Rachmaninoff | T-900.766.423-5 | |
| 20 | A Midsummer Night's Dream, incidental music, Op. 61 Scherzo | Sergei Rachmaninoff | T-900.113.227-0 | |
| 21 | Kreisler’s ’Liebesfreud’ for piano, TNiii/5 | Sergei Rachmaninoff | — | |
| 22 | Die schöne Müllerin, D. 795: Wohin? | — | ||
| 23 | The Fair at Sorochintsy: Hopak | — | ||
| 24 | Tchaikovsky’s ’Lullaby for piano, op. 16/1,’ TN iii/14 | Sergei Rachmaninoff | — | |
| 25 | Flight of the Bumblebee | Sergei Rachmaninoff | T-900.766.425-7 | |
| 2-1 | Contrasts: I. Verbunkos | — | ||
| 2-2 | Contrasts: II. Pihenö (Relaxation) | Benny Goodman, Joseph Szigeti, Béla Bartók | — | |
| 2-3 | Contrasts: III. Sebes | — | ||
| 2-4 | Mikrokosmos: No. 113. Bulgarian Rhythm | — | ||
| 2-5 | Mikrokosmos: No. 129. Alternating Thirds | — | ||
| 2-6 | Mikrokosmos: No. 131. Fourths | — | ||
| 2-7 | Mikrokosmos: No. 128. Peasant Dance | — | ||
| 2-8 | Mikrokosmos: No. 120. Fifth Chords | — | ||
| 2-9 | Mikrokosmos: No. 109. From the Island of Bali | — | ||
| 2-10 | Mikrokosmos: No. 138. Bagpipe | — | ||
| 2-11 | Mikrokosmos: No. 100. In the Style of a Folk Song | — | ||
| 2-12 | Mikrokosmos: No. 142. From the Diary of a Fly | — | ||
| 2-13 | Mikrokosmos: No. 140. Free Variations | — | ||
| 2-14 | Mikrokosmos: No. 133. Syncopation | — | ||
| 2-15 | Mikrokosmos: No. 149. Dance in Bulgarian Rhythm No. 2 | — | ||
| 2-16 | Mikrokosmos: No. 148. Dance in Bulgarian Rhythm No. 1 | — | ||
| 2-17 | Mikrokosmos: No. 108. Wrestling | — | ||
| 2-18 | Mikrokosmos: No. 150. Dance in Bulgarian Rhythm No. 3 | — | ||
| 2-19 | Mikrokosmos: No. 151. Dance in Bulgarian Rhythm No. 4 | — | ||
| 2-20 | Mikrokosmos: No. 94. Tale | — | ||
| 2-21 | Mikrokosmos: No. 152. Dance in Bulgarian Rhythm No. 5 | — | ||
| 2-22 | Mikrokosmos: No. 153. Dance in Bulgarian Rhythm No. 6 | — | ||
| 2-23 | Mikrokosmos: No. 126. Change of Time | — | ||
| 2-24 | Mikrokosmos: No. 116. Melody | — | ||
| 2-25 | Mikrokosmos: No. 130. Village Joke | — | ||
| 2-26 | Mikrokosmos: No. 139. Merry Andrew | — | ||
| 2-27 | Mikrokosmos: No. 147. March | — | ||
| 2-28 | Mikrokosmos: No. 144. Minor Seconds, Major Sevenths | — | ||
| 2-29 | Mikrokosmos: No. 97. Notturno | — | ||
| 2-30 | Mikrokosmos: No. 118. Triplets in 9/8 Time | — | ||
| 2-31 | Mikrokosmos: No. 141. Subject & Reflection | — | ||
| 2-32 | Mikrokosmos: No. 136. Whole-tone Scale | — | ||
| 2-33 | Mikrokosmos: No. 125. Boating | — | ||
| 2-34 | Mikrokosmos: No. 114. Theme & Inversion | — | ||
| 3-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 3-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 3-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 3-4 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 3-5 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 3-6 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 4-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Emil Gilels, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino simplice - Prestissimo - Tempo I | Emil Gilels, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Emil Gilels, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio - III. Allegretto vivace. Allegro animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-3 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-4 | Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai. L'istesso tempo | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-5 | Piano Concerto no. 2 in A major, S. 125: II. Allegro agitato assai - Un poco piu mosso - Tempo del andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-6 | Piano Concerto no. 2 in A major, S. 125: III. Allegro moderato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-7 | Piano Concerto no. 2 in A major, S. 125: IV. Allegro deciso - L'istesso tempo - Sempre allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-8 | Piano Concerto no. 2 in A major, S. 125: V. Marziale un poco meno. Allegro - Un poco animato - Un poco piu mosso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-9 | Piano Concerto no. 2 in A major, S. 125: VI. Allegro animato - Stretto | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-1 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | T-909.264.262-1 | |
| 6-2 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 6-3 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | T-909.264.262-1 | |
| 6-4 | Totentanz, S. 126 | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 7-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 7-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 7-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 7-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 7-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 7-6 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | — | ||
| 7-7 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 8-1 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro (Cadenza: Robert Casadesus) | Robert Casadesus, Cleveland Orchestra, George Szell | — | |
| 8-2 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Robert Casadesus, Membres du Cleveland Orchestra, George Szell | — | |
| 8-3 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: III. Allegro vivace assai (Cadenza: Robert Casadesus) | Robert Casadesus, Cleveland Orchestra, George Szell | — | |
| 8-4 | Concerto for Piano No. 24 in C minor, K. 491: I. Allegro (Cadenza: Camille Saint‐Saëns) | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 8-5 | Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 8-6 | Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto (Cadenza: Camille Saint‐Saëns) | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 8-7 | Piano Sonata no. 12 in F major, K. 332: I. Allegro | — | ||
| 8-8 | Piano Sonata no. 12 in F major, K. 332: II. Adagio | — | ||
| 8-9 | Piano Sonata no. 12 in F major, K. 332: III. Allegro assai | — | ||
| 9-1 | Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio | Leon Fleisher, The Cleveland Orchestra, George Szell | — | |
| 9-2 | Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio | Leon Fleisher, The Cleveland Orchestra, George Szell | — | |
| 9-3 | Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro | Leon Fleisher, The Cleveland Orchestra, George Szell | — | |
| 9-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 9-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 9-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 10-1 | Sonata in D major, K. 33 (L 424) | — | ||
| 10-2 | Sonata in A minor, K. 54 (L 241) | — | ||
| 10-3 | Sonata in F major, K. 525 (L 188) | — | ||
| 10-4 | Sonata in F minor, K. 466 (L 118) | — | ||
| 10-5 | Sonata in G major, K 146 (L349) | Vladimir Horowitz | — | |
| 10-6 | Sonata in D major, K. 96 (L 465) | — | ||
| 10-7 | Sonata in E major, K. 162 (L 21) | — | ||
| 10-8 | Sonata in E-flat major, K. 474 (L 203) | — | ||
| 10-9 | Sonata in E minor, K. 198 (L 22) | — | ||
| 10-10 | Sonata in D Major, K.491 (L.164): Allegro | Vladimir Horowitz | — | |
| 10-11 | Sonata in F minor, K. 481L 187) | — | ||
| 10-12 | Sonata in A major, K. 39 (L 391) | — | ||
| 10-13 | Sonata in G major, K. 547 (L S28) | — | ||
| 10-14 | Sonata in B minor, K. 197 (L 147) | — | ||
| 10-15 | Sonata in F-sharp minor, K. 25 (L 481) | — | ||
| 10-16 | Sonata in D minor, K. 52 (L 267) | — | ||
| 10-17 | Sonata in G major, K. 201 (L 129) | — | ||
| 10-18 | Sonata in C minor, K. 303 (L 9) | — | ||
| 11-1 | Waltz in E-flat major, op. 18: Grande valse brillante | — | ||
| 11-2 | Waltz in A-flat major, op. 34 no. 1 Valse brillante | — | ||
| 11-3 | Waltz in A minor, op. 34 no. 2: Valse brillante | — | ||
| 11-4 | Waltz in F major, op. 34 no. 3: Valse brillante | — | ||
| 11-5 | Waltz in A-flat major, op. 42: Two-four | — | ||
| 11-6 | Waltz no. 6 in D-flat major, op. 64 no. 1 'Minute' | Arthur Rubinstein | — | |
| 11-7 | Waltz in C-sharp minor, op. 64 no. 2 | — | ||
| 11-8 | Waltz in A-flat major, op. 64 no. 3 | — | ||
| 11-9 | Waltz in A-flat major, op. 69 no. 1: L'Adieu | — | ||
| 11-10 | Waltz in B minor, op. 69 no. 2 | — | ||
| 11-11 | Waltz in G-flat major, op. 70 no. 1 | — | ||
| 11-12 | Waltz in F minor, op. 70 no. 2 | — | ||
| 11-13 | Waltz in D-flat major, op. 70 no. 3 | — | ||
| 11-14 | Waltz in E minor, op. posth. | — | ||
| 11-15 | Impromptu in A-flat major, op. 29 | — | ||
| 11-16 | Impromptu in F-sharp major, op. 36 | — | ||
| 11-17 | Impromptu in G-flat major, op. 51 | — | ||
| 11-18 | Fantaisie-impromptu in C-sharp minor, op. 66 | Arthur Rubinstein | — | |
| 12-1 | Sonata for Piano no. 1 in C major, K. 189d/279: I. Allegro | Lili Kraus | T-306.395.786-4 | |
| 12-2 | Sonata for Piano no. 1 in C major, K. 189d/279: II. Andante | Lili Kraus | — | |
| 12-3 | Sonata for Piano no. 1 in C major, K. 189d/279: III. Allegro | Lili Kraus | — | |
| 12-4 | Sonata for Piano no. 2 in F major, K. 189e/280: I. Allegro assai | Lili Kraus | T-306.395.786-4 | |
| 12-5 | Sonata for Piano no. 2 in F major, K. 189e/280: II. Adagio | Lili Kraus | — | |
| 12-6 | Sonata for Piano no. 2 in F major, K. 189e/280: III. Presto | Lili Kraus | — | |
| 12-7 | Sonata for Piano no. 3 in B-flat major, K. 189f/281: I. Allegro | Lili Kraus | T-306.395.786-4 | |
| 12-8 | Sonata for Piano no. 3 in B-flat major, K. 189f/281: II. Andante amoroso | Lili Kraus | — | |
| 12-9 | Sonata for Piano no. 3 in B-flat major, K. 189f/281: III. Rondeau. Allegro | Lili Kraus | — | |
| 12-10 | Sonata for Piano no. 4 in E-flat major, K. 189g/282: I. Adagio | Lili Kraus | — | |
| 12-11 | Sonata for Piano no. 4 in E-flat major, K. 189g/282: II. Minutetto I / III. Minutetto II | Lili Kraus | — | |
| 12-12 | Sonata for Piano no. 4 in E-flat major, K. 189g/282: IV. Allegro | Lili Kraus | — | |
| 12-13 | Sonata for Piano no. 5 in G major, K. 189h/283: I. Allegro | Lili Kraus | T-306.395.786-4 | |
| 12-14 | Sonata for Piano no. 5 in G major, K. 189h/283: II. Andante | Lili Kraus | — | |
| 12-15 | Sonata for Piano no. 5 in G major, K. 189h/283: III. Presto | Lili Kraus | — | |
| 12-16 | Rondo for Piano in D major, K. 485 | Lili Kraus | — | |
| 13-1 | Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": I. Allegro | John Ogdon | — | |
| 13-2 | Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": II. Scherzo. Assai vivace | John Ogdon | — | |
| 13-3 | Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": III. Adagio sostenuto | John Ogdon | — | |
| 13-4 | Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": IV. Largo - Allegro risoluto | John Ogdon | — | |
| 13-5 | Chaconne, op. 32 | John Ogdon | — | |
| 13-6 | Suite, op. 45: I. Allegretto un pochettino | John Ogdon | — | |
| 13-7 | Suite, op. 45: II. Poco moderato | John Ogdon | — | |
| 13-8 | Suite, op. 45: III. Molto adagio e patètico | John Ogdon | — | |
| 13-9 | Suite, op. 45: IV. Allegretto innocente | John Ogdon | — | |
| 13-10 | Suite, op. 45: V. Allegretto vivo | John Ogdon | — | |
| 13-11 | Suite, op. 45: VI. Allegro non troppo ma vigoroso | John Ogdon | — | |
| 14-1 | French Suite no. 1 in D minor, BWV 812: I. Allemande | Glenn Gould | — | |
| 14-2 | French Suite no. 1 in D minor, BWV 812: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-3 | French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — | |
| 14-4 | French Suite no. 1 in D minor, BWV 812: IV. Menuet I | Glenn Gould | — | |
| 14-5 | French Suite no. 1 in D minor, BWV 812: V. Menuet II | Glenn Gould | — | |
| 14-6 | French Suite no. 1 in D minor, BWV 812: VI. Gigue | Glenn Gould | — | |
| 14-7 | French Suite no. 2 in C minor, BWV 813: I. Allemande | Glenn Gould | — | |
| 14-8 | French Suite no. 2 in C minor, BWV 813: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-9 | French Suite no. 2 in C minor, BWV 813: III. Sarabande | Glenn Gould | — | |
| 14-10 | French Suite no. 2 in C minor, BWV 813: IV. Air | Glenn Gould | — | |
| 14-11 | French Suite no. 2 in C minor, BWV 813: V. Menuet | Glenn Gould | — | |
| 14-12 | French Suite no. 2 in C minor, BWV 813: VI. Gigue | Glenn Gould | — | |
| 14-13 | French Suite no. 3 in B minor, BWV 814: I. Allemande | Glenn Gould | — | |
| 14-14 | French Suite no. 3 in B minor, BWV 814: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-15 | French Suite no. 3 in B minor, BWV 814: III. Sarabande | Glenn Gould | — | |
| 14-16 | French Suite no. 3 in B minor, BWV 814: IV. Menuet - Trio | Glenn Gould | T-307.292.941-6 | |
| 14-17 | French Suite no. 3 in B minor, BWV 814: V. Anglaise | Glenn Gould | — | |
| 14-18 | French Suite no. 3 in B minor, BWV 814: VI. Gigue | Glenn Gould | — | |
| 14-19 | French Suite no. 4 in E-flat major, BWV 815: I. Allemande | Glenn Gould | — | |
| 14-20 | French Suite no. 4 in E-flat major, BWV 815: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-21 | French Suite no. 4 in E-flat major, BWV 815: III. Sarabande | Glenn Gould | — | |
| 14-22 | French Suite no. 4 in E-flat major, BWV 815a: IV. Menuet | Glenn Gould | — | |
| 14-23 | French Suite no. 4 in E-flat major, BWV 815: V. Gavotte | Glenn Gould | — | |
| 14-24 | French Suite no. 4 in E-flat major, BWV 815: VI. Air | Glenn Gould | T-306.036.936-6 | |
| 14-25 | French Suite no. 4 in E-flat major, BWV 815: VII. Gigue | Glenn Gould | — | |
| 14-26 | French Suite no. 5 in G major, BWV 816: I. Allemande | Glenn Gould | — | |
| 14-27 | French Suite no. 5 in G major, BWV 816: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-28 | French Suite no. 5 in G major, BWV 816: III. Sarabande | Glenn Gould | — | |
| 14-29 | French Suite no. 5 in G major, BWV 816: IV. Gavotte | Glenn Gould | — | |
| 14-30 | French Suite no. 5 in G major, BWV 816: V. Bourée | Glenn Gould | — | |
| 14-31 | French Suite no. 5 in G major, BWV 816: VI. Loure | Glenn Gould | — | |
| 14-32 | French Suite no. 5 in G major, BWV 816: VII. Gigue | Glenn Gould | — | |
| 14-33 | French Suite no. 6 in E major, BWV 817: I. Allemande | Glenn Gould | — | |
| 14-34 | French Suite no. 6 in E major, BWV 817: II. Courante | Glenn Gould | — | |
| 14-35 | French Suite no. 6 in E major, BWV 817: III. Sarabande | Glenn Gould | — | |
| 14-36 | French Suite no. 6 in E major, BWV 817: IV. Gavotte | Glenn Gould | — | |
| 14-37 | French Suite no. 6 in E major, BWV 817: V. Polonaise | Glenn Gould | — | |
| 14-38 | French Suite no. 6 in E major, BWV 817: VI. Menuett | Glenn Gould | — | |
| 14-39 | French Suite no. 6 in E major, BWV 817: VII. Bourée | Glenn Gould | — | |
| 14-40 | French Suite no. 6 in E major, BWV 817: VIII. Gigue | Glenn Gould | — | |
| 15-1 | Fantasie in C major, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Tempo I | — | ||
| 15-2 | Fantasie in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | — | ||
| 15-3 | Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas gewegter | — | ||
| 15-4 | Fantasiestücke, op. 12: I. Der Abends. Sehr innig zu spielen | — | ||
| 15-5 | Fantasiestücke, op. 12: II. Aufschwung. Sehr rasch | — | ||
| 15-6 | Fantasiestücke, op. 12: III. Warum? Langsam und zahrt | — | ||
| 15-7 | Fantasiestücke, op. 12: IV. Grillen. Mit Humor | — | ||
| 15-8 | Fantasiestücke, op. 12: V. In der Nacht. Mit Leidenschaft | — | ||
| 15-9 | Fantasiestücke, op. 12: VI. Fabel. Langsam | — | ||
| 15-10 | Fantasiestücke, op. 12: VII. Traumes Wirren. Äußerst lebhaft | — | ||
| 15-11 | Fantasiestücke, op. 12: VIII. Ende vom Lied. Mit gutem Humor | — | ||
| 16-1 | Sonata for Two Pianos in D major, K. 375a/448: I. Allegro con spirito | — | ||
| 16-2 | Sonata for Two Pianos in D major, K. 375a/448: II. Andante | Murray Perahia, Radu Lupu | T-902.919.739-5 | |
| 16-3 | Sonata for Two Pianos in D major, K. 375a/448: III. Allegro molto | — | ||
| 16-4 | Fantasia for Piano, Four Hands in F minor D 940: Allegro molto moderato - Largo - Allegro vivace - Con delicatezza | — | ||
| 16-5 | Fantasia for Mechanical Organ in F minor, K. 608: I. Allegro ritenuto | Radu Lupu, Murray Perahia | T-070.160.313-5 | |
| 16-6 | Fantasia for Mechanical Organ in F minor, K. 608: II. Andante | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 16-7 | Fantasia for Mechanical Organ in F minor, K. 608: III. Allegro ritenuto | Radu Lupu, Murray Perahia | — | |
| 16-8 | Andante and Variations for Four Hands in G major, K. 501: I. Andante | Radu Lupu, Murray Perahia | T-003.979.618-3 | |
| 16-9 | Andante and Variations for Four Hands in G major, K. 501: II. Variation 1 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 16-10 | Andante and Variations for Four Hands in G major, K. 501: III. Variation 2 | Radu Lupu, Murray Perahia | — | |
| 16-11 | Andante and Variations for Four Hands in G major, K. 501: IV. Variation 3 | Radu Lupu, Murray Perahia | T-003.979.618-3 | |
| 16-12 | Andante and Variations for Four Hands in G major, K. 501: V. Variation 4 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 16-13 | Andante and Variations for Four Hands in G major, K. 501: VI. Variation 5 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 17-1 | Concerto no. 2 for Piano and Orchestra, in C minor, op. 18: I. Moderato | — | ||
| 17-2 | Concerto no. 2 for Piano and Orchestra, in C minor, op. 18: II. Adagio sostenuto | — | ||
| 17-3 | Concerto no. 2 for Piano and Orchestra, in C minor, op. 18: III. Allegro scherzando | — | ||
| 17-4 | Rhapsody on a Theme of Paganini, op. 43 | — | ||
| 18-1 | Keyboard Sonata no. 58 in C major, Hob. XVI:48: I. Andante con espressione | — | ||
| 18-2 | Keyboard Sonata no. 58 in C major, Hob. XVI:48: II. Rondo. Presto | — | ||
| 18-3 | Keyboard Sonata no. 33 in C minor, Hob. XVI:20: I. Moderato | — | ||
| 18-4 | Keyboard Sonata no. 33 in C minor, Hob. XVI:20: II. Antante con moto | — | ||
| 18-5 | Keyboard Sonata no. 33 in C minor, Hob. XVI:20: III. Finale. Allegro | — | ||
| 18-6 | Keyboard Sonata no. 60 in C major, Hob. XVI:50: I. Allegro | — | ||
| 18-7 | Keyboard Sonata no. 60 in C major, Hob. XVI:50: II. Adagio | — | ||
| 18-8 | Keyboard Sonata no. 60 in C major, Hob. XVI:50: III. Allegro molto | — | ||
| 18-9 | Keyboard Sonata no. 38 in F major, Hob. XVI:23: I. Allegro moderato | — | ||
| 18-10 | Keyboard Sonata no. 38 in F major, Hob. XVI:23: II. Adagio | — | ||
| 18-11 | Keyboard Sonata no. 38 in F major, Hob. XVI:23: III. Finale. Presto | — | ||
| 19-1 | Three Movements from Petrushka: Russian Dance | — | ||
| 19-2 | Three Movements from Petrushka: Petrushka's Cell | — | ||
| 19-3 | Three Movements from Petrushka: The Shrove - Tide Fair | — | ||
| 19-4 | Pictures at an Exhibition: Promenade | — | ||
| 19-5 | Pictures at an Exhibition: I. The Gnome | — | ||
| 19-6 | Pictures at an Exhibition: Promenade | — | ||
| 19-7 | Pictures at an Exhibition: II. The Old Castle | — | ||
| 19-8 | Pictures at an Exhibition: Promenade | — | ||
| 19-9 | Pictures at an Exhibition: III. The Tuileries | — | ||
| 19-10 | Pictures at an Exhibition: IV. The Ox Cart | — | ||
| 19-11 | Pictures at an Exhibition: Promenade | — | ||
| 19-12 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 19-13 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle | — | ||
| 19-14 | Pictures at an Exhibition: Promenade | — | ||
| 19-15 | Pictures at an Exhibition: VII. The Marketplace of Limoges | — | ||
| 19-16 | Pictures at an Exhibition: VIII. The Catacombs | — | ||
| 19-17 | Pictures at an Exhibition: Cum mortuis in lingua mortus | — | ||
| 19-18 | Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba - Yagá) | — | ||
| 19-19 | Pictures at an Exhibition: X. The Great Gate of Kiev | — | ||
| 19-20 | Dumka - Russian Rustic Scene in C minor, op. 59 | — | ||
| 20-1 | Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto | — | ||
| 20-2 | Fantasia for Piano in C minor, K. 475 | — | ||
| 20-3 | Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro | — | ||
| 20-4 | Piano Sonata no. 14 in C minor, K. 457: II. Adagio | — | ||
| 20-5 | Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 20-6 | "Le Nozze di Figaro", K. 492: Recitativo and Aria: "Giunse alfin il momento" - "Deh vieni, non Tardar" | — | ||
| 20-7 | Aria | — | ||
| 20-8 | Excercise 9 | — | ||
| 21-1 | Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro | — | ||
| 21-2 | Piano Concerto no. 22 in E-flat major, K. 482: II. Andante | — | ||
| 21-3 | Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro | — | ||
| 21-4 | Piano Concerto no. 26 in D major, K. 537 "Coronation": I. Allegro | — | ||
| 21-5 | Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto | — | ||
| 21-6 | Piano Concerto no. 26 in D major, K. 537 "Coronation": III. Allegretto | — | ||
| 22-1 | Konzertstück for Piano and Orchestra in F minor, op. 79 | — | ||
| 22-2 | Concerto for Piano no. 1 in C major, op. 11: I. Allegro | — | ||
| 22-3 | Concerto for Piano no. 1 in C major, op. 11: II. Adagio | — | ||
| 22-4 | Concerto for Piano no. 1 in C major, op. 11: III. Presto | — | ||
| 22-5 | Concerto for Piano no. 2 in E-flat major, op. 32: I. Allegro maestoso | — | ||
| 22-6 | Concerto for Piano no. 2 in E-flat major, op. 32: II. Adagio | — | ||
| 22-7 | Concerto for Piano no. 2 in E-flat major, op. 32: III. Rondo: Presto | — | ||
| 22-8 | Polonaise brillante "L'hilarité", op. 72 for Piano and Orchestra | — | ||
| 23-1 | Suite no. 5 in E major, HWV 430: I. Prelude | — | ||
| 23-2 | Suite no. 5 in E major, HWV 430: II. Allemande | — | ||
| 23-3 | Suite no. 5 in E major, HWV 430: III. Courante | — | ||
| 23-4 | Suite no. 5 in E major, HWV 430: IV. Air with 5 variations | — | ||
| 23-5 | Chaconne in G major, HWV 435 | — | ||
| 23-6 | Suite no. 3 in D minor, HWV 428: I. Prelude | — | ||
| 23-7 | Suite no. 3 in D minor, HWV 428: II. Allegro (Fugue) | — | ||
| 23-8 | Suite no. 3 in D minor, HWV 428: III. Allemande | — | ||
| 23-9 | Suite no. 3 in D minor, HWV 428: IV. Courante | — | ||
| 23-10 | Suite no. 3 in D minor, HWV 428: V. Air with 5 variations | — | ||
| 23-11 | Suite no. 3 in D minor, HWV 428: VI. Presto | — | ||
| 23-12 | Suite no. 2 in F major, HWV 427: I. Adagio | — | ||
| 23-13 | Suite no. 2 in F major, HWV 427: II. Allegro | — | ||
| 23-14 | Suite no. 2 in F major, HWV 427: III. Adagio | — | ||
| 23-15 | Suite no. 2 in F major, HWV 427: IV. Allegro (Fugue) | — | ||
| 23-16 | Sonata in D major, K 491 | — | ||
| 23-17 | Sonata in B minor, K 27 | — | ||
| 23-18 | Sonata in C-sharp minor, K 247 | — | ||
| 23-19 | Sonata in D major, K 29 | — | ||
| 23-20 | Sonata in A major, K 537 | — | ||
| 23-21 | Sonata in E major, K 206 | — | ||
| 23-22 | Sonata in A major, K 212 | Murray Perahia | — | |
| 24-1 | Ballade no. 1, op. 23 in G minor | — | ||
| 24-2 | Ballade no. 2, op. 38 in F major | — | ||
| 24-3 | Ballade no. 3, op. 47 in A-flat major | — | ||
| 24-4 | Ballade no. 4, op. 52 in F minor | — | ||
| 24-5 | Berceuse, op. 57 | — | ||
| 24-6 | Barcarolle, op. 60 | — | ||
| 24-7 | Scherzo no. 4, op. 54 in E major | — | ||
| 25-1 | Goldberg Variations, BWV 988: Aria | Murray Perahia | T-902.128.688-4 | |
| 25-2 | Goldberg Variations, BWV 988: Variation 1 | Murray Perahia | T-902.128.688-4 | |
| 25-3 | Goldberg Variations, BWV 988: Variation 2 | Murray Perahia | T-902.128.688-4 | |
| 25-4 | Goldberg Variations, BWV 988: Variation 3. Canon on the unison | Murray Perahia | T-902.128.688-4 | |
| 25-5 | Goldberg Variations, BWV 988: Variation 4 | Murray Perahia | T-902.128.688-4 | |
| 25-6 | Goldberg Variations, BWV 988: Variation 5 | Murray Perahia | T-902.128.688-4 | |
| 25-7 | Goldberg Variations, BWV 988: Variation 6. Canon on the second | Murray Perahia | T-902.128.688-4 | |
| 25-8 | Goldberg Variations, BWV 988: Variation 7 | Murray Perahia | T-010.504.520-2 | |
| 25-9 | Goldberg Variations, BWV 988: Variation 8 | Murray Perahia | T-902.128.688-4 | |
| 25-10 | Goldberg Variations, BWV 988: Variation 9. Canon on the third | Murray Perahia | T-902.128.688-4 | |
| 25-11 | Goldberg Variations, BWV 988: Variation 10. Fughetta | Murray Perahia | T-902.128.688-4 | |
| 25-12 | Goldberg Variations, BWV 988: Variation 11 | Murray Perahia | T-902.128.688-4 | |
| 25-13 | Goldberg Variations, BWV 988: Variation 12. Canon on the fourth | Murray Perahia | T-311.760.304-6 | |
| 25-14 | Goldberg Variations, BWV 988: Variation 13 | Murray Perahia | T-902.128.688-4 | |
| 25-15 | Goldberg Variations, BWV 988: Variation 14 | Murray Perahia | T-902.128.688-4 | |
| 25-16 | Goldberg Variations, BWV 988: Variation 15. Canon on the fifth | Murray Perahia | T-312.642.162-9 | |
| 25-17 | Goldberg Variations, BWV 988: Variation 16. Overture | Murray Perahia | T-902.128.688-4 | |
| 25-18 | Goldberg Variations, BWV 988: Variation 17 | Murray Perahia | T-010.909.095-0 | |
| 25-19 | Goldberg Variations, BWV 988: Variation 18. Canon on the sixth | Murray Perahia | T-902.128.688-4 | |
| 25-20 | Goldberg Variations, BWV 988: Variation 19 | Murray Perahia | T-902.128.688-4 | |
| 25-21 | Goldberg Variations, BWV 988: Variation 20 | Murray Perahia | T-902.128.688-4 | |
| 25-22 | Goldberg Variations, BWV 988: Variation 21. Canon on the seventh | Murray Perahia | T-312.642.162-9 | |
| 25-23 | Goldberg Variations, BWV 988: Variation 22 | Murray Perahia | T-902.128.688-4 | |
| 25-24 | Goldberg Variations, BWV 988: Variation 23 | Murray Perahia | T-902.128.688-4 | |
| 25-25 | Goldberg Variations, BWV 988: Variation 24. Canon on the octave | Murray Perahia | T-902.128.688-4 | |
| 25-26 | Goldberg Variations, BWV 988: Variation 25 | Murray Perahia | T-902.128.688-4 | |
| 25-27 | Goldberg Variations, BWV 988: Variation 26 | Murray Perahia | T-902.128.688-4 | |
| 25-28 | Goldberg Variations, BWV 988: Variation 27. Canon on the ninth | Murray Perahia | T-311.760.304-6 | |
| 25-29 | Goldberg Variations, BWV 988: Variation 28 | Murray Perahia | T-902.128.688-4 | |
| 25-30 | Goldberg Variations, BWV 988: Variation 29 | Murray Perahia | T-902.128.688-4 | |
| 25-31 | Goldberg Variations, BWV 988: Variation 30. Quodlibet | Murray Perahia | T-902.128.688-4 | |
| 25-32 | Goldberg Variations, BWV 988: Aria da capo | Murray Perahia | T-801.806.984-7 | |
| 26-1 | Piano sonata no. 1 in E major "unfinished", D. 157: I. Allegro ma non troppo | — | ||
| 26-2 | Piano sonata no. 1 in E major "unfinished", D. 157: II. Andante | — | ||
| 26-3 | Piano sonata no. 1 in E major "unfinished", D. 157: III. Menuetto. Allegro vivace - Trio | — | ||
| 26-4 | Piano sonata no. 18 in G major, D. 894: I. Molto moderato e cantabile | — | ||
| 26-5 | Piano sonata no. 18 in G major, D. 894: II. Andante | — | ||
| 26-6 | Piano sonata no. 18 in G major, D. 894: III. Menuetto. Allegro moderato - Trio | — | ||
| 26-7 | Piano sonata no. 18 in G major, D. 894: IV. Allegretto | — | ||
| 26-8 | Der Müller und der Bach, D. 795/19, S. 565/2 | — | ||
| 27-1 | Ich ruf zu dir, Herr - Chorale Prelude for Organ, BWV 639 | Martin Stadtfeld | — | |
| 27-2 | Italien Concerto in F major, BWV 971: I. Without tempo designation | Martin Stadtfeld | T-801.411.105-9 | |
| 27-3 | Italien Concerto in F major, BWV 971: II. Andante | Martin Stadtfeld | T-312.198.890-3 | |
| 27-4 | Italien Concerto in F major, BWV 971: III. Presto | Martin Stadtfeld | T-312.198.890-3 | |
| 27-5 | French Suite no. 2 in C minor, BWV 813: I. Allemande | Martin Stadtfeld | — | |
| 27-6 | French Suite no. 2 in C minor, BWV 813: II. Courante | Martin Stadtfeld | — | |
| 27-7 | French Suite no. 2 in C minor, BWV 813: III. Sarabande | Martin Stadtfeld | — | |
| 27-8 | French Suite no. 2 in C minor, BWV 813: IV. Air | Martin Stadtfeld | — | |
| 27-9 | French Suite no. 2 in C minor, BWV 813: V. Menuet | Martin Stadtfeld | — | |
| 27-10 | French Suite no. 2 in C minor, BWV 813: VI. Gigue | Martin Stadtfeld | — | |
| 27-11 | Sinfonia 1 BWV 787 | Martin Stadtfeld | — | |
| 27-12 | Sinfonia 2 BWV 788 | Martin Stadtfeld | — | |
| 27-13 | Sinfonia 3 BWV 789 | Martin Stadtfeld | — | |
| 27-14 | Sinfonia 4 BWV 790 | Martin Stadtfeld | — | |
| 27-15 | Sinfonia 5 BWV 791 | Martin Stadtfeld | — | |
| 27-16 | Sinfonia 6 BWV 792 | Martin Stadtfeld | — | |
| 27-17 | Sinfonia 7 BWV 793 | Martin Stadtfeld | — | |
| 27-18 | Sinfonia 8 BWV 794 | Martin Stadtfeld | — | |
| 27-19 | Sinfonia 9 BWV 795 | Martin Stadtfeld | — | |
| 27-20 | Sinfonia 10 BWV 796 | Martin Stadtfeld | — | |
| 27-21 | Sinfonia 11 BWV 797 | Martin Stadtfeld | — | |
| 27-22 | Sinfonia 12 BWV 798 | Martin Stadtfeld | — | |
| 27-23 | Sinfonia 13 BWV 799 | Martin Stadtfeld | — | |
| 27-24 | Sinfonia 14 BWV 800 | Martin Stadtfeld | — | |
| 27-25 | Sinfonia 15 BWV 801 | Martin Stadtfeld | — | |
| 27-26 | Fantasia in C minor. BWV 906 | Martin Stadtfeld | — | |
| 27-27 | Fantasia and Fugue in A minor, BWV 944 | Martin Stadtfeld | — | |
| 27-28 | Nun freut euch, lieben Christen g'mein - Chorale Prelude for Organ, BWV 734 | Martin Stadtfeld | — | |
| 27-29 | Prelude in B minor | Martin Stadtfeld | — | |
| 28-1 | "Wachet auf, ruft uns die Stimme" from Chorale Prelude, BWV 645 | — | ||
| 28-2 | "Jesus bleibet meine Freude" from Cantata, BWV 147 | — | ||
| 28-3 | "Gandharva - Music", op. 49 | — | ||
| 28-4 | Chaconne in G major, HWV 435 | — | ||
| 28-5 | "April - England", op. 48 | — | ||
| 28-6 | Symphony no. 7, S. 464: II. Allegretto | — | ||
| 28-7 | Fantasia on an Ostinato | — | ||
| 28-8 | Toccata in C minor, BWV 911 | — | ||
| 28-9 | Toccata in C major, op. 7 | — | ||
| 28-10 | Toccata in D minor, op. 11 | — | ||
| 29-1 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": I. Grave. Doppio movimento | — | ||
| 29-2 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": II. Scherzo | — | ||
| 29-3 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": III. Marche funèbre. Lento | — | ||
| 29-4 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": IV. Finale. Presto | — | ||
| 29-5 | Prelude for Piano in B minor | — | ||
| 29-6 | Moments musicaux, D. 780: No. 1 Moderato | — | ||
| 29-7 | Moments musicaux, D. 780: No. 2 Andantino | — | ||
| 29-8 | Moments musicaux, D. 780: No. 3 Allegro moderato | — | ||
| 29-9 | Moments musicaux, D. 780: No. 4 Moderato | — | ||
| 29-10 | Moments musicaux, D. 780: No. 5 Allegro vivace | — | ||
| 29-11 | Moments musicaux, D. 780: No. 6 Allegretto | — | ||
| 29-12 | Études d'exécution Transcendante d'après Paganini, S. 140: No. 3 "La Campanella" | — | ||
| 29-13 | Variations on a Theme by Paganini: Theme | — | ||
| 29-14 | Variations on a Theme by Paganini: Variation 1 | — | ||
| 29-15 | Variations on a Theme by Paganini: Variation 2 | — | ||
| 29-16 | Variations on a Theme by Paganini: Variation 3 | — | ||
| 29-17 | Variations on a Theme by Paganini: Variation 4 | — | ||
| 29-18 | Variations on a Theme by Paganini: Variation 5 | — | ||
| 29-19 | Variations on a Theme by Paganini: Variation 6 | — | ||
| 29-20 | Variations on a Theme by Paganini: Variation 7 | — | ||
| 29-21 | Variations on a Theme by Paganini: Variation 8 | — | ||
| 29-22 | Variations on a Theme by Paganini: Variation 9 | — | ||
| 29-23 | Variations on a Theme by Paganini: Variation 10 | — | ||
| 29-24 | Variations on a Theme by Paganini: Fuge | — | ||
| 30-1 | Slavonic Dances, op. 46: No. 1 in C major (Presto) | — | ||
| 30-2 | NO. 2 IN E MINOR: ALLEGRETTO SCHERZANDO - ALLEGRO VIVO | Duo Tal & Groethuysen | — | |
| 30-3 | Slavonic Dances, op. 46: No. 3 in A-flat major (Poco allegro - Piu mosso) | — | ||
| 30-4 | NO. 4 IN F MAJOR: TEMPO DI MINUETTO | Duo Tal & Groethuysen | — | |
| 30-5 | Slavonic Dances, op. 46: No. 5 in A major (Allegro vivace) | — | ||
| 30-6 | Slavonic Dances, op. 46: No. 6 in D major (Allegretto scherzando) | — | ||
| 30-7 | Slavonic Dances, op. 46: No. 7 in C minor (Allegro assai) | — | ||
| 30-8 | Slavonic Dances, op. 46: No. 8 in G minor (Presto) | — | ||
| 30-9 | Slavonic Dances, op. 72: No. 1 in B major (Molto vivace) | — | ||
| 30-10 | Slavonic Dances, op. 72: No. 2 in E minor (Allegretto grazioso) | — | ||
| 30-11 | Slavonic Dances, op. 72: No. 3 in F major (Allegro) | — | ||
| 30-12 | Slavonic Dances, op. 72: No. 4 in D-flat major (Allegretto grazioso) | — | ||
| 30-13 | Slavonic Dances, op. 72: No. 5 in B-flat minor (Poco adagio - Vivace) | — | ||
| 30-14 | Slavonic Dances, op. 72: No. 6 in B-flat major (Moderato, quasi minuetto) | — | ||
| 30-15 | Slavonic Dances, op. 72: No. 7 in C major (Presto) | — | ||
| 30-16 | Slavonic Dances, op. 72: No. 8 in A-flat major (Lento grazioso, quasi tempo di valse) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 1, Prelude | Sergei Rachmaninoff | — |
| Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Robert Casadesus, Membres du Cleveland Orchestra, George Szell | — |
| French Suite no. 5 in G major, BWV 816: I. Allemande | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: II. Courante | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: III. Sarabande | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: IV. Gavotte | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: V. Bourée | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: VI. Loure | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: I. Allemande | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: II. Courante | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: III. Sarabande | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: IV. Gavotte | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: V. Polonaise | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VI. Menuett | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VII. Bourée | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: VII. Gigue | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VIII. Gigue | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: I. Allemande | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: II. Courante | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: IV. Menuet I | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: V. Menuet II | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: VI. Gigue | Glenn Gould | — |
| French Suite no. 2 in C minor, BWV 813: I. Allemande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: II. Courante | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: III. Sarabande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: IV. Air | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: V. Menuet | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: VI. Gigue | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: I. Allemande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: II. Courante | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: III. Sarabande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: IV. Menuet - Trio | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: V. Anglaise | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: VI. Gigue | Glenn Gould | T-909.229.948-4 |
| French Suite no. 4 in E-flat major, BWV 815: I. Allemande | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: II. Courante | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: III. Sarabande | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815a: IV. Menuet | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: V. Gavotte | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: VI. Air | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: VII. Gigue | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — |
