UPC · Release
Piano: Great Recordings
Various Artists
888430917521
435 tracksReleased 2014-01-01Sony Classical
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888430917521 is the Universal Product Code (UPC barcode) for the release “Piano: Great Recordings” by Various Artists, released 2014-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 435 tracks, each with its own ISRC. Tracks include USBC14000125, USBC10000697, HKI190018801.
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Credit Chain
UPCPiano: Great Recordings
ISRC183 recordings
ISWC26 works
IPI6 songwriters
Track List (435)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prélude, op. 23, no. 10 in G-flat major | — | ||
| 2 | Prélude, op. 32, no. 3 in E major | — | ||
| 3 | Prélude, op. 32, no. 6 in F minor | — | ||
| 4 | Prélude, op. 32, no. 7 in F major | — | ||
| 5 | Étude-tableau, op. 33, no. 2 in C major | — | ||
| 6 | Étude-tableau, op. 33, no. 7 in E-flat major | — | ||
| 7 | Daisies, op. 38, no. 3 | — | ||
| 8 | Étude-tableau, op. 39, no. 6 in A minor | — | ||
| 9 | Oriental Sketch | — | ||
| 10 | Mélodie, op. 3, no. 3 in E major | — | ||
| 11 | Serenade, op. 3, no. 5 in B-flat minor | — | ||
| 12 | Morceaux de salon, for piano, op. 10: no. 5, Humoresque in G major | Сергей Васильевич Рахманинов | — | |
| 13 | Lilacs, op. 21, no. 5 | — | ||
| 14 | Moment musicaux, op. 16, no. 2 in E-flat minor | — | ||
| 15 | Polka W.R., for piano in A-flat major, TN ii/18 | Sergei Rachmaninoff | — | |
| 16 | Prélude, op. 3, no. 2 in C-sharp minor | — | ||
| 17 | Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 1, Prelude | Sergei Rachmaninoff | — | |
| 18 | Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 2, Gavotte en Rondeau | Sergei Rachmaninoff | T-902.821.642-4 | |
| 19 | Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 3, Gigue | Sergei Rachmaninoff | T-900.766.423-5 | |
| 20 | A Midsummer Night's Dream, incidental music, Op. 61 Scherzo | Sergei Rachmaninoff | T-900.113.227-0 | |
| 21 | Kreisler’s ’Liebesfreud’ for piano, TNiii/5 | Sergei Rachmaninoff | — | |
| 22 | Die schöne Müllerin, D. 795: Wohin? | — | ||
| 23 | The Fair at Sorochintsy: Hopak | — | ||
| 24 | Tchaikovsky’s ’Lullaby for piano, op. 16/1,’ TN iii/14 | Sergei Rachmaninoff | — | |
| 25 | Flight of the Bumblebee | Sergei Rachmaninoff | T-900.766.425-7 | |
| 2-1 | Contrasts: I. Verbunkos | — | ||
| 2-2 | Contrasts: II. Pihenö (Relaxation) | Benny Goodman, Joseph Szigeti, Béla Bartók | — | |
| 2-3 | Contrasts: III. Sebes | — | ||
| 2-4 | Mikrokosmos: No. 113. Bulgarian Rhythm | — | ||
| 2-5 | Mikrokosmos: No. 129. Alternating Thirds | — | ||
| 2-6 | Mikrokosmos: No. 131. Fourths | — | ||
| 2-7 | Mikrokosmos: No. 128. Peasant Dance | — | ||
| 2-8 | Mikrokosmos: No. 120. Fifth Chords | — | ||
| 2-9 | Mikrokosmos: No. 109. From the Island of Bali | — | ||
| 2-10 | Mikrokosmos: No. 138. Bagpipe | — | ||
| 2-11 | Mikrokosmos: No. 100. In the Style of a Folk Song | — | ||
| 2-12 | Mikrokosmos: No. 142. From the Diary of a Fly | — | ||
| 2-13 | Mikrokosmos: No. 140. Free Variations | — | ||
| 2-14 | Mikrokosmos: No. 133. Syncopation | — | ||
| 2-15 | Mikrokosmos: No. 149. Dance in Bulgarian Rhythm No. 2 | — | ||
| 2-16 | Mikrokosmos: No. 148. Dance in Bulgarian Rhythm No. 1 | — | ||
| 2-17 | Mikrokosmos: No. 108. Wrestling | — | ||
| 2-18 | Mikrokosmos: No. 150. Dance in Bulgarian Rhythm No. 3 | — | ||
| 2-19 | Mikrokosmos: No. 151. Dance in Bulgarian Rhythm No. 4 | — | ||
| 2-20 | Mikrokosmos: No. 94. Tale | — | ||
| 2-21 | Mikrokosmos: No. 152. Dance in Bulgarian Rhythm No. 5 | — | ||
| 2-22 | Mikrokosmos: No. 153. Dance in Bulgarian Rhythm No. 6 | — | ||
| 2-23 | Mikrokosmos: No. 126. Change of Time | — | ||
| 2-24 | Mikrokosmos: No. 116. Melody | — | ||
| 2-25 | Mikrokosmos: No. 130. Village Joke | — | ||
| 2-26 | Mikrokosmos: No. 139. Merry Andrew | — | ||
| 2-27 | Mikrokosmos: No. 147. March | — | ||
| 2-28 | Mikrokosmos: No. 144. Minor Seconds, Major Sevenths | — | ||
| 2-29 | Mikrokosmos: No. 97. Notturno | — | ||
| 2-30 | Mikrokosmos: No. 118. Triplets in 9/8 Time | — | ||
| 2-31 | Mikrokosmos: No. 141. Subject & Reflection | — | ||
| 2-32 | Mikrokosmos: No. 136. Whole-tone Scale | — | ||
| 2-33 | Mikrokosmos: No. 125. Boating | — | ||
| 2-34 | Mikrokosmos: No. 114. Theme & Inversion | — | ||
| 3-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 3-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 3-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 3-4 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 3-5 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 3-6 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 4-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Emil Gilels, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino simplice - Prestissimo - Tempo I | Emil Gilels, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Emil Gilels, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio - III. Allegretto vivace. Allegro animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-3 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-4 | Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai. L'istesso tempo | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-5 | Piano Concerto no. 2 in A major, S. 125: II. Allegro agitato assai - Un poco piu mosso - Tempo del andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-6 | Piano Concerto no. 2 in A major, S. 125: III. Allegro moderato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-7 | Piano Concerto no. 2 in A major, S. 125: IV. Allegro deciso - L'istesso tempo - Sempre allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-8 | Piano Concerto no. 2 in A major, S. 125: V. Marziale un poco meno. Allegro - Un poco animato - Un poco piu mosso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-9 | Piano Concerto no. 2 in A major, S. 125: VI. Allegro animato - Stretto | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-1 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | T-909.264.262-1 | |
| 6-2 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 6-3 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | T-909.264.262-1 | |
| 6-4 | Totentanz, S. 126 | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 7-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 7-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 7-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 7-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 7-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 7-6 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | — | ||
| 7-7 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 8-1 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro (Cadenza: Robert Casadesus) | Robert Casadesus, Cleveland Orchestra, George Szell | — | |
| 8-2 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Robert Casadesus, Membres du Cleveland Orchestra, George Szell | — | |
| 8-3 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: III. Allegro vivace assai (Cadenza: Robert Casadesus) | Robert Casadesus, Cleveland Orchestra, George Szell | — | |
| 8-4 | Concerto for Piano No. 24 in C minor, K. 491: I. Allegro (Cadenza: Camille Saint‐Saëns) | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 8-5 | Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 8-6 | Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto (Cadenza: Camille Saint‐Saëns) | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 8-7 | Piano Sonata no. 12 in F major, K. 332: I. Allegro | — | ||
| 8-8 | Piano Sonata no. 12 in F major, K. 332: II. Adagio | — | ||
| 8-9 | Piano Sonata no. 12 in F major, K. 332: III. Allegro assai | — | ||
| 9-1 | Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio | Leon Fleisher, The Cleveland Orchestra, George Szell | — | |
| 9-2 | Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio | Leon Fleisher, The Cleveland Orchestra, George Szell | — | |
| 9-3 | Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro | Leon Fleisher, The Cleveland Orchestra, George Szell | — | |
| 9-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 9-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 9-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 10-1 | Sonata in D major, K. 33 (L 424) | — | ||
| 10-2 | Sonata in A minor, K. 54 (L 241) | — | ||
| 10-3 | Sonata in F major, K. 525 (L 188) | — | ||
| 10-4 | Sonata in F minor, K. 466 (L 118) | — | ||
| 10-5 | Sonata in G major, K 146 (L349) | Vladimir Horowitz | — | |
| 10-6 | Sonata in D major, K. 96 (L 465) | — | ||
| 10-7 | Sonata in E major, K. 162 (L 21) | — | ||
| 10-8 | Sonata in E-flat major, K. 474 (L 203) | — | ||
| 10-9 | Sonata in E minor, K. 198 (L 22) | — | ||
| 10-10 | Sonata in D Major, K.491 (L.164): Allegro | Vladimir Horowitz | — | |
| 10-11 | Sonata in F minor, K. 481L 187) | — | ||
| 10-12 | Sonata in A major, K. 39 (L 391) | — | ||
| 10-13 | Sonata in G major, K. 547 (L S28) | — | ||
| 10-14 | Sonata in B minor, K. 197 (L 147) | — | ||
| 10-15 | Sonata in F-sharp minor, K. 25 (L 481) | — | ||
| 10-16 | Sonata in D minor, K. 52 (L 267) | — | ||
| 10-17 | Sonata in G major, K. 201 (L 129) | — | ||
| 10-18 | Sonata in C minor, K. 303 (L 9) | — | ||
| 11-1 | Waltz in E-flat major, op. 18: Grande valse brillante | — | ||
| 11-2 | Waltz in A-flat major, op. 34 no. 1 Valse brillante | — | ||
| 11-3 | Waltz in A minor, op. 34 no. 2: Valse brillante | — | ||
| 11-4 | Waltz in F major, op. 34 no. 3: Valse brillante | — | ||
| 11-5 | Waltz in A-flat major, op. 42: Two-four | — | ||
| 11-6 | Waltz no. 6 in D-flat major, op. 64 no. 1 'Minute' | Arthur Rubinstein | — | |
| 11-7 | Waltz in C-sharp minor, op. 64 no. 2 | — | ||
| 11-8 | Waltz in A-flat major, op. 64 no. 3 | — | ||
| 11-9 | Waltz in A-flat major, op. 69 no. 1: L'Adieu | — | ||
| 11-10 | Waltz in B minor, op. 69 no. 2 | — | ||
| 11-11 | Waltz in G-flat major, op. 70 no. 1 | — | ||
| 11-12 | Waltz in F minor, op. 70 no. 2 | — | ||
| 11-13 | Waltz in D-flat major, op. 70 no. 3 | — | ||
| 11-14 | Waltz in E minor, op. posth. | — | ||
| 11-15 | Impromptu in A-flat major, op. 29 | — | ||
| 11-16 | Impromptu in F-sharp major, op. 36 | — | ||
| 11-17 | Impromptu in G-flat major, op. 51 | — | ||
| 11-18 | Fantaisie-impromptu in C-sharp minor, op. 66 | Arthur Rubinstein | — | |
| 12-1 | Sonata for Piano no. 1 in C major, K. 189d/279: I. Allegro | Lili Kraus | T-306.395.786-4 | |
| 12-2 | Sonata for Piano no. 1 in C major, K. 189d/279: II. Andante | Lili Kraus | — | |
| 12-3 | Sonata for Piano no. 1 in C major, K. 189d/279: III. Allegro | Lili Kraus | — | |
| 12-4 | Sonata for Piano no. 2 in F major, K. 189e/280: I. Allegro assai | Lili Kraus | T-306.395.786-4 | |
| 12-5 | Sonata for Piano no. 2 in F major, K. 189e/280: II. Adagio | Lili Kraus | — | |
| 12-6 | Sonata for Piano no. 2 in F major, K. 189e/280: III. Presto | Lili Kraus | — | |
| 12-7 | Sonata for Piano no. 3 in B-flat major, K. 189f/281: I. Allegro | Lili Kraus | T-306.395.786-4 | |
| 12-8 | Sonata for Piano no. 3 in B-flat major, K. 189f/281: II. Andante amoroso | Lili Kraus | — | |
| 12-9 | Sonata for Piano no. 3 in B-flat major, K. 189f/281: III. Rondeau. Allegro | Lili Kraus | — | |
| 12-10 | Sonata for Piano no. 4 in E-flat major, K. 189g/282: I. Adagio | Lili Kraus | — | |
| 12-11 | Sonata for Piano no. 4 in E-flat major, K. 189g/282: II. Minutetto I / III. Minutetto II | Lili Kraus | — | |
| 12-12 | Sonata for Piano no. 4 in E-flat major, K. 189g/282: IV. Allegro | Lili Kraus | — | |
| 12-13 | Sonata for Piano no. 5 in G major, K. 189h/283: I. Allegro | Lili Kraus | T-306.395.786-4 | |
| 12-14 | Sonata for Piano no. 5 in G major, K. 189h/283: II. Andante | Lili Kraus | — | |
| 12-15 | Sonata for Piano no. 5 in G major, K. 189h/283: III. Presto | Lili Kraus | — | |
| 12-16 | Rondo for Piano in D major, K. 485 | Lili Kraus | — | |
| 13-1 | Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": I. Allegro | John Ogdon | — | |
| 13-2 | Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": II. Scherzo. Assai vivace | John Ogdon | — | |
| 13-3 | Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": III. Adagio sostenuto | John Ogdon | — | |
| 13-4 | Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": IV. Largo - Allegro risoluto | John Ogdon | — | |
| 13-5 | Chaconne, op. 32 | John Ogdon | — | |
| 13-6 | Suite, op. 45: I. Allegretto un pochettino | John Ogdon | — | |
| 13-7 | Suite, op. 45: II. Poco moderato | John Ogdon | — | |
| 13-8 | Suite, op. 45: III. Molto adagio e patètico | John Ogdon | — | |
| 13-9 | Suite, op. 45: IV. Allegretto innocente | John Ogdon | — | |
| 13-10 | Suite, op. 45: V. Allegretto vivo | John Ogdon | — | |
| 13-11 | Suite, op. 45: VI. Allegro non troppo ma vigoroso | John Ogdon | — | |
| 14-1 | French Suite no. 1 in D minor, BWV 812: I. Allemande | Glenn Gould | — | |
| 14-2 | French Suite no. 1 in D minor, BWV 812: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-3 | French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — | |
| 14-4 | French Suite no. 1 in D minor, BWV 812: IV. Menuet I | Glenn Gould | — | |
| 14-5 | French Suite no. 1 in D minor, BWV 812: V. Menuet II | Glenn Gould | — | |
| 14-6 | French Suite no. 1 in D minor, BWV 812: VI. Gigue | Glenn Gould | — | |
| 14-7 | French Suite no. 2 in C minor, BWV 813: I. Allemande | Glenn Gould | — | |
| 14-8 | French Suite no. 2 in C minor, BWV 813: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-9 | French Suite no. 2 in C minor, BWV 813: III. Sarabande | Glenn Gould | — | |
| 14-10 | French Suite no. 2 in C minor, BWV 813: IV. Air | Glenn Gould | — | |
| 14-11 | French Suite no. 2 in C minor, BWV 813: V. Menuet | Glenn Gould | — | |
| 14-12 | French Suite no. 2 in C minor, BWV 813: VI. Gigue | Glenn Gould | — | |
| 14-13 | French Suite no. 3 in B minor, BWV 814: I. Allemande | Glenn Gould | — | |
| 14-14 | French Suite no. 3 in B minor, BWV 814: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-15 | French Suite no. 3 in B minor, BWV 814: III. Sarabande | Glenn Gould | — | |
| 14-16 | French Suite no. 3 in B minor, BWV 814: IV. Menuet - Trio | Glenn Gould | T-307.292.941-6 | |
| 14-17 | French Suite no. 3 in B minor, BWV 814: V. Anglaise | Glenn Gould | — | |
| 14-18 | French Suite no. 3 in B minor, BWV 814: VI. Gigue | Glenn Gould | — | |
| 14-19 | French Suite no. 4 in E-flat major, BWV 815: I. Allemande | Glenn Gould | — | |
| 14-20 | French Suite no. 4 in E-flat major, BWV 815: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-21 | French Suite no. 4 in E-flat major, BWV 815: III. Sarabande | Glenn Gould | — | |
| 14-22 | French Suite no. 4 in E-flat major, BWV 815a: IV. Menuet | Glenn Gould | — | |
| 14-23 | French Suite no. 4 in E-flat major, BWV 815: V. Gavotte | Glenn Gould | — | |
| 14-24 | French Suite no. 4 in E-flat major, BWV 815: VI. Air | Glenn Gould | T-306.036.936-6 | |
| 14-25 | French Suite no. 4 in E-flat major, BWV 815: VII. Gigue | Glenn Gould | — | |
| 14-26 | French Suite no. 5 in G major, BWV 816: I. Allemande | Glenn Gould | — | |
| 14-27 | French Suite no. 5 in G major, BWV 816: II. Courante | Glenn Gould | T-900.237.672-9 | |
| 14-28 | French Suite no. 5 in G major, BWV 816: III. Sarabande | Glenn Gould | — | |
| 14-29 | French Suite no. 5 in G major, BWV 816: IV. Gavotte | Glenn Gould | — | |
| 14-30 | French Suite no. 5 in G major, BWV 816: V. Bourée | Glenn Gould | — | |
| 14-31 | French Suite no. 5 in G major, BWV 816: VI. Loure | Glenn Gould | — | |
| 14-32 | French Suite no. 5 in G major, BWV 816: VII. Gigue | Glenn Gould | — | |
| 14-33 | French Suite no. 6 in E major, BWV 817: I. Allemande | Glenn Gould | — | |
| 14-34 | French Suite no. 6 in E major, BWV 817: II. Courante | Glenn Gould | — | |
| 14-35 | French Suite no. 6 in E major, BWV 817: III. Sarabande | Glenn Gould | — | |
| 14-36 | French Suite no. 6 in E major, BWV 817: IV. Gavotte | Glenn Gould | — | |
| 14-37 | French Suite no. 6 in E major, BWV 817: V. Polonaise | Glenn Gould | — | |
| 14-38 | French Suite no. 6 in E major, BWV 817: VI. Menuett | Glenn Gould | — | |
| 14-39 | French Suite no. 6 in E major, BWV 817: VII. Bourée | Glenn Gould | — | |
| 14-40 | French Suite no. 6 in E major, BWV 817: VIII. Gigue | Glenn Gould | — | |
| 15-1 | Fantasie in C major, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Tempo I | — | ||
| 15-2 | Fantasie in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | — | ||
| 15-3 | Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas gewegter | — | ||
| 15-4 | Fantasiestücke, op. 12: I. Der Abends. Sehr innig zu spielen | — | ||
| 15-5 | Fantasiestücke, op. 12: II. Aufschwung. Sehr rasch | — | ||
| 15-6 | Fantasiestücke, op. 12: III. Warum? Langsam und zahrt | — | ||
| 15-7 | Fantasiestücke, op. 12: IV. Grillen. Mit Humor | — | ||
| 15-8 | Fantasiestücke, op. 12: V. In der Nacht. Mit Leidenschaft | — | ||
| 15-9 | Fantasiestücke, op. 12: VI. Fabel. Langsam | — | ||
| 15-10 | Fantasiestücke, op. 12: VII. Traumes Wirren. Äußerst lebhaft | — | ||
| 15-11 | Fantasiestücke, op. 12: VIII. Ende vom Lied. Mit gutem Humor | — | ||
| 16-1 | Sonata for Two Pianos in D major, K. 375a/448: I. Allegro con spirito | — | ||
| 16-2 | Sonata for Two Pianos in D major, K. 375a/448: II. Andante | Murray Perahia, Radu Lupu | T-902.919.739-5 | |
| 16-3 | Sonata for Two Pianos in D major, K. 375a/448: III. Allegro molto | — | ||
| 16-4 | Fantasia for Piano, Four Hands in F minor D 940: Allegro molto moderato - Largo - Allegro vivace - Con delicatezza | — | ||
| 16-5 | Fantasia for Mechanical Organ in F minor, K. 608: I. Allegro ritenuto | Radu Lupu, Murray Perahia | T-070.160.313-5 | |
| 16-6 | Fantasia for Mechanical Organ in F minor, K. 608: II. Andante | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 16-7 | Fantasia for Mechanical Organ in F minor, K. 608: III. Allegro ritenuto | Radu Lupu, Murray Perahia | — | |
| 16-8 | Andante and Variations for Four Hands in G major, K. 501: I. Andante | Radu Lupu, Murray Perahia | T-003.979.618-3 | |
| 16-9 | Andante and Variations for Four Hands in G major, K. 501: II. Variation 1 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 16-10 | Andante and Variations for Four Hands in G major, K. 501: III. Variation 2 | Radu Lupu, Murray Perahia | — | |
| 16-11 | Andante and Variations for Four Hands in G major, K. 501: IV. Variation 3 | Radu Lupu, Murray Perahia | T-003.979.618-3 | |
| 16-12 | Andante and Variations for Four Hands in G major, K. 501: V. Variation 4 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 16-13 | Andante and Variations for Four Hands in G major, K. 501: VI. Variation 5 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 17-1 | Concerto no. 2 for Piano and Orchestra, in C minor, op. 18: I. Moderato | — | ||
| 17-2 | Concerto no. 2 for Piano and Orchestra, in C minor, op. 18: II. Adagio sostenuto | — | ||
| 17-3 | Concerto no. 2 for Piano and Orchestra, in C minor, op. 18: III. Allegro scherzando | — | ||
| 17-4 | Rhapsody on a Theme of Paganini, op. 43 | — | ||
| 18-1 | Keyboard Sonata no. 58 in C major, Hob. XVI:48: I. Andante con espressione | — | ||
| 18-2 | Keyboard Sonata no. 58 in C major, Hob. XVI:48: II. Rondo. Presto | — | ||
| 18-3 | Keyboard Sonata no. 33 in C minor, Hob. XVI:20: I. Moderato | — | ||
| 18-4 | Keyboard Sonata no. 33 in C minor, Hob. XVI:20: II. Antante con moto | — | ||
| 18-5 | Keyboard Sonata no. 33 in C minor, Hob. XVI:20: III. Finale. Allegro | — | ||
| 18-6 | Keyboard Sonata no. 60 in C major, Hob. XVI:50: I. Allegro | — | ||
| 18-7 | Keyboard Sonata no. 60 in C major, Hob. XVI:50: II. Adagio | — | ||
| 18-8 | Keyboard Sonata no. 60 in C major, Hob. XVI:50: III. Allegro molto | — | ||
| 18-9 | Keyboard Sonata no. 38 in F major, Hob. XVI:23: I. Allegro moderato | — | ||
| 18-10 | Keyboard Sonata no. 38 in F major, Hob. XVI:23: II. Adagio | — | ||
| 18-11 | Keyboard Sonata no. 38 in F major, Hob. XVI:23: III. Finale. Presto | — | ||
| 19-1 | Three Movements from Petrushka: Russian Dance | — | ||
| 19-2 | Three Movements from Petrushka: Petrushka's Cell | — | ||
| 19-3 | Three Movements from Petrushka: The Shrove - Tide Fair | — | ||
| 19-4 | Pictures at an Exhibition: Promenade | — | ||
| 19-5 | Pictures at an Exhibition: I. The Gnome | — | ||
| 19-6 | Pictures at an Exhibition: Promenade | — | ||
| 19-7 | Pictures at an Exhibition: II. The Old Castle | — | ||
| 19-8 | Pictures at an Exhibition: Promenade | — | ||
| 19-9 | Pictures at an Exhibition: III. The Tuileries | — | ||
| 19-10 | Pictures at an Exhibition: IV. The Ox Cart | — | ||
| 19-11 | Pictures at an Exhibition: Promenade | — | ||
| 19-12 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 19-13 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle | — | ||
| 19-14 | Pictures at an Exhibition: Promenade | — | ||
| 19-15 | Pictures at an Exhibition: VII. The Marketplace of Limoges | — | ||
| 19-16 | Pictures at an Exhibition: VIII. The Catacombs | — | ||
| 19-17 | Pictures at an Exhibition: Cum mortuis in lingua mortus | — | ||
| 19-18 | Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba - Yagá) | — | ||
| 19-19 | Pictures at an Exhibition: X. The Great Gate of Kiev | — | ||
| 19-20 | Dumka - Russian Rustic Scene in C minor, op. 59 | — | ||
| 20-1 | Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto | — | ||
| 20-2 | Fantasia for Piano in C minor, K. 475 | — | ||
| 20-3 | Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro | — | ||
| 20-4 | Piano Sonata no. 14 in C minor, K. 457: II. Adagio | — | ||
| 20-5 | Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 20-6 | "Le Nozze di Figaro", K. 492: Recitativo and Aria: "Giunse alfin il momento" - "Deh vieni, non Tardar" | — | ||
| 20-7 | Aria | — | ||
| 20-8 | Excercise 9 | — | ||
| 21-1 | Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro | — | ||
| 21-2 | Piano Concerto no. 22 in E-flat major, K. 482: II. Andante | — | ||
| 21-3 | Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro | — | ||
| 21-4 | Piano Concerto no. 26 in D major, K. 537 "Coronation": I. Allegro | — | ||
| 21-5 | Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto | — | ||
| 21-6 | Piano Concerto no. 26 in D major, K. 537 "Coronation": III. Allegretto | — | ||
| 22-1 | Konzertstück for Piano and Orchestra in F minor, op. 79 | — | ||
| 22-2 | Concerto for Piano no. 1 in C major, op. 11: I. Allegro | — | ||
| 22-3 | Concerto for Piano no. 1 in C major, op. 11: II. Adagio | — | ||
| 22-4 | Concerto for Piano no. 1 in C major, op. 11: III. Presto | — | ||
| 22-5 | Concerto for Piano no. 2 in E-flat major, op. 32: I. Allegro maestoso | — | ||
| 22-6 | Concerto for Piano no. 2 in E-flat major, op. 32: II. Adagio | — | ||
| 22-7 | Concerto for Piano no. 2 in E-flat major, op. 32: III. Rondo: Presto | — | ||
| 22-8 | Polonaise brillante "L'hilarité", op. 72 for Piano and Orchestra | — | ||
| 23-1 | Suite no. 5 in E major, HWV 430: I. Prelude | — | ||
| 23-2 | Suite no. 5 in E major, HWV 430: II. Allemande | — | ||
| 23-3 | Suite no. 5 in E major, HWV 430: III. Courante | — | ||
| 23-4 | Suite no. 5 in E major, HWV 430: IV. Air with 5 variations | — | ||
| 23-5 | Chaconne in G major, HWV 435 | — | ||
| 23-6 | Suite no. 3 in D minor, HWV 428: I. Prelude | — | ||
| 23-7 | Suite no. 3 in D minor, HWV 428: II. Allegro (Fugue) | — | ||
| 23-8 | Suite no. 3 in D minor, HWV 428: III. Allemande | — | ||
| 23-9 | Suite no. 3 in D minor, HWV 428: IV. Courante | — | ||
| 23-10 | Suite no. 3 in D minor, HWV 428: V. Air with 5 variations | — | ||
| 23-11 | Suite no. 3 in D minor, HWV 428: VI. Presto | — | ||
| 23-12 | Suite no. 2 in F major, HWV 427: I. Adagio | — | ||
| 23-13 | Suite no. 2 in F major, HWV 427: II. Allegro | — | ||
| 23-14 | Suite no. 2 in F major, HWV 427: III. Adagio | — | ||
| 23-15 | Suite no. 2 in F major, HWV 427: IV. Allegro (Fugue) | — | ||
| 23-16 | Sonata in D major, K 491 | — | ||
| 23-17 | Sonata in B minor, K 27 | — | ||
| 23-18 | Sonata in C-sharp minor, K 247 | — | ||
| 23-19 | Sonata in D major, K 29 | — | ||
| 23-20 | Sonata in A major, K 537 | — | ||
| 23-21 | Sonata in E major, K 206 | — | ||
| 23-22 | Sonata in A major, K 212 | Murray Perahia | — | |
| 24-1 | Ballade no. 1, op. 23 in G minor | — | ||
| 24-2 | Ballade no. 2, op. 38 in F major | — | ||
| 24-3 | Ballade no. 3, op. 47 in A-flat major | — | ||
| 24-4 | Ballade no. 4, op. 52 in F minor | — | ||
| 24-5 | Berceuse, op. 57 | — | ||
| 24-6 | Barcarolle, op. 60 | — | ||
| 24-7 | Scherzo no. 4, op. 54 in E major | — | ||
| 25-1 | Goldberg Variations, BWV 988: Aria | Murray Perahia | T-902.128.688-4 | |
| 25-2 | Goldberg Variations, BWV 988: Variation 1 | Murray Perahia | T-902.128.688-4 | |
| 25-3 | Goldberg Variations, BWV 988: Variation 2 | Murray Perahia | T-902.128.688-4 | |
| 25-4 | Goldberg Variations, BWV 988: Variation 3. Canon on the unison | Murray Perahia | T-902.128.688-4 | |
| 25-5 | Goldberg Variations, BWV 988: Variation 4 | Murray Perahia | T-902.128.688-4 | |
| 25-6 | Goldberg Variations, BWV 988: Variation 5 | Murray Perahia | T-902.128.688-4 | |
| 25-7 | Goldberg Variations, BWV 988: Variation 6. Canon on the second | Murray Perahia | T-902.128.688-4 | |
| 25-8 | Goldberg Variations, BWV 988: Variation 7 | Murray Perahia | T-010.504.520-2 | |
| 25-9 | Goldberg Variations, BWV 988: Variation 8 | Murray Perahia | T-902.128.688-4 | |
| 25-10 | Goldberg Variations, BWV 988: Variation 9. Canon on the third | Murray Perahia | T-902.128.688-4 | |
| 25-11 | Goldberg Variations, BWV 988: Variation 10. Fughetta | Murray Perahia | T-902.128.688-4 | |
| 25-12 | Goldberg Variations, BWV 988: Variation 11 | Murray Perahia | T-902.128.688-4 | |
| 25-13 | Goldberg Variations, BWV 988: Variation 12. Canon on the fourth | Murray Perahia | T-311.760.304-6 | |
| 25-14 | Goldberg Variations, BWV 988: Variation 13 | Murray Perahia | T-902.128.688-4 | |
| 25-15 | Goldberg Variations, BWV 988: Variation 14 | Murray Perahia | T-902.128.688-4 | |
| 25-16 | Goldberg Variations, BWV 988: Variation 15. Canon on the fifth | Murray Perahia | T-312.642.162-9 | |
| 25-17 | Goldberg Variations, BWV 988: Variation 16. Overture | Murray Perahia | T-902.128.688-4 | |
| 25-18 | Goldberg Variations, BWV 988: Variation 17 | Murray Perahia | T-010.909.095-0 | |
| 25-19 | Goldberg Variations, BWV 988: Variation 18. Canon on the sixth | Murray Perahia | T-902.128.688-4 | |
| 25-20 | Goldberg Variations, BWV 988: Variation 19 | Murray Perahia | T-902.128.688-4 | |
| 25-21 | Goldberg Variations, BWV 988: Variation 20 | Murray Perahia | T-902.128.688-4 | |
| 25-22 | Goldberg Variations, BWV 988: Variation 21. Canon on the seventh | Murray Perahia | T-312.642.162-9 | |
| 25-23 | Goldberg Variations, BWV 988: Variation 22 | Murray Perahia | T-902.128.688-4 | |
| 25-24 | Goldberg Variations, BWV 988: Variation 23 | Murray Perahia | T-902.128.688-4 | |
| 25-25 | Goldberg Variations, BWV 988: Variation 24. Canon on the octave | Murray Perahia | T-902.128.688-4 | |
| 25-26 | Goldberg Variations, BWV 988: Variation 25 | Murray Perahia | T-902.128.688-4 | |
| 25-27 | Goldberg Variations, BWV 988: Variation 26 | Murray Perahia | T-902.128.688-4 | |
| 25-28 | Goldberg Variations, BWV 988: Variation 27. Canon on the ninth | Murray Perahia | T-311.760.304-6 | |
| 25-29 | Goldberg Variations, BWV 988: Variation 28 | Murray Perahia | T-902.128.688-4 | |
| 25-30 | Goldberg Variations, BWV 988: Variation 29 | Murray Perahia | T-902.128.688-4 | |
| 25-31 | Goldberg Variations, BWV 988: Variation 30. Quodlibet | Murray Perahia | T-902.128.688-4 | |
| 25-32 | Goldberg Variations, BWV 988: Aria da capo | Murray Perahia | T-801.806.984-7 | |
| 26-1 | Piano sonata no. 1 in E major "unfinished", D. 157: I. Allegro ma non troppo | — | ||
| 26-2 | Piano sonata no. 1 in E major "unfinished", D. 157: II. Andante | — | ||
| 26-3 | Piano sonata no. 1 in E major "unfinished", D. 157: III. Menuetto. Allegro vivace - Trio | — | ||
| 26-4 | Piano sonata no. 18 in G major, D. 894: I. Molto moderato e cantabile | — | ||
| 26-5 | Piano sonata no. 18 in G major, D. 894: II. Andante | — | ||
| 26-6 | Piano sonata no. 18 in G major, D. 894: III. Menuetto. Allegro moderato - Trio | — | ||
| 26-7 | Piano sonata no. 18 in G major, D. 894: IV. Allegretto | — | ||
| 26-8 | Der Müller und der Bach, D. 795/19, S. 565/2 | — | ||
| 27-1 | Ich ruf zu dir, Herr - Chorale Prelude for Organ, BWV 639 | Martin Stadtfeld | — | |
| 27-2 | Italien Concerto in F major, BWV 971: I. Without tempo designation | Martin Stadtfeld | T-801.411.105-9 | |
| 27-3 | Italien Concerto in F major, BWV 971: II. Andante | Martin Stadtfeld | T-312.198.890-3 | |
| 27-4 | Italien Concerto in F major, BWV 971: III. Presto | Martin Stadtfeld | T-312.198.890-3 | |
| 27-5 | French Suite no. 2 in C minor, BWV 813: I. Allemande | Martin Stadtfeld | — | |
| 27-6 | French Suite no. 2 in C minor, BWV 813: II. Courante | Martin Stadtfeld | — | |
| 27-7 | French Suite no. 2 in C minor, BWV 813: III. Sarabande | Martin Stadtfeld | — | |
| 27-8 | French Suite no. 2 in C minor, BWV 813: IV. Air | Martin Stadtfeld | — | |
| 27-9 | French Suite no. 2 in C minor, BWV 813: V. Menuet | Martin Stadtfeld | — | |
| 27-10 | French Suite no. 2 in C minor, BWV 813: VI. Gigue | Martin Stadtfeld | — | |
| 27-11 | Sinfonia 1 BWV 787 | Martin Stadtfeld | — | |
| 27-12 | Sinfonia 2 BWV 788 | Martin Stadtfeld | — | |
| 27-13 | Sinfonia 3 BWV 789 | Martin Stadtfeld | — | |
| 27-14 | Sinfonia 4 BWV 790 | Martin Stadtfeld | — | |
| 27-15 | Sinfonia 5 BWV 791 | Martin Stadtfeld | — | |
| 27-16 | Sinfonia 6 BWV 792 | Martin Stadtfeld | — | |
| 27-17 | Sinfonia 7 BWV 793 | Martin Stadtfeld | — | |
| 27-18 | Sinfonia 8 BWV 794 | Martin Stadtfeld | — | |
| 27-19 | Sinfonia 9 BWV 795 | Martin Stadtfeld | — | |
| 27-20 | Sinfonia 10 BWV 796 | Martin Stadtfeld | — | |
| 27-21 | Sinfonia 11 BWV 797 | Martin Stadtfeld | — | |
| 27-22 | Sinfonia 12 BWV 798 | Martin Stadtfeld | — | |
| 27-23 | Sinfonia 13 BWV 799 | Martin Stadtfeld | — | |
| 27-24 | Sinfonia 14 BWV 800 | Martin Stadtfeld | — | |
| 27-25 | Sinfonia 15 BWV 801 | Martin Stadtfeld | — | |
| 27-26 | Fantasia in C minor. BWV 906 | Martin Stadtfeld | — | |
| 27-27 | Fantasia and Fugue in A minor, BWV 944 | Martin Stadtfeld | — | |
| 27-28 | Nun freut euch, lieben Christen g'mein - Chorale Prelude for Organ, BWV 734 | Martin Stadtfeld | — | |
| 27-29 | Prelude in B minor | Martin Stadtfeld | — | |
| 28-1 | "Wachet auf, ruft uns die Stimme" from Chorale Prelude, BWV 645 | — | ||
| 28-2 | "Jesus bleibet meine Freude" from Cantata, BWV 147 | — | ||
| 28-3 | "Gandharva - Music", op. 49 | — | ||
| 28-4 | Chaconne in G major, HWV 435 | — | ||
| 28-5 | "April - England", op. 48 | — | ||
| 28-6 | Symphony no. 7, S. 464: II. Allegretto | — | ||
| 28-7 | Fantasia on an Ostinato | — | ||
| 28-8 | Toccata in C minor, BWV 911 | — | ||
| 28-9 | Toccata in C major, op. 7 | — | ||
| 28-10 | Toccata in D minor, op. 11 | — | ||
| 29-1 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": I. Grave. Doppio movimento | — | ||
| 29-2 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": II. Scherzo | — | ||
| 29-3 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": III. Marche funèbre. Lento | — | ||
| 29-4 | Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": IV. Finale. Presto | — | ||
| 29-5 | Prelude for Piano in B minor | — | ||
| 29-6 | Moments musicaux, D. 780: No. 1 Moderato | — | ||
| 29-7 | Moments musicaux, D. 780: No. 2 Andantino | — | ||
| 29-8 | Moments musicaux, D. 780: No. 3 Allegro moderato | — | ||
| 29-9 | Moments musicaux, D. 780: No. 4 Moderato | — | ||
| 29-10 | Moments musicaux, D. 780: No. 5 Allegro vivace | — | ||
| 29-11 | Moments musicaux, D. 780: No. 6 Allegretto | — | ||
| 29-12 | Études d'exécution Transcendante d'après Paganini, S. 140: No. 3 "La Campanella" | — | ||
| 29-13 | Variations on a Theme by Paganini: Theme | — | ||
| 29-14 | Variations on a Theme by Paganini: Variation 1 | — | ||
| 29-15 | Variations on a Theme by Paganini: Variation 2 | — | ||
| 29-16 | Variations on a Theme by Paganini: Variation 3 | — | ||
| 29-17 | Variations on a Theme by Paganini: Variation 4 | — | ||
| 29-18 | Variations on a Theme by Paganini: Variation 5 | — | ||
| 29-19 | Variations on a Theme by Paganini: Variation 6 | — | ||
| 29-20 | Variations on a Theme by Paganini: Variation 7 | — | ||
| 29-21 | Variations on a Theme by Paganini: Variation 8 | — | ||
| 29-22 | Variations on a Theme by Paganini: Variation 9 | — | ||
| 29-23 | Variations on a Theme by Paganini: Variation 10 | — | ||
| 29-24 | Variations on a Theme by Paganini: Fuge | — | ||
| 30-1 | Slavonic Dances, op. 46: No. 1 in C major (Presto) | — | ||
| 30-2 | NO. 2 IN E MINOR: ALLEGRETTO SCHERZANDO - ALLEGRO VIVO | Duo Tal & Groethuysen | — | |
| 30-3 | Slavonic Dances, op. 46: No. 3 in A-flat major (Poco allegro - Piu mosso) | — | ||
| 30-4 | NO. 4 IN F MAJOR: TEMPO DI MINUETTO | Duo Tal & Groethuysen | — | |
| 30-5 | Slavonic Dances, op. 46: No. 5 in A major (Allegro vivace) | — | ||
| 30-6 | Slavonic Dances, op. 46: No. 6 in D major (Allegretto scherzando) | — | ||
| 30-7 | Slavonic Dances, op. 46: No. 7 in C minor (Allegro assai) | — | ||
| 30-8 | Slavonic Dances, op. 46: No. 8 in G minor (Presto) | — | ||
| 30-9 | Slavonic Dances, op. 72: No. 1 in B major (Molto vivace) | — | ||
| 30-10 | Slavonic Dances, op. 72: No. 2 in E minor (Allegretto grazioso) | — | ||
| 30-11 | Slavonic Dances, op. 72: No. 3 in F major (Allegro) | — | ||
| 30-12 | Slavonic Dances, op. 72: No. 4 in D-flat major (Allegretto grazioso) | — | ||
| 30-13 | Slavonic Dances, op. 72: No. 5 in B-flat minor (Poco adagio - Vivace) | — | ||
| 30-14 | Slavonic Dances, op. 72: No. 6 in B-flat major (Moderato, quasi minuetto) | — | ||
| 30-15 | Slavonic Dances, op. 72: No. 7 in C major (Presto) | — | ||
| 30-16 | Slavonic Dances, op. 72: No. 8 in A-flat major (Lento grazioso, quasi tempo di valse) | — |
Prélude, op. 23, no. 10 in G-flat major
—
Prélude, op. 32, no. 3 in E major
—
Prélude, op. 32, no. 6 in F minor
—
Prélude, op. 32, no. 7 in F major
—
Étude-tableau, op. 33, no. 2 in C major
—
Étude-tableau, op. 33, no. 7 in E-flat major
—
Daisies, op. 38, no. 3
—
Étude-tableau, op. 39, no. 6 in A minor
—
Oriental Sketch
—
Mélodie, op. 3, no. 3 in E major
—
Serenade, op. 3, no. 5 in B-flat minor
—
Morceaux de salon, for piano, op. 10: no. 5, Humoresque in G major
Сергей Васильевич Рахманинов
—
Lilacs, op. 21, no. 5
—
Moment musicaux, op. 16, no. 2 in E-flat minor
—
Polka W.R., for piano in A-flat major, TN ii/18
Sergei Rachmaninoff
—
Prélude, op. 3, no. 2 in C-sharp minor
—
Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 1, Prelude
Sergei Rachmaninoff
—
Sergei Rachmaninoff
Sergei Rachmaninoff
Kreisler’s ’Liebesfreud’ for piano, TNiii/5
Sergei Rachmaninoff
—
Die schöne Müllerin, D. 795: Wohin?
—
The Fair at Sorochintsy: Hopak
—
Tchaikovsky’s ’Lullaby for piano, op. 16/1,’ TN iii/14
Sergei Rachmaninoff
—
Contrasts: I. Verbunkos
—
Contrasts: II. Pihenö (Relaxation)
Benny Goodman, Joseph Szigeti, Béla Bartók
—
Contrasts: III. Sebes
—
Mikrokosmos: No. 113. Bulgarian Rhythm
—
Mikrokosmos: No. 129. Alternating Thirds
—
Mikrokosmos: No. 131. Fourths
—
Mikrokosmos: No. 128. Peasant Dance
—
Mikrokosmos: No. 120. Fifth Chords
—
Mikrokosmos: No. 109. From the Island of Bali
—
Mikrokosmos: No. 138. Bagpipe
—
Mikrokosmos: No. 100. In the Style of a Folk Song
—
Mikrokosmos: No. 142. From the Diary of a Fly
—
Mikrokosmos: No. 140. Free Variations
—
Mikrokosmos: No. 133. Syncopation
—
Mikrokosmos: No. 149. Dance in Bulgarian Rhythm No. 2
—
Mikrokosmos: No. 148. Dance in Bulgarian Rhythm No. 1
—
Mikrokosmos: No. 108. Wrestling
—
Mikrokosmos: No. 150. Dance in Bulgarian Rhythm No. 3
—
Mikrokosmos: No. 151. Dance in Bulgarian Rhythm No. 4
—
Mikrokosmos: No. 94. Tale
—
Mikrokosmos: No. 152. Dance in Bulgarian Rhythm No. 5
—
Mikrokosmos: No. 153. Dance in Bulgarian Rhythm No. 6
—
Mikrokosmos: No. 126. Change of Time
—
Mikrokosmos: No. 116. Melody
—
Mikrokosmos: No. 130. Village Joke
—
Mikrokosmos: No. 139. Merry Andrew
—
Mikrokosmos: No. 147. March
—
Mikrokosmos: No. 144. Minor Seconds, Major Sevenths
—
Mikrokosmos: No. 97. Notturno
—
Mikrokosmos: No. 118. Triplets in 9/8 Time
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Mikrokosmos: No. 141. Subject & Reflection
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Mikrokosmos: No. 136. Whole-tone Scale
—
Mikrokosmos: No. 125. Boating
—
Mikrokosmos: No. 114. Theme & Inversion
—
Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio
—
Piano Concerto no. 1 in C major, op. 15: II. Largo
—
Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando
—
Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
—
Piano Concerto no. 3 in C minor, op. 37: II. Largo
—
Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
—
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
Emil Gilels, Chicago Symphony Orchestra, Fritz Reiner
—
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino simplice - Prestissimo - Tempo I
Emil Gilels, Chicago Symphony Orchestra, Fritz Reiner
—
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
Emil Gilels, Chicago Symphony Orchestra, Fritz Reiner
—
Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso
Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy
—
Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio - III. Allegretto vivace. Allegro animato
Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy
—
Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato
Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy
—
Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai. L'istesso tempo
Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy
—
Piano Concerto no. 2 in A major, S. 125: II. Allegro agitato assai - Un poco piu mosso - Tempo del andante
Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy
—
Piano Concerto no. 2 in A major, S. 125: III. Allegro moderato
Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy
—
Piano Concerto no. 2 in A major, S. 125: IV. Allegro deciso - L'istesso tempo - Sempre allegro
Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy
—
Piano Concerto no. 2 in A major, S. 125: V. Marziale un poco meno. Allegro - Un poco animato - Un poco piu mosso
Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy
—
Piano Concerto no. 2 in A major, S. 125: VI. Allegro animato - Stretto
Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy
—
Byron Janis, Chicago Symphony Orchestra, Fritz Reiner
Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino
Byron Janis, Chicago Symphony Orchestra, Fritz Reiner
—
Byron Janis, Chicago Symphony Orchestra, Fritz Reiner
Totentanz, S. 126
Byron Janis, Chicago Symphony Orchestra, Fritz Reiner
—
Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo
—
Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato
—
Piano Concerto no. 2 in B-flat major, op. 83: III. Andante
—
Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso
—
Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai
—
Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto
—
Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo
—
Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro (Cadenza: Robert Casadesus)
Robert Casadesus, Cleveland Orchestra, George Szell
—
Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante
Robert Casadesus, Membres du Cleveland Orchestra, George Szell
—
Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: III. Allegro vivace assai (Cadenza: Robert Casadesus)
Robert Casadesus, Cleveland Orchestra, George Szell
—
Concerto for Piano No. 24 in C minor, K. 491: I. Allegro (Cadenza: Camille Saint‐Saëns)
Robert Casadesus, Members of the Cleveland Orchestra, George Szell
—
Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto
Robert Casadesus, Members of the Cleveland Orchestra, George Szell
—
Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto (Cadenza: Camille Saint‐Saëns)
Robert Casadesus, Members of the Cleveland Orchestra, George Szell
—
Piano Sonata no. 12 in F major, K. 332: I. Allegro
—
Piano Sonata no. 12 in F major, K. 332: II. Adagio
—
Piano Sonata no. 12 in F major, K. 332: III. Allegro assai
—
Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio
Leon Fleisher, The Cleveland Orchestra, George Szell
—
Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio
Leon Fleisher, The Cleveland Orchestra, George Szell
—
Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro
Leon Fleisher, The Cleveland Orchestra, George Szell
—
Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
Leon Fleisher, Cleveland Orchestra, George Szell
—
Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
Leon Fleisher, Cleveland Orchestra, George Szell
—
Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace
Leon Fleisher, Cleveland Orchestra, George Szell
—
Sonata in D major, K. 33 (L 424)
—
Sonata in A minor, K. 54 (L 241)
—
Sonata in F major, K. 525 (L 188)
—
Sonata in F minor, K. 466 (L 118)
—
Sonata in G major, K 146 (L349)
Vladimir Horowitz
—
Sonata in D major, K. 96 (L 465)
—
Sonata in E major, K. 162 (L 21)
—
Sonata in E-flat major, K. 474 (L 203)
—
Sonata in E minor, K. 198 (L 22)
—
Sonata in D Major, K.491 (L.164): Allegro
Vladimir Horowitz
—
Sonata in F minor, K. 481L 187)
—
Sonata in A major, K. 39 (L 391)
—
Sonata in G major, K. 547 (L S28)
—
Sonata in B minor, K. 197 (L 147)
—
Sonata in F-sharp minor, K. 25 (L 481)
—
Sonata in D minor, K. 52 (L 267)
—
Sonata in G major, K. 201 (L 129)
—
Sonata in C minor, K. 303 (L 9)
—
Waltz in E-flat major, op. 18: Grande valse brillante
—
Waltz in A-flat major, op. 34 no. 1 Valse brillante
—
Waltz in A minor, op. 34 no. 2: Valse brillante
—
Waltz in F major, op. 34 no. 3: Valse brillante
—
Waltz in A-flat major, op. 42: Two-four
—
Waltz no. 6 in D-flat major, op. 64 no. 1 'Minute'
Arthur Rubinstein
—
Waltz in C-sharp minor, op. 64 no. 2
—
Waltz in A-flat major, op. 64 no. 3
—
Waltz in A-flat major, op. 69 no. 1: L'Adieu
—
Waltz in B minor, op. 69 no. 2
—
Waltz in G-flat major, op. 70 no. 1
—
Waltz in F minor, op. 70 no. 2
—
Waltz in D-flat major, op. 70 no. 3
—
Waltz in E minor, op. posth.
—
Impromptu in A-flat major, op. 29
—
Impromptu in F-sharp major, op. 36
—
Impromptu in G-flat major, op. 51
—
Fantaisie-impromptu in C-sharp minor, op. 66
Arthur Rubinstein
—
Sonata for Piano no. 1 in C major, K. 189d/279: II. Andante
Lili Kraus
—
Sonata for Piano no. 1 in C major, K. 189d/279: III. Allegro
Lili Kraus
—
Sonata for Piano no. 2 in F major, K. 189e/280: II. Adagio
Lili Kraus
—
Sonata for Piano no. 2 in F major, K. 189e/280: III. Presto
Lili Kraus
—
Sonata for Piano no. 3 in B-flat major, K. 189f/281: II. Andante amoroso
Lili Kraus
—
Sonata for Piano no. 3 in B-flat major, K. 189f/281: III. Rondeau. Allegro
Lili Kraus
—
Sonata for Piano no. 4 in E-flat major, K. 189g/282: I. Adagio
Lili Kraus
—
Sonata for Piano no. 4 in E-flat major, K. 189g/282: II. Minutetto I / III. Minutetto II
Lili Kraus
—
Sonata for Piano no. 4 in E-flat major, K. 189g/282: IV. Allegro
Lili Kraus
—
Sonata for Piano no. 5 in G major, K. 189h/283: II. Andante
Lili Kraus
—
Sonata for Piano no. 5 in G major, K. 189h/283: III. Presto
Lili Kraus
—
Rondo for Piano in D major, K. 485
Lili Kraus
—
Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": I. Allegro
John Ogdon
—
Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": II. Scherzo. Assai vivace
John Ogdon
—
Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": III. Adagio sostenuto
John Ogdon
—
Piano Sonata no. 29 in B-flat major, op. 106 "Große Sonate für das Hammerklavier": IV. Largo - Allegro risoluto
John Ogdon
—
Chaconne, op. 32
John Ogdon
—
Suite, op. 45: I. Allegretto un pochettino
John Ogdon
—
Suite, op. 45: II. Poco moderato
John Ogdon
—
Suite, op. 45: III. Molto adagio e patètico
John Ogdon
—
Suite, op. 45: IV. Allegretto innocente
John Ogdon
—
Suite, op. 45: V. Allegretto vivo
John Ogdon
—
Suite, op. 45: VI. Allegro non troppo ma vigoroso
John Ogdon
—
French Suite no. 1 in D minor, BWV 812: I. Allemande
Glenn Gould
—
French Suite no. 1 in D minor, BWV 812: III. Sarabande
Glenn Gould
—
French Suite no. 1 in D minor, BWV 812: IV. Menuet I
Glenn Gould
—
French Suite no. 1 in D minor, BWV 812: V. Menuet II
Glenn Gould
—
French Suite no. 1 in D minor, BWV 812: VI. Gigue
Glenn Gould
—
French Suite no. 2 in C minor, BWV 813: I. Allemande
Glenn Gould
—
French Suite no. 2 in C minor, BWV 813: III. Sarabande
Glenn Gould
—
French Suite no. 2 in C minor, BWV 813: IV. Air
Glenn Gould
—
French Suite no. 2 in C minor, BWV 813: V. Menuet
Glenn Gould
—
French Suite no. 2 in C minor, BWV 813: VI. Gigue
Glenn Gould
—
French Suite no. 3 in B minor, BWV 814: I. Allemande
Glenn Gould
—
French Suite no. 3 in B minor, BWV 814: III. Sarabande
Glenn Gould
—
French Suite no. 3 in B minor, BWV 814: V. Anglaise
Glenn Gould
—
French Suite no. 3 in B minor, BWV 814: VI. Gigue
Glenn Gould
—
French Suite no. 4 in E-flat major, BWV 815: I. Allemande
Glenn Gould
—
French Suite no. 4 in E-flat major, BWV 815: III. Sarabande
Glenn Gould
—
French Suite no. 4 in E-flat major, BWV 815a: IV. Menuet
Glenn Gould
—
French Suite no. 4 in E-flat major, BWV 815: V. Gavotte
Glenn Gould
—
French Suite no. 4 in E-flat major, BWV 815: VII. Gigue
Glenn Gould
—
French Suite no. 5 in G major, BWV 816: I. Allemande
Glenn Gould
—
French Suite no. 5 in G major, BWV 816: III. Sarabande
Glenn Gould
—
French Suite no. 5 in G major, BWV 816: IV. Gavotte
Glenn Gould
—
French Suite no. 5 in G major, BWV 816: V. Bourée
Glenn Gould
—
French Suite no. 5 in G major, BWV 816: VI. Loure
Glenn Gould
—
French Suite no. 5 in G major, BWV 816: VII. Gigue
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: I. Allemande
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: II. Courante
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: III. Sarabande
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: IV. Gavotte
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: V. Polonaise
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: VI. Menuett
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: VII. Bourée
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: VIII. Gigue
Glenn Gould
—
Fantasie in C major, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Tempo I
—
Fantasie in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter
—
Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas gewegter
—
Fantasiestücke, op. 12: I. Der Abends. Sehr innig zu spielen
—
Fantasiestücke, op. 12: II. Aufschwung. Sehr rasch
—
Fantasiestücke, op. 12: III. Warum? Langsam und zahrt
—
Fantasiestücke, op. 12: IV. Grillen. Mit Humor
—
Fantasiestücke, op. 12: V. In der Nacht. Mit Leidenschaft
—
Fantasiestücke, op. 12: VI. Fabel. Langsam
—
Fantasiestücke, op. 12: VII. Traumes Wirren. Äußerst lebhaft
—
Fantasiestücke, op. 12: VIII. Ende vom Lied. Mit gutem Humor
—
Sonata for Two Pianos in D major, K. 375a/448: I. Allegro con spirito
—
Sonata for Two Pianos in D major, K. 375a/448: III. Allegro molto
—
Fantasia for Piano, Four Hands in F minor D 940: Allegro molto moderato - Largo - Allegro vivace - Con delicatezza
—
Radu Lupu, Murray Perahia
Radu Lupu, Murray Perahia
Fantasia for Mechanical Organ in F minor, K. 608: III. Allegro ritenuto
Radu Lupu, Murray Perahia
—
Radu Lupu, Murray Perahia
Radu Lupu, Murray Perahia
Andante and Variations for Four Hands in G major, K. 501: III. Variation 2
Radu Lupu, Murray Perahia
—
Radu Lupu, Murray Perahia
Radu Lupu, Murray Perahia
Radu Lupu, Murray Perahia
Concerto no. 2 for Piano and Orchestra, in C minor, op. 18: I. Moderato
—
Concerto no. 2 for Piano and Orchestra, in C minor, op. 18: II. Adagio sostenuto
—
Concerto no. 2 for Piano and Orchestra, in C minor, op. 18: III. Allegro scherzando
—
Rhapsody on a Theme of Paganini, op. 43
—
Keyboard Sonata no. 58 in C major, Hob. XVI:48: I. Andante con espressione
—
Keyboard Sonata no. 58 in C major, Hob. XVI:48: II. Rondo. Presto
—
Keyboard Sonata no. 33 in C minor, Hob. XVI:20: I. Moderato
—
Keyboard Sonata no. 33 in C minor, Hob. XVI:20: II. Antante con moto
—
Keyboard Sonata no. 33 in C minor, Hob. XVI:20: III. Finale. Allegro
—
Keyboard Sonata no. 60 in C major, Hob. XVI:50: I. Allegro
—
Keyboard Sonata no. 60 in C major, Hob. XVI:50: II. Adagio
—
Keyboard Sonata no. 60 in C major, Hob. XVI:50: III. Allegro molto
—
Keyboard Sonata no. 38 in F major, Hob. XVI:23: I. Allegro moderato
—
Keyboard Sonata no. 38 in F major, Hob. XVI:23: II. Adagio
—
Keyboard Sonata no. 38 in F major, Hob. XVI:23: III. Finale. Presto
—
Three Movements from Petrushka: Russian Dance
—
Three Movements from Petrushka: Petrushka's Cell
—
Three Movements from Petrushka: The Shrove - Tide Fair
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: I. The Gnome
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: II. The Old Castle
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: III. The Tuileries
—
Pictures at an Exhibition: IV. The Ox Cart
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: V. Ballet of the Unhatched Chicks
—
Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: VII. The Marketplace of Limoges
—
Pictures at an Exhibition: VIII. The Catacombs
—
Pictures at an Exhibition: Cum mortuis in lingua mortus
—
Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba - Yagá)
—
Pictures at an Exhibition: X. The Great Gate of Kiev
—
Dumka - Russian Rustic Scene in C minor, op. 59
—
Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto
—
Fantasia for Piano in C minor, K. 475
—
Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro
—
Piano Sonata no. 14 in C minor, K. 457: II. Adagio
—
Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai
—
"Le Nozze di Figaro", K. 492: Recitativo and Aria: "Giunse alfin il momento" - "Deh vieni, non Tardar"
—
Aria
—
Excercise 9
—
Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro
—
Piano Concerto no. 22 in E-flat major, K. 482: II. Andante
—
Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro
—
Piano Concerto no. 26 in D major, K. 537 "Coronation": I. Allegro
—
Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto
—
Piano Concerto no. 26 in D major, K. 537 "Coronation": III. Allegretto
—
Konzertstück for Piano and Orchestra in F minor, op. 79
—
Concerto for Piano no. 1 in C major, op. 11: I. Allegro
—
Concerto for Piano no. 1 in C major, op. 11: II. Adagio
—
Concerto for Piano no. 1 in C major, op. 11: III. Presto
—
Concerto for Piano no. 2 in E-flat major, op. 32: I. Allegro maestoso
—
Concerto for Piano no. 2 in E-flat major, op. 32: II. Adagio
—
Concerto for Piano no. 2 in E-flat major, op. 32: III. Rondo: Presto
—
Polonaise brillante "L'hilarité", op. 72 for Piano and Orchestra
—
Suite no. 5 in E major, HWV 430: I. Prelude
—
Suite no. 5 in E major, HWV 430: II. Allemande
—
Suite no. 5 in E major, HWV 430: III. Courante
—
Suite no. 5 in E major, HWV 430: IV. Air with 5 variations
—
Chaconne in G major, HWV 435
—
Suite no. 3 in D minor, HWV 428: I. Prelude
—
Suite no. 3 in D minor, HWV 428: II. Allegro (Fugue)
—
Suite no. 3 in D minor, HWV 428: III. Allemande
—
Suite no. 3 in D minor, HWV 428: IV. Courante
—
Suite no. 3 in D minor, HWV 428: V. Air with 5 variations
—
Suite no. 3 in D minor, HWV 428: VI. Presto
—
Suite no. 2 in F major, HWV 427: I. Adagio
—
Suite no. 2 in F major, HWV 427: II. Allegro
—
Suite no. 2 in F major, HWV 427: III. Adagio
—
Suite no. 2 in F major, HWV 427: IV. Allegro (Fugue)
—
Sonata in D major, K 491
—
Sonata in B minor, K 27
—
Sonata in C-sharp minor, K 247
—
Sonata in D major, K 29
—
Sonata in A major, K 537
—
Sonata in E major, K 206
—
Sonata in A major, K 212
Murray Perahia
—
Ballade no. 1, op. 23 in G minor
—
Ballade no. 2, op. 38 in F major
—
Ballade no. 3, op. 47 in A-flat major
—
Ballade no. 4, op. 52 in F minor
—
Berceuse, op. 57
—
Barcarolle, op. 60
—
Scherzo no. 4, op. 54 in E major
—
Piano sonata no. 1 in E major "unfinished", D. 157: I. Allegro ma non troppo
—
Piano sonata no. 1 in E major "unfinished", D. 157: II. Andante
—
Piano sonata no. 1 in E major "unfinished", D. 157: III. Menuetto. Allegro vivace - Trio
—
Piano sonata no. 18 in G major, D. 894: I. Molto moderato e cantabile
—
Piano sonata no. 18 in G major, D. 894: II. Andante
—
Piano sonata no. 18 in G major, D. 894: III. Menuetto. Allegro moderato - Trio
—
Piano sonata no. 18 in G major, D. 894: IV. Allegretto
—
Der Müller und der Bach, D. 795/19, S. 565/2
—
Ich ruf zu dir, Herr - Chorale Prelude for Organ, BWV 639
Martin Stadtfeld
—
French Suite no. 2 in C minor, BWV 813: I. Allemande
Martin Stadtfeld
—
French Suite no. 2 in C minor, BWV 813: II. Courante
Martin Stadtfeld
—
French Suite no. 2 in C minor, BWV 813: III. Sarabande
Martin Stadtfeld
—
French Suite no. 2 in C minor, BWV 813: IV. Air
Martin Stadtfeld
—
French Suite no. 2 in C minor, BWV 813: V. Menuet
Martin Stadtfeld
—
French Suite no. 2 in C minor, BWV 813: VI. Gigue
Martin Stadtfeld
—
Sinfonia 1 BWV 787
Martin Stadtfeld
—
Sinfonia 2 BWV 788
Martin Stadtfeld
—
Sinfonia 3 BWV 789
Martin Stadtfeld
—
Sinfonia 4 BWV 790
Martin Stadtfeld
—
Sinfonia 5 BWV 791
Martin Stadtfeld
—
Sinfonia 6 BWV 792
Martin Stadtfeld
—
Sinfonia 7 BWV 793
Martin Stadtfeld
—
Sinfonia 8 BWV 794
Martin Stadtfeld
—
Sinfonia 9 BWV 795
Martin Stadtfeld
—
Sinfonia 10 BWV 796
Martin Stadtfeld
—
Sinfonia 11 BWV 797
Martin Stadtfeld
—
Sinfonia 12 BWV 798
Martin Stadtfeld
—
Sinfonia 13 BWV 799
Martin Stadtfeld
—
Sinfonia 14 BWV 800
Martin Stadtfeld
—
Sinfonia 15 BWV 801
Martin Stadtfeld
—
Fantasia in C minor. BWV 906
Martin Stadtfeld
—
Fantasia and Fugue in A minor, BWV 944
Martin Stadtfeld
—
Nun freut euch, lieben Christen g'mein - Chorale Prelude for Organ, BWV 734
Martin Stadtfeld
—
Prelude in B minor
Martin Stadtfeld
—
"Wachet auf, ruft uns die Stimme" from Chorale Prelude, BWV 645
—
"Jesus bleibet meine Freude" from Cantata, BWV 147
—
"Gandharva - Music", op. 49
—
Chaconne in G major, HWV 435
—
"April - England", op. 48
—
Symphony no. 7, S. 464: II. Allegretto
—
Fantasia on an Ostinato
—
Toccata in C minor, BWV 911
—
Toccata in C major, op. 7
—
Toccata in D minor, op. 11
—
Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": I. Grave. Doppio movimento
—
Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": II. Scherzo
—
Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": III. Marche funèbre. Lento
—
Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": IV. Finale. Presto
—
Prelude for Piano in B minor
—
Moments musicaux, D. 780: No. 1 Moderato
—
Moments musicaux, D. 780: No. 2 Andantino
—
Moments musicaux, D. 780: No. 3 Allegro moderato
—
Moments musicaux, D. 780: No. 4 Moderato
—
Moments musicaux, D. 780: No. 5 Allegro vivace
—
Moments musicaux, D. 780: No. 6 Allegretto
—
Études d'exécution Transcendante d'après Paganini, S. 140: No. 3 "La Campanella"
—
Variations on a Theme by Paganini: Theme
—
Variations on a Theme by Paganini: Variation 1
—
Variations on a Theme by Paganini: Variation 2
—
Variations on a Theme by Paganini: Variation 3
—
Variations on a Theme by Paganini: Variation 4
—
Variations on a Theme by Paganini: Variation 5
—
Variations on a Theme by Paganini: Variation 6
—
Variations on a Theme by Paganini: Variation 7
—
Variations on a Theme by Paganini: Variation 8
—
Variations on a Theme by Paganini: Variation 9
—
Variations on a Theme by Paganini: Variation 10
—
Variations on a Theme by Paganini: Fuge
—
Slavonic Dances, op. 46: No. 1 in C major (Presto)
—
NO. 2 IN E MINOR: ALLEGRETTO SCHERZANDO - ALLEGRO VIVO
Duo Tal & Groethuysen
—
Slavonic Dances, op. 46: No. 3 in A-flat major (Poco allegro - Piu mosso)
—
NO. 4 IN F MAJOR: TEMPO DI MINUETTO
Duo Tal & Groethuysen
—
Slavonic Dances, op. 46: No. 5 in A major (Allegro vivace)
—
Slavonic Dances, op. 46: No. 6 in D major (Allegretto scherzando)
—
Slavonic Dances, op. 46: No. 7 in C minor (Allegro assai)
—
Slavonic Dances, op. 46: No. 8 in G minor (Presto)
—
Slavonic Dances, op. 72: No. 1 in B major (Molto vivace)
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Slavonic Dances, op. 72: No. 2 in E minor (Allegretto grazioso)
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Slavonic Dances, op. 72: No. 3 in F major (Allegro)
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Slavonic Dances, op. 72: No. 4 in D-flat major (Allegretto grazioso)
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Slavonic Dances, op. 72: No. 5 in B-flat minor (Poco adagio - Vivace)
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Slavonic Dances, op. 72: No. 6 in B-flat major (Moderato, quasi minuetto)
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Slavonic Dances, op. 72: No. 7 in C major (Presto)
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Slavonic Dances, op. 72: No. 8 in A-flat major (Lento grazioso, quasi tempo di valse)
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Additional database matches (43)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 1, Prelude | Sergei Rachmaninoff | — |
| Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Robert Casadesus, Membres du Cleveland Orchestra, George Szell | — |
| French Suite no. 5 in G major, BWV 816: I. Allemande | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: II. Courante | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: III. Sarabande | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: IV. Gavotte | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: V. Bourée | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: VI. Loure | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: I. Allemande | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: II. Courante | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: III. Sarabande | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: IV. Gavotte | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: V. Polonaise | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VI. Menuett | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VII. Bourée | Glenn Gould | — |
| French Suite no. 5 in G major, BWV 816: VII. Gigue | Glenn Gould | — |
| French Suite no. 6 in E major, BWV 817: VIII. Gigue | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: I. Allemande | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: II. Courante | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: IV. Menuet I | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: V. Menuet II | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: VI. Gigue | Glenn Gould | — |
| French Suite no. 2 in C minor, BWV 813: I. Allemande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: II. Courante | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: III. Sarabande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: IV. Air | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: V. Menuet | Glenn Gould | T-909.229.948-4 |
| French Suite no. 2 in C minor, BWV 813: VI. Gigue | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: I. Allemande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: II. Courante | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: III. Sarabande | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: IV. Menuet - Trio | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: V. Anglaise | Glenn Gould | T-909.229.948-4 |
| French Suite no. 3 in B minor, BWV 814: VI. Gigue | Glenn Gould | T-909.229.948-4 |
| French Suite no. 4 in E-flat major, BWV 815: I. Allemande | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: II. Courante | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: III. Sarabande | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815a: IV. Menuet | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: V. Gavotte | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: VI. Air | Glenn Gould | — |
| French Suite no. 4 in E-flat major, BWV 815: VII. Gigue | Glenn Gould | — |
| French Suite no. 1 in D minor, BWV 812: III. Sarabande | Glenn Gould | — |
Suite from the Violin Partita in E major: Prelude, Gavotte & Gigue, TN iii/1: no. 1, Prelude
Sergei Rachmaninoff
—
Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante
Robert Casadesus, Membres du Cleveland Orchestra, George Szell
—
French Suite no. 5 in G major, BWV 816: I. Allemande
Glenn Gould
—
French Suite no. 5 in G major, BWV 816: II. Courante
Glenn Gould
—
French Suite no. 5 in G major, BWV 816: III. Sarabande
Glenn Gould
—
French Suite no. 5 in G major, BWV 816: IV. Gavotte
Glenn Gould
—
French Suite no. 5 in G major, BWV 816: V. Bourée
Glenn Gould
—
French Suite no. 5 in G major, BWV 816: VI. Loure
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: I. Allemande
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: II. Courante
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: III. Sarabande
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: IV. Gavotte
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: V. Polonaise
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: VI. Menuett
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: VII. Bourée
Glenn Gould
—
French Suite no. 5 in G major, BWV 816: VII. Gigue
Glenn Gould
—
French Suite no. 6 in E major, BWV 817: VIII. Gigue
Glenn Gould
—
French Suite no. 1 in D minor, BWV 812: I. Allemande
Glenn Gould
—
French Suite no. 1 in D minor, BWV 812: II. Courante
Glenn Gould
—
French Suite no. 1 in D minor, BWV 812: III. Sarabande
Glenn Gould
—
French Suite no. 1 in D minor, BWV 812: IV. Menuet I
Glenn Gould
—
French Suite no. 1 in D minor, BWV 812: V. Menuet II
Glenn Gould
—
French Suite no. 1 in D minor, BWV 812: VI. Gigue
Glenn Gould
—
French Suite no. 4 in E-flat major, BWV 815: I. Allemande
Glenn Gould
—
French Suite no. 4 in E-flat major, BWV 815: II. Courante
Glenn Gould
—
French Suite no. 4 in E-flat major, BWV 815: III. Sarabande
Glenn Gould
—
French Suite no. 4 in E-flat major, BWV 815a: IV. Menuet
Glenn Gould
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French Suite no. 4 in E-flat major, BWV 815: V. Gavotte
Glenn Gould
—
French Suite no. 4 in E-flat major, BWV 815: VI. Air
Glenn Gould
—
French Suite no. 4 in E-flat major, BWV 815: VII. Gigue
Glenn Gould
—
French Suite no. 1 in D minor, BWV 812: III. Sarabande
Glenn Gould
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055164433000000006309064900000000782227040000000078257093000000007839694X0000000081490830000000008181927X000000008378164X00000000840468070000000084126858
+35 more
0000000107194803000000010858750200000001086940840000000108694105000000010870634800000001087260580000000108919300000000010893537800000001091108530000000109350136000000010935089X0000000109368205000000010993839400000001101647520000000110225666000000011026938600000001107454770000000110852010000000011297410X0000000114439047000000011480029300000001157133510000000116062511000000011695726X000000011953389200000001202851870000000120959719000000012100384X0000000121354017000000012142927700000001218170930000000121870097000000012198200500000001228491930000000123197959
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