UPC · Release
John Williams
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888430929425 is the Universal Product Code (UPC barcode) for the release “The Complete Columbia Album Collection” by John Williams, released 2016-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 717 tracks, each with its own ISRC. Tracks include USSM11500802, USSM11500803, USSM11500804.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Partita for lute in E major, BWV 1006a (BC L171): I. Prélude | John Williams | — | |
| 2 | Partita for lute in E major, BWV 1006a (BC L171): II. Loure | John Williams | — | |
| 3 | Partita for lute in E major, BWV 1006a (BC L171): III. Gavotte en Rondeau | John Williams | — | |
| 4 | Partita for lute in E major, BWV 1006a (BC L171): IV. Menuett I & V Menuett II | John Williams | — | |
| 5 | Partita for lute in E major, BWV 1006a (BC L171): VI. Bourrée | John Williams | — | |
| 6 | Partita for lute in E major, BWV 1006a (BC L171): VII. Gigue | John Williams | — | |
| 7 | Suite española No. 1, for piano, Op. 47, B. 7: Sevilla (Sevillanas) | John Williams | T-041.382.206-6 | |
| 8 | Recuerdos de la Alhambra, for guitar | John Williams | — | |
| 9 | Fandanguillo, for guitar, Op. 36 | John Williams | — | |
| 10 | Homenaje a Tárrega, for guitar, Op. 69: Soleares | John Williams | — | |
| 11 | Ráfaga, for guitar, Op. 53 | John Williams | T-305.731.986-1 | |
| 12 | El testament de Amèlia, folk song | John Williams | — | |
| 13 | Scherzino Mexicano, for guitar | John Williams | — | |
| 14 | El colibri (The Hummingbird), for guitar | John Williams | — | |
| 2-1 | Grand Sonata, for guitar & violin in A major, Op. 35, MS 3: I. Allegro risoluto | John Williams | T-932.797.861-0 | |
| 2-2 | Grand Sonata, for guitar & violin in A major, Op. 35, MS 3: II. Romanze. Amorosamente. Più tosto largo | John Williams | T-900.237.681-0 | |
| 2-3 | Grand Sonata, for guitar & violin in A major, Op. 35, MS 3: III. Andantino variato. Scherzando - Variations I-VI | John Williams | T-900.237.681-0 | |
| 2-4 | Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: Andaluza | John Williams | — | |
| 2-5 | Estudios (12), etudes for guitar, A. 235: Etude No. 8 in C-sharp minor | John Williams | — | |
| 2-6 | Homenaje pour "Le tombeau de Claude Debussy," for guitar, G. 56 | John Williams | — | |
| 2-7 | Partita for guitar: I. Allegro con moto | John Williams | — | |
| 2-8 | Partita for guitar: II. Molto vivace | John Williams | — | |
| 2-9 | Partita for guitar: III. Adagio | John Williams | — | |
| 2-10 | Partita for guitar: IV. Allegro | John Williams | — | |
| 2-11 | Sonata for guitar ("Omaggio a Boccherini"), Op. 77: IV. Vivo ed energico | John Williams | — | |
| 3-1 | Concierto de Aranjuez, for guitar & orchestra: I. Allegro con spirito | John Williams, Louis Rosenblatt, Philarte Quartet, Eugene Ormandy | T-041.489.061-1 | |
| 3-2 | Concierto de Aranjuez, for guitar & orchestra: II. Adagio | John Williams, Louis Rosenblatt, Philarte Quartet, Eugene Ormandy | T-041.489.061-1 | |
| 3-3 | Concierto de Aranjuez, for guitar & orchestra: III. Allegro gentile | John Williams, Louis Rosenblatt, Philarte Quartet, Eugene Ormandy | T-041.489.061-1 | |
| 3-4 | Guitar Concerto No. 1 in D major, Op. 99: I. Allegretto | John Williams, Philarte Quartet, Eugene Ormandy | — | |
| 3-5 | Guitar Concerto No. 1 in D major, Op. 99: II. Andantino alla romanza | John Williams, Philarte Quartet, Eugene Ormandy | — | |
| 3-6 | Guitar Concerto No. 1 in D major, Op. 99: III. Ritmico e cavalleresco - Quasi Andante - Tempo I | John Williams, Philarte Quartet, Eugene Ormandy | — | |
| 4-1 | Fantasia for guitar | John Williams | T-041.489.067-7 | |
| 4-2 | Diferencias sobre el conde Claros | John Williams | — | |
| 4-3 | Suite for lute No. 4 (from Dilitiae Testudinis): Paduana | John Williams | — | |
| 4-4 | Terpsichore Dances: Ballet | John Williams | T-900.226.198-5 | |
| 4-5 | Terpsichore Dances: La Volta | John Williams | T-900.237.674-1 | |
| 4-6 | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): I. Prelude | John Williams | — | |
| 4-7 | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): II. Fuga | John Williams | — | |
| 4-8 | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): III. Allegro | John Williams | — | |
| 4-9 | Sonata for guitar in C major, Op. 15: I. Allegro spirito | John Williams | — | |
| 4-10 | Prelúdios (5), for guitar, A. 419: No. 4 in E minor | John Williams | — | |
| 4-11 | Prelúdios (5), for guitar, A. 419: No. 2 in E major | John Williams | — | |
| 4-12 | Aires de la Mancha: Jeringonza | John Williams | T-927.683.568-8 | |
| 4-13 | Aires de la Mancha: Ya Ilega el invierno | John Williams | T-927.683.568-8 | |
| 4-14 | Aires de la Mancha: Coplilla | John Williams | T-041.032.497-8 | |
| 4-15 | Aires de la Mancha: La Pastora | John Williams | T-041.032.497-8 | |
| 4-16 | Aires de la Mancha: La Seguidilla | John Williams | T-927.683.568-8 | |
| 5-1 | Fantasía para un gentilhombre: I. Villano y ricercare. Adagietto – Andante moderato | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 5-2 | Fantasía para un gentilhombre, for guitar & orchestra: II. Españoleta e fanfare de la caballería de Nápoles. Adagio | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 5-3 | Fantasía para un gentilhombre, for guitar & orchestra: II. (cont.) Fanfare de la caballería de Nápoles. Allegretto, molto ritmico | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 5-4 | Fantasía para un gentilhombre: III. Danza de las hachas. Allegro con brio | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 5-5 | Fantasía para un gentilhombre: IV. Canario. Allegro ma non troppo | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 5-6 | Concerto for guitar & chamber orchestra: Ⅰ. Allegro comodo | John Williams, English Chamber Orchestra, Sir Charles Groves | — | |
| 5-7 | Concerto for guitar & chamber orchestra: Ⅱ. Lento | John Williams, English Chamber Orchestra, Sir Charles Groves | T-010.177.690-2 | |
| 5-8 | Concerto for guitar & chamber orchestra: Ⅲ. Molto vivace | John Williams, English Chamber Orchestra, Sir Charles Groves | — | |
| 6-1 | String Quartet in E major, op. 2, No. 2: I. Allegro | John C. Williams, Alan Loveday, Cecil Aronowitz, Amaryllis Fleming | — | |
| 6-2 | String Quartet in E major, op. 2, No. 2: II. Adagio | John C. Williams, Alan Loveday, Cecil Aronowitz, Amaryllis Fleming | — | |
| 6-3 | String Quartet in E major, op. 2, No. 2: III. Menuetto - Trio | John C. Williams, Alan Loveday, Cecil Aronowitz, Amaryllis Fleming | T-909.876.868-4 | |
| 6-4 | String Quartet in E major, op. 2, No. 2: IV. Finale - Presto | John C. Williams, Alan Loveday, Cecil Aronowitz, Amaryllis Fleming | — | |
| 6-5 | Trio in D major for Violin, Cello and Guitar: I. Allegro con brio | John C. Williams, Alan Loveday, Amaryllis Fleming | — | |
| 6-6 | Trio in D major for Violin, Cello and Guitar: II. Minuetto and Trio - Allegro vivace | John C. Williams, Alan Loveday, Amaryllis Fleming | — | |
| 6-7 | Trio in D major for Violin, Cello and Guitar: III. Andante larghetto | John C. Williams, Alan Loveday, Amaryllis Fleming | — | |
| 6-8 | Trio in D major for Violin, Cello and Guitar: IV. Rondo - Allegretto | John C. Williams, Alan Loveday, Amaryllis Fleming | — | |
| 7-1 | Partita no. 2 in D minor, BWV 1004: Chaconne | John Williams | — | |
| 7-2 | Queen Elizabeth, Her Galliard | John Williams | T-900.140.131-6 | |
| 7-3 | Earle of Essex, His Galliard | John Williams | — | |
| 7-4 | Mounsiers Almaine | John Williams | — | |
| 7-5 | Capriccio in A minor, op. 1 no. 24: Tema. Quasi presto - Variations I-XI | John Williams | — | |
| 7-6 | Variations on a theme by Händel, op. 107 “The Harmonious Blacksmith”: Tema. Andantino - Variations I-VI | John Williams | T-011.657.415-2 | |
| 7-7 | Variations on a Theme by Mozart, op. 9 | John Williams | — | |
| 8-1 | Concerto in A major, op. 30: I. Allegro maestoso | John Williams, English Chamber Orchestra | — | |
| 8-2 | Concerto in A major, op. 30: II. Siciliana: Andantino | John Williams, English Chamber Orchestra | — | |
| 8-3 | Concerto in A major, op. 30: III. Polonaise: Allegretto | John Williams, English Chamber Orchestra | T-900.237.668-3 | |
| 8-4 | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: 1. Allegro giusto | John Williams, English Chamber Orchestra, Sir Charles Groves | — | |
| 8-5 | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: 2. Largo | John Williams, English Chamber Orchestra, Sir Charles Groves | — | |
| 8-6 | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: 3. Allegro | John Williams, English Chamber Orchestra, Sir Charles Groves | — | |
| 8-7 | Concerto in A major: Allegro non molto | John Williams, English Chamber Orchestra | — | |
| 8-8 | Concerto in A major: Larghetto | John Williams, English Chamber Orchestra | — | |
| 8-9 | Concerto in A major: Allegro | John Williams, English Chamber Orchestra | — | |
| 9-1 | I Care Not for These Ladies for voice, lute & bass viol | John Williams, Wilfred Brown | — | |
| 9-2 | The Willow Song (a.k.a. "The Willow", "The Poor Soul Sat Sighing", "Willow, Willow") | John Williams, Wilfred Brown | T-072.023.179-7 | |
| 9-3 | When Laura Smiles | John Williams, Wilfred Brown | — | |
| 9-4 | Fantasia, for lute in G minor, P 7 | John Williams | — | |
| 9-5 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58: The Big Chariot (from The Book of Songs) | John Williams, Wilfred Brown | — | |
| 9-6 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58: The Old Lute | John Williams, Wilfred Brown | — | |
| 9-7 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58: The Autumn Wind | John Williams, Wilfred Brown | T-060.092.679-1 | |
| 9-8 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58: The Herd-Boy | John Williams, Wilfred Brown | T-060.092.679-1 | |
| 9-9 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58: Depression | John Williams, Wilfred Brown | — | |
| 9-10 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58: Dance Song (from The Book of Songs) | John Williams, Wilfred Brown | — | |
| 9-11 | Of All the Birds That I Do Know | John Williams, Wilfred Brown | — | |
| 9-12 | Go to bed, sweet muse | John Williams, Wilfred Brown | — | |
| 9-13 | Diaphenia | John Williams, Wilfred Brown | — | |
| 9-14 | Mellancoly Galliard, for lute, P 25 | John Williams | — | |
| 9-15 | Lady Hunsdon’s Almain (Lady Hunsdon’s Puffe), for lute, P 54 | John Williams | T-900.226.177-0 | |
| 9-16 | Poems (4) of John Clare, for voice & guitar: Trotty Wagtail | John Williams, Wilfred Brown | — | |
| 9-17 | Poems (4) of John Clare, for voice & guitar: The Peasant Poet | John Williams, Wilfred Brown | — | |
| 9-18 | Poems (4) of John Clare, for voice & guitar: Turkeys | John Williams, Wilfred Brown | — | |
| 9-19 | Poems (4) of John Clare, for voice & guitar: The Fox | John Williams, Wilfred Brown | — | |
| 10-1 | Asturias (Leyenda), op. 47/5 (Suite española no. 1) | John Williams | — | |
| 10-2 | España, album leaves (6) for piano, Op. 165, B. 37: Tango | John Williams | T-071.432.232-3 | |
| 10-3 | Canarios [I], for guitar (Instrucción de Música sobre la Guitarra Española, Book 1) | John Williams | T-900.226.175-8 | |
| 10-4 | Fandango for guitar (Piezas españolas No. 1) | John Williams | T-041.489.087-1 | |
| 10-5 | Nocturno, for guitar | John Williams | — | |
| 10-6 | Valses poéticos (7), for piano, H. 147, DLR 7:8: [Excerpt] | John Williams | T-911.532.327-8 | |
| 10-7 | Sonata in D major | John Williams | T-900.226.164-5 | |
| 10-8 | El Sombrero de tres picos, ballet in 2 parts, G. 53: The Corregidor’s Dance | John Williams | T-041.489.062-2 | |
| 10-9 | El Sombrero de tres picos, ballet in 2 parts, G. 53: Fisherman’s Song | John Williams | T-041.489.062-2 | |
| 10-10 | El Sombrero de tres picos, ballet in 2 parts, G. 53: The Miller’s Dance (Farruca) | John Williams | T-041.489.062-2 | |
| 10-11 | Madroños for guitar | John Williams | T-042.188.891-6 | |
| 10-12 | La Nit de Nadal, folk song | John Williams | — | |
| 10-13 | El noy de la mare, folk song | John Williams | — | |
| 10-14 | La maja de Goya, song for soprano & piano (Tonadillas al estilo antiguo, No. 8), H. 136/8 | John Williams | — | |
| 10-15 | Cantos de España, pieces (5) for piano, Op. 232, B. 44: Córdoba | John Williams | — | |
| 11-1 | Andalucía, songs (7) for voice & orchestra: I. Tou Pikramenou (He with the sorrow) | John Williams, Maria Farantouri | — | |
| 11-2 | Andalucía, songs (7) for voice & orchestra: II. Antonio Torres Heredia I (Capture of Antonito el Camborio on the road to Seville) | John Williams, Maria Farantouri | — | |
| 11-3 | Andalucía, songs (7) for voice & orchestra: IV. Antonio Torres Heredia II (Death of Antonito el Camborio) | John Williams, Maria Farantouri | — | |
| 11-4 | Andalucía, songs (7) for voice & orchestra: III. Xamos apo Agapi (Death for love) | John Williams, Maria Farantouri | — | |
| 11-5 | Andalucía, songs (7) for voice & orchestra: V. I Kalogria i Tsigana (The Gypsy nun) | John Williams, Maria Farantouri | — | |
| 11-6 | Andalucía, songs (7) for voice & orchestra: VI. Tou Anemou ke tis Penemenis (The wind and the Gypsy girl) | John Williams, Maria Farantouri | — | |
| 11-7 | Andalucía, songs (7) for voice & orchestra: VII. I Pandermi (Desperately alone) | John Williams, Maria Farantouri | — | |
| 11-8 | Epitaphs (8) for guitar (arr. by Yianni Iliopoulis from song cycle): No. 2: Heili mou Moskomyristo (Your fragrant lips) | John Williams | — | |
| 11-9 | Epitaphs (8) for guitar (arr. by Yianni Iliopoulis from song cycle): No. 3: Mera Magiou (A day in May) | John Williams | — | |
| 11-10 | Epitaphs (8) for guitar (arr. by Yianni Iliopoulis from song cycle): No. 4: Vasilepses, Asteri mou (My star, you have set) | John Williams | — | |
| 11-11 | Epitaphs (8) for guitar (arr. by Yianni Iliopoulis from song cycle): No. 6: Sto Parathyri stekosoun (You stood at the window) | John Williams | — | |
| 11-12 | Gelasto Paidi (The Laughing Boy) | John Williams, Maria Farantouri | — | |
| 11-13 | Silva, song | John Williams, Maria Farantouri | — | |
| 11-14 | Irthan i Anthropoi (The one who was taken by the road), song | John Williams, Maria Farantouri | — | |
| 12-1 | Sonata for guitar & harpsichord no. 1: I. Largo | John Williams, Jordi Savall, Rafael Puyana | — | |
| 12-2 | Sonata for guitar & harpsichord no. 1: II. Allegro moderato | John Williams, Jordi Savall, Rafael Puyana | — | |
| 12-3 | Sonata for guitar & harpsichord no. 1: III. Allegretto con variazione | John Williams, Jordi Savall, Rafael Puyana | — | |
| 12-4 | Preludio, for guitar (in the style of Weiss) | John Williams, Rafael Puyana | — | |
| 12-5 | Sonata no. 2 for guitar & continuo in C major: I. Largo | John Williams, Jordi Savall, Rafael Puyana | — | |
| 12-6 | Duo Concertante, for guitar & harpsichord | John Williams, Rafael Puyana | T-010.025.834-1 | |
| 12-7 | Sonata no. 3 for guitar & continuo in F major: I. Larghetto | John Williams, Jordi Savall, Rafael Puyana | — | |
| 12-8 | Sonata no. 3 for guitar & continuo in F major: II. Allegretto | John Williams, Jordi Savall, Rafael Puyana | — | |
| 12-9 | Sonata no. 3 for guitar & continuo in F major: III. Tempo di menuetto | John Williams, Jordi Savall, Rafael Puyana | — | |
| 13-1 | Suite for Two Guitars: I. Corant I | Julian Bream, John Williams | — | |
| 13-2 | Suite for Two Guitars: II. Alman | Julian Bream, John Williams | — | |
| 13-3 | Suite for Two Guitars: III. Corant II | Julian Bream, John Williams | — | |
| 13-4 | Duo in G major, op. 34: I. Largo | Julian Bream, John Williams | T-917.142.396-4 | |
| 13-5 | Duo in G major, op. 34: II. Rondo | Julian Bream, John Williams | — | |
| 13-6 | L’encouragement, op. 34: I. Cantabile | Julian Bream, John Williams | T-001.397.158-8 | |
| 13-7 | L’encouragement, op. 34: II. Theme and Variations | Julian Bream, John Williams | — | |
| 13-8 | L’encouragement, op. 34: III. Waltz | Julian Bream, John Williams | — | |
| 13-9 | Spanish Songs, op. 232: Córdoba (Nocturne) | Julian Bream, John Williams | — | |
| 13-10 | Goyescas: Intermezzo | Julian Bream, John Williams | — | |
| 13-11 | Spanish Dance no. 1: La vida breve | Julian Bream, John Williams | — | |
| 13-12 | Pavane pour une infante défunte | Julian Bream, John Williams | T-003.013.767-7 | |
| 14-1 | Chamber Concerto for guitar & chamber ensemble | John Williams, John Scott, Godfrey Salmon, Denis Vigay, Stephen Shingles, Pat Halling, Tristan Fry, Herbie Flowers, Patrick Gowers | T-010.178.828-6 | |
| 14-2 | Sonata for keyboard in E major, K. 380 (L. 23) "Cortège" | John Williams | — | |
| 14-3 | Sonata for keyboard in A major, K. 208 (L. 238) | John Williams | T-001.397.158-8 | |
| 14-4 | Sonata for keyboard in A minor, K. 175 (L. 429) | John Williams | T-900.237.679-6 | |
| 14-5 | Sonata for keyboard in A major, K. 322 (L. 483) | John Williams | — | |
| 14-6 | Sonata for keyboard in D minor, K. 213 (L. 108) "The Lover" | John Williams | — | |
| 14-7 | Sonata for keyboard in C major, K. 159 (L. 104) "La caccia" | John Williams | — | |
| 14-8 | Double, for guitar & electric organ | John Williams, Patrick Gowers | — | |
| 15-1 | Concerto for Guitar and Orchestra - 1. Allegretto | John Williams, London Symphony Orchestra, André Previn | — | |
| 15-2 | Concerto for Guitar and Orchestra - 2. Adagio | John Williams, London Symphony Orchestra, André Previn | — | |
| 15-3 | Concerto for Guitar and Orchestra - 3. Slowly and Reflectively (Andante) | John Williams, London Symphony Orchestra, André Previn | — | |
| 15-4 | Concierto del sur: I. Allegretto | John Williams, London Symphony Orchestra, André Previn | — | |
| 15-5 | Concierto del sur: II. Andante | John Williams, London Symphony Orchestra, André Previn | — | |
| 15-6 | Concierto del sur: III. Allegro moderato e festivo | John Williams, London Symphony Orchestra, André Previn | — | |
| 16-1 | Sakura, theme and variations for guitar | John Williams | — | |
| 16-2 | Fantasy Divisions, for guitar | John Williams | — | |
| 16-3 | Sonata for guitar No. 5 in D major ("Sonatina Méridional"): I. Campo | John Williams | — | |
| 16-4 | Sonata for guitar No. 5 in D major ("Sonatina Méridional"): II. Copla | John Williams | — | |
| 16-5 | Sonata for guitar No. 5 in D major ("Sonatina Méridional"): III. Fiesta | John Williams | — | |
| 16-6 | Chôros No. 1, for guitar, "Tipico brasileiro", A. 161 | John Williams | T-910.266.187-0 | |
| 16-7 | Vals Criollo | John Williams | — | |
| 16-8 | Norteña for guitar | John Williams | — | |
| 16-9 | Venezuelan Pieces (5) for guitar: Cántico | John Williams | — | |
| 16-10 | Venezuelan Pieces (5) for guitar: Aguinaldo (Cantemos, cantemos) | John Williams | — | |
| 16-11 | Venezuelan Pieces (5) for guitar: Canción (Si de noche ves que brillan) | John Williams | — | |
| 16-12 | Venezuelan Pieces (5) for guitar: Aire Venezolano (Malhaya la cocina) | John Williams | — | |
| 16-13 | Venezuelan Pieces (5) for guitar: Galerón (Ave María, !qué muchacho!) | John Williams | — | |
| 16-14 | Danza Paraguaya, for guitar [No. 1] | John Williams | — | |
| 17-1 | Serenade for 2 guitars in A major, Op. 96/1: I. Largo maestoso - Allegro moderato | John Williams, Julian Bream | — | |
| 17-2 | Serenade in A, op. 96: Larghetto | Julian Bream, John Williams | — | |
| 17-3 | Serenade in A, Op. 96: Finale | Julian Bream, John Williams | — | |
| 17-4 | Spanish Dances, op. 37 no. 6: Rondella aragonesa | Julian Bream, John Williams | — | |
| 17-5 | Spanish Songs, op. 232: Beneath the Palm Tree | Julian Bream, John Williams | — | |
| 17-6 | Spanish Dances, op. 37 no. 11: Zambra | Julian Bream, John Williams | — | |
| 17-7 | Variazioni concertanti, op.130 | Julian Bream, John Williams | — | |
| 17-8 | Ibéria: Evocación | Julian Bream, John Williams | — | |
| 18-1 | Rhapsody for Guitar, Electric Guitars and Electric Organ | Patrick Gowers, John Williams | — | |
| 18-2 | Five Preludes: No. 1 in E minor | John Williams | — | |
| 18-3 | Five Preludes: No. 2 in E major | John Williams | — | |
| 18-4 | Five Preludes: No. 3 in A minor | John Williams | — | |
| 18-5 | Five Preludes: No. 4 in E minor | John Williams | — | |
| 18-6 | Five Preludes: No. 5 in C major | John Williams | — | |
| 19-1 | Concierto de Aranjuez, for guitar & orchestra: I. Allegro con spirito | John Williams, James Brown, English Chamber Orchestra, Daniel Barenboim | T-041.489.061-1 | |
| 19-2 | Concierto de Aranjuez, for guitar & orchestra: II. Adagio | John Williams, James Brown, English Chamber Orchestra, Daniel Barenboim | T-041.489.061-1 | |
| 19-3 | Concierto de Aranjuez, for guitar & orchestra: III. Allegro gentile | John Williams, James Brown, English Chamber Orchestra, Daniel Barenboim | T-041.489.061-1 | |
| 19-4 | Guitar Concerto, A. 501: I. Allegro preciso | John Williams, English Chamber Orchestra, Daniel Barenboim | T-902.765.068-6 | |
| 19-5 | Guitar Concerto, A. 501: II. Andantino e Andante - Cadenza | John Williams, English Chamber Orchestra, Daniel Barenboim | T-902.765.068-6 | |
| 19-6 | Concerto for Guitar & Small Orchestra: III. Allegretto non troppo | John Williams, English Chamber Orchestra, Daniel Barenboim | T-902.765.068-6 | |
| 20-1 | Suite in E minor: I. Passagio-Presto | John Williams | T-900.226.169-0 | |
| 20-2 | Suite in E minor: II. Allemande | John Williams | T-919.016.645-1 | |
| 20-3 | Suite in E minor: III. Courante | John Williams | T-919.016.645-1 | |
| 20-4 | Suite in E minor: IV. Sarabande | John Williams | — | |
| 20-5 | Suite for lute in E minor, BWV 996: V. Bourrée | John Williams | T-919.016.645-1 | |
| 20-6 | Suite in E minor: VI. Gigue | John Williams | T-919.016.645-1 | |
| 20-7 | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): I. Prelude | John Williams | T-070.160.313-5 | |
| 20-8 | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): II. Fuga | John Williams | T-318.069.553-4 | |
| 20-9 | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): III. Allegro | John Williams | — | |
| 20-10 | Partita for lute in C minor, BWV 997 (BC L170): I. Prelude | John Williams | T-900.226.170-3 | |
| 20-11 | Partita for lute in C minor, BWV 997 (BC L170): II. Fuga | John Williams | T-900.226.170-3 | |
| 20-12 | Partita for lute in C minor, BWV 997 (BC L170): III. Sarabande | John Williams | T-900.226.170-3 | |
| 20-13 | Partita for lute in C minor, BWV 997 (BC L170): IV. Gigue | John Williams | T-900.226.170-3 | |
| 20-14 | Partita for lute in C minor, BWV 997 (BC L170): V. Double | John Williams | T-900.226.170-3 | |
| 21-1 | Suite in A minor: I. Preludio-Presto | John Williams | — | |
| 21-2 | Suite in A minor: II. Allemande | John Williams | — | |
| 21-3 | Suite for lute in G minor, BWV 995: III. Courante | John Williams | — | |
| 21-4 | Suite in A minor: IV. Sarabande | John Williams | — | |
| 21-5 | Suite in A minor: V. Gavotte I and II | John Williams | — | |
| 21-6 | Suite for lute in G minor, BWV 995: VII. Gigue | John Williams | — | |
| 21-7 | Partita for lute in E major, BWV 1006a (BC L171): I. Prelude | John Williams | — | |
| 21-8 | Partita for lute in E major, BWV 1006a (BC L171): II. Loure | John Williams | — | |
| 21-9 | Partita for lute in E major, BWV 1006a (BC L171): III. Gavotte en Rondeau | John Williams | T-903.591.933-6 | |
| 21-10 | Partita for lute in E major, BWV 1006a (BC L171): IV. Menuett I / V. Menuett II | John Williams | — | |
| 21-11 | Partita for lute in E major, BWV 1006a (BC L171): VI. Bourrée | John Williams | — | |
| 21-12 | Partita for lute in E major, BWV 1006a (BC L171): VII. Gigue | John Williams | — | |
| 21-13 | Präludium in C minor | John Williams | T-909.229.258-5 | |
| 21-14 | Fugue in G minor | John Williams | — | |
| 22-1 | Concerto for Two Guitars in G major: I. Allegro | John Williams | — | |
| 22-2 | Concerto for Two Guitars in G major: II. Andante | John Williams | — | |
| 22-3 | Concerto for Two Guitars in G major: III. Allegro | John Williams | — | |
| 22-4 | Le Coucou | John Williams | — | |
| 22-5 | Cello Suite no. 3 in C major, BWV 1009: Bourrées I & II (Solo Guitar) | John Williams | — | |
| 22-6 | Jesu, Joy of Man’s Desiring, BWV 147 | John Williams | — | |
| 22-7 | Bourrée Alla Polacca | John Williams | T-900.237.668-3 | |
| 22-8 | Trio Sonata for Two Violins & Basso Continuo no. 11 in F minor, Z 800 | John Williams | — | |
| 22-9 | Trio Sonata in C, BWV 1037: Gigue | John Williams | — | |
| 22-10 | Adagio for Glass Harmonica in C major, K.356 (Solo Guitar) | John Williams | T-318.588.465-1 | |
| 22-11 | Turkish Rondo, K.331 | John Williams | — | |
| 23-1 | Centone di sonate, Op. 64, No. 1: I. Introduzione | Itzhak Perlman, John Williams | — | |
| 23-2 | Centone di sonate, Op. 64, No. 1: II. Allegro maestoso | Itzhak Perlman, John Williams | — | |
| 23-3 | Centone di sonate, Op. 64, No. 1: III. Rondoncino | Itzhak Perlman, John Williams | — | |
| 23-4 | Sonata no. 6 in E minor, op. 3 no. 6 | Itzhak Perlman, John Williams | — | |
| 23-5 | Sonata concertata in A major: I. Allegro spiritoso | Itzhak Perlman, John Williams | — | |
| 23-6 | Sonata concertata in A major: II. Adagio assai espressivo | Itzhak Perlman, John Williams | — | |
| 23-7 | Sonata concertata in A major: III. Rondeau | Itzhak Perlman, John Williams | — | |
| 23-8 | Sonata for Violin and Guitar: I. Maestoso | Itzhak Perlman, John Williams | — | |
| 23-9 | Sonata for Violin and Guitar: II. Theme & Variations - Theme | Itzhak Perlman, John Williams | T-310.736.748-2 | |
| 23-10 | Sonata for Violin and Guitar: II. Theme & Variations - Variation 1 | Itzhak Perlman, John Williams | — | |
| 23-11 | Sonata for Violin and Guitar: II. Theme & Variations - Variation 2 | Itzhak Perlman, John Williams | — | |
| 23-12 | Sonata for Violin and Guitar: II. Theme & Variations - Variation 3 | Itzhak Perlman, John Williams | — | |
| 23-13 | Sonata for Violin and Guitar: II. Theme & Variations - Variation 4 | Itzhak Perlman, John Williams | — | |
| 23-14 | Sonata for Violin and Guitar: III. Menuetto: Allegretto | Itzhak Perlman, John Williams | — | |
| 23-15 | Sonata for Violin and Guitar: IV. Rondo: Allegretto | Itzhak Perlman, John Williams | T-902.559.379-7 | |
| 23-16 | Cantabile for Violin & Guitar | Itzhak Perlman, John Williams | T-001.397.158-8 | |
| 24-1 | Concerto no. 1 in D major op. 99: 1. Allegretto | John Williams, English Chamber Orchestra, Sir Charles Groves | T-902.765.068-6 | |
| 24-2 | Concerto No. 1 in D, Op. 99: II. Andantino alla romanza | John Williams, English Chamber Orchestra, Sir Charles Groves | T-902.765.068-6 | |
| 24-3 | Guitar Concerto No. 1 in D major, Op. 99: III. Ritmico e cavalleresco - Guasi Andante - Tempo I | John Williams, Sir Charles Groves, English Chamber Orchestra | T-902.765.068-6 | |
| 24-4 | Serenade for Guitar and String Orchestra | John Williams, English Chamber Orchestra, Sir Charles Groves | — | |
| 24-5 | Concerto for guitar & chamber orchestra No. 2: I. Presto | John Williams, Sir Charles Groves, English Chamber Orchestra | — | |
| 24-6 | Concerto for guitar & chamber orchestra No. 2: II. Meno mosso, quasi cadenza | John Williams, Sir Charles Groves, English Chamber Orchestra | — | |
| 24-7 | Concerto for guitar & chamber orchestra No. 2: III. Allegretto e robusto | John Williams, Sir Charles Groves, English Chamber Orchestra | — | |
| 24-8 | Concerto for guitar & chamber orchestra No. 2: IV. Poco lento | John Williams, Sir Charles Groves, English Chamber Orchestra | — | |
| 24-9 | Concerto for guitar & chamber orchestra No. 2: V. Presto, come prima | John Williams, Sir Charles Groves, English Chamber Orchestra | — | |
| 25-1 | La catedral | John Williams | — | |
| 25-2 | Madrigal (Gavota) | John Williams | — | |
| 25-3 | Minuet | John Williams | — | |
| 25-4 | Mazurka apassionata | John Williams | T-918.063.801-1 | |
| 25-5 | Estudio | John Williams | — | |
| 25-6 | Preludio | John Williams | — | |
| 25-7 | Sueño en la floresta | John Williams | — | |
| 25-8 | Valse no. 3 | John Williams | — | |
| 25-9 | Cueca | John Williams | — | |
| 25-10 | Aire de Zamba | John Williams | — | |
| 25-11 | Aconquija | John Williams | — | |
| 25-12 | Maxixa | John Williams | — | |
| 25-13 | Una limosna por el amor de Dios | John Williams | T-902.680.279-9 | |
| 25-14 | Choro de saudade | John Williams | — | |
| 25-15 | Villancico de Navidad | John Williams | — | |
| 26-1 | Guitar Concerto, for guitar & chamber orchestra, Op. 67: I. Allegro | John Williams, London Sinfonietta, Elgar Howarth | — | |
| 26-2 | Guitar Concerto, for guitar & chamber orchestra, Op. 67: II. Lento - Vivace - Lento | John Williams, London Sinfonietta, Elgar Howarth | — | |
| 26-3 | Guitar Concerto, for guitar & chamber orchestra, Op. 67: III. Con brio | John Williams, London Sinfonietta, Elgar Howarth | — | |
| 26-4 | Guitar Concerto: I. Punteos | John Williams, London Sinfonietta, Elgar Howarth | — | |
| 26-5 | Guitar Concerto: II. Ragas | John Williams, London Sinfonietta, Elgar Howarth | — | |
| 26-6 | Guitar Concerto: III. Sonatas y Montunos | John Williams, London Sinfonietta, Elgar Howarth | — | |
| 27-1 | Folias de España, 20 variations and fugue for guitar | John Williams | — | |
| 27-2 | Preludio, Balletto and Giga for guitar: Preludio | John Williams | — | |
| 27-3 | Preludio, Balletto and Giga for guitar: Balletto | John Williams | — | |
| 27-4 | Canciones (3) Populares Mexicanas, for guitar: La pajarera (The birdseller) | John Williams | — | |
| 27-5 | Canciones (3) Populares Mexicanas, for guitar: Por ti mi corazón (For you my heart) | John Williams | — | |
| 27-6 | Canciones (3) Populares Mexicanas, for guitar: La Valentina | John Williams | — | |
| 27-7 | Valse for guitar | John Williams | — | |
| 27-8 | Marchita el Alma for guitar | John Williams | — | |
| 27-9 | Hace ocho meses, for guitar | John Williams | — | |
| 27-10 | Yo Adoro a Mi Madre for guitar | John Williams | — | |
| 28-1 | Pavan, for lute | John Williams, Julian Bream | T-010.169.398-4 | |
| 28-2 | Galliard | John Williams, Julian Bream | T-900.047.967-4 | |
| 28-3 | Partie polonaise, suite for 2 lutes in B flat major, TWV 39:1: I. Ouverture | John Williams, Julian Bream | — | |
| 28-4 | Partie polonaise, suite for 2 lutes in B flat major, TWV 39:1: II. Harlequinade | John Williams, Julian Bream | — | |
| 28-5 | Partie polonaise, suite for 2 lutes in B flat major, TWV 39:1: III. Le Ris | John Williams, Julian Bream | — | |
| 28-6 | Partie polonaise, suite for 2 lutes in B flat major, TWV 39:1: IV. Rigidon | John Williams, Julian Bream | — | |
| 28-7 | Partie polonaise, suite for 2 lutes in B flat major, TWV 39:1: V. Combattans | John Williams, Julian Bream | — | |
| 28-8 | Partie polonaise, suite for 2 lutes in B flat major, TWV 39:1: VI. Gigue | John Williams, Julian Bream | — | |
| 28-9 | Fantasia, op. 54 | Julian Bream, John Williams | T-900.016.350-8 | |
| 28-10 | Theme et variations, op. 18 | Julian Bream, John Williams | — | |
| 28-11 | Dolly Suite, op. 56: Berceuse (Lullaby) | Julian Bream, John Williams | — | |
| 28-12 | Dolly, suite for piano, 4 hands or orchestra, Op. 56: II. Mi-a-ou | John Williams, Julian Bream | — | |
| 28-13 | Dolly, op. 56: III. Le jardin de Dolly | Julian Bream, John Williams | — | |
| 28-14 | Dolly, suite for piano, 4 hands or orchestra, Op. 56: IV. Kitty-Valse | John Williams, Julian Bream | — | |
| 28-15 | Dolly, op. 56: V. Tendresse | Julian Bream, John Williams | T-902.591.638-5 | |
| 28-16 | Dolly, suite for piano, 4 hands or orchestra, Op. 56: VI. Le Pas espagnol | John Williams, Julian Bream | — | |
| 28-17 | Rêverie | Julian Bream, John Williams | T-304.253.550-8 | |
| 28-18 | Golliwog’s Cakewalk | Julian Bream, John Williams | — | |
| 28-19 | Clair de lune | Julian Bream, John Williams | T-011.772.202-7 | |
| 28-20 | Castilla (Seguidilla) | Julian Bream, John Williams | — | |
| 28-21 | Danzas españolas, op. 37 no. 2: Oriental | Julian Bream, John Williams | — | |
| 29-1 | Quintet for guitar & strings in D major, G. 449 (arrangement of String Quartets G. 232, G. 237 & String Quintet, G. 411): I. Andantino pausato | John Williams, London String Quartet | — | |
| 29-2 | Quintet for guitar & strings in D major, G. 449 (arrangement of String Quartets G. 232, G. 237 & String Quintet, G. 411): II. Minetto. Allegro - Trio | John Williams, London String Quartet | — | |
| 29-3 | Quintet for guitar & strings in D major, G. 449 (arrangement of String Quartets G. 232, G. 237 & String Quintet, G. 411): III. Allegro giusto | John Williams, London String Quartet | — | |
| 29-4 | Quintet for guitar & strings in D major, G. 449 (arrangement of String Quartets G. 232, G. 237 & String Quintet, G. 411): IV. Andantino pausato con variazioni | John Williams, London String Quartet | — | |
| 29-5 | Jeromita Linares (Presencia No. 6), for guitar & string quartet | John Williams, London String Quartet | — | |
| 29-6 | Quintet for guitar & strings in G major, G. 450 (arrangement of Quintet for Flute and strings, G. 431 & String quartet, G. 240): I. Allegro con vivacità | John Williams, London String Quartet | — | |
| 29-7 | Quintet for guitar & strings in G major, G. 450 (arrangement of Quintet for Flute and strings, G. 431 & String quartet, G. 240): II. Andantino lento | John Williams, London String Quartet | — | |
| 29-8 | Quintet for guitar & strings in G major, G. 450 (arrangement of Quintet for Flute and strings, G. 431 & String quartet, G. 240): III. Tempo di Minuetto - Trio | John Williams, London String Quartet | — | |
| 29-9 | Quintet for guitar & strings in G major, G. 450 (arrangement of Quintet for Flute and strings, G. 431 & String quartet, G. 240): IV. Allegretto | John Williams, London String Quartet | — | |
| 30-1 | Suite espanola, Op.47: Granada | John Williams | T-041.489.067-7 | |
| 30-2 | Suite española No. 1, B 7, Op. 47 No. 5 "Asturias": Leyenda in G minor | John Williams | — | |
| 30-3 | Suite española no. 1, op. 47: III. Sevilla | John Williams | — | |
| 30-4 | Barcarola in F-sharp minor "Mallorca", B 41, Op. 202 (arr. guitar) | John Williams | T-900.226.160-1 | |
| 30-5 | Cantos de España, B 44, Op. 232 No. 4 "Córdoba" (arr. guitar) | John Williams | — | |
| 30-6 | Piezas características, B 29, Op. 92 No. 12 "Torre bermeja" (arr. guitar) | John Williams | T-900.226.163-4 | |
| 30-7 | Suite española No. 1, B 7, Op. 47 No. 4 "Cádiz": Canción in D-flat major (arr. guitar) | John Williams | — | |
| 30-8 | Piezas características, B 29, Op. 92 No. 7 "Zambra granadina" (arr. guitar) | John Williams | — | |
| 30-9 | España, B 37, Op. 165 No. 2 "Tango" (arr. guitar) | John Williams | T-800.396.716-7 | |
| 31-1 | Stevie, film score: Stevie | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 31-2 | Stevie, film score: Papa love Baby | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 31-3 | Stevie, film score: Stevie’s Tuberculosis. a) The Swings. b) The Funeral | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 31-4 | Stevie, film score: Tender Only to One | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 31-5 | Stevie, film score: Farewell to Romance | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 31-6 | Stevie, film score: Would He Might Come - Not Waving but Drowning | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 31-7 | Stevie, film score: Karl | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 31-8 | Stevie, film score: A House of Mercy | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 31-9 | Stevie, film score: Study in E minor | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 31-10 | Stevie, film score: Attempted Suicide | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 31-11 | Stevie, film score: Black March | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 31-12 | Stevie, film score: Thoughts about the Christian Doctrine of Eternal Hell | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 31-13 | Stevie, film score: Come Death and Finale | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | — | |
| 32-1 | Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166): Chorale: Wachet auf, ruft uns die Stimme | John Williams, Peter Hurford | — | |
| 32-2 | Fugue for organ in G major, BWV 577 (BC J61) | John Williams, Peter Hurford | T-902.771.289-6 | |
| 32-3 | Sonata for violin & keyboard No. 4 in C minor, BWV 1017: III. Adagio | John Williams, Peter Hurford | — | |
| 32-4 | Trio Sonata for organ No. 6 in G major, BWV 530 (BC J6): I. Vivace | John Williams, Peter Hurford | T-010.888.057-4 | |
| 32-5 | Trio Sonata for organ No. 6 in G major, BWV 530 (BC J6): II. Lento | John Williams, Peter Hurford | T-010.888.057-4 | |
| 32-6 | Trio Sonata for organ No. 6 in G major, BWV 530 (BC J6): III. Allegro | John Williams, Peter Hurford | T-010.888.057-4 | |
| 32-7 | Italian Concerto, for solo keyboard in F major (Clavier-Übung II/1), BWV 971 (BC L7): I. [Allegro] | John Williams, Peter Hurford | — | |
| 32-8 | Pastorale for organ in F major, BWV 590 (BC J81): III. [Adagio] C minor | John Williams, Peter Hurford | — | |
| 32-9 | Trio for organ in G major (arrangement, possibly by Kellner), BWV 1027a: [Excerpt] | John Williams, Peter Hurford | — | |
| 32-10 | French Suite, for keyboard No. 6 in E major, BWV 817 (BC L24): I. Allemande | John Williams, Peter Hurford | T-924.757.565-1 | |
| 32-11 | English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): VI. Bourrée II | John Williams, Peter Hurford | — | |
| 32-12 | English Suite, for keyboard No. 3 in G minor, BWV 808 (BC L15): V. Gavotte I - VI Gavotte II (ou la Musette) | John Williams, Peter Hurford | — | |
| 32-13 | French Suite, for keyboard No. 5 in G major, BWV 816 (BC L23): VII. Gigue | John Williams, Peter Hurford | — | |
| 33-1 | Seis por derecho | Leslie Pearson, John Williams | — | |
| 33-2 | Castilla | Leslie Pearson, John Williams | — | |
| 33-3 | Recuerdos de la Alhambra | Leslie Pearson, John Williams | — | |
| 33-4 | Suite for solo cello No. 1 in G major, BWV 1007: I. Prelude | John Williams | — | |
| 33-5 | Concerto in D major, RV 93: I. Allegro | Leslie Pearson, John Williams, Pat Halling's String Ensemble | — | |
| 33-6 | Concerto in D major, RV 93: II. Largo | Leslie Pearson, John Williams, Pat Halling's String Ensemble | — | |
| 33-7 | Concerto in D major, RV 93: III. Allegro | Leslie Pearson, John Williams, Pat Halling's String Ensemble | — | |
| 33-8 | The Fool on the Hill | Leslie Pearson, John Williams | T-010.433.455-5 | |
| 33-9 | Vals, op. 8 no. 4 | Leslie Pearson, John Williams | — | |
| 33-10 | Aires Populares Cubanos (2), for guitar: Guajira criolla | John Williams | — | |
| 33-11 | Guajira / Danza caracteristica | Leslie Pearson, John Williams | — | |
| 33-12 | Cavatina | Leslie Pearson, John Williams, Pat Halling's String Ensemble | T-011.221.528-7 | |
| 33-13 | El negrito | Leslie Pearson, John Williams | — | |
| 33-14 | Theme and Variations by Japanese Folk Song "Sakura" | Leslie Pearson, John Williams | — | |
| 34-1 | Wraggle‐Taggle Gypsies | John Williams | — | |
| 34-2 | So We’ll Go No More A‐Roving | John Williams | T-010.152.941-2 | |
| 34-3 | Hajrá Kati (Hey, Kate) / Csák egy kislány van a világon (There Is but One Girl) | John Williams | — | |
| 34-4 | Queen of Hearts | John Williams | — | |
| 34-5 | Catarì, Catarì | John Williams | T-910.760.781-8 | |
| 34-6 | Petronella / St. Patrick’s Day / Búacallán Buídhe | John Williams | — | |
| 34-7 | Scarborough Fair | John Williams | — | |
| 34-8 | Carnaval | John Williams | — | |
| 34-9 | Seis por derecho | John Williams | — | |
| 34-10 | Over the Sea to Skye | John Williams | — | |
| 34-11 | Mashilaé (Sorghum Song) | John Williams | — | |
| 34-12 | Music Box Tune | John Williams | — | |
| 34-13 | Tu Ca’ Nun Chiagne (You Who Do Not Weep) | John Williams | T-910.775.402-9 | |
| 34-14 | O Waly Waly | John Williams | T-915.569.319-9 | |
| 34-15 | Shenandoah | John Williams | — | |
| 35-1 | Concierto de Aranjuez: I. Allegro con spirito | John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 35-2 | Concierto de Aranjuez: II. Adagio | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 35-3 | Concierto de Aranjuez: IIII. Allegro gentile | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 35-4 | Fantasia para un gentilhombre: I. Villano y Ricercare: Adagietto / Andante Moderato | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.067-7 | |
| 35-5 | Fantasia para un gentilhombre: II. Espanoleta y Fanfare de la Caballeria de Napoles: Adagio / Allegretto, molto ritmico: tempo de Espanoleta | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.067-7 | |
| 35-6 | Fantasia para un gentilhombre: III. Danza de las Hachas: Allegro con Brio | John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.067-7 | |
| 35-7 | Fantasia para un gentilhombre: IV. Canario: Allegro ma non troppo | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.067-7 | |
| 36-1 | Violin Concerto no. 2: I. Allegro | John Williams, Academy of St Martin in the Fields, Kenneth Sillito | T-312.207.924-3 | |
| 36-2 | Violin Concerto no. 2: II. Adagio | John Williams, Academy of St Martin in the Fields, Kenneth Sillito | T-307.292.933-6 | |
| 36-3 | Violin Concerto no. 2: III. Allegro assai | John Williams, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 36-4 | Aria: Andante from Solo Violin Sonata | John Williams, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 36-5 | Organ Concerto op. 4 no. 5: I. Larghetto | John Williams, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 36-6 | Organ Concerto op. 4 no. 5: II. Allegro | John Williams, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 36-7 | Organ Concerto op. 4 no. 5: III. Alla siciliana | John Williams, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 36-8 | Organ Concerto op. 4 no. 5: IV. Presto | John Williams, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 36-9 | Oboe Concerto: I. Allegro moderato | John Williams, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 36-10 | Oboe Concerto: II. Adagio | John Williams, Academy of St Martin in the Fields, Kenneth Sillito | T-900.226.179-2 | |
| 36-11 | Oboe Concerto: III. Allegro | John Williams, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 37-1 | Streets of London | John Williams | T-902.256.059-4 | |
| 37-2 | La Volta | John Williams | T-900.237.674-1 | |
| 37-3 | Air on a Ground Bass | John Williams | T-900.237.673-0 | |
| 37-4 | In Old Holland Park | John Williams | — | |
| 37-5 | Courante | John Williams | T-900.237.672-9 | |
| 37-6 | Sarabande/Air | John Williams | T-900.020.875-3 | |
| 37-7 | Suite for keyboard, Volume 1, No. 5 in E major, HWV 430: IV. Air: "The Harmonious Blacksmith" | John Williams | T-900.237.669-4 | |
| 37-8 | Salut D'Amour | John Williams | T-900.035.228-3 | |
| 37-9 | A Nightingale Sang in Berkeley Square | John Williams | T-070.152.584-9 | |
| 37-10 | A Room in Bloomsbury | John Williams | T-010.164.806-9 | |
| 37-11 | London Pride | John Williams | — | |
| 37-12 | A Foggy Day | John Williams | T-010.434.159-4 | |
| 37-13 | London by Night | John Williams | T-010.435.676-4 | |
| 37-14 | Maybe It’s Because I’m a Londoner | John Williams | — | |
| 38-1 | Concerto for Guitar and Jazz Orchestra: I. South Bank | John Williams, National Youth Jazz Orchestra | — | |
| 38-2 | Concerto for Guitar and Jazz Orchestra: II. First Interlude and Ballad | John Williams, National Youth Jazz Orchestra | — | |
| 38-3 | Concerto for Guitar and Jazz Orchestra: III. Second Interlude and Pymouth Hoe-Down | John Williams, National Youth Jazz Orchestra | — | |
| 38-4 | Three Pieces: Rondo La Ronde | Dave Arch, Paul Hart, John Williams | — | |
| 38-5 | Three Pieces: Song Without Words in D Minor | Dave Arch, Paul Hart, John Williams | — | |
| 38-6 | Three Pieces: Duet for Two | Paul Hart, John Williams | — | |
| 39-1 | Danza di Cala Luna | Inti-Illimani | — | |
| 39-2 | El corazón a contraluz | Inti-Illimani | T-045.045.572-7 | |
| 39-3 | Cristalino | Inti-Illimani, John Williams | — | |
| 39-4 | La preguntona | Inti-Illimani | — | |
| 39-5 | El carnaval | Inti-Illimani | — | |
| 39-6 | Fragmentos de un sueño | Inti-Illimani | T-045.045.573-8 | |
| 39-7 | La ciudad | Inti-Illimani | T-041.272.593-9 | |
| 39-8 | El mercado Testaccio | Inti-Illimani | T-041.065.294-6 | |
| 39-9 | La calahorra | Inti-Illimani, Paco Peña | T-900.245.690-8 | |
| 39-10 | En libertad (Sevillanas) | Inti-Illimani | T-041.055.615-8 | |
| 39-11 | Danza | Inti-Illimani | T-041.065.295-7 | |
| 40-1 | Bourrie alla Polacca | John Williams | T-900.237.668-3 | |
| 40-2 | Sonata in E major, L. 23 | John Williams | — | |
| 40-3 | Sonata in D minor, L. 108 | John Williams | — | |
| 40-4 | Sonata in A major, L. 485 | John Williams | T-900.237.677-4 | |
| 40-5 | Partita no. 2 in D minor, BWV 1004: Chaconne | John Williams | — | |
| 40-6 | Les Barricades mystérieuses | John Williams | — | |
| 40-7 | Les Moissonneurs | John Williams | T-336.722.986-1 | |
| 40-8 | Sonata in A minor, L. 429 | John Williams | T-900.237.679-6 | |
| 40-9 | Sonata in D major, L. 104 | John Williams | — | |
| 40-10 | Passacaglia | John Williams | T-900.237.667-2 | |
| 40-11 | Fantaisie | John Williams | T-902.764.001-3 | |
| 40-12 | Tombeau (sur la mort) de M. Cajetan | John Williams | T-900.237.664-9 | |
| 41-1 | Sunburst | John Williams | T-916.268.769-6 | |
| 41-2 | Aconquija | John Williams | — | |
| 41-3 | La última canción | John Williams | — | |
| 41-4 | Verano porteño | John Williams | — | |
| 41-5 | Lullaby | John Williams | — | |
| 41-6 | Scherzino Mexicano | John Williams | T-035.060.788-3 | |
| 41-7 | Natalia (Venezuelan Waltz) | John Williams | — | |
| 41-8 | El Niño | John Williams | — | |
| 41-9 | María Luisa | John Williams | — | |
| 41-10 | Cueca | John Williams | — | |
| 41-11 | Berceuse | John Williams | — | |
| 41-12 | Danza característica | John Williams | — | |
| 41-13 | Spanish Guitar Blues | John Williams | — | |
| 41-14 | Blues for Felix | John Williams | — | |
| 41-15 | Swing 59 | John Williams | — | |
| 41-16 | Chôro No. 1 | John Williams | T-910.266.187-0 | |
| 41-17 | El colibrí | John Williams | — | |
| 41-18 | Norteña | John Williams | — | |
| 42-1 | Preludio y festejo | Inti-Illimani, John Williams, Paco Peña | T-045.045.589-6 | |
| 42-2 | Sensemaya | Inti-Illimani, John Williams, Paco Peña | T-042.189.465-6 | |
| 42-3 | Farruca | Inti-Illimani, John Williams, Paco Peña | T-041.489.062-2 | |
| 42-4 | La Cacharpaya (huayno), for 2 guitars | Inti-Illimani, Paco Peña | — | |
| 42-5 | Crónicas de una ausencia | Inti-Illimani, John Williams, Paco Peña | T-045.045.588-5 | |
| 42-6 | Alondras | Inti-Illimani, John Williams, Paco Peña | T-010.329.543-7 | |
| 42-7 | Juanita Laguna remonta un barrilete | Inti-Illimani, John Williams, Paco Peña | — | |
| 42-8 | David of the White Rock | Inti-Illimani, John Williams, Paco Peña | — | |
| 42-9 | La fiesta de la tirana | Inti-Illimani, John Williams, Paco Peña | T-041.065.293-5 | |
| 42-10 | Candidos | Inti-Illimani, John Williams, Paco Peña | T-005.012.627-6 | |
| 42-11 | Tarantella | Inti-Illimani, John Williams, Paco Peña | — | |
| 42-12 | Canna Austina | Inti-Illimani, John Williams, Paco Peña | — | |
| 43-1 | Concerto for Violin (Guitar), Strings & Basso continuo in D major, RV 230: I. Allegro | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-2 | Concerto for Violin (Guitar), Strings & Basso continuo in D major, RV 230: II. Larghetto | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | T-900.137.991-5 | |
| 43-3 | Concerto for Violin (Guitar), Strings & Basso continuo in D major, RV 230: III. Allegro | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | T-041.489.061-1 | |
| 43-4 | Concerto for Violin (Guitar), Strings & Basso continuo in A minor, RV 356: I. Allegro | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-5 | Concerto for Violin (Guitar), Strings & Basso continuo in A minor, RV 356: II. Largo | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-6 | Concerto for Violin (Guitar), Strings & Basso continuo in A minor, RV 356: III. Presto | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | T-900.137.992-6 | |
| 43-7 | Concerto for 2 Mandolins (Guitars), Strings & Basso continuo in G major, RV 532: I. Allegro | Benjamin Verdery, John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-8 | Concerto for 2 Mandolins (Guitars), Strings & Basso continuo in G major, RV 532: II. Andante | Benjamin Verdery, John Williams, Liszt Ferenc Kamarazenekar, János Rolla | T-802.445.410-3 | |
| 43-9 | Concerto for 2 Mandolins (Guitars), Strings & Basso continuo in G major, RV 532: III. Allegro | Benjamin Verdery, John Williams, Liszt Ferenc Kamarazenekar, János Rolla | T-902.836.120-8 | |
| 43-10 | Trio for Violin, Lute (Guitar) & Basso continuo in C major, RV 82: I. Allegro non molto | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-11 | Trio for Violin, Lute (Guitar) & Basso continuo in C major, RV 82: II. Larghetto | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-12 | Trio for Violin, Lute (Guitar) & Basso continuo in C major, RV 82: III. Allegro | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-13 | Concerto for Viola d'amore, Lute (Guitar), Strings & Basso continuo in D minor, RV 540: I. Allegro | Norbert Blum, John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-14 | Concerto for Viola d'amore, Lute (Guitar), Strings & Basso continuo in D minor, RV 540: II. Largo | Norbert Blum, John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-15 | Concerto for Viola d'amore, Lute (Guitar), Strings & Basso continuo in D minor, RV 540: III. Allegro | Norbert Blum, John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-16 | Concerto for Violin (Guitar), Strings & Basso continuo in A major, RV 345: I. Allegro | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-17 | Concerto for Violin (Guitar), Strings & Basso continuo in A major, RV 345: II. Largo | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-18 | Concerto for Violin (Guitar), Strings & Basso continuo in A major, RV 345: III. Allegro | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | T-041.489.061-1 | |
| 43-19 | Concerto for Lute (Guitar), 2 Violins (Strings) & Basso continuo in D major, RV 93: I. Allegro giusto | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 43-20 | Concerto for Lute (Guitar), 2 Violins (Strings) & Basso continuo in D major, RV 93: II. Largo | John Williams, Franz Liszt Chamber Orchestra, János Rolla | — | |
| 43-21 | Concerto for Lute (Guitar), 2 Violins (Strings) & Basso continuo in D major, RV 93: III. Allegro | John Williams, Liszt Ferenc Kamarazenekar, János Rolla | — | |
| 44-1 | To the Edge of Dream | John Williams, London Sinfonietta, Esa-Pekka Salonen | — | |
| 44-2 | Folios: I | John Williams | — | |
| 44-3 | Folios: II | John Williams | — | |
| 44-4 | Folios: III | John Williams | — | |
| 44-5 | Toward the Sea: I. The Night | Sebastian Bell, John Williams | — | |
| 44-6 | Toward the Sea: II. Moby Dick | Sebastian Bell, John Williams | — | |
| 44-7 | Toward the Sea: III. Cape Cod | Sebastian Bell, John Williams | — | |
| 44-8 | Twelve Songs: Here, There and Everywhere | John Williams | T-010.433.456-6 | |
| 44-9 | Twelve Songs: What a Friend | John Williams | — | |
| 44-10 | Twelve Songs: Amours perdues | John Williams | T-003.005.452-4 | |
| 44-11 | Twelve Songs for Guitar: Summertime | John Williams | T-910.978.509-3 | |
| 44-12 | Vers, L'arc-en-ciel, Palma | Gareth Hulse, John Williams, London Sinfonietta, Esa-Pekka Salonen | — | |
| 45-1 | Valses Poéticos | John Williams | T-911.532.327-8 | |
| 45-2 | Invocation et danse | John Williams | T-041.326.306-5 | |
| 45-3 | Nine Catalan Folksongs: Cançó del lladre | John Williams | — | |
| 45-4 | Nine Catalan Folksongs: El testament d'Amèlia | John Williams | — | |
| 45-5 | Nine Catalan Folksongs: La filadora | John Williams | — | |
| 45-6 | Nine Catalan Folksongs: El mestre | John Williams | T-310.661.626-2 | |
| 45-7 | Nine Catalan Folksongs: La Nit de Nadal | John Williams | — | |
| 45-8 | Nine Catalan Folksongs: L'hereu Riera | John Williams | — | |
| 45-9 | Nine Catalan Folksongs: Lo fill del Rei | John Williams | T-310.661.626-2 | |
| 45-10 | Nine Catalan Folksongs: La pastoreta | John Williams | — | |
| 45-11 | Nine Catalan Folksongs: El noi de la mare | John Williams | — | |
| 45-12 | En los trigales | John Williams | T-041.056.221-8 | |
| 45-13 | El Albaicín | John Williams, London Symphony Orchestra, Paul Daniel | T-041.538.731-3 | |
| 45-14 | Triana | John Williams, London Symphony Orchestra, Paul Daniel | — | |
| 45-15 | Rondeña | John Williams, London Symphony Orchestra, Paul Daniel | — | |
| 46-1 | Suite española, op. 47: Sevilla (Sevillanas) | John Williams | — | |
| 46-2 | Lute Suite no. 4 in E major, BWV 1006a: I. Prelude | John Williams | — | |
| 46-3 | Sonata in D minor, K 213. Andante | John Williams | — | |
| 46-4 | Concerto for Lute, Two Violins and Basso Continuo in D major, RV 93: I. Allegro giusto | John Williams, Real Orquesta Sinfónica de Sevilla | — | |
| 46-5 | Concerto for Lute, Two Violins and Basso Continuo in D major, RV 93: II. Largo | John Williams, Real Orquesta Sinfónica de Sevilla | — | |
| 46-6 | Concerto for Lute, Two Violins and Basso Continuo in D major, RV 93: III. Allegro | John Williams, Real Orquesta Sinfónica de Sevilla | T-902.836.120-8 | |
| 46-7 | Sakura Variations | John Williams | — | |
| 46-8 | Usher Waltz, op. 29 (After Edgar Allen Poe) | John Williams | — | |
| 46-9 | Suite española for piano No. 1, Op. 47: Asturias (Leyenda) | John Williams | — | |
| 46-10 | Sueño en la floresta | John Williams | — | |
| 46-11 | Concierto de Aranjuez: Adagio | John Williams, Real Orquesta Sinfónica de Sevilla, José Buenagu | — | |
| 47-1 | Kakadu | John Williams, Australian Chamber Orchestra, Richard Hickox | — | |
| 47-2 | Nourlangie, for guitar, strings & percussion | John Williams, London Symphony Orchestra, Paul Daniel | T-060.222.524-0 | |
| 47-3 | The Last Place on Earth | John Williams, London Symphony Orchestra, Paul Daniel | T-060.222.524-0 | |
| 47-4 | Wooden Ships | John Williams, London Symphony Orchestra, Paul Daniel | T-060.215.475-5 | |
| 47-5 | Penguin ballet | John Williams, London Symphony Orchestra, Paul Daniel | T-060.222.524-0 | |
| 47-6 | The Ice Core/Finale | John Williams, London Symphony Orchestra, Paul Daniel | — | |
| 47-7 | Into the Dreaming | John Williams, London Symphony Orchestra, Paul Daniel | — | |
| 48-1 | Vals no. 3 | John Williams | — | |
| 48-2 | Preludio en do menor | John Williams | — | |
| 48-3 | Cueca | John Williams | — | |
| 48-4 | Maxixa | John Williams | T-070.134.198-1 | |
| 48-5 | La Catedral | John Williams | — | |
| 48-6 | Julia Florida (barcarola) | John Williams | T-000.914.035-5 | |
| 48-7 | Vals no. 4 | John Williams | — | |
| 48-8 | Una limosna para el amor de Dios | John Williams | T-902.680.279-9 | |
| 48-9 | Mazurka appassionata | John Williams | T-070.134.198-1 | |
| 48-10 | Las abejas | John Williams | T-305.445.636-5 | |
| 48-11 | Medallon antiguo | John Williams | — | |
| 48-12 | Choro de saudade | John Williams | — | |
| 48-13 | Aire de zamba | John Williams | — | |
| 48-14 | Aconquija | John Williams | T-070.134.198-1 | |
| 48-15 | Preludio en sol menor | John Williams | — | |
| 48-16 | Sueño en la floresta | John Williams | — | |
| 48-17 | Villancico de navidad | John Williams | — | |
| 49-1 | Concerto Antico: I. Alborada | John Williams, London Symphony Orchestra, Paul Daniel | T-902.765.068-6 | |
| 49-2 | Concerto Antico: II. Contredanse | John Williams, London Symphony Orchestra, Paul Daniel | T-902.765.068-6 | |
| 49-3 | Concerto Antico for Guitar and Small Orchestra: II. Cantilena | John Williams, London Symphony Orchestra, Paul Daniel | T-902.765.068-6 | |
| 49-4 | Concerto Antico: IV. Forlana | John Williams, London Symphony Orchestra, Paul Daniel | — | |
| 49-5 | Concerto Antico for Guitar and Small Orchestra: V. Lavolta | John Williams, London Symphony Orchestra, Paul Daniel | — | |
| 49-6 | Guitar Concerto: I. Dances | John Williams, London Symphony Orchestra, Paul Daniel | T-900.235.410-1 | |
| 49-7 | Guitar Concerto: II. Love Songs | John Williams, London Symphony Orchestra, Paul Daniel | T-900.235.410-1 | |
| 49-8 | Guitar Concerto: Jokes | John Williams, London Symphony Orchestra, Paul Daniel | T-900.235.410-1 | |
| 50-1 | Dance From La Vida Breve | John Williams | T-918.125.296-0 | |
| 50-2 | Intermezzo (Goyescas) | Timothy Kain, John Williams | — | |
| 50-3 | Rondella aragonesa (12 danzas española) | Timothy Kain, John Williams | — | |
| 50-4 | Sonata in A major, R. 84 | Timothy Kain, John Williams | — | |
| 50-5 | Songs from the Forest | Timothy Kain, John Williams | T-060.092.679-1 | |
| 50-6 | Three Duets: I. The Mantis and the Moon | Timothy Kain, John Williams | T-060.202.588-6 | |
| 50-7 | Three Duets: II. Lament | Timothy Kain, John Williams | T-060.202.588-6 | |
| 50-8 | Three Duets: III. Alchemy | Timothy Kain, John Williams | T-060.202.588-6 | |
| 50-9 | Allegro giocoso | John Williams, Timothy Kain | — | |
| 50-10 | Slow | John Williams, Timothy Kain | — | |
| 50-11 | Fast and Light | John Williams, Timothy Kain | T-900.147.178-9 | |
| 50-12 | Micropiezas | Timothy Kain, John Williams | — | |
| 50-13 | Monte Carlo | Timothy Kain, John Williams | — | |
| 50-14 | Capitola | Timothy Kain, John Williams | — | |
| 50-15 | Prayer | Timothy Kain, John Williams | T-904.715.061-8 | |
| 50-16 | Jongo | Timothy Kain, John Williams | T-050.025.105-7 | |
| 50-17 | "Bad Boy" for Two Guitars | Timothy Kain, John Williams | — | |
| 50-18 | Guitars, op. 97 | Timothy Kain, John Williams | — | |
| 51-1 | Kiss From a Rose | John Williams | T-010.337.610-8 | |
| 51-3 | Unchained Melody | John Williams | T-070.193.442-0 | |
| 51-4 | Love Is All Around | John Williams | — | |
| 51-5 | The Godfather | John Williams, Christopher Gunning | T-901.224.250-1 | |
| 51-6 | Moon River | John Williams | T-070.111.569-6 | |
| 51-7 | The Wizard of Oz | John Williams | — | |
| 51-8 | The Mission | Nicole Tibbels, John Williams, Christopher Gunning | T-005.002.184-5 | |
| 51-9 | Cavatina from the Deer Hunter | John Williams, John Williams | T-011.221.528-7 | |
| 51-10 | As Time Goes By | John Williams | T-070.001.967-5 | |
| 51-11 | Parapluies de Cherbourg | John Williams | T-900.760.092-2 | |
| 51-12 | It Had to Be You | John Williams | T-915.742.676-1 | |
| 51-13 | Calling You | John Williams | T-070.233.222-6 | |
| 51-14 | The Entertainer | John Williams | T-307.274.394-9 | |
| 51-15 | Il Postino | John Williams | T-005.001.016-6 | |
| 51-16 | Once Upon a Time in America | John Williams | T-005.006.495-3 | |
| 51-17 | Once Upon a Time in the West | John Williams | T-005.001.150-1 | |
| 51-18 | Schindler’s List | John Williams | T-070.248.886-5 | |
| 52-1 | Concerto de Toronto: I. Moderato | John Williams, London Sinfonietta, Steven Mercurio | — | |
| 52-2 | Concerto de Toronto: II. Theme and Variations: Theme | John Williams, London Sinfonietta, Steven Mercurio | — | |
| 52-3 | Concerto de Toronto: II. Theme and Variations: Variation 1 | John Williams, London Sinfonietta, Steven Mercurio | — | |
| 52-4 | Concerto de Toronto: II. Theme and Variations: Variation 2 | John Williams, London Sinfonietta, Steven Mercurio | — | |
| 52-5 | Concerto de Toronto: II. Theme and Variations: Variation 3 | John Williams, London Sinfonietta, Steven Mercurio | — | |
| 52-6 | Concerto de Toronto: II. Theme and Variations: Variation 4 | John Williams, London Sinfonietta, Steven Mercurio | — | |
| 52-7 | Concerto de Toronto: III. Tempo Libero. Allegro | John Williams, London Sinfonietta, Steven Mercurio | — | |
| 52-8 | Elogio de la danza: Lento. Obstinato | John Williams | — | |
| 52-9 | El Decamerón negro: El arpa del guerrero | John Williams | — | |
| 52-10 | The Black Decameron: II. The Flight of the Lovers through the Valley of Echoes | John Williams | — | |
| 52-11 | El Decamerón negro: Balada de la doncella enamorada | John Williams | — | |
| 52-12 | Hika: "In memoriam Toru Takemitsu" | John Williams | T-042.053.091-1 | |
| 53-1 | Three Epitafios: Epitafios 3 | John Williams | — | |
| 53-2 | Three Epitafios: Epitafios 4 | John Williams | — | |
| 53-3 | Three Epitafios: Epitafios 5 | John Williams | — | |
| 53-4 | Koyunbaba: Part 1 | John Williams | T-801.323.914-1 | |
| 53-5 | Koyunbaba: Part 2 | John Williams | T-801.323.914-1 | |
| 53-6 | Koyunbaba: Part 3 | John Williams | — | |
| 53-7 | Koyunbaba: Part 4 | John Williams | T-801.323.914-1 | |
| 53-8 | Gymnopédie no. 3 | John Williams | — | |
| 53-9 | Lamento di Tristan | John Williams | — | |
| 53-10 | Ductia | John Williams | T-900.146.796-5 | |
| 53-11 | Saltarello | John Williams | — | |
| 53-12 | Aeolian Suite for Guitar and Small Orchestra: I. Aeolian Chant | Ben Cruft, John Williams, William Goodchild and Orchestra | T-010.752.166-3 | |
| 53-13 | Aeolian Suite for Guitar and Small Orchestra: II. Double Dance | Ben Cruft, John Williams, William Goodchild and Orchestra | — | |
| 53-14 | Aeolian Suite for Guitar and Small Orchestra: III. Ballad | Ben Cruft, John Williams, William Goodchild and Orchestra | — | |
| 53-15 | Aeolian Suite for Guitar and Small Orchestra: IV. Toccata | Ben Cruft, John Williams, William Goodchild and Orchestra | — | |
| 53-16 | Stélé: I. Stélé | John Williams | T-060.029.851-8 | |
| 53-17 | Stélé: II. Dervish | John Williams | T-061.914.064-5 | |
| 53-18 | Stélé: III. Bronze Apollo | John Williams | T-061.914.065-6 | |
| 53-19 | Stélé: IV. Web | John Williams | T-061.914.066-7 | |
| 53-20 | Gnossienne no. 1 | John Williams | T-312.958.386-0 | |
| 53-21 | Gnossienne no. 2 | John Williams | T-307.039.173-6 | |
| 54-1 | Sonata 'Arpeggione', D. 821: I. Allegro moderato | John Williams, Australian Chamber Orchestra, Richard Tognetti | — | |
| 54-2 | Sonata 'Arpeggione', D. 821: II. Adagio | John Williams, Australian Chamber Orchestra, Richard Tognetti | — | |
| 54-3 | Sonata 'Arpeggione', D. 821: III. Allegretto | John Williams, Australian Chamber Orchestra, Richard Tognetti | — | |
| 54-4 | Concerto no. 1 in A major for Guitar and String Orchestra, op. 30: I. Allegro maestoso | John Williams, Australian Chamber Orchestra, Richard Tognetti | — | |
| 54-5 | Konzert No. 1 in A-dur für Gitarre und Streicher, Op. 30: Andantino. Siciliano | John Williams, Australian Chamber Orchestra, Richard Tognetti | — | |
| 54-6 | Concerto no. 1 in A major for Guitar and String Orchestra, op. 30: III. Rondo alla polacca | John Williams, Australian Chamber Orchestra, Richard Tognetti | — | |
| 55-1 | O Bia, for guitar, tiny kit & double bass | John Williams, Paul Clarvis, Chris Laurence | T-003.143.333-6 | |
| 55-2 | Township Kwela, for 2 guitars, double bass, percussion, bamboo pipe | John Williams, Paul Clarvis, Chris Laurence, John Etheridge, Pete Whittaker | — | |
| 55-3 | Maki, for strings & percussion | John Williams, Paul Clarvis, Chris Laurence, Anthony Pleeth, Martin Loveday | — | |
| 55-4 | Engome, for thumb piano (sanza) & guitar | John Williams, Francis Bebey | — | |
| 55-5 | Malinke Guitars, duet | John Williams, John Etheridge | T-010.004.049-0 | |
| 55-6 | Masanga, for guitar | John Williams | T-900.520.654-2 | |
| 55-7 | Musha musiki, for 2 guitars, double bass & percussion | John Williams, John Etheridge, Chris Laurence, Paul Clarvis | T-010.056.485-9 | |
| 55-8 | Mitopa | John Williams, Richard Allen Harvey, Chris Laurence, Paul Clarvis | — | |
| 55-9 | Triangular Situations | John Williams, Richard Allen Harvey, Chris Laurence | T-003.097.690-9 | |
| 55-10 | Guitar Makossa | John Williams, John Etheridge, Paul Clarvis | — | |
| 55-11 | The Magic Box, for solo guitar | John Williams | T-010.056.485-9 | |
| 55-12 | Omby, for guitar | John Williams, Richard Allen Harvey | — | |
| 55-13 | N'kosi sikelel' i Afrika | John Williams, African Children's Choir | T-906.906.770-5 | |
| 55-14 | Djandjon, for kora (harp-lute) | John Williams, John Etheridge | — | |
| 55-15 | Sangara, makossa | John Williams, John Etheridge | — | |
| 56-1 | Los Caujaritos | John Williams | T-044.040.769-1 | |
| 56-2 | El Totumo de Guarenas | John Williams | — | |
| 56-3 | Como llora una estrella | John Williams | — | |
| 56-4 | Seis por derecho | John Williams | — | |
| 56-5 | No me olvides | John Williams | — | |
| 56-6 | Las Perdices | John Williams | T-325.758.459-7 | |
| 56-7 | Alma Llanera | Alfonso Montes, John Williams | — | |
| 56-8 | Salve | John Williams | T-044.083.248-3 | |
| 56-9 | Five Pieces: Cántico | John Williams | T-044.083.243-8 | |
| 56-10 | Five Pieces: Cantemos, cantemos | John Williams | T-044.081.417-4 | |
| 56-11 | Five Pieces: Si de noche ves que brillan | John Williams | — | |
| 56-12 | Five Pieces: Malhaya la cocina | John Williams | T-044.091.572-9 | |
| 56-13 | Five Pieces: Ave María ¡Que muchacho! | John Williams | T-044.091.585-4 | |
| 56-14 | Quirpa Guatireña | John Williams | T-044.088.829-8 | |
| 56-15 | Angostura | John Williams | — | |
| 56-16 | El Diablo suelto | Alfonso Montes, John Williams | — | |
| 56-17 | Virgilio | John Williams | — | |
| 56-18 | Pasaje “Aragueño” | John Williams | — | |
| 56-19 | Que no te quiera más | John Williams | T-044.071.439-5 | |
| 56-20 | Romanza | John Williams | — | |
| 56-21 | Priva Resuello | John Williams | — | |
| 56-22 | María Carolina | John Williams | — | |
| 56-23 | Vals Venezolano | John Williams | — | |
| 56-24 | Nelly | Alfonso Montes, John Williams | — | |
| 56-25 | El Marabino | Alfonso Montes, John Williams | — | |
| 56-26 | Preludio de Adiós | John Williams | — | |
| 57-1 | Introduction | Paul Herriot | — | |
| 57-2 | Extra Time, Part 1 | John Williams, John Etheridge | — | |
| 57-3 | Extra Time, Part 2 | John Williams, John Etheridge | T-925.597.898-4 | |
| 57-4 | Extra Time, Part 3 | John Williams, John Etheridge | T-011.653.223-0 | |
| 57-5 | Strange Comforts | John Williams, John Etheridge | — | |
| 57-6 | Sangara | John Williams, John Etheridge | — | |
| 57-7 | Slow Dub | John Williams, John Etheridge | T-011.653.222-9 | |
| 57-8 | God Bless the Child | John Etheridge | T-072.257.705-0 | |
| 57-9 | Una Limosna Por El Amor de Dios (La Ultima Cancion) | John Williams | T-902.680.279-9 | |
| 57-10 | El Totumo | John Williams | — | |
| 57-11 | Triangular Situations | John Williams, John Etheridge | T-003.097.690-9 | |
| 57-12 | Malinke Guitars | John Williams, John Etheridge | T-010.004.049-0 | |
| 57-13 | Places Between | John Williams, John Etheridge | — | |
| 57-14 | Peace, Love and Guitars, Part 1 | John Williams, John Etheridge | — | |
| 57-15 | Peace, Love and Guitars, Part 2 | John Williams, John Etheridge | T-925.597.898-4 | |
| 57-16 | Peace, Love and Guitars, Part 3 | John Williams, John Etheridge | — | |
| 57-17 | Djandjon | John Williams, John Etheridge | — | |
| 57-18 | Mitopa | John Williams, John Etheridge | — | |
| 58-1 | Songs (3) for soprano, E flat clarinet & guitar, Op. 18: I. Schatzerl klein | John Williams, Colin Bradley, Halina Łukomska, Pierre Boulez | — | |
| 58-2 | Songs (3) for soprano, E flat clarinet & guitar, Op. 18: II. Erlösung | John Williams, Colin Bradley, Halina Łukomska, Pierre Boulez | — | |
| 58-3 | Songs (3) for soprano, E flat clarinet & guitar, Op. 18: III. Ave, Regina coelorum | John Williams, Colin Bradley, Halina Łukomska, Pierre Boulez | — | |
| 58-4 | Song for Martin | John Williams, Ralph McTell | — | |
| 58-5 | Streets of London | John Williams, Ralph McTell | T-902.256.059-4 | |
| 58-6 | Asturias (Leyenda), instrumental arrangement after Suite española No. 1, Op. 47/5 | John Williams | — | |
| 58-7 | The Prayer Cycle, choral symphony: V. Grace | John Williams, Michael Sherwood, James Taylor, English Chamber Choir | — | |
| 58-8 | Edelweiss, song (from "The Sound of Music") | John Williams, Angelika Kirchschlager | T-070.049.175-3 | |
| 58-9 | Cantiga de Nimar (Baby’s Goodnight Song) | John Williams, Angelika Kirchschlager | — | |
| 58-10 | Laß mich schlummern, Herzlein, schweige | Angelika Kirchschlager | — | |
| 58-11 | The Little Horses (Lullaby) | Angelika Kirchschlager | — | |
| 58-12 | Nana | Angelika Kirchschlager | — | |
| 58-13 | Jeux Interdits ("Spanish Romance"), for guitar | John Williams, William Goodchild | T-011.687.149-8 | |
| 58-14 | Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 | John Williams, William Goodchild | T-312.276.390-6 | |
| 58-15 | El condor pasa, song | John Williams | T-802.463.474-1 | |
| 58-16 | Mazurka in F-sharp minor | Béla Fleck | T-918.063.801-1 | |
| 58-17 | Seven Variations on "God Save the King" | Béla Fleck | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Passacaglia | John Williams | T-900.237.667-2 |
| Suite española, op. 47: Sevilla (Sevillanas) | John Williams | — |
| Lute Suite no. 4 in E major, BWV 1006a: I. Prelude | John Williams | — |
| Sonata in D minor, K 213. Andante | John Williams | — |
| Suite española for piano No. 1, Op. 47: Asturias (Leyenda) | John Williams | — |
| Concierto de Aranjuez: Adagio | John Williams, Real Orquesta Sinfónica de Sevilla, José Buenagu | T-041.489.061-1 |
| Concierto del sur: I. Allegretto | John Williams, London Symphony Orchestra, André Previn | — |
| Concierto del sur: II. Andante | John Williams, London Symphony Orchestra, André Previn | — |
| Concierto del sur: III. Allegro moderato e festivo | John Williams, London Symphony Orchestra, André Previn | — |
| Partita no. 2 in D minor, BWV 1004: Chaconne | John Williams | — |
| Everything I Do | John Williams | T-070.085.010-7 |
| Aeolian Suite for Guitar and Small Orchestra: I. Aeolian Chant | Ben Cruft, John Williams, William Goodchild and Orchestra | T-010.262.182-8 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
888430929425 is a Universal Product Code (UPC) assigned to The Complete Columbia Album Collection by John Williams. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 717 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
888430929425 is the Universal Product Code (UPC barcode) for the release “The Complete Columbia Album Collection” by John Williams, released 2016-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 717 tracks, each with its own ISRC. Tracks include USSM11500802, USSM11500803, USSM11500804.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Passacaglia | John Williams | T-900.237.667-2 |
| Suite española, op. 47: Sevilla (Sevillanas) | John Williams | — |
| Lute Suite no. 4 in E major, BWV 1006a: I. Prelude | John Williams | — |
| Sonata in D minor, K 213. Andante | John Williams | — |
| Suite española for piano No. 1, Op. 47: Asturias (Leyenda) | John Williams | — |
| Concierto de Aranjuez: Adagio | John Williams, Real Orquesta Sinfónica de Sevilla, José Buenagu | T-041.489.061-1 |
| Concierto del sur: I. Allegretto | John Williams, London Symphony Orchestra, André Previn | — |
| Concierto del sur: II. Andante | John Williams, London Symphony Orchestra, André Previn | — |
| Concierto del sur: III. Allegro moderato e festivo | John Williams, London Symphony Orchestra, André Previn | — |
| Partita no. 2 in D minor, BWV 1004: Chaconne | John Williams | — |
| Everything I Do | John Williams | T-070.085.010-7 |
| Aeolian Suite for Guitar and Small Orchestra: I. Aeolian Chant | Ben Cruft, John Williams, William Goodchild and Orchestra | T-010.262.182-8 |
