UPC · Release
Tafelmusik
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The UPC for “The Complete Sony Recordings” by Tafelmusik is 888750306227. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Sony Classical. This release contains 809 tracks, each with its own ISRC. Tracks include USSM19303704, USSM19303705, USSM19303706.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. (-) | Tafelmusik, Jeanne Lamon | T-801.411.105-9 | |
| 2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio - Polonaise - Trio | Tafelmusik, Jeanne Lamon | T-307.292.941-6 | |
| 5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. (-) | Tafelmusik, Jeanne Lamon | T-801.411.105-9 | |
| 6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Tafelmusik, Jeanne Lamon | — | |
| 7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Tafelmusik, Jeanne Lamon | — | |
| 8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. (-) | Tafelmusik, Jeanne Lamon | T-801.411.105-9 | |
| 9 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 2-1 | Concerto no. 4 in G major, BWV 1049: I. Allegro | — | ||
| 2-2 | Concerto no. 4 in G major, BWV 1049: II. Andante | — | ||
| 2-3 | Concerto no. 4 in G major, BWV 1049: III. Presto | — | ||
| 2-4 | Concerto no. 5 in D major, BWV 1050: I. Allegro | — | ||
| 2-5 | Concerto no. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 2-6 | Concerto no. 5 in D major, BWV 1050: III. Allegro | — | ||
| 2-7 | Concerto no. 6 in B-flat major, BWV 1051: I. (-) | — | ||
| 2-8 | Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 2-9 | Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | — | ||
| 3-1 | Concerto for Violin, Strings & Basso continuo in A minor, BWV 1041: I. (-) | — | ||
| 3-2 | Concerto for Violin, Strings & Basso continuo in A minor, BWV 1041: II. Andante | — | ||
| 3-3 | Concerto for Violin, Strings & Basso continuo in A minor, BWV 1041: III. Allegro assai | — | ||
| 3-4 | Concerto for Two Violins in D minor ("Double"), BWV 1043: I. Vivace | Jeanne Lamon, Linda Melsted, Tafelmusik | — | |
| 3-5 | Concerto for 2 Violins, Strings & Basso continuo in D minor, BWV 1043: II. Largo ma non tanto | — | ||
| 3-6 | Concerto for 2 Violins, Strings & Basso continuo in D minor, BWV 1043: III. Allegro | — | ||
| 3-7 | Concerto for Violin, Strings & Basso continuo in E major, BWV 1042: I. Allegro | — | ||
| 3-8 | Concerto for Violin, Strings & Basso continuo in E major, BWV 1042: II. Adagio | — | ||
| 3-9 | Concerto for Violin, Strings & Basso continuo in E major, BWV 1042: III. Allegro assai | — | ||
| 3-10 | Concerto for 3 Violins, Strings & Basso continuo in D major, BWV 1064R: I. Allegro | — | ||
| 3-11 | Concerto for 3 Violins, Strings & Basso continuo in D major, BWV 1064R: II. Adagio | — | ||
| 3-12 | Concerto for 3 Violins, Strings & Basso continuo in D major, BWV 1064R: III. Allegro | — | ||
| 4-1 | Sinfonia in D major, F. 64: I. Allegro e maestoso | — | ||
| 4-2 | Sinfonia in D major, F. 64: II. Andante | — | ||
| 4-3 | Sinfonia in D major, F. 64: III. Vivace | — | ||
| 4-4 | Sinfonia in D minor, F. 65: Adagio - Fugue | — | ||
| 4-5 | Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): I. Ouverture. Larghetto | — | ||
| 4-6 | Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): II. Torneo | — | ||
| 4-7 | Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): III. Aria. Adagio | — | ||
| 4-8 | Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): IV. Menuetto alternativo - Trio | — | ||
| 4-9 | Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): V. Capriccio | — | ||
| 4-10 | Concerto for Harpsichord, Strings & Basso continuo in D major, F. 41: I. Allegro | — | ||
| 4-11 | Concerto for Harpsichord, Strings & Basso continuo in D major, F. 41: II. Andante | — | ||
| 4-12 | Concerto for Harpsichord, Strings & Basso continuo in D major, F. 41: III. Vivace | — | ||
| 4-13 | Sinfonia for Strings in F major, F. 67: I. Vivace | — | ||
| 4-14 | Sinfonia for Strings in F major, F. 67: II. Andante | — | ||
| 4-15 | Sinfonia for Strings in F major, F. 67: III. Allegro | — | ||
| 4-16 | Sinfonia for Strings in F major, F. 67: IV. Menuetto I - Menuetto II | — | ||
| 5-1 | Concerto for Piano & Orchestra no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 5-2 | Concerto for Piano & Orchestra no. 1 in C major, op. 15: II. Largo | — | ||
| 5-3 | Concerto for Piano & Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro | — | ||
| 5-4 | Concerto for Piano & Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 5-5 | Concerto for Piano & Orchestra no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 5-6 | Concerto for Piano & Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 6-1 | Concerto for Piano & Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 6-2 | Concerto for Piano & Orchestra no. 3 in C minor, op. 37: II. Largo | — | ||
| 6-3 | Concerto for Piano & Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 6-4 | Concerto for Piano & Orchestra no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 6-5 | Concerto for Piano & Orchestra no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 6-6 | Concerto for Piano & Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 7-1 | Concerto for Piano & Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | — | ||
| 7-2 | Concerto for Piano & Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco moto | — | ||
| 7-3 | Concerto for Piano & Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | — | ||
| 7-4 | Concerto for Violin & Orchestra in D major, op. 61: I. Allegro ma non troppo | — | ||
| 7-5 | Concerto for Violin & Orchestra in D major, op. 61: II. Larghetto | — | ||
| 7-6 | Concerto for Violin & Orchestra in D major, op. 61: III. Rondo. Allegro | — | ||
| 8-1 | Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: I. Sonata. Adagio - Presto - Adagio | — | ||
| 8-2 | Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: II. Allamande | — | ||
| 8-3 | Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: III. Gigue - Variatio I - Variatio II | — | ||
| 8-4 | Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: IV. Aria | — | ||
| 8-5 | Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: V. Sarabande - Variatio I - Variatio II - Finale. Presto | — | ||
| 8-6 | Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: I. Praeludium | — | ||
| 8-7 | Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: II. Allamande - Variatio | — | ||
| 8-8 | Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: III. Balletto. Allegro | — | ||
| 8-9 | Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: IV. Aria. Presto | — | ||
| 8-10 | Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: V. Gigue. Presto | — | ||
| 8-11 | Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: I. Praeludium. Allegro | — | ||
| 8-12 | Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: II. Allamande | — | ||
| 8-13 | Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: III. Amener. Presto | — | ||
| 8-14 | Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: IV. Balletto | — | ||
| 8-15 | Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: V. Gigue | — | ||
| 8-16 | Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: VI. Ciacona (Canon in unisono) | — | ||
| 8-17 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: I. Sonata. Adagio - Allegro - Adagio | — | ||
| 8-18 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: II. Allamande | — | ||
| 8-19 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: III. Trezza. Presto | — | ||
| 8-20 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: IV. Aria | — | ||
| 8-21 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: V. Canario | — | ||
| 8-22 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: VI. Gigue. Presto | — | ||
| 8-23 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: VII. Pollicinello. Presto | — | ||
| 8-24 | Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: I. Intrada. Alla breve | — | ||
| 8-25 | Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: II. Aria. Adagio | — | ||
| 8-26 | Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: III. Balletto. Presto | — | ||
| 8-27 | Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: IV. Gigue | — | ||
| 8-28 | Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: V. Passacaglia. (Adagio) - Allegro - Adagio | — | ||
| 8-29 | Harmonia artificioso-ariosa: Partia VI in D major for 2 Violins & Basso continuo: I. Praeludium. Adagio - Allegro | — | ||
| 8-30 | Harmonia artificioso-ariosa: Partia VI in D major for 2 Violins & Basso continuo: II. Aria - Variatio I-XIII | — | ||
| 8-31 | Harmonia artificioso-ariosa: Partia VI in D major for 2 Violins & Basso continuo: III. Finale. Adagio - Allegro | — | ||
| 8-32 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: I. Praeludium. Grave - Presto | — | ||
| 8-33 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: II. Allamande | — | ||
| 8-34 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: III. Sarabande | — | ||
| 8-35 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: IV. Gigue. Presto | — | ||
| 8-36 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: V. Aria | — | ||
| 8-37 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: VI. Trezza | — | ||
| 8-38 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: VII. Arietta variata | — | ||
| 9-1 | Concerto for Cello & Orchestra no. 7 in G major, G. 480: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-2 | Concerto for Cello & Orchestra no. 7 in G major, G. 480: II. Adagio | Anner Bylsma, Tafelmusik, Jeanne Lamon | T-802.445.410-3 | |
| 9-3 | Concerto for Cello & Orchestra no. 7 in G major, G. 480: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-4 | Symphony in B-flat major, op. 21 no. 5, G. 497: I. Allegro spiritoso | Anner Bylsma, Tafelmusik, Jeanne Lamon | T-902.876.200-7 | |
| 9-5 | Symphony in B-flat major, op. 21 no. 5, G. 497: II. Andantino con moto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-6 | Symphony in B-flat major, op. 21 no. 5, G. 497: III. Allegro vivace assai | Anner Bylsma, Tafelmusik, Jeanne Lamon | T-902.876.200-7 | |
| 9-7 | Concerto for Cello & Orchestra no. 10 in D major, G. 483: I. Allegro maestoso | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-8 | Concerto for Cello & Orchestra no. 10 in D major, G. 483: II. Andante lentarello | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-9 | Concerto for Cello & Orchestra no. 10 in D major, G. 483: III. Allegro e con moto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-10 | Symphony in D minor, op. 12 no. 4, G. 506 "La casa del diavolo": I. Andante sostenuto - Allegro assai | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-11 | Symphony in D minor, op. 12 no. 4, G. 506 "La casa del diavolo": II. Andantino con moto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-12 | Symphony in D minor, op. 12 no. 4, G. 506 "La casa del diavolo": III. Andante sostenuto - Allegro assai, con moto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 10-1 | Overture (Sinfonia) in D major, op. 43, G. 521: Allegro con spirito molto - Andantino - Tempo I | Tafelmusik, Jeanne Lamon | T-923.432.792-5 | |
| 10-2 | Cello Concerto in D major, G. 476: I. Allegro | Tafelmusik, Jeanne Lamon, Anner Bylsma | — | |
| 10-3 | Cello Concerto in D major, G. 476: II. Largo | Tafelmusik, Jeanne Lamon, Anner Bylsma | — | |
| 10-4 | Cello Concerto in D major, G. 476: III. Allegro piacere | Tafelmusik, Jeanne Lamon, Anner Bylsma | — | |
| 10-5 | Octet in G major, op. 38 no. 4, G. 470 "Notturno": I. Andantino amoroso ma non largo | Tafelmusik, Jeanne Lamon | — | |
| 10-6 | Octet in G major, op. 38 no. 4, G. 470 "Notturno": II. Minuetto | Tafelmusik, Jeanne Lamon | — | |
| 10-7 | Octet in G major, op. 38 no. 4, G. 470 "Notturno": III. Finale: Allegro vivo | Tafelmusik, Jeanne Lamon | — | |
| 10-8 | Cello Concerto in C major, G. 573: I. Maestoso | Tafelmusik, Jeanne Lamon, Anner Bylsma | — | |
| 10-9 | Cello Concerto in C major, G. 573: II. Largo cantabile | Tafelmusik, Jeanne Lamon, Anner Bylsma | — | |
| 10-10 | Cello Concerto in C major, G. 573: III. Allegro comodo | Tafelmusik, Jeanne Lamon, Anner Bylsma | — | |
| 10-11 | Sinfonia in C minor, G. 519: I. Allegro vivo assai | Tafelmusik, Jeanne Lamon | T-306.395.786-4 | |
| 10-12 | Sinfonia in C minor, G. 519: II. Pastorale: Lentarello | Tafelmusik, Jeanne Lamon | — | |
| 10-13 | Sinfonia in C minor, G. 519: III. Minuetto: Allegro | Tafelmusik, Jeanne Lamon | — | |
| 10-14 | Sinfonia in C minor, G. 519: IV. Finale: Allegro | Tafelmusik, Jeanne Lamon | T-318.676.528-2 | |
| 11-1 | Concerto no. 6 in D major: I. Vivace - Allegro - Adagio | — | ||
| 11-2 | Concerto no. 6 in D major: II. Allegro | — | ||
| 11-3 | Concerto no. 6 in D major: III. Andante largo / IV. Allegro | — | ||
| 11-4 | Concerto no. 6 in D major: V. Vivace | — | ||
| 11-5 | Concerto no. 9 in F major: I. Preludio. Largo | — | ||
| 11-6 | Concerto no. 9 in F major: II. Allemanda. Allegro | — | ||
| 11-7 | Concerto no. 9 in F major: III. Corrente. Vivace | — | ||
| 11-8 | Concerto no. 9 in F major: IV. Gavotta. Allegro | — | ||
| 11-9 | Concerto no. 9 in F major: IV. Adagio | — | ||
| 11-10 | Concerto no. 9 in F major: V. Minuetto. Vivace | — | ||
| 11-11 | Concerto no. 3 in C minor: I. Largo - Allegro | — | ||
| 11-12 | Concerto no. 3 in C minor: II. Grave | — | ||
| 11-13 | Concerto no. 3 in C minor: III. Vivace | — | ||
| 11-14 | Concerto no. 3 in C minor: IV. Allegro | — | ||
| 11-15 | Concerto no. 1 in D major: I. Largo - Allegro | — | ||
| 11-16 | Concerto no. 1 in D major: II. Largo - Allegro | — | ||
| 11-17 | Concerto no. 1 in D major: III. Largo / IV. Allegro | — | ||
| 11-18 | Concerto no. 1 in D major: V. Allegro | — | ||
| 11-19 | Concerto no. 11 in B-flat major: I. Preludio. Andante largo | — | ||
| 11-20 | Concerto no. 11 in B-flat major: II. Allemanda. Allegro | — | ||
| 11-21 | Concerto no. 11 in B-flat major: III. Adagio - Andante largo | — | ||
| 11-22 | Concerto no. 11 in B-flat major: IV. Sarabande. Largo | — | ||
| 11-23 | Concerto no. 11 in B-flat major: V. Giga. Vivace | — | ||
| 11-24 | Concerto no. 8 in G minor “Christmas Concerto”: I. Vivace - Grave | — | ||
| 11-25 | Concerto no. 8 in G minor “Christmas Concerto”: II. Allegro | — | ||
| 11-26 | Concerto no. 8 in G minor “Christmas Concerto”: III. Adagio - Allegro - Adagio | — | ||
| 11-27 | Concerto no. 8 in G minor “Christmas Concerto”: IV. Vivace | — | ||
| 11-28 | Concerto no. 8 in G minor “Christmas Concerto”: V. Allegro / VI. Pastorale. Largo | — | ||
| 12-1 | Don Giovanni o sia Il Convitato di Pietra: Scena I. Introduzione: “La granbestia è il mio padrone!” (Pasquariello, Donna Anna, Don Giovanni) | — | ||
| 12-2 | Don Giovanni o sia Il Convitato di Pietra: Scena II. “Qual tradimento! Perfido!” (Commendatore, Don Giovanni, Pasquariello) | — | ||
| 12-3 | Don Giovanni o sia Il Convitato di Pietra: Scena IV. Aria: “Vicin sperai l'istante” (Duca Ottavio) | — | ||
| 12-4 | Don Giovanni o sia Il Convitato di Pietra: Scena VI. Cavatina: “Povere femmine” (Donna Elvira) | — | ||
| 12-5 | Don Giovanni o sia Il Convitato di Pietra: Scena VII. Duetto: “Dell'Italia, ed Alemagna” (Donna Elvira, Pasquariello) | — | ||
| 12-6 | Don Giovanni o sia Il Convitato di Pietra: Scena IX. Aria: “Per voi nemmeno in faccia” (Don Giovanni) | — | ||
| 12-7 | Don Giovanni o sia Il Convitato di Pietra: Scena XI. Cavatina con coro: “Bella cosa per una ragazza” (Maturina, Pasquariello, coro) | — | ||
| 12-8 | Don Giovanni o sia Il Convitato di Pietra: Scena XII. Aria: “A me schiaffi sul mio viso!” (Biagio) | — | ||
| 12-9 | Don Giovanni o sia Il Convitato di Pietra: Scena XIV. Aria: “Se pur degna voi mi fate” (Maturina) | — | ||
| 12-10 | Don Giovanni o sia Il Convitato di Pietra: Scena XVIII. Duetto: “Per quanto ben ti guardo” (Donna Elvira, Maturina) | — | ||
| 12-11 | Don Giovanni o sia Il Convitato di Pietra: Scena XX. Duetto: “Signor Commendatore” (Don Giovanni, Pasquariello, La Statua) | — | ||
| 12-12 | Don Giovanni o sia Il Convitato di Pietra: Scena XXII. Aria: “Sposa più a voi non sono” (Donna Elvira) | — | ||
| 12-13 | Don Giovanni o sia Il Convitato di Pietra: Scena XXIII. Concertino | — | ||
| 12-14 | Don Giovanni o sia Il Convitato di Pietra: Recitativo: “Ma potere del mondo!” (Pasquariello, Don Giovanni) | — | ||
| 12-15 | Don Giovanni o sia Il Convitato di Pietra: Finale: “Far devi un brindisi alla città” (Don Giovanni, Pasquariello, Lanterna) | — | ||
| 12-16 | Don Giovanni o sia Il Convitato di Pietra: Scena XXIV. “Siedi Commendator!” (Don Giovanni, Commendatore, Pasquariello) | — | ||
| 12-17 | Don Giovanni o sia Il Convitato di Pietra: Scena ultima. “Qual strepito è questo!” (Lanterna, Maturina, Donna Elvira, Donna Ximena, Duca Ottavio, Pasquariello) | — | ||
| 13-1 | Concerto grosso in D minor, op. 2 no. 3: I. Presto | — | ||
| 13-2 | Concerto grosso in D minor, op. 2 no. 3: II. Adagio | — | ||
| 13-3 | Concerto grosso in D minor, op. 2 no. 3: III. Allegro | — | ||
| 13-4 | Concerto grosso in C minor, op. 2 no. 1: I. Andante | — | ||
| 13-5 | Concerto grosso in C minor, op. 2 no. 1: II. Allegro | — | ||
| 13-6 | Concerto grosso in C minor, op. 2 no. 1: III. Adagio | — | ||
| 13-7 | Concerto grosso in C minor, op. 2 no. 1: IV. Allegro | — | ||
| 13-8 | Concerto grosso in A major, op. 2 no. 6: I. Andante | — | ||
| 13-9 | Concerto grosso in A major, op. 2 no. 6: II. Allegro | — | ||
| 13-10 | Concerto grosso in A major, op. 2 no. 6: III. Allegro | — | ||
| 13-11 | Concerto grosso in C minor, op. 2 no. 2: I. Adagio | — | ||
| 13-12 | Concerto grosso in C minor, op. 2 no. 2: II. Allegro | — | ||
| 13-13 | Concerto grosso in C minor, op. 2 no. 2: III. Adagio | — | ||
| 13-14 | Concerto grosso in C minor, op. 2 no. 2: IV. Allegro | — | ||
| 13-15 | Concerto grosso in D major, op. 2 no. 4: I. Andante | — | ||
| 13-16 | Concerto grosso in D major, op. 2 no. 4: II. Allegro | — | ||
| 13-17 | Concerto grosso in D major, op. 2 no. 4: III. Adagio | — | ||
| 13-18 | Concerto grosso in D major, op. 2 no. 4: IV. Allegro | — | ||
| 13-19 | Concerto grosso in D minor, op. 2 no. 5: I. Grave | — | ||
| 13-20 | Concerto grosso in D minor, op. 2 no. 5: II. Allegro | — | ||
| 13-21 | Concerto grosso in D minor, op. 2 no. 5: III. Adagio | — | ||
| 13-22 | Concerto grosso in D minor, op. 2 no. 5: IV. Allegro | — | ||
| 13-23 | Concerto grosso in C major after Corelli, op. 5 no. 3: I. Adagio | — | ||
| 13-24 | Concerto grosso in C major after Corelli, op. 5 no. 3: II. Allegro | — | ||
| 13-25 | Concerto grosso in C major after Corelli, op. 5 no. 3: III. Adagio | — | ||
| 13-26 | Concerto grosso in C major after Corelli, op. 5 no. 3: IV. Allegro | — | ||
| 13-27 | Concerto grosso in G minor after Corelli, op. 5 no. 5: I. Adagio | — | ||
| 13-28 | Concerto grosso in G minor after Corelli, op. 5 no. 5: II. Vivace | — | ||
| 13-29 | Concerto grosso in G minor after Corelli, op. 5 no. 5: III. Adagio | — | ||
| 13-30 | Concerto grosso in G minor after Corelli, op. 5 no. 5: IV. Allegro | — | ||
| 14-1 | Orfeo ed Euridice: Overture | — | ||
| 14-2 | Orfeo ed Euridice: Atto I, Scena 1. Coro: “Ah, se intorno a quest'urna funesta” (coro, Orfeo) / Recitativo: “Basta, basta, o compagni!” (Orfeo) | — | ||
| 14-3 | Orfeo ed Euridice: Atto I, Scena 1. Ballo. Langsam | — | ||
| 14-4 | Orfeo ed Euridice: Atto I, Scena 1. Coro: “Ah, se intorno a quest'urna funesta” | — | ||
| 14-5 | Orfeo ed Euridice: Atto I, Scena 1. Aria: “Chiamo il mio ben così” (Orfeo) | — | ||
| 14-6 | Orfeo ed Euridice: Atto I, Scena 1. Recitativo: “Numi! barbari Numi!” (Orfeo) | — | ||
| 14-7 | Orfeo ed Euridice: Atto I, Scena 2. Recitativo: “T'assiste Amore!” (Amore, Orfeo) | — | ||
| 14-8 | Orfeo ed Euridice: Atto I, Scena 2. Aria: “Gli sguardi trattieni” (Amore) | — | ||
| 14-9 | Orfeo ed Euridice: Atto I, Scena 2. Recitativo: “Che disse? Che ascoltai?” (Orfeo, Amore) | — | ||
| 14-10 | Orfeo ed Euridice: Atto II, Scena 1. Ballo. Maestoso / Coro: “Chi mai dell'Erebo fra la caligini” | — | ||
| 14-11 | Orfeo ed Euridice: Atto II, Scena 1. Ballo. Presto | — | ||
| 14-12 | Orfeo ed Euridice: Atto II, Scena 1. Coro: “Chi mai dell'Erebo fra le caligini” | — | ||
| 14-13 | Orfeo ed Euridice: Atto II, Scena 1. Ballo. Maestoso | — | ||
| 14-14 | Orfeo ed Euridice: Atto II, Scena 1. Orfeo ed Coro: “Deh! placatevi con me” | — | ||
| 14-15 | Orfeo ed Euridice: Atto II, Scena 1. Coro: “Misero giovane, che vuoi, che mediti?” | — | ||
| 14-16 | Orfeo ed Euridice: Atto II, Scena 1. Aria: “Mille pene, ombre moleste” (Orfeo) | — | ||
| 14-17 | Orfeo ed Euridice: Atto II, Scena 1. Coro: “Ah, quale incognito affetto” | — | ||
| 14-18 | Orfeo ed Euridice: Atto II, Scena 1. Aria: “Men tiranne, ah! voi sareste” (Orfeo) | — | ||
| 14-19 | Orfeo ed Euridice: Atto II, Scena 1. Coro: “Ah, quale incognito affetto” | — | ||
| 14-20 | Orfeo ed Euridice: Atto II, Scena 2. Ballo. Andante | — | ||
| 14-21 | Orfeo ed Euridice: Atto II, Scena 2. Arioso: “Che puro ciel, che chiaro sol” (Orfeo, coro) | — | ||
| 14-22 | Orfeo ed Euridice: Atto II, Scena 2. Coro: “Vieni a' regni del riposo” | — | ||
| 14-23 | Orfeo ed Euridice: Atto II, Scena 2. Ballo. Andante | — | ||
| 14-24 | Orfeo ed Euridice: Atto II, Scena 2. Recitativo: “Anime avventurose” (Orfeo) | — | ||
| 14-25 | Orfeo ed Euridice: Atto II, Scena 2. Coro: “Torna, o bella, al tuo consorte” | — | ||
| 15-1 | Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Vieni, segui i miei passi” (Orfeo, Euridice) | — | ||
| 15-2 | Orfeo ed Euridice: Atto III, Scena 1. Duetto: “Vieni, appaga il tuo consorte!” (Orfeo, Euridice) | — | ||
| 15-3 | Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Qual, vita è questa mai” (Euridice) | — | ||
| 15-4 | Orfeo ed Euridice: Atto III, Scena 1. Aria: “Che fiero momento” (Euridice) | — | ||
| 15-5 | Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Ecco un nuovo tormento” (Orfeo, Euridice) | — | ||
| 15-6 | Orfeo ed Euridice: Atto III, Scena 1. Aria: “Che farò senza Euridice?” (Orfeo) | — | ||
| 15-7 | Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Ah, finisca e per sempre” (Orfeo) | — | ||
| 15-8 | Orfeo ed Euridice: Atto III, Scena 2. Recitativo: “Orfeo, che fai?” (Amore, Orfeo, Euridice) | — | ||
| 15-9 | Orfeo ed Euridice: Atto III, Scena 3. Maestoso | — | ||
| 15-10 | Orfeo ed Euridice: Atto III, Scena 3. Ballo: I. (Grazioso) | — | ||
| 15-11 | Orfeo ed Euridice: Atto III, Scena 3. Ballo: II. Allegro | — | ||
| 15-12 | Orfeo ed Euridice: Atto III, Scena 3. Ballo: III. Andante | — | ||
| 15-13 | Orfeo ed Euridice: Atto III, Scena 3. Ballo: IV. Allegro | — | ||
| 15-14 | Orfeo ed Euridice: Atto III, Scena 3. Coro: “Trionfi Amore!” (Orfeo, Amore, Euridice, coro) | — | ||
| 16-1 | Don Juan ou Le Festin de pierre: Sinfonia. Allegro | — | ||
| 16-2 | Don Juan ou Le Festin de pierre: No. 1. Andante grazioso | — | ||
| 16-3 | Don Juan ou Le Festin de pierre: No. 2. Andante | — | ||
| 16-4 | Don Juan ou Le Festin de pierre: No. 3. Allegro maestoso | — | ||
| 16-5 | Don Juan ou Le Festin de pierre: No. 4. Allegro furioso - Andante | — | ||
| 16-6 | Don Juan ou Le Festin de pierre: No. 5. Allegro forte risoluto - Andante - Allegretto | — | ||
| 16-7 | Don Juan ou Le Festin de pierre: No. 6. Risoluto moderato | — | ||
| 16-8 | Don Juan ou Le Festin de pierre: No. 7. Gavotte | — | ||
| 16-9 | Don Juan ou Le Festin de pierre: No. 8. Brillante | — | ||
| 16-10 | Don Juan ou Le Festin de pierre: No. 9. Allegretto | — | ||
| 16-11 | Don Juan ou Le Festin de pierre: No. 10. Moderato | — | ||
| 16-12 | Don Juan ou Le Festin de pierre: No. 11. Giusto | — | ||
| 16-13 | Don Juan ou Le Festin de pierre: No. 12. Allegro - Presto | — | ||
| 16-14 | Don Juan ou Le Festin de pierre: No. 13. Andante grazioso | — | ||
| 16-15 | Don Juan ou Le Festin de pierre: No. 14. Andante | — | ||
| 16-16 | Don Juan ou Le Festin de pierre: No. 15. Presto | — | ||
| 16-17 | Don Juan ou Le Festin de pierre: No. 16. Allegretto - Presto - Andante - Tempo primo | — | ||
| 16-18 | Don Juan ou Le Festin de pierre: No. 17. Andante | — | ||
| 16-19 | Don Juan ou Le Festin de pierre: No. 18. Allegro giusto | — | ||
| 16-20 | Don Juan ou Le Festin de pierre: No. 19. Moderato | — | ||
| 16-21 | Don Juan ou Le Festin de pierre: No. 20. Andante | — | ||
| 16-22 | Don Juan ou Le Festin de pierre: No. 21. Grazioso | — | ||
| 16-23 | Don Juan ou Le Festin de pierre: No. 22. Allegretto | — | ||
| 16-24 | Don Juan ou Le Festin de pierre: No. 23. Moderato - Presto - Moderato - Presto | — | ||
| 16-25 | Don Juan ou Le Festin de pierre: No. 24. Risoluto e Moderato | — | ||
| 16-26 | Don Juan ou Le Festin de pierre: No. 25. Allegro - Allegro giusto - Allegro | — | ||
| 16-27 | Don Juan ou Le Festin de pierre: No. 26. Andante staccato | — | ||
| 16-28 | Don Juan ou Le Festin de pierre: No. 27. Allegro | — | ||
| 16-29 | Don Juan ou Le Festin de pierre: No. 28. Allegretto | — | ||
| 16-30 | Don Juan ou Le Festin de pierre: No. 29. Andante staccato | — | ||
| 16-31 | Don Juan ou Le Festin de pierre: No. 30. Larghetto | — | ||
| 16-32 | Don Juan ou Le Festin de pierre: No. 31. Allegro non troppo | — | ||
| 16-33 | Sémiramis: Sinfonia. Maestoso | — | ||
| 16-34 | Sémiramis: No. 1. Andante | — | ||
| 16-35 | Sémiramis: No. 2. Allegro | — | ||
| 16-36 | Sémiramis: No. 3. Moderato | — | ||
| 16-37 | Sémiramis: No. 4. Moderato. Grazioso | — | ||
| 16-38 | Sémiramis: No. 5. Moderato | — | ||
| 16-39 | Sémiramis: No. 6. Maestoso | — | ||
| 16-40 | Sémiramis: No. 7. Grazioso | — | ||
| 16-41 | Sémiramis: No. 8. Maestoso | — | ||
| 16-42 | Sémiramis: No. 9a. Affettuoso / No. 9b. Affettuoso | — | ||
| 16-43 | Sémiramis: No. 10. Adagio - Più Adagio | — | ||
| 16-44 | Sémiramis: No. 11. Affettuoso | — | ||
| 16-45 | Sémiramis: No. 12. Adagio | — | ||
| 16-46 | Sémiramis: No. 13. Allegro maestoso | — | ||
| 16-47 | Sémiramis: No. 14. Adagio - Allegro | — | ||
| 16-48 | Sémiramis: No. 15. Allegro assai | — | ||
| 17-1 | Concerto grosso in B-flat major, op. 3 no. 1: I. Allegro | — | ||
| 17-2 | Concerto grosso in B-flat major, op. 3 no. 1: II. Largo | — | ||
| 17-3 | Concerto grosso in B-flat major, op. 3 no. 1: III. Allegro | — | ||
| 17-4 | Concerto grosso in B-flat major, op. 3 no. 2: I. Vivace | — | ||
| 17-5 | Concerto grosso in B-flat major, op. 3 no. 2: II. Largo | — | ||
| 17-6 | Concerto grosso in B-flat major, op. 3 no. 2: III. Allegro | — | ||
| 17-7 | Concerto grosso in B-flat major, op. 3 no. 2: IV. Vivace | — | ||
| 17-8 | Concerto grosso in B-flat major, op. 3 no. 2: V. [Allegro] | — | ||
| 17-9 | Concerto grosso in G major, op. 3 no. 3: I. Largo e staccato - Allegro | — | ||
| 17-10 | Concerto grosso in G major, op. 3 no. 3: II. Adagio | — | ||
| 17-11 | Concerto grosso in G major, op. 3 no. 3: III. Allegro | — | ||
| 17-12 | Concerto grosso in F major, op. 3 no. 4: I. Overture | — | ||
| 17-13 | Concerto grosso in F major, op. 3 no. 4: II. Andante | — | ||
| 17-14 | Concerto grosso in F major, op. 3 no. 4: III. Allegro | — | ||
| 17-15 | Concerto grosso in F major, op. 3 no. 4: IV. Minuetto alternativo | — | ||
| 17-16 | Concerto grosso in D minor, op. 3 no. 5: I. (-) | — | ||
| 17-17 | Concerto grosso in D minor, op. 3 no. 5: II. Allegro | — | ||
| 17-18 | Concerto grosso in D minor, op. 3 no. 5: III. Adagio | — | ||
| 17-19 | Concerto grosso in D minor, op. 3 no. 5: IV. Allegro ma non troppo | — | ||
| 17-20 | Concerto grosso in D minor, op. 3 no. 5: V. Allegro | — | ||
| 17-21 | Concerto grosso in D major, op. 3 no. 6: I. Vivace | — | ||
| 17-22 | Concerto grosso in D major, op. 3 no. 6: II. Adagio | — | ||
| 17-23 | Concerto grosso in D major, op. 3 no. 6: III. Allegro | — | ||
| 17-24 | Concerto grosso in D major, op. 3 no. 6: Allegro | — | ||
| 18-1 | Music for the Royal Fireworks, HWV 351: I. Ouverture | Tafelmusik | T-923.432.792-5 | |
| 18-2 | Music for the Royal Fireworks, HWV 351: II. Bourrée | — | ||
| 18-3 | Music for the Royal Fireworks, HWV 351: III. La Paix | — | ||
| 18-4 | Music for the Royal Fireworks, HWV 351: IV. La Réjouissance | — | ||
| 18-5 | Music for the Royal Fireworks, HWV 351: V. Menuet I | — | ||
| 18-6 | Music for the Royal Fireworks, HWV 351: VI. Menuet II | — | ||
| 18-7 | Concerto no. 2 in F major, HWV 333: I. Pomposo - Allegro | — | ||
| 18-8 | Concerto no. 2 in F major, HWV 333: II. A tempo giusto | — | ||
| 18-9 | Concerto no. 2 in F major, HWV 333: III. Largo | — | ||
| 18-10 | Concerto no. 2 in F major, HWV 333: IV. Allegro ma non troppo | — | ||
| 18-11 | Concerto no. 2 in F major, HWV 333: V. A tempo ordinario | — | ||
| 18-12 | Concerto no. 1 in B-flat major, HWV 332: I. Ouverture - Allegro ma non troppo | — | ||
| 18-13 | Concerto no. 1 in B-flat major, HWV 332: II. Allegro | — | ||
| 18-14 | Concerto no. 1 in B-flat major, HWV 332: III. Largo | — | ||
| 18-15 | Concerto no. 1 in B-flat major, HWV 332: IV. A tempo ordinario | — | ||
| 18-16 | Concerto no. 1 in B-flat major, HWV 332: V. Alla breve moderato | — | ||
| 18-17 | Concerto no. 1 in B-flat major, HWV 332: VI. Menuet | — | ||
| 18-18 | Concerto no. 3 in F major, HWV 334: I. Ouverture - Allegro | — | ||
| 18-19 | Concerto no. 3 in F major, HWV 334: II. Allegro ma non troppo | — | ||
| 18-20 | Concerto no. 3 in F major, HWV 334: III. Adagio | — | ||
| 18-21 | Concerto no. 3 in F major, HWV 334: IV. Andante larghetto | — | ||
| 18-22 | Concerto no. 3 in F major, HWV 334: V. Allegro | — | ||
| 19-1 | Water Music, Suite No. 1 in F major, HWV 348: I. Overture. Largo - Allegro | Tafelmusik, Jeanne Lamon | T-923.432.792-5 | |
| 19-2 | Water Music, Suite No. 1 in F major, HWV 348: II. Adagio e staccato | Tafelmusik, Jeanne Lamon | — | |
| 19-3 | Water Music, Suite No. 1 in F major, HWV 348: 3. (Allegro) / 4. Andante / 3. (Allegro) da capo | Tafelmusik, Jeanne Lamon | — | |
| 19-4 | Water Music, Suite No. 1 in F major, HWV 348: 5. (Minuet I/II/I) | Tafelmusik, Jeanne Lamon | — | |
| 19-5 | Water Music, Suite No. 1 in F major, HWV 348: 6. Air | Tafelmusik, Jeanne Lamon | T-306.036.936-6 | |
| 19-6 | Water Music, Suite No. 1 in F major, HWV 348: 7. Minuet | Tafelmusik, Jeanne Lamon | — | |
| 19-7 | Water Music, Suite No. 1 in F major, HWV 348: 8. Bourrée | Tafelmusik, Jeanne Lamon | T-001.322.754-7 | |
| 19-8 | Water Music, Suite No. 1 in F major, HWV 348: 9. Hornpipe | Tafelmusik, Jeanne Lamon | T-902.314.028-5 | |
| 19-9 | Water Music, Suite No. 1 in F major, HWV 348: 10. (Andante) | Tafelmusik, Jeanne Lamon | — | |
| 19-10 | Water Music, Suite No. 2 in D major, HWV 349: 11. (Allegro) | Tafelmusik, Jeanne Lamon | T-306.036.936-6 | |
| 19-11 | Water Music, Suite No. 2 in D major, HWV 349: 12. Alla hornpipe | Tafelmusik, Jeanne Lamon | T-905.384.308-6 | |
| 19-12 | Water Music, Suite No. 3 in G major, HWV 350: 16: (Sarabande) | Tafelmusik, Jeanne Lamon | T-306.036.936-6 | |
| 19-13 | Water Music, Suite No. 3 in G major, HWV 350: 17. Rigaudon / 18. (Rigaudon) / 17. Rigaudon I da capo | Tafelmusik, Jeanne Lamon | — | |
| 19-14 | Water Music, Suite No. 2 in D major, HWV 349: 14. Lentement | Tafelmusik, Jeanne Lamon | — | |
| 19-15 | Water Music, Suite No. 2 in D major, HWV 349: 15. Bourrée | Tafelmusik, Jeanne Lamon | — | |
| 19-16 | Water Music, Suite No. 3 in G major, HWV 350: 19: Minuet / 20. (Minuet) | Tafelmusik, Jeanne Lamon | — | |
| 19-17 | Water Music, Suite No. 3 in G major, HWV 350: 21. (Country Dance) / 22. (Country Dance) / 21. (Country Dance) da capo | Tafelmusik, Jeanne Lamon | — | |
| 19-18 | Water Music, Suite No. 2 in D major, HWV 349: 13. Minuet | Tafelmusik, Jeanne Lamon | T-011.781.858-2 | |
| 20-1 | Symphony in C major, Hob. I:41: I. Allegro con spirito | Tafelmusik, Bruno Weil | — | |
| 20-2 | Symphony in C major, Hob. I:41: II. Un poco andante | Tafelmusik, Bruno Weil | — | |
| 20-3 | Symphony in C major, Hob. I:41: III. Menuet – Trio | Tafelmusik, Bruno Weil | — | |
| 20-4 | Symphony in C major, Hob. I:41: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 20-5 | Symphony in D major, Hob. I:42: I. Moderato e maestoso | Tafelmusik, Bruno Weil | — | |
| 20-6 | Symphony in D major, Hob. I:42: Andantino e cantabile | Tafelmusik, Bruno Weil | — | |
| 20-7 | Symphony in D major, Hob. I:42: Menuet. Allegretto – Trio | Tafelmusik, Bruno Weil | — | |
| 20-8 | Symphony in D major, Hob. I:42: Finale. Scherzando e presto | Tafelmusik, Bruno Weil | — | |
| 20-9 | Symphony in E-flat major, Hob. I:43 “Mercury”: I. Allegro | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 20-10 | Symphony in E-flat major, Hob. I:43 “Mercury”: II. Adagio | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 20-11 | Symphony in E-flat major, Hob. I:43 “Mercury”: III. Menuetto – Trio | Tafelmusik, Bruno Weil | — | |
| 20-12 | Symphony in E-flat major, Hob. I:43 “Mercury”: IV. Finale. Allegro | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 21-1 | Symphony in E minor, Hob. I:44 “Mourning”: I. Allegro con brio | Tafelmusik, Bruno Weil | — | |
| 21-2 | Symphony in E minor, Hob. I:44 “Mourning”: II. Menuetto. Allegretto (Canone in Diapason) - Trio | Tafelmusik, Bruno Weil | — | |
| 21-3 | Symphony in E minor, Hob. I:44 “Mourning”: III. Adagio | Tafelmusik, Bruno Weil | — | |
| 21-4 | Symphony in E minor, Hob. I:44 “Mourning”: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 21-5 | Symphony in B-flat major, Hob. I:51: I. Vivace | Tafelmusik, Bruno Weil | — | |
| 21-6 | Symphony in B-flat major, Hob. I:51: II. Adagio | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 21-7 | Symphony in B-flat major, Hob. I:51: III. Menuetto - Trio I - Trio II | Tafelmusik, Bruno Weil | — | |
| 21-8 | Symphony in B-flat major, Hob. I:51: IV. Finale. Allegro | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 21-9 | Symphony in C minor, Hob. I:52: I. Allegro assai con brio | Tafelmusik, Bruno Weil | — | |
| 21-10 | Symphony in C minor, Hob. I:52: II. Andante | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 21-11 | Symphony in C minor, Hob. I:52: III. Menuetto. Allegretto - Trio | Tafelmusik, Bruno Weil | — | |
| 21-12 | Symphony in C minor, Hob. I:52: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 22-1 | Symphony in F-sharp minor, Hob. I:45 “Farewell”: I. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 22-2 | Symphony in F-sharp minor, Hob. I:45 “Farewell”: II. Adagio | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 22-3 | Symphony in F-sharp minor, Hob. I:45 “Farewell”: III. Menuet. Allegretto - Trio | Tafelmusik, Bruno Weil | — | |
| 22-4 | Symphony in F-sharp minor, Hob. I:45 “Farewell”: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 22-5 | Symphony in B major, Hob. I:46: I. Vivace | Tafelmusik, Bruno Weil | — | |
| 22-6 | Symphony in B major, Hob. I:46: II. Poco adagio | Tafelmusik, Bruno Weil | — | |
| 22-7 | Symphony in B major, Hob. I:46: III. Menuet. Allegretto - Trio | Tafelmusik, Bruno Weil | — | |
| 22-8 | Symphony in B major, Hob. I:46: IV. Finale. Presto e scherzando | Tafelmusik, Bruno Weil | — | |
| 22-9 | Symphony in G major, Hob. I:47: I. [Allegro] | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 22-10 | Symphony in G major, Hob. I:47: II. Un poco adagio, cantabile | Tafelmusik, Bruno Weil | — | |
| 22-11 | Symphony in G major, Hob. I:47: III. Menuet - Trio | Tafelmusik, Bruno Weil | — | |
| 22-12 | Symphony in G major, Hob. I:47: IV. Finale. Presto assai | Tafelmusik, Bruno Weil | — | |
| 23-1 | Symphony in C major, Hob. I:50: I. Adagio e maestoso. Allegro di molto | Tafelmusik, Bruno Weil | — | |
| 23-2 | Symphony in C major, Hob. I:50: II. Andante moderato | Tafelmusik, Bruno Weil | — | |
| 23-3 | Symphony in C major, Hob. I:50: III. Menuet – Trio | Tafelmusik, Bruno Weil | — | |
| 23-4 | Symphony in C major, Hob. I:50: IV. Finale: Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 23-5 | Symphony in A major, Hob. I:64 “Tempora mutantur”: I. Allegro con spirito | Tafelmusik, Bruno Weil | — | |
| 23-6 | Symphony in A major, Hob. I:64 “Tempora mutantur”: II. Largo | Tafelmusik, Bruno Weil | — | |
| 23-7 | Symphony in A major, Hob. I:64 “Tempora mutantur”: III. Menuet. Allegretto – Trio | Tafelmusik, Bruno Weil | — | |
| 23-8 | Symphony in A major, Hob. I:64 “Tempora mutantur”: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 23-9 | Symphony in A major, Hob. I:65: I. Vivace e con spirito | Tafelmusik, Bruno Weil | — | |
| 23-10 | Symphony in A major, Hob. I:65: II. Andante | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 23-11 | Symphony in A major, Hob. I:65: III. Menuetto – Trio | Tafelmusik, Bruno Weil | — | |
| 23-12 | Symphony in A major, Hob. I:65: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 24-1 | Symphony in C major, Hob. I:82 “The Bear”: I. Vivace assai | Tafelmusik, Bruno Weil | — | |
| 24-2 | Symphony in C major, Hob. I:82 “The Bear”: II. Allegretto | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 24-3 | Symphony in C major, Hob. I:82 “The Bear”: III. Menuet – Trio | Tafelmusik, Bruno Weil | — | |
| 24-4 | Symphony in C major, Hob. I:82 “The Bear”: IV. Finale. Vivace | Tafelmusik, Bruno Weil | T-106.584.348-1 | |
| 24-5 | Symphony in G minor, Hob. I:83 “The Hen”: I. Allegro spiritoso | Tafelmusik, Bruno Weil | — | |
| 24-6 | Symphony in G minor, Hob. I:83 “The Hen”: II. Andante | Tafelmusik, Bruno Weil | — | |
| 24-7 | Symphony in G minor, Hob. I:83 “The Hen”: III. Menuet. Allegretto – Trio | Tafelmusik, Bruno Weil | — | |
| 24-8 | Symphony in G minor, Hob. I:83 “The Hen”: IV. Vivace | Tafelmusik, Bruno Weil | — | |
| 24-9 | Symphony in E-flat major, Hob. I:84: I. Largo – Allegro | Tafelmusik, Bruno Weil | — | |
| 24-10 | Symphony in E-flat major, Hob. I:84: II. Andante | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 24-11 | Symphony in E-flat major, Hob. I:84: III. Menuet. Allegro – Trio | Tafelmusik, Bruno Weil | — | |
| 24-12 | Symphony in E-flat major, Hob. I:84: IV. Finale. Vivace | Tafelmusik, Bruno Weil | — | |
| 25-1 | Symphony in B-flat major, Hob. I:85 “The Queen”: I. Adagio – Vivace | Tafelmusik, Bruno Weil | — | |
| 25-2 | Symphony in B-flat major, Hob. I:85 “The Queen”: II. Romance. Allegretto | Tafelmusik, Bruno Weil | — | |
| 25-3 | Symphony in B-flat major, Hob. I:85 “The Queen”: III. Menuet. Allegretto – Trio | Tafelmusik, Bruno Weil | — | |
| 25-4 | Symphony in B-flat major, Hob. I:85 “The Queen”: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 25-5 | Symphony in D major, Hob. I:86: I. Adagio – Allegro spiritoso | Tafelmusik, Bruno Weil | — | |
| 25-6 | Symphony in D major, Hob. I:86: II. Capriccio. Largo | Tafelmusik, Bruno Weil | — | |
| 25-7 | Symphony in D major, Hob. I:86: III. Minuet. Allegretto – Trio | Tafelmusik, Bruno Weil | — | |
| 25-8 | Symphony in D major, Hob. I:86: IV. Finale. Allegro con spirito | Tafelmusik, Bruno Weil | — | |
| 25-9 | Symphony in A major, Hob. I:87: I. Vivace | Tafelmusik, Bruno Weil | — | |
| 25-10 | Symphony in A major, Hob. I:87: II. Adagio | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 25-11 | Symphony in A major, Hob. I:87: III. Minuet – Trio | Tafelmusik, Bruno Weil | — | |
| 25-12 | Symphony in A major, Hob. I:87: IV. Finale. Vivace | Tafelmusik, Bruno Weil | — | |
| 26-1 | Symphony in G major, Hob. I:88: I. Adagio – Allegro | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 26-2 | Symphony in G major, Hob. I:88: II. Largo | Tafelmusik, Bruno Weil | — | |
| 26-3 | Symphony in G major, Hob. I:88: III. Menuetto. Allegretto | Tafelmusik, Bruno Weil | — | |
| 26-4 | Symphony in G major, Hob. I:88: IV. Finale. Allegro con spirit | Tafelmusik, Bruno Weil | — | |
| 26-5 | Symphony in F major, Hob. I:89: I. Vivace | Tafelmusik, Bruno Weil | — | |
| 26-6 | Symphony in F major, Hob. I:89: II. Andante con moto | Tafelmusik, Bruno Weil | — | |
| 26-7 | Symphony in F major, Hob. I:89: III. Menuet. Allegretto | Tafelmusik, Bruno Weil | — | |
| 26-8 | Symphony in F major, Hob. I:89: IV. Finale. Vivace assai | Tafelmusik, Bruno Weil | — | |
| 26-9 | Symphony in C major, Hob. I:90: I. Adagio – Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 26-10 | Symphony in C major, Hob. I:90: II. Andante | Tafelmusik, Bruno Weil | — | |
| 26-11 | Symphony in C major, Hob. I:90: III. Menuet | Tafelmusik, Bruno Weil | — | |
| 26-12 | Symphony in C major, Hob. I:90: IV. Finale. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 27-1 | Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: I. Kyrie. Largo - Allegro moderato | — | ||
| 27-2 | Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: II. Gloria. Vivace - Adagio - Allegro | — | ||
| 27-3 | Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: III. Credo. Allegro - Adagio - Allegro - Vivace | — | ||
| 27-4 | Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: IV. Sanctus. Adagio - Allegro con spirito | — | ||
| 27-5 | Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: V. Benedictus. Andante | — | ||
| 27-6 | Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: VI. Agnus Dei. Adagio - Allegro con spirito | — | ||
| 27-7 | Salve Regina, Hob. XXIIIb:2: Salve Regina. Adagio - | — | ||
| 27-8 | Salve Regina, Hob. XXIIIb:2: Eia ergo. Allegro - | — | ||
| 27-9 | Salve Regina, Hob. XXIIIb:2: Et Jesum. Largo - O clemens. Allegretto | — | ||
| 27-10 | Motetto “O coelitum beati”, Hob. XXIIIa:G 9: I. Aria: “O coelitum beati amores”. Allegro - | — | ||
| 27-11 | Motetto “O coelitum beati”, Hob. XXIIIa:G 9: II. Chorus: “Alleluja”. Andante | — | ||
| 28-1 | Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: I. Kyrie | — | ||
| 28-2 | Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: II. Gloria | — | ||
| 28-3 | Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: III. Credo | — | ||
| 28-4 | Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: IV. Sanctus | — | ||
| 28-5 | Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: V. Benedictus | — | ||
| 28-6 | Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: VI. Agnus Dei | — | ||
| 28-7 | Mare Clausum, Hob. XXIVa:9 (fragment): Aria: “Nor can I think my suit is vain” | — | ||
| 28-8 | Mare Clausum, Hob. XXIVa:9 (fragment): Chorus: “Thy great endeavours” | — | ||
| 28-9 | Motetto “Insanae et vanae curae”, Hob. XXI:1 No. 13c: | — | ||
| 28-10 | Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d: “Lauda Sion” | — | ||
| 28-11 | Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d: “Ecce panis” | — | ||
| 28-12 | Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d: “In figuris” | — | ||
| 28-13 | Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d: “Bone pastor” | — | ||
| 28-14 | Te Deum for the Empress Marie Therese, Hob. XXIIIc:2 | — | ||
| 29-1 | Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: I. Kyrie | — | ||
| 29-2 | Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: II. Gloria | — | ||
| 29-3 | Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: III. Credo | — | ||
| 29-4 | Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: IV. Sanctus | — | ||
| 29-5 | Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: V. Benedictus | — | ||
| 29-6 | Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: VI. Agnus Dei | — | ||
| 29-7 | Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: I. Kyrie | — | ||
| 29-8 | Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: II. Gloria | — | ||
| 29-9 | Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: III. Credo | — | ||
| 29-10 | Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: IV. Santus | — | ||
| 29-11 | Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: V. Benedictus | — | ||
| 29-12 | Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: VI. Agnus Dei | — | ||
| 30-1 | Missa “Sunt bona mixta malis”, Hob. XXII:2 (fragment): Kyrie | — | ||
| 30-2 | Missa “Sunt bona mixta malis”, Hob. XXII:2 (fragment): Gloria | — | ||
| 30-3 | Offertorium “Non nobis, Domine”, Hob. XXIIIa:1 | — | ||
| 30-4 | Ave Regina, Hob. XXIIIb:3 | — | ||
| 30-5 | Responsoria de Venerabili, Hob. XXIIIc:4 a-d: Lauda Sion | — | ||
| 30-6 | Responsoria de Venerabili, Hob. XXIIIc:4 a-d: Laudis thema specialis | — | ||
| 30-7 | Responsoria de Venerabili, Hob. XXIIIc:4 a-d: Sit laus plena | — | ||
| 30-8 | Responsoria de Venerabili, Hob. XXIIIc:4 a-d: Quod in coena | — | ||
| 30-9 | Responsorium ad absolutionem “Libera me”, Hob. XXIIb:1 | — | ||
| 30-10 | Salve Regina, Hob. XXIIIb:1: Salve Regina | — | ||
| 30-11 | Salve Regina, Hob. XXIIIb:1: Ad te clamamus | — | ||
| 30-12 | Salve Regina, Hob. XXIIIb:1: Eia ergo | — | ||
| 30-13 | Salve Regina, Hob. XXIIIb:1: Et jesum benedictum | — | ||
| 30-14 | Salve Regina, Hob. XXIIIb:1: O clemens, o pia | — | ||
| 30-15 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: I. Kyrie | — | ||
| 30-16 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: II. Gloria | — | ||
| 30-17 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: III. Credo | — | ||
| 30-18 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: IV. Sanctus | — | ||
| 30-19 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: V. Benedictus | — | ||
| 30-20 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: VI. Angus Dei | — | ||
| 31-1 | Die Schöpfung, Hob. XX1:2: Part I, no. 1. Ouvertüre: Die Vorstellung der Chaos | Tafelmusik, Bruno Weil | — | |
| 31-2 | Die Schöpfung, Hob. XX1:2: Part I, no. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" - "Und der Geist Gottes schwebte auf der Fläche der Wasser" - "Und Gott sah das Licht" (Raphael, Chor, Uriel) | Jörg Hering, Harry van der Kamp, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 31-3 | Die Schöpfung, Hob. XX1:2: Part I, no. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" - "Verzweiflung, Wut und Schrecken" (Uriel, Chor) | Jörg Hering, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 31-4 | Die Schöpfung, Hob. XX1:2: Part I, no. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 31-5 | Die Schöpfung, Hob. XX1:2: Part I, no. 5. Solo und Chor "Mit Staunen sieht das Wunderwerk" - "Und laut ertönt aus ihren Kehlen" (Gabriel, Chor) | Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 31-6 | Die Schöpfung, Hob. XX1:2: Part I, no. 6. Rezitativ "Und Gott sprach: Es sammle sich das Wasser" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 31-7 | Die Schöpfung, Hob. XX1:2: Part I, no. 7. Arie "Rollend in schaümenden Wellen" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 31-8 | Die Schöpfung, Hob. XX1:2: Part I, no. 8. Rezitativ "Und Gott sprach: Es bringe di Erde Gras hervor" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 31-9 | Die Schöpfung, Hob. XX1:2: Part I, no. 9. Arie "Nun beut di Flur das frische Grün" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 31-10 | Die Schöpfung, Hob. XX1:2: Part I, no. 10. Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 31-11 | Die Schöpfung, Hob. XX1:2: Part I, no. 11. Chor "Stimmt an die Saiten" (Chor) | Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 31-12 | Die Schöpfung, Hob. XX1:2: Part I, no. 12. Rezitativ "Und Gott sprach: Es sei'n Lichter" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 31-13 | Die Schöpfung, Hob. XX1:2: Part I, no. 13. Rezitativ "In vollem Glanze steiget jetzt" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 31-14 | Die Schöpfung, Hob. XX1:2: Part I, no. 14. Terzett und Chor "Die Himmel erzählen die Ehre Gottes" - Dem kommenden Tage sagt es der Tag" (Chor, Gabriel, Uriel, Raphael) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 31-15 | Die Schöpfung, Hob. XX1:2: Part II, no. 15. Rezitativ "Und Gott sprach: Es bringe das Wasser" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 31-16 | Die Schöpfung, Hob. XX1:2: Part II, no. 16. Arie "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 31-17 | Die Schöpfung, Hob. XX1:2: Part II, no. 17. Rezitativ "Und Gott schuf große Walfische" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 31-18 | Die Schöpfung, Hob. XX1:2: Part II, no. 18. Rezitativ "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 31-19 | Die Schöpfung, Hob. XX1:2: Part II, no. 19a. Terzett "In holder Anmut steh'n" (Gabriel, Uriel, Raphael) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 31-20 | Die Schöpfung, Hob. XX1:2: Part II, no. 19b. Terzett und Chor "Der Herr ist groß in seiner Macht" (Gabriel, Uriel, Raphael, Chor) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 32-1 | Die Schöpfung, Hob. XX1:2: Part II, no. 20. Rezitativ "Und Gott sprach: Es bringe die Erde" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 32-2 | Die Schöpfung, Hob. XX1:2: Part II, no. 21. Rezitativ "Gleich öffnet sich der Erde Schoß" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 32-3 | Die Schöpfung, Hob. XX1:2: Part II, no. 22. Arie "Nun scheint in vollem Glanze der Himmel" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 32-4 | Die Schöpfung, Hob. XX1:2: Part II, no. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 32-5 | Die Schöpfung, Hob. XX1:2: Part II, no. 24. Arie "Mit Würd' und Hoheit angetan" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 32-6 | Die Schöpfung, Hob. XX1:2: Part II, no. 25. Rezitativ "Und Gott sah jedes Ding" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 32-7 | Die Schöpfung, Hob. XX1:2: Part II, no. 26a. Chor "Vollendet ist das große Werk" (Chor) | Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 32-8 | Die Schöpfung, Hob. XX1:2: Part II, no. 26b. Terzett "Zu dir, o Herr, blickt alles auf" (Gabriel, Uriel, Raphael) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 32-9 | Die Schöpfung, Hob. XX1:2: Part II, no. 26c. Chor "Vollendet ist das große Werk" (Chor) | Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 32-10 | Die Schöpfung, Hob. XX1:2: Part III, no. 27. Rezitativ "Aus Rosenwolken" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 32-11 | Die Schöpfung, Hob. XX1:2: Part III, no. 28a. Duett und Chor "Von deiner Güt', o Herr und Gott" - "Gesegnet sei des Herren Macht" (Eva, Adam, Chor) | Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 32-12 | Die Schöpfung, Hob. XX1:2: Part III, no. 28b. Duett und Chor "Der Sterne hellster" - "Heil dir, o Gott!" (Adam, Eva, Chor) | Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 32-13 | Die Schöpfung, Hob. XX1:2: Part III, no. 29. Rezitativ "Nun ist die erste Pflicht erfüllt" (Adam, Eva) | Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 32-14 | Die Schöpfung, Hob. XX1:2: Part III, no. 30. Duett "Holde Gattin, dir zur Seite" (Adam, Eva) | Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 32-15 | Die Schöpfung, Hob. XX1:2: Part III, no. 31. Rezitativ "O glücklich Paar, und glücklich immerfort" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 32-16 | Die Schöpfung, Hob. XX1:2: Part III, no. 32. Schlußchor (mit Soli) "Singt dem Herren, alle Stimmen!" (Chor, Solisten) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 33-1 | Concerto in C major, Hob. VIIb: 1: I. Moderato | Anner Bylsma, Tafelmusik, Jean Lamon | T-905.750.680-6 | |
| 33-2 | Concerto in C major, Hob. VIIb: 1: II. Adagio | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-3 | Concerto in C major, Hob. VIIb: 1: III. Allegro molto | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-4 | Concerto in D major, op. 101, Hob. VIIb: 2: I. Allegro moderato | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-5 | Concerto in D major, op. 101, Hob. VIIb: 2: II. Adagio | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-6 | Concerto in D major, op. 101, Hob. VIIb: 2: III. Rondo. Allegro | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-7 | Concerto in C major, op 4: I. Allegro aperto | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-8 | Concerto in C major, op 4: II. Romance | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-9 | Concerto in C major, op 4: III. Rondo alla cosacca. Moderato | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 34-1 | Symphony (Serenade) in D Major, K. 100: I. Allegro | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 34-2 | Symphony (Serenade) In D Major, K. 100: II. Menuetto I - Trio | Tafelmusik, Bruno Weil | — | |
| 34-3 | Symphony (Serenade) in D Major, K. 100: III. Andante | Tafelmusik, Bruno Weil | — | |
| 34-4 | Symphony (Serenade) in D Major, K. 100: IV. Menuetto II - Trio | Tafelmusik, Bruno Weil | — | |
| 34-5 | Symphony (Serenade) in D Major, K. 100: V. Allegro | Tafelmusik, Bruno Weil | — | |
| 34-6 | Symphony (Serenade) in D Major, K. 203: I. Andante maestoso - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 34-7 | Symphony (Serenade) in D Major, K. 203: II. Andante | Tafelmusik, Bruno Weil | — | |
| 34-8 | Symphony (Serenade) in D Major, K. 203: III. Menuetto - Trio | Tafelmusik, Bruno Weil | — | |
| 34-9 | Symphony (Serenade) in D Major, K. 203: IV. Prestissimo | Tafelmusik, Bruno Weil | — | |
| 34-10 | Symphony ('Haffner' Serenade) in D Major, K. 250: I. Allegro maestoso - Allegro molto | Tafelmusik, Bruno Weil | — | |
| 34-11 | Symphony ('Haffner' Serenade) in D Major, K. 250: II. Menuetto galante - Trio | Tafelmusik, Bruno Weil | — | |
| 34-12 | Symphony ('Haffner' Serenade) in D Major, K. 250: III. Andante | Tafelmusik, Bruno Weil | — | |
| 34-13 | Symphony ('Haffner' Serenade) in D Major, K. 250: IV. Menuetto - Trio I - Trio II | Tafelmusik, Bruno Weil | — | |
| 34-14 | Symphony ('Haffner' Serenade) in D Major, K. 250: V. Adagio - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 35-1 | Symphony (Serenade) in D Major, K. 185: I. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 35-2 | Symphony (Serenade) in D Major, K. 185: II. Andante grazioso | Tafelmusik, Bruno Weil | — | |
| 35-3 | Symphony (Serenade) in D Major, K. 185: III. Menuetto - Trio I - Trio II | Tafelmusik, Bruno Weil | — | |
| 35-4 | Symphony (Serenade) in D Major, K. 185: IV. Adagio - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 35-5 | Symphony (Serenade) in D Major, K. 204: I. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 35-6 | Symphony (Serenade) in D Major, K. 204: II. Andante | Tafelmusik, Bruno Weil | — | |
| 35-7 | Symphony (Serenade) in D Major, K. 204: III. Menuetto - Trio | Tafelmusik, Bruno Weil | — | |
| 35-8 | Symphony (Serenade) in D Major, K. 204: IV. Andantino grazioso - Allegro | Tafelmusik, Bruno Weil | — | |
| 35-9 | Symphony ('Posthorn' Serenade) nn D Major, K. 320: I. Adagio maestoso - Allegro con spirito | Tafelmusik, Bruno Weil | — | |
| 35-10 | Symphony ('Posthorn' Serenade) in D Major, K. 320: II. Andantino | Tafelmusik, Bruno Weil | — | |
| 35-11 | Symphony ('Posthorn' Serenade) in D Major, K. 320: III. Finale. Presto | Tafelmusik, Bruno Weil | — | |
| 36-1 | Idomeneo, K. 366: Overture | — | ||
| 36-2 | Die Entführung aus dem Serail, K. 384: Overture | — | ||
| 36-3 | Der Schauspieldirektor, K. 486: Overture | — | ||
| 36-4 | Le nozze di Figaro, K. 492 | Tafelmusik, Bruno Weil | — | |
| 36-5 | Don Giovanni, K. 527 | Tafelmusik, Bruno Weil | T-306.482.861-7 | |
| 36-6 | Così fan tutte, K. 588: Overture | — | ||
| 36-7 | La clemenza di Tito, K. 621: Overture | — | ||
| 36-8 | Die Zauberflöte, K. 620: Overture | — | ||
| 36-9 | Eine kleine Nachtmusik, Serenade in G major, K. 525: I. Allegro | — | ||
| 36-10 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | Tafelmusik, Bruno Weil | — | |
| 36-11 | Eine kleine Nachtmusik, Serenade in G major, K. 525: III. Menuetto. Allegretto - Trio | — | ||
| 36-12 | Eine kleine Nachtmusik, Serenade in G major, K. 525: IV. Rondo. Allegro | — | ||
| 37-1 | 6 deutsche Tänze, K. 509: No. 1 in D major | — | ||
| 37-2 | 6 deutsche Tänze, K. 509: No. 2 in G major | — | ||
| 37-3 | 6 deutsche Tänze, K. 509: No. 3 in E-flat major | — | ||
| 37-4 | 6 deutsche Tänze, K. 509: No. 4 in F major | — | ||
| 37-5 | 6 deutsche Tänze, K. 509: No. 5 in A major | — | ||
| 37-6 | 6 deutsche Tänze, K. 509: No. 6 in C major | — | ||
| 37-7 | 6 deutsche Tänze, K. 536: No. 1 in C major | — | ||
| 37-8 | 6 deutsche Tänze, K. 536: No. 2 in G major | — | ||
| 37-9 | 6 deutsche Tänze, K. 536: No. 3 in B-flat major | — | ||
| 37-10 | 6 deutsche Tänze, K. 536: No. 4 in D major | — | ||
| 37-11 | 6 deutsche Tänze, K. 536: No. 5 in F major | — | ||
| 37-12 | 6 deutsche Tänze, K. 567: No. 1 in B-flat major | — | ||
| 37-13 | 6 deutsche Tänze, K. 567: No. 2 in E-flat major | — | ||
| 37-14 | 6 deutsche Tänze, K. 567: No. 3 in G major | — | ||
| 37-15 | 6 deutsche Tänze, K. 567: No. 4 in D major | — | ||
| 37-16 | 6 deutsche Tänze, K. 567: No. 5 in A major | — | ||
| 37-17 | 6 deutsche Tänze, K. 536: No. 6 in F major | — | ||
| 37-18 | 6 deutsche Tänze, K. 567: No. 6 in C major | — | ||
| 37-19 | 6 deutsche Tänze, K. 571: No. 1 in D major | — | ||
| 37-20 | 6 deutsche Tänze, K. 571: No. 2 in A major | — | ||
| 37-21 | 6 deutsche Tänze, K. 571: No. 3 in C major | — | ||
| 37-22 | 6 deutsche Tänze, K. 571: No. 4 in G major | — | ||
| 37-23 | 6 deutsche Tänze, K. 571: No. 5 in B-flat major | — | ||
| 37-24 | 6 deutsche Tänze, K. 571: No. 6 in D major | — | ||
| 37-25 | 12 deutsche Tänze, K. 586: No. 1 in C major | — | ||
| 37-26 | 12 deutsche Tänze, K. 586: No. 2 in G major | — | ||
| 37-27 | 12 deutsche Tänze, K. 586: No. 3 in B-flat major | — | ||
| 37-28 | 12 deutsche Tänze, K. 586: No. 4 in F major | — | ||
| 37-29 | 12 deutsche Tänze, K. 586: No. 5 in A major | — | ||
| 37-30 | 12 deutsche Tänze, K. 586: No. 6 in D major | — | ||
| 37-31 | 12 deutsche Tänze, K. 586: No. 7 in G major | — | ||
| 37-32 | 12 deutsche Tänze, K. 586: No. 8 in E-flat major | — | ||
| 37-33 | 12 deutsche Tänze, K. 586: No. 9 in B-flat major | — | ||
| 37-34 | 12 deutsche Tänze, K. 586: No. 10 in F major | — | ||
| 37-35 | 12 deutsche Tänze, K. 586: No. 11 in A major | — | ||
| 37-36 | 12 deutsche Tänze, K. 586: No. 12 in C major | — | ||
| 38-1 | Rondo in E-flat major, K. 371: Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-2 | Concerto no. 2 in E-flat major, K. 417: I. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-3 | Concerto no. 2 in E-flat major, K. 417: II. Andante | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-4 | Concerto no. 2 in E-flat major, K. 417: III. Rondo (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-5 | Concerto no. 3 in E-flat major, K. 447: I. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-6 | Concerto no. 3 in E-flat major, K. 447: II. Romance (Larghetto) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-7 | Concerto no. 3 in E-flat major, K. 447: III. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-8 | Concerto no. 4 in E-flat major, K. 495: I. Allegro maestoso | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-9 | Concerto no. 4 in E-flat major, K. 495: II. Romance (Andante cantabile) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-10 | Concerto no. 4 in E-flat major, K. 495: III. Rondo (Allegro vivace) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-11 | Concerto no. 1 in D Major, K. 412 (386b): I. (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | T-329.458.935-4 | |
| 38-12 | Concerto no. 1 in D Major, K. 514 (386b): II. Rondo (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | T-308.457.046-3 | |
| 39-1 | Requiem, K. 626: I. Introitus | Tafelmusik, Bruno Weil | — | |
| 39-2 | Requiem, K. 626: II. Kyrie | Tafelmusik, Bruno Weil | T-070.093.418-4 | |
| 39-3 | Requiem, K. 626: III. Sequenz: 1. Dies irae | Tafelmusik, Bruno Weil | — | |
| 39-4 | Requiem, K. 626: III. Sequenz: 2. Tuba mirum | Tafelmusik, Bruno Weil | — | |
| 39-5 | Requiem, K. 626: III. Sequenz: 3. Rex tremendae | Tafelmusik, Bruno Weil | — | |
| 39-6 | Requiem, K. 626: III. Sequenz: 4. Recordare | Tafelmusik, Bruno Weil | — | |
| 39-7 | Requiem, K. 626: III. Sequenz: 5. Confutatis | Tafelmusik, Bruno Weil | — | |
| 39-8 | Requiem, K. 626: III. Sequenz: 6. Lacrimosa | Tafelmusik, Bruno Weil | T-921.960.942-4 | |
| 39-9 | Requiem, K. 626: IV. Offertorium: 1. Domine | Tafelmusik, Bruno Weil | T-919.097.742-5 | |
| 39-10 | Requiem, K. 626: IV. Offertorium: 2. Hostias | Tafelmusik, Bruno Weil | — | |
| 39-11 | Requiem, K. 626: V. Sanctus | Tafelmusik, Bruno Weil | T-922.061.546-3 | |
| 39-12 | Requiem, K. 626: VI. Benedictus | Tafelmusik, Bruno Weil | T-106.642.813-3 | |
| 39-13 | Requiem, K. 626: VII. Agnus Dei | Tafelmusik, Bruno Weil | — | |
| 39-14 | Requiem, K. 626: VIII. Communio | Tafelmusik, Bruno Weil | T-910.952.061-8 | |
| 40-1 | Dioclesian: Overture | Tafelmusik, Jeanne Lamon | T-923.432.792-5 | |
| 40-2 | Dioclesian: II. Preludio | — | ||
| 40-3 | Dioclesian: III. Song Tune: “Let the soldiers rejoice” | — | ||
| 40-4 | Dioclesian: IV. Trumpet Tune | — | ||
| 40-5 | Dioclesian: V. Country Dance | — | ||
| 40-6 | Dioclesian: VI. Aire | — | ||
| 40-7 | Dioclesian: Hornpipe | Tafelmusik, Jeanne Lamon | — | |
| 40-8 | Dioclesian: VIII. Aire | — | ||
| 40-9 | Dioclesian: IX. Canaries | — | ||
| 40-10 | King Arthur: I. Overture | — | ||
| 40-11 | King Arthur: II. Aire | — | ||
| 40-12 | King Arthur: III. Aire | — | ||
| 40-13 | King Arthur: IV. Song Tune: “Fairest isle” | — | ||
| 40-14 | King Arthur: V. Hornpipe | — | ||
| 40-15 | King Arthur: VI. Aire | — | ||
| 40-16 | King Arthur: VII. Song Tune: “How blest are shepherds” | — | ||
| 40-17 | King Arthur: VIII. Aire | — | ||
| 40-18 | King Arthur: IX. Song Tune: “Round they coast” | — | ||
| 40-19 | King Arthur: X. Song Tune: “Come, if you dare” | — | ||
| 40-20 | King Arthur: XI. Trumpet Tune | — | ||
| 40-21 | King Arthur: XII. Trumpet Tune | — | ||
| 40-22 | King Arthur: XIII. Chacone | — | ||
| 40-23 | The Fairy Queen: I. Overture | — | ||
| 40-24 | The Fairy Queen: II. Hornpipe | — | ||
| 40-25 | The Fairy Queen: III. Aire | — | ||
| 40-26 | The Fairy Queen: IV. Aire | — | ||
| 40-27 | The Fairy Queen: V. Rondeau | — | ||
| 40-28 | The Fairy Queen: VI. Preludio | — | ||
| 40-29 | The Fairy Queen: VII. Hornpipe | — | ||
| 40-30 | The Fairy Queen: VIII. Overture | — | ||
| 40-31 | The Fairy Queen: IX. Song Tune: “If love's a sweet passion” | — | ||
| 40-32 | The Fairy Queen: X. Jigg | — | ||
| 40-33 | The Fairy Queen: XI. Dance for furies (Fairies) | — | ||
| 40-34 | The Fairy Queen: XII. Aire 4 in 2 (Dance for the followers of Night) | — | ||
| 40-35 | The Fairy Queen: XIII. Song Tune: “Sing while we trip it” | — | ||
| 40-36 | The Fairy Queen: XIV. Aire | — | ||
| 40-37 | The Fairy Queen: XV. Aire | — | ||
| 40-38 | The Fairy Queen: XVI. Song Tune: “Thus happy and free” | — | ||
| 40-39 | The Fairy Queen: XVII. Chacone | — | ||
| 40-40 | The Fairy Queen: XVIII. Aire | — | ||
| 40-41 | The Indian Queen: I. Overture | — | ||
| 40-42 | The Indian Queen: II. Trumpet Tune | — | ||
| 40-43 | The Indian Queen: III. Trumpet Tune | — | ||
| 40-44 | The Indian Queen: IV. Aire | — | ||
| 40-45 | The Indian Queen: V. Hornpipe | — | ||
| 40-46 | The Indian Queen: VI. Aire | — | ||
| 40-47 | The Indian Queen: VII. Hornpipe | — | ||
| 40-48 | The Indian Queen: VIII. Aire | — | ||
| 40-49 | The Indian Queen: IX. Song Tune: “We the spirits of the air” | — | ||
| 40-50 | The Indian Queen: X. Rondeau | — | ||
| 41-1 | Sonata a 8 per chiesa e camera | — | ||
| 41-2 | Duodena selectarum sonatarum: Sonata X | — | ||
| 41-3 | Ciaccona a 3 chori | — | ||
| 41-4 | Sonata con tribus violinis | — | ||
| 41-5 | Sonata ad tabulam a 4 | — | ||
| 41-6 | Lamento sopra la morte Ferdinandi III | — | ||
| 41-7 | Sonata a 5 per camera al giorno delle correggie | — | ||
| 41-8 | Sonatae unarum fidium: Sonata III | — | ||
| 41-9 | Sonata a 5 | — | ||
| 41-10 | Nettuno e Flora festeggianti: Balletti francesi | — | ||
| 41-11 | Sonata con ariae a 8 zu der Kayserlichen Serenade | — | ||
| 42-1 | Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro | Jeanne Lamon, Tafelmusik | — | |
| 42-2 | Concerto in E major, op. 8 no. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Tafelmusik, Jeanne Lamon | — | |
| 42-3 | Concerto in E major, op. 8 no. 1, RV 269 "Spring": III. Allegro | Tafelmusik, Jeanne Lamon | T-312.450.535-3 | |
| 42-4 | Concerto in G minor, op. 8 no. 2, RV 315 "Summer": I. Allegro non molto | Tafelmusik, Jeanne Lamon | — | |
| 42-5 | Concerto in G minor, op. 8 no. 2, RV 315 "Summer": II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 42-6 | Concerto in G minor, op. 8 no. 2, RV 315 "Summer": III. Presto | Tafelmusik, Jeanne Lamon | — | |
| 42-7 | Concerto in F major, op. 8 no. 3, RV 293 "Autumn": I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 42-8 | Concerto in F major, op. 8 no. 3, RV 293 "Autumn": II. Adagio molto | Tafelmusik, Jeanne Lamon | — | |
| 42-9 | Concerto in F major, op. 8 no. 3, RV 293 "Autumn": III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 42-10 | Concerto in F minor, op. 8 no. 4, RV 297 "Winter": I. Allegro non molto | Tafelmusik, Jeanne Lamon | T-910.094.792-0 | |
| 42-11 | Concerto in F minor, op. 8 no. 4, RV 297 "Winter": II. Largo | Tafelmusik, Jeanne Lamon | — | |
| 42-12 | Concerto in F minor, op. 8 no. 4, RV 297 "Winter": III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 42-13 | Sinfonia in B minor, RV 169 "Al Santo Sepolcro": I. Adagio molto - II. Allegro ma poco | Tafelmusik, Jeanne Lamon | — | |
| 42-14 | Concerto for 4 Violins, Violoncello, Strings and Basso continuo in B minor, op. 3 no. 10, RV 580: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 42-15 | Concerto for 4 Violins, Violoncello, Strings and Basso continuo in B minor, op. 3 no. 10, RV 580: II. Largo | Tafelmusik, Jeanne Lamon | — | |
| 42-16 | Concerto for 4 Violins, Violoncello, Strings and Basso continuo in B minor, op. 3 no. 10, RV 580: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-1 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-2 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: II. Andante | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-3 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-4 | Concerto for Strings and Basso continuo in C major, RV 117: I. Allegro alla francese | Tafelmusik, Jeanne Lamon | — | |
| 43-5 | Concerto for Strings and Basso continuo in C major, RV 117: II. Largo | Tafelmusik, Jeanne Lamon | — | |
| 43-6 | Concerto for Strings and Basso continuo in C major, RV 117: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-7 | Concerto for Strings and Basso continuo in F minor, RV 143: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-8 | Concerto for Strings and Basso continuo in F minor, RV 143: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 43-9 | Concerto for Strings and Basso continuo in F minor, RV 143: III. Allegro assai | Tafelmusik, Jeanne Lamon | — | |
| 43-10 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: I. Allegro moderato | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-11 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: II. Andante | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-12 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: III. Allegro molto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-13 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-14 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: II. Largo | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-15 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-16 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-17 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: II. Largo e spiccato | Tafelmusik, Jeanne Lamon | — | |
| 43-18 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-19 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-20 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: II. Largo | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-21 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-22 | Concerto for Strings and Basso continuo in E minor, RV 134: I. Allegro moderato | Tafelmusik, Jeanne Lamon | — | |
| 43-23 | Concerto for Strings and Basso continuo in E minor, RV 134: II. Andante | Tafelmusik, Jeanne Lamon | — | |
| 43-24 | Concerto for Strings and Basso continuo in E minor, RV 134: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-25 | Concerto for Strings and Basso continuo in A major, RV 159: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-26 | Concerto for Strings and Basso continuo in A major, RV 159: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 43-27 | Concerto for Strings and Basso continuo in A major, RV 159: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 44-1 | Concerto for Strings & Basso continuo in G minor, RV 157: Allegro - Largo - Allegro | — | ||
| 44-2 | Concerto for Violoncello, Strings & Basso continuo in D major, RV 403: Allegro - Andante e spiritoso - Allegro | — | ||
| 44-3 | Concerto for Strings & Basso continuo in G minor, RV 152: Allegro molto - Andante molto - Allegro molto | — | ||
| 44-4 | Concerto for Violoncello, Strings & Basso continuo in B minor, RV 424: Allegro non molto - Largo - Allegro | — | ||
| 44-5 | Concerto for Strings & Basso continuo in D minor, RV 127: Allegro - Largo - Allegro | — | ||
| 44-6 | Concerto for 2 Violins, 2 Violoncellos, Strings & Basso continuo in D major, RV 564: Allegro - Largo - Allegro | — | ||
| 44-7 | Concerto for 2 Oboes, Strings & Basso continuo in D minor, RV 535: Largo. Allegro - Largo - Allegro molto | — | ||
| 44-8 | Concerto for Violoncello, Strings & Basso continuo in A minor, RV 419: Allegro - Andante - Allegro | — | ||
| 44-9 | Concerto for Violoncello, Bassoon, Strings & Basso continuo in E minor, RV 409: Adagio. Allegro molto - Allegro. Adagio - Allegro | — | ||
| 44-10 | Concerto for 2 Oboes, 2 Violins, Bassoon, Strings & Basso continuo in C major, RV 557: Allegro non molto - Largo - Allegro non molto | — | ||
| 44-11 | Concerto for Strings & Basso continuo in G major “alla rustica”, RV 151: Presto - Adagio - Allegro | — | ||
| 45-1 | Missa Dei Filii, ZWV 20: I. Kyrie: Kyrie eleison | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-2 | Missa Dei Filii, ZWV 20: II. Kyrie: Christe eleison | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta | T-106.684.110-7 | |
| 45-3 | Missa Dei Filii, ZWV 20: III. Kyrie: Kyrie eleison | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | T-106.557.169-7 | |
| 45-4 | Missa Dei Filii, ZWV 20: IV. Gloria: Gloria in excelsis Deo | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta, Michael Chance, Christoph Prégardien, Gordon Jones | — | |
| 45-5 | Missa Dei Filii, ZWV 20: V. Gloria: Qui tollis peccata mundi | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta, Christoph Prégardien, Gordon Jones | — | |
| 45-6 | Missa Dei Filii, ZWV 20: VI. Gloria: Qui sedes ad dexteram Patris | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-7 | Missa Dei Filii, ZWV 20: VII. Gloria: Quoniam tu solus Sanctus I | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-8 | Missa Dei Filii, ZWV 20: VIII. Gloria: Quoniam tu solus Sanctus II | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-9 | Missa Dei Filii, ZWV 20: IX. Gloria: Cum Sancto Spiritu I | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-10 | Missa Dei Filii, ZWV 20: X. Gloria: Cum Sancto Spiritu II | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-11 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: I. Kyrie eleison | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta, Michael Chance, Christoph Prégardien, Gordon Jones | — | |
| 45-12 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: II. Pater de coelis | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta | — | |
| 45-13 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: III. Mater divinae gratiae | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-14 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: IV. Virgo prudentissima I | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-15 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: V. Virgo prudentissima II | Frieder Bernius, Tafelmusik, Nancy Argenta, Michael Chance, Christoph Prégardien, Gordon Jones | — | |
| 45-16 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: VI. Salus infirmorum | Frieder Bernius, Tafelmusik, Michael Chance | — | |
| 45-17 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: VII. Regina Angelorum | Frieder Bernius, Tafelmusik, Christoph Prégardien | — | |
| 45-18 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: VIII. Agnus Dei I | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | T-000.609.750-2 | |
| 45-19 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: IX. Agnus Dei II | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 46-1 | Concerto for Flute, Strings, 2 Oboes, 2 Horns & Basso continuo in G major, op. 29: I. Allegro | — | ||
| 46-2 | Concerto for Flute, Strings, 2 Oboes, 2 Horns & Basso continuo in G major, op. 29: II. Andante non troppo moderato | — | ||
| 46-3 | Concerto for Flute, Strings, 2 Oboes, 2 Horns & Basso continuo in G major, op. 29: III. Rondo. Allegro | — | ||
| 46-4 | Concerto for Flute, Strings and Basso continuo in E minor: I. Allegro moderato | — | ||
| 46-5 | Concerto for Flute, Strings and Basso continuo in E minor: II. Andantino | — | ||
| 46-6 | Concerto for Flute, Strings and Basso continuo in E minor: III. Allegro, non troppo presto | — | ||
| 46-7 | Concerto for Flute, Strings and Basso continuo in G major: I. Allegro | — | ||
| 46-8 | Concerto for Flute, Strings and Basso continuo in G major: II. Adagio | — | ||
| 46-9 | Concerto for Flute, Strings and Basso continuo in G major: III. Presto | — | ||
| 46-10 | Concerto for Flute, Strings, 2 Horns and Basso continuo in D major: I. Allegro moderato | — | ||
| 46-11 | Concerto for Flute, Strings, 2 Horns and Basso continuo in D major: II. Adagio | — | ||
| 46-12 | Concerto for Flute, Strings, 2 Horns and Basso continuo in D major: III. Allegro molto | — | ||
| 46-13 | Orpheus and Eurydice: Act II. Dance of the Blessed Spirits | — | ||
| 47-1 | Sonata a 8 Viole con una Tromba in D major: [Allegro] - Aria - [Canzona] - Aria | — | ||
| 47-2 | Sonata IV a 5 in C major: [Allegro] - Allegro - Presto - Adagio - Allegro | — | ||
| 47-3 | Sonata 1 a 8 in C major: [Allegro] - Adagio - Presto - Adagio - Allegro | — | ||
| 47-4 | Duets for 2 Trumpets: No. 1 in C major | — | ||
| 47-5 | Duets for 2 Trumpets: No. 11 in G minor | — | ||
| 47-6 | Duets for 2 Trumpets: No. 5 in C major | — | ||
| 47-7 | Duets for 2 Trumpets: No. 13 in A minor | — | ||
| 47-8 | Sonata X a 5 in G minor: [Adagio] - [Allegro] - Sempre allegro - Adagio - Presto | — | ||
| 47-9 | Concerto for 2 Trumpets, Strings & Basso continuo in C major, RV 537: I. Allegro | — | ||
| 47-10 | Concerto for 2 Trumpets, Strings & Basso continuo in C major, RV 537: II. Largo | — | ||
| 47-11 | Concerto for 2 Trumpets, Strings & Basso continuo in C major, RV 537: III. [Allegro] | — | ||
| 47-12 | Concerto for Trumpet, 3 Oboes, Bassoon & Basso continuo in C major: I. Allegro moderato | — | ||
| 47-13 | Concerto for Trumpet, 3 Oboes, Bassoon & Basso continuo in C major: II. Affettuoso | — | ||
| 47-14 | Concerto for Trumpet, 3 Oboes, Bassoon & Basso continuo in C major: III. Presto | — | ||
| 47-15 | Concerto for Trumpet, 2 Oboes, Strings & Basso continuo in D major: I. [Allegro] | — | ||
| 47-16 | Concerto for Trumpet, 2 Oboes, Strings & Basso continuo in D major: II. Adagio | — | ||
| 47-17 | Concerto for Trumpet, 2 Oboes, Strings & Basso continuo in D major: III. Aria | — | ||
| 47-18 | Concerto for Trumpet, 2 Oboes, Strings & Basso continuo in D major: IV. [Allegro] | — | ||
| 47-19 | “Airs from Vauxhall Gardens”: Serse: Aria “Caro voi siete all'alma”. Andante | — | ||
| 47-20 | “Airs from Vauxhall Gardens”: Admeto: Aria “Se l'arco avessi”. Allegro | — | ||
| 47-21 | “Airs from Vauxhall Gardens”: Scipione: March | — | ||
| 47-22 | “Airs from Vauxhall Gardens”: Judas Maccabaeus: “See, the Conqu'ring Hero Comes”. March | — | ||
| 47-23 | “Airs from Vauxhall Gardens”: Atalanta: Overture | — |
Identifier Graph
888750306227 is a Universal Product Code (UPC) assigned to The Complete Sony Recordings by Tafelmusik. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 809 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite from "Il pastor fido", HWV 8c: 1. Ouverture. Largo - Allegro | Tafelmusik, Jeanne Lamon | T-923.432.792-5 |
| Suite from "Il pastor fido", HWV 8c: 2. (Ballo) | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 3. (Tambourin) | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 4. Musette | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 5. Menuet | Tafelmusik, Jeanne Lamon | T-900.962.202-0 |
| Suite from "Il pastor fido", HWV 8c: Balli. 6. March / 7 Pour les Chasseurs / 6. March da capo | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 8. (Ballo) | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 9. Sarabanda. Largo assai | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 10. Gavotte | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 11. Gigue. Presto | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 12. Chacconne | Tafelmusik, Jeanne Lamon | — |
| Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro | Jeanne Lamon, Tafelmusik | — |
Creative Contributors (ISNI)
The UPC for “The Complete Sony Recordings” by Tafelmusik is 888750306227. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Sony Classical. This release contains 809 tracks, each with its own ISRC. Tracks include USSM19303704, USSM19303705, USSM19303706.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. (-) | Tafelmusik, Jeanne Lamon | T-801.411.105-9 | |
| 2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio - Polonaise - Trio | Tafelmusik, Jeanne Lamon | T-307.292.941-6 | |
| 5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. (-) | Tafelmusik, Jeanne Lamon | T-801.411.105-9 | |
| 6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Tafelmusik, Jeanne Lamon | — | |
| 7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Tafelmusik, Jeanne Lamon | — | |
| 8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. (-) | Tafelmusik, Jeanne Lamon | T-801.411.105-9 | |
| 9 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 2-1 | Concerto no. 4 in G major, BWV 1049: I. Allegro | — | ||
| 2-2 | Concerto no. 4 in G major, BWV 1049: II. Andante | — | ||
| 2-3 | Concerto no. 4 in G major, BWV 1049: III. Presto | — | ||
| 2-4 | Concerto no. 5 in D major, BWV 1050: I. Allegro | — | ||
| 2-5 | Concerto no. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 2-6 | Concerto no. 5 in D major, BWV 1050: III. Allegro | — | ||
| 2-7 | Concerto no. 6 in B-flat major, BWV 1051: I. (-) | — | ||
| 2-8 | Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 2-9 | Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | — | ||
| 3-1 | Concerto for Violin, Strings & Basso continuo in A minor, BWV 1041: I. (-) | — | ||
| 3-2 | Concerto for Violin, Strings & Basso continuo in A minor, BWV 1041: II. Andante | — | ||
| 3-3 | Concerto for Violin, Strings & Basso continuo in A minor, BWV 1041: III. Allegro assai | — | ||
| 3-4 | Concerto for Two Violins in D minor ("Double"), BWV 1043: I. Vivace | Jeanne Lamon, Linda Melsted, Tafelmusik | — | |
| 3-5 | Concerto for 2 Violins, Strings & Basso continuo in D minor, BWV 1043: II. Largo ma non tanto | — | ||
| 3-6 | Concerto for 2 Violins, Strings & Basso continuo in D minor, BWV 1043: III. Allegro | — | ||
| 3-7 | Concerto for Violin, Strings & Basso continuo in E major, BWV 1042: I. Allegro | — | ||
| 3-8 | Concerto for Violin, Strings & Basso continuo in E major, BWV 1042: II. Adagio | — | ||
| 3-9 | Concerto for Violin, Strings & Basso continuo in E major, BWV 1042: III. Allegro assai | — | ||
| 3-10 | Concerto for 3 Violins, Strings & Basso continuo in D major, BWV 1064R: I. Allegro | — | ||
| 3-11 | Concerto for 3 Violins, Strings & Basso continuo in D major, BWV 1064R: II. Adagio | — | ||
| 3-12 | Concerto for 3 Violins, Strings & Basso continuo in D major, BWV 1064R: III. Allegro | — | ||
| 4-1 | Sinfonia in D major, F. 64: I. Allegro e maestoso | — | ||
| 4-2 | Sinfonia in D major, F. 64: II. Andante | — | ||
| 4-3 | Sinfonia in D major, F. 64: III. Vivace | — | ||
| 4-4 | Sinfonia in D minor, F. 65: Adagio - Fugue | — | ||
| 4-5 | Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): I. Ouverture. Larghetto | — | ||
| 4-6 | Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): II. Torneo | — | ||
| 4-7 | Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): III. Aria. Adagio | — | ||
| 4-8 | Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): IV. Menuetto alternativo - Trio | — | ||
| 4-9 | Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): V. Capriccio | — | ||
| 4-10 | Concerto for Harpsichord, Strings & Basso continuo in D major, F. 41: I. Allegro | — | ||
| 4-11 | Concerto for Harpsichord, Strings & Basso continuo in D major, F. 41: II. Andante | — | ||
| 4-12 | Concerto for Harpsichord, Strings & Basso continuo in D major, F. 41: III. Vivace | — | ||
| 4-13 | Sinfonia for Strings in F major, F. 67: I. Vivace | — | ||
| 4-14 | Sinfonia for Strings in F major, F. 67: II. Andante | — | ||
| 4-15 | Sinfonia for Strings in F major, F. 67: III. Allegro | — | ||
| 4-16 | Sinfonia for Strings in F major, F. 67: IV. Menuetto I - Menuetto II | — | ||
| 5-1 | Concerto for Piano & Orchestra no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 5-2 | Concerto for Piano & Orchestra no. 1 in C major, op. 15: II. Largo | — | ||
| 5-3 | Concerto for Piano & Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro | — | ||
| 5-4 | Concerto for Piano & Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 5-5 | Concerto for Piano & Orchestra no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 5-6 | Concerto for Piano & Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 6-1 | Concerto for Piano & Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 6-2 | Concerto for Piano & Orchestra no. 3 in C minor, op. 37: II. Largo | — | ||
| 6-3 | Concerto for Piano & Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 6-4 | Concerto for Piano & Orchestra no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 6-5 | Concerto for Piano & Orchestra no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 6-6 | Concerto for Piano & Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 7-1 | Concerto for Piano & Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | — | ||
| 7-2 | Concerto for Piano & Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco moto | — | ||
| 7-3 | Concerto for Piano & Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | — | ||
| 7-4 | Concerto for Violin & Orchestra in D major, op. 61: I. Allegro ma non troppo | — | ||
| 7-5 | Concerto for Violin & Orchestra in D major, op. 61: II. Larghetto | — | ||
| 7-6 | Concerto for Violin & Orchestra in D major, op. 61: III. Rondo. Allegro | — | ||
| 8-1 | Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: I. Sonata. Adagio - Presto - Adagio | — | ||
| 8-2 | Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: II. Allamande | — | ||
| 8-3 | Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: III. Gigue - Variatio I - Variatio II | — | ||
| 8-4 | Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: IV. Aria | — | ||
| 8-5 | Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: V. Sarabande - Variatio I - Variatio II - Finale. Presto | — | ||
| 8-6 | Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: I. Praeludium | — | ||
| 8-7 | Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: II. Allamande - Variatio | — | ||
| 8-8 | Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: III. Balletto. Allegro | — | ||
| 8-9 | Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: IV. Aria. Presto | — | ||
| 8-10 | Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: V. Gigue. Presto | — | ||
| 8-11 | Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: I. Praeludium. Allegro | — | ||
| 8-12 | Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: II. Allamande | — | ||
| 8-13 | Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: III. Amener. Presto | — | ||
| 8-14 | Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: IV. Balletto | — | ||
| 8-15 | Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: V. Gigue | — | ||
| 8-16 | Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: VI. Ciacona (Canon in unisono) | — | ||
| 8-17 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: I. Sonata. Adagio - Allegro - Adagio | — | ||
| 8-18 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: II. Allamande | — | ||
| 8-19 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: III. Trezza. Presto | — | ||
| 8-20 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: IV. Aria | — | ||
| 8-21 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: V. Canario | — | ||
| 8-22 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: VI. Gigue. Presto | — | ||
| 8-23 | Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: VII. Pollicinello. Presto | — | ||
| 8-24 | Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: I. Intrada. Alla breve | — | ||
| 8-25 | Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: II. Aria. Adagio | — | ||
| 8-26 | Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: III. Balletto. Presto | — | ||
| 8-27 | Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: IV. Gigue | — | ||
| 8-28 | Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: V. Passacaglia. (Adagio) - Allegro - Adagio | — | ||
| 8-29 | Harmonia artificioso-ariosa: Partia VI in D major for 2 Violins & Basso continuo: I. Praeludium. Adagio - Allegro | — | ||
| 8-30 | Harmonia artificioso-ariosa: Partia VI in D major for 2 Violins & Basso continuo: II. Aria - Variatio I-XIII | — | ||
| 8-31 | Harmonia artificioso-ariosa: Partia VI in D major for 2 Violins & Basso continuo: III. Finale. Adagio - Allegro | — | ||
| 8-32 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: I. Praeludium. Grave - Presto | — | ||
| 8-33 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: II. Allamande | — | ||
| 8-34 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: III. Sarabande | — | ||
| 8-35 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: IV. Gigue. Presto | — | ||
| 8-36 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: V. Aria | — | ||
| 8-37 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: VI. Trezza | — | ||
| 8-38 | Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: VII. Arietta variata | — | ||
| 9-1 | Concerto for Cello & Orchestra no. 7 in G major, G. 480: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-2 | Concerto for Cello & Orchestra no. 7 in G major, G. 480: II. Adagio | Anner Bylsma, Tafelmusik, Jeanne Lamon | T-802.445.410-3 | |
| 9-3 | Concerto for Cello & Orchestra no. 7 in G major, G. 480: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-4 | Symphony in B-flat major, op. 21 no. 5, G. 497: I. Allegro spiritoso | Anner Bylsma, Tafelmusik, Jeanne Lamon | T-902.876.200-7 | |
| 9-5 | Symphony in B-flat major, op. 21 no. 5, G. 497: II. Andantino con moto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-6 | Symphony in B-flat major, op. 21 no. 5, G. 497: III. Allegro vivace assai | Anner Bylsma, Tafelmusik, Jeanne Lamon | T-902.876.200-7 | |
| 9-7 | Concerto for Cello & Orchestra no. 10 in D major, G. 483: I. Allegro maestoso | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-8 | Concerto for Cello & Orchestra no. 10 in D major, G. 483: II. Andante lentarello | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-9 | Concerto for Cello & Orchestra no. 10 in D major, G. 483: III. Allegro e con moto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-10 | Symphony in D minor, op. 12 no. 4, G. 506 "La casa del diavolo": I. Andante sostenuto - Allegro assai | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-11 | Symphony in D minor, op. 12 no. 4, G. 506 "La casa del diavolo": II. Andantino con moto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 9-12 | Symphony in D minor, op. 12 no. 4, G. 506 "La casa del diavolo": III. Andante sostenuto - Allegro assai, con moto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 10-1 | Overture (Sinfonia) in D major, op. 43, G. 521: Allegro con spirito molto - Andantino - Tempo I | Tafelmusik, Jeanne Lamon | T-923.432.792-5 | |
| 10-2 | Cello Concerto in D major, G. 476: I. Allegro | Tafelmusik, Jeanne Lamon, Anner Bylsma | — | |
| 10-3 | Cello Concerto in D major, G. 476: II. Largo | Tafelmusik, Jeanne Lamon, Anner Bylsma | — | |
| 10-4 | Cello Concerto in D major, G. 476: III. Allegro piacere | Tafelmusik, Jeanne Lamon, Anner Bylsma | — | |
| 10-5 | Octet in G major, op. 38 no. 4, G. 470 "Notturno": I. Andantino amoroso ma non largo | Tafelmusik, Jeanne Lamon | — | |
| 10-6 | Octet in G major, op. 38 no. 4, G. 470 "Notturno": II. Minuetto | Tafelmusik, Jeanne Lamon | — | |
| 10-7 | Octet in G major, op. 38 no. 4, G. 470 "Notturno": III. Finale: Allegro vivo | Tafelmusik, Jeanne Lamon | — | |
| 10-8 | Cello Concerto in C major, G. 573: I. Maestoso | Tafelmusik, Jeanne Lamon, Anner Bylsma | — | |
| 10-9 | Cello Concerto in C major, G. 573: II. Largo cantabile | Tafelmusik, Jeanne Lamon, Anner Bylsma | — | |
| 10-10 | Cello Concerto in C major, G. 573: III. Allegro comodo | Tafelmusik, Jeanne Lamon, Anner Bylsma | — | |
| 10-11 | Sinfonia in C minor, G. 519: I. Allegro vivo assai | Tafelmusik, Jeanne Lamon | T-306.395.786-4 | |
| 10-12 | Sinfonia in C minor, G. 519: II. Pastorale: Lentarello | Tafelmusik, Jeanne Lamon | — | |
| 10-13 | Sinfonia in C minor, G. 519: III. Minuetto: Allegro | Tafelmusik, Jeanne Lamon | — | |
| 10-14 | Sinfonia in C minor, G. 519: IV. Finale: Allegro | Tafelmusik, Jeanne Lamon | T-318.676.528-2 | |
| 11-1 | Concerto no. 6 in D major: I. Vivace - Allegro - Adagio | — | ||
| 11-2 | Concerto no. 6 in D major: II. Allegro | — | ||
| 11-3 | Concerto no. 6 in D major: III. Andante largo / IV. Allegro | — | ||
| 11-4 | Concerto no. 6 in D major: V. Vivace | — | ||
| 11-5 | Concerto no. 9 in F major: I. Preludio. Largo | — | ||
| 11-6 | Concerto no. 9 in F major: II. Allemanda. Allegro | — | ||
| 11-7 | Concerto no. 9 in F major: III. Corrente. Vivace | — | ||
| 11-8 | Concerto no. 9 in F major: IV. Gavotta. Allegro | — | ||
| 11-9 | Concerto no. 9 in F major: IV. Adagio | — | ||
| 11-10 | Concerto no. 9 in F major: V. Minuetto. Vivace | — | ||
| 11-11 | Concerto no. 3 in C minor: I. Largo - Allegro | — | ||
| 11-12 | Concerto no. 3 in C minor: II. Grave | — | ||
| 11-13 | Concerto no. 3 in C minor: III. Vivace | — | ||
| 11-14 | Concerto no. 3 in C minor: IV. Allegro | — | ||
| 11-15 | Concerto no. 1 in D major: I. Largo - Allegro | — | ||
| 11-16 | Concerto no. 1 in D major: II. Largo - Allegro | — | ||
| 11-17 | Concerto no. 1 in D major: III. Largo / IV. Allegro | — | ||
| 11-18 | Concerto no. 1 in D major: V. Allegro | — | ||
| 11-19 | Concerto no. 11 in B-flat major: I. Preludio. Andante largo | — | ||
| 11-20 | Concerto no. 11 in B-flat major: II. Allemanda. Allegro | — | ||
| 11-21 | Concerto no. 11 in B-flat major: III. Adagio - Andante largo | — | ||
| 11-22 | Concerto no. 11 in B-flat major: IV. Sarabande. Largo | — | ||
| 11-23 | Concerto no. 11 in B-flat major: V. Giga. Vivace | — | ||
| 11-24 | Concerto no. 8 in G minor “Christmas Concerto”: I. Vivace - Grave | — | ||
| 11-25 | Concerto no. 8 in G minor “Christmas Concerto”: II. Allegro | — | ||
| 11-26 | Concerto no. 8 in G minor “Christmas Concerto”: III. Adagio - Allegro - Adagio | — | ||
| 11-27 | Concerto no. 8 in G minor “Christmas Concerto”: IV. Vivace | — | ||
| 11-28 | Concerto no. 8 in G minor “Christmas Concerto”: V. Allegro / VI. Pastorale. Largo | — | ||
| 12-1 | Don Giovanni o sia Il Convitato di Pietra: Scena I. Introduzione: “La granbestia è il mio padrone!” (Pasquariello, Donna Anna, Don Giovanni) | — | ||
| 12-2 | Don Giovanni o sia Il Convitato di Pietra: Scena II. “Qual tradimento! Perfido!” (Commendatore, Don Giovanni, Pasquariello) | — | ||
| 12-3 | Don Giovanni o sia Il Convitato di Pietra: Scena IV. Aria: “Vicin sperai l'istante” (Duca Ottavio) | — | ||
| 12-4 | Don Giovanni o sia Il Convitato di Pietra: Scena VI. Cavatina: “Povere femmine” (Donna Elvira) | — | ||
| 12-5 | Don Giovanni o sia Il Convitato di Pietra: Scena VII. Duetto: “Dell'Italia, ed Alemagna” (Donna Elvira, Pasquariello) | — | ||
| 12-6 | Don Giovanni o sia Il Convitato di Pietra: Scena IX. Aria: “Per voi nemmeno in faccia” (Don Giovanni) | — | ||
| 12-7 | Don Giovanni o sia Il Convitato di Pietra: Scena XI. Cavatina con coro: “Bella cosa per una ragazza” (Maturina, Pasquariello, coro) | — | ||
| 12-8 | Don Giovanni o sia Il Convitato di Pietra: Scena XII. Aria: “A me schiaffi sul mio viso!” (Biagio) | — | ||
| 12-9 | Don Giovanni o sia Il Convitato di Pietra: Scena XIV. Aria: “Se pur degna voi mi fate” (Maturina) | — | ||
| 12-10 | Don Giovanni o sia Il Convitato di Pietra: Scena XVIII. Duetto: “Per quanto ben ti guardo” (Donna Elvira, Maturina) | — | ||
| 12-11 | Don Giovanni o sia Il Convitato di Pietra: Scena XX. Duetto: “Signor Commendatore” (Don Giovanni, Pasquariello, La Statua) | — | ||
| 12-12 | Don Giovanni o sia Il Convitato di Pietra: Scena XXII. Aria: “Sposa più a voi non sono” (Donna Elvira) | — | ||
| 12-13 | Don Giovanni o sia Il Convitato di Pietra: Scena XXIII. Concertino | — | ||
| 12-14 | Don Giovanni o sia Il Convitato di Pietra: Recitativo: “Ma potere del mondo!” (Pasquariello, Don Giovanni) | — | ||
| 12-15 | Don Giovanni o sia Il Convitato di Pietra: Finale: “Far devi un brindisi alla città” (Don Giovanni, Pasquariello, Lanterna) | — | ||
| 12-16 | Don Giovanni o sia Il Convitato di Pietra: Scena XXIV. “Siedi Commendator!” (Don Giovanni, Commendatore, Pasquariello) | — | ||
| 12-17 | Don Giovanni o sia Il Convitato di Pietra: Scena ultima. “Qual strepito è questo!” (Lanterna, Maturina, Donna Elvira, Donna Ximena, Duca Ottavio, Pasquariello) | — | ||
| 13-1 | Concerto grosso in D minor, op. 2 no. 3: I. Presto | — | ||
| 13-2 | Concerto grosso in D minor, op. 2 no. 3: II. Adagio | — | ||
| 13-3 | Concerto grosso in D minor, op. 2 no. 3: III. Allegro | — | ||
| 13-4 | Concerto grosso in C minor, op. 2 no. 1: I. Andante | — | ||
| 13-5 | Concerto grosso in C minor, op. 2 no. 1: II. Allegro | — | ||
| 13-6 | Concerto grosso in C minor, op. 2 no. 1: III. Adagio | — | ||
| 13-7 | Concerto grosso in C minor, op. 2 no. 1: IV. Allegro | — | ||
| 13-8 | Concerto grosso in A major, op. 2 no. 6: I. Andante | — | ||
| 13-9 | Concerto grosso in A major, op. 2 no. 6: II. Allegro | — | ||
| 13-10 | Concerto grosso in A major, op. 2 no. 6: III. Allegro | — | ||
| 13-11 | Concerto grosso in C minor, op. 2 no. 2: I. Adagio | — | ||
| 13-12 | Concerto grosso in C minor, op. 2 no. 2: II. Allegro | — | ||
| 13-13 | Concerto grosso in C minor, op. 2 no. 2: III. Adagio | — | ||
| 13-14 | Concerto grosso in C minor, op. 2 no. 2: IV. Allegro | — | ||
| 13-15 | Concerto grosso in D major, op. 2 no. 4: I. Andante | — | ||
| 13-16 | Concerto grosso in D major, op. 2 no. 4: II. Allegro | — | ||
| 13-17 | Concerto grosso in D major, op. 2 no. 4: III. Adagio | — | ||
| 13-18 | Concerto grosso in D major, op. 2 no. 4: IV. Allegro | — | ||
| 13-19 | Concerto grosso in D minor, op. 2 no. 5: I. Grave | — | ||
| 13-20 | Concerto grosso in D minor, op. 2 no. 5: II. Allegro | — | ||
| 13-21 | Concerto grosso in D minor, op. 2 no. 5: III. Adagio | — | ||
| 13-22 | Concerto grosso in D minor, op. 2 no. 5: IV. Allegro | — | ||
| 13-23 | Concerto grosso in C major after Corelli, op. 5 no. 3: I. Adagio | — | ||
| 13-24 | Concerto grosso in C major after Corelli, op. 5 no. 3: II. Allegro | — | ||
| 13-25 | Concerto grosso in C major after Corelli, op. 5 no. 3: III. Adagio | — | ||
| 13-26 | Concerto grosso in C major after Corelli, op. 5 no. 3: IV. Allegro | — | ||
| 13-27 | Concerto grosso in G minor after Corelli, op. 5 no. 5: I. Adagio | — | ||
| 13-28 | Concerto grosso in G minor after Corelli, op. 5 no. 5: II. Vivace | — | ||
| 13-29 | Concerto grosso in G minor after Corelli, op. 5 no. 5: III. Adagio | — | ||
| 13-30 | Concerto grosso in G minor after Corelli, op. 5 no. 5: IV. Allegro | — | ||
| 14-1 | Orfeo ed Euridice: Overture | — | ||
| 14-2 | Orfeo ed Euridice: Atto I, Scena 1. Coro: “Ah, se intorno a quest'urna funesta” (coro, Orfeo) / Recitativo: “Basta, basta, o compagni!” (Orfeo) | — | ||
| 14-3 | Orfeo ed Euridice: Atto I, Scena 1. Ballo. Langsam | — | ||
| 14-4 | Orfeo ed Euridice: Atto I, Scena 1. Coro: “Ah, se intorno a quest'urna funesta” | — | ||
| 14-5 | Orfeo ed Euridice: Atto I, Scena 1. Aria: “Chiamo il mio ben così” (Orfeo) | — | ||
| 14-6 | Orfeo ed Euridice: Atto I, Scena 1. Recitativo: “Numi! barbari Numi!” (Orfeo) | — | ||
| 14-7 | Orfeo ed Euridice: Atto I, Scena 2. Recitativo: “T'assiste Amore!” (Amore, Orfeo) | — | ||
| 14-8 | Orfeo ed Euridice: Atto I, Scena 2. Aria: “Gli sguardi trattieni” (Amore) | — | ||
| 14-9 | Orfeo ed Euridice: Atto I, Scena 2. Recitativo: “Che disse? Che ascoltai?” (Orfeo, Amore) | — | ||
| 14-10 | Orfeo ed Euridice: Atto II, Scena 1. Ballo. Maestoso / Coro: “Chi mai dell'Erebo fra la caligini” | — | ||
| 14-11 | Orfeo ed Euridice: Atto II, Scena 1. Ballo. Presto | — | ||
| 14-12 | Orfeo ed Euridice: Atto II, Scena 1. Coro: “Chi mai dell'Erebo fra le caligini” | — | ||
| 14-13 | Orfeo ed Euridice: Atto II, Scena 1. Ballo. Maestoso | — | ||
| 14-14 | Orfeo ed Euridice: Atto II, Scena 1. Orfeo ed Coro: “Deh! placatevi con me” | — | ||
| 14-15 | Orfeo ed Euridice: Atto II, Scena 1. Coro: “Misero giovane, che vuoi, che mediti?” | — | ||
| 14-16 | Orfeo ed Euridice: Atto II, Scena 1. Aria: “Mille pene, ombre moleste” (Orfeo) | — | ||
| 14-17 | Orfeo ed Euridice: Atto II, Scena 1. Coro: “Ah, quale incognito affetto” | — | ||
| 14-18 | Orfeo ed Euridice: Atto II, Scena 1. Aria: “Men tiranne, ah! voi sareste” (Orfeo) | — | ||
| 14-19 | Orfeo ed Euridice: Atto II, Scena 1. Coro: “Ah, quale incognito affetto” | — | ||
| 14-20 | Orfeo ed Euridice: Atto II, Scena 2. Ballo. Andante | — | ||
| 14-21 | Orfeo ed Euridice: Atto II, Scena 2. Arioso: “Che puro ciel, che chiaro sol” (Orfeo, coro) | — | ||
| 14-22 | Orfeo ed Euridice: Atto II, Scena 2. Coro: “Vieni a' regni del riposo” | — | ||
| 14-23 | Orfeo ed Euridice: Atto II, Scena 2. Ballo. Andante | — | ||
| 14-24 | Orfeo ed Euridice: Atto II, Scena 2. Recitativo: “Anime avventurose” (Orfeo) | — | ||
| 14-25 | Orfeo ed Euridice: Atto II, Scena 2. Coro: “Torna, o bella, al tuo consorte” | — | ||
| 15-1 | Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Vieni, segui i miei passi” (Orfeo, Euridice) | — | ||
| 15-2 | Orfeo ed Euridice: Atto III, Scena 1. Duetto: “Vieni, appaga il tuo consorte!” (Orfeo, Euridice) | — | ||
| 15-3 | Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Qual, vita è questa mai” (Euridice) | — | ||
| 15-4 | Orfeo ed Euridice: Atto III, Scena 1. Aria: “Che fiero momento” (Euridice) | — | ||
| 15-5 | Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Ecco un nuovo tormento” (Orfeo, Euridice) | — | ||
| 15-6 | Orfeo ed Euridice: Atto III, Scena 1. Aria: “Che farò senza Euridice?” (Orfeo) | — | ||
| 15-7 | Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Ah, finisca e per sempre” (Orfeo) | — | ||
| 15-8 | Orfeo ed Euridice: Atto III, Scena 2. Recitativo: “Orfeo, che fai?” (Amore, Orfeo, Euridice) | — | ||
| 15-9 | Orfeo ed Euridice: Atto III, Scena 3. Maestoso | — | ||
| 15-10 | Orfeo ed Euridice: Atto III, Scena 3. Ballo: I. (Grazioso) | — | ||
| 15-11 | Orfeo ed Euridice: Atto III, Scena 3. Ballo: II. Allegro | — | ||
| 15-12 | Orfeo ed Euridice: Atto III, Scena 3. Ballo: III. Andante | — | ||
| 15-13 | Orfeo ed Euridice: Atto III, Scena 3. Ballo: IV. Allegro | — | ||
| 15-14 | Orfeo ed Euridice: Atto III, Scena 3. Coro: “Trionfi Amore!” (Orfeo, Amore, Euridice, coro) | — | ||
| 16-1 | Don Juan ou Le Festin de pierre: Sinfonia. Allegro | — | ||
| 16-2 | Don Juan ou Le Festin de pierre: No. 1. Andante grazioso | — | ||
| 16-3 | Don Juan ou Le Festin de pierre: No. 2. Andante | — | ||
| 16-4 | Don Juan ou Le Festin de pierre: No. 3. Allegro maestoso | — | ||
| 16-5 | Don Juan ou Le Festin de pierre: No. 4. Allegro furioso - Andante | — | ||
| 16-6 | Don Juan ou Le Festin de pierre: No. 5. Allegro forte risoluto - Andante - Allegretto | — | ||
| 16-7 | Don Juan ou Le Festin de pierre: No. 6. Risoluto moderato | — | ||
| 16-8 | Don Juan ou Le Festin de pierre: No. 7. Gavotte | — | ||
| 16-9 | Don Juan ou Le Festin de pierre: No. 8. Brillante | — | ||
| 16-10 | Don Juan ou Le Festin de pierre: No. 9. Allegretto | — | ||
| 16-11 | Don Juan ou Le Festin de pierre: No. 10. Moderato | — | ||
| 16-12 | Don Juan ou Le Festin de pierre: No. 11. Giusto | — | ||
| 16-13 | Don Juan ou Le Festin de pierre: No. 12. Allegro - Presto | — | ||
| 16-14 | Don Juan ou Le Festin de pierre: No. 13. Andante grazioso | — | ||
| 16-15 | Don Juan ou Le Festin de pierre: No. 14. Andante | — | ||
| 16-16 | Don Juan ou Le Festin de pierre: No. 15. Presto | — | ||
| 16-17 | Don Juan ou Le Festin de pierre: No. 16. Allegretto - Presto - Andante - Tempo primo | — | ||
| 16-18 | Don Juan ou Le Festin de pierre: No. 17. Andante | — | ||
| 16-19 | Don Juan ou Le Festin de pierre: No. 18. Allegro giusto | — | ||
| 16-20 | Don Juan ou Le Festin de pierre: No. 19. Moderato | — | ||
| 16-21 | Don Juan ou Le Festin de pierre: No. 20. Andante | — | ||
| 16-22 | Don Juan ou Le Festin de pierre: No. 21. Grazioso | — | ||
| 16-23 | Don Juan ou Le Festin de pierre: No. 22. Allegretto | — | ||
| 16-24 | Don Juan ou Le Festin de pierre: No. 23. Moderato - Presto - Moderato - Presto | — | ||
| 16-25 | Don Juan ou Le Festin de pierre: No. 24. Risoluto e Moderato | — | ||
| 16-26 | Don Juan ou Le Festin de pierre: No. 25. Allegro - Allegro giusto - Allegro | — | ||
| 16-27 | Don Juan ou Le Festin de pierre: No. 26. Andante staccato | — | ||
| 16-28 | Don Juan ou Le Festin de pierre: No. 27. Allegro | — | ||
| 16-29 | Don Juan ou Le Festin de pierre: No. 28. Allegretto | — | ||
| 16-30 | Don Juan ou Le Festin de pierre: No. 29. Andante staccato | — | ||
| 16-31 | Don Juan ou Le Festin de pierre: No. 30. Larghetto | — | ||
| 16-32 | Don Juan ou Le Festin de pierre: No. 31. Allegro non troppo | — | ||
| 16-33 | Sémiramis: Sinfonia. Maestoso | — | ||
| 16-34 | Sémiramis: No. 1. Andante | — | ||
| 16-35 | Sémiramis: No. 2. Allegro | — | ||
| 16-36 | Sémiramis: No. 3. Moderato | — | ||
| 16-37 | Sémiramis: No. 4. Moderato. Grazioso | — | ||
| 16-38 | Sémiramis: No. 5. Moderato | — | ||
| 16-39 | Sémiramis: No. 6. Maestoso | — | ||
| 16-40 | Sémiramis: No. 7. Grazioso | — | ||
| 16-41 | Sémiramis: No. 8. Maestoso | — | ||
| 16-42 | Sémiramis: No. 9a. Affettuoso / No. 9b. Affettuoso | — | ||
| 16-43 | Sémiramis: No. 10. Adagio - Più Adagio | — | ||
| 16-44 | Sémiramis: No. 11. Affettuoso | — | ||
| 16-45 | Sémiramis: No. 12. Adagio | — | ||
| 16-46 | Sémiramis: No. 13. Allegro maestoso | — | ||
| 16-47 | Sémiramis: No. 14. Adagio - Allegro | — | ||
| 16-48 | Sémiramis: No. 15. Allegro assai | — | ||
| 17-1 | Concerto grosso in B-flat major, op. 3 no. 1: I. Allegro | — | ||
| 17-2 | Concerto grosso in B-flat major, op. 3 no. 1: II. Largo | — | ||
| 17-3 | Concerto grosso in B-flat major, op. 3 no. 1: III. Allegro | — | ||
| 17-4 | Concerto grosso in B-flat major, op. 3 no. 2: I. Vivace | — | ||
| 17-5 | Concerto grosso in B-flat major, op. 3 no. 2: II. Largo | — | ||
| 17-6 | Concerto grosso in B-flat major, op. 3 no. 2: III. Allegro | — | ||
| 17-7 | Concerto grosso in B-flat major, op. 3 no. 2: IV. Vivace | — | ||
| 17-8 | Concerto grosso in B-flat major, op. 3 no. 2: V. [Allegro] | — | ||
| 17-9 | Concerto grosso in G major, op. 3 no. 3: I. Largo e staccato - Allegro | — | ||
| 17-10 | Concerto grosso in G major, op. 3 no. 3: II. Adagio | — | ||
| 17-11 | Concerto grosso in G major, op. 3 no. 3: III. Allegro | — | ||
| 17-12 | Concerto grosso in F major, op. 3 no. 4: I. Overture | — | ||
| 17-13 | Concerto grosso in F major, op. 3 no. 4: II. Andante | — | ||
| 17-14 | Concerto grosso in F major, op. 3 no. 4: III. Allegro | — | ||
| 17-15 | Concerto grosso in F major, op. 3 no. 4: IV. Minuetto alternativo | — | ||
| 17-16 | Concerto grosso in D minor, op. 3 no. 5: I. (-) | — | ||
| 17-17 | Concerto grosso in D minor, op. 3 no. 5: II. Allegro | — | ||
| 17-18 | Concerto grosso in D minor, op. 3 no. 5: III. Adagio | — | ||
| 17-19 | Concerto grosso in D minor, op. 3 no. 5: IV. Allegro ma non troppo | — | ||
| 17-20 | Concerto grosso in D minor, op. 3 no. 5: V. Allegro | — | ||
| 17-21 | Concerto grosso in D major, op. 3 no. 6: I. Vivace | — | ||
| 17-22 | Concerto grosso in D major, op. 3 no. 6: II. Adagio | — | ||
| 17-23 | Concerto grosso in D major, op. 3 no. 6: III. Allegro | — | ||
| 17-24 | Concerto grosso in D major, op. 3 no. 6: Allegro | — | ||
| 18-1 | Music for the Royal Fireworks, HWV 351: I. Ouverture | Tafelmusik | T-923.432.792-5 | |
| 18-2 | Music for the Royal Fireworks, HWV 351: II. Bourrée | — | ||
| 18-3 | Music for the Royal Fireworks, HWV 351: III. La Paix | — | ||
| 18-4 | Music for the Royal Fireworks, HWV 351: IV. La Réjouissance | — | ||
| 18-5 | Music for the Royal Fireworks, HWV 351: V. Menuet I | — | ||
| 18-6 | Music for the Royal Fireworks, HWV 351: VI. Menuet II | — | ||
| 18-7 | Concerto no. 2 in F major, HWV 333: I. Pomposo - Allegro | — | ||
| 18-8 | Concerto no. 2 in F major, HWV 333: II. A tempo giusto | — | ||
| 18-9 | Concerto no. 2 in F major, HWV 333: III. Largo | — | ||
| 18-10 | Concerto no. 2 in F major, HWV 333: IV. Allegro ma non troppo | — | ||
| 18-11 | Concerto no. 2 in F major, HWV 333: V. A tempo ordinario | — | ||
| 18-12 | Concerto no. 1 in B-flat major, HWV 332: I. Ouverture - Allegro ma non troppo | — | ||
| 18-13 | Concerto no. 1 in B-flat major, HWV 332: II. Allegro | — | ||
| 18-14 | Concerto no. 1 in B-flat major, HWV 332: III. Largo | — | ||
| 18-15 | Concerto no. 1 in B-flat major, HWV 332: IV. A tempo ordinario | — | ||
| 18-16 | Concerto no. 1 in B-flat major, HWV 332: V. Alla breve moderato | — | ||
| 18-17 | Concerto no. 1 in B-flat major, HWV 332: VI. Menuet | — | ||
| 18-18 | Concerto no. 3 in F major, HWV 334: I. Ouverture - Allegro | — | ||
| 18-19 | Concerto no. 3 in F major, HWV 334: II. Allegro ma non troppo | — | ||
| 18-20 | Concerto no. 3 in F major, HWV 334: III. Adagio | — | ||
| 18-21 | Concerto no. 3 in F major, HWV 334: IV. Andante larghetto | — | ||
| 18-22 | Concerto no. 3 in F major, HWV 334: V. Allegro | — | ||
| 19-1 | Water Music, Suite No. 1 in F major, HWV 348: I. Overture. Largo - Allegro | Tafelmusik, Jeanne Lamon | T-923.432.792-5 | |
| 19-2 | Water Music, Suite No. 1 in F major, HWV 348: II. Adagio e staccato | Tafelmusik, Jeanne Lamon | — | |
| 19-3 | Water Music, Suite No. 1 in F major, HWV 348: 3. (Allegro) / 4. Andante / 3. (Allegro) da capo | Tafelmusik, Jeanne Lamon | — | |
| 19-4 | Water Music, Suite No. 1 in F major, HWV 348: 5. (Minuet I/II/I) | Tafelmusik, Jeanne Lamon | — | |
| 19-5 | Water Music, Suite No. 1 in F major, HWV 348: 6. Air | Tafelmusik, Jeanne Lamon | T-306.036.936-6 | |
| 19-6 | Water Music, Suite No. 1 in F major, HWV 348: 7. Minuet | Tafelmusik, Jeanne Lamon | — | |
| 19-7 | Water Music, Suite No. 1 in F major, HWV 348: 8. Bourrée | Tafelmusik, Jeanne Lamon | T-001.322.754-7 | |
| 19-8 | Water Music, Suite No. 1 in F major, HWV 348: 9. Hornpipe | Tafelmusik, Jeanne Lamon | T-902.314.028-5 | |
| 19-9 | Water Music, Suite No. 1 in F major, HWV 348: 10. (Andante) | Tafelmusik, Jeanne Lamon | — | |
| 19-10 | Water Music, Suite No. 2 in D major, HWV 349: 11. (Allegro) | Tafelmusik, Jeanne Lamon | T-306.036.936-6 | |
| 19-11 | Water Music, Suite No. 2 in D major, HWV 349: 12. Alla hornpipe | Tafelmusik, Jeanne Lamon | T-905.384.308-6 | |
| 19-12 | Water Music, Suite No. 3 in G major, HWV 350: 16: (Sarabande) | Tafelmusik, Jeanne Lamon | T-306.036.936-6 | |
| 19-13 | Water Music, Suite No. 3 in G major, HWV 350: 17. Rigaudon / 18. (Rigaudon) / 17. Rigaudon I da capo | Tafelmusik, Jeanne Lamon | — | |
| 19-14 | Water Music, Suite No. 2 in D major, HWV 349: 14. Lentement | Tafelmusik, Jeanne Lamon | — | |
| 19-15 | Water Music, Suite No. 2 in D major, HWV 349: 15. Bourrée | Tafelmusik, Jeanne Lamon | — | |
| 19-16 | Water Music, Suite No. 3 in G major, HWV 350: 19: Minuet / 20. (Minuet) | Tafelmusik, Jeanne Lamon | — | |
| 19-17 | Water Music, Suite No. 3 in G major, HWV 350: 21. (Country Dance) / 22. (Country Dance) / 21. (Country Dance) da capo | Tafelmusik, Jeanne Lamon | — | |
| 19-18 | Water Music, Suite No. 2 in D major, HWV 349: 13. Minuet | Tafelmusik, Jeanne Lamon | T-011.781.858-2 | |
| 20-1 | Symphony in C major, Hob. I:41: I. Allegro con spirito | Tafelmusik, Bruno Weil | — | |
| 20-2 | Symphony in C major, Hob. I:41: II. Un poco andante | Tafelmusik, Bruno Weil | — | |
| 20-3 | Symphony in C major, Hob. I:41: III. Menuet – Trio | Tafelmusik, Bruno Weil | — | |
| 20-4 | Symphony in C major, Hob. I:41: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 20-5 | Symphony in D major, Hob. I:42: I. Moderato e maestoso | Tafelmusik, Bruno Weil | — | |
| 20-6 | Symphony in D major, Hob. I:42: Andantino e cantabile | Tafelmusik, Bruno Weil | — | |
| 20-7 | Symphony in D major, Hob. I:42: Menuet. Allegretto – Trio | Tafelmusik, Bruno Weil | — | |
| 20-8 | Symphony in D major, Hob. I:42: Finale. Scherzando e presto | Tafelmusik, Bruno Weil | — | |
| 20-9 | Symphony in E-flat major, Hob. I:43 “Mercury”: I. Allegro | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 20-10 | Symphony in E-flat major, Hob. I:43 “Mercury”: II. Adagio | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 20-11 | Symphony in E-flat major, Hob. I:43 “Mercury”: III. Menuetto – Trio | Tafelmusik, Bruno Weil | — | |
| 20-12 | Symphony in E-flat major, Hob. I:43 “Mercury”: IV. Finale. Allegro | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 21-1 | Symphony in E minor, Hob. I:44 “Mourning”: I. Allegro con brio | Tafelmusik, Bruno Weil | — | |
| 21-2 | Symphony in E minor, Hob. I:44 “Mourning”: II. Menuetto. Allegretto (Canone in Diapason) - Trio | Tafelmusik, Bruno Weil | — | |
| 21-3 | Symphony in E minor, Hob. I:44 “Mourning”: III. Adagio | Tafelmusik, Bruno Weil | — | |
| 21-4 | Symphony in E minor, Hob. I:44 “Mourning”: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 21-5 | Symphony in B-flat major, Hob. I:51: I. Vivace | Tafelmusik, Bruno Weil | — | |
| 21-6 | Symphony in B-flat major, Hob. I:51: II. Adagio | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 21-7 | Symphony in B-flat major, Hob. I:51: III. Menuetto - Trio I - Trio II | Tafelmusik, Bruno Weil | — | |
| 21-8 | Symphony in B-flat major, Hob. I:51: IV. Finale. Allegro | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 21-9 | Symphony in C minor, Hob. I:52: I. Allegro assai con brio | Tafelmusik, Bruno Weil | — | |
| 21-10 | Symphony in C minor, Hob. I:52: II. Andante | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 21-11 | Symphony in C minor, Hob. I:52: III. Menuetto. Allegretto - Trio | Tafelmusik, Bruno Weil | — | |
| 21-12 | Symphony in C minor, Hob. I:52: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 22-1 | Symphony in F-sharp minor, Hob. I:45 “Farewell”: I. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 22-2 | Symphony in F-sharp minor, Hob. I:45 “Farewell”: II. Adagio | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 22-3 | Symphony in F-sharp minor, Hob. I:45 “Farewell”: III. Menuet. Allegretto - Trio | Tafelmusik, Bruno Weil | — | |
| 22-4 | Symphony in F-sharp minor, Hob. I:45 “Farewell”: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 22-5 | Symphony in B major, Hob. I:46: I. Vivace | Tafelmusik, Bruno Weil | — | |
| 22-6 | Symphony in B major, Hob. I:46: II. Poco adagio | Tafelmusik, Bruno Weil | — | |
| 22-7 | Symphony in B major, Hob. I:46: III. Menuet. Allegretto - Trio | Tafelmusik, Bruno Weil | — | |
| 22-8 | Symphony in B major, Hob. I:46: IV. Finale. Presto e scherzando | Tafelmusik, Bruno Weil | — | |
| 22-9 | Symphony in G major, Hob. I:47: I. [Allegro] | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 22-10 | Symphony in G major, Hob. I:47: II. Un poco adagio, cantabile | Tafelmusik, Bruno Weil | — | |
| 22-11 | Symphony in G major, Hob. I:47: III. Menuet - Trio | Tafelmusik, Bruno Weil | — | |
| 22-12 | Symphony in G major, Hob. I:47: IV. Finale. Presto assai | Tafelmusik, Bruno Weil | — | |
| 23-1 | Symphony in C major, Hob. I:50: I. Adagio e maestoso. Allegro di molto | Tafelmusik, Bruno Weil | — | |
| 23-2 | Symphony in C major, Hob. I:50: II. Andante moderato | Tafelmusik, Bruno Weil | — | |
| 23-3 | Symphony in C major, Hob. I:50: III. Menuet – Trio | Tafelmusik, Bruno Weil | — | |
| 23-4 | Symphony in C major, Hob. I:50: IV. Finale: Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 23-5 | Symphony in A major, Hob. I:64 “Tempora mutantur”: I. Allegro con spirito | Tafelmusik, Bruno Weil | — | |
| 23-6 | Symphony in A major, Hob. I:64 “Tempora mutantur”: II. Largo | Tafelmusik, Bruno Weil | — | |
| 23-7 | Symphony in A major, Hob. I:64 “Tempora mutantur”: III. Menuet. Allegretto – Trio | Tafelmusik, Bruno Weil | — | |
| 23-8 | Symphony in A major, Hob. I:64 “Tempora mutantur”: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 23-9 | Symphony in A major, Hob. I:65: I. Vivace e con spirito | Tafelmusik, Bruno Weil | — | |
| 23-10 | Symphony in A major, Hob. I:65: II. Andante | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 23-11 | Symphony in A major, Hob. I:65: III. Menuetto – Trio | Tafelmusik, Bruno Weil | — | |
| 23-12 | Symphony in A major, Hob. I:65: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 24-1 | Symphony in C major, Hob. I:82 “The Bear”: I. Vivace assai | Tafelmusik, Bruno Weil | — | |
| 24-2 | Symphony in C major, Hob. I:82 “The Bear”: II. Allegretto | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 24-3 | Symphony in C major, Hob. I:82 “The Bear”: III. Menuet – Trio | Tafelmusik, Bruno Weil | — | |
| 24-4 | Symphony in C major, Hob. I:82 “The Bear”: IV. Finale. Vivace | Tafelmusik, Bruno Weil | T-106.584.348-1 | |
| 24-5 | Symphony in G minor, Hob. I:83 “The Hen”: I. Allegro spiritoso | Tafelmusik, Bruno Weil | — | |
| 24-6 | Symphony in G minor, Hob. I:83 “The Hen”: II. Andante | Tafelmusik, Bruno Weil | — | |
| 24-7 | Symphony in G minor, Hob. I:83 “The Hen”: III. Menuet. Allegretto – Trio | Tafelmusik, Bruno Weil | — | |
| 24-8 | Symphony in G minor, Hob. I:83 “The Hen”: IV. Vivace | Tafelmusik, Bruno Weil | — | |
| 24-9 | Symphony in E-flat major, Hob. I:84: I. Largo – Allegro | Tafelmusik, Bruno Weil | — | |
| 24-10 | Symphony in E-flat major, Hob. I:84: II. Andante | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 24-11 | Symphony in E-flat major, Hob. I:84: III. Menuet. Allegro – Trio | Tafelmusik, Bruno Weil | — | |
| 24-12 | Symphony in E-flat major, Hob. I:84: IV. Finale. Vivace | Tafelmusik, Bruno Weil | — | |
| 25-1 | Symphony in B-flat major, Hob. I:85 “The Queen”: I. Adagio – Vivace | Tafelmusik, Bruno Weil | — | |
| 25-2 | Symphony in B-flat major, Hob. I:85 “The Queen”: II. Romance. Allegretto | Tafelmusik, Bruno Weil | — | |
| 25-3 | Symphony in B-flat major, Hob. I:85 “The Queen”: III. Menuet. Allegretto – Trio | Tafelmusik, Bruno Weil | — | |
| 25-4 | Symphony in B-flat major, Hob. I:85 “The Queen”: IV. Finale. Presto | Tafelmusik, Bruno Weil | T-318.676.528-2 | |
| 25-5 | Symphony in D major, Hob. I:86: I. Adagio – Allegro spiritoso | Tafelmusik, Bruno Weil | — | |
| 25-6 | Symphony in D major, Hob. I:86: II. Capriccio. Largo | Tafelmusik, Bruno Weil | — | |
| 25-7 | Symphony in D major, Hob. I:86: III. Minuet. Allegretto – Trio | Tafelmusik, Bruno Weil | — | |
| 25-8 | Symphony in D major, Hob. I:86: IV. Finale. Allegro con spirito | Tafelmusik, Bruno Weil | — | |
| 25-9 | Symphony in A major, Hob. I:87: I. Vivace | Tafelmusik, Bruno Weil | — | |
| 25-10 | Symphony in A major, Hob. I:87: II. Adagio | Tafelmusik, Bruno Weil | T-802.445.410-3 | |
| 25-11 | Symphony in A major, Hob. I:87: III. Minuet – Trio | Tafelmusik, Bruno Weil | — | |
| 25-12 | Symphony in A major, Hob. I:87: IV. Finale. Vivace | Tafelmusik, Bruno Weil | — | |
| 26-1 | Symphony in G major, Hob. I:88: I. Adagio – Allegro | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 26-2 | Symphony in G major, Hob. I:88: II. Largo | Tafelmusik, Bruno Weil | — | |
| 26-3 | Symphony in G major, Hob. I:88: III. Menuetto. Allegretto | Tafelmusik, Bruno Weil | — | |
| 26-4 | Symphony in G major, Hob. I:88: IV. Finale. Allegro con spirit | Tafelmusik, Bruno Weil | — | |
| 26-5 | Symphony in F major, Hob. I:89: I. Vivace | Tafelmusik, Bruno Weil | — | |
| 26-6 | Symphony in F major, Hob. I:89: II. Andante con moto | Tafelmusik, Bruno Weil | — | |
| 26-7 | Symphony in F major, Hob. I:89: III. Menuet. Allegretto | Tafelmusik, Bruno Weil | — | |
| 26-8 | Symphony in F major, Hob. I:89: IV. Finale. Vivace assai | Tafelmusik, Bruno Weil | — | |
| 26-9 | Symphony in C major, Hob. I:90: I. Adagio – Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 26-10 | Symphony in C major, Hob. I:90: II. Andante | Tafelmusik, Bruno Weil | — | |
| 26-11 | Symphony in C major, Hob. I:90: III. Menuet | Tafelmusik, Bruno Weil | — | |
| 26-12 | Symphony in C major, Hob. I:90: IV. Finale. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 27-1 | Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: I. Kyrie. Largo - Allegro moderato | — | ||
| 27-2 | Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: II. Gloria. Vivace - Adagio - Allegro | — | ||
| 27-3 | Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: III. Credo. Allegro - Adagio - Allegro - Vivace | — | ||
| 27-4 | Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: IV. Sanctus. Adagio - Allegro con spirito | — | ||
| 27-5 | Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: V. Benedictus. Andante | — | ||
| 27-6 | Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: VI. Agnus Dei. Adagio - Allegro con spirito | — | ||
| 27-7 | Salve Regina, Hob. XXIIIb:2: Salve Regina. Adagio - | — | ||
| 27-8 | Salve Regina, Hob. XXIIIb:2: Eia ergo. Allegro - | — | ||
| 27-9 | Salve Regina, Hob. XXIIIb:2: Et Jesum. Largo - O clemens. Allegretto | — | ||
| 27-10 | Motetto “O coelitum beati”, Hob. XXIIIa:G 9: I. Aria: “O coelitum beati amores”. Allegro - | — | ||
| 27-11 | Motetto “O coelitum beati”, Hob. XXIIIa:G 9: II. Chorus: “Alleluja”. Andante | — | ||
| 28-1 | Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: I. Kyrie | — | ||
| 28-2 | Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: II. Gloria | — | ||
| 28-3 | Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: III. Credo | — | ||
| 28-4 | Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: IV. Sanctus | — | ||
| 28-5 | Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: V. Benedictus | — | ||
| 28-6 | Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: VI. Agnus Dei | — | ||
| 28-7 | Mare Clausum, Hob. XXIVa:9 (fragment): Aria: “Nor can I think my suit is vain” | — | ||
| 28-8 | Mare Clausum, Hob. XXIVa:9 (fragment): Chorus: “Thy great endeavours” | — | ||
| 28-9 | Motetto “Insanae et vanae curae”, Hob. XXI:1 No. 13c: | — | ||
| 28-10 | Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d: “Lauda Sion” | — | ||
| 28-11 | Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d: “Ecce panis” | — | ||
| 28-12 | Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d: “In figuris” | — | ||
| 28-13 | Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d: “Bone pastor” | — | ||
| 28-14 | Te Deum for the Empress Marie Therese, Hob. XXIIIc:2 | — | ||
| 29-1 | Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: I. Kyrie | — | ||
| 29-2 | Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: II. Gloria | — | ||
| 29-3 | Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: III. Credo | — | ||
| 29-4 | Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: IV. Sanctus | — | ||
| 29-5 | Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: V. Benedictus | — | ||
| 29-6 | Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: VI. Agnus Dei | — | ||
| 29-7 | Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: I. Kyrie | — | ||
| 29-8 | Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: II. Gloria | — | ||
| 29-9 | Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: III. Credo | — | ||
| 29-10 | Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: IV. Santus | — | ||
| 29-11 | Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: V. Benedictus | — | ||
| 29-12 | Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: VI. Agnus Dei | — | ||
| 30-1 | Missa “Sunt bona mixta malis”, Hob. XXII:2 (fragment): Kyrie | — | ||
| 30-2 | Missa “Sunt bona mixta malis”, Hob. XXII:2 (fragment): Gloria | — | ||
| 30-3 | Offertorium “Non nobis, Domine”, Hob. XXIIIa:1 | — | ||
| 30-4 | Ave Regina, Hob. XXIIIb:3 | — | ||
| 30-5 | Responsoria de Venerabili, Hob. XXIIIc:4 a-d: Lauda Sion | — | ||
| 30-6 | Responsoria de Venerabili, Hob. XXIIIc:4 a-d: Laudis thema specialis | — | ||
| 30-7 | Responsoria de Venerabili, Hob. XXIIIc:4 a-d: Sit laus plena | — | ||
| 30-8 | Responsoria de Venerabili, Hob. XXIIIc:4 a-d: Quod in coena | — | ||
| 30-9 | Responsorium ad absolutionem “Libera me”, Hob. XXIIb:1 | — | ||
| 30-10 | Salve Regina, Hob. XXIIIb:1: Salve Regina | — | ||
| 30-11 | Salve Regina, Hob. XXIIIb:1: Ad te clamamus | — | ||
| 30-12 | Salve Regina, Hob. XXIIIb:1: Eia ergo | — | ||
| 30-13 | Salve Regina, Hob. XXIIIb:1: Et jesum benedictum | — | ||
| 30-14 | Salve Regina, Hob. XXIIIb:1: O clemens, o pia | — | ||
| 30-15 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: I. Kyrie | — | ||
| 30-16 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: II. Gloria | — | ||
| 30-17 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: III. Credo | — | ||
| 30-18 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: IV. Sanctus | — | ||
| 30-19 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: V. Benedictus | — | ||
| 30-20 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: VI. Angus Dei | — | ||
| 31-1 | Die Schöpfung, Hob. XX1:2: Part I, no. 1. Ouvertüre: Die Vorstellung der Chaos | Tafelmusik, Bruno Weil | — | |
| 31-2 | Die Schöpfung, Hob. XX1:2: Part I, no. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" - "Und der Geist Gottes schwebte auf der Fläche der Wasser" - "Und Gott sah das Licht" (Raphael, Chor, Uriel) | Jörg Hering, Harry van der Kamp, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 31-3 | Die Schöpfung, Hob. XX1:2: Part I, no. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" - "Verzweiflung, Wut und Schrecken" (Uriel, Chor) | Jörg Hering, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 31-4 | Die Schöpfung, Hob. XX1:2: Part I, no. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 31-5 | Die Schöpfung, Hob. XX1:2: Part I, no. 5. Solo und Chor "Mit Staunen sieht das Wunderwerk" - "Und laut ertönt aus ihren Kehlen" (Gabriel, Chor) | Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 31-6 | Die Schöpfung, Hob. XX1:2: Part I, no. 6. Rezitativ "Und Gott sprach: Es sammle sich das Wasser" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 31-7 | Die Schöpfung, Hob. XX1:2: Part I, no. 7. Arie "Rollend in schaümenden Wellen" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 31-8 | Die Schöpfung, Hob. XX1:2: Part I, no. 8. Rezitativ "Und Gott sprach: Es bringe di Erde Gras hervor" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 31-9 | Die Schöpfung, Hob. XX1:2: Part I, no. 9. Arie "Nun beut di Flur das frische Grün" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 31-10 | Die Schöpfung, Hob. XX1:2: Part I, no. 10. Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 31-11 | Die Schöpfung, Hob. XX1:2: Part I, no. 11. Chor "Stimmt an die Saiten" (Chor) | Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 31-12 | Die Schöpfung, Hob. XX1:2: Part I, no. 12. Rezitativ "Und Gott sprach: Es sei'n Lichter" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 31-13 | Die Schöpfung, Hob. XX1:2: Part I, no. 13. Rezitativ "In vollem Glanze steiget jetzt" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 31-14 | Die Schöpfung, Hob. XX1:2: Part I, no. 14. Terzett und Chor "Die Himmel erzählen die Ehre Gottes" - Dem kommenden Tage sagt es der Tag" (Chor, Gabriel, Uriel, Raphael) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 31-15 | Die Schöpfung, Hob. XX1:2: Part II, no. 15. Rezitativ "Und Gott sprach: Es bringe das Wasser" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 31-16 | Die Schöpfung, Hob. XX1:2: Part II, no. 16. Arie "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel) | Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 31-17 | Die Schöpfung, Hob. XX1:2: Part II, no. 17. Rezitativ "Und Gott schuf große Walfische" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 31-18 | Die Schöpfung, Hob. XX1:2: Part II, no. 18. Rezitativ "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 31-19 | Die Schöpfung, Hob. XX1:2: Part II, no. 19a. Terzett "In holder Anmut steh'n" (Gabriel, Uriel, Raphael) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 31-20 | Die Schöpfung, Hob. XX1:2: Part II, no. 19b. Terzett und Chor "Der Herr ist groß in seiner Macht" (Gabriel, Uriel, Raphael, Chor) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 32-1 | Die Schöpfung, Hob. XX1:2: Part II, no. 20. Rezitativ "Und Gott sprach: Es bringe die Erde" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 32-2 | Die Schöpfung, Hob. XX1:2: Part II, no. 21. Rezitativ "Gleich öffnet sich der Erde Schoß" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 32-3 | Die Schöpfung, Hob. XX1:2: Part II, no. 22. Arie "Nun scheint in vollem Glanze der Himmel" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 32-4 | Die Schöpfung, Hob. XX1:2: Part II, no. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 32-5 | Die Schöpfung, Hob. XX1:2: Part II, no. 24. Arie "Mit Würd' und Hoheit angetan" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 32-6 | Die Schöpfung, Hob. XX1:2: Part II, no. 25. Rezitativ "Und Gott sah jedes Ding" (Raphael) | Harry van der Kamp, Tafelmusik, Bruno Weil | — | |
| 32-7 | Die Schöpfung, Hob. XX1:2: Part II, no. 26a. Chor "Vollendet ist das große Werk" (Chor) | Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 32-8 | Die Schöpfung, Hob. XX1:2: Part II, no. 26b. Terzett "Zu dir, o Herr, blickt alles auf" (Gabriel, Uriel, Raphael) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 32-9 | Die Schöpfung, Hob. XX1:2: Part II, no. 26c. Chor "Vollendet ist das große Werk" (Chor) | Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 32-10 | Die Schöpfung, Hob. XX1:2: Part III, no. 27. Rezitativ "Aus Rosenwolken" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 32-11 | Die Schöpfung, Hob. XX1:2: Part III, no. 28a. Duett und Chor "Von deiner Güt', o Herr und Gott" - "Gesegnet sei des Herren Macht" (Eva, Adam, Chor) | Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 32-12 | Die Schöpfung, Hob. XX1:2: Part III, no. 28b. Duett und Chor "Der Sterne hellster" - "Heil dir, o Gott!" (Adam, Eva, Chor) | Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 32-13 | Die Schöpfung, Hob. XX1:2: Part III, no. 29. Rezitativ "Nun ist die erste Pflicht erfüllt" (Adam, Eva) | Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 32-14 | Die Schöpfung, Hob. XX1:2: Part III, no. 30. Duett "Holde Gattin, dir zur Seite" (Adam, Eva) | Harry van der Kamp, Ann Monoyios, Tafelmusik, Bruno Weil | — | |
| 32-15 | Die Schöpfung, Hob. XX1:2: Part III, no. 31. Rezitativ "O glücklich Paar, und glücklich immerfort" (Uriel) | Jörg Hering, Tafelmusik, Bruno Weil | — | |
| 32-16 | Die Schöpfung, Hob. XX1:2: Part III, no. 32. Schlußchor (mit Soli) "Singt dem Herren, alle Stimmen!" (Chor, Solisten) | Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil | — | |
| 33-1 | Concerto in C major, Hob. VIIb: 1: I. Moderato | Anner Bylsma, Tafelmusik, Jean Lamon | T-905.750.680-6 | |
| 33-2 | Concerto in C major, Hob. VIIb: 1: II. Adagio | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-3 | Concerto in C major, Hob. VIIb: 1: III. Allegro molto | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-4 | Concerto in D major, op. 101, Hob. VIIb: 2: I. Allegro moderato | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-5 | Concerto in D major, op. 101, Hob. VIIb: 2: II. Adagio | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-6 | Concerto in D major, op. 101, Hob. VIIb: 2: III. Rondo. Allegro | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-7 | Concerto in C major, op 4: I. Allegro aperto | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-8 | Concerto in C major, op 4: II. Romance | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 33-9 | Concerto in C major, op 4: III. Rondo alla cosacca. Moderato | Anner Bylsma, Tafelmusik, Jean Lamon | — | |
| 34-1 | Symphony (Serenade) in D Major, K. 100: I. Allegro | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 34-2 | Symphony (Serenade) In D Major, K. 100: II. Menuetto I - Trio | Tafelmusik, Bruno Weil | — | |
| 34-3 | Symphony (Serenade) in D Major, K. 100: III. Andante | Tafelmusik, Bruno Weil | — | |
| 34-4 | Symphony (Serenade) in D Major, K. 100: IV. Menuetto II - Trio | Tafelmusik, Bruno Weil | — | |
| 34-5 | Symphony (Serenade) in D Major, K. 100: V. Allegro | Tafelmusik, Bruno Weil | — | |
| 34-6 | Symphony (Serenade) in D Major, K. 203: I. Andante maestoso - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 34-7 | Symphony (Serenade) in D Major, K. 203: II. Andante | Tafelmusik, Bruno Weil | — | |
| 34-8 | Symphony (Serenade) in D Major, K. 203: III. Menuetto - Trio | Tafelmusik, Bruno Weil | — | |
| 34-9 | Symphony (Serenade) in D Major, K. 203: IV. Prestissimo | Tafelmusik, Bruno Weil | — | |
| 34-10 | Symphony ('Haffner' Serenade) in D Major, K. 250: I. Allegro maestoso - Allegro molto | Tafelmusik, Bruno Weil | — | |
| 34-11 | Symphony ('Haffner' Serenade) in D Major, K. 250: II. Menuetto galante - Trio | Tafelmusik, Bruno Weil | — | |
| 34-12 | Symphony ('Haffner' Serenade) in D Major, K. 250: III. Andante | Tafelmusik, Bruno Weil | — | |
| 34-13 | Symphony ('Haffner' Serenade) in D Major, K. 250: IV. Menuetto - Trio I - Trio II | Tafelmusik, Bruno Weil | — | |
| 34-14 | Symphony ('Haffner' Serenade) in D Major, K. 250: V. Adagio - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 35-1 | Symphony (Serenade) in D Major, K. 185: I. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 35-2 | Symphony (Serenade) in D Major, K. 185: II. Andante grazioso | Tafelmusik, Bruno Weil | — | |
| 35-3 | Symphony (Serenade) in D Major, K. 185: III. Menuetto - Trio I - Trio II | Tafelmusik, Bruno Weil | — | |
| 35-4 | Symphony (Serenade) in D Major, K. 185: IV. Adagio - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 35-5 | Symphony (Serenade) in D Major, K. 204: I. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 35-6 | Symphony (Serenade) in D Major, K. 204: II. Andante | Tafelmusik, Bruno Weil | — | |
| 35-7 | Symphony (Serenade) in D Major, K. 204: III. Menuetto - Trio | Tafelmusik, Bruno Weil | — | |
| 35-8 | Symphony (Serenade) in D Major, K. 204: IV. Andantino grazioso - Allegro | Tafelmusik, Bruno Weil | — | |
| 35-9 | Symphony ('Posthorn' Serenade) nn D Major, K. 320: I. Adagio maestoso - Allegro con spirito | Tafelmusik, Bruno Weil | — | |
| 35-10 | Symphony ('Posthorn' Serenade) in D Major, K. 320: II. Andantino | Tafelmusik, Bruno Weil | — | |
| 35-11 | Symphony ('Posthorn' Serenade) in D Major, K. 320: III. Finale. Presto | Tafelmusik, Bruno Weil | — | |
| 36-1 | Idomeneo, K. 366: Overture | — | ||
| 36-2 | Die Entführung aus dem Serail, K. 384: Overture | — | ||
| 36-3 | Der Schauspieldirektor, K. 486: Overture | — | ||
| 36-4 | Le nozze di Figaro, K. 492 | Tafelmusik, Bruno Weil | — | |
| 36-5 | Don Giovanni, K. 527 | Tafelmusik, Bruno Weil | T-306.482.861-7 | |
| 36-6 | Così fan tutte, K. 588: Overture | — | ||
| 36-7 | La clemenza di Tito, K. 621: Overture | — | ||
| 36-8 | Die Zauberflöte, K. 620: Overture | — | ||
| 36-9 | Eine kleine Nachtmusik, Serenade in G major, K. 525: I. Allegro | — | ||
| 36-10 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | Tafelmusik, Bruno Weil | — | |
| 36-11 | Eine kleine Nachtmusik, Serenade in G major, K. 525: III. Menuetto. Allegretto - Trio | — | ||
| 36-12 | Eine kleine Nachtmusik, Serenade in G major, K. 525: IV. Rondo. Allegro | — | ||
| 37-1 | 6 deutsche Tänze, K. 509: No. 1 in D major | — | ||
| 37-2 | 6 deutsche Tänze, K. 509: No. 2 in G major | — | ||
| 37-3 | 6 deutsche Tänze, K. 509: No. 3 in E-flat major | — | ||
| 37-4 | 6 deutsche Tänze, K. 509: No. 4 in F major | — | ||
| 37-5 | 6 deutsche Tänze, K. 509: No. 5 in A major | — | ||
| 37-6 | 6 deutsche Tänze, K. 509: No. 6 in C major | — | ||
| 37-7 | 6 deutsche Tänze, K. 536: No. 1 in C major | — | ||
| 37-8 | 6 deutsche Tänze, K. 536: No. 2 in G major | — | ||
| 37-9 | 6 deutsche Tänze, K. 536: No. 3 in B-flat major | — | ||
| 37-10 | 6 deutsche Tänze, K. 536: No. 4 in D major | — | ||
| 37-11 | 6 deutsche Tänze, K. 536: No. 5 in F major | — | ||
| 37-12 | 6 deutsche Tänze, K. 567: No. 1 in B-flat major | — | ||
| 37-13 | 6 deutsche Tänze, K. 567: No. 2 in E-flat major | — | ||
| 37-14 | 6 deutsche Tänze, K. 567: No. 3 in G major | — | ||
| 37-15 | 6 deutsche Tänze, K. 567: No. 4 in D major | — | ||
| 37-16 | 6 deutsche Tänze, K. 567: No. 5 in A major | — | ||
| 37-17 | 6 deutsche Tänze, K. 536: No. 6 in F major | — | ||
| 37-18 | 6 deutsche Tänze, K. 567: No. 6 in C major | — | ||
| 37-19 | 6 deutsche Tänze, K. 571: No. 1 in D major | — | ||
| 37-20 | 6 deutsche Tänze, K. 571: No. 2 in A major | — | ||
| 37-21 | 6 deutsche Tänze, K. 571: No. 3 in C major | — | ||
| 37-22 | 6 deutsche Tänze, K. 571: No. 4 in G major | — | ||
| 37-23 | 6 deutsche Tänze, K. 571: No. 5 in B-flat major | — | ||
| 37-24 | 6 deutsche Tänze, K. 571: No. 6 in D major | — | ||
| 37-25 | 12 deutsche Tänze, K. 586: No. 1 in C major | — | ||
| 37-26 | 12 deutsche Tänze, K. 586: No. 2 in G major | — | ||
| 37-27 | 12 deutsche Tänze, K. 586: No. 3 in B-flat major | — | ||
| 37-28 | 12 deutsche Tänze, K. 586: No. 4 in F major | — | ||
| 37-29 | 12 deutsche Tänze, K. 586: No. 5 in A major | — | ||
| 37-30 | 12 deutsche Tänze, K. 586: No. 6 in D major | — | ||
| 37-31 | 12 deutsche Tänze, K. 586: No. 7 in G major | — | ||
| 37-32 | 12 deutsche Tänze, K. 586: No. 8 in E-flat major | — | ||
| 37-33 | 12 deutsche Tänze, K. 586: No. 9 in B-flat major | — | ||
| 37-34 | 12 deutsche Tänze, K. 586: No. 10 in F major | — | ||
| 37-35 | 12 deutsche Tänze, K. 586: No. 11 in A major | — | ||
| 37-36 | 12 deutsche Tänze, K. 586: No. 12 in C major | — | ||
| 38-1 | Rondo in E-flat major, K. 371: Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-2 | Concerto no. 2 in E-flat major, K. 417: I. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-3 | Concerto no. 2 in E-flat major, K. 417: II. Andante | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-4 | Concerto no. 2 in E-flat major, K. 417: III. Rondo (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-5 | Concerto no. 3 in E-flat major, K. 447: I. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-6 | Concerto no. 3 in E-flat major, K. 447: II. Romance (Larghetto) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-7 | Concerto no. 3 in E-flat major, K. 447: III. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-8 | Concerto no. 4 in E-flat major, K. 495: I. Allegro maestoso | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-9 | Concerto no. 4 in E-flat major, K. 495: II. Romance (Andante cantabile) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-10 | Concerto no. 4 in E-flat major, K. 495: III. Rondo (Allegro vivace) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 38-11 | Concerto no. 1 in D Major, K. 412 (386b): I. (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | T-329.458.935-4 | |
| 38-12 | Concerto no. 1 in D Major, K. 514 (386b): II. Rondo (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | T-308.457.046-3 | |
| 39-1 | Requiem, K. 626: I. Introitus | Tafelmusik, Bruno Weil | — | |
| 39-2 | Requiem, K. 626: II. Kyrie | Tafelmusik, Bruno Weil | T-070.093.418-4 | |
| 39-3 | Requiem, K. 626: III. Sequenz: 1. Dies irae | Tafelmusik, Bruno Weil | — | |
| 39-4 | Requiem, K. 626: III. Sequenz: 2. Tuba mirum | Tafelmusik, Bruno Weil | — | |
| 39-5 | Requiem, K. 626: III. Sequenz: 3. Rex tremendae | Tafelmusik, Bruno Weil | — | |
| 39-6 | Requiem, K. 626: III. Sequenz: 4. Recordare | Tafelmusik, Bruno Weil | — | |
| 39-7 | Requiem, K. 626: III. Sequenz: 5. Confutatis | Tafelmusik, Bruno Weil | — | |
| 39-8 | Requiem, K. 626: III. Sequenz: 6. Lacrimosa | Tafelmusik, Bruno Weil | T-921.960.942-4 | |
| 39-9 | Requiem, K. 626: IV. Offertorium: 1. Domine | Tafelmusik, Bruno Weil | T-919.097.742-5 | |
| 39-10 | Requiem, K. 626: IV. Offertorium: 2. Hostias | Tafelmusik, Bruno Weil | — | |
| 39-11 | Requiem, K. 626: V. Sanctus | Tafelmusik, Bruno Weil | T-922.061.546-3 | |
| 39-12 | Requiem, K. 626: VI. Benedictus | Tafelmusik, Bruno Weil | T-106.642.813-3 | |
| 39-13 | Requiem, K. 626: VII. Agnus Dei | Tafelmusik, Bruno Weil | — | |
| 39-14 | Requiem, K. 626: VIII. Communio | Tafelmusik, Bruno Weil | T-910.952.061-8 | |
| 40-1 | Dioclesian: Overture | Tafelmusik, Jeanne Lamon | T-923.432.792-5 | |
| 40-2 | Dioclesian: II. Preludio | — | ||
| 40-3 | Dioclesian: III. Song Tune: “Let the soldiers rejoice” | — | ||
| 40-4 | Dioclesian: IV. Trumpet Tune | — | ||
| 40-5 | Dioclesian: V. Country Dance | — | ||
| 40-6 | Dioclesian: VI. Aire | — | ||
| 40-7 | Dioclesian: Hornpipe | Tafelmusik, Jeanne Lamon | — | |
| 40-8 | Dioclesian: VIII. Aire | — | ||
| 40-9 | Dioclesian: IX. Canaries | — | ||
| 40-10 | King Arthur: I. Overture | — | ||
| 40-11 | King Arthur: II. Aire | — | ||
| 40-12 | King Arthur: III. Aire | — | ||
| 40-13 | King Arthur: IV. Song Tune: “Fairest isle” | — | ||
| 40-14 | King Arthur: V. Hornpipe | — | ||
| 40-15 | King Arthur: VI. Aire | — | ||
| 40-16 | King Arthur: VII. Song Tune: “How blest are shepherds” | — | ||
| 40-17 | King Arthur: VIII. Aire | — | ||
| 40-18 | King Arthur: IX. Song Tune: “Round they coast” | — | ||
| 40-19 | King Arthur: X. Song Tune: “Come, if you dare” | — | ||
| 40-20 | King Arthur: XI. Trumpet Tune | — | ||
| 40-21 | King Arthur: XII. Trumpet Tune | — | ||
| 40-22 | King Arthur: XIII. Chacone | — | ||
| 40-23 | The Fairy Queen: I. Overture | — | ||
| 40-24 | The Fairy Queen: II. Hornpipe | — | ||
| 40-25 | The Fairy Queen: III. Aire | — | ||
| 40-26 | The Fairy Queen: IV. Aire | — | ||
| 40-27 | The Fairy Queen: V. Rondeau | — | ||
| 40-28 | The Fairy Queen: VI. Preludio | — | ||
| 40-29 | The Fairy Queen: VII. Hornpipe | — | ||
| 40-30 | The Fairy Queen: VIII. Overture | — | ||
| 40-31 | The Fairy Queen: IX. Song Tune: “If love's a sweet passion” | — | ||
| 40-32 | The Fairy Queen: X. Jigg | — | ||
| 40-33 | The Fairy Queen: XI. Dance for furies (Fairies) | — | ||
| 40-34 | The Fairy Queen: XII. Aire 4 in 2 (Dance for the followers of Night) | — | ||
| 40-35 | The Fairy Queen: XIII. Song Tune: “Sing while we trip it” | — | ||
| 40-36 | The Fairy Queen: XIV. Aire | — | ||
| 40-37 | The Fairy Queen: XV. Aire | — | ||
| 40-38 | The Fairy Queen: XVI. Song Tune: “Thus happy and free” | — | ||
| 40-39 | The Fairy Queen: XVII. Chacone | — | ||
| 40-40 | The Fairy Queen: XVIII. Aire | — | ||
| 40-41 | The Indian Queen: I. Overture | — | ||
| 40-42 | The Indian Queen: II. Trumpet Tune | — | ||
| 40-43 | The Indian Queen: III. Trumpet Tune | — | ||
| 40-44 | The Indian Queen: IV. Aire | — | ||
| 40-45 | The Indian Queen: V. Hornpipe | — | ||
| 40-46 | The Indian Queen: VI. Aire | — | ||
| 40-47 | The Indian Queen: VII. Hornpipe | — | ||
| 40-48 | The Indian Queen: VIII. Aire | — | ||
| 40-49 | The Indian Queen: IX. Song Tune: “We the spirits of the air” | — | ||
| 40-50 | The Indian Queen: X. Rondeau | — | ||
| 41-1 | Sonata a 8 per chiesa e camera | — | ||
| 41-2 | Duodena selectarum sonatarum: Sonata X | — | ||
| 41-3 | Ciaccona a 3 chori | — | ||
| 41-4 | Sonata con tribus violinis | — | ||
| 41-5 | Sonata ad tabulam a 4 | — | ||
| 41-6 | Lamento sopra la morte Ferdinandi III | — | ||
| 41-7 | Sonata a 5 per camera al giorno delle correggie | — | ||
| 41-8 | Sonatae unarum fidium: Sonata III | — | ||
| 41-9 | Sonata a 5 | — | ||
| 41-10 | Nettuno e Flora festeggianti: Balletti francesi | — | ||
| 41-11 | Sonata con ariae a 8 zu der Kayserlichen Serenade | — | ||
| 42-1 | Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro | Jeanne Lamon, Tafelmusik | — | |
| 42-2 | Concerto in E major, op. 8 no. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Tafelmusik, Jeanne Lamon | — | |
| 42-3 | Concerto in E major, op. 8 no. 1, RV 269 "Spring": III. Allegro | Tafelmusik, Jeanne Lamon | T-312.450.535-3 | |
| 42-4 | Concerto in G minor, op. 8 no. 2, RV 315 "Summer": I. Allegro non molto | Tafelmusik, Jeanne Lamon | — | |
| 42-5 | Concerto in G minor, op. 8 no. 2, RV 315 "Summer": II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 42-6 | Concerto in G minor, op. 8 no. 2, RV 315 "Summer": III. Presto | Tafelmusik, Jeanne Lamon | — | |
| 42-7 | Concerto in F major, op. 8 no. 3, RV 293 "Autumn": I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 42-8 | Concerto in F major, op. 8 no. 3, RV 293 "Autumn": II. Adagio molto | Tafelmusik, Jeanne Lamon | — | |
| 42-9 | Concerto in F major, op. 8 no. 3, RV 293 "Autumn": III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 42-10 | Concerto in F minor, op. 8 no. 4, RV 297 "Winter": I. Allegro non molto | Tafelmusik, Jeanne Lamon | T-910.094.792-0 | |
| 42-11 | Concerto in F minor, op. 8 no. 4, RV 297 "Winter": II. Largo | Tafelmusik, Jeanne Lamon | — | |
| 42-12 | Concerto in F minor, op. 8 no. 4, RV 297 "Winter": III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 42-13 | Sinfonia in B minor, RV 169 "Al Santo Sepolcro": I. Adagio molto - II. Allegro ma poco | Tafelmusik, Jeanne Lamon | — | |
| 42-14 | Concerto for 4 Violins, Violoncello, Strings and Basso continuo in B minor, op. 3 no. 10, RV 580: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 42-15 | Concerto for 4 Violins, Violoncello, Strings and Basso continuo in B minor, op. 3 no. 10, RV 580: II. Largo | Tafelmusik, Jeanne Lamon | — | |
| 42-16 | Concerto for 4 Violins, Violoncello, Strings and Basso continuo in B minor, op. 3 no. 10, RV 580: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-1 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-2 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: II. Andante | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-3 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-4 | Concerto for Strings and Basso continuo in C major, RV 117: I. Allegro alla francese | Tafelmusik, Jeanne Lamon | — | |
| 43-5 | Concerto for Strings and Basso continuo in C major, RV 117: II. Largo | Tafelmusik, Jeanne Lamon | — | |
| 43-6 | Concerto for Strings and Basso continuo in C major, RV 117: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-7 | Concerto for Strings and Basso continuo in F minor, RV 143: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-8 | Concerto for Strings and Basso continuo in F minor, RV 143: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 43-9 | Concerto for Strings and Basso continuo in F minor, RV 143: III. Allegro assai | Tafelmusik, Jeanne Lamon | — | |
| 43-10 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: I. Allegro moderato | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-11 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: II. Andante | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-12 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: III. Allegro molto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-13 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-14 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: II. Largo | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-15 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-16 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-17 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: II. Largo e spiccato | Tafelmusik, Jeanne Lamon | — | |
| 43-18 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-19 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-20 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: II. Largo | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-21 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 43-22 | Concerto for Strings and Basso continuo in E minor, RV 134: I. Allegro moderato | Tafelmusik, Jeanne Lamon | — | |
| 43-23 | Concerto for Strings and Basso continuo in E minor, RV 134: II. Andante | Tafelmusik, Jeanne Lamon | — | |
| 43-24 | Concerto for Strings and Basso continuo in E minor, RV 134: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-25 | Concerto for Strings and Basso continuo in A major, RV 159: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 43-26 | Concerto for Strings and Basso continuo in A major, RV 159: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 43-27 | Concerto for Strings and Basso continuo in A major, RV 159: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 44-1 | Concerto for Strings & Basso continuo in G minor, RV 157: Allegro - Largo - Allegro | — | ||
| 44-2 | Concerto for Violoncello, Strings & Basso continuo in D major, RV 403: Allegro - Andante e spiritoso - Allegro | — | ||
| 44-3 | Concerto for Strings & Basso continuo in G minor, RV 152: Allegro molto - Andante molto - Allegro molto | — | ||
| 44-4 | Concerto for Violoncello, Strings & Basso continuo in B minor, RV 424: Allegro non molto - Largo - Allegro | — | ||
| 44-5 | Concerto for Strings & Basso continuo in D minor, RV 127: Allegro - Largo - Allegro | — | ||
| 44-6 | Concerto for 2 Violins, 2 Violoncellos, Strings & Basso continuo in D major, RV 564: Allegro - Largo - Allegro | — | ||
| 44-7 | Concerto for 2 Oboes, Strings & Basso continuo in D minor, RV 535: Largo. Allegro - Largo - Allegro molto | — | ||
| 44-8 | Concerto for Violoncello, Strings & Basso continuo in A minor, RV 419: Allegro - Andante - Allegro | — | ||
| 44-9 | Concerto for Violoncello, Bassoon, Strings & Basso continuo in E minor, RV 409: Adagio. Allegro molto - Allegro. Adagio - Allegro | — | ||
| 44-10 | Concerto for 2 Oboes, 2 Violins, Bassoon, Strings & Basso continuo in C major, RV 557: Allegro non molto - Largo - Allegro non molto | — | ||
| 44-11 | Concerto for Strings & Basso continuo in G major “alla rustica”, RV 151: Presto - Adagio - Allegro | — | ||
| 45-1 | Missa Dei Filii, ZWV 20: I. Kyrie: Kyrie eleison | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-2 | Missa Dei Filii, ZWV 20: II. Kyrie: Christe eleison | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta | T-106.684.110-7 | |
| 45-3 | Missa Dei Filii, ZWV 20: III. Kyrie: Kyrie eleison | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | T-106.557.169-7 | |
| 45-4 | Missa Dei Filii, ZWV 20: IV. Gloria: Gloria in excelsis Deo | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta, Michael Chance, Christoph Prégardien, Gordon Jones | — | |
| 45-5 | Missa Dei Filii, ZWV 20: V. Gloria: Qui tollis peccata mundi | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta, Christoph Prégardien, Gordon Jones | — | |
| 45-6 | Missa Dei Filii, ZWV 20: VI. Gloria: Qui sedes ad dexteram Patris | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-7 | Missa Dei Filii, ZWV 20: VII. Gloria: Quoniam tu solus Sanctus I | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-8 | Missa Dei Filii, ZWV 20: VIII. Gloria: Quoniam tu solus Sanctus II | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-9 | Missa Dei Filii, ZWV 20: IX. Gloria: Cum Sancto Spiritu I | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-10 | Missa Dei Filii, ZWV 20: X. Gloria: Cum Sancto Spiritu II | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-11 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: I. Kyrie eleison | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta, Michael Chance, Christoph Prégardien, Gordon Jones | — | |
| 45-12 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: II. Pater de coelis | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta | — | |
| 45-13 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: III. Mater divinae gratiae | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-14 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: IV. Virgo prudentissima I | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 45-15 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: V. Virgo prudentissima II | Frieder Bernius, Tafelmusik, Nancy Argenta, Michael Chance, Christoph Prégardien, Gordon Jones | — | |
| 45-16 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: VI. Salus infirmorum | Frieder Bernius, Tafelmusik, Michael Chance | — | |
| 45-17 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: VII. Regina Angelorum | Frieder Bernius, Tafelmusik, Christoph Prégardien | — | |
| 45-18 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: VIII. Agnus Dei I | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | T-000.609.750-2 | |
| 45-19 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: IX. Agnus Dei II | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart | — | |
| 46-1 | Concerto for Flute, Strings, 2 Oboes, 2 Horns & Basso continuo in G major, op. 29: I. Allegro | — | ||
| 46-2 | Concerto for Flute, Strings, 2 Oboes, 2 Horns & Basso continuo in G major, op. 29: II. Andante non troppo moderato | — | ||
| 46-3 | Concerto for Flute, Strings, 2 Oboes, 2 Horns & Basso continuo in G major, op. 29: III. Rondo. Allegro | — | ||
| 46-4 | Concerto for Flute, Strings and Basso continuo in E minor: I. Allegro moderato | — | ||
| 46-5 | Concerto for Flute, Strings and Basso continuo in E minor: II. Andantino | — | ||
| 46-6 | Concerto for Flute, Strings and Basso continuo in E minor: III. Allegro, non troppo presto | — | ||
| 46-7 | Concerto for Flute, Strings and Basso continuo in G major: I. Allegro | — | ||
| 46-8 | Concerto for Flute, Strings and Basso continuo in G major: II. Adagio | — | ||
| 46-9 | Concerto for Flute, Strings and Basso continuo in G major: III. Presto | — | ||
| 46-10 | Concerto for Flute, Strings, 2 Horns and Basso continuo in D major: I. Allegro moderato | — | ||
| 46-11 | Concerto for Flute, Strings, 2 Horns and Basso continuo in D major: II. Adagio | — | ||
| 46-12 | Concerto for Flute, Strings, 2 Horns and Basso continuo in D major: III. Allegro molto | — | ||
| 46-13 | Orpheus and Eurydice: Act II. Dance of the Blessed Spirits | — | ||
| 47-1 | Sonata a 8 Viole con una Tromba in D major: [Allegro] - Aria - [Canzona] - Aria | — | ||
| 47-2 | Sonata IV a 5 in C major: [Allegro] - Allegro - Presto - Adagio - Allegro | — | ||
| 47-3 | Sonata 1 a 8 in C major: [Allegro] - Adagio - Presto - Adagio - Allegro | — | ||
| 47-4 | Duets for 2 Trumpets: No. 1 in C major | — | ||
| 47-5 | Duets for 2 Trumpets: No. 11 in G minor | — | ||
| 47-6 | Duets for 2 Trumpets: No. 5 in C major | — | ||
| 47-7 | Duets for 2 Trumpets: No. 13 in A minor | — | ||
| 47-8 | Sonata X a 5 in G minor: [Adagio] - [Allegro] - Sempre allegro - Adagio - Presto | — | ||
| 47-9 | Concerto for 2 Trumpets, Strings & Basso continuo in C major, RV 537: I. Allegro | — | ||
| 47-10 | Concerto for 2 Trumpets, Strings & Basso continuo in C major, RV 537: II. Largo | — | ||
| 47-11 | Concerto for 2 Trumpets, Strings & Basso continuo in C major, RV 537: III. [Allegro] | — | ||
| 47-12 | Concerto for Trumpet, 3 Oboes, Bassoon & Basso continuo in C major: I. Allegro moderato | — | ||
| 47-13 | Concerto for Trumpet, 3 Oboes, Bassoon & Basso continuo in C major: II. Affettuoso | — | ||
| 47-14 | Concerto for Trumpet, 3 Oboes, Bassoon & Basso continuo in C major: III. Presto | — | ||
| 47-15 | Concerto for Trumpet, 2 Oboes, Strings & Basso continuo in D major: I. [Allegro] | — | ||
| 47-16 | Concerto for Trumpet, 2 Oboes, Strings & Basso continuo in D major: II. Adagio | — | ||
| 47-17 | Concerto for Trumpet, 2 Oboes, Strings & Basso continuo in D major: III. Aria | — | ||
| 47-18 | Concerto for Trumpet, 2 Oboes, Strings & Basso continuo in D major: IV. [Allegro] | — | ||
| 47-19 | “Airs from Vauxhall Gardens”: Serse: Aria “Caro voi siete all'alma”. Andante | — | ||
| 47-20 | “Airs from Vauxhall Gardens”: Admeto: Aria “Se l'arco avessi”. Allegro | — | ||
| 47-21 | “Airs from Vauxhall Gardens”: Scipione: March | — | ||
| 47-22 | “Airs from Vauxhall Gardens”: Judas Maccabaeus: “See, the Conqu'ring Hero Comes”. March | — | ||
| 47-23 | “Airs from Vauxhall Gardens”: Atalanta: Overture | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite from "Il pastor fido", HWV 8c: 1. Ouverture. Largo - Allegro | Tafelmusik, Jeanne Lamon | T-923.432.792-5 |
| Suite from "Il pastor fido", HWV 8c: 2. (Ballo) | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 3. (Tambourin) | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 4. Musette | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 5. Menuet | Tafelmusik, Jeanne Lamon | T-900.962.202-0 |
| Suite from "Il pastor fido", HWV 8c: Balli. 6. March / 7 Pour les Chasseurs / 6. March da capo | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 8. (Ballo) | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 9. Sarabanda. Largo assai | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 10. Gavotte | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 11. Gigue. Presto | Tafelmusik, Jeanne Lamon | — |
| Suite from "Il pastor fido", HWV 8c: 12. Chacconne | Tafelmusik, Jeanne Lamon | — |
| Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro | Jeanne Lamon, Tafelmusik | — |
