UPC · Release
Various Artists
Last verified:
The UPC for “Deutsche Harmonia Mundi - 50 CD Collection” by Various Artists is 888750375025. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Deutsche Harmonia Mundi. This release contains 831 tracks, each with its own ISRC. Tracks include DEE479000309, DEE479000310, DEE479000311.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Alcina: Overture | — | ||
| 2 | Rinaldo: "Augelletti che cantate" (Armida) | — | ||
| 3 | Rinaldo: "Or la tromba in suon festante" (Rinaldo) | — | ||
| 4 | Rinaldo: Battaglia | — | ||
| 5 | Rinaldo: "Fermati ... Non, crudel" (Armida, Rinaldo) | — | ||
| 6 | Rinaldo: "Furie terribili" (Rinaldo) | — | ||
| 7 | Giulio Cesare: "Son nata" (Cornelia, Sesto) | — | ||
| 8 | Giulio Cesare: "Piangerò la sorte mia" (Cleopatra) | — | ||
| 9 | Rinaldo: "Venti, turbini, prestate" (Rinaldo) | — | ||
| 10 | Rinaldo: Prelude | — | ||
| 11 | Hak şelleri hayreyler | — | ||
| 12 | Kanun Taksim (Turkish improvisation on Kanun) | — | ||
| 13 | Serse: "Ombra mai fù di vegetabile" (Serse) | — | ||
| 14 | Rinaldo: "Ah crudel" (Armida) | — | ||
| 15 | Güsel Âsik | — | ||
| 16 | Alcina: Prelude "Dream music" | — | ||
| 17 | Rinaldo: "Scherzano sul tuo volto" - "Ridono sul tuo labbro" | — | ||
| 18 | Kemence improvisation | — | ||
| 19 | Giulio Cesare: "Empio, dirò, tu sei" (Giulio Cesare) | — | ||
| 20 | Ud improvisation | — | ||
| 21 | Giulio Cesare: "Se pietà di me non senti" (Cleopatra) | — | ||
| 22 | Percussion improvisation | — | ||
| 23 | Alcina: Tamburino | — | ||
| 24 | Agrippina: "No, no ch'io bon apprezzo" (Ottone, Poppea) | — | ||
| 25 | Finale: Ilahis | — | ||
| 2-1 | Alfred: Overture. Allegro moderato - | — | ||
| 2-2 | Alfred: Overture. Andante - | — | ||
| 2-3 | Alfred: Overture. Tempo di minuetto | — | ||
| 2-4 | Alfred: Act I. "Though to a desert isle confin'd" (Corin) | — | ||
| 2-5 | Alfred: Act I. "The shepherd's plain life" (Emma) | — | ||
| 2-6 | Alfred: Act I. "Come calm content" (Prince Edward) | — | ||
| 2-7 | Alfred: Act I. "Sweet valley say where" (Eltruda) | — | ||
| 2-8 | Alfred: Act I. "Why beats my heart with such devotion" (Prince Edward) | — | ||
| 2-9 | Alfred: Act I. "Let not those who love complain" (Alfred, Prince Edward, Eltruda) | — | ||
| 2-10 | Alfred: Act I. "If those who live in shepherd's bow'r" (Emma) | — | ||
| 2-11 | Alfred: Act II. "A youth adorn'd with ev'ry art" (Edith) | — | ||
| 2-12 | Alfred: Act II. "From the dawn of early morning" (Alfred) | — | ||
| 2-13 | Alfred: Act II. "As calms succeed when storms are past" (Prince Edward) | — | ||
| 2-14 | Alfred: Act II. "Hear, Alfred, hear" (Spirit) | — | ||
| 2-15 | Alfred: Act II. "Gracious heav'n, O hear me!" (Eltruda) | — | ||
| 2-16 | Alfred: Act II. "Vengeance, O come inspire me!" (Prince Edward) | — | ||
| 2-17 | Alfred: Act II. "Though storms awhile the sun obscure" (Alfred) | — | ||
| 2-18 | Alfred: Act II. "There honour comes, a pilgrim grey" (Spirit) | — | ||
| 2-19 | Alfred: Act III. "Ah, me! What fears oppress my throbbing heart!' | — | ||
| 2-20 | Alfred: Act III. "Guardian angels, O descend" (Eltruda) | — | ||
| 2-21 | Alfred: Act III. "Arise, sweet messenger of the morn" (Emma) | — | ||
| 2-22 | Alfred: Act III. March with a side drum | — | ||
| 2-23 | Alfred: Act III. "See liberty, virtue and honour appearing" (Prince Edward) | — | ||
| 2-24 | Alfred: Act III. "When Britain first at heav'ns command' | — | ||
| 3-1 | Sinfonie C-Dur, Wq 182/3 (H 659): I. Allegro assai | Freiburger Barockorchester, Thomas Hengelbrock | T-306.395.786-4 | |
| 3-2 | Sinfonie C-Dur, Wq 182/3 (H 659): II. Adagio | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-3 | Sinfonie C-Dur, Wq 182/3 (H 659): III. Allegretto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-4 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): I. Allegro assai | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | T-306.395.786-4 | |
| 3-5 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): II. Poco adagio | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-6 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): III. Tempo di minuetto | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-7 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): IV. Allegro assai | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | T-306.395.786-4 | |
| 3-8 | Sinfonie A-Dur, Wq 182/4 (H 660): I. Allegro ma non troppo | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-9 | Sinfonie A-Dur, Wq 182/4 (H 660): II. Largo et innocemente | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-10 | Sinfonie A-Dur, Wq 182/4 (H 660): III. Allegro assai | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-11 | Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): I. Allegro | Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock | T-031.609.609-9 | |
| 3-12 | Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): II. Adagio ma non troppo | Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-13 | Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): III. Allegro ma non troppo | Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-14 | Sinfonie h-moll, Wq 182/5 (H 661): I. Allegretto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-15 | Sinfonie h-moll, Wq 182/5 (H 661): II. Larghetto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-16 | Sinfonie h-moll, Wq 182/5 (H 661): III. Presto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 4-1 | Ciaccona in D, BWV 1004 | — | ||
| 4-2 | Concerto in D major, BWV 1054: I. | — | ||
| 4-3 | Concerto in D major, BWV 1054: II. Adagio e piano sempre | — | ||
| 4-4 | Concerto in D major, BWV 1054: III. Allegro | — | ||
| 4-5 | Partita IV in D major, BWV 828: I. Ouverture | — | ||
| 4-6 | Partita IV in D major, BWV 828: II. Allemande | — | ||
| 4-7 | Partita IV in D major, BWV 828: III. Courante | — | ||
| 4-8 | Partita IV in D major, BWV 828: IV. Aria | — | ||
| 4-9 | Partita IV in D major, BWV 828: V. Sarabande | — | ||
| 4-10 | Partita IV in D major, BWV 828: VI. Menuet | — | ||
| 4-11 | Partita IV in D major, BWV 828: VII. Gigue | — | ||
| 4-12 | Concerto in A major, BWV 1055: I. Allegro | — | ||
| 4-13 | Concerto in A major, BWV 1055: II. Larghetto | — | ||
| 4-14 | Concerto in A major, BWV 1055: III. Allegro ma non tanto | — | ||
| 5-1 | Polonaise g-moll, BWV Anh 119 | Gustav Leonhardt | — | |
| 5-2 | Marche Es-dur, BWV Anh 127 | Gustav Leonhardt | — | |
| 5-3 | Menuet G-dur & g-moll, BWV 114-115 | Gustav Leonhardt | — | |
| 5-4 | Willst du dein Herz mir schenken, BWV 518 | Elly Ameling, Gustav Leonhardt | — | |
| 5-5 | Rondeau B-dur, BWV Anh 183 | Gustav Leonhardt | — | |
| 5-6 | Bist du bei mir, BWV 508 | Elly Ameling, Johannes Koch, Gustav Leonhardt, Angelica May | T-900.201.788-1 | |
| 5-7 | Aria für Clavier G-dur, BWV 988, 1 | Gustav Leonhardt | — | |
| 5-8 | So oft ich meine Tobackspfeife, BWV 515a | Hans-Martin Linde, Johannes Koch, Gustav Leonhardt, Angelica May | — | |
| 5-9 | Marche G-dur, BWV Anh 124 | Gustav Leonhardt | — | |
| 5-10 | Allemande d-moll, BWV 812, 1 | Gustav Leonhardt | — | |
| 5-11 | Dir, dir Jehova, will ich singen, BWV 299 | Elly Ameling, Rudolf Ewerhart, Johannes Koch, Gustav Leonhardt, Angelica May | — | |
| 5-12 | Praeludium C-dur, BWV 846, 1 | Gustav Leonhardt | T-910.415.372-2 | |
| 5-13 | Menuet G-dur, BWV Anh.116 | Gustav Leonhardt | — | |
| 5-14 | Marche D-dur (C.PH.E.Bach), BWV Anh. 122 | Gustav Leonhardt | — | |
| 5-15 | Musette D-dur, BWV Anh.126 | Gustav Leonhardt | T-308.943.341-6 | |
| 5-16 | Rezitativ Ich hab genug und Arie: Schlummert ein ihr matten Augen, BWV 82, 2 & 3 | Elly Ameling, Johannes Koch, Gustav Leonhardt, Angelica May | — | |
| 5-17 | Chorealbeabeitung Er nur den lieben Gott lasst walten, BWV 691 | Gustav Leonhardt | — | |
| 5-18 | O Ewigkeit du Donnerwort, BWV 513 (4 stimmig) | Tölzer Knabenchor | — | |
| 6-1 | Pièce d'Orgue (Fantasia in G major, BWV 572) | — | ||
| 6-2 | Pastorella, BWV 590 | — | ||
| 6-3 | Vom Himmel hoch, BWV 700 & 701 | — | ||
| 6-4 | Toccata, Adagio und Fuge in C major, BWV 564 | — | ||
| 6-5 | Gelobet seist du, Jesu Christ, BWV 723 & 722 | — | ||
| 6-6 | Wir Christenleut', BWV 710 | — | ||
| 6-7 | In dulci jubilo, BWV 729 | — | ||
| 6-8 | Sarabanda con Partite in C major, BWV 990 | — | ||
| 6-9 | Fantasia in C minor, BWV deest | — | ||
| 6-10 | Prelude and fugue in G minor, BWV 535a/I & 535/II | — | ||
| 7-1 | Concerto in D major for 3 Trumpets, Timpani and Organ | — | ||
| 7-2 | "Sinfonia à due trombe" in D major for 2 Trumpets and Organ | — | ||
| 7-3 | Three Chorale Preludes for Trumpet and Organ | — | ||
| 7-4 | Sonata in D major for 2 Trumpets and Organ | — | ||
| 7-5 | "Sonata à 5 Clarini" in C major for 5 Trumpets and Organ | — | ||
| 7-6 | Suite in D major for 2 Trumpets, Timpani and Organ | — | ||
| 7-7 | Sonata XII in C major for 2 Trumpets, Timpani and Organ | — | ||
| 7-8 | "Balletti" in C major for 2 Trumpets and Organ | — | ||
| 7-9 | "Fanfares pour 4 trompettes, timbales et orgue" in D major | — | ||
| 8-1 | Sonata no. 5 in F major, op. 24 “Spring”: I. Allegro | — | ||
| 8-2 | Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | — | ||
| 8-3 | Sonata no. 5 in F major, op. 24 “Spring”: III. Scherzo. Allegro molto | — | ||
| 8-4 | Sonata no. 5 in F major, op. 24 “Spring”: IV. Rondo: Allegro ma non troppo | — | ||
| 8-5 | Sonata no. 4 in A minor, op. 23: I. Presto | — | ||
| 8-6 | Sonata no. 4 in A minor, op. 23: II. Andante scherzoso, più Allegretto | — | ||
| 8-7 | Sonata no. 4 in A minor, op. 23: III. Allegro molto | — | ||
| 8-8 | Sonata no. 3 in E-flat major, op. 12 no. 3: I. Allegro con spirito | — | ||
| 8-9 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molt'espressione | — | ||
| 8-10 | Sonata no. 3 in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto | — | ||
| 8-11 | Sonata no. 8 in G major, op. 30 no. 3: I. Allegro Assai | — | ||
| 8-12 | Sonata no. 8 in G major, op. 30 no. 3: II. Tempo di Minuetto, ma molto moderato e grazioso | — | ||
| 8-13 | Sonata no. 8 in G major, op. 30 no. 3: III. Allegro vivace | — | ||
| 9-1 | Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | — | ||
| 9-2 | Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni | — | ||
| 9-3 | Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Presto | — | ||
| 9-4 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | — | ||
| 9-5 | Sonata no. 1 in D major, op. 12 no. 1: II. Tema con variazioni. Andante con moto | — | ||
| 9-6 | Sonata no. 1 in D major, op. 12 no. 1: III. Rondo. Allegro | — | ||
| 9-7 | Sonata no. 2 in A major, op. 12 no. 2: I. Allegro vivace | — | ||
| 9-8 | Sonata no. 2 in A major, op. 12 no. 2: II. Andante più tosto - Allegretto | — | ||
| 9-9 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | — | ||
| 10-1 | Sonata no. 10 in G major, op. 96: I. Allegro moderato | — | ||
| 10-2 | Sonata no. 10 in G major, op. 96: II. Adagio espressivo | — | ||
| 10-3 | Sonata no. 10 in G major, op. 96: III. Scherzo. Allegro | — | ||
| 10-4 | Sonata no. 10 in G major, op. 96: IV. Poco Allegretto | — | ||
| 10-5 | Sonata no. 6 in A major, op. 30 no. 1: I. Allegro | — | ||
| 10-6 | Sonata no. 6 in A major, op. 30 no. 1: II. Adagio | — | ||
| 10-7 | Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni | — | ||
| 10-8 | Sonata no. 7 in C major, Op 30 no. 2: I. Allegro con brio | — | ||
| 10-9 | Sonata no. 7 in C major, Op 30 no. 2: II. Adagio cantabile | — | ||
| 10-10 | Sonata no. 7 in C major, Op 30 no. 2: III. Scherzo. Allegro | — | ||
| 10-11 | Sonata no. 7 in C major, Op 30 no. 2: IV. Finale. Allegro | — | ||
| 11-1 | Cantata for the Inauguration of the Beethoven Statue, 1845: I. Maestoso - Quasi allegretto | — | ||
| 11-2 | Cantata for the Inauguration of the Beethoven Statue, 1845: II. Allegro deciso | — | ||
| 11-3 | Cantata for the Inauguration of the Beethoven Statue, 1845: III. Andante mesto - Allegro maestoso - Recitativo - Largo maestoso - Allegro fuocoso | — | ||
| 11-4 | Cantata for the Inauguration of the Beethoven Statue, 1845: IV. Andante religioso - Allegro con brio | — | ||
| 11-5 | Fantasy for Piano, Chorus & Orchestra in C minor, op. 80 “Choral Fantasy” | — | ||
| 12-1 | String Quintet in E major, op. 11 no. 5: I. Amoroso | Smithsonian Chamber Players | — | |
| 12-2 | String Quintet in E major, op. 11 no. 5: II. Allegro con spirito | Smithsonian Chamber Players | — | |
| 12-3 | String Quintet in E major, op. 11 no. 5: III. Minuetto | Smithsonian Chamber Players | — | |
| 12-4 | String Quintet in E major, op. 11 no. 5: IV. Rondo. Andante | Smithsonian Chamber Players | — | |
| 12-5 | String Quintet in F minor, op. 11 no. 4: I. Larghetto | Smithsonian Chamber Players | — | |
| 12-6 | String Quintet in F minor, op. 11 no. 4: II. Vivace | Smithsonian Chamber Players | — | |
| 12-7 | String Quintet in F minor, op. 11 no. 4: III. Minuetto | Smithsonian Chamber Players | — | |
| 12-8 | String Quintet in F minor, op. 11 no. 4: IV. Presto | Smithsonian Chamber Players | — | |
| 12-9 | String Quintet in D major, op. 11 no. 6 (dello L'uccelliera): I. Adagio assai - Allegro giusto | Smithsonian Chamber Players | — | |
| 12-10 | String Quintet in D major, op. 11 no. 6 (dello L'uccelliera): II. Pastori ed i Cacciatori | Smithsonian Chamber Players | — | |
| 12-11 | String Quintet in D major, op. 11 no. 6 (dello L'uccelliera): III. Tempo di Minuetto - Allegro giusto | Smithsonian Chamber Players | — | |
| 13-1 | Inter natos mulierum - O Johannes doce nos | — | ||
| 13-2 | Hertz vnd sinne muege dich | — | ||
| 13-3 | Alleluia, V. O Maria rubens rosa | — | ||
| 13-4 | Unicornis captivatur | — | ||
| 13-5 | Vrot uch alle geloubigu lute mit Schalle | — | ||
| 13-6 | Ad decus ecclesie - Lecto Libri apocalipsis | — | ||
| 13-7 | O Maria rubens rosa mater | — | ||
| 13-8 | Kyrie fons bonitatis | — | ||
| 13-9 | Veni sancte spritus illustra cecam mentem | — | ||
| 13-10 | Salve pater nominum - Exaudi nos | — | ||
| 13-11 | Procedentem sponsum de thalamo | — | ||
| 13-12 | Illibata virgo casta - Egregia sponsa Cristi Maria | — | ||
| 13-13 | Alleluia, V. Inclite dux Benedicte - Benedicte merita | — | ||
| 13-14 | Dominus vobiscum - Sequentia sancti ewangelii secundum Lucam - In illo tempore | — | ||
| 13-15 | Media vita in morte - Ach homo perpende fragilis | — | ||
| 13-16 | Alma redemptoris mater - Marie virginis fecundat viscera | — | ||
| 13-17 | Lobt all zungen des eren riches gottes | — | ||
| 13-18 | Congaudeat turba fidelium | — | ||
| 14-1 | Concerto grosso in D major, op. 6 no. 1: I. Largo - Allegro - Adagio - Allegro - Adagio - Allegro - Largo - Allegro | — | ||
| 14-2 | Concerto grosso in D major, op. 6 no. 1: II. Largo | — | ||
| 14-3 | Concerto grosso in D major, op. 6 no. 1: III. Allegro - Adagio | — | ||
| 14-4 | Concerto grosso in D major, op. 6 no. 1: IV. Allegro | — | ||
| 14-5 | Concerto grosso in F major, op. 6 no. 2: I. Vivace. Allegro - Adagio - Vivace - Allegro - Largo andante | — | ||
| 14-6 | Concerto grosso in F major, op. 6 no. 2: II. Allegro - Adagio | — | ||
| 14-7 | Concerto grosso in F major, op. 6 no. 2: III. Grave - Andante largo | — | ||
| 14-8 | Concerto grosso in F major, op. 6 no. 2: IV. Allegro | — | ||
| 14-9 | Concerto grosso in C minor, op. 6 no. 3: I. Largo | — | ||
| 14-10 | Concerto grosso in C minor, op. 6 no. 3: II. Allegro - Adagio | — | ||
| 14-11 | Concerto grosso in C minor, op. 6 no. 3: III. Grave - Vivace | — | ||
| 14-12 | Concerto grosso in C minor, op. 6 no. 3: IV. Allegro | — | ||
| 14-13 | Concerto grosso in D major, op. 6 no. 4: I. Adagio - Allegro | — | ||
| 14-14 | Concerto grosso in D major, op. 6 no. 4: II. Adagio - Vivace | — | ||
| 14-15 | Concerto grosso in D major, op. 6 no. 4: III. Allegro - Allegro | — | ||
| 14-16 | Concerto grosso in B-flat major, op. 6 no. 5: I. Adagio - Allegro | — | ||
| 14-17 | Concerto grosso in B-flat major, op. 6 no. 5: II Adagio | — | ||
| 14-18 | Concerto grosso in B-flat major, op. 6 no. 5: III. Allegro | — | ||
| 14-19 | Concerto grosso in B-flat major, op. 6 no. 5: IV. Largo - Allegro | — | ||
| 14-20 | Concerto grosso in F major, op. 6 no. 6: I. Adagio - Allegro | — | ||
| 14-21 | Concerto grosso in F major, op. 6 no. 6: II. Largo - Vivace | — | ||
| 14-22 | Concerto grosso in F major, op. 6 no. 6: III. Allegro | — | ||
| 15-1 | DIXIT DOMINUS (CORO) | Balthasar‐Neumann‐Chor, Balthasar‐Neumann‐Ensemble, Thomas Hengelbrock | — | |
| 15-2 | Dixit Dominus, HWV 232: II. Virgam virtutis tuae | — | ||
| 15-3 | Dixit Dominus, HWV 232: III. Tecum principium | — | ||
| 15-4 | Dixit Dominus, HWV 232: IV. Juravit Dominus | — | ||
| 15-5 | Dixit Dominus, HWV 232: V. Tu es sacerdos in aetertum | — | ||
| 15-6 | Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | — | ||
| 15-7 | Dixit Dominus, HWV 232: VII. De torrente in via bibet | — | ||
| 15-8 | Dixit Dominus, HWV 232: VIII. Gloria Patri, et Filio | — | ||
| 15-9 | Missa dolorosa: I. Kyrie eleison | — | ||
| 15-10 | Missa dolorosa: II. Christe eleison | — | ||
| 15-11 | Missa dolorosa: III. Kyrie eleison | — | ||
| 15-12 | Missa dolorosa: IV. Gloria in excelsis Deo | — | ||
| 15-13 | Missa dolorosa: V. Domine Deus | — | ||
| 15-14 | Missa dolorosa: VI. Domine Fili | — | ||
| 15-15 | Missa dolorosa: VII. Qui tollis peccata mundi | — | ||
| 15-16 | Missa dolorosa: VIII. Quoniam tu solus Sanctus | — | ||
| 15-17 | Missa dolorosa: IX. Cum Sancto Spiritu | — | ||
| 15-18 | Missa dolorosa: X. Credo in unum Deum | — | ||
| 15-19 | Missa dolorosa: XI. Crucifixus | — | ||
| 15-20 | Missa dolorosa: XII. Et resurrexit | — | ||
| 15-21 | Missa dolorosa: XIII. Et vitam venturi saeculi | — | ||
| 15-22 | Missa dolorosa: XIV. Sanctus | — | ||
| 15-23 | Missa dolorosa: XV. Benedictus | — | ||
| 15-24 | Missa dolorosa: XVI. Agnus Dei | — | ||
| 15-25 | Missa dolorosa: XVII. Dona nobis pacem | — | ||
| 15-26 | Crucifixus a 16 voci | — | ||
| 16-1 | Salve Regina à 7 (Eton Choirbook no. 22) | — | ||
| 16-2 | Magnificat à 5 (Eton Choirbook no. 71) | — | ||
| 16-3 | Gaude Virgo Mater Christi à 6 (Eton Choirbook no. 10) | — | ||
| 16-4 | Stabat Mater à 6 (Eton Choirbook no. 5) | — | ||
| 16-5 | Salve Regina à 9 (Eton Choirbook no. 15) | — | ||
| 17-1 | Concerto for Transverse Flute, 2 Violins, Bassoon & B. C. in G minor, RV 104 “La notte”: I. La notte (Largo) | — | ||
| 17-2 | Concerto for Transverse Flute, 2 Violins, Bassoon & B. C. in G minor, RV 104 “La notte”: II. Fantasmi (Presto - Largo - Presto) | — | ||
| 17-3 | Concerto for Transverse Flute, 2 Violins, Bassoon & B. C. in G minor, RV 104 “La notte”: III. Il sonno (Largo) | — | ||
| 17-4 | Concerto for Transverse Flute, 2 Violins, Bassoon & B. C. in G minor, RV 104 “La notte”: IV. Allegro | — | ||
| 17-5 | Concerto for Oboe, 2 Violins, Viola & B. C. in D minor: I. Andante | — | ||
| 17-6 | Concerto for Oboe, 2 Violins, Viola & B. C. in D minor: II. Adagio | — | ||
| 17-7 | Concerto for Oboe, 2 Violins, Viola & B. C. in D minor: III. Allegro | — | ||
| 17-8 | Trio for Recorder, Transverse Flute & B. C. in C major: I. Affettuoso | — | ||
| 17-9 | Trio for Recorder, Transverse Flute & B. C. in C major: II. Alla breve | — | ||
| 17-10 | Trio for Recorder, Transverse Flute & B. C. in C major: III. Larghetto | — | ||
| 17-11 | Trio for Recorder, Transverse Flute & B. C. in C major: IV. Vivace | — | ||
| 17-12 | Quintet for Fortepiano, Flute, Oboe, Violin & Violoncello in D major, op. 22 no .1: I. Allegro | — | ||
| 17-13 | Quintet for Fortepiano, Flute, Oboe, Violin & Violoncello in D major, op. 22 no .1: II. Andantino | — | ||
| 17-14 | Quintet for Fortepiano, Flute, Oboe, Violin & Violoncello in D major, op. 22 no .1: III. Allegro assai | — | ||
| 17-15 | Quartet for 2 Oboes, Bassoon & B. C. in D minor: I. (Largo) | — | ||
| 17-16 | Quartet for 2 Oboes, Bassoon & B. C. in D minor: II. Allegro | — | ||
| 17-17 | Quartet for 2 Oboes, Bassoon & B. C. in D minor: III. Largo | — | ||
| 17-18 | Quartet for 2 Oboes, Bassoon & B. C. in D minor: IV. Allegro | — | ||
| 17-19 | Concerto for Sopranino Recorder, 2 Violins, Viola & B. C. in C major, RV 444: I. Allegro | — | ||
| 17-20 | Concerto for Sopranino Recorder, 2 Violins, Viola & B. C. in C major, RV 444: II. Largo | — | ||
| 17-21 | Concerto for Sopranino Recorder, 2 Violins, Viola & B. C. in C major, RV 444: III. Allegro | — | ||
| 18-1 | Der Messias, HWV 56: Erster Teil. Sinfonie | — | ||
| 18-2 | Der Messias, HWV 56: Erster Teil. Tröstet, tröstet mein Zion | — | ||
| 18-3 | Der Messias, HWV 56: Erster Teil. Alle Thale werden erhaben! | — | ||
| 18-4 | Der Messias, HWV 56: Erster Teil. Denn die Hoheit des Herrn wird offenbart | — | ||
| 18-5 | Der Messias, HWV 56: Erster Teil. So spricht der Herr, Gott Zebaoth | — | ||
| 18-6 | Der Messias, HWV 56: Erster Teil. Doch wer mag ertragen den Tag, wenn er kommet? | — | ||
| 18-7 | Der Messias, HWV 56: Erster Teil. Und er wird reinigen die Söhne Levi | — | ||
| 18-8 | Der Messias, HWV 56: Erster Teil. Sieh da! Eine Jungfrau empfängt! | — | ||
| 18-9 | Der Messias, HWV 56: Erster Teil. O du, der bringet Frohlocken | — | ||
| 18-10 | Der Messias, HWV 56: Erster Teil. Schau umher! Dunkel bedecket | — | ||
| 18-11 | Der Messias, HWV 56: Erster Teil. Die Völker, die wandeln im Dunkel | — | ||
| 18-12 | Der Messias, HWV 56: Erster Teil. Denn es ist uns ein Kind gebor'n | — | ||
| 18-13 | Der Messias, HWV 56: Erster Teil. Pifa | — | ||
| 18-14 | Der Messias, HWV 56: Erster Teil. Es waren Hirten beisammen | — | ||
| 18-15 | Der Messias, HWV 56: Erster Teil. Als schnell der Engel des Herrn zu ihnen trat | — | ||
| 18-16 | Der Messias, HWV 56: Erster Teil. Friede! | — | ||
| 18-17 | Der Messias, HWV 56: Erster Teil. Und alsobald war da bei dem Engel | — | ||
| 18-18 | Der Messias, HWV 56: Erster Teil. Ehre sei Gott! Ehre sei Gott in den Höhen! | — | ||
| 18-19 | Der Messias, HWV 56: Erster Teil. Erfreu dich mächtig, o Tochter Zion | — | ||
| 18-20 | Der Messias, HWV 56: Erster Teil. Dann wird das Auge des Blinden | — | ||
| 18-21 | Der Messias, HWV 56: Erster Teil. Er wird Hirte sein | — | ||
| 18-22 | Der Messias, HWV 56: Erster Teil. Sein Joch ist selig | — | ||
| 18-23 | Der Messias, HWV 56: Zweiter Teil. Sieh da ist Gottes Lamm! | — | ||
| 18-24 | Der Messias, HWV 56: Zweiter Teil. Er war verschmähet und verworfen | — | ||
| 18-25 | Der Messias, HWV 56: Zweiter Teil. Wahrlich, wahrlich! Er trug unser Leid | — | ||
| 19-1 | Der Messias, HWV 56: Zweiter Teil. Durch seine Wunden sind wir geheilet | — | ||
| 19-2 | Der Messias, HWV 56: Zweiter Teil. Wir gingen all' in Irren umher | — | ||
| 19-3 | Der Messias, HWV 56: Zweiter Teil. Und die ihn sahen, spotteten sein | — | ||
| 19-4 | Der Messias, HWV 56: Zweiter Teil. Er trauete Gott! dass der könn' erlösen ihn | — | ||
| 19-5 | Der Messias, HWV 56: Zweiter Teil. Deine Schmach zerbrach sein Herz | — | ||
| 19-6 | Der Messias, HWV 56: Zweiter Teil. Schau an und sieh! | — | ||
| 19-7 | Der Messias, HWV 56: Zweiter Teil. Man riss ihn aus dem Lande der Lebenden | — | ||
| 19-8 | Der Messias, HWV 56: Zweiter Teil. Doch du ließest nicht seine Seel' in der Höll' | — | ||
| 19-9 | Der Messias, HWV 56: Zweiter Teil. Hebet das Haupt, o ihr Tore! | — | ||
| 19-10 | Der Messias, HWV 56: Zweiter Teil. Denn zu welchem Engel sprach | — | ||
| 19-11 | Der Messias, HWV 56: Zweiter Teil. Lasst alle Engel des Herrn feiern ihn! | — | ||
| 19-12 | Der Messias, HWV 56: Zweiter Teil. Du bist gestiegen hoch! | — | ||
| 19-13 | Der Messias, HWV 56: Zweiter Teil. Der Herr gab sein Wort | — | ||
| 19-14 | Der Messias, HWV 56: Zweiter Teil. Wie lieblich ist der Boten Tritt! | — | ||
| 19-15 | Der Messias, HWV 56: Zweiter Teil. Ihr Ruf erging in alles Land! | — | ||
| 19-16 | Der Messias, HWV 56: Zweiter Teil. Wie, dass die Völker so wütend | — | ||
| 19-17 | Der Messias, HWV 56: Zweiter Teil. Lasst uns brechen ihre Bande | — | ||
| 19-18 | Der Messias, HWV 56: Zweiter Teil. Er, der wohnet im Himmerl | — | ||
| 19-19 | Der Messias, HWV 56: Zweiter Teil. Sie zerberechen soll dein Eisenpanzer | — | ||
| 19-20 | Der Messias, HWV 56: Zweiter Teil. Hallelujah! | — | ||
| 19-21 | Der Messias, HWV 56: Dritter Teil. Ich weiß, dass mein Erlöser lebet | — | ||
| 19-22 | Der Messias, HWV 56: Dritter Teil. Denn durch Einen kam der Tod | — | ||
| 19-23 | Der Messias, HWV 56: Dritter Teil. Vernehmet! Ich versprech' ein Geheimnis | — | ||
| 19-24 | Der Messias, HWV 56: Dritter Teil. Es schallt die Trommet' | — | ||
| 19-25 | Der Messias, HWV 56: Dritter Teil. Dann wird erfüllet sein das Wort | — | ||
| 19-26 | Der Messias, HWV 56: Dritter Teil. O Tod, wo ist dein Pfeil? | — | ||
| 19-27 | Der Messias, HWV 56: Dritter Teil. Drum Dank sei Gott! | — | ||
| 19-28 | Der Messias, HWV 56: Dritter Teil. Wenn Gott ist mit uns, wer ist entgegen? | — | ||
| 19-29 | Der Messias, HWV 56: Dritter Teil. Würdig ist das Lamm, das da starb / Amen | — | ||
| 20-1 | Sonata in D major for Transverse Flute: I. Largo | — | ||
| 20-2 | Sonata in D major for Transverse Flute: II. Allegro | — | ||
| 20-3 | Sonata in D major for Transverse Flute: III. Adagio | — | ||
| 20-4 | Sonata in D major for Transverse Flute: IV. Allegro | — | ||
| 20-5 | Sonata in B-flat major for Oboe: I. Andante | — | ||
| 20-6 | Sonata in B-flat major for Oboe: II. Grave | — | ||
| 20-7 | Sonata in B-flat major for Oboe: III. Allegro | — | ||
| 20-8 | Sonata in B minor for Transverse Flute, op. 1 no. 9: I. Largo | — | ||
| 20-9 | Sonata in B minor for Transverse Flute, op. 1 no. 9: II. Vivace | — | ||
| 20-10 | Sonata in B minor for Transverse Flute, op. 1 no. 9: III. Presto | — | ||
| 20-11 | Sonata in B minor for Transverse Flute, op. 1 no. 9: IV. Adagio | — | ||
| 20-12 | Sonata in B minor for Transverse Flute, op. 1 no. 9: V. Alla breve | — | ||
| 20-13 | Sonata in B minor for Transverse Flute, op. 1 no. 9: VI. Andante | — | ||
| 20-14 | Sonata in B minor for Transverse Flute, op. 1 no. 9: VII. A tempo di Minuet | — | ||
| 20-15 | Sonata in G minor for Oboe, op. 1 no. 6: I. Larghetto | — | ||
| 20-16 | Sonata in G minor for Oboe, op. 1 no. 6: II. Allegro | — | ||
| 20-17 | Sonata in G minor for Oboe, op. 1 no. 6: III. Adagio | — | ||
| 20-18 | Sonata in G minor for Oboe, op. 1 no. 6: IV. Allegro | — | ||
| 20-19 | Sonata in E minor for Transverse Flute, op. 1 no. 1b: I. Grave | — | ||
| 20-20 | Sonata in E minor for Transverse Flute, op. 1 no. 1b: II. Allegro | — | ||
| 20-21 | Sonata in E minor for Transverse Flute, op. 1 no. 1b: III. Adagio | — | ||
| 20-22 | Sonata in E minor for Transverse Flute, op. 1 no. 1b: IV. Allegro | — | ||
| 20-23 | Sonata in C minor for Oboe, op. 1 no. 8: I. (Larghetto) | — | ||
| 20-24 | Sonata in C minor for Oboe, op. 1 no. 8: II. Allegro | — | ||
| 20-25 | Sonata in C minor for Oboe, op. 1 no. 8: III. Adagio | — | ||
| 20-26 | Sonata in C minor for Oboe, op. 1 no. 8: IV. Allegro (Bourée angloise) | — | ||
| 20-27 | Sonata in G major for Transverse Flute, op. 1 no. 5: I. Adagio | — | ||
| 20-28 | Sonata in G major for Transverse Flute, op. 1 no. 5: II. Allegro | — | ||
| 20-29 | Sonata in G major for Transverse Flute, op. 1 no. 5: III. Adagio | — | ||
| 20-30 | Sonata in G major for Transverse Flute, op. 1 no. 5: IV. Bourée | — | ||
| 20-31 | Sonata in G major for Transverse Flute, op. 1 no. 5: V. Menuetto | — | ||
| 20-32 | Sonata in F major for Oboe: I. Adagio | — | ||
| 20-33 | Sonata in F major for Oboe: II. Allegro | — | ||
| 20-34 | Sonata in F major for Oboe: III. Adagio | — | ||
| 20-35 | Sonata in F major for Oboe: IV. Bourée | — | ||
| 20-36 | Sonata in F major for Oboe: V. Menuetto | — | ||
| 21-1 | Sonata in D minor for Recorder & B. C. | — | ||
| 21-2 | Sonata in B-flat major for Recorder & B. C. | — | ||
| 21-3 | Sonata in G minor for Recorder & B. C., op. 1 no. 2 | — | ||
| 21-4 | Sonata in A minor for Recorder & B. C., op. 1 no. 4 | — | ||
| 21-5 | Sonata in C major for Recorder & B. C., op. 1 no. 7 | — | ||
| 21-6 | Sonata in F major for Recorder & B. C., op. 1 no. 11 | — | ||
| 21-7 | Sonata in G major for Recorder & B. C. | — | ||
| 21-8 | Trio in F major for 2 Recorders & B. C. | — | ||
| 22-1 | German Arias, HWV 202-210: I. Künft'ger Zeiten eitler Kummer, HWV 202 | — | ||
| 22-2 | German Arias, HWV 202-210: II. Das zitternde Glänzen der spielenden Wellen, HWV 203 | — | ||
| 22-3 | German Arias, HWV 202-210: III. Süßer Blumen Ambraflocken, HWV 204 | — | ||
| 22-4 | German Arias, HWV 202-210: IV. Süße Stille, sanfte Quelle, HWV 205 | — | ||
| 22-5 | German Arias, HWV 202-210: V. Singe, Seele, Gott zum Preise, HWV 206 | — | ||
| 22-6 | German Arias, HWV 202-210: VI. Meine Seele hört im Sehen, HWV 207 | — | ||
| 22-7 | German Arias, HWV 202-210: VII. Die ihr aus dunklen Grüften, HWV 208 | — | ||
| 22-8 | German Arias, HWV 202-210: VIII. In den angenehmen Büschen, Hwv 209 | — | ||
| 22-9 | German Arias, HWV 202-210: IX. Flammende Rose, Zierde der Erden, HWV 210 | — | ||
| 22-10 | Music for the Royal Fireworks, HWV 351: I. Ouverture | — | ||
| 22-11 | Music for the Royal Fireworks, HWV 351: II. Bourée | — | ||
| 22-12 | Music for the Royal Fireworks, HWV 351: III. La Paix | — | ||
| 22-13 | Music for the Royal Fireworks, HWV 351: IV. La Réjouissance | — | ||
| 22-14 | Music for the Royal Fireworks, HWV 351: V. Menuet I | — | ||
| 22-15 | Music for the Royal Fireworks, HWV 351: VI. Menuet II | — | ||
| 23-1 | Trio Sonata in B-flat major, op. 2 no. 3, HWV 388: I. Andante | — | ||
| 23-2 | Trio Sonata in B-flat major, op. 2 no. 3, HWV 388: II. Allegro | — | ||
| 23-3 | Trio Sonata in B-flat major, op. 2 no. 3, HWV 388: III. Larghetto | — | ||
| 23-4 | Trio Sonata in B-flat major, op. 2 no. 3, HWV 388: IV. Allegro | — | ||
| 23-5 | Cantata, HWV 132b "Mi palpita il cor": I. Arioso e recitativo | — | ||
| 23-6 | Cantata, HWV 132b "Mi palpita il cor": II. Aria | — | ||
| 23-7 | Cantata, HWV 132b "Mi palpita il cor": III. Recitativo | — | ||
| 23-8 | Cantata, HWV 132b "Mi palpita il cor": IV. Aria (Allegro) | — | ||
| 23-9 | Trio Sonata in G minor, op. 2 no. 5, HWV 390a: I. Larghetto | — | ||
| 23-10 | Trio Sonata in G minor, op. 2 no. 5, HWV 390a: II. Allegro | — | ||
| 23-11 | Trio Sonata in G minor, op. 2 no. 5, HWV 390a: III. Adagio | — | ||
| 23-12 | Trio Sonata in G minor, op. 2 no. 5, HWV 390a: IV. Allegro | — | ||
| 23-13 | Aria, HWV 207 "Meine Seele hört im Sehen" | — | ||
| 23-14 | Trio Sonata in G minor, HWV 393: I. Andante | — | ||
| 23-15 | Trio Sonata in G minor, HWV 393: II. Allegro | — | ||
| 23-16 | Trio Sonata in G minor, HWV 393: III. Largo | — | ||
| 23-17 | Trio Sonata in G minor, HWV 393: IV. Allegro | — | ||
| 23-18 | Cantata, HWV 85 "Venus and Adonis": I. Recitativo | — | ||
| 23-19 | Cantata, HWV 85 "Venus and Adonis": II. Aria | — | ||
| 23-20 | Cantata, HWV 85 "Venus and Adonis": III. Recitativo | — | ||
| 23-21 | Cantata, HWV 85 "Venus and Adonis": IV. Aria | — | ||
| 23-22 | Trio Sonata in F major, HWV 392/401: I. Largo | — | ||
| 23-23 | Trio Sonata in F major, HWV 392/401: II. Allegro | — | ||
| 23-24 | Trio Sonata in F major, HWV 392/401: III. Adagio | — | ||
| 23-25 | Trio Sonata in F major, HWV 392/401: IV. Allegro | — | ||
| 24-1 | Great Mass with Organ in E-flat major, Hob. XXII:4: I. Kyrie | — | ||
| 24-2 | Great Mass with Organ in E-flat major, Hob. XXII:4: II. Gloria | — | ||
| 24-3 | Great Mass with Organ in E-flat major, Hob. XXII:4: III. Credo | — | ||
| 24-4 | Great Mass with Organ in E-flat major, Hob. XXII:4: IV. Sanctus | — | ||
| 24-5 | Great Mass with Organ in E-flat major, Hob. XXII:4: V. Benedictus | — | ||
| 24-6 | Great Mass with Organ in E-flat major, Hob. XXII:4: VI. Agnus Dei | — | ||
| 24-7 | Te Deum in C major, K. 141: I. Te Deum laudamus | — | ||
| 24-8 | Te Deum in C major, K. 141: II. Te ergo quaesumus | — | ||
| 24-9 | Te Deum in C major, K. 141: III. Aeterna fac | — | ||
| 24-10 | Te Deum in C major, K. 141: IV. In te, Domine, speravi | — | ||
| 25-1 | La fedeltà premiata, Hob. XXVIII:10: I. Sinfonia | — | ||
| 25-2 | La fedeltà premiata, Hob. XXVIII:10: II. Barbaro conte ... è questa la mercè ... | — | ||
| 25-3 | La fedeltà premiata, Hob. XXVIII:10: III. Dell'amor mio fedele (Amaranta) | — | ||
| 25-4 | La fedeltà premiata, Hob. XXVIII:10: IV. Placidi ruscelletti (Celia) | — | ||
| 25-5 | Orlando paladino, Hob. XXVIII:11: I. Sinfonia - Entrada d'Alcina | — | ||
| 25-6 | Orlando paladino, Hob. XXVIII:11: II. Ad un guardo (Alcina) | — | ||
| 25-7 | Orlando paladino, Hob. XXVIII:11: III. Sono Alcina, e sono ancora (Alcina) - Haydn's insertion aria for Giuseppe Gazzaniga's "L'isola di Alcina", Hob. XXIVb:9 | — | ||
| 25-8 | La vera costanza, Hob. XXVIII:8: I. Sinfonia | — | ||
| 25-9 | La vera costanza, Hob. XXVIII:8: II. Misera, chi m'aiula ... (Rosina) | — | ||
| 25-10 | La vera costanza, Hob. XXVIII:8: III. Dove fuggo (Rosina) | — | ||
| 25-11 | L'infedeltà delusa, Hob. XXVIII:5: I. Ho un tumore in un ginocchio (Vespina) | — | ||
| 25-12 | L'infedeltà delusa, Hob. XXVIII:5: II. Trinche vaine allegramente (Vespina) | — | ||
| 25-13 | L'infedeltà delusa, Hob. XXVIII:5: III. D'una sposa meschinella (Donna Stella) - Haydn's insertion aria for Giovanni Paisiello's "La franscatana", Hob. XXIVb:2 | — | ||
| 25-14 | L'isola disabitata, Hob. XXVIII:9: I. Overtura | — | ||
| 25-15 | L'isola disabitata, Hob. XXVIII:9: II. Se non piange un infelice (Costanza) | — | ||
| 25-16 | Arianna a Naxos, Hob. XXVIb:2: I. Teseo mio ben! Ove sei? Ove sei tu? | — | ||
| 25-17 | Arianna a Naxos, Hob. XXVIb:2: II. Dove sei, mio bel tesoro? | — | ||
| 25-18 | Arianna a Naxos, Hob. XXVIb:2: III. Poco da me lontano | — | ||
| 25-19 | Arianna a Naxos, Hob. XXVIb:2: IV. Ah! che morir vorrei in si fatal momento | — | ||
| 26-1 | Toccata seconda | — | ||
| 26-2 | Corrente seconda | — | ||
| 26-3 | Toccata terza | — | ||
| 26-4 | Toccata quarta | — | ||
| 26-5 | Gagliarda | — | ||
| 26-6 | La bella netta ignuda | — | ||
| 26-7 | Toccata quinta | — | ||
| 26-8 | Toccata sesta | — | ||
| 26-9 | Ballo | — | ||
| 26-10 | Ancidetemi pur | — | ||
| 26-11 | Toccata settima | — | ||
| 26-12 | Corrente prima | — | ||
| 26-13 | Toccata ottava | — | ||
| 26-14 | Sonata in d | — | ||
| 26-15 | Come esser può | — | ||
| 27-1 | L'Olimpiade: Tu me da me dividi (Aristea) | — | ||
| 27-2 | Lucio Papirio: Morte amara (Quinto Fabio) | — | ||
| 27-3 | Flavio Anicio Olibrio: Se non dovesse il piè (Insertion aria) | — | ||
| 27-4 | Artaserse: Fra sento affanni e cento (Arbace) | — | ||
| 27-5 | Il Demetrio: Manca sollecita (Cleonice) | — | ||
| 27-6 | Viriate: Come nave in mezzo all'onde (Siface) | — | ||
| 27-7 | Adriano In Siria: Lieto cosi alvolta (Farnaspe) | — | ||
| 27-8 | Antigono: Perché, se tanti siete (Berenice) | — | ||
| 27-9 | Artaserse: No che non ha la sorte ... Vo solcando un mar crudele (Arbace) | — | ||
| 27-10 | Lucio Papirio: Tocco il porto (Quinto Fabio) | — | ||
| 27-11 | Didone Abbandonata: Tu dici ch'io non speri ... L'augelletto in lacci stretto (Araspe) | — | ||
| 27-12 | L'Olimpiade: Mentre dormi amor formenti (Licida) | — | ||
| 28-1 | Missa Sapientiae: Kyrie: I. Kyrie eleison | — | ||
| 28-2 | Missa Sapientiae: Kyrie: II. Christe eleison | — | ||
| 28-3 | Missa Sapientiae: Kyrie: III. Kyrie eleison | — | ||
| 28-4 | Missa Sapientiae: Gloria: I. Gloria in excelsis | — | ||
| 28-5 | Missa Sapientiae: Gloria: II. Laudamus te | — | ||
| 28-6 | Missa Sapientiae: Gloria: III. Gratias agimus tibi | — | ||
| 28-7 | Missa Sapientiae: Gloria: IV. Domine Deus, Rex coelestis | — | ||
| 28-8 | Missa Sapientiae: Gloria: V. Domine Fili | — | ||
| 28-9 | Missa Sapientiae: Gloria: VI. Domine Deus, Agnus Dei | — | ||
| 28-10 | Missa Sapientiae: Gloria: VII. Qui tollis peccata mundi | — | ||
| 28-11 | Missa Sapientiae: Gloria: VIII. Qui sedes | — | ||
| 28-12 | Missa Sapientiae: Gloria: IX. Quoniam tu solus sanctus | — | ||
| 28-13 | Missa Sapientiae: Gloria: X. Cum Sancto Spiritu | — | ||
| 28-14 | Magnificat in E-flat major, BWV 243a: I. Magnificat anima mea | — | ||
| 28-15 | Magnificat in E-flat major, BWV 243a: II. Et exultavit | — | ||
| 28-16 | Magnificat in E-flat major, BWV 243a: III. Von Himmel hoch | — | ||
| 28-17 | Magnificat in E-flat major, BWV 243a: IV. Quia respexit | — | ||
| 28-18 | Magnificat in E-flat major, BWV 243a: V. Omnes generationes | — | ||
| 28-19 | Magnificat in E-flat major, BWV 243a: VI. Quia fecit | — | ||
| 28-20 | Magnificat in E-flat major, BWV 243a: VII. Freut euch und jubiliert | — | ||
| 28-21 | Magnificat in E-flat major, BWV 243a: VIII. Et misericordia eius | — | ||
| 28-22 | Magnificat in E-flat major, BWV 243a: IX. Fecit potentiam | — | ||
| 28-23 | Magnificat in E-flat major, BWV 243a: X. Gloria in excelsis | — | ||
| 28-24 | Magnificat in E-flat major, BWV 243a: XI. Deposuit potentes | — | ||
| 28-25 | Magnificat in E-flat major, BWV 243a: XII. Esurientes implevit | — | ||
| 28-26 | Magnificat in E-flat major, BWV 243a: XIII. Virga Jesse floruit | — | ||
| 28-27 | Magnificat in E-flat major, BWV 243a: XIV. Suscepit Israel | — | ||
| 28-28 | Magnificat in E-flat major, BWV 243a: XV. Sicut locutus est | — | ||
| 28-29 | Magnificat in E-flat major, BWV 243a: XVI. Gloria Patri et Filio | — | ||
| 29-1 | Adagio for String, op. 11 | — | ||
| 29-2 | Serenade for String Orchestra, op. 20: I. Allegro piacevole | — | ||
| 29-3 | Serenade for String Orchestra, op. 20: II. Larghetto | — | ||
| 29-4 | Serenade for String Orchestra, op. 20: III. Allegretto | — | ||
| 29-5 | Elegy for String Orchestra, op. 58 | — | ||
| 29-6 | Metamorphosen | — | ||
| 30-1 | Sestina - Lagrime d'amante al Sepolcro dell'amate | Cantus Cölln, Konrad Junghänel | — | |
| 30-2 | Ninfa che scalza il piede | Cantus Cölln, Konrad Junghänel | — | |
| 30-3 | O come sei gentile | Cantus Cölln, Konrad Junghänel | — | |
| 30-4 | Lamento della Ninfa | Cantus Cölln, Konrad Junghänel | T-050.306.626-9 | |
| 30-5 | Tu dormi | Cantus Cölln, Konrad Junghänel | — | |
| 30-6 | S'el vostro cor, Madonna | Cantus Cölln, Konrad Junghänel | — | |
| 30-7 | Ohimè dov'è il mio ben | Cantus Cölln, Konrad Junghänel | — | |
| 30-8 | Alle danze | Cantus Cölln, Konrad Junghänel | — | |
| 30-9 | Ohimè il bel viso | Cantus Cölln, Konrad Junghänel | — | |
| 30-10 | Zefiro torna | Cantus Cölln, Konrad Junghänel | T-917.190.043-9 | |
| 30-11 | Non è di gentil core | Cantus Cölln, Konrad Junghänel | — | |
| 30-12 | Qui rise, o Tirsi | Cantus Cölln, Konrad Junghänel | — | |
| 30-13 | O mio bene | Cantus Cölln, Konrad Junghänel | — | |
| 30-14 | Soave libertate | Cantus Cölln, Konrad Junghänel | — | |
| 31-1 | Vespro della Beata Vergine: Intonatio. Deus in adiutorum - Domine ad adjuvandum | — | ||
| 31-2 | Vespro della Beata Vergine: Antiphona et Psalmus 109 (Dixit Dominus) | — | ||
| 31-3 | Vespro della Beata Vergine: Concerto. Nigra sum | — | ||
| 31-4 | Vespro della Beata Vergine: Antiphona et Psalmus 112 (Laudate pueri) | — | ||
| 31-5 | Vespro della Beata Vergine: Concerto. Pulchra es | — | ||
| 31-6 | Vespro della Beata Vergine: Antiphona et Psalmus 121 (Laetatus sum) | — | ||
| 31-7 | Vespro della Beata Vergine: Concerto. Duo Seraphim | — | ||
| 31-8 | Vespro della Beata Vergine: Antiphona et Psalmus 126 (Nisi Dominus) | — | ||
| 31-9 | Vespro della Beata Vergine: Concerto. Audi coelum | — | ||
| 31-10 | Vespro della Beata Vergine: Antiphona et Psalmus 147 (Lauda Jerusalem) | — | ||
| 32-1 | Vespro della Beata Vergine: Capitulum - Hymnus (Ave Maris stella) | — | ||
| 32-2 | Vespro della Beata Vergine: Magnificat: Versiculus - Antiphona ad Magnificat | — | ||
| 32-3 | Vespro della Beata Vergine: Magnificat: I. Magnificat anima mea | — | ||
| 32-4 | Vespro della Beata Vergine: Magnificat: II. Et exultavit | — | ||
| 32-5 | Vespro della Beata Vergine: Magnificat: III. Quia respexit | — | ||
| 32-6 | Vespro della Beata Vergine: Magnificat: IV. Quia fecit mihi magna | — | ||
| 32-7 | Vespro della Beata Vergine: Magnificat: V. Et misericordia | — | ||
| 32-8 | Vespro della Beata Vergine: Magnificat: VI. Fecit potentiam | — | ||
| 32-9 | Vespro della Beata Vergine: Magnificat: VII. Deposuit potentes de sede | — | ||
| 32-10 | Vespro della Beata Vergine: Magnificat: VIII. Esurientis implevit bonis | — | ||
| 32-11 | Vespro della Beata Vergine: Magnificat: IX. Suscepit Israel | — | ||
| 32-12 | Vespro della Beata Vergine: Magnificat: X. Sicut locutus est principio | — | ||
| 32-13 | Vespro della Beata Vergine: Magnificat: XI. Gloria patri | — | ||
| 32-14 | Vespro della Beata Vergine: Magnificat: XII. Sicut erat in principio | — | ||
| 32-15 | Vespro della Beata Vergine: Antiphona - Benedicamus | — | ||
| 32-16 | Vespro della Beata Vergine: Sonata sopra “Sancta Maria, ora pro nobis” | — | ||
| 33-1 | Quartet in D major for Flute, Violin, Viola and Cello, K. 285: I. Allegro | — | ||
| 33-2 | Quartet in D major for Flute, Violin, Viola and Cello, K. 285: II. Adagio | — | ||
| 33-3 | Quartet in D major for Flute, Violin, Viola and Cello, K. 285: III. Rondeau | — | ||
| 33-4 | Quartet in A major for Flute, Violin, Viola and Cello, K. 298: I. Andante (4 Variations) | — | ||
| 33-5 | Quartet in A major for Flute, Violin, Viola and Cello, K. 298: II. Menuetto | — | ||
| 33-6 | Quartet in A major for Flute, Violin, Viola and Cello, K. 298: III. Rondeau. Allegro grazioso | — | ||
| 33-7 | Quartet in F major for Oboe, Violin, Viola and Cello, K. 370: I. Allegro | — | ||
| 33-8 | Quartet in F major for Oboe, Violin, Viola and Cello, K. 370: II. Adagio | — | ||
| 33-9 | Quartet in F major for Oboe, Violin, Viola and Cello, K. 370: III. Rondeau. Allegro | — | ||
| 33-10 | Quartet in G major for Flute, Violin, Viola and Cello, K. 285a: I. Andante | — | ||
| 33-11 | Quartet in G major for Flute, Violin, Viola and Cello, K. 285a: II. Tempo di Menuetto | — | ||
| 33-12 | Quartet in C major for Flute, Violin, Viola and Cello, K. 285b (Anh. 171): I. Allegro | — | ||
| 33-13 | Quartet in C major for Flute, Violin, Viola and Cello, K. 285b (Anh. 171): II. Andantino (6 Variations) | — | ||
| 34-1 | Requiem in D minor, K. 626: I. Introitus: Requiem (Chor, Sopran) | Christine Schäfer, Arnold Schoenberg Chor, Erwin Ortner, Concentus Musicus Wien, Nikolaus Harnoncourt | T-905.386.342-6 | |
| 34-2 | Requiem in D minor, K. 626: II. Kyrie (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | T-070.093.418-4 | |
| 34-3 | Requiem in D minor, K. 626: III. Sequentia: Dies irae (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-4 | Requiem in D minor, K. 626: III. Sequentia: Tuba mirum (Sopran, Alt, Tenor, Bass) | Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-5 | Requiem in D minor, K. 626: III. Sequentia: Rex tremendae (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-6 | Requiem in D minor, K. 626: III. Sequentia: Recordare (Sopran, Alt, Tenor, Bass) | Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | T-916.756.672-5 | |
| 34-7 | Requiem in D minor, K. 626: III. Sequentia: Confutatis (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-8 | Requiem in D minor, K. 626: III. Sequentia: Lacrimosa (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-9 | Requiem in D minor, K. 626: IV. Offertorium: Domine Jesu (Chor, Sopran, Alt, Tenor, Bass) | Arnold Schönberg Chor, Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-10 | Requiem in D minor, K. 626: IV. Offertorium: Hostias (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | T-900.137.873-0 | |
| 34-11 | Requiem in D minor, K. 626: V. Sanctus (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-12 | Requiem in D minor, K. 626: VI. Benedictus (Chor, Sopran, Alt, Tenor, Bass) | Arnold Schönberg Chor, Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-13 | Requiem in D minor, K. 626: VII. Agnus Dei (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-14 | Requiem in D minor, K. 626: VIII. Communio: Lux aeterna (Chor, Sopran) | Arnold Schönberg Chor, Christine Schäfer, Nikolaus Harnoncourt, Concentus Musicus Wien | T-910.952.061-8 | |
| 35-1 | String quintet in C minor, K. 406: I. Allegro | — | ||
| 35-2 | String quintet in C minor, K. 406: II. Andante | — | ||
| 35-3 | String quintet in C minor, K. 406: III. Minuetto in Canone - Trio al roversio | — | ||
| 35-4 | String quintet in C minor, K. 406: IV. Allegro | — | ||
| 35-5 | String quintet in B-flat major, K. 174: I. Allegro moderato | — | ||
| 35-6 | String quintet in B-flat major, K. 174: II. Adagio | — | ||
| 35-7 | String quintet in B-flat major, K. 174: III. Menuetto - Allegro | — | ||
| 35-8 | String quintet in B-flat major, K. 174: IV. Allegro | — | ||
| 36-1 | Sonata in E minor for Transverse Flute & B. C.: I. Grave | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-2 | Sonata in E minor for Transverse Flute & B. C.: II. Allegro assai | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-3 | Sonata in E minor for Transverse Flute & B. C.: III. Presto | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-4 | Sonata in D major for Transverse Flute & Harpsichord obligato: I. Allegro un poco | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-5 | Sonata in D major for Transverse Flute & Harpsichord obligato: II. Largo | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-6 | Sonata in D major for Transverse Flute & Harpsichord obligato: III. Allegro | Johannes Koch, Hans-Martin Linde, Hugo Ruf | T-031.609.609-9 | |
| 36-7 | Sonata in G major for Transverse Flute & Harpsichord obligato: I. Allegro moderato | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-8 | Sonata in G major for Transverse Flute & Harpsichord obligato: II. Andantino | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-9 | Sonata in G major for Transverse Flute & Harpsichord obligato: III. Allegro | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-10 | Sonata in A minor for Transverse Flute & B. C.: I. Adagio | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-11 | Sonata in A minor for Transverse Flute & B. C.: II. Presto | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-12 | Sonata in A minor for Transverse Flute & B. C.: III. Gigue | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 37-1 | Da laudis, homo, nova cantica (Conductus) | — | ||
| 37-2 | Annus novus in gaudio (Versus) | — | ||
| 37-3 | Rex Salomon fecit templum (Versus / Sequenz) | — | ||
| 37-4 | Letamini plebs hodie fidelis (Benedicamus-Tropus) | — | ||
| 37-5 | Natali regis glorie (Conductus) | — | ||
| 37-6 | Stirps Jesse florigeram (Benedicamus-Tropus) | — | ||
| 37-7 | Iubilemus, exultemus (Benedicamus-Tropus) | — | ||
| 37-8 | Letabundi iubilemus (Benedicamus-Tropus) | — | ||
| 37-9 | Ex Ade vitio (Conductus) | — | ||
| 37-10 | Noster cetus (Benedicamus-Tropus) | — | ||
| 37-11 | Natus est (Conductus) | — | ||
| 37-12 | Dulcis sapor novi mellis (Benedicamus-Tropus) | — | ||
| 37-13 | Alto consilio (Conductus) | — | ||
| 38-1 | The Fairy Queen: I. Prelude in g - Hornpipe in g | — | ||
| 38-2 | The Fairy Queen: II. Air in B - Rondeau in B | — | ||
| 38-3 | The Fairy Queen: III. Overture in D | — | ||
| 38-4 | The Fairy Queen: IV. Prelude in C - Entry Dance in C - Dance for the Fairies in G | — | ||
| 38-5 | The Fairy Queen: V. Overture in G - Air in G - Prelude in g | — | ||
| 38-6 | The Fairy Queen: VI. Hornpipe in d | — | ||
| 38-7 | The Fairy Queen: VII. Symphony: Canzona - Largo - Allegro - Adagio - Allegro | — | ||
| 38-8 | Dido and Aeneas: I. Overture in c - Air in c - The Triumphing Dance in C | — | ||
| 38-9 | Dido and Aeneas: II. Ritornelle in d - Air | — | ||
| 38-10 | Dido and Aeneas: III. Echo Dance of Furies in F | — | ||
| 38-11 | Dido and Aeneas: IV. The Sailors' Dance in B | — | ||
| 38-12 | Dido and Aeneas: V. The Witches' Dance in B | — | ||
| 38-13 | Dido and Aeneas: VI. Chacony | — | ||
| 38-14 | King Arthur: I. Overture in d - Air in d - Overture in D | — | ||
| 38-15 | King Arthur: II. Symphony in g - Air in G - Hornpipe in g | — | ||
| 38-16 | King Arthur: III. Air in d - Air in a - Song Tune in a | — | ||
| 38-17 | King Arthur: IV. Symphony in C - Trumpet Tune in C | — | ||
| 38-18 | King Arthur: V. Frost Dance in c - Hornpipe in G | — | ||
| 38-19 | King Arthur: VI. Passacaglia in g | — | ||
| 38-20 | Abdelazer: I. Overture in d | — | ||
| 38-21 | Abdelazer: II. Rondeau in d | — | ||
| 38-22 | Abdelazer: III. Aire in D - Aire in G | — | ||
| 38-23 | Abdelazer: IV. Minuett in G - Aire in g | — | ||
| 38-24 | Abdelazer: V. Jigg in G | — | ||
| 38-25 | Abdelazer: VI. Hornpipe in B - Aire in g | — | ||
| 39-1 | Les Indes Galantes : Ouverture | Collegium Aureum | — | |
| 39-2 | Les Indes Galantes : Entrée des Quatre Nations | Collegium Aureum | — | |
| 39-3 | Les Indes Galantes : Menuet I et II | Collegium Aureum | — | |
| 39-4 | Les Indes Galantes : Forlane | Collegium Aureum | — | |
| 39-5 | Les Indes Galantes : Rondeau | Collegium Aureum | — | |
| 39-6 | Les Indes Galantes : Air por les amours | Collegium Aureum | — | |
| 39-7 | Les Indes Galantes : Contre-danse | Collegium Aureum | T-801.787.297-9 | |
| 39-8 | Les Indes Galantes : Air pour les Persans | Collegium Aureum | — | |
| 39-9 | Les Indes Galantes : Air vif pour Zéphire et la Rose | Collegium Aureum | — | |
| 39-10 | Les Indes Galantes : Air pour Borée et la Rose | Collegium Aureum | — | |
| 39-11 | Les Indes Galantes : Gavotte des Fleurs | Collegium Aureum | — | |
| 39-12 | Les Indes Galantes : Air tendre pur la Rose | Collegium Aureum | — | |
| 39-13 | Les Indes Galantes : Gavotte pour les Fleurs | Collegium Aureum | — | |
| 39-14 | Les Indes Galantes : Tambourin | Collegium Aureum | T-912.761.754-3 | |
| 39-15 | Les Indes Galantes : Chaconne | Collegium Aureum | — | |
| 39-16 | Dardanus : Ouverture | Collegium Aureum | — | |
| 39-17 | Dardanus : Marche pour les different nations | Collegium Aureum | — | |
| 39-18 | Dardanus : Menuet tendre en rondeau | Collegium Aureum | — | |
| 39-19 | Dardanus : Tambourin I et II | Collegium Aureum | — | |
| 39-20 | Dardanus : Air vif | Collegium Aureum | — | |
| 39-21 | Dardanus : Rigaudon I et II | Collegium Aureum | — | |
| 39-22 | Dardanus : Air en Rondeau | Collegium Aureum | — | |
| 39-23 | Dardanus : Entréss | Collegium Aureum | — | |
| 39-24 | Dardanus : Sommeil | Collegium Aureum | — | |
| 39-25 | Dardanus : Tambourin I et II | Collegium Aureum | — | |
| 39-26 | Dardanus : Chaconne | Collegium Aureum | T-004.687.105-9 | |
| 40-1 | Die Schöne Müllerin, D. 795: I. Das Wandern | — | ||
| 40-2 | Die Schöne Müllerin, D. 795: II. Wohin? | — | ||
| 40-3 | Die Schöne Müllerin, D. 795: III. Halt! | — | ||
| 40-4 | Die Schöne Müllerin, D. 795: IV. Danksagung an den Bach | — | ||
| 40-5 | Die Schöne Müllerin, D. 795: V. Am Feierabend | — | ||
| 40-6 | Die Schöne Müllerin, D. 795: VI. Der Neugierige | — | ||
| 40-7 | Die Schöne Müllerin, D. 795: VII. Ungeduld | — | ||
| 40-8 | Die Schöne Müllerin, D. 795: VIII. Morgengruß | — | ||
| 40-9 | Die Schöne Müllerin, D. 795: IX. Der Müllers Blumen | — | ||
| 40-10 | Die Schöne Müllerin, D. 795: X. Tränenregen | — | ||
| 40-11 | Die Schöne Müllerin, D. 795: XI. Mein! | — | ||
| 40-12 | Die Schöne Müllerin, D. 795: XII. Pause | — | ||
| 40-13 | Die Schöne Müllerin, D. 795: XIII. Mit dem grünen Lautenbande | — | ||
| 40-14 | Die Schöne Müllerin, D. 795: XIV. Der Jäger | — | ||
| 40-15 | Die Schöne Müllerin, D. 795: XV. Eifersucht und Stolz | — | ||
| 40-16 | Die Schöne Müllerin, D. 795: XVI. Die liebe Farbe | — | ||
| 40-17 | Die Schöne Müllerin, D. 795: XVII. Die böse Farbe | — | ||
| 40-18 | Die Schöne Müllerin, D. 795: XVIII. Trockne Blumen | — | ||
| 40-19 | Die Schöne Müllerin, D. 795: XIX. Der Müller und der Bach | — | ||
| 40-20 | Die Schöne Müllerin, D. 795: XX. Des Baches Wiegenlied | — | ||
| 41-1 | Der Herr ist mein Hirt, SWV 398 op. 12,1 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-2 | Ich hebe meine Augen auf zu den Bergen, SWV 398 op. 12,2 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-3 | Wo der Herr nicht das Haus bauet, SWV 400 op. 12,3 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-4 | Mein Sohn, warum hast du uns das getan?, SWV 401 op. 12,4 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-5 | O Herr, hilf, o Herr, laß wohl gelingen, SWV 402 op. 12,5 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-6 | Siehe, es erschien der Engel des Herrn, SWV 403 op. 12,6 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-7 | Feget den alten Sauerteig aus, SWV 404 op. 12,7 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-8 | O süßer Jesu Christ, SWV 405 op. 12,8 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-9 | O Jesu süß. wer dein gedenkt, SWV 406 op. 12,9 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-10 | Lasset uns doch den Herren, unseren Gott, loben, SWV 407 op. 12,10 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-1 | Es ging en Sämann aus zu säen seinen Samen, SWV 408 op. 12,11 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-2 | Seid barmherzig, wie auch euer Vater barmherzig ist, SWV 409 op. 12,12 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-3 | Siehe, dieser wird gesetzt zu einem Fall, SWV 410 op. 12,13 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-4 | Vater unser, der du bist im Himmel, SWV 411 op. 12,14 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-5 | Symphoniæ Sacræ III: XV. Siehe, wie fein und lieblich ist's, SWV 412, op.12 no. 15 | — | ||
| 42-6 | Hütet euch, daß euere Herzen nicht beschwert werden, SWV 413 op. 12,16 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-7 | Meister, wir wissen, daß du wahrhaftig bist, SWV 414 op. 12,17 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-8 | Saul, Saul, was verfolgst du mich?, SWV 415 op. 12,18 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-9 | Herr, wie lange willst du mein so gar vergessen, SWV 416 op. 12,19 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-10 | Komm, Heiliger Geist, Herre Gott, SWV 417 op. 12,20 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-11 | Nun dankelt alle Gott, SWV 418 op. 12,21 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 43-1 | Souvenir de Bade, op. 20 | — | ||
| 43-2 | Caprice in A major, op. 11 no. 4 | — | ||
| 43-3 | Caprice in D major, op. 11 no. 2 | — | ||
| 43-4 | Caprice sur des motifs de l'opera 'Le Comte Ory', op. 3 | — | ||
| 43-5 | Grand Duo de concert | — | ||
| 43-6 | Souvenir de Spa, op. 2 | — | ||
| 44-1 | Dichterliebe op. 48: I. Im wunderschönen Monat Mai | — | ||
| 44-2 | Dichterliebe op. 48: II. Aus meinen Tränen sprießen | — | ||
| 44-3 | Dichterliebe op. 48: III. Die Rose, die Lilie, die Taube, die Sonne | — | ||
| 44-4 | Dichterliebe op. 48: IV. Wenn ich in deine Augen seh | — | ||
| 44-5 | Dichterliebe op. 48: V. Ich will meine Seele tauchen | — | ||
| 44-6 | Dichterliebe op. 48: VI. Im Rhein, im heiligen Strome | — | ||
| 44-7 | Dichterliebe op. 48: VII. Ich grolle nicht | — | ||
| 44-8 | Dichterliebe op. 48: VIII. Und wüssten's die Blumen, die kleinen | — | ||
| 44-9 | Dichterliebe op. 48: IX. Dass ist ein Flöten und Geigen | — | ||
| 44-10 | Dichterliebe op. 48: X. Hör' ich das Liedchen klingen | — | ||
| 44-11 | Dichterliebe op. 48: XI. Ein Jüngling liebt ein Mädchen | — | ||
| 44-12 | Dichterliebe op. 48: XII. Am leuchtenden Sommermorgen | — | ||
| 44-13 | Dichterliebe op. 48: XIII. ich hab' im Traum geweinet | — | ||
| 44-14 | Dichterliebe op. 48: XIV. Allnächtlich im Traume seh' ich dich | — | ||
| 44-15 | Dichterliebe op. 48: XV. Aus alten Märchen winkt es | — | ||
| 44-16 | Dichterliebe op. 48: XVI. Die alten bösen Lieder | — | ||
| 44-17 | Reiselied | — | ||
| 44-18 | Morgengruß | — | ||
| 44-19 | Allnächtlich im Traume | — | ||
| 44-20 | Auf Flügeln des Gesanges | — | ||
| 44-21 | Gruß | — | ||
| 44-22 | Neue Liebe | — | ||
| 44-23 | Schwanengesang: Der Atlas | — | ||
| 44-24 | Schwanengesang: Ihr Bild | — | ||
| 44-25 | Schwanengesang: Das Fischermädchen | — | ||
| 44-26 | Schwanengesang: Die Stadt | — | ||
| 44-27 | Schwanengesang: Am Meer | — | ||
| 44-28 | Schwanengesang: Der Doppelgänger | — | ||
| 45-1 | Concerto in D major for Viola and Orchestra: I. Allegro | — | ||
| 45-2 | Concerto in D major for Viola and Orchestra: II. Andante moderato | — | ||
| 45-3 | Concerto in D major for Viola and Orchestra: III. Rondo | — | ||
| 45-4 | Sinfonia concertante in A major for Violin, Viola and Orchestra: I. Allegro moderato | — | ||
| 45-5 | Sinfonia concertante in A major for Violin, Viola and Orchestra: II. Allegro non presto | — | ||
| 45-6 | Sinfonia E-flat major: I. Allegro con spirito | — | ||
| 45-7 | Sinfonia E-flat major: II. Andante con moderato | — | ||
| 45-8 | Sinfonia E-flat major: III. Presto | — | ||
| 46-1 | Sonata in B minor for Violin, Viola da gamba & B. C.: I. Largo | — | ||
| 46-2 | Sonata in B minor for Violin, Viola da gamba & B. C.: II. Vivace | — | ||
| 46-3 | Sonata in B minor for Violin, Viola da gamba & B. C.: III. Andante | — | ||
| 46-4 | Sonata in B minor for Violin, Viola da gamba & B. C.: IV. Allegro | — | ||
| 46-5 | Concerto in E major for Violin, Viola da gamba & B. C.: I. Allegro | — | ||
| 46-6 | Concerto in E major for Violin, Viola da gamba & B. C.: II. Largo | — | ||
| 46-7 | Concerto in E major for Violin, Viola da gamba & B. C.: III. Allegro | — | ||
| 46-8 | Concerto in A major for Viola da gamba, 2 Violins & B. C.: I. Soave | — | ||
| 46-9 | Concerto in A major for Viola da gamba, 2 Violins & B. C.: II. Allegro | — | ||
| 46-10 | Concerto in A major for Viola da gamba, 2 Violins & B. C.: III. Adagio | — | ||
| 46-11 | Concerto in A major for Viola da gamba, 2 Violins & B. C.: IV. Allegro | — | ||
| 46-12 | Suite in D major for Viola da gamba, Strings & B. C.: I. Ouverture | — | ||
| 46-13 | Suite in D major for Viola da gamba, Strings & B. C.: II. La Trompette | — | ||
| 46-14 | Suite in D major for Viola da gamba, Strings & B. C.: III. Sarabande | — | ||
| 46-15 | Suite in D major for Viola da gamba, Strings & B. C.: IV. Rondeau | — | ||
| 46-16 | Suite in D major for Viola da gamba, Strings & B. C.: V. Bourrée | — | ||
| 46-17 | Suite in D major for Viola da gamba, Strings & B. C.: VI. Courante - Double | — | ||
| 46-18 | Suite in D major for Viola da gamba, Strings & B. C.: VII. Gigue | — | ||
| 46-19 | Concerto in G major for Viola da gamba, Strings & B. C.: I. Largo | — | ||
| 46-20 | Concerto in G major for Viola da gamba, Strings & B. C.: II. Allegro | — | ||
| 46-21 | Concerto in G major for Viola da gamba, Strings & B. C.: III. Andante | — | ||
| 46-22 | Concerto in G major for Viola da gamba, Strings & B. C.: IV. Presto | — | ||
| 47-1 | Concerto in G minor for Alto Recorder, Strings & B. C.: I. Allegro | — | ||
| 47-2 | Concerto in G minor for Alto Recorder, Strings & B. C.: II. Adagio | — | ||
| 47-3 | Concerto in G minor for Alto Recorder, Strings & B. C.: III. Allegro | — | ||
| 47-4 | Concerto in C major for Alto Recorder, Strings & B. C., TWV 51:C: I. Allegretto | — | ||
| 47-5 | Concerto in C major for Alto Recorder, Strings & B. C., TWV 51:C: II. Allegro | — | ||
| 47-6 | Concerto in C major for Alto Recorder, Strings & B. C., TWV 51:C: III. Andante | — | ||
| 47-7 | Concerto in C major for Alto Recorder, Strings & B. C., TWV 51:C: IV. Tempo di menuet | — | ||
| 47-8 | Suite (Ouverture) in F major for Alto Recorder, Strings & B. C.: I. Ouverture | — | ||
| 47-9 | Suite (Ouverture) in F major for Alto Recorder, Strings & B. C.: II. La Speranza (Tempo giusto) | — | ||
| 47-10 | Suite (Ouverture) in F major for Alto Recorder, Strings & B. C.: III. Air en Gavotte | — | ||
| 47-11 | Suite (Ouverture) in F major for Alto Recorder, Strings & B. C.: IV. Menuet | — | ||
| 47-12 | Suite (Ouverture) in F major for Alto Recorder, Strings & B. C.: V. Air | — | ||
| 47-13 | Suite (Ouverture) in F major for Alto Recorder, Strings & B. C.: VI. Plaisanterie | — | ||
| 47-14 | Concerto in G major for Alto Recorder, Strings & B. C.: I. Allegro | — | ||
| 47-15 | Concerto in G major for Alto Recorder, Strings & B. C.: II. Adagio | — | ||
| 47-16 | Concerto in G major for Alto Recorder, Strings & B. C.: III. Vivace | — | ||
| 48-1 | Sonata accademica for Violin & B. C. in D minor, op. 2 no. 12: I. Passagallo. Largo assai e come sta, ma con grazia | — | ||
| 48-2 | Sonata accademica for Violin & B. C. in D minor, op. 2 no. 12: II. Capriccio cromatico. Con due soggetti, e Loro Rovesci veri | — | ||
| 48-3 | Sonata accademica for Violin & B. C. in D minor, op. 2 no. 12: III. Adagio | — | ||
| 48-4 | Sonata accademica for Violin & B. C. in D minor, op. 2 no. 12: IV. Ciacona. Allegro, ma non presto | — | ||
| 48-5 | Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: I. Presto | — | ||
| 48-6 | Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: II. Largo | — | ||
| 48-7 | Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: III. Cantabile, ma un poco Adagio | — | ||
| 48-8 | Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: IV. Adagio | — | ||
| 48-9 | Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: V. Presto | — | ||
| 48-10 | Suite for Solo Violin in A major: I. Prelude | — | ||
| 48-11 | Suite for Solo Violin in A major: II. Allemande | — | ||
| 48-12 | Suite for Solo Violin in A major: III. Courante | — | ||
| 48-13 | Suite for Solo Violin in A major: IV. Sarabande | — | ||
| 48-14 | Suite for Solo Violin in A major: V. Gigue & autre gigue | — | ||
| 48-15 | Sonata for Violin & B. C. in C minor, BWV 1024: I. Adagio | — | ||
| 48-16 | Sonata for Violin & B. C. in C minor, BWV 1024: II. Presto | — | ||
| 48-17 | Sonata for Violin & B. C. in C minor, BWV 1024: III. Affettuoso | — | ||
| 48-18 | Sonata for Violin & B. C. in C minor, BWV 1024: IV. Vivace | — | ||
| 48-19 | Adagio & Allegro for Obbligato Harpsichord & Violin in G major, BWV 1019: I. Adagio | — | ||
| 48-20 | Adagio & Allegro for Obbligato Harpsichord & Violin in G major, BWV 1019: II. Allegro | — | ||
| 49-1 | Abu Hassan: Overtura | — | ||
| 49-2 | Abu Hassan: Am Hofe eines Kalifen ... (Erzähler) | — | ||
| 49-3 | Abu Hassan: Liebes Weibchen, reiche Wein. (Abu Hassan, Fatime) | — | ||
| 49-4 | Abu Hassan: Hah - Eine herrliche Mahlzeit! (Abu Hassan, Fatime) | — | ||
| 49-5 | Abu Hassan: Was dann zu machen? (Abu Hassan) | — | ||
| 49-6 | Abu Hassan: Abu Hassan? - Wer ist draussen? (Omar, Abu Hassan) | — | ||
| 49-7 | Abu Hassan: Geld, Geld, Geld (Chor der Gläubiger) | — | ||
| 49-8 | Abu Hassan: Dank sey dem grossen Propheten. (Abu Hassan) | — | ||
| 49-9 | Abu Hassan: Eure Dienerin, mein lieber Leichnam! (Abu Hassan, Fatime) | — | ||
| 49-10 | Abu Hassan: Thränen sollst du nicht vergiessen (Abu Hassan, Fatime) | — | ||
| 49-11 | Abu Hassan: Aber lass uns jetzt nicht länger (Abu Hassan, Fatime) | — | ||
| 49-12 | Abu Hassan: Geh nur, loser Spötter (Fatime) | — | ||
| 49-13 | Abu Hassan: Wird Philomele trauren (Fatime) | — | ||
| 49-14 | Abu Hassan: Verzeih, schöne Fatime ... (Omar, Fatime) | — | ||
| 49-15 | Abu Hassan: Siehst du diese große Menge (Omar, Fatime) | — | ||
| 49-16 | Abu Hassan: O weh mir! Mein Mann! (Fatime, Omar) | — | ||
| 49-17 | Abu Hassan: Verlass dich darauf (Fatime, Abu Hassan) | — | ||
| 49-18 | Abu Hassan: Ich such, und such in allen Eken (Fatime) | — | ||
| 49-19 | Abu Hassan: Der Oberkämmerling Mesrur eilt unsrer Wohnung zu. (Erzähler) | — | ||
| 49-20 | Abu Hassan: Abu Hassan hatte ein ordentliches Wirrwarr verursacht (Fatime) | — | ||
| 49-21 | Abu Hassan: Ist er fort? (Fatime, Abu Hassan) | — | ||
| 49-22 | Abu Hassan: Hier liegt, - welch' martervolles Loos! (Fatime) | — | ||
| 49-23 | Abu Hassan: Zemrud, die Amme, fand Abu Hassan da liegend (Erzähler) | — | ||
| 49-24 | Abu Hassan: Unter uns, Hassan (Fatime) | — | ||
| 49-25 | Abu Hassan: Ängstlich klopft es mir im Herzen! (Fatime, Omar, Abu Hassan, Chor) | — | ||
| 49-26 | Abu Hassan: Das Herrscherpaar fand die Sache höchst verwickelt. (Erzähler, Abu Hassan, Omar) | — | ||
| 49-27 | Abu Hassan: Heil ist dem Haus beschieden | — | ||
| 49-28 | Symphony no. 1 in C, WeV M. 2: I. Allegro con fuoco | — | ||
| 49-29 | Symphony no. 1 in C, WeV M. 2: II. Andante | — | ||
| 49-30 | Symphony no. 1 in C, WeV M. 2: III. Scherzo. Presto - Trio | — | ||
| 49-31 | Symphony no. 1 in C, WeV M. 2: IV. Presto. Finale | — | ||
| 50-1 | Ouverture in B-flat major | — | ||
| 50-2 | Suite no. 17 in F minor: I. Allemande | — | ||
| 50-3 | Suite no. 17 in F minor: II. Courante | — | ||
| 50-4 | Suite no. 17 in F minor: III. Sarabande | — | ||
| 50-5 | Suite no. 17 in F minor: IV. Bourrée | — | ||
| 50-6 | Suite no. 17 in F minor: V. Tempo di Minuetto | — | ||
| 50-7 | Suite no. 17 in F minor: VI. Gigue | — | ||
| 50-8 | Suite no. 21 in G minor: I. Prélude | — | ||
| 50-9 | Suite no. 21 in G minor: II. Andante | — | ||
| 50-10 | Suite no. 21 in G minor: III. Passepied | — | ||
| 50-11 | Suite no. 21 in G minor: IV. Bourrée | — | ||
| 50-12 | Suite no. 21 in G minor: V. Sarabande | — | ||
| 50-13 | Suite no. 21 in G minor: VI. La Babilieuse en Menuet | — | ||
| 50-14 | Suite no. 21 in G minor: VII. Gigue | — | ||
| 50-15 | Suite in D minor: I. Prélude | — | ||
| 50-16 | Suite in D minor: II. Allemande | — | ||
| 50-17 | Suite in D minor: III. Courante | — | ||
| 50-18 | Suite in D minor: IV. Bourrée | — | ||
| 50-19 | Suite in D minor: V. Menuet | — | ||
| 50-20 | Suite in D minor: VI. Sarabande | — | ||
| 50-21 | Suite in D minor: VII. Menuet | — | ||
| 50-22 | Suite in D minor: VIII. Gigue | — |
Identifier Graph
888750375025 is a Universal Product Code (UPC) assigned to Deutsche Harmonia Mundi - 50 CD Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 831 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Deutsche Harmonia Mundi - 50 CD Collection” by Various Artists is 888750375025. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Deutsche Harmonia Mundi. This release contains 831 tracks, each with its own ISRC. Tracks include DEE479000309, DEE479000310, DEE479000311.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Alcina: Overture | — | ||
| 2 | Rinaldo: "Augelletti che cantate" (Armida) | — | ||
| 3 | Rinaldo: "Or la tromba in suon festante" (Rinaldo) | — | ||
| 4 | Rinaldo: Battaglia | — | ||
| 5 | Rinaldo: "Fermati ... Non, crudel" (Armida, Rinaldo) | — | ||
| 6 | Rinaldo: "Furie terribili" (Rinaldo) | — | ||
| 7 | Giulio Cesare: "Son nata" (Cornelia, Sesto) | — | ||
| 8 | Giulio Cesare: "Piangerò la sorte mia" (Cleopatra) | — | ||
| 9 | Rinaldo: "Venti, turbini, prestate" (Rinaldo) | — | ||
| 10 | Rinaldo: Prelude | — | ||
| 11 | Hak şelleri hayreyler | — | ||
| 12 | Kanun Taksim (Turkish improvisation on Kanun) | — | ||
| 13 | Serse: "Ombra mai fù di vegetabile" (Serse) | — | ||
| 14 | Rinaldo: "Ah crudel" (Armida) | — | ||
| 15 | Güsel Âsik | — | ||
| 16 | Alcina: Prelude "Dream music" | — | ||
| 17 | Rinaldo: "Scherzano sul tuo volto" - "Ridono sul tuo labbro" | — | ||
| 18 | Kemence improvisation | — | ||
| 19 | Giulio Cesare: "Empio, dirò, tu sei" (Giulio Cesare) | — | ||
| 20 | Ud improvisation | — | ||
| 21 | Giulio Cesare: "Se pietà di me non senti" (Cleopatra) | — | ||
| 22 | Percussion improvisation | — | ||
| 23 | Alcina: Tamburino | — | ||
| 24 | Agrippina: "No, no ch'io bon apprezzo" (Ottone, Poppea) | — | ||
| 25 | Finale: Ilahis | — | ||
| 2-1 | Alfred: Overture. Allegro moderato - | — | ||
| 2-2 | Alfred: Overture. Andante - | — | ||
| 2-3 | Alfred: Overture. Tempo di minuetto | — | ||
| 2-4 | Alfred: Act I. "Though to a desert isle confin'd" (Corin) | — | ||
| 2-5 | Alfred: Act I. "The shepherd's plain life" (Emma) | — | ||
| 2-6 | Alfred: Act I. "Come calm content" (Prince Edward) | — | ||
| 2-7 | Alfred: Act I. "Sweet valley say where" (Eltruda) | — | ||
| 2-8 | Alfred: Act I. "Why beats my heart with such devotion" (Prince Edward) | — | ||
| 2-9 | Alfred: Act I. "Let not those who love complain" (Alfred, Prince Edward, Eltruda) | — | ||
| 2-10 | Alfred: Act I. "If those who live in shepherd's bow'r" (Emma) | — | ||
| 2-11 | Alfred: Act II. "A youth adorn'd with ev'ry art" (Edith) | — | ||
| 2-12 | Alfred: Act II. "From the dawn of early morning" (Alfred) | — | ||
| 2-13 | Alfred: Act II. "As calms succeed when storms are past" (Prince Edward) | — | ||
| 2-14 | Alfred: Act II. "Hear, Alfred, hear" (Spirit) | — | ||
| 2-15 | Alfred: Act II. "Gracious heav'n, O hear me!" (Eltruda) | — | ||
| 2-16 | Alfred: Act II. "Vengeance, O come inspire me!" (Prince Edward) | — | ||
| 2-17 | Alfred: Act II. "Though storms awhile the sun obscure" (Alfred) | — | ||
| 2-18 | Alfred: Act II. "There honour comes, a pilgrim grey" (Spirit) | — | ||
| 2-19 | Alfred: Act III. "Ah, me! What fears oppress my throbbing heart!' | — | ||
| 2-20 | Alfred: Act III. "Guardian angels, O descend" (Eltruda) | — | ||
| 2-21 | Alfred: Act III. "Arise, sweet messenger of the morn" (Emma) | — | ||
| 2-22 | Alfred: Act III. March with a side drum | — | ||
| 2-23 | Alfred: Act III. "See liberty, virtue and honour appearing" (Prince Edward) | — | ||
| 2-24 | Alfred: Act III. "When Britain first at heav'ns command' | — | ||
| 3-1 | Sinfonie C-Dur, Wq 182/3 (H 659): I. Allegro assai | Freiburger Barockorchester, Thomas Hengelbrock | T-306.395.786-4 | |
| 3-2 | Sinfonie C-Dur, Wq 182/3 (H 659): II. Adagio | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-3 | Sinfonie C-Dur, Wq 182/3 (H 659): III. Allegretto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-4 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): I. Allegro assai | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | T-306.395.786-4 | |
| 3-5 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): II. Poco adagio | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-6 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): III. Tempo di minuetto | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-7 | Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): IV. Allegro assai | Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock | T-306.395.786-4 | |
| 3-8 | Sinfonie A-Dur, Wq 182/4 (H 660): I. Allegro ma non troppo | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-9 | Sinfonie A-Dur, Wq 182/4 (H 660): II. Largo et innocemente | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-10 | Sinfonie A-Dur, Wq 182/4 (H 660): III. Allegro assai | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-11 | Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): I. Allegro | Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock | T-031.609.609-9 | |
| 3-12 | Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): II. Adagio ma non troppo | Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-13 | Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): III. Allegro ma non troppo | Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-14 | Sinfonie h-moll, Wq 182/5 (H 661): I. Allegretto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-15 | Sinfonie h-moll, Wq 182/5 (H 661): II. Larghetto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-16 | Sinfonie h-moll, Wq 182/5 (H 661): III. Presto | Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 4-1 | Ciaccona in D, BWV 1004 | — | ||
| 4-2 | Concerto in D major, BWV 1054: I. | — | ||
| 4-3 | Concerto in D major, BWV 1054: II. Adagio e piano sempre | — | ||
| 4-4 | Concerto in D major, BWV 1054: III. Allegro | — | ||
| 4-5 | Partita IV in D major, BWV 828: I. Ouverture | — | ||
| 4-6 | Partita IV in D major, BWV 828: II. Allemande | — | ||
| 4-7 | Partita IV in D major, BWV 828: III. Courante | — | ||
| 4-8 | Partita IV in D major, BWV 828: IV. Aria | — | ||
| 4-9 | Partita IV in D major, BWV 828: V. Sarabande | — | ||
| 4-10 | Partita IV in D major, BWV 828: VI. Menuet | — | ||
| 4-11 | Partita IV in D major, BWV 828: VII. Gigue | — | ||
| 4-12 | Concerto in A major, BWV 1055: I. Allegro | — | ||
| 4-13 | Concerto in A major, BWV 1055: II. Larghetto | — | ||
| 4-14 | Concerto in A major, BWV 1055: III. Allegro ma non tanto | — | ||
| 5-1 | Polonaise g-moll, BWV Anh 119 | Gustav Leonhardt | — | |
| 5-2 | Marche Es-dur, BWV Anh 127 | Gustav Leonhardt | — | |
| 5-3 | Menuet G-dur & g-moll, BWV 114-115 | Gustav Leonhardt | — | |
| 5-4 | Willst du dein Herz mir schenken, BWV 518 | Elly Ameling, Gustav Leonhardt | — | |
| 5-5 | Rondeau B-dur, BWV Anh 183 | Gustav Leonhardt | — | |
| 5-6 | Bist du bei mir, BWV 508 | Elly Ameling, Johannes Koch, Gustav Leonhardt, Angelica May | T-900.201.788-1 | |
| 5-7 | Aria für Clavier G-dur, BWV 988, 1 | Gustav Leonhardt | — | |
| 5-8 | So oft ich meine Tobackspfeife, BWV 515a | Hans-Martin Linde, Johannes Koch, Gustav Leonhardt, Angelica May | — | |
| 5-9 | Marche G-dur, BWV Anh 124 | Gustav Leonhardt | — | |
| 5-10 | Allemande d-moll, BWV 812, 1 | Gustav Leonhardt | — | |
| 5-11 | Dir, dir Jehova, will ich singen, BWV 299 | Elly Ameling, Rudolf Ewerhart, Johannes Koch, Gustav Leonhardt, Angelica May | — | |
| 5-12 | Praeludium C-dur, BWV 846, 1 | Gustav Leonhardt | T-910.415.372-2 | |
| 5-13 | Menuet G-dur, BWV Anh.116 | Gustav Leonhardt | — | |
| 5-14 | Marche D-dur (C.PH.E.Bach), BWV Anh. 122 | Gustav Leonhardt | — | |
| 5-15 | Musette D-dur, BWV Anh.126 | Gustav Leonhardt | T-308.943.341-6 | |
| 5-16 | Rezitativ Ich hab genug und Arie: Schlummert ein ihr matten Augen, BWV 82, 2 & 3 | Elly Ameling, Johannes Koch, Gustav Leonhardt, Angelica May | — | |
| 5-17 | Chorealbeabeitung Er nur den lieben Gott lasst walten, BWV 691 | Gustav Leonhardt | — | |
| 5-18 | O Ewigkeit du Donnerwort, BWV 513 (4 stimmig) | Tölzer Knabenchor | — | |
| 6-1 | Pièce d'Orgue (Fantasia in G major, BWV 572) | — | ||
| 6-2 | Pastorella, BWV 590 | — | ||
| 6-3 | Vom Himmel hoch, BWV 700 & 701 | — | ||
| 6-4 | Toccata, Adagio und Fuge in C major, BWV 564 | — | ||
| 6-5 | Gelobet seist du, Jesu Christ, BWV 723 & 722 | — | ||
| 6-6 | Wir Christenleut', BWV 710 | — | ||
| 6-7 | In dulci jubilo, BWV 729 | — | ||
| 6-8 | Sarabanda con Partite in C major, BWV 990 | — | ||
| 6-9 | Fantasia in C minor, BWV deest | — | ||
| 6-10 | Prelude and fugue in G minor, BWV 535a/I & 535/II | — | ||
| 7-1 | Concerto in D major for 3 Trumpets, Timpani and Organ | — | ||
| 7-2 | "Sinfonia à due trombe" in D major for 2 Trumpets and Organ | — | ||
| 7-3 | Three Chorale Preludes for Trumpet and Organ | — | ||
| 7-4 | Sonata in D major for 2 Trumpets and Organ | — | ||
| 7-5 | "Sonata à 5 Clarini" in C major for 5 Trumpets and Organ | — | ||
| 7-6 | Suite in D major for 2 Trumpets, Timpani and Organ | — | ||
| 7-7 | Sonata XII in C major for 2 Trumpets, Timpani and Organ | — | ||
| 7-8 | "Balletti" in C major for 2 Trumpets and Organ | — | ||
| 7-9 | "Fanfares pour 4 trompettes, timbales et orgue" in D major | — | ||
| 8-1 | Sonata no. 5 in F major, op. 24 “Spring”: I. Allegro | — | ||
| 8-2 | Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | — | ||
| 8-3 | Sonata no. 5 in F major, op. 24 “Spring”: III. Scherzo. Allegro molto | — | ||
| 8-4 | Sonata no. 5 in F major, op. 24 “Spring”: IV. Rondo: Allegro ma non troppo | — | ||
| 8-5 | Sonata no. 4 in A minor, op. 23: I. Presto | — | ||
| 8-6 | Sonata no. 4 in A minor, op. 23: II. Andante scherzoso, più Allegretto | — | ||
| 8-7 | Sonata no. 4 in A minor, op. 23: III. Allegro molto | — | ||
| 8-8 | Sonata no. 3 in E-flat major, op. 12 no. 3: I. Allegro con spirito | — | ||
| 8-9 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molt'espressione | — | ||
| 8-10 | Sonata no. 3 in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto | — | ||
| 8-11 | Sonata no. 8 in G major, op. 30 no. 3: I. Allegro Assai | — | ||
| 8-12 | Sonata no. 8 in G major, op. 30 no. 3: II. Tempo di Minuetto, ma molto moderato e grazioso | — | ||
| 8-13 | Sonata no. 8 in G major, op. 30 no. 3: III. Allegro vivace | — | ||
| 9-1 | Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | — | ||
| 9-2 | Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni | — | ||
| 9-3 | Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Presto | — | ||
| 9-4 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | — | ||
| 9-5 | Sonata no. 1 in D major, op. 12 no. 1: II. Tema con variazioni. Andante con moto | — | ||
| 9-6 | Sonata no. 1 in D major, op. 12 no. 1: III. Rondo. Allegro | — | ||
| 9-7 | Sonata no. 2 in A major, op. 12 no. 2: I. Allegro vivace | — | ||
| 9-8 | Sonata no. 2 in A major, op. 12 no. 2: II. Andante più tosto - Allegretto | — | ||
| 9-9 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | — | ||
| 10-1 | Sonata no. 10 in G major, op. 96: I. Allegro moderato | — | ||
| 10-2 | Sonata no. 10 in G major, op. 96: II. Adagio espressivo | — | ||
| 10-3 | Sonata no. 10 in G major, op. 96: III. Scherzo. Allegro | — | ||
| 10-4 | Sonata no. 10 in G major, op. 96: IV. Poco Allegretto | — | ||
| 10-5 | Sonata no. 6 in A major, op. 30 no. 1: I. Allegro | — | ||
| 10-6 | Sonata no. 6 in A major, op. 30 no. 1: II. Adagio | — | ||
| 10-7 | Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni | — | ||
| 10-8 | Sonata no. 7 in C major, Op 30 no. 2: I. Allegro con brio | — | ||
| 10-9 | Sonata no. 7 in C major, Op 30 no. 2: II. Adagio cantabile | — | ||
| 10-10 | Sonata no. 7 in C major, Op 30 no. 2: III. Scherzo. Allegro | — | ||
| 10-11 | Sonata no. 7 in C major, Op 30 no. 2: IV. Finale. Allegro | — | ||
| 11-1 | Cantata for the Inauguration of the Beethoven Statue, 1845: I. Maestoso - Quasi allegretto | — | ||
| 11-2 | Cantata for the Inauguration of the Beethoven Statue, 1845: II. Allegro deciso | — | ||
| 11-3 | Cantata for the Inauguration of the Beethoven Statue, 1845: III. Andante mesto - Allegro maestoso - Recitativo - Largo maestoso - Allegro fuocoso | — | ||
| 11-4 | Cantata for the Inauguration of the Beethoven Statue, 1845: IV. Andante religioso - Allegro con brio | — | ||
| 11-5 | Fantasy for Piano, Chorus & Orchestra in C minor, op. 80 “Choral Fantasy” | — | ||
| 12-1 | String Quintet in E major, op. 11 no. 5: I. Amoroso | Smithsonian Chamber Players | — | |
| 12-2 | String Quintet in E major, op. 11 no. 5: II. Allegro con spirito | Smithsonian Chamber Players | — | |
| 12-3 | String Quintet in E major, op. 11 no. 5: III. Minuetto | Smithsonian Chamber Players | — | |
| 12-4 | String Quintet in E major, op. 11 no. 5: IV. Rondo. Andante | Smithsonian Chamber Players | — | |
| 12-5 | String Quintet in F minor, op. 11 no. 4: I. Larghetto | Smithsonian Chamber Players | — | |
| 12-6 | String Quintet in F minor, op. 11 no. 4: II. Vivace | Smithsonian Chamber Players | — | |
| 12-7 | String Quintet in F minor, op. 11 no. 4: III. Minuetto | Smithsonian Chamber Players | — | |
| 12-8 | String Quintet in F minor, op. 11 no. 4: IV. Presto | Smithsonian Chamber Players | — | |
| 12-9 | String Quintet in D major, op. 11 no. 6 (dello L'uccelliera): I. Adagio assai - Allegro giusto | Smithsonian Chamber Players | — | |
| 12-10 | String Quintet in D major, op. 11 no. 6 (dello L'uccelliera): II. Pastori ed i Cacciatori | Smithsonian Chamber Players | — | |
| 12-11 | String Quintet in D major, op. 11 no. 6 (dello L'uccelliera): III. Tempo di Minuetto - Allegro giusto | Smithsonian Chamber Players | — | |
| 13-1 | Inter natos mulierum - O Johannes doce nos | — | ||
| 13-2 | Hertz vnd sinne muege dich | — | ||
| 13-3 | Alleluia, V. O Maria rubens rosa | — | ||
| 13-4 | Unicornis captivatur | — | ||
| 13-5 | Vrot uch alle geloubigu lute mit Schalle | — | ||
| 13-6 | Ad decus ecclesie - Lecto Libri apocalipsis | — | ||
| 13-7 | O Maria rubens rosa mater | — | ||
| 13-8 | Kyrie fons bonitatis | — | ||
| 13-9 | Veni sancte spritus illustra cecam mentem | — | ||
| 13-10 | Salve pater nominum - Exaudi nos | — | ||
| 13-11 | Procedentem sponsum de thalamo | — | ||
| 13-12 | Illibata virgo casta - Egregia sponsa Cristi Maria | — | ||
| 13-13 | Alleluia, V. Inclite dux Benedicte - Benedicte merita | — | ||
| 13-14 | Dominus vobiscum - Sequentia sancti ewangelii secundum Lucam - In illo tempore | — | ||
| 13-15 | Media vita in morte - Ach homo perpende fragilis | — | ||
| 13-16 | Alma redemptoris mater - Marie virginis fecundat viscera | — | ||
| 13-17 | Lobt all zungen des eren riches gottes | — | ||
| 13-18 | Congaudeat turba fidelium | — | ||
| 14-1 | Concerto grosso in D major, op. 6 no. 1: I. Largo - Allegro - Adagio - Allegro - Adagio - Allegro - Largo - Allegro | — | ||
| 14-2 | Concerto grosso in D major, op. 6 no. 1: II. Largo | — | ||
| 14-3 | Concerto grosso in D major, op. 6 no. 1: III. Allegro - Adagio | — | ||
| 14-4 | Concerto grosso in D major, op. 6 no. 1: IV. Allegro | — | ||
| 14-5 | Concerto grosso in F major, op. 6 no. 2: I. Vivace. Allegro - Adagio - Vivace - Allegro - Largo andante | — | ||
| 14-6 | Concerto grosso in F major, op. 6 no. 2: II. Allegro - Adagio | — | ||
| 14-7 | Concerto grosso in F major, op. 6 no. 2: III. Grave - Andante largo | — | ||
| 14-8 | Concerto grosso in F major, op. 6 no. 2: IV. Allegro | — | ||
| 14-9 | Concerto grosso in C minor, op. 6 no. 3: I. Largo | — | ||
| 14-10 | Concerto grosso in C minor, op. 6 no. 3: II. Allegro - Adagio | — | ||
| 14-11 | Concerto grosso in C minor, op. 6 no. 3: III. Grave - Vivace | — | ||
| 14-12 | Concerto grosso in C minor, op. 6 no. 3: IV. Allegro | — | ||
| 14-13 | Concerto grosso in D major, op. 6 no. 4: I. Adagio - Allegro | — | ||
| 14-14 | Concerto grosso in D major, op. 6 no. 4: II. Adagio - Vivace | — | ||
| 14-15 | Concerto grosso in D major, op. 6 no. 4: III. Allegro - Allegro | — | ||
| 14-16 | Concerto grosso in B-flat major, op. 6 no. 5: I. Adagio - Allegro | — | ||
| 14-17 | Concerto grosso in B-flat major, op. 6 no. 5: II Adagio | — | ||
| 14-18 | Concerto grosso in B-flat major, op. 6 no. 5: III. Allegro | — | ||
| 14-19 | Concerto grosso in B-flat major, op. 6 no. 5: IV. Largo - Allegro | — | ||
| 14-20 | Concerto grosso in F major, op. 6 no. 6: I. Adagio - Allegro | — | ||
| 14-21 | Concerto grosso in F major, op. 6 no. 6: II. Largo - Vivace | — | ||
| 14-22 | Concerto grosso in F major, op. 6 no. 6: III. Allegro | — | ||
| 15-1 | DIXIT DOMINUS (CORO) | Balthasar‐Neumann‐Chor, Balthasar‐Neumann‐Ensemble, Thomas Hengelbrock | — | |
| 15-2 | Dixit Dominus, HWV 232: II. Virgam virtutis tuae | — | ||
| 15-3 | Dixit Dominus, HWV 232: III. Tecum principium | — | ||
| 15-4 | Dixit Dominus, HWV 232: IV. Juravit Dominus | — | ||
| 15-5 | Dixit Dominus, HWV 232: V. Tu es sacerdos in aetertum | — | ||
| 15-6 | Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | — | ||
| 15-7 | Dixit Dominus, HWV 232: VII. De torrente in via bibet | — | ||
| 15-8 | Dixit Dominus, HWV 232: VIII. Gloria Patri, et Filio | — | ||
| 15-9 | Missa dolorosa: I. Kyrie eleison | — | ||
| 15-10 | Missa dolorosa: II. Christe eleison | — | ||
| 15-11 | Missa dolorosa: III. Kyrie eleison | — | ||
| 15-12 | Missa dolorosa: IV. Gloria in excelsis Deo | — | ||
| 15-13 | Missa dolorosa: V. Domine Deus | — | ||
| 15-14 | Missa dolorosa: VI. Domine Fili | — | ||
| 15-15 | Missa dolorosa: VII. Qui tollis peccata mundi | — | ||
| 15-16 | Missa dolorosa: VIII. Quoniam tu solus Sanctus | — | ||
| 15-17 | Missa dolorosa: IX. Cum Sancto Spiritu | — | ||
| 15-18 | Missa dolorosa: X. Credo in unum Deum | — | ||
| 15-19 | Missa dolorosa: XI. Crucifixus | — | ||
| 15-20 | Missa dolorosa: XII. Et resurrexit | — | ||
| 15-21 | Missa dolorosa: XIII. Et vitam venturi saeculi | — | ||
| 15-22 | Missa dolorosa: XIV. Sanctus | — | ||
| 15-23 | Missa dolorosa: XV. Benedictus | — | ||
| 15-24 | Missa dolorosa: XVI. Agnus Dei | — | ||
| 15-25 | Missa dolorosa: XVII. Dona nobis pacem | — | ||
| 15-26 | Crucifixus a 16 voci | — | ||
| 16-1 | Salve Regina à 7 (Eton Choirbook no. 22) | — | ||
| 16-2 | Magnificat à 5 (Eton Choirbook no. 71) | — | ||
| 16-3 | Gaude Virgo Mater Christi à 6 (Eton Choirbook no. 10) | — | ||
| 16-4 | Stabat Mater à 6 (Eton Choirbook no. 5) | — | ||
| 16-5 | Salve Regina à 9 (Eton Choirbook no. 15) | — | ||
| 17-1 | Concerto for Transverse Flute, 2 Violins, Bassoon & B. C. in G minor, RV 104 “La notte”: I. La notte (Largo) | — | ||
| 17-2 | Concerto for Transverse Flute, 2 Violins, Bassoon & B. C. in G minor, RV 104 “La notte”: II. Fantasmi (Presto - Largo - Presto) | — | ||
| 17-3 | Concerto for Transverse Flute, 2 Violins, Bassoon & B. C. in G minor, RV 104 “La notte”: III. Il sonno (Largo) | — | ||
| 17-4 | Concerto for Transverse Flute, 2 Violins, Bassoon & B. C. in G minor, RV 104 “La notte”: IV. Allegro | — | ||
| 17-5 | Concerto for Oboe, 2 Violins, Viola & B. C. in D minor: I. Andante | — | ||
| 17-6 | Concerto for Oboe, 2 Violins, Viola & B. C. in D minor: II. Adagio | — | ||
| 17-7 | Concerto for Oboe, 2 Violins, Viola & B. C. in D minor: III. Allegro | — | ||
| 17-8 | Trio for Recorder, Transverse Flute & B. C. in C major: I. Affettuoso | — | ||
| 17-9 | Trio for Recorder, Transverse Flute & B. C. in C major: II. Alla breve | — | ||
| 17-10 | Trio for Recorder, Transverse Flute & B. C. in C major: III. Larghetto | — | ||
| 17-11 | Trio for Recorder, Transverse Flute & B. C. in C major: IV. Vivace | — | ||
| 17-12 | Quintet for Fortepiano, Flute, Oboe, Violin & Violoncello in D major, op. 22 no .1: I. Allegro | — | ||
| 17-13 | Quintet for Fortepiano, Flute, Oboe, Violin & Violoncello in D major, op. 22 no .1: II. Andantino | — | ||
| 17-14 | Quintet for Fortepiano, Flute, Oboe, Violin & Violoncello in D major, op. 22 no .1: III. Allegro assai | — | ||
| 17-15 | Quartet for 2 Oboes, Bassoon & B. C. in D minor: I. (Largo) | — | ||
| 17-16 | Quartet for 2 Oboes, Bassoon & B. C. in D minor: II. Allegro | — | ||
| 17-17 | Quartet for 2 Oboes, Bassoon & B. C. in D minor: III. Largo | — | ||
| 17-18 | Quartet for 2 Oboes, Bassoon & B. C. in D minor: IV. Allegro | — | ||
| 17-19 | Concerto for Sopranino Recorder, 2 Violins, Viola & B. C. in C major, RV 444: I. Allegro | — | ||
| 17-20 | Concerto for Sopranino Recorder, 2 Violins, Viola & B. C. in C major, RV 444: II. Largo | — | ||
| 17-21 | Concerto for Sopranino Recorder, 2 Violins, Viola & B. C. in C major, RV 444: III. Allegro | — | ||
| 18-1 | Der Messias, HWV 56: Erster Teil. Sinfonie | — | ||
| 18-2 | Der Messias, HWV 56: Erster Teil. Tröstet, tröstet mein Zion | — | ||
| 18-3 | Der Messias, HWV 56: Erster Teil. Alle Thale werden erhaben! | — | ||
| 18-4 | Der Messias, HWV 56: Erster Teil. Denn die Hoheit des Herrn wird offenbart | — | ||
| 18-5 | Der Messias, HWV 56: Erster Teil. So spricht der Herr, Gott Zebaoth | — | ||
| 18-6 | Der Messias, HWV 56: Erster Teil. Doch wer mag ertragen den Tag, wenn er kommet? | — | ||
| 18-7 | Der Messias, HWV 56: Erster Teil. Und er wird reinigen die Söhne Levi | — | ||
| 18-8 | Der Messias, HWV 56: Erster Teil. Sieh da! Eine Jungfrau empfängt! | — | ||
| 18-9 | Der Messias, HWV 56: Erster Teil. O du, der bringet Frohlocken | — | ||
| 18-10 | Der Messias, HWV 56: Erster Teil. Schau umher! Dunkel bedecket | — | ||
| 18-11 | Der Messias, HWV 56: Erster Teil. Die Völker, die wandeln im Dunkel | — | ||
| 18-12 | Der Messias, HWV 56: Erster Teil. Denn es ist uns ein Kind gebor'n | — | ||
| 18-13 | Der Messias, HWV 56: Erster Teil. Pifa | — | ||
| 18-14 | Der Messias, HWV 56: Erster Teil. Es waren Hirten beisammen | — | ||
| 18-15 | Der Messias, HWV 56: Erster Teil. Als schnell der Engel des Herrn zu ihnen trat | — | ||
| 18-16 | Der Messias, HWV 56: Erster Teil. Friede! | — | ||
| 18-17 | Der Messias, HWV 56: Erster Teil. Und alsobald war da bei dem Engel | — | ||
| 18-18 | Der Messias, HWV 56: Erster Teil. Ehre sei Gott! Ehre sei Gott in den Höhen! | — | ||
| 18-19 | Der Messias, HWV 56: Erster Teil. Erfreu dich mächtig, o Tochter Zion | — | ||
| 18-20 | Der Messias, HWV 56: Erster Teil. Dann wird das Auge des Blinden | — | ||
| 18-21 | Der Messias, HWV 56: Erster Teil. Er wird Hirte sein | — | ||
| 18-22 | Der Messias, HWV 56: Erster Teil. Sein Joch ist selig | — | ||
| 18-23 | Der Messias, HWV 56: Zweiter Teil. Sieh da ist Gottes Lamm! | — | ||
| 18-24 | Der Messias, HWV 56: Zweiter Teil. Er war verschmähet und verworfen | — | ||
| 18-25 | Der Messias, HWV 56: Zweiter Teil. Wahrlich, wahrlich! Er trug unser Leid | — | ||
| 19-1 | Der Messias, HWV 56: Zweiter Teil. Durch seine Wunden sind wir geheilet | — | ||
| 19-2 | Der Messias, HWV 56: Zweiter Teil. Wir gingen all' in Irren umher | — | ||
| 19-3 | Der Messias, HWV 56: Zweiter Teil. Und die ihn sahen, spotteten sein | — | ||
| 19-4 | Der Messias, HWV 56: Zweiter Teil. Er trauete Gott! dass der könn' erlösen ihn | — | ||
| 19-5 | Der Messias, HWV 56: Zweiter Teil. Deine Schmach zerbrach sein Herz | — | ||
| 19-6 | Der Messias, HWV 56: Zweiter Teil. Schau an und sieh! | — | ||
| 19-7 | Der Messias, HWV 56: Zweiter Teil. Man riss ihn aus dem Lande der Lebenden | — | ||
| 19-8 | Der Messias, HWV 56: Zweiter Teil. Doch du ließest nicht seine Seel' in der Höll' | — | ||
| 19-9 | Der Messias, HWV 56: Zweiter Teil. Hebet das Haupt, o ihr Tore! | — | ||
| 19-10 | Der Messias, HWV 56: Zweiter Teil. Denn zu welchem Engel sprach | — | ||
| 19-11 | Der Messias, HWV 56: Zweiter Teil. Lasst alle Engel des Herrn feiern ihn! | — | ||
| 19-12 | Der Messias, HWV 56: Zweiter Teil. Du bist gestiegen hoch! | — | ||
| 19-13 | Der Messias, HWV 56: Zweiter Teil. Der Herr gab sein Wort | — | ||
| 19-14 | Der Messias, HWV 56: Zweiter Teil. Wie lieblich ist der Boten Tritt! | — | ||
| 19-15 | Der Messias, HWV 56: Zweiter Teil. Ihr Ruf erging in alles Land! | — | ||
| 19-16 | Der Messias, HWV 56: Zweiter Teil. Wie, dass die Völker so wütend | — | ||
| 19-17 | Der Messias, HWV 56: Zweiter Teil. Lasst uns brechen ihre Bande | — | ||
| 19-18 | Der Messias, HWV 56: Zweiter Teil. Er, der wohnet im Himmerl | — | ||
| 19-19 | Der Messias, HWV 56: Zweiter Teil. Sie zerberechen soll dein Eisenpanzer | — | ||
| 19-20 | Der Messias, HWV 56: Zweiter Teil. Hallelujah! | — | ||
| 19-21 | Der Messias, HWV 56: Dritter Teil. Ich weiß, dass mein Erlöser lebet | — | ||
| 19-22 | Der Messias, HWV 56: Dritter Teil. Denn durch Einen kam der Tod | — | ||
| 19-23 | Der Messias, HWV 56: Dritter Teil. Vernehmet! Ich versprech' ein Geheimnis | — | ||
| 19-24 | Der Messias, HWV 56: Dritter Teil. Es schallt die Trommet' | — | ||
| 19-25 | Der Messias, HWV 56: Dritter Teil. Dann wird erfüllet sein das Wort | — | ||
| 19-26 | Der Messias, HWV 56: Dritter Teil. O Tod, wo ist dein Pfeil? | — | ||
| 19-27 | Der Messias, HWV 56: Dritter Teil. Drum Dank sei Gott! | — | ||
| 19-28 | Der Messias, HWV 56: Dritter Teil. Wenn Gott ist mit uns, wer ist entgegen? | — | ||
| 19-29 | Der Messias, HWV 56: Dritter Teil. Würdig ist das Lamm, das da starb / Amen | — | ||
| 20-1 | Sonata in D major for Transverse Flute: I. Largo | — | ||
| 20-2 | Sonata in D major for Transverse Flute: II. Allegro | — | ||
| 20-3 | Sonata in D major for Transverse Flute: III. Adagio | — | ||
| 20-4 | Sonata in D major for Transverse Flute: IV. Allegro | — | ||
| 20-5 | Sonata in B-flat major for Oboe: I. Andante | — | ||
| 20-6 | Sonata in B-flat major for Oboe: II. Grave | — | ||
| 20-7 | Sonata in B-flat major for Oboe: III. Allegro | — | ||
| 20-8 | Sonata in B minor for Transverse Flute, op. 1 no. 9: I. Largo | — | ||
| 20-9 | Sonata in B minor for Transverse Flute, op. 1 no. 9: II. Vivace | — | ||
| 20-10 | Sonata in B minor for Transverse Flute, op. 1 no. 9: III. Presto | — | ||
| 20-11 | Sonata in B minor for Transverse Flute, op. 1 no. 9: IV. Adagio | — | ||
| 20-12 | Sonata in B minor for Transverse Flute, op. 1 no. 9: V. Alla breve | — | ||
| 20-13 | Sonata in B minor for Transverse Flute, op. 1 no. 9: VI. Andante | — | ||
| 20-14 | Sonata in B minor for Transverse Flute, op. 1 no. 9: VII. A tempo di Minuet | — | ||
| 20-15 | Sonata in G minor for Oboe, op. 1 no. 6: I. Larghetto | — | ||
| 20-16 | Sonata in G minor for Oboe, op. 1 no. 6: II. Allegro | — | ||
| 20-17 | Sonata in G minor for Oboe, op. 1 no. 6: III. Adagio | — | ||
| 20-18 | Sonata in G minor for Oboe, op. 1 no. 6: IV. Allegro | — | ||
| 20-19 | Sonata in E minor for Transverse Flute, op. 1 no. 1b: I. Grave | — | ||
| 20-20 | Sonata in E minor for Transverse Flute, op. 1 no. 1b: II. Allegro | — | ||
| 20-21 | Sonata in E minor for Transverse Flute, op. 1 no. 1b: III. Adagio | — | ||
| 20-22 | Sonata in E minor for Transverse Flute, op. 1 no. 1b: IV. Allegro | — | ||
| 20-23 | Sonata in C minor for Oboe, op. 1 no. 8: I. (Larghetto) | — | ||
| 20-24 | Sonata in C minor for Oboe, op. 1 no. 8: II. Allegro | — | ||
| 20-25 | Sonata in C minor for Oboe, op. 1 no. 8: III. Adagio | — | ||
| 20-26 | Sonata in C minor for Oboe, op. 1 no. 8: IV. Allegro (Bourée angloise) | — | ||
| 20-27 | Sonata in G major for Transverse Flute, op. 1 no. 5: I. Adagio | — | ||
| 20-28 | Sonata in G major for Transverse Flute, op. 1 no. 5: II. Allegro | — | ||
| 20-29 | Sonata in G major for Transverse Flute, op. 1 no. 5: III. Adagio | — | ||
| 20-30 | Sonata in G major for Transverse Flute, op. 1 no. 5: IV. Bourée | — | ||
| 20-31 | Sonata in G major for Transverse Flute, op. 1 no. 5: V. Menuetto | — | ||
| 20-32 | Sonata in F major for Oboe: I. Adagio | — | ||
| 20-33 | Sonata in F major for Oboe: II. Allegro | — | ||
| 20-34 | Sonata in F major for Oboe: III. Adagio | — | ||
| 20-35 | Sonata in F major for Oboe: IV. Bourée | — | ||
| 20-36 | Sonata in F major for Oboe: V. Menuetto | — | ||
| 21-1 | Sonata in D minor for Recorder & B. C. | — | ||
| 21-2 | Sonata in B-flat major for Recorder & B. C. | — | ||
| 21-3 | Sonata in G minor for Recorder & B. C., op. 1 no. 2 | — | ||
| 21-4 | Sonata in A minor for Recorder & B. C., op. 1 no. 4 | — | ||
| 21-5 | Sonata in C major for Recorder & B. C., op. 1 no. 7 | — | ||
| 21-6 | Sonata in F major for Recorder & B. C., op. 1 no. 11 | — | ||
| 21-7 | Sonata in G major for Recorder & B. C. | — | ||
| 21-8 | Trio in F major for 2 Recorders & B. C. | — | ||
| 22-1 | German Arias, HWV 202-210: I. Künft'ger Zeiten eitler Kummer, HWV 202 | — | ||
| 22-2 | German Arias, HWV 202-210: II. Das zitternde Glänzen der spielenden Wellen, HWV 203 | — | ||
| 22-3 | German Arias, HWV 202-210: III. Süßer Blumen Ambraflocken, HWV 204 | — | ||
| 22-4 | German Arias, HWV 202-210: IV. Süße Stille, sanfte Quelle, HWV 205 | — | ||
| 22-5 | German Arias, HWV 202-210: V. Singe, Seele, Gott zum Preise, HWV 206 | — | ||
| 22-6 | German Arias, HWV 202-210: VI. Meine Seele hört im Sehen, HWV 207 | — | ||
| 22-7 | German Arias, HWV 202-210: VII. Die ihr aus dunklen Grüften, HWV 208 | — | ||
| 22-8 | German Arias, HWV 202-210: VIII. In den angenehmen Büschen, Hwv 209 | — | ||
| 22-9 | German Arias, HWV 202-210: IX. Flammende Rose, Zierde der Erden, HWV 210 | — | ||
| 22-10 | Music for the Royal Fireworks, HWV 351: I. Ouverture | — | ||
| 22-11 | Music for the Royal Fireworks, HWV 351: II. Bourée | — | ||
| 22-12 | Music for the Royal Fireworks, HWV 351: III. La Paix | — | ||
| 22-13 | Music for the Royal Fireworks, HWV 351: IV. La Réjouissance | — | ||
| 22-14 | Music for the Royal Fireworks, HWV 351: V. Menuet I | — | ||
| 22-15 | Music for the Royal Fireworks, HWV 351: VI. Menuet II | — | ||
| 23-1 | Trio Sonata in B-flat major, op. 2 no. 3, HWV 388: I. Andante | — | ||
| 23-2 | Trio Sonata in B-flat major, op. 2 no. 3, HWV 388: II. Allegro | — | ||
| 23-3 | Trio Sonata in B-flat major, op. 2 no. 3, HWV 388: III. Larghetto | — | ||
| 23-4 | Trio Sonata in B-flat major, op. 2 no. 3, HWV 388: IV. Allegro | — | ||
| 23-5 | Cantata, HWV 132b "Mi palpita il cor": I. Arioso e recitativo | — | ||
| 23-6 | Cantata, HWV 132b "Mi palpita il cor": II. Aria | — | ||
| 23-7 | Cantata, HWV 132b "Mi palpita il cor": III. Recitativo | — | ||
| 23-8 | Cantata, HWV 132b "Mi palpita il cor": IV. Aria (Allegro) | — | ||
| 23-9 | Trio Sonata in G minor, op. 2 no. 5, HWV 390a: I. Larghetto | — | ||
| 23-10 | Trio Sonata in G minor, op. 2 no. 5, HWV 390a: II. Allegro | — | ||
| 23-11 | Trio Sonata in G minor, op. 2 no. 5, HWV 390a: III. Adagio | — | ||
| 23-12 | Trio Sonata in G minor, op. 2 no. 5, HWV 390a: IV. Allegro | — | ||
| 23-13 | Aria, HWV 207 "Meine Seele hört im Sehen" | — | ||
| 23-14 | Trio Sonata in G minor, HWV 393: I. Andante | — | ||
| 23-15 | Trio Sonata in G minor, HWV 393: II. Allegro | — | ||
| 23-16 | Trio Sonata in G minor, HWV 393: III. Largo | — | ||
| 23-17 | Trio Sonata in G minor, HWV 393: IV. Allegro | — | ||
| 23-18 | Cantata, HWV 85 "Venus and Adonis": I. Recitativo | — | ||
| 23-19 | Cantata, HWV 85 "Venus and Adonis": II. Aria | — | ||
| 23-20 | Cantata, HWV 85 "Venus and Adonis": III. Recitativo | — | ||
| 23-21 | Cantata, HWV 85 "Venus and Adonis": IV. Aria | — | ||
| 23-22 | Trio Sonata in F major, HWV 392/401: I. Largo | — | ||
| 23-23 | Trio Sonata in F major, HWV 392/401: II. Allegro | — | ||
| 23-24 | Trio Sonata in F major, HWV 392/401: III. Adagio | — | ||
| 23-25 | Trio Sonata in F major, HWV 392/401: IV. Allegro | — | ||
| 24-1 | Great Mass with Organ in E-flat major, Hob. XXII:4: I. Kyrie | — | ||
| 24-2 | Great Mass with Organ in E-flat major, Hob. XXII:4: II. Gloria | — | ||
| 24-3 | Great Mass with Organ in E-flat major, Hob. XXII:4: III. Credo | — | ||
| 24-4 | Great Mass with Organ in E-flat major, Hob. XXII:4: IV. Sanctus | — | ||
| 24-5 | Great Mass with Organ in E-flat major, Hob. XXII:4: V. Benedictus | — | ||
| 24-6 | Great Mass with Organ in E-flat major, Hob. XXII:4: VI. Agnus Dei | — | ||
| 24-7 | Te Deum in C major, K. 141: I. Te Deum laudamus | — | ||
| 24-8 | Te Deum in C major, K. 141: II. Te ergo quaesumus | — | ||
| 24-9 | Te Deum in C major, K. 141: III. Aeterna fac | — | ||
| 24-10 | Te Deum in C major, K. 141: IV. In te, Domine, speravi | — | ||
| 25-1 | La fedeltà premiata, Hob. XXVIII:10: I. Sinfonia | — | ||
| 25-2 | La fedeltà premiata, Hob. XXVIII:10: II. Barbaro conte ... è questa la mercè ... | — | ||
| 25-3 | La fedeltà premiata, Hob. XXVIII:10: III. Dell'amor mio fedele (Amaranta) | — | ||
| 25-4 | La fedeltà premiata, Hob. XXVIII:10: IV. Placidi ruscelletti (Celia) | — | ||
| 25-5 | Orlando paladino, Hob. XXVIII:11: I. Sinfonia - Entrada d'Alcina | — | ||
| 25-6 | Orlando paladino, Hob. XXVIII:11: II. Ad un guardo (Alcina) | — | ||
| 25-7 | Orlando paladino, Hob. XXVIII:11: III. Sono Alcina, e sono ancora (Alcina) - Haydn's insertion aria for Giuseppe Gazzaniga's "L'isola di Alcina", Hob. XXIVb:9 | — | ||
| 25-8 | La vera costanza, Hob. XXVIII:8: I. Sinfonia | — | ||
| 25-9 | La vera costanza, Hob. XXVIII:8: II. Misera, chi m'aiula ... (Rosina) | — | ||
| 25-10 | La vera costanza, Hob. XXVIII:8: III. Dove fuggo (Rosina) | — | ||
| 25-11 | L'infedeltà delusa, Hob. XXVIII:5: I. Ho un tumore in un ginocchio (Vespina) | — | ||
| 25-12 | L'infedeltà delusa, Hob. XXVIII:5: II. Trinche vaine allegramente (Vespina) | — | ||
| 25-13 | L'infedeltà delusa, Hob. XXVIII:5: III. D'una sposa meschinella (Donna Stella) - Haydn's insertion aria for Giovanni Paisiello's "La franscatana", Hob. XXIVb:2 | — | ||
| 25-14 | L'isola disabitata, Hob. XXVIII:9: I. Overtura | — | ||
| 25-15 | L'isola disabitata, Hob. XXVIII:9: II. Se non piange un infelice (Costanza) | — | ||
| 25-16 | Arianna a Naxos, Hob. XXVIb:2: I. Teseo mio ben! Ove sei? Ove sei tu? | — | ||
| 25-17 | Arianna a Naxos, Hob. XXVIb:2: II. Dove sei, mio bel tesoro? | — | ||
| 25-18 | Arianna a Naxos, Hob. XXVIb:2: III. Poco da me lontano | — | ||
| 25-19 | Arianna a Naxos, Hob. XXVIb:2: IV. Ah! che morir vorrei in si fatal momento | — | ||
| 26-1 | Toccata seconda | — | ||
| 26-2 | Corrente seconda | — | ||
| 26-3 | Toccata terza | — | ||
| 26-4 | Toccata quarta | — | ||
| 26-5 | Gagliarda | — | ||
| 26-6 | La bella netta ignuda | — | ||
| 26-7 | Toccata quinta | — | ||
| 26-8 | Toccata sesta | — | ||
| 26-9 | Ballo | — | ||
| 26-10 | Ancidetemi pur | — | ||
| 26-11 | Toccata settima | — | ||
| 26-12 | Corrente prima | — | ||
| 26-13 | Toccata ottava | — | ||
| 26-14 | Sonata in d | — | ||
| 26-15 | Come esser può | — | ||
| 27-1 | L'Olimpiade: Tu me da me dividi (Aristea) | — | ||
| 27-2 | Lucio Papirio: Morte amara (Quinto Fabio) | — | ||
| 27-3 | Flavio Anicio Olibrio: Se non dovesse il piè (Insertion aria) | — | ||
| 27-4 | Artaserse: Fra sento affanni e cento (Arbace) | — | ||
| 27-5 | Il Demetrio: Manca sollecita (Cleonice) | — | ||
| 27-6 | Viriate: Come nave in mezzo all'onde (Siface) | — | ||
| 27-7 | Adriano In Siria: Lieto cosi alvolta (Farnaspe) | — | ||
| 27-8 | Antigono: Perché, se tanti siete (Berenice) | — | ||
| 27-9 | Artaserse: No che non ha la sorte ... Vo solcando un mar crudele (Arbace) | — | ||
| 27-10 | Lucio Papirio: Tocco il porto (Quinto Fabio) | — | ||
| 27-11 | Didone Abbandonata: Tu dici ch'io non speri ... L'augelletto in lacci stretto (Araspe) | — | ||
| 27-12 | L'Olimpiade: Mentre dormi amor formenti (Licida) | — | ||
| 28-1 | Missa Sapientiae: Kyrie: I. Kyrie eleison | — | ||
| 28-2 | Missa Sapientiae: Kyrie: II. Christe eleison | — | ||
| 28-3 | Missa Sapientiae: Kyrie: III. Kyrie eleison | — | ||
| 28-4 | Missa Sapientiae: Gloria: I. Gloria in excelsis | — | ||
| 28-5 | Missa Sapientiae: Gloria: II. Laudamus te | — | ||
| 28-6 | Missa Sapientiae: Gloria: III. Gratias agimus tibi | — | ||
| 28-7 | Missa Sapientiae: Gloria: IV. Domine Deus, Rex coelestis | — | ||
| 28-8 | Missa Sapientiae: Gloria: V. Domine Fili | — | ||
| 28-9 | Missa Sapientiae: Gloria: VI. Domine Deus, Agnus Dei | — | ||
| 28-10 | Missa Sapientiae: Gloria: VII. Qui tollis peccata mundi | — | ||
| 28-11 | Missa Sapientiae: Gloria: VIII. Qui sedes | — | ||
| 28-12 | Missa Sapientiae: Gloria: IX. Quoniam tu solus sanctus | — | ||
| 28-13 | Missa Sapientiae: Gloria: X. Cum Sancto Spiritu | — | ||
| 28-14 | Magnificat in E-flat major, BWV 243a: I. Magnificat anima mea | — | ||
| 28-15 | Magnificat in E-flat major, BWV 243a: II. Et exultavit | — | ||
| 28-16 | Magnificat in E-flat major, BWV 243a: III. Von Himmel hoch | — | ||
| 28-17 | Magnificat in E-flat major, BWV 243a: IV. Quia respexit | — | ||
| 28-18 | Magnificat in E-flat major, BWV 243a: V. Omnes generationes | — | ||
| 28-19 | Magnificat in E-flat major, BWV 243a: VI. Quia fecit | — | ||
| 28-20 | Magnificat in E-flat major, BWV 243a: VII. Freut euch und jubiliert | — | ||
| 28-21 | Magnificat in E-flat major, BWV 243a: VIII. Et misericordia eius | — | ||
| 28-22 | Magnificat in E-flat major, BWV 243a: IX. Fecit potentiam | — | ||
| 28-23 | Magnificat in E-flat major, BWV 243a: X. Gloria in excelsis | — | ||
| 28-24 | Magnificat in E-flat major, BWV 243a: XI. Deposuit potentes | — | ||
| 28-25 | Magnificat in E-flat major, BWV 243a: XII. Esurientes implevit | — | ||
| 28-26 | Magnificat in E-flat major, BWV 243a: XIII. Virga Jesse floruit | — | ||
| 28-27 | Magnificat in E-flat major, BWV 243a: XIV. Suscepit Israel | — | ||
| 28-28 | Magnificat in E-flat major, BWV 243a: XV. Sicut locutus est | — | ||
| 28-29 | Magnificat in E-flat major, BWV 243a: XVI. Gloria Patri et Filio | — | ||
| 29-1 | Adagio for String, op. 11 | — | ||
| 29-2 | Serenade for String Orchestra, op. 20: I. Allegro piacevole | — | ||
| 29-3 | Serenade for String Orchestra, op. 20: II. Larghetto | — | ||
| 29-4 | Serenade for String Orchestra, op. 20: III. Allegretto | — | ||
| 29-5 | Elegy for String Orchestra, op. 58 | — | ||
| 29-6 | Metamorphosen | — | ||
| 30-1 | Sestina - Lagrime d'amante al Sepolcro dell'amate | Cantus Cölln, Konrad Junghänel | — | |
| 30-2 | Ninfa che scalza il piede | Cantus Cölln, Konrad Junghänel | — | |
| 30-3 | O come sei gentile | Cantus Cölln, Konrad Junghänel | — | |
| 30-4 | Lamento della Ninfa | Cantus Cölln, Konrad Junghänel | T-050.306.626-9 | |
| 30-5 | Tu dormi | Cantus Cölln, Konrad Junghänel | — | |
| 30-6 | S'el vostro cor, Madonna | Cantus Cölln, Konrad Junghänel | — | |
| 30-7 | Ohimè dov'è il mio ben | Cantus Cölln, Konrad Junghänel | — | |
| 30-8 | Alle danze | Cantus Cölln, Konrad Junghänel | — | |
| 30-9 | Ohimè il bel viso | Cantus Cölln, Konrad Junghänel | — | |
| 30-10 | Zefiro torna | Cantus Cölln, Konrad Junghänel | T-917.190.043-9 | |
| 30-11 | Non è di gentil core | Cantus Cölln, Konrad Junghänel | — | |
| 30-12 | Qui rise, o Tirsi | Cantus Cölln, Konrad Junghänel | — | |
| 30-13 | O mio bene | Cantus Cölln, Konrad Junghänel | — | |
| 30-14 | Soave libertate | Cantus Cölln, Konrad Junghänel | — | |
| 31-1 | Vespro della Beata Vergine: Intonatio. Deus in adiutorum - Domine ad adjuvandum | — | ||
| 31-2 | Vespro della Beata Vergine: Antiphona et Psalmus 109 (Dixit Dominus) | — | ||
| 31-3 | Vespro della Beata Vergine: Concerto. Nigra sum | — | ||
| 31-4 | Vespro della Beata Vergine: Antiphona et Psalmus 112 (Laudate pueri) | — | ||
| 31-5 | Vespro della Beata Vergine: Concerto. Pulchra es | — | ||
| 31-6 | Vespro della Beata Vergine: Antiphona et Psalmus 121 (Laetatus sum) | — | ||
| 31-7 | Vespro della Beata Vergine: Concerto. Duo Seraphim | — | ||
| 31-8 | Vespro della Beata Vergine: Antiphona et Psalmus 126 (Nisi Dominus) | — | ||
| 31-9 | Vespro della Beata Vergine: Concerto. Audi coelum | — | ||
| 31-10 | Vespro della Beata Vergine: Antiphona et Psalmus 147 (Lauda Jerusalem) | — | ||
| 32-1 | Vespro della Beata Vergine: Capitulum - Hymnus (Ave Maris stella) | — | ||
| 32-2 | Vespro della Beata Vergine: Magnificat: Versiculus - Antiphona ad Magnificat | — | ||
| 32-3 | Vespro della Beata Vergine: Magnificat: I. Magnificat anima mea | — | ||
| 32-4 | Vespro della Beata Vergine: Magnificat: II. Et exultavit | — | ||
| 32-5 | Vespro della Beata Vergine: Magnificat: III. Quia respexit | — | ||
| 32-6 | Vespro della Beata Vergine: Magnificat: IV. Quia fecit mihi magna | — | ||
| 32-7 | Vespro della Beata Vergine: Magnificat: V. Et misericordia | — | ||
| 32-8 | Vespro della Beata Vergine: Magnificat: VI. Fecit potentiam | — | ||
| 32-9 | Vespro della Beata Vergine: Magnificat: VII. Deposuit potentes de sede | — | ||
| 32-10 | Vespro della Beata Vergine: Magnificat: VIII. Esurientis implevit bonis | — | ||
| 32-11 | Vespro della Beata Vergine: Magnificat: IX. Suscepit Israel | — | ||
| 32-12 | Vespro della Beata Vergine: Magnificat: X. Sicut locutus est principio | — | ||
| 32-13 | Vespro della Beata Vergine: Magnificat: XI. Gloria patri | — | ||
| 32-14 | Vespro della Beata Vergine: Magnificat: XII. Sicut erat in principio | — | ||
| 32-15 | Vespro della Beata Vergine: Antiphona - Benedicamus | — | ||
| 32-16 | Vespro della Beata Vergine: Sonata sopra “Sancta Maria, ora pro nobis” | — | ||
| 33-1 | Quartet in D major for Flute, Violin, Viola and Cello, K. 285: I. Allegro | — | ||
| 33-2 | Quartet in D major for Flute, Violin, Viola and Cello, K. 285: II. Adagio | — | ||
| 33-3 | Quartet in D major for Flute, Violin, Viola and Cello, K. 285: III. Rondeau | — | ||
| 33-4 | Quartet in A major for Flute, Violin, Viola and Cello, K. 298: I. Andante (4 Variations) | — | ||
| 33-5 | Quartet in A major for Flute, Violin, Viola and Cello, K. 298: II. Menuetto | — | ||
| 33-6 | Quartet in A major for Flute, Violin, Viola and Cello, K. 298: III. Rondeau. Allegro grazioso | — | ||
| 33-7 | Quartet in F major for Oboe, Violin, Viola and Cello, K. 370: I. Allegro | — | ||
| 33-8 | Quartet in F major for Oboe, Violin, Viola and Cello, K. 370: II. Adagio | — | ||
| 33-9 | Quartet in F major for Oboe, Violin, Viola and Cello, K. 370: III. Rondeau. Allegro | — | ||
| 33-10 | Quartet in G major for Flute, Violin, Viola and Cello, K. 285a: I. Andante | — | ||
| 33-11 | Quartet in G major for Flute, Violin, Viola and Cello, K. 285a: II. Tempo di Menuetto | — | ||
| 33-12 | Quartet in C major for Flute, Violin, Viola and Cello, K. 285b (Anh. 171): I. Allegro | — | ||
| 33-13 | Quartet in C major for Flute, Violin, Viola and Cello, K. 285b (Anh. 171): II. Andantino (6 Variations) | — | ||
| 34-1 | Requiem in D minor, K. 626: I. Introitus: Requiem (Chor, Sopran) | Christine Schäfer, Arnold Schoenberg Chor, Erwin Ortner, Concentus Musicus Wien, Nikolaus Harnoncourt | T-905.386.342-6 | |
| 34-2 | Requiem in D minor, K. 626: II. Kyrie (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | T-070.093.418-4 | |
| 34-3 | Requiem in D minor, K. 626: III. Sequentia: Dies irae (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-4 | Requiem in D minor, K. 626: III. Sequentia: Tuba mirum (Sopran, Alt, Tenor, Bass) | Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-5 | Requiem in D minor, K. 626: III. Sequentia: Rex tremendae (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-6 | Requiem in D minor, K. 626: III. Sequentia: Recordare (Sopran, Alt, Tenor, Bass) | Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | T-916.756.672-5 | |
| 34-7 | Requiem in D minor, K. 626: III. Sequentia: Confutatis (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-8 | Requiem in D minor, K. 626: III. Sequentia: Lacrimosa (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-9 | Requiem in D minor, K. 626: IV. Offertorium: Domine Jesu (Chor, Sopran, Alt, Tenor, Bass) | Arnold Schönberg Chor, Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-10 | Requiem in D minor, K. 626: IV. Offertorium: Hostias (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | T-900.137.873-0 | |
| 34-11 | Requiem in D minor, K. 626: V. Sanctus (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-12 | Requiem in D minor, K. 626: VI. Benedictus (Chor, Sopran, Alt, Tenor, Bass) | Arnold Schönberg Chor, Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-13 | Requiem in D minor, K. 626: VII. Agnus Dei (Chor) | Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien | — | |
| 34-14 | Requiem in D minor, K. 626: VIII. Communio: Lux aeterna (Chor, Sopran) | Arnold Schönberg Chor, Christine Schäfer, Nikolaus Harnoncourt, Concentus Musicus Wien | T-910.952.061-8 | |
| 35-1 | String quintet in C minor, K. 406: I. Allegro | — | ||
| 35-2 | String quintet in C minor, K. 406: II. Andante | — | ||
| 35-3 | String quintet in C minor, K. 406: III. Minuetto in Canone - Trio al roversio | — | ||
| 35-4 | String quintet in C minor, K. 406: IV. Allegro | — | ||
| 35-5 | String quintet in B-flat major, K. 174: I. Allegro moderato | — | ||
| 35-6 | String quintet in B-flat major, K. 174: II. Adagio | — | ||
| 35-7 | String quintet in B-flat major, K. 174: III. Menuetto - Allegro | — | ||
| 35-8 | String quintet in B-flat major, K. 174: IV. Allegro | — | ||
| 36-1 | Sonata in E minor for Transverse Flute & B. C.: I. Grave | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-2 | Sonata in E minor for Transverse Flute & B. C.: II. Allegro assai | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-3 | Sonata in E minor for Transverse Flute & B. C.: III. Presto | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-4 | Sonata in D major for Transverse Flute & Harpsichord obligato: I. Allegro un poco | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-5 | Sonata in D major for Transverse Flute & Harpsichord obligato: II. Largo | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-6 | Sonata in D major for Transverse Flute & Harpsichord obligato: III. Allegro | Johannes Koch, Hans-Martin Linde, Hugo Ruf | T-031.609.609-9 | |
| 36-7 | Sonata in G major for Transverse Flute & Harpsichord obligato: I. Allegro moderato | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-8 | Sonata in G major for Transverse Flute & Harpsichord obligato: II. Andantino | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-9 | Sonata in G major for Transverse Flute & Harpsichord obligato: III. Allegro | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-10 | Sonata in A minor for Transverse Flute & B. C.: I. Adagio | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-11 | Sonata in A minor for Transverse Flute & B. C.: II. Presto | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 36-12 | Sonata in A minor for Transverse Flute & B. C.: III. Gigue | Johannes Koch, Hans-Martin Linde, Hugo Ruf | — | |
| 37-1 | Da laudis, homo, nova cantica (Conductus) | — | ||
| 37-2 | Annus novus in gaudio (Versus) | — | ||
| 37-3 | Rex Salomon fecit templum (Versus / Sequenz) | — | ||
| 37-4 | Letamini plebs hodie fidelis (Benedicamus-Tropus) | — | ||
| 37-5 | Natali regis glorie (Conductus) | — | ||
| 37-6 | Stirps Jesse florigeram (Benedicamus-Tropus) | — | ||
| 37-7 | Iubilemus, exultemus (Benedicamus-Tropus) | — | ||
| 37-8 | Letabundi iubilemus (Benedicamus-Tropus) | — | ||
| 37-9 | Ex Ade vitio (Conductus) | — | ||
| 37-10 | Noster cetus (Benedicamus-Tropus) | — | ||
| 37-11 | Natus est (Conductus) | — | ||
| 37-12 | Dulcis sapor novi mellis (Benedicamus-Tropus) | — | ||
| 37-13 | Alto consilio (Conductus) | — | ||
| 38-1 | The Fairy Queen: I. Prelude in g - Hornpipe in g | — | ||
| 38-2 | The Fairy Queen: II. Air in B - Rondeau in B | — | ||
| 38-3 | The Fairy Queen: III. Overture in D | — | ||
| 38-4 | The Fairy Queen: IV. Prelude in C - Entry Dance in C - Dance for the Fairies in G | — | ||
| 38-5 | The Fairy Queen: V. Overture in G - Air in G - Prelude in g | — | ||
| 38-6 | The Fairy Queen: VI. Hornpipe in d | — | ||
| 38-7 | The Fairy Queen: VII. Symphony: Canzona - Largo - Allegro - Adagio - Allegro | — | ||
| 38-8 | Dido and Aeneas: I. Overture in c - Air in c - The Triumphing Dance in C | — | ||
| 38-9 | Dido and Aeneas: II. Ritornelle in d - Air | — | ||
| 38-10 | Dido and Aeneas: III. Echo Dance of Furies in F | — | ||
| 38-11 | Dido and Aeneas: IV. The Sailors' Dance in B | — | ||
| 38-12 | Dido and Aeneas: V. The Witches' Dance in B | — | ||
| 38-13 | Dido and Aeneas: VI. Chacony | — | ||
| 38-14 | King Arthur: I. Overture in d - Air in d - Overture in D | — | ||
| 38-15 | King Arthur: II. Symphony in g - Air in G - Hornpipe in g | — | ||
| 38-16 | King Arthur: III. Air in d - Air in a - Song Tune in a | — | ||
| 38-17 | King Arthur: IV. Symphony in C - Trumpet Tune in C | — | ||
| 38-18 | King Arthur: V. Frost Dance in c - Hornpipe in G | — | ||
| 38-19 | King Arthur: VI. Passacaglia in g | — | ||
| 38-20 | Abdelazer: I. Overture in d | — | ||
| 38-21 | Abdelazer: II. Rondeau in d | — | ||
| 38-22 | Abdelazer: III. Aire in D - Aire in G | — | ||
| 38-23 | Abdelazer: IV. Minuett in G - Aire in g | — | ||
| 38-24 | Abdelazer: V. Jigg in G | — | ||
| 38-25 | Abdelazer: VI. Hornpipe in B - Aire in g | — | ||
| 39-1 | Les Indes Galantes : Ouverture | Collegium Aureum | — | |
| 39-2 | Les Indes Galantes : Entrée des Quatre Nations | Collegium Aureum | — | |
| 39-3 | Les Indes Galantes : Menuet I et II | Collegium Aureum | — | |
| 39-4 | Les Indes Galantes : Forlane | Collegium Aureum | — | |
| 39-5 | Les Indes Galantes : Rondeau | Collegium Aureum | — | |
| 39-6 | Les Indes Galantes : Air por les amours | Collegium Aureum | — | |
| 39-7 | Les Indes Galantes : Contre-danse | Collegium Aureum | T-801.787.297-9 | |
| 39-8 | Les Indes Galantes : Air pour les Persans | Collegium Aureum | — | |
| 39-9 | Les Indes Galantes : Air vif pour Zéphire et la Rose | Collegium Aureum | — | |
| 39-10 | Les Indes Galantes : Air pour Borée et la Rose | Collegium Aureum | — | |
| 39-11 | Les Indes Galantes : Gavotte des Fleurs | Collegium Aureum | — | |
| 39-12 | Les Indes Galantes : Air tendre pur la Rose | Collegium Aureum | — | |
| 39-13 | Les Indes Galantes : Gavotte pour les Fleurs | Collegium Aureum | — | |
| 39-14 | Les Indes Galantes : Tambourin | Collegium Aureum | T-912.761.754-3 | |
| 39-15 | Les Indes Galantes : Chaconne | Collegium Aureum | — | |
| 39-16 | Dardanus : Ouverture | Collegium Aureum | — | |
| 39-17 | Dardanus : Marche pour les different nations | Collegium Aureum | — | |
| 39-18 | Dardanus : Menuet tendre en rondeau | Collegium Aureum | — | |
| 39-19 | Dardanus : Tambourin I et II | Collegium Aureum | — | |
| 39-20 | Dardanus : Air vif | Collegium Aureum | — | |
| 39-21 | Dardanus : Rigaudon I et II | Collegium Aureum | — | |
| 39-22 | Dardanus : Air en Rondeau | Collegium Aureum | — | |
| 39-23 | Dardanus : Entréss | Collegium Aureum | — | |
| 39-24 | Dardanus : Sommeil | Collegium Aureum | — | |
| 39-25 | Dardanus : Tambourin I et II | Collegium Aureum | — | |
| 39-26 | Dardanus : Chaconne | Collegium Aureum | T-004.687.105-9 | |
| 40-1 | Die Schöne Müllerin, D. 795: I. Das Wandern | — | ||
| 40-2 | Die Schöne Müllerin, D. 795: II. Wohin? | — | ||
| 40-3 | Die Schöne Müllerin, D. 795: III. Halt! | — | ||
| 40-4 | Die Schöne Müllerin, D. 795: IV. Danksagung an den Bach | — | ||
| 40-5 | Die Schöne Müllerin, D. 795: V. Am Feierabend | — | ||
| 40-6 | Die Schöne Müllerin, D. 795: VI. Der Neugierige | — | ||
| 40-7 | Die Schöne Müllerin, D. 795: VII. Ungeduld | — | ||
| 40-8 | Die Schöne Müllerin, D. 795: VIII. Morgengruß | — | ||
| 40-9 | Die Schöne Müllerin, D. 795: IX. Der Müllers Blumen | — | ||
| 40-10 | Die Schöne Müllerin, D. 795: X. Tränenregen | — | ||
| 40-11 | Die Schöne Müllerin, D. 795: XI. Mein! | — | ||
| 40-12 | Die Schöne Müllerin, D. 795: XII. Pause | — | ||
| 40-13 | Die Schöne Müllerin, D. 795: XIII. Mit dem grünen Lautenbande | — | ||
| 40-14 | Die Schöne Müllerin, D. 795: XIV. Der Jäger | — | ||
| 40-15 | Die Schöne Müllerin, D. 795: XV. Eifersucht und Stolz | — | ||
| 40-16 | Die Schöne Müllerin, D. 795: XVI. Die liebe Farbe | — | ||
| 40-17 | Die Schöne Müllerin, D. 795: XVII. Die böse Farbe | — | ||
| 40-18 | Die Schöne Müllerin, D. 795: XVIII. Trockne Blumen | — | ||
| 40-19 | Die Schöne Müllerin, D. 795: XIX. Der Müller und der Bach | — | ||
| 40-20 | Die Schöne Müllerin, D. 795: XX. Des Baches Wiegenlied | — | ||
| 41-1 | Der Herr ist mein Hirt, SWV 398 op. 12,1 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-2 | Ich hebe meine Augen auf zu den Bergen, SWV 398 op. 12,2 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-3 | Wo der Herr nicht das Haus bauet, SWV 400 op. 12,3 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-4 | Mein Sohn, warum hast du uns das getan?, SWV 401 op. 12,4 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-5 | O Herr, hilf, o Herr, laß wohl gelingen, SWV 402 op. 12,5 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-6 | Siehe, es erschien der Engel des Herrn, SWV 403 op. 12,6 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-7 | Feget den alten Sauerteig aus, SWV 404 op. 12,7 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-8 | O süßer Jesu Christ, SWV 405 op. 12,8 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-9 | O Jesu süß. wer dein gedenkt, SWV 406 op. 12,9 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 41-10 | Lasset uns doch den Herren, unseren Gott, loben, SWV 407 op. 12,10 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-1 | Es ging en Sämann aus zu säen seinen Samen, SWV 408 op. 12,11 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-2 | Seid barmherzig, wie auch euer Vater barmherzig ist, SWV 409 op. 12,12 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-3 | Siehe, dieser wird gesetzt zu einem Fall, SWV 410 op. 12,13 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-4 | Vater unser, der du bist im Himmel, SWV 411 op. 12,14 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-5 | Symphoniæ Sacræ III: XV. Siehe, wie fein und lieblich ist's, SWV 412, op.12 no. 15 | — | ||
| 42-6 | Hütet euch, daß euere Herzen nicht beschwert werden, SWV 413 op. 12,16 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-7 | Meister, wir wissen, daß du wahrhaftig bist, SWV 414 op. 12,17 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-8 | Saul, Saul, was verfolgst du mich?, SWV 415 op. 12,18 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-9 | Herr, wie lange willst du mein so gar vergessen, SWV 416 op. 12,19 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-10 | Komm, Heiliger Geist, Herre Gott, SWV 417 op. 12,20 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 42-11 | Nun dankelt alle Gott, SWV 418 op. 12,21 | Kammerchor Stuttgart, Musica Fiata, Frieder Bernius | — | |
| 43-1 | Souvenir de Bade, op. 20 | — | ||
| 43-2 | Caprice in A major, op. 11 no. 4 | — | ||
| 43-3 | Caprice in D major, op. 11 no. 2 | — | ||
| 43-4 | Caprice sur des motifs de l'opera 'Le Comte Ory', op. 3 | — | ||
| 43-5 | Grand Duo de concert | — | ||
| 43-6 | Souvenir de Spa, op. 2 | — | ||
| 44-1 | Dichterliebe op. 48: I. Im wunderschönen Monat Mai | — | ||
| 44-2 | Dichterliebe op. 48: II. Aus meinen Tränen sprießen | — | ||
| 44-3 | Dichterliebe op. 48: III. Die Rose, die Lilie, die Taube, die Sonne | — | ||
| 44-4 | Dichterliebe op. 48: IV. Wenn ich in deine Augen seh | — | ||
| 44-5 | Dichterliebe op. 48: V. Ich will meine Seele tauchen | — | ||
| 44-6 | Dichterliebe op. 48: VI. Im Rhein, im heiligen Strome | — | ||
| 44-7 | Dichterliebe op. 48: VII. Ich grolle nicht | — | ||
| 44-8 | Dichterliebe op. 48: VIII. Und wüssten's die Blumen, die kleinen | — | ||
| 44-9 | Dichterliebe op. 48: IX. Dass ist ein Flöten und Geigen | — | ||
| 44-10 | Dichterliebe op. 48: X. Hör' ich das Liedchen klingen | — | ||
| 44-11 | Dichterliebe op. 48: XI. Ein Jüngling liebt ein Mädchen | — | ||
| 44-12 | Dichterliebe op. 48: XII. Am leuchtenden Sommermorgen | — | ||
| 44-13 | Dichterliebe op. 48: XIII. ich hab' im Traum geweinet | — | ||
| 44-14 | Dichterliebe op. 48: XIV. Allnächtlich im Traume seh' ich dich | — | ||
| 44-15 | Dichterliebe op. 48: XV. Aus alten Märchen winkt es | — | ||
| 44-16 | Dichterliebe op. 48: XVI. Die alten bösen Lieder | — | ||
| 44-17 | Reiselied | — | ||
| 44-18 | Morgengruß | — | ||
| 44-19 | Allnächtlich im Traume | — | ||
| 44-20 | Auf Flügeln des Gesanges | — | ||
| 44-21 | Gruß | — | ||
| 44-22 | Neue Liebe | — | ||
| 44-23 | Schwanengesang: Der Atlas | — | ||
| 44-24 | Schwanengesang: Ihr Bild | — | ||
| 44-25 | Schwanengesang: Das Fischermädchen | — | ||
| 44-26 | Schwanengesang: Die Stadt | — | ||
| 44-27 | Schwanengesang: Am Meer | — | ||
| 44-28 | Schwanengesang: Der Doppelgänger | — | ||
| 45-1 | Concerto in D major for Viola and Orchestra: I. Allegro | — | ||
| 45-2 | Concerto in D major for Viola and Orchestra: II. Andante moderato | — | ||
| 45-3 | Concerto in D major for Viola and Orchestra: III. Rondo | — | ||
| 45-4 | Sinfonia concertante in A major for Violin, Viola and Orchestra: I. Allegro moderato | — | ||
| 45-5 | Sinfonia concertante in A major for Violin, Viola and Orchestra: II. Allegro non presto | — | ||
| 45-6 | Sinfonia E-flat major: I. Allegro con spirito | — | ||
| 45-7 | Sinfonia E-flat major: II. Andante con moderato | — | ||
| 45-8 | Sinfonia E-flat major: III. Presto | — | ||
| 46-1 | Sonata in B minor for Violin, Viola da gamba & B. C.: I. Largo | — | ||
| 46-2 | Sonata in B minor for Violin, Viola da gamba & B. C.: II. Vivace | — | ||
| 46-3 | Sonata in B minor for Violin, Viola da gamba & B. C.: III. Andante | — | ||
| 46-4 | Sonata in B minor for Violin, Viola da gamba & B. C.: IV. Allegro | — | ||
| 46-5 | Concerto in E major for Violin, Viola da gamba & B. C.: I. Allegro | — | ||
| 46-6 | Concerto in E major for Violin, Viola da gamba & B. C.: II. Largo | — | ||
| 46-7 | Concerto in E major for Violin, Viola da gamba & B. C.: III. Allegro | — | ||
| 46-8 | Concerto in A major for Viola da gamba, 2 Violins & B. C.: I. Soave | — | ||
| 46-9 | Concerto in A major for Viola da gamba, 2 Violins & B. C.: II. Allegro | — | ||
| 46-10 | Concerto in A major for Viola da gamba, 2 Violins & B. C.: III. Adagio | — | ||
| 46-11 | Concerto in A major for Viola da gamba, 2 Violins & B. C.: IV. Allegro | — | ||
| 46-12 | Suite in D major for Viola da gamba, Strings & B. C.: I. Ouverture | — | ||
| 46-13 | Suite in D major for Viola da gamba, Strings & B. C.: II. La Trompette | — | ||
| 46-14 | Suite in D major for Viola da gamba, Strings & B. C.: III. Sarabande | — | ||
| 46-15 | Suite in D major for Viola da gamba, Strings & B. C.: IV. Rondeau | — | ||
| 46-16 | Suite in D major for Viola da gamba, Strings & B. C.: V. Bourrée | — | ||
| 46-17 | Suite in D major for Viola da gamba, Strings & B. C.: VI. Courante - Double | — | ||
| 46-18 | Suite in D major for Viola da gamba, Strings & B. C.: VII. Gigue | — | ||
| 46-19 | Concerto in G major for Viola da gamba, Strings & B. C.: I. Largo | — | ||
| 46-20 | Concerto in G major for Viola da gamba, Strings & B. C.: II. Allegro | — | ||
| 46-21 | Concerto in G major for Viola da gamba, Strings & B. C.: III. Andante | — | ||
| 46-22 | Concerto in G major for Viola da gamba, Strings & B. C.: IV. Presto | — | ||
| 47-1 | Concerto in G minor for Alto Recorder, Strings & B. C.: I. Allegro | — | ||
| 47-2 | Concerto in G minor for Alto Recorder, Strings & B. C.: II. Adagio | — | ||
| 47-3 | Concerto in G minor for Alto Recorder, Strings & B. C.: III. Allegro | — | ||
| 47-4 | Concerto in C major for Alto Recorder, Strings & B. C., TWV 51:C: I. Allegretto | — | ||
| 47-5 | Concerto in C major for Alto Recorder, Strings & B. C., TWV 51:C: II. Allegro | — | ||
| 47-6 | Concerto in C major for Alto Recorder, Strings & B. C., TWV 51:C: III. Andante | — | ||
| 47-7 | Concerto in C major for Alto Recorder, Strings & B. C., TWV 51:C: IV. Tempo di menuet | — | ||
| 47-8 | Suite (Ouverture) in F major for Alto Recorder, Strings & B. C.: I. Ouverture | — | ||
| 47-9 | Suite (Ouverture) in F major for Alto Recorder, Strings & B. C.: II. La Speranza (Tempo giusto) | — | ||
| 47-10 | Suite (Ouverture) in F major for Alto Recorder, Strings & B. C.: III. Air en Gavotte | — | ||
| 47-11 | Suite (Ouverture) in F major for Alto Recorder, Strings & B. C.: IV. Menuet | — | ||
| 47-12 | Suite (Ouverture) in F major for Alto Recorder, Strings & B. C.: V. Air | — | ||
| 47-13 | Suite (Ouverture) in F major for Alto Recorder, Strings & B. C.: VI. Plaisanterie | — | ||
| 47-14 | Concerto in G major for Alto Recorder, Strings & B. C.: I. Allegro | — | ||
| 47-15 | Concerto in G major for Alto Recorder, Strings & B. C.: II. Adagio | — | ||
| 47-16 | Concerto in G major for Alto Recorder, Strings & B. C.: III. Vivace | — | ||
| 48-1 | Sonata accademica for Violin & B. C. in D minor, op. 2 no. 12: I. Passagallo. Largo assai e come sta, ma con grazia | — | ||
| 48-2 | Sonata accademica for Violin & B. C. in D minor, op. 2 no. 12: II. Capriccio cromatico. Con due soggetti, e Loro Rovesci veri | — | ||
| 48-3 | Sonata accademica for Violin & B. C. in D minor, op. 2 no. 12: III. Adagio | — | ||
| 48-4 | Sonata accademica for Violin & B. C. in D minor, op. 2 no. 12: IV. Ciacona. Allegro, ma non presto | — | ||
| 48-5 | Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: I. Presto | — | ||
| 48-6 | Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: II. Largo | — | ||
| 48-7 | Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: III. Cantabile, ma un poco Adagio | — | ||
| 48-8 | Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: IV. Adagio | — | ||
| 48-9 | Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: V. Presto | — | ||
| 48-10 | Suite for Solo Violin in A major: I. Prelude | — | ||
| 48-11 | Suite for Solo Violin in A major: II. Allemande | — | ||
| 48-12 | Suite for Solo Violin in A major: III. Courante | — | ||
| 48-13 | Suite for Solo Violin in A major: IV. Sarabande | — | ||
| 48-14 | Suite for Solo Violin in A major: V. Gigue & autre gigue | — | ||
| 48-15 | Sonata for Violin & B. C. in C minor, BWV 1024: I. Adagio | — | ||
| 48-16 | Sonata for Violin & B. C. in C minor, BWV 1024: II. Presto | — | ||
| 48-17 | Sonata for Violin & B. C. in C minor, BWV 1024: III. Affettuoso | — | ||
| 48-18 | Sonata for Violin & B. C. in C minor, BWV 1024: IV. Vivace | — | ||
| 48-19 | Adagio & Allegro for Obbligato Harpsichord & Violin in G major, BWV 1019: I. Adagio | — | ||
| 48-20 | Adagio & Allegro for Obbligato Harpsichord & Violin in G major, BWV 1019: II. Allegro | — | ||
| 49-1 | Abu Hassan: Overtura | — | ||
| 49-2 | Abu Hassan: Am Hofe eines Kalifen ... (Erzähler) | — | ||
| 49-3 | Abu Hassan: Liebes Weibchen, reiche Wein. (Abu Hassan, Fatime) | — | ||
| 49-4 | Abu Hassan: Hah - Eine herrliche Mahlzeit! (Abu Hassan, Fatime) | — | ||
| 49-5 | Abu Hassan: Was dann zu machen? (Abu Hassan) | — | ||
| 49-6 | Abu Hassan: Abu Hassan? - Wer ist draussen? (Omar, Abu Hassan) | — | ||
| 49-7 | Abu Hassan: Geld, Geld, Geld (Chor der Gläubiger) | — | ||
| 49-8 | Abu Hassan: Dank sey dem grossen Propheten. (Abu Hassan) | — | ||
| 49-9 | Abu Hassan: Eure Dienerin, mein lieber Leichnam! (Abu Hassan, Fatime) | — | ||
| 49-10 | Abu Hassan: Thränen sollst du nicht vergiessen (Abu Hassan, Fatime) | — | ||
| 49-11 | Abu Hassan: Aber lass uns jetzt nicht länger (Abu Hassan, Fatime) | — | ||
| 49-12 | Abu Hassan: Geh nur, loser Spötter (Fatime) | — | ||
| 49-13 | Abu Hassan: Wird Philomele trauren (Fatime) | — | ||
| 49-14 | Abu Hassan: Verzeih, schöne Fatime ... (Omar, Fatime) | — | ||
| 49-15 | Abu Hassan: Siehst du diese große Menge (Omar, Fatime) | — | ||
| 49-16 | Abu Hassan: O weh mir! Mein Mann! (Fatime, Omar) | — | ||
| 49-17 | Abu Hassan: Verlass dich darauf (Fatime, Abu Hassan) | — | ||
| 49-18 | Abu Hassan: Ich such, und such in allen Eken (Fatime) | — | ||
| 49-19 | Abu Hassan: Der Oberkämmerling Mesrur eilt unsrer Wohnung zu. (Erzähler) | — | ||
| 49-20 | Abu Hassan: Abu Hassan hatte ein ordentliches Wirrwarr verursacht (Fatime) | — | ||
| 49-21 | Abu Hassan: Ist er fort? (Fatime, Abu Hassan) | — | ||
| 49-22 | Abu Hassan: Hier liegt, - welch' martervolles Loos! (Fatime) | — | ||
| 49-23 | Abu Hassan: Zemrud, die Amme, fand Abu Hassan da liegend (Erzähler) | — | ||
| 49-24 | Abu Hassan: Unter uns, Hassan (Fatime) | — | ||
| 49-25 | Abu Hassan: Ängstlich klopft es mir im Herzen! (Fatime, Omar, Abu Hassan, Chor) | — | ||
| 49-26 | Abu Hassan: Das Herrscherpaar fand die Sache höchst verwickelt. (Erzähler, Abu Hassan, Omar) | — | ||
| 49-27 | Abu Hassan: Heil ist dem Haus beschieden | — | ||
| 49-28 | Symphony no. 1 in C, WeV M. 2: I. Allegro con fuoco | — | ||
| 49-29 | Symphony no. 1 in C, WeV M. 2: II. Andante | — | ||
| 49-30 | Symphony no. 1 in C, WeV M. 2: III. Scherzo. Presto - Trio | — | ||
| 49-31 | Symphony no. 1 in C, WeV M. 2: IV. Presto. Finale | — | ||
| 50-1 | Ouverture in B-flat major | — | ||
| 50-2 | Suite no. 17 in F minor: I. Allemande | — | ||
| 50-3 | Suite no. 17 in F minor: II. Courante | — | ||
| 50-4 | Suite no. 17 in F minor: III. Sarabande | — | ||
| 50-5 | Suite no. 17 in F minor: IV. Bourrée | — | ||
| 50-6 | Suite no. 17 in F minor: V. Tempo di Minuetto | — | ||
| 50-7 | Suite no. 17 in F minor: VI. Gigue | — | ||
| 50-8 | Suite no. 21 in G minor: I. Prélude | — | ||
| 50-9 | Suite no. 21 in G minor: II. Andante | — | ||
| 50-10 | Suite no. 21 in G minor: III. Passepied | — | ||
| 50-11 | Suite no. 21 in G minor: IV. Bourrée | — | ||
| 50-12 | Suite no. 21 in G minor: V. Sarabande | — | ||
| 50-13 | Suite no. 21 in G minor: VI. La Babilieuse en Menuet | — | ||
| 50-14 | Suite no. 21 in G minor: VII. Gigue | — | ||
| 50-15 | Suite in D minor: I. Prélude | — | ||
| 50-16 | Suite in D minor: II. Allemande | — | ||
| 50-17 | Suite in D minor: III. Courante | — | ||
| 50-18 | Suite in D minor: IV. Bourrée | — | ||
| 50-19 | Suite in D minor: V. Menuet | — | ||
| 50-20 | Suite in D minor: VI. Sarabande | — | ||
| 50-21 | Suite in D minor: VII. Menuet | — | ||
| 50-22 | Suite in D minor: VIII. Gigue | — |
