UPC · Album

Deutsche Harmonia Mundi - 50 CD Collection

Various Artists

888750375025
831 tracksReleased 2014-01-01Deutsche Harmonia Mundi

Last verified:

888750375025 is the Universal Product Code (UPC barcode) for the release Deutsche Harmonia Mundi - 50 CD Collection by Various Artists, released 2014-01-01 on Deutsche Harmonia Mundi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 831 tracks, each with its own ISRC. Tracks include DEE470400094, DEE470400095, DEE470400096.

Format

8Number system
88750Manufacturer
37502Product
5Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCDeutsche Harmonia Mundi - 50 CD Collection
ISRC132 recordings
ISWC18 works
IPI4 songwriters

Track List (132)

Requiem in D minor, K. 626: I. Introitus: Requiem (Chor, Sopran)
Christine Schäfer, Arnold Schoenberg Chor, Erwin Ortner, Concentus Musicus Wien, Nikolaus Harnoncourt
Requiem in D minor, K. 626: II. Kyrie (Chor)
Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien
Requiem in D minor, K. 626: III. Sequentia: Dies irae (Chor)
Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien
Requiem in D minor, K. 626: III. Sequentia: Tuba mirum (Sopran, Alt, Tenor, Bass)
Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien
Requiem in D minor, K. 626: III. Sequentia: Rex tremendae (Chor)
Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien
Requiem in D minor, K. 626: III. Sequentia: Recordare (Sopran, Alt, Tenor, Bass)
Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien
Requiem in D minor, K. 626: III. Sequentia: Confutatis (Chor)
Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien
Requiem in D minor, K. 626: III. Sequentia: Lacrimosa (Chor)
Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien
Requiem in D minor, K. 626: IV. Offertorium: Domine Jesu (Chor, Sopran, Alt, Tenor, Bass)
Arnold Schönberg Chor, Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien
Requiem in D minor, K. 626: IV. Offertorium: Hostias (Chor)
Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien
Requiem in D minor, K. 626: V. Sanctus (Chor)
Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien
Requiem in D minor, K. 626: VI. Benedictus (Chor, Sopran, Alt, Tenor, Bass)
Arnold Schönberg Chor, Bernarda Fink, Gerald Finley, Christine Schäfer, Kurt Streit, Nikolaus Harnoncourt, Concentus Musicus Wien
Requiem in D minor, K. 626: VII. Agnus Dei (Chor)
Arnold Schönberg Chor, Nikolaus Harnoncourt, Concentus Musicus Wien
Requiem in D minor, K. 626: VIII. Communio: Lux aeterna (Chor, Sopran)
Arnold Schönberg Chor, Christine Schäfer, Nikolaus Harnoncourt, Concentus Musicus Wien
DIXIT DOMINUS (CORO)
Balthasar‐Neumann‐Chor, Balthasar‐Neumann‐Ensemble, Thomas Hengelbrock
Sonata in E minor for Transverse Flute & B. C.: I. Grave
Johannes Koch, Hans-Martin Linde, Hugo Ruf
Sonata in E minor for Transverse Flute & B. C.: II. Allegro assai
Johannes Koch, Hans-Martin Linde, Hugo Ruf
Sonata in E minor for Transverse Flute & B. C.: III. Presto
Johannes Koch, Hans-Martin Linde, Hugo Ruf
Sonata in D major for Transverse Flute & Harpsichord obligato: I. Allegro un poco
Johannes Koch, Hans-Martin Linde, Hugo Ruf
Sonata in D major for Transverse Flute & Harpsichord obligato: II. Largo
Johannes Koch, Hans-Martin Linde, Hugo Ruf
Sonata in D major for Transverse Flute & Harpsichord obligato: III. Allegro
Johannes Koch, Hans-Martin Linde, Hugo Ruf
Sonata in G major for Transverse Flute & Harpsichord obligato: I. Allegro moderato
Johannes Koch, Hans-Martin Linde, Hugo Ruf
Sonata in G major for Transverse Flute & Harpsichord obligato: II. Andantino
Johannes Koch, Hans-Martin Linde, Hugo Ruf
Sonata in G major for Transverse Flute & Harpsichord obligato: III. Allegro
Johannes Koch, Hans-Martin Linde, Hugo Ruf
Sonata in A minor for Transverse Flute & B. C.: I. Adagio
Johannes Koch, Hans-Martin Linde, Hugo Ruf
Sonata in A minor for Transverse Flute & B. C.: II. Presto
Johannes Koch, Hans-Martin Linde, Hugo Ruf
Sonata in A minor for Transverse Flute & B. C.: III. Gigue
Johannes Koch, Hans-Martin Linde, Hugo Ruf
Dardanus : Ouverture
Collegium Aureum
Dardanus : Marche pour les different nations
Collegium Aureum
Dardanus : Menuet tendre en rondeau
Collegium Aureum
Dardanus : Tambourin I et II
Collegium Aureum
Dardanus : Air vif
Collegium Aureum
Dardanus : Rigaudon I et II
Collegium Aureum
Dardanus : Air en Rondeau
Collegium Aureum
Dardanus : Entréss
Collegium Aureum
Dardanus : Sommeil
Collegium Aureum
Dardanus : Tambourin I et II
Collegium Aureum
Dardanus : Chaconne
Collegium Aureum
Polonaise g-moll, BWV Anh 119
Gustav Leonhardt
Marche Es-dur, BWV Anh 127
Gustav Leonhardt
Menuet G-dur & g-moll, BWV 114-115
Gustav Leonhardt
Willst du dein Herz mir schenken, BWV 518
Elly Ameling, Gustav Leonhardt
Rondeau B-dur, BWV Anh 183
Gustav Leonhardt
Bist du bei mir, BWV 508
Elly Ameling, Johannes Koch, Gustav Leonhardt, Angelica May
Aria für Clavier G-dur, BWV 988, 1
Gustav Leonhardt
So oft ich meine Tobackspfeife, BWV 515a
Hans-Martin Linde, Johannes Koch, Gustav Leonhardt, Angelica May
Marche G-dur, BWV Anh 124
Gustav Leonhardt
Allemande d-moll, BWV 812, 1
Gustav Leonhardt
Dir, dir Jehova, will ich singen, BWV 299
Elly Ameling, Rudolf Ewerhart, Johannes Koch, Gustav Leonhardt, Angelica May
Praeludium C-dur, BWV 846, 1
Gustav Leonhardt
Menuet G-dur, BWV Anh.116
Gustav Leonhardt
Marche D-dur (C.PH.E.Bach), BWV Anh. 122
Gustav Leonhardt
Musette D-dur, BWV Anh.126
Gustav Leonhardt
Rezitativ Ich hab genug und Arie: Schlummert ein ihr matten Augen, BWV 82, 2 & 3
Elly Ameling, Johannes Koch, Gustav Leonhardt, Angelica May
Chorealbeabeitung Er nur den lieben Gott lasst walten, BWV 691
Gustav Leonhardt
O Ewigkeit du Donnerwort, BWV 513 (4 stimmig)
Tölzer Knabenchor
Les Indes Galantes : Ouverture
Collegium Aureum
Les Indes Galantes : Entrée des Quatre Nations
Collegium Aureum
Les Indes Galantes : Menuet I et II
Collegium Aureum
Les Indes Galantes : Forlane
Collegium Aureum
Les Indes Galantes : Rondeau
Collegium Aureum
Les Indes Galantes : Air por les amours
Collegium Aureum
Les Indes Galantes : Contre-danse
Collegium Aureum
Les Indes Galantes : Air pour les Persans
Collegium Aureum
Les Indes Galantes : Air vif pour Zéphire et la Rose
Collegium Aureum
Les Indes Galantes : Air pour Borée et la Rose
Collegium Aureum
Les Indes Galantes : Gavotte des Fleurs
Collegium Aureum
Les Indes Galantes : Air tendre pur la Rose
Collegium Aureum
Les Indes Galantes : Gavotte pour les Fleurs
Collegium Aureum
Les Indes Galantes : Tambourin
Collegium Aureum
Les Indes Galantes : Chaconne
Collegium Aureum
Der Herr ist mein Hirt, SWV 398 op. 12,1
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Ich hebe meine Augen auf zu den Bergen, SWV 398 op. 12,2
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Wo der Herr nicht das Haus bauet, SWV 400 op. 12,3
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Mein Sohn, warum hast du uns das getan?, SWV 401 op. 12,4
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
O Herr, hilf, o Herr, laß wohl gelingen, SWV 402 op. 12,5
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Siehe, es erschien der Engel des Herrn, SWV 403 op. 12,6
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Feget den alten Sauerteig aus, SWV 404 op. 12,7
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
O süßer Jesu Christ, SWV 405 op. 12,8
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
O Jesu süß. wer dein gedenkt, SWV 406 op. 12,9
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Lasset uns doch den Herren, unseren Gott, loben, SWV 407 op. 12,10
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Es ging en Sämann aus zu säen seinen Samen, SWV 408 op. 12,11
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Seid barmherzig, wie auch euer Vater barmherzig ist, SWV 409 op. 12,12
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Siehe, dieser wird gesetzt zu einem Fall, SWV 410 op. 12,13
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Vater unser, der du bist im Himmel, SWV 411 op. 12,14
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Hütet euch, daß euere Herzen nicht beschwert werden, SWV 413 op. 12,16
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Meister, wir wissen, daß du wahrhaftig bist, SWV 414 op. 12,17
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Saul, Saul, was verfolgst du mich?, SWV 415 op. 12,18
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Herr, wie lange willst du mein so gar vergessen, SWV 416 op. 12,19
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Komm, Heiliger Geist, Herre Gott, SWV 417 op. 12,20
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Nun dankelt alle Gott, SWV 418 op. 12,21
Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): IV. Allegro assai
Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock
Sinfonie C-Dur, Wq 182/3 (H 659): I. Allegro assai
Freiburger Barockorchester, Thomas Hengelbrock
Sinfonie C-Dur, Wq 182/3 (H 659): II. Adagio
Freiburger Barockorchester, Thomas Hengelbrock
Sinfonie C-Dur, Wq 182/3 (H 659): III. Allegretto
Freiburger Barockorchester, Thomas Hengelbrock
Sinfonie A-Dur, Wq 182/4 (H 660): I. Allegro ma non troppo
Freiburger Barockorchester, Thomas Hengelbrock
Sinfonie A-Dur, Wq 182/4 (H 660): II. Largo et innocemente
Freiburger Barockorchester, Thomas Hengelbrock
Sinfonie A-Dur, Wq 182/4 (H 660): III. Allegro assai
Freiburger Barockorchester, Thomas Hengelbrock
Sinfonie h-moll, Wq 182/5 (H 661): I. Allegretto
Freiburger Barockorchester, Thomas Hengelbrock
Sinfonie h-moll, Wq 182/5 (H 661): II. Larghetto
Freiburger Barockorchester, Thomas Hengelbrock
Sinfonie h-moll, Wq 182/5 (H 661): III. Presto
Freiburger Barockorchester, Thomas Hengelbrock
Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): I. Allegro assai
Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock
Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): II. Poco adagio
Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock
Concerto c-moll für Cembalo und Orchester, Wq 43/4 (H 474): III. Tempo di minuetto
Andreas Staier, Freiburger Barockorchester, Thomas Hengelbrock
Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): I. Allegro
Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock
Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): II. Adagio ma non troppo
Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock
Concerto Es-Dur für Oboe, Streicher und B.c., Wq 165 (H 468): III. Allegro ma non troppo
Hans-Peter Westermann, Freiburger Barockorchester, Thomas Hengelbrock
String Quintet in E major, op. 11 no. 5: I. Amoroso
Smithsonian Chamber Players
String Quintet in E major, op. 11 no. 5: II. Allegro con spirito
Smithsonian Chamber Players
String Quintet in E major, op. 11 no. 5: III. Minuetto
Smithsonian Chamber Players
String Quintet in E major, op. 11 no. 5: IV. Rondo. Andante
Smithsonian Chamber Players
String Quintet in F minor, op. 11 no. 4: I. Larghetto
Smithsonian Chamber Players
String Quintet in F minor, op. 11 no. 4: II. Vivace
Smithsonian Chamber Players
String Quintet in F minor, op. 11 no. 4: III. Minuetto
Smithsonian Chamber Players
String Quintet in F minor, op. 11 no. 4: IV. Presto
Smithsonian Chamber Players
String Quintet in D major, op. 11 no. 6 (dello L'uccelliera): I. Adagio assai - Allegro giusto
Smithsonian Chamber Players
String Quintet in D major, op. 11 no. 6 (dello L'uccelliera): II. Pastori ed i Cacciatori
Smithsonian Chamber Players
String Quintet in D major, op. 11 no. 6 (dello L'uccelliera): III. Tempo di Minuetto - Allegro giusto
Smithsonian Chamber Players
Sestina - Lagrime d'amante al Sepolcro dell'amate
Cantus Cölln, Konrad Junghänel
Ninfa che scalza il piede
Cantus Cölln, Konrad Junghänel
O come sei gentile
Cantus Cölln, Konrad Junghänel
Lamento della Ninfa
Cantus Cölln, Konrad Junghänel
Tu dormi
Cantus Cölln, Konrad Junghänel
S'el vostro cor, Madonna
Cantus Cölln, Konrad Junghänel
Ohimè dov'è il mio ben
Cantus Cölln, Konrad Junghänel
Alle danze
Cantus Cölln, Konrad Junghänel
Ohimè il bel viso
Cantus Cölln, Konrad Junghänel
Zefiro torna
Cantus Cölln, Konrad Junghänel
Non è di gentil core
Cantus Cölln, Konrad Junghänel
Qui rise, o Tirsi
Cantus Cölln, Konrad Junghänel
O mio bene
Cantus Cölln, Konrad Junghänel
Soave libertate
Cantus Cölln, Konrad Junghänel

People also ask

What is UPC 888750375025?
UPC 888750375025 is the Universal Product Code (barcode) for "Deutsche Harmonia Mundi - 50 CD Collection" by Various Artists, released on Deutsche Harmonia Mundi.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 888750375025?
UPC 888750375025 contains 831 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

What is UPC 888750375025?

888750375025 is a Universal Product Code (UPC) assigned to Deutsche Harmonia Mundi - 50 CD Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 831 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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