UPC · Release
Miles Davis at Newport: 1955–1975: The Bootleg Series, Vol. 4
Miles Davis
Last verified:
888750819529 is the Universal Product Code (UPC barcode) for the release “Miles Davis at Newport: 1955–1975: The Bootleg Series, Vol. 4” by Miles Davis, released 2015-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include USQX91500807, USQX91500808, USQX91500810.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Spoken Introductions by Duke Ellington and Gerry Mulligan | Miles Davis | — | |
| 2 | Hackensack | Miles Davis | T-700.019.019-4 | |
| 4 | Now’s the Time | Miles Davis | T-070.242.588-4 | |
| 5 | Introduction by Willis Connover | Miles Davis | — | |
| 6 | Ah‐Leu‐Cha | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | T-010.320.310-6 | |
| 7 | Straight, No Chaser | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | T-700.067.566-3 | |
| 8 | Fran‐Dance | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | T-073.092.745-3 | |
| 9 | Two Bass Hit | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | — | |
| 10 | Bye Bye Blackbird | Miles Davis Sextet | T-070.013.021-7 | |
| 3-1 | Miles Runs the Voodoo Down | Miles Davis | T0730927760 | |
| 3-3 | It's About That Time / The Theme | Miles Davis | T0730927602 | |
| 3-4 | Band Warming Up / Voice Over Introduction | Miles Davis | — | |
| 3-5 | Turnaroundphrase | Miles Davis | — | |
| 3-6 | Tune in 5 | Miles Davis | — | |
| 3-7 | Ife | Miles Davis | T0730927588 | |
| 3-8 | Untitled Original | Miles Davis | T0730928514 | |
| 3-9 | Tune in 5 (reprise) | Miles Davis | — | |
| 3-10 | Mtume | Miles Davis | T0728706464 |
Additional database matches (24)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Introduction by Willis Connover | Miles Davis | T9047371540 |
| ’Round Midnight | Miles Davis, Miles Davis Quintet | T-070.002.363-7 |
| Sanctuary | Miles Davis | T0730928478 |
| Gingerbread Boy (1966 version) | Miles Davis | T7000163179 |
| All Blues | Miles Davis | T-039.266.451-5 |
| Stella by Starlight | Miles Davis | T-070.137.735-6 |
| R.J. | Miles Davis | T0392858886 |
| Seven Steps to Heaven | Miles Davis | T-902.845.190-3 |
| The Theme / Closing Announcement by Leonard Feather | Miles Davis | — |
| Spoken Introduction by Del Shields | Miles Davis | — |
| Gingerbread Boy | Miles Davis | T7000163179 |
| Footprints | Miles Davis | T-070.234.088-2 |
| So What | Miles Davis | T-073.092.797-5 |
| The Theme / Closing Announcement by Del Shields | Miles Davis | — |
| Directions | Miles Davis | — |
| What I Say | Miles Davis | T0709407737 |
| It’s About That Time | Miles Davis | T0730927602 |
| Bitches Brew | Miles Davis | T0730927215 |
| Funky Tonk | Miles Davis | T0728706339 |
| Sanctuary (reprise) | Miles Davis | T-073092847-8 |
| Two Bass Hit | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | — |
| The Theme | Miles Davis Sextet | — |
| ’Round Midnight | Miles Davis Quintet | T-070.002.363-7 |
| Sanctuary | Miles Davis | T0730928478 |
What other identifiers does this connect to?
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What is UPC 888750819529?
888750819529 is a Universal Product Code (UPC) assigned to Miles Davis at Newport: 1955–1975: The Bootleg Series, Vol. 4 by Miles Davis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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