UPC · Release
Andrew Lawrence‐King
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The UPC for “Andrew Lawrence-King Edition” by Andrew Lawrence‐King is 888750902221. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Deutsche Harmonia Mundi. This release contains 226 tracks, each with its own ISRC. Tracks include DEE479800242, DEE479800249, DEE479800252.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ludus Danielis: Belshazzar’s Feast: Incipit | — | ||
| 2 | Ludus Danielis: Belshazzar’s Feast: Prosa | — | ||
| 3 | Ludus Danielis: Belshazzar’s Feast: Rex Balthasar | — | ||
| 4 | Ludus Danielis: Belshazzar’s Feast: Vasa Templorum | — | ||
| 5 | Ludus Danielis: The Writing on the Wall: Mane. Techel. Phares. | — | ||
| 6 | Ludus Danielis: The Writing on the Wall: Conductus Regine | — | ||
| 7 | Ludus Danielis: The Writing on the Wall: Regina | — | ||
| 8 | Ludus Danielis: The Writing on the Wall: Danielem querens | — | ||
| 9 | Ludus Danielis: The Writing on the Wall: Conductus Danielis | — | ||
| 10 | Ludus Danielis: The Writing on the Wall: Daniel & Balthasar | — | ||
| 11 | Ludus Danielis: The Writing on the Wall: Solutio | — | ||
| 12 | Ludus Danielis: The Writing on the Wall: Conductus Regine secundus | — | ||
| 13 | Ludus Danielis: The Writing on the Wall: Conductus referentium uasa | — | ||
| 14 | Ludus Danielis: At the Court of King Darius: Darius Rex | — | ||
| 15 | Ludus Danielis: At the Court of King Darius: Principes | — | ||
| 16 | Ludus Danielis: At the Court of King Darius: Legati | — | ||
| 17 | Ludus Danielis: At the Court of King Darius: Conductus Danielis: In hoc natalitio | — | ||
| 18 | Ludus Danielis: At the Court of King Darius: Consilarij emuli | — | ||
| 19 | Ludus Danielis: At the Court of King Darius: O hez! | — | ||
| 20 | Ludus Danielis: At the Court of King Darius: Daniel adorabit | — | ||
| 21 | Ludus Danielis: Daniel in the Lion’s Den: Emuli & Darius | — | ||
| 22 | Ludus Danielis: Daniel in the Lion’s Den: Lamentatio Danielis | — | ||
| 23 | Ludus Danielis: Daniel in the Lion’s Den: Ad lacum Leonum | — | ||
| 24 | Ludus Danielis: Daniel in the Lion’s Den: Angelus & Abacuc | — | ||
| 25 | Ludus Danielis: Daniel in the Lion’s Den: Leones | — | ||
| 26 | Ludus Danielis: Daniel the Prophet: Daniel Propheta | — | ||
| 27 | Ludus Danielis: Daniel the Prophet: Angelus | — | ||
| 28 | Ludus Danielis: Daniel the Prophet: Te Deum | — | ||
| 2-1 | La púrpura della rosa: Loa: Chinfonia | — | ||
| 2-2 | La púrpura della rosa: Loa: Entrada de las clarines | — | ||
| 2-3 | La púrpura della rosa: Loa: El coro de las Musas | — | ||
| 2-4 | La púrpura della rosa: Loa: ¡Viva, Viva! | — | ||
| 2-5 | La púrpura della rosa: Baylete: Baile | — | ||
| 2-6 | La púrpura della rosa: Baylete: Pasacalles | — | ||
| 2-7 | La púrpura della rosa: Baylete: Danza | — | ||
| 2-8 | La púrpura della rosa: Venus & Adonis: Venus & las Ninfas | — | ||
| 2-9 | La púrpura della rosa: Venus & Adonis: Yo, Adonis | — | ||
| 2-10 | La púrpura della rosa: Venus & Adonis: ¿Tu eres Venus? | — | ||
| 2-11 | La púrpura della rosa: Venus & Adonis: Amor tirano | — | ||
| 2-12 | La púrpura della rosa: Venus & Adonis: La Maldición | — | ||
| 2-13 | La púrpura della rosa: Marte & Belona: Venus & Marte | — | ||
| 2-14 | La púrpura della rosa: Marte & Belona: Arma, arma! | — | ||
| 2-15 | La púrpura della rosa: Chato & Celfa: Chato & Celfa | — | ||
| 2-16 | La púrpura della rosa: Chato & Celfa: ¡Guarda la fiera! | — | ||
| 2-17 | La púrpura della rosa: En los montes: Adonis descansa | — | ||
| 2-18 | La púrpura della rosa: En los montes: Venus en los montes | — | ||
| 2-19 | La púrpura della rosa: En los montes: Los sentimientos de Venus | — | ||
| 2-20 | La púrpura della rosa: En los montes: Adonis durmiendo | — | ||
| 2-21 | La púrpura della rosa: En los montes: Amor | — | ||
| 2-22 | La púrpura della rosa: En los montes: Fantasmas | — | ||
| 2-23 | La púrpura della rosa: Amor: Venus y Adonis | — | ||
| 2-24 | La púrpura della rosa: Amor: La hermosura de Venus | — | ||
| 2-25 | La púrpura della rosa: Amor: Todo es amor | — | ||
| 2-26 | La púrpura della rosa: Amor: El jardín de Venus | — | ||
| 2-27 | La púrpura della rosa: Amor: Baile del villano | — | ||
| 3-1 | La púrpura della rosa: Amor y los soldados: Los soldados | — | ||
| 3-2 | La púrpura della rosa: Amor y los soldados: Amor | — | ||
| 3-3 | La púrpura della rosa: Amor y los soldados: Enigmas | — | ||
| 3-4 | La púrpura della rosa: Amor y los soldados: ¿Como escapar? | — | ||
| 3-5 | La púrpura della rosa: La gruta de Desengano: La gruta de Desengano | — | ||
| 3-6 | La púrpura della rosa: La gruta de Desengano: En tono triste | — | ||
| 3-7 | La púrpura della rosa: La gruta de Desengano: Temor, Sospecha, Envidia & Ira | — | ||
| 3-8 | La púrpura della rosa: La gruta de Desengano: El Desengano | — | ||
| 3-9 | La púrpura della rosa: La gruta de Desengano: El Densengano & Marte | — | ||
| 3-10 | La púrpura della rosa: La gruta de Desengano: El cristal | — | ||
| 3-11 | La púrpura della rosa: Xácara: Venus y Adonis | — | ||
| 3-12 | La púrpura della rosa: Xácara: Los dos coros de Ninfas | — | ||
| 3-13 | La púrpura della rosa: Xácara: Xácara | — | ||
| 3-14 | La púrpura della rosa: En los Montes: Marte en los montes | — | ||
| 3-15 | La púrpura della rosa: En los Montes: Adonis y el jabalí | — | ||
| 3-16 | La púrpura della rosa: En los Montes: Dragón, Chato & Celfa | — | ||
| 3-17 | La púrpura della rosa: La muerte de Adonis: La muerte de Adonis | — | ||
| 3-18 | La púrpura della rosa: La muerte de Adonis: La púrpura y las rosas | — | ||
| 3-19 | La púrpura della rosa: La muerte de Adonis: El lamento de Venus | — | ||
| 3-20 | La púrpura della rosa: La muerte de Adonis: La venganza de Marte | — | ||
| 3-21 | La púrpura della rosa: La muerte de Adonis: ¡Ay, infelice! | — | ||
| 3-22 | La púrpura della rosa: La muerte de Adonis: La fuerza de dolor | — | ||
| 3-23 | La púrpura della rosa: La muerte de Adonis: Triste | — | ||
| 3-24 | La púrpura della rosa: Fin de Fiesta: La música de dos orbes | — | ||
| 3-25 | La púrpura della rosa: Fin de Fiesta: ¿Al villano que le dan? | — | ||
| 4-1 | Try If It Is in Tune | — | ||
| 4-2 | Mr. James Betagh | — | ||
| 4-3 | Jigg to the Above | — | ||
| 4-4 | Carolan’s Lamentation for Charles MacCabe | — | ||
| 4-5 | Carolan’s Receipt (John Stafford’s Receipt for Whiskey) | — | ||
| 4-6 | Bumper Squire Jones | — | ||
| 4-7 | Docr. Delaney & Loftus Jones | — | ||
| 4-8 | Mrs Costeloe | — | ||
| 4-9 | Súsaí ní Cheallaigh | — | ||
| 4-10 | Sr Arthur Shean | — | ||
| 4-11 | Planxty Connor | — | ||
| 4-12 | Carolan’s Rambles to Teague | — | ||
| 4-13 | Fairy Queen | — | ||
| 4-14 | Tá mé ’mo chodladh | — | ||
| 4-15 | Bridget Cruise | — | ||
| 4-16 | Carolan’s Dream | — | ||
| 4-17 | I’m Asleep & Don’t Waken Me | — | ||
| 4-18 | Miss Macdermott (The Arethusa) | — | ||
| 4-19 | Carrollan’s Devotion (Miss Featherstone) | — | ||
| 4-20 | Mr. Hugh O’Donnel | — | ||
| 4-21 | O Flin | — | ||
| 4-22 | Carolan’s Cup | — | ||
| 4-23 | Carolan’s Farewell | — | ||
| 4-24 | Seperation of Soul and Body | — | ||
| 4-25 | Charles Maccabe’s Lamentation | — | ||
| 5-1 | Fantasie “Caprice de Chaconne” | — | ||
| 5-2 | Prelude “en A mi la” | — | ||
| 5-3 | La Piémontoise | — | ||
| 5-4 | Courante | — | ||
| 5-5 | Sarabande | — | ||
| 5-6 | Les Carillons de Paris | — | ||
| 5-7 | Prelude | — | ||
| 5-8 | Allemande “La Royalle” | — | ||
| 5-9 | Courante I & II | — | ||
| 5-10 | Sarabande | — | ||
| 5-11 | Gavotte | — | ||
| 5-12 | Chacone | — | ||
| 5-13 | Mascarade “Rondeau” | — | ||
| 5-14 | Tombeau de Mr. de Blancrocher | — | ||
| 5-15 | Allemande “L'Auguste” | — | ||
| 5-16 | Premiere Courante – Seconde Courante | — | ||
| 5-17 | Sarabande “La Majestueuse” | — | ||
| 5-18 | Gavotte | — | ||
| 5-19 | Gigue “La Milordine” | — | ||
| 5-20 | Chaconne en Rondeau “La Favourite” | — | ||
| 5-21 | Passacaille | — | ||
| 5-22 | Lamento “Sopra la dolorosa perdità della Real Mstà di Ferdinando IV” | — | ||
| 6-1 | King David’s Air | — | ||
| 6-2 | Toccata In D minor | — | ||
| 6-3 | Prelude | — | ||
| 6-4 | Suite d’amour: Allemande d’amour | — | ||
| 6-5 | Suite d’amour: Courante | — | ||
| 6-6 | Suite d’amour: Sarabande d’amour & Sarabande II | — | ||
| 6-7 | Suite d’amour: Gigue | — | ||
| 6-8 | Passacaglia | — | ||
| 6-9 | Toccata IV | — | ||
| 6-10 | Aria & Menuets in A minor: Aria | — | ||
| 6-11 | Aria & Menuets in A minor: Menuets | — | ||
| 6-12 | Prelude in F | — | ||
| 6-13 | Partita BWV 1006a: Prelude | — | ||
| 6-14 | Partita BWV 1006a: Loure | — | ||
| 6-15 | Partita BWV 1006a: Gavotte en Rondeaux | — | ||
| 6-16 | Partita BWV 1006a: Menuet I & II | — | ||
| 6-17 | Partita BWV 1006a: Bourrée | — | ||
| 6-18 | Partita BWV 1006a: Gigue | — | ||
| 6-19 | Prelude in C | — | ||
| 6-20 | Aria (Goldberg Variations) | — | ||
| 6-21 | David of the White Rock | — | ||
| 7-1 | Fantasia, for lute in G minor, P 7 | — | ||
| 7-2 | Lady Hunsdon's Almain (Lady Hunsdon's Puffe), for lute, P 54 | Andrew Lawrence-King | — | |
| 7-3 | Alman (The Queen's Alman), for keyboard, MB 10 | — | ||
| 7-4 | The Frog Galliard, for lute, P 23 | — | ||
| 7-5 | Scott's Lament for harp | — | ||
| 7-6 | Pavana Lachrimae, for lute or keyboard | — | ||
| 7-7 | Suzanna Galliard, for lute, P 91 | — | ||
| 7-8 | Rowland (or "Lord Willoughby's Welcome home"), variations for keyboard, MB 7 | — | ||
| 7-9 | Can shee excuse | Andrew Lawrence-King | — | |
| 7-10 | Robin (Bonny Sweet Robin), ballad arranged for lute, P 70 | — | ||
| 7-11 | Praeludium to ye Fancie | — | ||
| 7-12 | Fantasia | William Byrd | — | |
| 7-13 | Coranto | William Byrd | T-324.582.931-2 | |
| 7-14 | A Gigg | William Byrd | — | |
| 7-15 | Tarleton's Jig, for lute, P 81 (possibly spurious) | — | ||
| 7-16 | Tarletons Jigge | John Dowland | — | |
| 7-17 | Tarleton's Resurrection, for lute, P 59 | — | ||
| 7-18 | Cormacke | Connack MacDermott | — | |
| 7-19 | Allmane | Connack MacDermott | — | |
| 7-20 | Mr. Corrnake Allman | Connack MacDermott | — | |
| 7-21 | Schoc.a.torum Cormake | Connack MacDermott | — | |
| 7-22 | The Queens Maske | Jean le Flelle | — | |
| 7-23 | Fine knacks for ladies | John Dowland | — | |
| 7-24 | Awake, sweet love, thou art Returnd | John Dowland | — | |
| 7-25 | Go crystal tears, for 4 voices & lut | — | ||
| 7-26 | My thoughts are wingd with hopes | Andrew Lawrence-King | — | |
| 7-27 | My thoughts are wingd with hopes | Andrew Lawrence-King | — | |
| 7-28 | Farewell (on "In Nomine"), fantasia for lute | — | ||
| 7-29 | My dear adieu, my sweet love farewell | John Dowland | — | |
| 8-1 | Concerto: Allegro | — | ||
| 8-2 | Concerto: Larghetto e spiritoso | — | ||
| 8-3 | Concerto: Allegro | — | ||
| 8-4 | Concerto nach italiänischen Gusto: [Allegro] | — | ||
| 8-5 | Concerto nach italiänischen Gusto: Andante | — | ||
| 8-6 | Concerto nach italiänischen Gusto: Presto | — | ||
| 8-7 | Carolan’s Concerto: Mrs Poer | — | ||
| 8-8 | Carolan’s Concerto: Daniel Kelly | — | ||
| 8-9 | Aria variata | — | ||
| 8-10 | Concerto for Harp, Lute & Liracord: Andante Allegro | — | ||
| 8-11 | Concerto for Harp, Lute & Liracord: Larghetto | — | ||
| 8-12 | Concerto for Harp, Lute & Liracord: Allegro moderato | — | ||
| 8-13 | Concerto for Organ: Larghetto e staccato | — | ||
| 8-14 | Concerto for Organ: Allegro | — | ||
| 8-15 | Concerto for Organ: Adagio | — | ||
| 8-16 | Concerto for Organ: Andante | — | ||
| 9-1 | Concerto no. 1 in E major, RV 269 “Spring”: Allegro | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-2 | Concerto no. 1 in E major, RV 269 “Spring”: Largo | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-3 | Concerto no. 1 in E major, RV 269 “Spring”: Allegro (Danza pastorale) | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-4 | Concerto no. 2 in G minor, RV 315 “Summer”: Allegro non molto – Allegro | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | T-902.802.010-2 | |
| 9-5 | Concerto no. 2 in G minor, RV 315 “Summer”: Adagio – Presto – Adagio | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-6 | Concerto no. 2 in G minor, RV 315 “Summer”: Presto (Tempo impoetuoso d’estate) | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-7 | Concerto no. 3 in F major, RV 293 “Autumn”: Allegro | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-8 | Concerto no. 3 in F major, RV 293 “Autumn”: Adagio Molto | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-9 | Concerto no. 3 in F major, RV 293 “Autumn”: Allegro (La caccia) | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-10 | Concerto no. 4 in F minor, RV 297 “Winter”: Allegro non molto | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-11 | Concerto no. 4 in F minor, RV 297 “Winter”: Largo | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-12 | Concerto no. 4 in F minor, RV 297 “Winter”: Allegro | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-13 | Concerto no. 6 in C major, RV 180 “Pleasure”: Allegro non molto | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-14 | Concerto no. 6 in C major, RV 180 “Pleasure”: Largo | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-15 | Concerto no. 6 in C major, RV 180 “Pleasure”: Allegro | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-16 | Concerto no. 5 in E-flat major, RV 253 “The Seastorm”: Presto – Adagio – Presto | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-17 | Concerto no. 5 in E-flat major, RV 253 “The Seastorm”: Largo | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-18 | Concerto no. 5 in E-flat major, RV 253 “The Seastorm”: Presto | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-19 | Descriptive Sonnet to the Four Seasons: La Primavera | Franco Viciani | — | |
| 9-20 | Descriptive Sonnet to the Four Seasons: L’Estate | Franco Viciani | — | |
| 9-21 | Descriptive Sonnet to the Four Seasons: L’Autunno | Franco Viciani | — | |
| 9-22 | Descriptive Sonnet to the Four Seasons: L’Inverno | Franco Viciani | — | |
| 10-1 | Chromatische Fantasie, BWV 903 | — | ||
| 10-2 | Suite in D minor, BWV 997: Praeludium (Fantasia) | — | ||
| 10-3 | Suite in D minor, BWV 997: Fuge | — | ||
| 10-4 | Suite in D minor, BWV 997: Sarabande | — | ||
| 10-5 | Suite in D minor, BWV 997: Gigue & Double | — | ||
| 10-6 | Fantasia in A minor, BWV 944 | — | ||
| 10-7 | Partita in A minor, BWV 1004: Allemanda | — | ||
| 10-8 | Partita in A minor, BWV 1004: Corrente | — | ||
| 10-9 | Partita in A minor, BWV 1004: Sarabanda | — | ||
| 10-10 | Partita in A minor, BWV 1004: Giga | — | ||
| 10-11 | Partita in A minor, BWV 1004: Ciaccona | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
888750902221 is a Universal Product Code (UPC) assigned to Andrew Lawrence-King Edition by Andrew Lawrence‐King. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 226 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Andrew Lawrence-King Edition” by Andrew Lawrence‐King is 888750902221. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Deutsche Harmonia Mundi. This release contains 226 tracks, each with its own ISRC. Tracks include DEE479800242, DEE479800249, DEE479800252.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ludus Danielis: Belshazzar’s Feast: Incipit | — | ||
| 2 | Ludus Danielis: Belshazzar’s Feast: Prosa | — | ||
| 3 | Ludus Danielis: Belshazzar’s Feast: Rex Balthasar | — | ||
| 4 | Ludus Danielis: Belshazzar’s Feast: Vasa Templorum | — | ||
| 5 | Ludus Danielis: The Writing on the Wall: Mane. Techel. Phares. | — | ||
| 6 | Ludus Danielis: The Writing on the Wall: Conductus Regine | — | ||
| 7 | Ludus Danielis: The Writing on the Wall: Regina | — | ||
| 8 | Ludus Danielis: The Writing on the Wall: Danielem querens | — | ||
| 9 | Ludus Danielis: The Writing on the Wall: Conductus Danielis | — | ||
| 10 | Ludus Danielis: The Writing on the Wall: Daniel & Balthasar | — | ||
| 11 | Ludus Danielis: The Writing on the Wall: Solutio | — | ||
| 12 | Ludus Danielis: The Writing on the Wall: Conductus Regine secundus | — | ||
| 13 | Ludus Danielis: The Writing on the Wall: Conductus referentium uasa | — | ||
| 14 | Ludus Danielis: At the Court of King Darius: Darius Rex | — | ||
| 15 | Ludus Danielis: At the Court of King Darius: Principes | — | ||
| 16 | Ludus Danielis: At the Court of King Darius: Legati | — | ||
| 17 | Ludus Danielis: At the Court of King Darius: Conductus Danielis: In hoc natalitio | — | ||
| 18 | Ludus Danielis: At the Court of King Darius: Consilarij emuli | — | ||
| 19 | Ludus Danielis: At the Court of King Darius: O hez! | — | ||
| 20 | Ludus Danielis: At the Court of King Darius: Daniel adorabit | — | ||
| 21 | Ludus Danielis: Daniel in the Lion’s Den: Emuli & Darius | — | ||
| 22 | Ludus Danielis: Daniel in the Lion’s Den: Lamentatio Danielis | — | ||
| 23 | Ludus Danielis: Daniel in the Lion’s Den: Ad lacum Leonum | — | ||
| 24 | Ludus Danielis: Daniel in the Lion’s Den: Angelus & Abacuc | — | ||
| 25 | Ludus Danielis: Daniel in the Lion’s Den: Leones | — | ||
| 26 | Ludus Danielis: Daniel the Prophet: Daniel Propheta | — | ||
| 27 | Ludus Danielis: Daniel the Prophet: Angelus | — | ||
| 28 | Ludus Danielis: Daniel the Prophet: Te Deum | — | ||
| 2-1 | La púrpura della rosa: Loa: Chinfonia | — | ||
| 2-2 | La púrpura della rosa: Loa: Entrada de las clarines | — | ||
| 2-3 | La púrpura della rosa: Loa: El coro de las Musas | — | ||
| 2-4 | La púrpura della rosa: Loa: ¡Viva, Viva! | — | ||
| 2-5 | La púrpura della rosa: Baylete: Baile | — | ||
| 2-6 | La púrpura della rosa: Baylete: Pasacalles | — | ||
| 2-7 | La púrpura della rosa: Baylete: Danza | — | ||
| 2-8 | La púrpura della rosa: Venus & Adonis: Venus & las Ninfas | — | ||
| 2-9 | La púrpura della rosa: Venus & Adonis: Yo, Adonis | — | ||
| 2-10 | La púrpura della rosa: Venus & Adonis: ¿Tu eres Venus? | — | ||
| 2-11 | La púrpura della rosa: Venus & Adonis: Amor tirano | — | ||
| 2-12 | La púrpura della rosa: Venus & Adonis: La Maldición | — | ||
| 2-13 | La púrpura della rosa: Marte & Belona: Venus & Marte | — | ||
| 2-14 | La púrpura della rosa: Marte & Belona: Arma, arma! | — | ||
| 2-15 | La púrpura della rosa: Chato & Celfa: Chato & Celfa | — | ||
| 2-16 | La púrpura della rosa: Chato & Celfa: ¡Guarda la fiera! | — | ||
| 2-17 | La púrpura della rosa: En los montes: Adonis descansa | — | ||
| 2-18 | La púrpura della rosa: En los montes: Venus en los montes | — | ||
| 2-19 | La púrpura della rosa: En los montes: Los sentimientos de Venus | — | ||
| 2-20 | La púrpura della rosa: En los montes: Adonis durmiendo | — | ||
| 2-21 | La púrpura della rosa: En los montes: Amor | — | ||
| 2-22 | La púrpura della rosa: En los montes: Fantasmas | — | ||
| 2-23 | La púrpura della rosa: Amor: Venus y Adonis | — | ||
| 2-24 | La púrpura della rosa: Amor: La hermosura de Venus | — | ||
| 2-25 | La púrpura della rosa: Amor: Todo es amor | — | ||
| 2-26 | La púrpura della rosa: Amor: El jardín de Venus | — | ||
| 2-27 | La púrpura della rosa: Amor: Baile del villano | — | ||
| 3-1 | La púrpura della rosa: Amor y los soldados: Los soldados | — | ||
| 3-2 | La púrpura della rosa: Amor y los soldados: Amor | — | ||
| 3-3 | La púrpura della rosa: Amor y los soldados: Enigmas | — | ||
| 3-4 | La púrpura della rosa: Amor y los soldados: ¿Como escapar? | — | ||
| 3-5 | La púrpura della rosa: La gruta de Desengano: La gruta de Desengano | — | ||
| 3-6 | La púrpura della rosa: La gruta de Desengano: En tono triste | — | ||
| 3-7 | La púrpura della rosa: La gruta de Desengano: Temor, Sospecha, Envidia & Ira | — | ||
| 3-8 | La púrpura della rosa: La gruta de Desengano: El Desengano | — | ||
| 3-9 | La púrpura della rosa: La gruta de Desengano: El Densengano & Marte | — | ||
| 3-10 | La púrpura della rosa: La gruta de Desengano: El cristal | — | ||
| 3-11 | La púrpura della rosa: Xácara: Venus y Adonis | — | ||
| 3-12 | La púrpura della rosa: Xácara: Los dos coros de Ninfas | — | ||
| 3-13 | La púrpura della rosa: Xácara: Xácara | — | ||
| 3-14 | La púrpura della rosa: En los Montes: Marte en los montes | — | ||
| 3-15 | La púrpura della rosa: En los Montes: Adonis y el jabalí | — | ||
| 3-16 | La púrpura della rosa: En los Montes: Dragón, Chato & Celfa | — | ||
| 3-17 | La púrpura della rosa: La muerte de Adonis: La muerte de Adonis | — | ||
| 3-18 | La púrpura della rosa: La muerte de Adonis: La púrpura y las rosas | — | ||
| 3-19 | La púrpura della rosa: La muerte de Adonis: El lamento de Venus | — | ||
| 3-20 | La púrpura della rosa: La muerte de Adonis: La venganza de Marte | — | ||
| 3-21 | La púrpura della rosa: La muerte de Adonis: ¡Ay, infelice! | — | ||
| 3-22 | La púrpura della rosa: La muerte de Adonis: La fuerza de dolor | — | ||
| 3-23 | La púrpura della rosa: La muerte de Adonis: Triste | — | ||
| 3-24 | La púrpura della rosa: Fin de Fiesta: La música de dos orbes | — | ||
| 3-25 | La púrpura della rosa: Fin de Fiesta: ¿Al villano que le dan? | — | ||
| 4-1 | Try If It Is in Tune | — | ||
| 4-2 | Mr. James Betagh | — | ||
| 4-3 | Jigg to the Above | — | ||
| 4-4 | Carolan’s Lamentation for Charles MacCabe | — | ||
| 4-5 | Carolan’s Receipt (John Stafford’s Receipt for Whiskey) | — | ||
| 4-6 | Bumper Squire Jones | — | ||
| 4-7 | Docr. Delaney & Loftus Jones | — | ||
| 4-8 | Mrs Costeloe | — | ||
| 4-9 | Súsaí ní Cheallaigh | — | ||
| 4-10 | Sr Arthur Shean | — | ||
| 4-11 | Planxty Connor | — | ||
| 4-12 | Carolan’s Rambles to Teague | — | ||
| 4-13 | Fairy Queen | — | ||
| 4-14 | Tá mé ’mo chodladh | — | ||
| 4-15 | Bridget Cruise | — | ||
| 4-16 | Carolan’s Dream | — | ||
| 4-17 | I’m Asleep & Don’t Waken Me | — | ||
| 4-18 | Miss Macdermott (The Arethusa) | — | ||
| 4-19 | Carrollan’s Devotion (Miss Featherstone) | — | ||
| 4-20 | Mr. Hugh O’Donnel | — | ||
| 4-21 | O Flin | — | ||
| 4-22 | Carolan’s Cup | — | ||
| 4-23 | Carolan’s Farewell | — | ||
| 4-24 | Seperation of Soul and Body | — | ||
| 4-25 | Charles Maccabe’s Lamentation | — | ||
| 5-1 | Fantasie “Caprice de Chaconne” | — | ||
| 5-2 | Prelude “en A mi la” | — | ||
| 5-3 | La Piémontoise | — | ||
| 5-4 | Courante | — | ||
| 5-5 | Sarabande | — | ||
| 5-6 | Les Carillons de Paris | — | ||
| 5-7 | Prelude | — | ||
| 5-8 | Allemande “La Royalle” | — | ||
| 5-9 | Courante I & II | — | ||
| 5-10 | Sarabande | — | ||
| 5-11 | Gavotte | — | ||
| 5-12 | Chacone | — | ||
| 5-13 | Mascarade “Rondeau” | — | ||
| 5-14 | Tombeau de Mr. de Blancrocher | — | ||
| 5-15 | Allemande “L'Auguste” | — | ||
| 5-16 | Premiere Courante – Seconde Courante | — | ||
| 5-17 | Sarabande “La Majestueuse” | — | ||
| 5-18 | Gavotte | — | ||
| 5-19 | Gigue “La Milordine” | — | ||
| 5-20 | Chaconne en Rondeau “La Favourite” | — | ||
| 5-21 | Passacaille | — | ||
| 5-22 | Lamento “Sopra la dolorosa perdità della Real Mstà di Ferdinando IV” | — | ||
| 6-1 | King David’s Air | — | ||
| 6-2 | Toccata In D minor | — | ||
| 6-3 | Prelude | — | ||
| 6-4 | Suite d’amour: Allemande d’amour | — | ||
| 6-5 | Suite d’amour: Courante | — | ||
| 6-6 | Suite d’amour: Sarabande d’amour & Sarabande II | — | ||
| 6-7 | Suite d’amour: Gigue | — | ||
| 6-8 | Passacaglia | — | ||
| 6-9 | Toccata IV | — | ||
| 6-10 | Aria & Menuets in A minor: Aria | — | ||
| 6-11 | Aria & Menuets in A minor: Menuets | — | ||
| 6-12 | Prelude in F | — | ||
| 6-13 | Partita BWV 1006a: Prelude | — | ||
| 6-14 | Partita BWV 1006a: Loure | — | ||
| 6-15 | Partita BWV 1006a: Gavotte en Rondeaux | — | ||
| 6-16 | Partita BWV 1006a: Menuet I & II | — | ||
| 6-17 | Partita BWV 1006a: Bourrée | — | ||
| 6-18 | Partita BWV 1006a: Gigue | — | ||
| 6-19 | Prelude in C | — | ||
| 6-20 | Aria (Goldberg Variations) | — | ||
| 6-21 | David of the White Rock | — | ||
| 7-1 | Fantasia, for lute in G minor, P 7 | — | ||
| 7-2 | Lady Hunsdon's Almain (Lady Hunsdon's Puffe), for lute, P 54 | Andrew Lawrence-King | — | |
| 7-3 | Alman (The Queen's Alman), for keyboard, MB 10 | — | ||
| 7-4 | The Frog Galliard, for lute, P 23 | — | ||
| 7-5 | Scott's Lament for harp | — | ||
| 7-6 | Pavana Lachrimae, for lute or keyboard | — | ||
| 7-7 | Suzanna Galliard, for lute, P 91 | — | ||
| 7-8 | Rowland (or "Lord Willoughby's Welcome home"), variations for keyboard, MB 7 | — | ||
| 7-9 | Can shee excuse | Andrew Lawrence-King | — | |
| 7-10 | Robin (Bonny Sweet Robin), ballad arranged for lute, P 70 | — | ||
| 7-11 | Praeludium to ye Fancie | — | ||
| 7-12 | Fantasia | William Byrd | — | |
| 7-13 | Coranto | William Byrd | T-324.582.931-2 | |
| 7-14 | A Gigg | William Byrd | — | |
| 7-15 | Tarleton's Jig, for lute, P 81 (possibly spurious) | — | ||
| 7-16 | Tarletons Jigge | John Dowland | — | |
| 7-17 | Tarleton's Resurrection, for lute, P 59 | — | ||
| 7-18 | Cormacke | Connack MacDermott | — | |
| 7-19 | Allmane | Connack MacDermott | — | |
| 7-20 | Mr. Corrnake Allman | Connack MacDermott | — | |
| 7-21 | Schoc.a.torum Cormake | Connack MacDermott | — | |
| 7-22 | The Queens Maske | Jean le Flelle | — | |
| 7-23 | Fine knacks for ladies | John Dowland | — | |
| 7-24 | Awake, sweet love, thou art Returnd | John Dowland | — | |
| 7-25 | Go crystal tears, for 4 voices & lut | — | ||
| 7-26 | My thoughts are wingd with hopes | Andrew Lawrence-King | — | |
| 7-27 | My thoughts are wingd with hopes | Andrew Lawrence-King | — | |
| 7-28 | Farewell (on "In Nomine"), fantasia for lute | — | ||
| 7-29 | My dear adieu, my sweet love farewell | John Dowland | — | |
| 8-1 | Concerto: Allegro | — | ||
| 8-2 | Concerto: Larghetto e spiritoso | — | ||
| 8-3 | Concerto: Allegro | — | ||
| 8-4 | Concerto nach italiänischen Gusto: [Allegro] | — | ||
| 8-5 | Concerto nach italiänischen Gusto: Andante | — | ||
| 8-6 | Concerto nach italiänischen Gusto: Presto | — | ||
| 8-7 | Carolan’s Concerto: Mrs Poer | — | ||
| 8-8 | Carolan’s Concerto: Daniel Kelly | — | ||
| 8-9 | Aria variata | — | ||
| 8-10 | Concerto for Harp, Lute & Liracord: Andante Allegro | — | ||
| 8-11 | Concerto for Harp, Lute & Liracord: Larghetto | — | ||
| 8-12 | Concerto for Harp, Lute & Liracord: Allegro moderato | — | ||
| 8-13 | Concerto for Organ: Larghetto e staccato | — | ||
| 8-14 | Concerto for Organ: Allegro | — | ||
| 8-15 | Concerto for Organ: Adagio | — | ||
| 8-16 | Concerto for Organ: Andante | — | ||
| 9-1 | Concerto no. 1 in E major, RV 269 “Spring”: Allegro | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-2 | Concerto no. 1 in E major, RV 269 “Spring”: Largo | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-3 | Concerto no. 1 in E major, RV 269 “Spring”: Allegro (Danza pastorale) | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-4 | Concerto no. 2 in G minor, RV 315 “Summer”: Allegro non molto – Allegro | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | T-902.802.010-2 | |
| 9-5 | Concerto no. 2 in G minor, RV 315 “Summer”: Adagio – Presto – Adagio | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-6 | Concerto no. 2 in G minor, RV 315 “Summer”: Presto (Tempo impoetuoso d’estate) | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-7 | Concerto no. 3 in F major, RV 293 “Autumn”: Allegro | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-8 | Concerto no. 3 in F major, RV 293 “Autumn”: Adagio Molto | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-9 | Concerto no. 3 in F major, RV 293 “Autumn”: Allegro (La caccia) | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-10 | Concerto no. 4 in F minor, RV 297 “Winter”: Allegro non molto | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-11 | Concerto no. 4 in F minor, RV 297 “Winter”: Largo | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-12 | Concerto no. 4 in F minor, RV 297 “Winter”: Allegro | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-13 | Concerto no. 6 in C major, RV 180 “Pleasure”: Allegro non molto | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-14 | Concerto no. 6 in C major, RV 180 “Pleasure”: Largo | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-15 | Concerto no. 6 in C major, RV 180 “Pleasure”: Allegro | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-16 | Concerto no. 5 in E-flat major, RV 253 “The Seastorm”: Presto – Adagio – Presto | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-17 | Concerto no. 5 in E-flat major, RV 253 “The Seastorm”: Largo | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-18 | Concerto no. 5 in E-flat major, RV 253 “The Seastorm”: Presto | Gottfried von der Goltz, The Harp Consort, Freiburger Barockorchester, Andrew Lawrence-King | — | |
| 9-19 | Descriptive Sonnet to the Four Seasons: La Primavera | Franco Viciani | — | |
| 9-20 | Descriptive Sonnet to the Four Seasons: L’Estate | Franco Viciani | — | |
| 9-21 | Descriptive Sonnet to the Four Seasons: L’Autunno | Franco Viciani | — | |
| 9-22 | Descriptive Sonnet to the Four Seasons: L’Inverno | Franco Viciani | — | |
| 10-1 | Chromatische Fantasie, BWV 903 | — | ||
| 10-2 | Suite in D minor, BWV 997: Praeludium (Fantasia) | — | ||
| 10-3 | Suite in D minor, BWV 997: Fuge | — | ||
| 10-4 | Suite in D minor, BWV 997: Sarabande | — | ||
| 10-5 | Suite in D minor, BWV 997: Gigue & Double | — | ||
| 10-6 | Fantasia in A minor, BWV 944 | — | ||
| 10-7 | Partita in A minor, BWV 1004: Allemanda | — | ||
| 10-8 | Partita in A minor, BWV 1004: Corrente | — | ||
| 10-9 | Partita in A minor, BWV 1004: Sarabanda | — | ||
| 10-10 | Partita in A minor, BWV 1004: Giga | — | ||
| 10-11 | Partita in A minor, BWV 1004: Ciaccona | — |
