UPC · Release
Various Artists
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The UPC for “Ich mag keine Klassik, aber das gefällt mir” by Various Artists is 888751340824. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: RCA Red Seal. This release contains 203 tracks, each with its own ISRC. Tracks include USSM10007001, USSM10007002, USSM10007003.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dixit Dominus | — | ||
| 2 | Te Deum in D Major: Introduction | — | ||
| 3 | Canon and Gigue in D Major | — | ||
| 4 | Abdelazer: I. Overture | — | ||
| 5 | The Old Bachelor: I. Overture | — | ||
| 6 | Ritornelle | — | ||
| 7 | When I Am Laid in Earth | — | ||
| 8 | Concerto for Trumpet, Strings and B.c. in C minor (orig. for Oboe): I. Andante e spiccato | — | ||
| 9 | Concerto for Trumpet, Strings and B.c. in C minor (orig. for Oboe): II. Adagio | — | ||
| 10 | Concerto for Trumpet, Strings and B.c. in C minor (orig. for Oboe): III. Presto | — | ||
| 11 | Oboe Concerto in D Minor: II. Adagio | — | ||
| 12 | Concerto no. 1 in E major, op. 8, no. 1, RV 269 “La Primavera”: I. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 13 | Concerto no. 1 in E major, op. 8, no. 1, RV 269 “La Primavera”: II. Largo | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 14 | Concerto no. 1 in E major, op. 8, no. 1, RV 269 “La Primavera”: III. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | T-902.836.120-8 | |
| 15 | Concerto no. 4 in F minor, op. 8, no. 4, RV 297 “L’inverno”: I. Allegro non molto | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 16 | De vier jaargetijden: L'inverno: 2 Largo | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 17 | Concerto no. 4 in F minor, op. 8, no. 4, RV 297 “L’inverno”: III. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 2-1 | Tafelmusik I (Concerto A-Dur): I. Largo | — | ||
| 2-2 | Tafelmusik I (Concerto A-Dur):II. Allegro | — | ||
| 2-3 | Tafelmusik I (Concerto A-Dur): III. Gratioso | — | ||
| 2-4 | Tafelmusik I (Concerto A-Dur): IV. Allegro | — | ||
| 2-5 | Xerxes (Ombra mai fu) | — | ||
| 2-6 | Rinaldo (Lascia ch'io pianga) | — | ||
| 2-7 | Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: I. Allegro | Kammerorchester Basel, Julia Schröder | — | |
| 2-8 | Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: II. Largo | Kammerorchester Basel, Julia Schröder | — | |
| 2-9 | Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: III. Allegro | Kammerorchester Basel, Julia Schröder | — | |
| 2-10 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: I. Vivace | Kammerorchester Basel, Julia Schröder | — | |
| 2-11 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: II. Largo | Kammerorchester Basel, Julia Schröder | — | |
| 2-12 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: III. Allegro | Kammerorchester Basel, Julia Schröder | — | |
| 2-13 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: IV. Menuet | Kammerorchester Basel, Julia Schröder | — | |
| 2-14 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: V. Gavotte | Kammerorchester Basel, Julia Schröder | — | |
| 2-15 | Salomo - (Die Ankunft der Königin von Saba) | — | ||
| 2-16 | Cembalosuite d-moll | English Chamber Orchestra, Raymond Leppard | — | |
| 2-17 | Berenice - Menuett | — | ||
| 2-18 | Der Messias - (Hallelujah) | — | ||
| 3-1 | Music for the Fireworks: Ouverture | Collegium Aureum | — | |
| 3-2 | Music for the Fireworks: Bourree | Collegium Aureum | — | |
| 3-3 | Music for the Fireworks: La Paix | Collegium Aureum | — | |
| 3-4 | Music for the Fireworks: La Rejouissance | Collegium Aureum | — | |
| 3-5 | Music for the Fireworks: Manuet I | Collegium Aureum | — | |
| 3-6 | Music for the Fireworks: Manuet II | Collegium Aureum | — | |
| 3-7 | Brandenburg Concerto No. 1 in F Major, BWV 1046: I. Allegro | — | ||
| 3-8 | Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | — | ||
| 3-9 | Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro | — | ||
| 3-10 | Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuet - Trio - Menuet | — | ||
| 3-11 | Brandenburg Concerto No. 1 in F Major, BWV 1046: V. Polonaise | — | ||
| 3-12 | Brandenburg Concerto No. 1 in F Major, BWV 1046: VI. Menuet - Trio - Menuet | — | ||
| 3-13 | Suite for Orchestra (Overture) No. 3 in D Major, BWV 1068: I. Ouverture | — | ||
| 3-14 | Suite for Orchestra (Overture) No. 3 in D Major, BWV 1068: II. Air | — | ||
| 3-15 | Suite for Orchestra (Overture) No. 3 in D Major, BWV 1068: III. Gavotte I & II | — | ||
| 3-16 | Suite for Orchestra (Overture) No. 3 in D Major, BWV 1068: IV. Bourrée | — | ||
| 3-17 | Suite for Orchestra (Overture) No. 3 in D Major, BWV 1068: V. Gigue | — | ||
| 4-1 | Ich ruf' zu Dir - Choral Prelude, BWV 639 | — | ||
| 4-2 | Sinfonia from the Cantata Ich steh' mit einem fuss im Grab, BWV 156 | — | ||
| 4-3 | Wir eilen mit schwachen from the Cantata Jesu, der du meine Seele, BWV 78 | — | ||
| 4-4 | Prélude from Suite for Cello Solo no. 1 in G major, BWV 1007 | Jan Vogler | — | |
| 4-5 | Badinerie from Suite No. 2 in B minor, BWV 1067 | — | ||
| 4-6 | Orfeo ed Euridice: Dance of the Blessed Spirits | — | ||
| 4-7 | Konzert in A-Dur, Wq 170: I. Allegro assai | — | ||
| 4-8 | Konzert in A-Dur, Wq 170: II. Andante | — | ||
| 4-9 | Konzert in A-Dur, Wq 170: III. Allegro assai | — | ||
| 4-10 | Symphony No. 94 in G Major, H. I:94, "The Surprise": I. Adagio - Vivace assai | — | ||
| 4-11 | Symphony No. 94 in G Major, H. I:94, "The Surprise": II. Andante | — | ||
| 4-12 | Symphony No. 94 in G Major, H. I:94, "The Surprise": III. Menuet & Trio: Allegro molto | — | ||
| 4-13 | Symphony No. 94 in G Major, H. I:94, "The Surprise": IV. Finale: Allegro di molto | — | ||
| 5-1 | Eine kleine Nachtmusik (Serenade for Strings No. 13 in G Major), K. 525: I. Allegro | — | ||
| 5-2 | Eine kleine Nachtmusik (Serenade for Strings No. 13 in G Major), K. 525: II. Romanze - Andante | — | ||
| 5-3 | Eine kleine Nachtmusik (Serenade for Strings No. 13 in G Major), K. 525: III. Menuetto - Allegretto | — | ||
| 5-4 | Eine kleine Nachtmusik (Serenade for Strings No. 13 in G Major), K. 525: IV. Rondo - Allegro | — | ||
| 5-5 | Concerto for Clarinet and Orchestra in A Major, K. 622: I. Allegro | — | ||
| 5-6 | Concerto for Clarinet and Orchestra in A major, K. 622 | [unknown] | T-318.583.906-5 | |
| 5-7 | Concerto for Clarinet and Orchestra in A Major, K. 622: III. Rondo | — | ||
| 5-8 | Piano Sonata in A Major, K. 331: III. Alla turca. Allegretto | — | ||
| 5-9 | Piano Sonata No. 16 in C Major, K. 545: I. Allegro | — | ||
| 5-10 | Rondo in C Major, K. 373: Allegretto grazioso | — | ||
| 6-1 | Piano Concerto No. 17 in G Major, K. 453: I. Allegro | — | ||
| 6-2 | Piano Concerto No. 17 in G Major, K. 453: II. Andante | — | ||
| 6-3 | Piano Concerto No. 17 in G Major, K. 453: III. Allegretto | — | ||
| 6-4 | Symphony no. 35 in D major, K. 385 “Haffner”: I. Allegro con spirito | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 6-5 | Symphony no. 35 in D major, K. 385 “Haffner”: II. Andante | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 6-6 | Symphony no. 35 in D major, K. 385 “Haffner”: III. Menuetto e trio | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 6-7 | Symphony no. 35 in D major, K. 385 “Haffner”: IV. Finale. Presto | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 6-8 | Flute Concerto No. 2 in D Major, K. 314: I. Allegro aperto | — | ||
| 6-9 | Concerto for Oboe and Orchestra n C major, K. 314 (285d): II. Adagio non troppo | Heinz Holliger, Munich Chamber Orchestra, Hans Stadlmair | — | |
| 6-10 | Concerto for Oboe and Orchestra n C major, K. 314 (285d): III. Rondo: Allegretto | Heinz Holliger, Munich Chamber Orchestra, Hans Stadlmair | T-306.395.786-4 | |
| 7-1 | Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio | — | ||
| 7-2 | Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | — | ||
| 7-3 | Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo: Allegro | — | ||
| 7-4 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Mondschein": I. Adagio | — | ||
| 7-5 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Mondschein": II. Allegretto | — | ||
| 7-6 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Mondschein": III. Presto | — | ||
| 7-7 | Bagatelle in A Minor, Wo0 59, "Für Elise" | — | ||
| 7-8 | Symphony no. 9 in D minor, op. 125: V. Allegro assai vivace alla marcia. End | Tonhalle-Orchester Zürich, David Zinman | — | |
| 8-1 | Sonata in A Minor, D. 821 "Arpeggione": I. Allegro moderato | — | ||
| 8-2 | Sonata in A Minor, D. 821 "Arpeggione": II. Adagio | — | ||
| 8-3 | Sonata in A Minor, D. 821 "Arpeggione": III. Allegretto | — | ||
| 8-4 | Piano Quintet in A Major, D 667, "Forellenquintett": IV. Thema (Andantino) con variazioni | — | ||
| 8-5 | Piano Sonata in A major, D 664 (Op. 120): III. Allegro | — | ||
| 8-6 | Polonaise in B-Flat Major, D. 580 | — | ||
| 8-7 | Deutsche Tänze, D. 366: No. 1, 3, 4, 5, 1, 12, 17 & 1 | — | ||
| 8-8 | Walzer in G-Flat Major, D. Anh. 1,14 "Kuppelwieser-Walzer" | — | ||
| 8-9 | Rondo in D Major, D. 608 | — | ||
| 8-10 | Die schöne Müllerin, D. 795: I. Das Wandern | — | ||
| 8-11 | Heidenröslein, D. 257 (Sah ein Knab ein Röslein steh'n) | — | ||
| 8-12 | Winterreise, D. 911: No. 5, Der Lindenbaum (Am Brunnen vor dem Tore) | — | ||
| 9-1 | Symphony No. 2 in B-Flat Major, D. 125: I. Largo - Allegro viviace | — | ||
| 9-2 | Symphony No. 2 in B-Flat Major, D. 125: II. Andante | — | ||
| 9-3 | Symphony No. 2 in B-Flat Major, D. 125: III. Menuetto: Allegro vivace - Trio | — | ||
| 9-4 | Symphony No. 2 in B-Flat Major, D. 125: IV. Presto vivace | — | ||
| 9-5 | Symphony No. 4 in A Major, Op. 90, "Italian": I. Allegro vivace | — | ||
| 9-6 | Symphony No. 4 in A Major, Op. 90, "Italian": II. Andante con moto | — | ||
| 9-7 | Symphony No. 4 in A Major, Op. 90, "Italian": III. Con moto moderato | — | ||
| 9-8 | Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto) | — | ||
| 10-1 | Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | — | ||
| 10-2 | Kinderszenen, Op. 15: VII. Träumerei | — | ||
| 10-3 | Bunte Blätter, Op. 99 Drei Stücklein: I. Nicht schnell, mit Innigkeit | — | ||
| 10-4 | Bunte Blätter, Op. 99 Drei Stücklein: II. Sehr rasch | — | ||
| 10-5 | Bunte Blätter, Op. 99 Drei Stücklein: III. Frisch | — | ||
| 10-6 | Bunte Blätter, Op. 99: XII. Abendmusik. Im Menuett-Tempo | — | ||
| 10-7 | Nocturnes, Op. 9 No. 2 in E-Flat Major | — | ||
| 10-8 | Préludes, Op. 28 No. 15 in D-Flat Major | — | ||
| 10-9 | Waltz in A-Flat Major, Op. 69, No. 1, "Farewell" | — | ||
| 10-10 | Waltz in B Minor, Op. 69, No. 2 | — | ||
| 10-11 | Mazurka in A minor, op. 17 no. 4 | Vladimir Horowitz | — | |
| 10-12 | Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March" III. Marche funebre. Lento | — | ||
| 10-13 | Liebestraum No. 3 in A-Flat Major, Op. 62, No. 3 | — | ||
| 10-14 | Consolation No. 3 | — | ||
| 10-15 | Suite Bergamasque, L. 75: III. Clair de lune | — | ||
| 10-16 | Children's Corner, L. 113: VI. Golliwogg's Cakewalk | — | ||
| 10-17 | Preludes, Book I VIII. La fille aux cheveux de lin. Très calme et doucement expressif | — | ||
| 10-18 | L'isle joyeuse | — | ||
| 10-19 | Rêverie Andantino sans lenteur | — | ||
| 11-1 | Klavierkonzert Nr. 1 op. 23 b-Moll: I Allegro non troppo e molto maestoso | — | ||
| 11-2 | Konzert für Violine und Orchester D-Dur op. 35: I Allegro molto | — | ||
| 11-3 | Der Nussknacker - Blumenwalzer | — | ||
| 11-4 | Bilder einer Ausstellung - Promenade | — | ||
| 11-5 | Bilder einer Ausstellung - Der Gnom | — | ||
| 11-6 | Bilder einer Ausstellung - Promenade | — | ||
| 11-7 | Bilder einer Ausstellung - Das alte Schloss | — | ||
| 11-8 | Bilder einer Ausstellung - Promenade | — | ||
| 11-9 | Bilder einer Ausstellung - Die Tuilerien | — | ||
| 11-10 | Bilder einer Ausstellung - Der Ochsenkarren | — | ||
| 11-11 | Bilder einer Ausstellung - Promenade | — | ||
| 11-12 | Bilder einer Ausstellung - Ballett der unausgeschlüpften Küken | — | ||
| 11-13 | Bilder einer Ausstellung - Samuel Goldenberg und Schmuyle | — | ||
| 11-14 | Bilder einer Ausstellung - Der Marktplatz von Limoges | — | ||
| 11-15 | Bilder einer Ausstellung - Die Katakomben | — | ||
| 11-16 | Bilder einer Ausstellung - Mit den Toten in einer toten Sprache | — | ||
| 11-17 | Bilder einer Ausstellung - Die Hütte der Baba-Jaga | — | ||
| 11-18 | Bilder einer Ausstellung - Das große Tor von Kiew | — | ||
| 12-1 | Salut d'amour, Op. 12 | — | ||
| 12-2 | Má Vlast for Orchestra No. 2, Vltava (Moldau) | — | ||
| 12-3 | Peer Gynt Suite No. 1: I. Morning Mood (Allegretto pastorale) | — | ||
| 12-4 | Concierto de Aranjuez for Guitar and Orchestra II. Adagio | — | ||
| 12-5 | "Carmen" Fantasy, Op. 25 [1990 Remastered] | — | ||
| 12-6 | Boléro | — | ||
| 12-7 | An der schönen blauen Donau, Op. 314 | — | ||
| 13-1 | Symphony No. 9 in E Minor, Op. 95, "From the New World": I. Adagio - Allegro molto | — | ||
| 13-2 | Le Carnaval des Animaux No. 1, Introduction et Marche royale du Lion | — | ||
| 13-3 | Le Carnaval des Animaux No. 2, Poules et Coqs | — | ||
| 13-4 | Le Carnaval des Animaux No. 3, Hémiones - Animaux véloces | — | ||
| 13-5 | Le Carnaval des Animaux No. 4, Tortues | — | ||
| 13-6 | Le Carnaval des Animaux No. 5, L'Eléphant | — | ||
| 13-7 | Le Carnaval des Animaux No. 6, Kangourous | — | ||
| 13-8 | Carnival of the Animals: Aquarium | London Festival Orchestra, Ross Pople | T-004.976.716-9 | |
| 13-9 | Le Carnaval des Animaux No. 8, Personnages à longues oreilles | — | ||
| 13-10 | Le Carnaval des Animaux No. 9, Le Coucou au fond des bois | — | ||
| 13-11 | Le Carnaval des Animaux No. 10, Volière | — | ||
| 13-12 | Le Carnaval des Animaux No. 11, Pianistes | — | ||
| 13-13 | Le Carnaval des Animaux No. 12, Fossiles | — | ||
| 13-14 | Le Carnaval des Animaux No. 13, Le Cygne | — | ||
| 13-15 | Le Carnaval des Animaux No. 14, Final | — | ||
| 13-16 | Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | — | ||
| 13-17 | Adagio for Strings | New York Philharmonic, Leonard Bernstein | T-070.000.199-5 | |
| 13-18 | The Planets, Op. 32 Mars, the Bringer of War | — | ||
| 14-1 | Simple Symphony for String Orchestra, Op. 4: I. Boisterous Bourrée. Allegro ritmico [Instrumental] | — | ||
| 14-2 | Simple Symphony for String Orchestra, Op. 4: II. Playful Pizzicato. Presto possibile pizzicato sempre [Instrumental] | — | ||
| 14-3 | Metamorphosis Two | Philip Glass | T-010.486.843-0 | |
| 14-4 | Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 14-5 | Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 14-6 | Finlandia, op. 26 | The Philadelphia Orchestra, Eugene Ormandy | T-910.256.702-2 | |
| 14-7 | Rhapsody In Blue | Los Angeles Philharmonic, Michael Tilson Thomas, Lorin Levee | T-010.244.926-2 | |
| 14-8 | Suite no. 2 for Jazz Orchestra: VI. Waltz I | Radio-Sinfonie-Orchester Frankfurt, Dmitri Kitaenko | — | |
| 14-9 | Suite no. 2 for Jazz Orchestra: VII. Waltz II | Radio-Sinfonie-Orchester Frankfurt, Dmitri Kitaenko | — | |
| 14-10 | Suite no. 2 for Jazz Orchestra: VIII. Finale | Radio-Sinfonie-Orchester Frankfurt, Dmitri Kitaenko | — | |
| 15-1 | Il barbiere di Siviglia: Overture | New York Philharmonic, Leonard Bernstein | T-306.482.271-1 | |
| 15-2 | Il barbiere di Siviglia: Largo al factotum | — | ||
| 15-3 | Martha: M'appari tutt'amor | — | ||
| 15-4 | Rigoletto : La donna è mobile | Plácido Domingo, London Symphony Orchestra, Nello Santi | T-912.866.624-0 | |
| 15-5 | Il Trovatore, Act II: Anvil Chorus | — | ||
| 15-6 | La Traviata Act I: E strano, è strano! - Ah fors è lui | — | ||
| 15-7 | La Traviata: Libiamo ne' lieti calici (Brindisi) | — | ||
| 15-8 | Tannhäuser Pilgrims' Chorus | — | ||
| 15-9 | Die Walküre: Walkürenritt | Tonhalle-Orchester Zürich, David Zinman | T-905.393.693-9 | |
| 15-10 | Madama Butterfly Act II: Humming Chorus | — | ||
| 15-11 | Turandot Nessun dorma | — | ||
| 15-12 | Gianni Schicchi: “O mio babbino caro” | Kiri Te Kanawa, London Philharmonic Orchestra, John Pritchard | T-901.222.501-3 | |
| 15-13 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 15-14 | La Wally Ebben? Ne andrò lontana | — | ||
| 15-15 | Cavalleria Rusticana: Intermezzo | — | ||
| 15-16 | Le nozze di Figaro, K. 492: Overture | — | ||
| 15-17 | Die Zauberflöte, K. 620 Act I: Der Vogelfänger bin ich ja | — | ||
| 15-18 | Die Zauberflöte, K. 620: Pa-Pagena! Pa-Pageno! | — |
Identifier Graph
888751340824 is a Universal Product Code (UPC) assigned to Ich mag keine Klassik, aber das gefällt mir by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 203 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Rigoletto : La donna è mobile | Plácido Domingo, London Symphony Orchestra, Nello Santi | T-001.455.377-5 |
| Symphony no. 35 in D major, K. 385 “Haffner”: I. Allegro con spirito | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — |
| Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | T-070.136.739-6 |
| Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | T-070.139.164-1 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Ich mag keine Klassik, aber das gefällt mir” by Various Artists is 888751340824. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: RCA Red Seal. This release contains 203 tracks, each with its own ISRC. Tracks include USSM10007001, USSM10007002, USSM10007003.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dixit Dominus | — | ||
| 2 | Te Deum in D Major: Introduction | — | ||
| 3 | Canon and Gigue in D Major | — | ||
| 4 | Abdelazer: I. Overture | — | ||
| 5 | The Old Bachelor: I. Overture | — | ||
| 6 | Ritornelle | — | ||
| 7 | When I Am Laid in Earth | — | ||
| 8 | Concerto for Trumpet, Strings and B.c. in C minor (orig. for Oboe): I. Andante e spiccato | — | ||
| 9 | Concerto for Trumpet, Strings and B.c. in C minor (orig. for Oboe): II. Adagio | — | ||
| 10 | Concerto for Trumpet, Strings and B.c. in C minor (orig. for Oboe): III. Presto | — | ||
| 11 | Oboe Concerto in D Minor: II. Adagio | — | ||
| 12 | Concerto no. 1 in E major, op. 8, no. 1, RV 269 “La Primavera”: I. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 13 | Concerto no. 1 in E major, op. 8, no. 1, RV 269 “La Primavera”: II. Largo | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 14 | Concerto no. 1 in E major, op. 8, no. 1, RV 269 “La Primavera”: III. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | T-902.836.120-8 | |
| 15 | Concerto no. 4 in F minor, op. 8, no. 4, RV 297 “L’inverno”: I. Allegro non molto | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 16 | De vier jaargetijden: L'inverno: 2 Largo | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 17 | Concerto no. 4 in F minor, op. 8, no. 4, RV 297 “L’inverno”: III. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 2-1 | Tafelmusik I (Concerto A-Dur): I. Largo | — | ||
| 2-2 | Tafelmusik I (Concerto A-Dur):II. Allegro | — | ||
| 2-3 | Tafelmusik I (Concerto A-Dur): III. Gratioso | — | ||
| 2-4 | Tafelmusik I (Concerto A-Dur): IV. Allegro | — | ||
| 2-5 | Xerxes (Ombra mai fu) | — | ||
| 2-6 | Rinaldo (Lascia ch'io pianga) | — | ||
| 2-7 | Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: I. Allegro | Kammerorchester Basel, Julia Schröder | — | |
| 2-8 | Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: II. Largo | Kammerorchester Basel, Julia Schröder | — | |
| 2-9 | Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: III. Allegro | Kammerorchester Basel, Julia Schröder | — | |
| 2-10 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: I. Vivace | Kammerorchester Basel, Julia Schröder | — | |
| 2-11 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: II. Largo | Kammerorchester Basel, Julia Schröder | — | |
| 2-12 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: III. Allegro | Kammerorchester Basel, Julia Schröder | — | |
| 2-13 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: IV. Menuet | Kammerorchester Basel, Julia Schröder | — | |
| 2-14 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: V. Gavotte | Kammerorchester Basel, Julia Schröder | — | |
| 2-15 | Salomo - (Die Ankunft der Königin von Saba) | — | ||
| 2-16 | Cembalosuite d-moll | English Chamber Orchestra, Raymond Leppard | — | |
| 2-17 | Berenice - Menuett | — | ||
| 2-18 | Der Messias - (Hallelujah) | — | ||
| 3-1 | Music for the Fireworks: Ouverture | Collegium Aureum | — | |
| 3-2 | Music for the Fireworks: Bourree | Collegium Aureum | — | |
| 3-3 | Music for the Fireworks: La Paix | Collegium Aureum | — | |
| 3-4 | Music for the Fireworks: La Rejouissance | Collegium Aureum | — | |
| 3-5 | Music for the Fireworks: Manuet I | Collegium Aureum | — | |
| 3-6 | Music for the Fireworks: Manuet II | Collegium Aureum | — | |
| 3-7 | Brandenburg Concerto No. 1 in F Major, BWV 1046: I. Allegro | — | ||
| 3-8 | Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | — | ||
| 3-9 | Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro | — | ||
| 3-10 | Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuet - Trio - Menuet | — | ||
| 3-11 | Brandenburg Concerto No. 1 in F Major, BWV 1046: V. Polonaise | — | ||
| 3-12 | Brandenburg Concerto No. 1 in F Major, BWV 1046: VI. Menuet - Trio - Menuet | — | ||
| 3-13 | Suite for Orchestra (Overture) No. 3 in D Major, BWV 1068: I. Ouverture | — | ||
| 3-14 | Suite for Orchestra (Overture) No. 3 in D Major, BWV 1068: II. Air | — | ||
| 3-15 | Suite for Orchestra (Overture) No. 3 in D Major, BWV 1068: III. Gavotte I & II | — | ||
| 3-16 | Suite for Orchestra (Overture) No. 3 in D Major, BWV 1068: IV. Bourrée | — | ||
| 3-17 | Suite for Orchestra (Overture) No. 3 in D Major, BWV 1068: V. Gigue | — | ||
| 4-1 | Ich ruf' zu Dir - Choral Prelude, BWV 639 | — | ||
| 4-2 | Sinfonia from the Cantata Ich steh' mit einem fuss im Grab, BWV 156 | — | ||
| 4-3 | Wir eilen mit schwachen from the Cantata Jesu, der du meine Seele, BWV 78 | — | ||
| 4-4 | Prélude from Suite for Cello Solo no. 1 in G major, BWV 1007 | Jan Vogler | — | |
| 4-5 | Badinerie from Suite No. 2 in B minor, BWV 1067 | — | ||
| 4-6 | Orfeo ed Euridice: Dance of the Blessed Spirits | — | ||
| 4-7 | Konzert in A-Dur, Wq 170: I. Allegro assai | — | ||
| 4-8 | Konzert in A-Dur, Wq 170: II. Andante | — | ||
| 4-9 | Konzert in A-Dur, Wq 170: III. Allegro assai | — | ||
| 4-10 | Symphony No. 94 in G Major, H. I:94, "The Surprise": I. Adagio - Vivace assai | — | ||
| 4-11 | Symphony No. 94 in G Major, H. I:94, "The Surprise": II. Andante | — | ||
| 4-12 | Symphony No. 94 in G Major, H. I:94, "The Surprise": III. Menuet & Trio: Allegro molto | — | ||
| 4-13 | Symphony No. 94 in G Major, H. I:94, "The Surprise": IV. Finale: Allegro di molto | — | ||
| 5-1 | Eine kleine Nachtmusik (Serenade for Strings No. 13 in G Major), K. 525: I. Allegro | — | ||
| 5-2 | Eine kleine Nachtmusik (Serenade for Strings No. 13 in G Major), K. 525: II. Romanze - Andante | — | ||
| 5-3 | Eine kleine Nachtmusik (Serenade for Strings No. 13 in G Major), K. 525: III. Menuetto - Allegretto | — | ||
| 5-4 | Eine kleine Nachtmusik (Serenade for Strings No. 13 in G Major), K. 525: IV. Rondo - Allegro | — | ||
| 5-5 | Concerto for Clarinet and Orchestra in A Major, K. 622: I. Allegro | — | ||
| 5-6 | Concerto for Clarinet and Orchestra in A major, K. 622 | [unknown] | T-318.583.906-5 | |
| 5-7 | Concerto for Clarinet and Orchestra in A Major, K. 622: III. Rondo | — | ||
| 5-8 | Piano Sonata in A Major, K. 331: III. Alla turca. Allegretto | — | ||
| 5-9 | Piano Sonata No. 16 in C Major, K. 545: I. Allegro | — | ||
| 5-10 | Rondo in C Major, K. 373: Allegretto grazioso | — | ||
| 6-1 | Piano Concerto No. 17 in G Major, K. 453: I. Allegro | — | ||
| 6-2 | Piano Concerto No. 17 in G Major, K. 453: II. Andante | — | ||
| 6-3 | Piano Concerto No. 17 in G Major, K. 453: III. Allegretto | — | ||
| 6-4 | Symphony no. 35 in D major, K. 385 “Haffner”: I. Allegro con spirito | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 6-5 | Symphony no. 35 in D major, K. 385 “Haffner”: II. Andante | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 6-6 | Symphony no. 35 in D major, K. 385 “Haffner”: III. Menuetto e trio | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 6-7 | Symphony no. 35 in D major, K. 385 “Haffner”: IV. Finale. Presto | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 6-8 | Flute Concerto No. 2 in D Major, K. 314: I. Allegro aperto | — | ||
| 6-9 | Concerto for Oboe and Orchestra n C major, K. 314 (285d): II. Adagio non troppo | Heinz Holliger, Munich Chamber Orchestra, Hans Stadlmair | — | |
| 6-10 | Concerto for Oboe and Orchestra n C major, K. 314 (285d): III. Rondo: Allegretto | Heinz Holliger, Munich Chamber Orchestra, Hans Stadlmair | T-306.395.786-4 | |
| 7-1 | Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio | — | ||
| 7-2 | Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | — | ||
| 7-3 | Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo: Allegro | — | ||
| 7-4 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Mondschein": I. Adagio | — | ||
| 7-5 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Mondschein": II. Allegretto | — | ||
| 7-6 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Mondschein": III. Presto | — | ||
| 7-7 | Bagatelle in A Minor, Wo0 59, "Für Elise" | — | ||
| 7-8 | Symphony no. 9 in D minor, op. 125: V. Allegro assai vivace alla marcia. End | Tonhalle-Orchester Zürich, David Zinman | — | |
| 8-1 | Sonata in A Minor, D. 821 "Arpeggione": I. Allegro moderato | — | ||
| 8-2 | Sonata in A Minor, D. 821 "Arpeggione": II. Adagio | — | ||
| 8-3 | Sonata in A Minor, D. 821 "Arpeggione": III. Allegretto | — | ||
| 8-4 | Piano Quintet in A Major, D 667, "Forellenquintett": IV. Thema (Andantino) con variazioni | — | ||
| 8-5 | Piano Sonata in A major, D 664 (Op. 120): III. Allegro | — | ||
| 8-6 | Polonaise in B-Flat Major, D. 580 | — | ||
| 8-7 | Deutsche Tänze, D. 366: No. 1, 3, 4, 5, 1, 12, 17 & 1 | — | ||
| 8-8 | Walzer in G-Flat Major, D. Anh. 1,14 "Kuppelwieser-Walzer" | — | ||
| 8-9 | Rondo in D Major, D. 608 | — | ||
| 8-10 | Die schöne Müllerin, D. 795: I. Das Wandern | — | ||
| 8-11 | Heidenröslein, D. 257 (Sah ein Knab ein Röslein steh'n) | — | ||
| 8-12 | Winterreise, D. 911: No. 5, Der Lindenbaum (Am Brunnen vor dem Tore) | — | ||
| 9-1 | Symphony No. 2 in B-Flat Major, D. 125: I. Largo - Allegro viviace | — | ||
| 9-2 | Symphony No. 2 in B-Flat Major, D. 125: II. Andante | — | ||
| 9-3 | Symphony No. 2 in B-Flat Major, D. 125: III. Menuetto: Allegro vivace - Trio | — | ||
| 9-4 | Symphony No. 2 in B-Flat Major, D. 125: IV. Presto vivace | — | ||
| 9-5 | Symphony No. 4 in A Major, Op. 90, "Italian": I. Allegro vivace | — | ||
| 9-6 | Symphony No. 4 in A Major, Op. 90, "Italian": II. Andante con moto | — | ||
| 9-7 | Symphony No. 4 in A Major, Op. 90, "Italian": III. Con moto moderato | — | ||
| 9-8 | Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto) | — | ||
| 10-1 | Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | — | ||
| 10-2 | Kinderszenen, Op. 15: VII. Träumerei | — | ||
| 10-3 | Bunte Blätter, Op. 99 Drei Stücklein: I. Nicht schnell, mit Innigkeit | — | ||
| 10-4 | Bunte Blätter, Op. 99 Drei Stücklein: II. Sehr rasch | — | ||
| 10-5 | Bunte Blätter, Op. 99 Drei Stücklein: III. Frisch | — | ||
| 10-6 | Bunte Blätter, Op. 99: XII. Abendmusik. Im Menuett-Tempo | — | ||
| 10-7 | Nocturnes, Op. 9 No. 2 in E-Flat Major | — | ||
| 10-8 | Préludes, Op. 28 No. 15 in D-Flat Major | — | ||
| 10-9 | Waltz in A-Flat Major, Op. 69, No. 1, "Farewell" | — | ||
| 10-10 | Waltz in B Minor, Op. 69, No. 2 | — | ||
| 10-11 | Mazurka in A minor, op. 17 no. 4 | Vladimir Horowitz | — | |
| 10-12 | Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March" III. Marche funebre. Lento | — | ||
| 10-13 | Liebestraum No. 3 in A-Flat Major, Op. 62, No. 3 | — | ||
| 10-14 | Consolation No. 3 | — | ||
| 10-15 | Suite Bergamasque, L. 75: III. Clair de lune | — | ||
| 10-16 | Children's Corner, L. 113: VI. Golliwogg's Cakewalk | — | ||
| 10-17 | Preludes, Book I VIII. La fille aux cheveux de lin. Très calme et doucement expressif | — | ||
| 10-18 | L'isle joyeuse | — | ||
| 10-19 | Rêverie Andantino sans lenteur | — | ||
| 11-1 | Klavierkonzert Nr. 1 op. 23 b-Moll: I Allegro non troppo e molto maestoso | — | ||
| 11-2 | Konzert für Violine und Orchester D-Dur op. 35: I Allegro molto | — | ||
| 11-3 | Der Nussknacker - Blumenwalzer | — | ||
| 11-4 | Bilder einer Ausstellung - Promenade | — | ||
| 11-5 | Bilder einer Ausstellung - Der Gnom | — | ||
| 11-6 | Bilder einer Ausstellung - Promenade | — | ||
| 11-7 | Bilder einer Ausstellung - Das alte Schloss | — | ||
| 11-8 | Bilder einer Ausstellung - Promenade | — | ||
| 11-9 | Bilder einer Ausstellung - Die Tuilerien | — | ||
| 11-10 | Bilder einer Ausstellung - Der Ochsenkarren | — | ||
| 11-11 | Bilder einer Ausstellung - Promenade | — | ||
| 11-12 | Bilder einer Ausstellung - Ballett der unausgeschlüpften Küken | — | ||
| 11-13 | Bilder einer Ausstellung - Samuel Goldenberg und Schmuyle | — | ||
| 11-14 | Bilder einer Ausstellung - Der Marktplatz von Limoges | — | ||
| 11-15 | Bilder einer Ausstellung - Die Katakomben | — | ||
| 11-16 | Bilder einer Ausstellung - Mit den Toten in einer toten Sprache | — | ||
| 11-17 | Bilder einer Ausstellung - Die Hütte der Baba-Jaga | — | ||
| 11-18 | Bilder einer Ausstellung - Das große Tor von Kiew | — | ||
| 12-1 | Salut d'amour, Op. 12 | — | ||
| 12-2 | Má Vlast for Orchestra No. 2, Vltava (Moldau) | — | ||
| 12-3 | Peer Gynt Suite No. 1: I. Morning Mood (Allegretto pastorale) | — | ||
| 12-4 | Concierto de Aranjuez for Guitar and Orchestra II. Adagio | — | ||
| 12-5 | "Carmen" Fantasy, Op. 25 [1990 Remastered] | — | ||
| 12-6 | Boléro | — | ||
| 12-7 | An der schönen blauen Donau, Op. 314 | — | ||
| 13-1 | Symphony No. 9 in E Minor, Op. 95, "From the New World": I. Adagio - Allegro molto | — | ||
| 13-2 | Le Carnaval des Animaux No. 1, Introduction et Marche royale du Lion | — | ||
| 13-3 | Le Carnaval des Animaux No. 2, Poules et Coqs | — | ||
| 13-4 | Le Carnaval des Animaux No. 3, Hémiones - Animaux véloces | — | ||
| 13-5 | Le Carnaval des Animaux No. 4, Tortues | — | ||
| 13-6 | Le Carnaval des Animaux No. 5, L'Eléphant | — | ||
| 13-7 | Le Carnaval des Animaux No. 6, Kangourous | — | ||
| 13-8 | Carnival of the Animals: Aquarium | London Festival Orchestra, Ross Pople | T-004.976.716-9 | |
| 13-9 | Le Carnaval des Animaux No. 8, Personnages à longues oreilles | — | ||
| 13-10 | Le Carnaval des Animaux No. 9, Le Coucou au fond des bois | — | ||
| 13-11 | Le Carnaval des Animaux No. 10, Volière | — | ||
| 13-12 | Le Carnaval des Animaux No. 11, Pianistes | — | ||
| 13-13 | Le Carnaval des Animaux No. 12, Fossiles | — | ||
| 13-14 | Le Carnaval des Animaux No. 13, Le Cygne | — | ||
| 13-15 | Le Carnaval des Animaux No. 14, Final | — | ||
| 13-16 | Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | — | ||
| 13-17 | Adagio for Strings | New York Philharmonic, Leonard Bernstein | T-070.000.199-5 | |
| 13-18 | The Planets, Op. 32 Mars, the Bringer of War | — | ||
| 14-1 | Simple Symphony for String Orchestra, Op. 4: I. Boisterous Bourrée. Allegro ritmico [Instrumental] | — | ||
| 14-2 | Simple Symphony for String Orchestra, Op. 4: II. Playful Pizzicato. Presto possibile pizzicato sempre [Instrumental] | — | ||
| 14-3 | Metamorphosis Two | Philip Glass | T-010.486.843-0 | |
| 14-4 | Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 14-5 | Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 14-6 | Finlandia, op. 26 | The Philadelphia Orchestra, Eugene Ormandy | T-910.256.702-2 | |
| 14-7 | Rhapsody In Blue | Los Angeles Philharmonic, Michael Tilson Thomas, Lorin Levee | T-010.244.926-2 | |
| 14-8 | Suite no. 2 for Jazz Orchestra: VI. Waltz I | Radio-Sinfonie-Orchester Frankfurt, Dmitri Kitaenko | — | |
| 14-9 | Suite no. 2 for Jazz Orchestra: VII. Waltz II | Radio-Sinfonie-Orchester Frankfurt, Dmitri Kitaenko | — | |
| 14-10 | Suite no. 2 for Jazz Orchestra: VIII. Finale | Radio-Sinfonie-Orchester Frankfurt, Dmitri Kitaenko | — | |
| 15-1 | Il barbiere di Siviglia: Overture | New York Philharmonic, Leonard Bernstein | T-306.482.271-1 | |
| 15-2 | Il barbiere di Siviglia: Largo al factotum | — | ||
| 15-3 | Martha: M'appari tutt'amor | — | ||
| 15-4 | Rigoletto : La donna è mobile | Plácido Domingo, London Symphony Orchestra, Nello Santi | T-912.866.624-0 | |
| 15-5 | Il Trovatore, Act II: Anvil Chorus | — | ||
| 15-6 | La Traviata Act I: E strano, è strano! - Ah fors è lui | — | ||
| 15-7 | La Traviata: Libiamo ne' lieti calici (Brindisi) | — | ||
| 15-8 | Tannhäuser Pilgrims' Chorus | — | ||
| 15-9 | Die Walküre: Walkürenritt | Tonhalle-Orchester Zürich, David Zinman | T-905.393.693-9 | |
| 15-10 | Madama Butterfly Act II: Humming Chorus | — | ||
| 15-11 | Turandot Nessun dorma | — | ||
| 15-12 | Gianni Schicchi: “O mio babbino caro” | Kiri Te Kanawa, London Philharmonic Orchestra, John Pritchard | T-901.222.501-3 | |
| 15-13 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 15-14 | La Wally Ebben? Ne andrò lontana | — | ||
| 15-15 | Cavalleria Rusticana: Intermezzo | — | ||
| 15-16 | Le nozze di Figaro, K. 492: Overture | — | ||
| 15-17 | Die Zauberflöte, K. 620 Act I: Der Vogelfänger bin ich ja | — | ||
| 15-18 | Die Zauberflöte, K. 620: Pa-Pagena! Pa-Pageno! | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Rigoletto : La donna è mobile | Plácido Domingo, London Symphony Orchestra, Nello Santi | T-001.455.377-5 |
| Symphony no. 35 in D major, K. 385 “Haffner”: I. Allegro con spirito | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — |
| Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | T-070.136.739-6 |
| Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | T-070.139.164-1 |
