UPC · Release
The Real… Blues: The Ultimate Collection
Various Artists
Last verified:
888751397323 is the Universal Product Code (UPC barcode) for the release “The Real… Blues: The Ultimate Collection” by Various Artists, released 2015-01-01 on Legacy. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include USSM11505857, GBHVK1200046, GBAJD0921069.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (57)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sitting on Top of the World | Mississippi Sheiks | T-302.341.957-6 | |
| 2 | Stack OʼLee | — | ||
| 3 | Worried Life Blues | Big Maceo | T-902.086.908-3 | |
| 4 | Nobody Knows You When Youʼre Down and Out | — | ||
| 5 | St. Louis Blues | — | ||
| 6 | High Sheriff | Charley Patton | — | |
| 7 | How Long, How Long Blues | Leroy Carr | T-071.396.166-0 | |
| 8 | Got the Blues for Murder Only | — | ||
| 9 | St. James Infirmary | Louis Armstrong & His Savoy Ballroom Five | T-071.070.447-4 | |
| 10 | You Can’t Get That Stuff No More | Tampa Red, Georgia Tom | — | |
| 11 | Long Tall Mama | — | ||
| 12 | Rag, Mama, Rag | — | ||
| 13 | Moonlight Lover Blues | — | ||
| 14 | Early in the Morning | — | ||
| 15 | Shave ‘em Dry I | — | ||
| 16 | Georgia Rag | — | ||
| 17 | Boogie Woogie Prayer (Part 1) | — | ||
| 18 | Mister Boogie | — | ||
| 19 | Match Box Blues #4 | Blind Lemon Jefferson | — | |
| 20 | Black Man | — | ||
| 21 | Dark Was the Night, Cold Was the Ground | Blind Willie Johnson | T-901.801.911-9 | |
| 2-1 | 32-20 Blues | — | ||
| 2-2 | Death Letter | Son House | T-073.190.588-6 | |
| 2-3 | Me and My Chauffeur Blues | Memphis Minnie | T-902.185.585-6 | |
| 2-4 | Fine and Mellow | — | ||
| 2-5 | Mississippi Moan | — | ||
| 2-6 | Whiskey and Gin Blues | — | ||
| 2-7 | Dupree Shake Dance | — | ||
| 2-8 | Take It Easy Baby | — | ||
| 2-9 | Baby, Please Don’t Go | Big Joe Williams | T-070.278.618-2 | |
| 2-10 | Fixin’ to Die Blues | Bukka White | — | |
| 2-11 | Easy Rider | — | ||
| 2-12 | Sloppy Drunk Blues | Sonny Boy Williamson | — | |
| 2-13 | Texas Woman Blues | — | ||
| 2-14 | You Shook Me | — | ||
| 2-15 | Summertime | — | ||
| 2-16 | R.M. Blues (live) | — | ||
| 2-17 | I Canʼt Be Satisfied | — | ||
| 3-1 | Mannish Boy | Muddy Waters | T-071.000.926-9 | |
| 3-2 | Ainʼt Nobodyʼs Business | — | ||
| 3-3 | Lucy Mae Blues | — | ||
| 3-4 | Black Magic Woman | — | ||
| 3-5 | Unchain My Heart | — | ||
| 3-6 | Mary Ann (live) | — | ||
| 3-7 | Down at Antones | The Fabulous Thunderbirds | T-700.010.531-9 | |
| 3-8 | Mean Town Blues (live) | — | ||
| 3-9 | Poison Girl | — | ||
| 3-10 | Cold Shot | Stevie Ray Vaughan and Double Trouble | — | |
| 3-11 | Motor Head Baby | Jimmie Vaughan | T-932.349.245-1 | |
| 3-12 | Texas | — | ||
| 3-13 | Chevrolet | — | ||
| 3-14 | Dirt Road Blues | — | ||
| 3-15 | Am I Wrong | — | ||
| 3-16 | Gallows Pole | — | ||
| 3-17 | Iʼll Take Care of You | — | ||
| 3-18 | The Country | — | ||
| 3-19 | Sad Sad Day | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cold Shot | Stevie Ray Vaughan and Double Trouble | — |
What other identifiers does this connect to?
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People also ask
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What is UPC 888751397323?
888751397323 is a Universal Product Code (UPC) assigned to The Real… Blues: The Ultimate Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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