UPC · Album
Len Goodman’s Ballroom Bonanza
Various Artists
Last verified:
888751522923 is the Universal Product Code (UPC barcode) for the release “Len Goodman’s Ballroom Bonanza” by Various Artists, released 2015-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include AUAP07800004, AUAPO7800004, DEB551271411.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (89)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Love Is in the Air | John Paul Young | AUAP07800004 |
| Love Is in the Air | John Paul Young | AUAPO7800004 |
| Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | DEB551271411 |
| Annie’s Song | John Denver | DKASA9604001 |
| Love Is in the Air | John Paul Young | ES5151602346 |
| Stand by Me | Ben E. King | FR6F31393230 |
| That’s Amore | Dean Martin | FRX281906409 |
| Kiss Me Honey, Honey | Shirley Bassey | GBAYE2401122 |
| That’s Amore | Dean Martin | GBAYE5700038 |
| Always and Forever | Heatwave | GBBBM7600029 |
| Always and Forever | Heatwave | GBBBM7700021 |
| Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | GBBPJ9800297 |
| Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | GBBPJ9800701 |
| What’s New Pussycat? | Tom Jones | GBF076520020 |
| What’s New Pussycat? | Tom Jones | GBFO76520020 |
| Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | GBLLT0900165 |
| Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | GBQRF1024830 |
| That’s Amore | Dean Martin | GBXHC1200102 |
| Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | GPBPJ9800297 |
| Stand by Me | Ben E. King | ITCF41500945 |
| That’s Amore | Dean Martin | ITCF41605090 |
| My Girl | The Temptations | NOISR8366569 |
| Jump in the Line | Harry Belafonte | UKR791846391 |
| Copacabana | Barry Manilow | USAR10601640 |
| Copacabana (At the Copa) | Barry Manilow | USAR17700161 |
| Stand by Me | Ben E. King | USAT20000556 |
| Stand by Me | Ben E. King | USAT21204929 |
| Stand by Me | Ben E. King | USAT21205862 |
| Stand by Me | Ben E. King | USAT21402270 |
| Stand by Me | Ben E. King | USAT22102518 |
| Daydream | The Lovin’ Spoonful | USBR16600005 |
| Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | USBWC0110030 |
| Kiss Me Honey, Honey | Shirley Bassey | USCA20002355 |
| That’s Amore | Dean Martin | USCA25300027 |
| That’s Amore | Dean Martin | USCA28900077 |
| How D’Ya Like Your Eggs in the Morning | Dean Martin, Helen O’Connell | USCA29601142 |
| That’s Amore | Dean Martin | USCA29701330 |
| Stand by Me (Remastered LP version) | Ben E. King | USEE10301313 |
| Stand by Me | Ben E. King | USEE10412007 |
| Stand by Me | Ben E. King | USEE11300018 |
| Jump in the Line | Harry Belafonte | USGF19920220 |
| Love Is in the Air | John Paul Young | USLIC0800127 |
| My Girl | The Temptations | USMO10000341 |
| My Girl | The Temptations | USMO10111043 |
| My Girl | The Temptations | USMO10201002 |
| My Girl | The Temptations | USMO10400288 |
| My Girl | The Temptations | USMO10500061 |
| My Girl | The Temptations | USMO16400263 |
| Needle in a Haystack | The Velvelettes | USMO16400470 |
| My Girl | The Temptations | USMO16490001 |
| Sway | Rosemary Clooney | USRC10000274 |
| Annie’s Song | John Denver | USRC10400923 |
| Annie’s Song | John Denver | USRC10401096 |
| Annie’s Song | John Denver | USRC10401433 |
| Quién será (Sway) | Pérez Prado, Rosemary Clooney | USRC10800131 |
| Jump in the Line | Harry Belafonte | USRC16607550 |
| Annie’s Song | John Denver | USRC17403082 |
| Islands in the Stream | Kenny Rogers, Dolly Parton | USRC18307961 |
| Annie’s Song | John Denver | USRC19708135 |
| Needle in a Haystack | The Velvelettes | USRHD0530883 |
| 9 to 5 | Dolly Parton | USRN10400045 |
| 9 to 5 | Dolly Parton | USRN19400050 |
| 9 to 5 | Dolly Parton | USRN19400384 |
| Islands in the Stream | Dolly Parton, Kenny Rogers | USRN19400390 |
| 9 to 5 | Dolly Parton | USRN19600101 |
| 9 to 5 | Dolly Parton | USRN19600170 |
| Islands in the Stream | Dolly Parton, Kenny Rogers | USRN19600175 |
| Samba pa ti | Santana | USSD19905198 |
| Iko Iko | The Dixie Cups | USSE62162967 |
| Iko Iko | The Dixie Cups | USSE62200323 |
| Samba pa ti | Santana | USSM10016452 |
| 9 to 5 | Dolly Parton | USSM10026966 |
| Oye como va | Santana | USSM10114646 |
| Oye como va | Santana | USSM10205106 |
| Moon River | Andy Williams | USSM16201105 |
| Samba Pa Ti | Santana | USSM17000014 |
| Oye como va | Santana | USSM17000293 |
| Samba pa ti | Santana | USSM17000297 |
| Oye como va | Santana | USSM17000308 |
| Samba pa ti | Santana | USSM17000309 |
| Samba pa ti | Santana | USSM17000811 |
| Oye como va | Santana | USSM17000812 |
| The Longest Time | Billy Joel | USSM18300236 |
| The Longest Time | Billy Joel | USSM18300273 |
| Oye como va | Santana | USSM18800407 |
| Moon River | Andy Williams | USSM19500347 |
| Oye como va | Santana | USSM19703591 |
| Moon River | Andy Williams | USSM19911988 |
| Moon River | Andy Williams | USSM19912736 |
What other identifiers does this connect to?
Musical Works (ISWC)
+61 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
People also ask
Verified on
What is UPC 888751522923?
888751522923 is a Universal Product Code (UPC) assigned to Len Goodman’s Ballroom Bonanza by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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