UPC · Release
Anne Akiko Meyers – The Complete RCA Recordings
Prokofiev, Mendelssohn, Lalo, Bruch, Strauss, Franck, Copland, Anne Akiko Meyers, Litton, Kitajenko, López Cobos, de Silva, Schub, Rivers
888751657526
64 tracksReleased 2016-01-01RCA Red Seal
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888751657526 is the Universal Product Code (UPC barcode) for the release “Anne Akiko Meyers – The Complete RCA Recordings” by Prokofiev, Mendelssohn, Lalo, Bruch, Strauss, Franck, Copland, Anne Akiko Meyers, Litton, Kitajenko, López Cobos, de Silva, Schub, Rivers, released 2016-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 64 tracks, each with its own ISRC.
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8Number system
88751Manufacturer
65752Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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UPCAnne Akiko Meyers – The Complete RCA Recordings
ISWC2 works
Track List (64)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto in E minor, op. 64: Allegro molto appassionato | — | ||
| 2 | Violin Concerto in E minor, op. 64: Andante | — | ||
| 3 | Violin Concerto in E minor, op. 64: Finale. Allegretto non troppo - Allegro molto vivace | — | ||
| 4 | The Lark Ascending | — | ||
| 5 | Romance for Violin and Orchestra, op. 11 | — | ||
| 6 | Meditation from Thaïs | — | ||
| 2-1 | Violin Concerto No. 1 in D Major, Op. 19: I. Andantino - Andante assai | — | ||
| 2-2 | Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo - Vivacissimo | — | ||
| 2-3 | Violin Concerto No. 1 in D Major, Op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo | — | ||
| 2-4 | Violin Concerto in G Minor, Op. 63: I. Allegro moderato | — | ||
| 2-5 | Violin Concerto in G Minor, Op. 63: II. Andante assai - Allegrettto - Andante assai | — | ||
| 2-6 | Violin Concerto in G Minor, Op. 63: III. Allegro, ben marcato | — | ||
| 2-7 | Five Melodies, Op. 35: I. Andante | — | ||
| 2-8 | Five Melodies, Op. 35: II. Lento, ma non troppo | — | ||
| 2-9 | Five Melodies, Op. 35: III. Animato, ma non allegro | — | ||
| 2-10 | Five Melodies, Op. 35: IV. Allegretto leggero e scherzando | — | ||
| 2-11 | Five Melodies, Op. 35: V. Andante non troppo | — | ||
| 3-1 | Symphonie espagnole, Op. 21 : I. Allegro non troppo | — | ||
| 3-2 | Symphonie espagnole, Op. 21: II. Scherzando - Allegro molto | — | ||
| 3-3 | Symphonie espagnole, Op. 21: III. Intermezzo - Allegretto non troppo | — | ||
| 3-4 | Symphonie espagnole, Op. 21: IV. Andante | — | ||
| 3-5 | Symphonie espagnole, Op. 21: V. Rondo - Allegro | — | ||
| 3-6 | Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: I. Introduction: Grave | — | ||
| 3-7 | Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: I. Adagio cantabile | — | ||
| 3-8 | Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: II. Allegro - Adagio | — | ||
| 3-9 | Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: III. Andante sostenuto | — | ||
| 3-10 | Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: IV. Finale - Allegro guerriero | — | ||
| 4-1 | Sonata for Violin and Piano in E-Flat Major, Op. 18: I. Allegro, ma non troppo | — | ||
| 4-2 | Sonata for Violin and Piano in E-Flat Major, Op. 18: II. Improvisation - Andante cantabile | — | ||
| 4-3 | Sonata for Violin and Piano in E-Flat Major, Op. 18: III. Finale - Andante - Allegro | — | ||
| 4-4 | Sonata in A Major for Piano and Violin: I. Allegretto ben moderato | — | ||
| 4-5 | Sonata in A Major for Piano and Violin: II. Allegro | — | ||
| 4-6 | Sonata in A Major for Piano and Violin: III. Recitativo - Fantasia - Ben moderato | — | ||
| 4-7 | Sonata in A Major for Piano and Violin: IV. Allegretto poco mosso | — | ||
| 5-1 | Sonatina for Violin and Piano: I. Allegro leggiero | — | ||
| 5-2 | Sonatina for Violin and Piano: II. Adagio espressivo | — | ||
| 5-3 | Sonatina for Violin and Piano: III. Allegro vivo | — | ||
| 5-4 | Sonata for Violin and Piano: !. Andante semplice - Allegro - Più mosso | — | ||
| 5-5 | Sonata for Violin and Piano: II. Poco più mosso | — | ||
| 5-6 | Sonata for Violin and Piano: III. Allegretto giusto | — | ||
| 5-7 | Sonata no. 4 for Violin and Piano "Children's Day at the Camp Meeting": I. Allegro - Allegro molto | — | ||
| 5-8 | Sonata no. 4 for Violin and Piano "Children's Day at the Camp Meeting": II. Largo - Allegro - Andante con spirito - Adagio cantabile - Largo cantabile | — | ||
| 5-9 | Sonata no. 4 for Violin and Piano "Children's Day at the Camp Meeting": III. Allegro - Allegro molto | — | ||
| 5-10 | Nocturne | — | ||
| 5-11 | Blues | — | ||
| 6-1 | Salut d'amour, Op. 12 | — | ||
| 6-2 | Kojo no Tsuki | — | ||
| 6-3 | Suite populaire espagnole after "7 canciones populares españolas": I. El paño moruno | — | ||
| 6-4 | Suite populaire espagnole after "7 canciones populares españolas": V. Asturiana | — | ||
| 6-5 | Suite populaire espagnole after "7 canciones populares españolas": VI. Jota | — | ||
| 6-6 | Suite populaire espagnole after "7 canciones populares españolas": II. Nana | — | ||
| 6-7 | Suite populaire espagnole after "7 canciones populares españolas": III. Canción | — | ||
| 6-8 | Suite populaire espagnole after "7 canciones populares españolas": IV. Polo | — | ||
| 6-9 | La plus que lente, CD 128, L. 121 | — | ||
| 6-10 | Recitativo and Scherzo, Op. 6 | — | ||
| 6-11 | Liebesleid | — | ||
| 6-12 | Liebesfreud | — | ||
| 6-13 | Songs, Op. 34: Vocalise, No. 14 | — | ||
| 6-14 | Sicilienne | — | ||
| 6-15 | Ao pé da fogueira (Preludio XV) | — | ||
| 6-16 | Aka-Tonbo | — | ||
| 6-17 | Preludes, Book I: La fille aux cheveux de lin | — | ||
| 6-18 | Porgy and Bess: It Ain't Necessarily So | — | ||
| 6-19 | Pièce en forme de Habanera | — |
Violin Concerto in E minor, op. 64: Allegro molto appassionato
—
Violin Concerto in E minor, op. 64: Andante
—
Violin Concerto in E minor, op. 64: Finale. Allegretto non troppo - Allegro molto vivace
—
The Lark Ascending
—
Romance for Violin and Orchestra, op. 11
—
Meditation from Thaïs
—
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino - Andante assai
—
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo - Vivacissimo
—
Violin Concerto No. 1 in D Major, Op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo
—
Violin Concerto in G Minor, Op. 63: I. Allegro moderato
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Violin Concerto in G Minor, Op. 63: II. Andante assai - Allegrettto - Andante assai
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Violin Concerto in G Minor, Op. 63: III. Allegro, ben marcato
—
Five Melodies, Op. 35: I. Andante
—
Five Melodies, Op. 35: II. Lento, ma non troppo
—
Five Melodies, Op. 35: III. Animato, ma non allegro
—
Five Melodies, Op. 35: IV. Allegretto leggero e scherzando
—
Five Melodies, Op. 35: V. Andante non troppo
—
Symphonie espagnole, Op. 21 : I. Allegro non troppo
—
Symphonie espagnole, Op. 21: II. Scherzando - Allegro molto
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Symphonie espagnole, Op. 21: III. Intermezzo - Allegretto non troppo
—
Symphonie espagnole, Op. 21: IV. Andante
—
Symphonie espagnole, Op. 21: V. Rondo - Allegro
—
Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: I. Introduction: Grave
—
Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: I. Adagio cantabile
—
Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: II. Allegro - Adagio
—
Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: III. Andante sostenuto
—
Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: IV. Finale - Allegro guerriero
—
Sonata for Violin and Piano in E-Flat Major, Op. 18: I. Allegro, ma non troppo
—
Sonata for Violin and Piano in E-Flat Major, Op. 18: II. Improvisation - Andante cantabile
—
Sonata for Violin and Piano in E-Flat Major, Op. 18: III. Finale - Andante - Allegro
—
Sonata in A Major for Piano and Violin: I. Allegretto ben moderato
—
Sonata in A Major for Piano and Violin: II. Allegro
—
Sonata in A Major for Piano and Violin: III. Recitativo - Fantasia - Ben moderato
—
Sonata in A Major for Piano and Violin: IV. Allegretto poco mosso
—
Sonatina for Violin and Piano: I. Allegro leggiero
—
Sonatina for Violin and Piano: II. Adagio espressivo
—
Sonatina for Violin and Piano: III. Allegro vivo
—
Sonata for Violin and Piano: !. Andante semplice - Allegro - Più mosso
—
Sonata for Violin and Piano: II. Poco più mosso
—
Sonata for Violin and Piano: III. Allegretto giusto
—
Sonata no. 4 for Violin and Piano "Children's Day at the Camp Meeting": I. Allegro - Allegro molto
—
Sonata no. 4 for Violin and Piano "Children's Day at the Camp Meeting": II. Largo - Allegro - Andante con spirito - Adagio cantabile - Largo cantabile
—
Sonata no. 4 for Violin and Piano "Children's Day at the Camp Meeting": III. Allegro - Allegro molto
—
Nocturne
—
Blues
—
Salut d'amour, Op. 12
—
Kojo no Tsuki
—
Suite populaire espagnole after "7 canciones populares españolas": I. El paño moruno
—
Suite populaire espagnole after "7 canciones populares españolas": V. Asturiana
—
Suite populaire espagnole after "7 canciones populares españolas": VI. Jota
—
Suite populaire espagnole after "7 canciones populares españolas": II. Nana
—
Suite populaire espagnole after "7 canciones populares españolas": III. Canción
—
Suite populaire espagnole after "7 canciones populares españolas": IV. Polo
—
La plus que lente, CD 128, L. 121
—
Recitativo and Scherzo, Op. 6
—
Liebesleid
—
Liebesfreud
—
Songs, Op. 34: Vocalise, No. 14
—
Sicilienne
—
Ao pé da fogueira (Preludio XV)
—
Aka-Tonbo
—
Preludes, Book I: La fille aux cheveux de lin
—
Porgy and Bess: It Ain't Necessarily So
—
Pièce en forme de Habanera
—
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What is UPC 888751657526?
888751657526 is a Universal Product Code (UPC) assigned to Anne Akiko Meyers – The Complete RCA Recordings by Prokofiev, Mendelssohn, Lalo, Bruch, Strauss, Franck, Copland, Anne Akiko Meyers, Litton, Kitajenko, López Cobos, de Silva, Schub, Rivers. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 64 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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