UPC · Release
Charles Munch, Boston Symphony Orchestra, New York Philharmonic, The Philadelphia Orchestra
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The UPC for “The Complete RCA Album Collection” by Charles Munch, Boston Symphony Orchestra, New York Philharmonic, The Philadelphia Orchestra is 888751697928. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: RCA Red Seal. This release contains 602 tracks, each with its own ISRC. Tracks include USBC15100188, USBC19705896, USBC19705897.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 3 in C minor, op. 78 "Organ": I. Adagio - Allegro moderato | — | ||
| 2 | Symphony no. 3 in C minor, op. 78 "Organ": II. Poco adagio | — | ||
| 3 | Symphony no. 3 in C minor, op. 78 "Organ": III. Allegro moderato - Presto | — | ||
| 4 | Symphony no. 3 in C minor, op. 78 "Organ": IV. Maestoso - Allegro | — | ||
| 2-1 | Symphony no. 7, op. 92: I. Poco sostenuto - Vivace | — | ||
| 2-2 | Symphony no. 7, op. 92: II. Allegretto | — | ||
| 2-3 | Symphony no. 7, op. 92: III. Presto | — | ||
| 2-4 | Symphony no. 7, op. 92: IV. Allegro con brio | — | ||
| 2-5 | Symphony no. 2 in B-flat major, D. 125: I. Largo - Allegro vivace | — | ||
| 2-6 | Symphony no. 2 in B-flat major, D. 125: II. Andante | — | ||
| 2-7 | Symphony no. 2 in B-flat major, D. 125: III. Menuetto. Allegro vivace | — | ||
| 2-8 | Symphony no. 2 in B-flat major, D. 125: IV. Allegro vivace | — | ||
| 2-9 | Gratulations-Menuett in E-flat major, WoO 3 | — | ||
| 3-1 | Symphonie sur un Chant Montagnard Français, Op.25: I. Assez lent | — | ||
| 3-2 | Symphonie sur un Chant Montagnard Français, Op.25: II. Assez modéré, mais sans lenteur | — | ||
| 3-3 | Symphonie sur un Chant Montagnard Français, Op.25: III. Animé | — | ||
| 3-4 | Variations symphoniques, FWV 46 | — | ||
| 3-5 | Piano Concerto no. 21 in C major, K. 467: I. Allegro maestoso | — | ||
| 3-6 | Piano Concerto no. 21 in C major, K. 467: II. Andante | — | ||
| 3-7 | Piano Concerto no. 21 in C major, K. 467: III. Allegro vivace assai | — | ||
| 4-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 4-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 4-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 4-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 4-5 | Symphony no. 104 in D major, Hob. I-104 "London": I. Adagio - Allegro | — | ||
| 4-6 | Symphony no. 104 in D major, Hob. I-104 "London": II. Andante | — | ||
| 4-7 | Symphony no. 104 in D major, Hob. I-104 "London": III. Menuetto - Trio - Allegro | — | ||
| 4-8 | Symphony no. 104 in D major, Hob. I-104 "London": IV. Finale - Allegro spiritoso | — | ||
| 5-1 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel - Allegro moderato | — | ||
| 5-2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | — | ||
| 5-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale - Allegro energico - Presto | — | ||
| 5-4 | Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace | — | ||
| 5-5 | Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - Attacca | — | ||
| 5-6 | Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo - Molto vivace | — | ||
| 5-7 | Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 6-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 6-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 6-3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 6-4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 6-5 | Symphony no. 103 in E-flat, Hob. I-103 "Drum Roll": I. Adagio - Allegro con spirito | — | ||
| 6-6 | Symphony no. 103 in E-flat, Hob. I-103 "Drum Roll": II. Andante più tosto allegretto | — | ||
| 6-7 | Symphony no. 103 in E-flat, Hob. I-103 "Drum Roll": III. Menuet | — | ||
| 6-8 | Symphony no. 103 in E-flat, Hob. I-103 "Drum Roll": IV. Finale - Allegro con spirito | — | ||
| 7-1 | Rapsodie espagnole: I. Prélude à la nuit. Très modéré (A Minor) | — | ||
| 7-2 | Rapsodie espagnole: II. Malagueña. Assez vif (A Minor) | — | ||
| 7-3 | Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (F-Sharp Minor) | — | ||
| 7-4 | Rapsodie espagnole: IV. Feria. Assez animé (C Major) | — | ||
| 7-5 | La Valse, M. 72 | — | ||
| 7-6 | La princesse jaune, Op.30: Overture | — | ||
| 7-7 | Béatrice et Bénédict, H 138: Overture | — | ||
| 7-8 | Le roi d'Ys: Overture | — | ||
| 8-1 | Water Music Suite, HWV 348-350: I. Allegro | — | ||
| 8-2 | Water Music Suite, HWV 348-350: II. Air | — | ||
| 8-3 | Water Music Suite, HWV 348-350: III. Bourrée | — | ||
| 8-4 | Water Music Suite, HWV 348-350: IV. Horn Pipe | — | ||
| 8-5 | Water Music Suite, HWV 348-350: V. Andante espressivo | — | ||
| 8-6 | Water Music Suite, HWV 348-350: VI. Allegro deciso | — | ||
| 8-7 | Le nozze di Figaro, K. 492: Overture | — | ||
| 8-8 | OVERTURE | Charles Munch, Boston Symphony Orchestra | T-909.574.378-5 | |
| 9-1 | PIANO CONCERTO NO. 2 IN B-FLAT MAJOR, OP. 83: I. ALLEGRO NON TROPPO | Arthur Rubinstein, Boston Symphony Orchestra, Charles Munch | T-322.446.876-8 | |
| 9-2 | PIANO CONCERTO NO. 2 IN B-FLAT MAJOR, OP. 83: II. ALLEGRO APPASSIONATO | Arthur Rubinstein, Boston Symphony Orchestra, Charles Munch | T-322.446.817-7 | |
| 9-3 | PIANO CONCERTO NO. 2 IN B-FLAT MAJOR, OP. 83: III. ANDANTE | Arthur Rubinstein, Boston Symphony Orchestra, Charles Munch | T-322.308.071-1 | |
| 9-4 | PIANO CONCERTO NO. 2 IN B-FLAT MAJOR, OP. 83: IV. ALLEGRETTO GRAZIOSO | Arthur Rubinstein, Boston Symphony Orchestra, Charles Munch | T-322.446.992-1 | |
| 10-1 | Roméo et Juliette, op. 17: Combats - Tumulte - Intervention du prince | — | ||
| 10-2 | Roméo et Juliette, op. 17: D'anciennes haines endormies | — | ||
| 10-3 | Roméo et Juliette, op. 17: Premiers transports que nul n'oublie! | — | ||
| 10-4 | Roméo et Juliette, op. 17: Bientôt de Roméo la pâle rêverie | — | ||
| 10-5 | Roméo et Juliette, op. 17: Roméo seul | — | ||
| 10-6 | Roméo et Juliette, op. 17: Tristesse | — | ||
| 10-7 | Roméo et Juliette, op. 17: Bruits lointains de concert et de bal | — | ||
| 10-8 | Roméo et Juliette, op. 17: Grande fête chez les Capulets | — | ||
| 10-9 | Roméo et Juliette, op. 17: Nuit sereine | — | ||
| 10-10 | Roméo et Juliette, op. 17: Scène d'amour | — | ||
| 11-1 | Roméo et Juliette, op. 17: Scherzo: La reine Mab | — | ||
| 11-2 | Roméo et Juliette, op. 17: Convoi funèbre de Juliette | — | ||
| 11-3 | Roméo et Juliette, op. 17: Roméo au tombeau des Capulets | — | ||
| 11-4 | Roméo et Juliette, op. 17: Invocation - Réveil de Juliette | — | ||
| 11-5 | Roméo et Juliette, op. 17: Joie délirante | — | ||
| 11-6 | Roméo et Juliette, op. 17: Dernières angoisses et mort des deux amants | — | ||
| 11-7 | Roméo et Juliette, op. 17: Quoi! Roméo de retour! | — | ||
| 11-8 | Roméo et Juliette, op. 17: Je vais dévoiler le mystère | — | ||
| 11-9 | Roméo et Juliette, op. 17: Pauvres enfants que je pleure | — | ||
| 11-10 | Roméo et Juliette, op. 17: Jurez donc par l'auguste symbole | — | ||
| 12-1 | Symphonie No. 5, H 202 "di tre re" / Grave | — | ||
| 12-2 | Symphonie No. 5, H 202 "di tre re" / Allegretto | — | ||
| 12-3 | Symphonie No. 5, H 202 "di tre re" / Allegro marcato | — | ||
| 12-4 | Bacchus et Ariane, Suite No. 2, Op. 43 / Introduction | — | ||
| 12-5 | Bacchus et Ariane, Suite No. 2, Op. 43 / On Awakening, Ariane Looks for Theseus | — | ||
| 12-6 | Bacchus et Ariane, Suite No. 2, Op. 43 / Feeling Abandoned, She Tries to Throw Herself Into the Stream... | — | ||
| 12-7 | Bacchus et Ariane, Suite No. 2, Op. 43 / ...and Falls Into the Arms of Bacchus | — | ||
| 12-8 | Bacchus et Ariane, Suite No. 2, Op. 43 / Dance of Ariane's Dream | — | ||
| 12-9 | Bacchus et Ariane, Suite No. 2, Op. 43 / Dance of Bacchus Alone | — | ||
| 12-10 | Bacchus et Ariane, Suite No. 2, Op. 43 / The Immortalizing Kiss | — | ||
| 12-11 | Bacchus et Ariane, Suite No. 2, Op. 43 / The Dionysiac Spell | — | ||
| 12-12 | Bacchus et Ariane, Suite No. 2, Op. 43 / A Group Marches by, and Ariane is Presented with a Golden Cup | — | ||
| 12-13 | Bacchus et Ariane, Suite No. 2, Op. 43 / Ariane's Dance | — | ||
| 12-14 | Bacchus et Ariane, Suite No. 2, Op. 43 / Bacchanale | — | ||
| 12-15 | Pavane pour une infante défunte, M. 19 | — | ||
| 13-1 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Introduction | — | ||
| 13-2 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Theme; Don Quixote, the Knight of Sorrowful Countenance | — | ||
| 13-3 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 1; The Adventure with the Windmills | — | ||
| 13-4 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 2; The Battle with the Sheep | — | ||
| 13-5 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 3; Dialogue of Knight and Squire | — | ||
| 13-6 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 4; The Adventure with the Penitents | — | ||
| 13-7 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 5; The Knight's Vigil | — | ||
| 13-8 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 6; The False Dulcinea | — | ||
| 13-9 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 7; The Ride through the Air | — | ||
| 13-10 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 8; The Adventure with the Enchanted Boat | — | ||
| 13-11 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 9; The Combat with the Two Magicians | — | ||
| 13-12 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 10; The Defeat of Don Quixote by the Knight of the White Moon | — | ||
| 13-13 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Finale; The Death of Don Quixote | — | ||
| 14-1 | Violin Concerto in D Major, Op. 35 / I. Allegro moderato | — | ||
| 14-2 | Violin Concerto in D Major, Op. 35 / II. Canzonetta. Andante | — | ||
| 14-3 | Violin Concerto in D Major, Op. 35 / III. Finale - Allegro vivacissimo | — | ||
| 15-1 | La Damnation de Faust, Op. 24 / Le vieil hiver | — | ||
| 15-2 | La Damnation de Faust, Op. 24 / Les bergers laissent | — | ||
| 15-3 | La Damnation de Faust, Op. 24 / Mais d'un éclat guerrier | — | ||
| 15-4 | La Damnation de Faust, Op. 24 / Marche hongroise: (Rákóczy March) | — | ||
| 15-5 | La Damnation de Faust, Op. 24 / Sans regrets j'ai quitté | — | ||
| 15-6 | La Damnation de Faust, Op. 24 / Christ vient de ressusciter! (Chant de la fête de Pâques) | — | ||
| 15-7 | La Damnation de Faust, Op. 24 / Hélas! doux chants du ciel | — | ||
| 15-8 | La Damnation de Faust, Op. 24 / O pure émotion! | — | ||
| 15-9 | La Damnation de Faust, Op. 24 / A boire encor! | — | ||
| 15-10 | La Damnation de Faust, Op. 24 / Oh! qui'il fait bon | — | ||
| 15-11 | La Damnation de Faust, Op. 24 / Certain rat (Chanson de Brander) | — | ||
| 15-12 | La Damnation de Faust, Op. 24 / Amen. Amen | — | ||
| 15-13 | La Damnation de Faust, Op. 24 / Vrai Dieu, messieurs | — | ||
| 15-14 | La Damnation de Faust, Op. 24 / Une puce gentille (Chanson de Méphistophélés) | — | ||
| 15-15 | La Damnation de Faust, Op. 24 / Assez! fuyons ces lieux | — | ||
| 15-16 | La Damnation de Faust, Op. 24 / Voici des roses | — | ||
| 15-17 | La Damnation de Faust, Op. 24 / Dors, heureux Faust, dors! | — | ||
| 15-18 | La Damnation de Faust, Op. 24 / Ballet of the Sylphs | — | ||
| 15-19 | La Damnation de Faust, Op. 24 / Margarita! | — | ||
| 15-20 | La Damnation de Faust, Op. 24 / Villes entourées | — | ||
| 15-21 | La Damnation de Faust, Op. 24 / La retraite | — | ||
| 15-22 | La Damnation de Faust, Op. 24 / Merci, doux crépuscule! | — | ||
| 15-23 | La Damnation de Faust, Op. 24 / Je l'entends! | — | ||
| 15-24 | La Damnation de Faust, Op. 24 / Que l'air est étouffant! | — | ||
| 15-25 | La Damnation de Faust, Op. 24 / Autrefois un roi de Thulé (The King of Thule) | — | ||
| 15-26 | La Damnation de Faust, Op. 24 / Esprit des flammes | — | ||
| 16-1 | La Damnation de Faust, Op. 24 / Menuet des follets | — | ||
| 16-2 | La Damnation de Faust, Op. 24 / Maintenant | — | ||
| 16-3 | La Damnation de Faust, Op. 24 / Grands dieux! | — | ||
| 16-4 | La Damnation de Faust, Op. 24 / Allons, il est trop tard! | — | ||
| 16-5 | La damnation de Faust, Teil IV: "D’amour l’ardente flamme" | Suzanne Danco, Boston Symphony Orchestra, Charles Munch | — | |
| 16-6 | La Damnation de Faust, Op. 24 / Au son des trompettes - Suzanne Danco | — | ||
| 16-7 | La Damnation de Faust, Op. 24 / Nature immense (Invocation à la Nature) | — | ||
| 16-8 | La Damnation de Faust, Op. 24 / A la voûte azurée | — | ||
| 16-9 | La Damnation de Faust, Op. 24 / Dans mon coeur retentit (La course à l'abîme) | — | ||
| 16-10 | La Damnation de Faust, Op. 24 / Has! Irimiru Karabrao! | — | ||
| 16-11 | La Damnation de Faust, Op. 24 / Alors l'enfer se tut | — | ||
| 16-12 | La Damnation de Faust, Op. 24 / Laus! Hosanna! | — | ||
| 16-13 | La damnation de Faust, Op. 24 / Dans mon coeur retentit | — | ||
| 17-1 | Piano Concerto No. 2 in F Minor, Op. 21 / I. Maestoso | — | ||
| 17-2 | Piano Concerto No. 2 in F Minor, Op. 21 / II. Larghetto | — | ||
| 17-3 | Piano Concerto No. 2 in F Minor, Op. 21 / III. Allegro vivace | — | ||
| 17-4 | Piano Concerto No. 4 in C Minor, Op. 44 / I. Allegro moderato | — | ||
| 17-5 | Piano Concerto No. 4 in C Minor, Op. 44 / II. Andante | — | ||
| 17-6 | Piano Concerto No. 4 in C Minor, Op. 44 / III. Allegro vivace | — | ||
| 17-7 | Piano Concerto No. 4 in C Minor, Op. 44 / IV. Allegro | — | ||
| 18-1 | Violin Concerto in A minor; I. Allegro moderato | — | ||
| 18-2 | Violin Concerto in A minor; II. Adagio | — | ||
| 18-3 | Violin Concerto in A minor; III. Allegro vivace | — | ||
| 18-4 | Symphony No. 2 For String Orchestra; I. Molto moderato - Allegro | — | ||
| 18-5 | Symphony No. 2 For String Orchestra; II. Adagio molto | — | ||
| 18-6 | Symphony No. 2 For String Orchestra; III. Vivace ma non troppo - Presto | — | ||
| 19-1 | Daphnis et Chloé: Scene I. Invocation to the Nymphs | Boston Symphony Orchestra, Charles Munch | — | |
| 19-2 | Daphnis et Chloé: Scene I. Entrance of Daphnis and Chloé | Boston Symphony Orchestra, Charles Munch | T-004.014.574-1 | |
| 19-3 | Daphnis et Chloé: Scene I. Dance of the Young Girls Around Daphnis | Boston Symphony Orchestra, Charles Munch | T-004.014.574-1 | |
| 19-4 | Daphnis et Chloé: Scene I. Dorcon's Advance to Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 19-5 | Daphnis et Chloé: Scene I. Daphnis Reasserts His Love for Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 19-6 | Daphnis et Chloé: Scene I. Dorcon's Grotesque Dance | Boston Symphony Orchestra, Charles Munch | — | |
| 19-7 | Daphnis et Chloé: Scene I. The Gracious Dance of Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 19-8 | Daphnis et Chloé: Scene I. The Triumph of Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 19-9 | Daphnis et Chloé: Scene I. Entrance of the Temptress Lyceion and Dance of Veils | Boston Symphony Orchestra, Charles Munch | — | |
| 19-10 | Daphnis et Chloé: Scene I. The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 19-11 | Daphnis et Chloé: Scene I. Invocation to Pan by the Nymphs and the Prayer of Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 19-12 | Daphnis et Chloé: Scene II. Interlude | Boston Symphony Orchestra, Charles Munch | — | |
| 19-13 | Daphnis et Chloé: Scene II. The Orgiastic Dance of the Pirates | Boston Symphony Orchestra, Charles Munch | — | |
| 19-14 | Daphnis et Chloé: Scene II. Bryaxis Orders Chloé to Be Brought Forward and to Dance | Boston Symphony Orchestra, Charles Munch | — | |
| 19-15 | Daphnis et Chloé: Scene II. Chloé's Dance of Supplication | Boston Symphony Orchestra, Charles Munch | — | |
| 19-16 | Daphnis et Chloé: Scene II. Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone With a Shining Crown | Boston Symphony Orchestra, Charles Munch | — | |
| 19-17 | Daphnis et Chloé: Scene III. Sunrise. Daphnis Prostrate at the Grotto of the Nymphs | Boston Symphony Orchestra, Charles Munch | — | |
| 19-18 | Daphnis et Chloé: Scene III. Daphnis and Chloé Are Reunited | Boston Symphony Orchestra, Charles Munch | — | |
| 19-19 | Daphnis et Chloé: Scene III. Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloé Act Out the Story | Boston Symphony Orchestra, Charles Munch | — | |
| 19-20 | Daphnis et Chloé: Scene III. Pan (Daphnis) Fashions a Flute From Some Reeds, on Which He Declares His Love for Syrinx (Chloé) | Boston Symphony Orchestra, Charles Munch | — | |
| 19-21 | Daphnis et Chloé: Scene III. Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs | Boston Symphony Orchestra, Charles Munch | — | |
| 19-22 | Daphnis et Chloé: Scene III. Girls Dressed as Bacchantes Enter With Tambourines | Boston Symphony Orchestra, Charles Munch | — | |
| 19-23 | Daphnis et Chloé: Scene III. Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers | Boston Symphony Orchestra, Charles Munch | T-004.014.578-5 | |
| 20-1 | Symphonie Fantastique, Op. 14 / I. Rêveries: Passions | — | ||
| 20-2 | Symphonie Fantastique, Op. 14 / II. A Ball | — | ||
| 20-3 | Symphonie Fantastique, Op. 14 / III. Scene in the Country | — | ||
| 20-4 | Symphonie Fantastique, Op. 14 / IV. March to the Scaffold | — | ||
| 20-5 | Symphonie Fantastique, Op. 14 / V. Dream of the Witches' Sabbath | — | ||
| 21-1 | La Damoiselle Élue, L. 62 / La damoiselle élue | — | ||
| 21-2 | La Damoiselle Élue, L. 62 / Je voudrais qu'il fût déjà | — | ||
| 21-3 | Les nuits d'été, Op. 7 / Villanelle | — | ||
| 21-4 | Les nuits d'été, Op. 7 / Le spectre de la rose | — | ||
| 21-5 | Les nuits d'été, Op. 7 / Sur les lagunes | — | ||
| 21-6 | Les nuits d'été, Op. 7 / L'absence | — | ||
| 21-7 | Les nuits d'été, Op. 7 / Au cimetière (Clair de lune) | — | ||
| 21-8 | Les nuits d'été, Op. 7 / L'ile inconnue | — | ||
| 22-1 | Symphony no. 5 in C minor, op. 67 "Fate": I. Allegro con brio | Boston Symphony Orchestra, Charles Munch | — | |
| 22-2 | Symphony No. 5 in C Minor, Op. 67 / II. Andante con moto | — | ||
| 22-3 | Symphony No. 5 in C Minor, Op. 67 / III. Allegro | — | ||
| 22-4 | Symphony No. 5 in C Minor, Op. 67 / IV. Allegro | — | ||
| 22-5 | "SYMPHONY NO. 8 IN B MINOR, D. 759 ""UNFINISHED"": I. ALLEGRO MODERATO (REDBOOK STEREO)" | Boston Symphony Orchestra, Charles Munch | — | |
| 22-6 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | — | |
| 23-1 | Poème, Op.25 | — | ||
| 23-2 | Introduction et rondo capriccioso, Op.28 | — | ||
| 23-3 | Roméo et Juliette, Op. 17 / Grande fête chez les Capulets | — | ||
| 23-4 | Roméo et Juliette, Op. 17 / Nuit sereine | — | ||
| 23-5 | Roméo et Juliette, Op. 17 / Scène d'amour | — | ||
| 24-1 | Symphony No. 4 in F Minor, Op. 36 / I. Andante sostenuto - Moderato con anima | — | ||
| 24-2 | Symphony No. 4 in F Minor, Op. 36 / II. Andantino in modo di canzona | — | ||
| 24-3 | Symphony No. 4 in F Minor, Op. 36 / III. Scherzo - Allegro | — | ||
| 24-4 | Symphony No. 4 in F Minor, Op. 36 / IV. Finale - Allegro con fuoco | — | ||
| 25-1 | I. ALLEGRO NON TROPPO | Charles Munch, Boston Symphony Orchestra | — | |
| 25-2 | SYMPHONY NO.2 IN D MAJOR, OP. 73: II. ADAGIO NON TROPPO | Charles Munch, Boston Symphony Orchestra | T-329.366.758-6 | |
| 25-3 | SYMPHONY NO.2 IN D MAJOR, OP. 73: III. ALLEGRETTO GRAZIOSO | Charles Munch, Boston Symphony Orchestra | — | |
| 25-4 | SYMPHONY NO.2 IN D MAJOR, OP. 73: IV. ALLEGRO CON SPIRITO | Charles Munch, Boston Symphony Orchestra | T-327.681.352-2 | |
| 25-5 | TRAGIC OVERTURE | Charles Munch, Boston Symphony Orchestra | — | |
| 26-1 | Leonore Overture No. 2, Op. 72a | — | ||
| 26-2 | Leonore Overture No. 3, Op. 72b | — | ||
| 26-3 | Leonore Overture No. 1, Op. 138 | — | ||
| 26-4 | Fidelio, Op. 72: Overture | — | ||
| 26-5 | Coriolan, Op.62: Overture | — | ||
| 27-1 | Prélude à l'après-midi d'un faune, L. 86 | — | ||
| 27-2 | Rapsodie espagnole: I. "Prelude à la nuit" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 27-3 | Rapsodie espagnole: II. "Malagueña" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 27-4 | Rapsodie espagnole: III. "Habanera" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 27-5 | Rapsodie espagnole: IV. "Feria" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 27-6 | Boléro | Boston Symphony Orchestra, Charles Munch | T-003.006.377-4 | |
| 27-7 | La valse | Boston Symphony Orchestra, Charles Munch | T-305.194.234-4 | |
| 28-1 | Symphony No. 6 in F Major, Op. 68 "Pastoral" / I. Awakening of serene impressions upon arriving in the country (Allegro ma non troppo) | — | ||
| 28-2 | Symphony No. 6 in F Major, Op. 68 "Pastoral" / II. Scene by the brookside (Andante molto mosso) | — | ||
| 28-3 | Symphony No. 6 in F Major, Op. 68 "Pastoral" / III. Jolly gathering of country folk (Allegro) | — | ||
| 28-4 | Symphony No. 6 in F Major, Op. 68 "Pastoral" / IV. Thunder storm (Allegro) | — | ||
| 28-5 | Symphony No. 6 in F Major, Op. 68 "Pastoral" / V. Shepherd's Song - Gladsome and thankful feelings after the storm (Allegretto) | — | ||
| 29-1 | Le martyre de Saint-Sébastien, L. 124 / Prélude (La cour des lys) | — | ||
| 29-2 | Le martyre de Saint-Sébastien, L. 124 / Frère, que sera-t-il le monde | — | ||
| 29-3 | Le martyre de Saint-Sébastien, L. 124 / Sebastién, Sebastien! Tu es témoin | — | ||
| 29-4 | Le martyre de Saint-Sébastien, L. 124 / Miracle! Miracle! | — | ||
| 29-5 | Le martyre de Saint-Sébastien, L. 124 / Hymnes, toute l'ombre s'efface | — | ||
| 29-6 | Le martyre de Saint-Sébastien, L. 124 / Salut! O lumière du monde | — | ||
| 29-7 | Le martyre de Saint-Sébastien, L. 124 / Voici les sept témoins de Dieu | — | ||
| 29-8 | Le martyre de Saint-Sébastien, L. 124 / Prélude (La Chambre magique) | — | ||
| 29-9 | Le martyre de Saint-Sébastien, L. 124 / Je fauchais l'épi de froment | — | ||
| 29-10 | Le martyre de Saint-Sébastien, L. 124 / Qui pleure mon enfant si doux | — | ||
| 29-11 | Le martyre de Saint-Sébastien, L. 124 / Prélude (Le concile des faux dieux) | — | ||
| 29-12 | Le martyre de Saint-Sébastien, L. 124 / Paian! Lyre d'or, arc d'argent | — | ||
| 29-13 | Le martyre de Saint-Sébastien, L. 124 / Avez-vous vu celui que j'aime | — | ||
| 29-14 | Le martyre de Saint-Sébastien, L. 124 / Ah! Tu pleures le bien aimé | — | ||
| 29-15 | Le martyre de Saint-Sébastien, L. 124 / "Je souffre". Il a gémi | — | ||
| 29-16 | Le martyre de Saint-Sébastien, L. 124 / Adonis! Hélas! Pleurez | — | ||
| 29-17 | Le martyre de Saint-Sébastien, L. 124 / Quel est ce jeune homme tout blanc | — | ||
| 29-18 | Le martyre de Saint-Sébastien, L. 124 / Cessez, o pleureuses! | — | ||
| 29-19 | Le martyre de Saint-Sébastien, L. 124 / Io! Io! Adoniastes! Adoniastes! | — | ||
| 29-20 | Le martyre de Saint-Sébastien, L. 124 / O archers, il faut que je meure (Le laurier blessé) | — | ||
| 29-21 | Le martyre de Saint-Sébastien, L. 124 / Hélas! Ah! Pleurez, ô femmes de Syrie | — | ||
| 29-22 | Le martyre de Saint-Sébastien, L. 124 / Béni soit le premier! (Le Paradis) | — | ||
| 29-23 | Le martyre de Saint-Sébastien, L. 124 / Gloire! Sous nos armures flamboyez | — | ||
| 29-24 | Le martyre de Saint-Sébastien, L. 124 / Tu es loué | — | ||
| 29-25 | Le martyre de Saint-Sébastien, L. 124 / Tu es saint | — | ||
| 29-26 | Le martyre de Saint-Sébastien, L. 124 / Tu es beau | — | ||
| 29-27 | Le martyre de Saint-Sébastien, L. 124 / Je viens, je monte. J'ai des ailes | — | ||
| 29-28 | Le martyre de Saint-Sébastien, L. 124 / Louez le Seigneur | — | ||
| 30-1 | Violin Concerto in D major, op. 61: I. Allegro, ma non troppo | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | T-031.682.208-8 | |
| 30-2 | Violin Concerto in D major, op. 61: II. Larghetto | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 30-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | T-306.482.598-1 | |
| 31-1 | Romeo and Juliet Fantasy Overture, TH 42 | — | ||
| 31-2 | Francesca Da Rimini (Symphonic Fantasy after Dante), Op. 32, TH 46 | — | ||
| 32-1 | Concerto in A Major for Clarinet and Orchestra, K. 622 / I. Allegro | — | ||
| 32-2 | Concerto in A Major for Clarinet and Orchestra, K. 622 / II. Adagio | — | ||
| 32-3 | Concerto in A Major for Clarinet and Orchestra, K. 622 / III. Rondo - Allegro | — | ||
| 32-4 | Quintet in A Major for Clarinet and Strings, K. 581 / I. Allegro | — | ||
| 32-5 | Quintet in A Major for Clarinet and Strings, K. 581 / II. Larghetto | — | ||
| 32-6 | Quintet in A Major for Clarinet and Strings, K. 581 / III. Menuetto | — | ||
| 32-7 | Quintet in A Major for Clarinet and Strings, K. 581 / IV. Allegro con Varazioni | — | ||
| 33-1 | Symphony No. 6 / I. Fleundo espressivo | — | ||
| 33-2 | Symphony No. 6 / II. Leggierissimo vivace | — | ||
| 33-3 | Symphony No. 6 / III. Adagio sereno | — | ||
| 33-4 | Symphony No. 6 / IV. Allegro energico | — | ||
| 33-5 | Fantaisies Symphoniques, H. 343 (Symphony No. 6) / I. Lento - Andante moderato - Poco allegro | — | ||
| 33-6 | Fantaisies Symphoniques, H. 343 (Symphony No. 6) / II. Poco allegro | — | ||
| 33-7 | Fantaisies Symphoniques, H. 343 (Symphony No. 6) / III. Lento | — | ||
| 34-1 | SYMPHONY NO 1 IN C MINOR OP 68 UN POCO SOSTENUTO ALLEGRO | Boston Symphony Orchestra, Charles Munch | — | |
| 34-2 | SYMPHONY NO. 1 IN C MINOR, OP. 68: ANDANTE SOSTENUTO | Boston Symphony Orchestra, Charles Munch | — | |
| 34-3 | SYMPHONY NO. 1 IN C MINOR, OP. 68: UN POCO ALLEGRETTO E GRAZIOSO | Boston Symphony Orchestra, Charles Munch | — | |
| 34-4 | Symphony no. 1 in C minor, op. 68: Adagio. Allegro non troppo ma con brio | Boston Symphony Orchestra, Charles Munch | — | |
| 35-1 | Serenade in C Major for Strings, Op. 48, TH 48 / I. Pezzo in forma di sonatina - Andante non troppo - Allegro moderato | — | ||
| 35-2 | Serenade in C Major for Strings, Op. 48, TH 48 / II. Waltz - Moderato | — | ||
| 35-3 | Serenade in C Major for Strings, Op. 48, TH 48 / III. Elegy - Larghetto elegiaco | — | ||
| 35-4 | Serenade in C Major for Strings, Op. 48, TH 48 / IV. Finale (Tema russo) - Andante - Allegro con spirito | — | ||
| 35-5 | Adagio for Strings, op. 11 | Boston Symphony Orchestra, Charles Munch | T-070.000.199-5 | |
| 35-6 | Introduction & Allegro, Op. 47 / Introduction - Moderato | — | ||
| 35-7 | Introduction & Allegro, Op. 47 / Allegro | — | ||
| 36-1 | Romeo and Juliet, Op. 64 (Excerpts) / Scene (Suite I, No. 2) | — | ||
| 36-2 | Romeo and Juliet, Op. 64 (Excerpts) / Morning Dance (Suite III, No. 2) | — | ||
| 36-3 | Romeo and Juliet, Op. 64 (Excerpts) / Young Juliet (Suite II, No. 2) | — | ||
| 36-4 | Romeo and Juliet, Op. 64 (Excerpts) / Masques (Suite I, No. 5) | — | ||
| 36-5 | Romeo and Juliet, Op. 64 (Excerpts) / Montagues and Capulets (Suite II, No. 1) | — | ||
| 36-6 | Romeo and Juliet, Op. 64 (Excerpts) / Dance (Suite II, No. 4) | — | ||
| 36-7 | Romeo and Juliet, Op. 64 (Excerpts) / Friar Laurence (Suite II, No. 3) | — | ||
| 36-8 | Romeo and Juliet, Op. 64 (Excerpts) / Death of Tybolt (Suite I, No. 7) | — | ||
| 36-9 | Romeo and Juliet, Op. 64 (Excerpts) / Romeo and Juliet's Parting (Suite II, No. 5) | — | ||
| 36-10 | Romeo and Juliet, Op. 64 (Excerpts) / Aubade (Suite III, No. 5) | — | ||
| 36-11 | Romeo and Juliet, Op. 64 (Excerpts) / Romeo at Juliet's Tomb and Juliet's Death (Suite II, No. 7) | — | ||
| 37-1 | Cello Concerto / I. Moderato | — | ||
| 37-2 | Cello Concerto / II. Allegro appassionato | — | ||
| 37-3 | Cello Concerto / III. Tema ed improvvisazioni - Lento; Allegro moderato | — | ||
| 37-4 | Schelomo | — | ||
| 38-1 | La Mer: I. De l’aube à midi sur la mer | Boston Symphony Orchestra, Charles Munch | — | |
| 38-2 | La Mer: II. Jeux de vagues | Boston Symphony Orchestra, Charles Munch | — | |
| 38-3 | La Mer: III. Dialogue du vent et de la mer | Boston Symphony Orchestra, Charles Munch | T-925.645.312-0 | |
| 38-4 | Escales (Ports of Call): I. Rome-Palermo: Calme | Boston Symphony Orchestra, Charles Munch | — | |
| 38-5 | Escales (Ports of Call): II. Tunis-Nefta: Modéré très rythmé | Boston Symphony Orchestra, Charles Munch | — | |
| 38-6 | Escales (Ports of Call): III. Valencia: Animé | Boston Symphony Orchestra, Charles Munch | — | |
| 39-1 | Symphony in D Minor, FWV 48 / I. Lento - Allegro non troppo | — | ||
| 39-2 | Symphony in D Minor, FWV 48 / II. Allegretto | — | ||
| 39-3 | Symphony in D Minor, FWV 48 / III. Allegro non troppo | — | ||
| 40-2 | Die Walküre, WWV 86b / The Magic Fire Music | — | ||
| 40-3 | Götterdämmerung, WWV 86d / Siegfried's Rhine Journey | — | ||
| 41-1 | L'enfance du Christ, Op. 25 / Part I / Dans la crèche | — | ||
| 41-2 | L'enfance du Christ, Op. 25 / Part I / Qui vient? | — | ||
| 41-3 | L'enfance du Christ, Op. 25 / Part I / Toujours ce rêve! | — | ||
| 41-4 | L'enfance du Christ, Op. 25 / Part I / Seigneur! | — | ||
| 41-5 | L'enfance du Christ, Op. 25 / Part I / Les sages de Judée | — | ||
| 41-6 | L'enfance du Christ, Op. 25 / Part I / La voix dit vrai, seigneur | — | ||
| 41-7 | L'enfance du Christ, Op. 25 / Part I / Eh bien! | — | ||
| 41-8 | L'enfance du Christ, Op. 25 / Part I / O mon cher fils | — | ||
| 41-9 | L'enfance du Christ, Op. 25 / Part I / Joseph! Marie! | — | ||
| 41-10 | L'enfance du Christ, Op. 25 / Part II Overture | — | ||
| 41-11 | L'enfance du Christ, Op. 25 / Part II / Il s'en va loin de la terre (L'adieu des bergers à la Sainte Famille) | — | ||
| 41-12 | L'enfance du Christ, Op. 25 / Part II / Les Pèlerins étant venus | — | ||
| 42-1 | L'enfance du Christ, Op. 25 / Part III / Depuis trois jours | — | ||
| 42-2 | L'enfance du Christ, Op. 25 / Part III / Dans cette ville immense | — | ||
| 42-3 | L'enfance du Christ, Op. 25 / Part III / Entrez, entrez, pauvres hébreux | — | ||
| 42-4 | L'enfance du Christ, Op. 25 / Part III / Sur vos traits fatigués | — | ||
| 42-5 | L'enfance du Christ, Op. 25 / Part III / Trio pour deux flûtes et harpe | — | ||
| 42-6 | L'enfance du Christ, Op. 25 / Part III / Vous pleurez, jeune mère | — | ||
| 42-7 | L'enfance du Christ, Op. 25 / Part III / Ce fut ainsi que par un infidèle | — | ||
| 43-1 | Piano Concerto No. 2 in G Minor, Op. 16 / I. Andantino - Allegretto - Andantino | — | ||
| 43-2 | Piano Concerto No. 2 in G Minor, Op. 16 / II. Scherzo - Vivace | — | ||
| 43-3 | Piano Concerto No. 2 in G Minor, Op. 16 / III. Intermezzo - Allegro moderato | — | ||
| 43-4 | Piano Concerto No. 2 in G Minor, Op. 16 / IV. Finale - Allegro tempetoso | — | ||
| 43-5 | Medea's Meditation & Dance of Vengeance, Op. 23a | — | ||
| 44-1 | SYMPHONY NO 4 IN A MAJOR OP 90 ITALIAN I ALLEGRO VIVACE | Boston Symphony Orchestra, Charles Munch | T-928.635.625-0 | |
| 44-2 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | T-303.792.628-2 | |
| 44-3 | Symphony no. 4 in A "Italian": Con moto moderato | Boston Symphony Orchestra, Charles Munch | — | |
| 44-4 | SYMPHONY NO 4 IN A MAJOR OP 90 ITALIAN IV SALTARELLO PRESTO | Boston Symphony Orchestra, Charles Munch | T-308.451.891-8 | |
| 44-5 | I. ANDANTE - ALLEGRO CON FUOCO | Boston Symphony Orchestra, Charles Munch | — | |
| 44-6 | """SYMPHONY NO. 5 IN D MINOR, OP. 107 """"REFORMATION"""": II. ALLEGRO VIVACE""" | Boston Symphony Orchestra, Charles Munch | — | |
| 44-7 | "SYMPHONY NO. 5 IN D MINOR, OP. 107 ""REFORMATION"": III. ANDANTE" | Boston Symphony Orchestra, Charles Munch | T-902.876.200-7 | |
| 44-8 | Symphony no. 5 in D major, op. 107 “Reformation”: IV. Chorale. Andante con moto – Allegro vivace “Ein’ feste Burg ist unser Gott” | Boston Symphony Orchestra, Charles Munch | — | |
| 44-9 | The Star-Spangled Banner | — | ||
| 45-1 | Harold en Italie, Op. 16 / Harold aux montagnes | — | ||
| 45-2 | Harold en Italie, Op. 16 / Marche des pèlerins | — | ||
| 45-3 | Harold en Italie, Op. 16 / Sérénade | — | ||
| 45-4 | Harold en Italie, Op. 16 / Orgie des brigands | — | ||
| 46-1 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" / I. Allegro con brio | — | ||
| 46-2 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" / II. Marcia funebre - Adagio Assai | — | ||
| 46-3 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" / III. Scherzo - Allegro vivace | — | ||
| 46-4 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" / IV. Finale - Allegro molto - Poco andante - Presto | — | ||
| 47-1 | Concerto no. 3, op. 30 in D minor: Allegro ma non tanto | Byron Janis, Boston Symphony Orchestra, Charles Munch | — | |
| 47-2 | Concerto no. 3, op. 30 in D minor: Intermezzo - Adagio | Byron Janis, Boston Symphony Orchestra, Charles Munch | — | |
| 47-3 | Concerto no. 3, op. 30 in D minor: Finale: Alla breve | Byron Janis, Boston Symphony Orchestra, Charles Munch | — | |
| 48-1 | Götterdämmerung, WWV 86D / Brunhilde's Immolation Scene | — | ||
| 48-2 | Tristan und Isolde, WWV 90 / Prélude and Liebestod | — | ||
| 49-1 | Piano Concerto in G Major, M. 83 / I. Allegramente | — | ||
| 49-2 | Piano Concerto in G Major, M. 83 / II. Adagio assai | — | ||
| 49-3 | Piano Concerto in G Major, M. 83 / III. Presto | — | ||
| 49-4 | Symphonie sur un chant montagnard francais, Op. 25 / I. Assez lent | — | ||
| 49-5 | Symphonie sur un chant montagnard francais, Op. 25 / II. Assez modéré, mais sans lenteur | — | ||
| 49-6 | Symphonie sur un chant montagnard francais, Op. 25 / III. Animé | — | ||
| 50-1 | PIANO CONCERTO NO 1 IN D MINOR OP 15 I MAESTOSO | Gary Graffman, Boston Symphony Orchestra, Charles Munch | — | |
| 50-2 | BRAHMS: PIANO CONCERTO NO. 1 IN D MINOR, OP. 15: II. ADAGIO | Gary Graffman, Boston Symphony Orchestra, Charles Munch | — | |
| 50-3 | PIANO CONCERTO NO. 1 IN D MINOR, OP. 15: III. ALLEGRO NON TROPPO | Gary Graffman, Boston Symphony Orchestra, Charles Munch | — | |
| 51-1 | L'Apprenti sorcier | Boston Symphony Orchestra, Charles Munch | T-003.005.584-5 | |
| 51-2 | Le Rouet d’Omphale, op. 31 | Boston Symphony Orchestra, Charles Munch | — | |
| 51-3 | "Mother Goose" Suite: Pavan of the Sleeping Beauty | Boston Symphony Orchestra, Charles Munch | — | |
| 51-4 | "Mother Goose" Suite: Hop-o-My-Thumb | Boston Symphony Orchestra, Charles Munch | — | |
| 51-5 | "Mother Goose" Suite: Laideronette, Empress of the Pagodas | Boston Symphony Orchestra, Charles Munch | — | |
| 51-6 | "Mother Goose" Suite: Beauty and the Beast Converse | Boston Symphony Orchestra, Charles Munch | — | |
| 51-7 | "Mother Goose" Suite: The Fairy Garden | Boston Symphony Orchestra, Charles Munch | — | |
| 52-1 | Images for Orchestra: I. "Gigues" | Boston Symphony Orchestra, Charles Munch | T-900.478.513-1 | |
| 52-2 | Images for Orchestra: IIa. "Iberia" - Par les rues et par les chemins | Boston Symphony Orchestra, Charles Munch | — | |
| 52-3 | Images for Orchestra: IIb. "Iberia" - Les parfums de la nuit | Boston Symphony Orchestra, Charles Munch | — | |
| 52-4 | Images for Orchestra: IIc. "Iberia" - Le matin d'un jour de fête | Boston Symphony Orchestra, Charles Munch | — | |
| 52-5 | Images for Orchestra: III. "Rondes de printemps" | Boston Symphony Orchestra, Charles Munch | — | |
| 53-1 | SYMPHONY NO 4 IN E MINOR OP 98 ALLEGRO NON TROPPO | Boston Symphony Orchestra, Charles Munch | T-902.764.002-4 | |
| 53-2 | SYMPHONY NO. 4 IN E MINOR, OP. 98: II. ANDANTE MODERATO | Boston Symphony Orchestra, Charles Munch | T-902.764.002-4 | |
| 53-3 | SYMPHONY NO. 4 IN E MINOR, OP. 98: ALLEGRO GIOCOSO | Boston Symphony Orchestra, Charles Munch | T-902.764.002-4 | |
| 53-4 | ALLEGRO ENERGICO E PASSIONATO | Boston Symphony Orchestra, Charles Munch | T-902.764.002-4 | |
| 54-1 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / I. Allegro | — | ||
| 54-2 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / II. Adagio | — | ||
| 54-3 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / III. Allegro | — | ||
| 54-4 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / IV. Menuetto - Trio I - Menuetto, Polacca, Menuetto, Trio II - Menuetto | — | ||
| 54-5 | Brandenburg Concerto No. 2 in F Major, BWV 1047 / I. Allegro | — | ||
| 54-6 | Brandenburg Concerto No. 2 in F Major, BWV 1047 / II. Andante | — | ||
| 54-7 | Brandenburg Concerto No. 2 in F Major, BWV 1047 / III. Allegro assai | — | ||
| 54-8 | Brandenburg Concerto No. 3 in G Major, BWV 1048 / [Allegro moderato] - Adagio | — | ||
| 54-9 | Brandenburg Concerto No. 3 in G Major, BWV 1048 / Allegro | — | ||
| 55-1 | Brandenburg Concerto No. 4 in G Major, BWV 1049 / I. Allegro | — | ||
| 55-2 | Brandenburg Concerto No. 4 in G Major, BWV 1049 / II. Andante | — | ||
| 55-3 | Brandenburg Concerto No. 4 in G Major, BWV 1049 / III. Presto | — | ||
| 55-4 | Brandenburg Concerto No. 5 in D Major, BWV 1050 / I. Allegro | — | ||
| 55-5 | Brandenburg Concerto No. 5 in D Major, BWV 1050 / II. Affettuoso | — | ||
| 55-6 | Brandenburg Concerto No. 5 in D Major, BWV 1050 / III. Allegro | — | ||
| 55-7 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051 / I. Allegro | — | ||
| 55-8 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051 / II. Adagio, ma non troppo | — | ||
| 55-9 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051 / III. Allegro | — | ||
| 56-1 | Symphony No. 9 in D Minor, Op.125 "Choral" / I. Allegro ma non troppo, un poco maestoso | — | ||
| 56-2 | Symphony No. 9 in D Minor, Op.125 "Choral" / II. Molto vivace | — | ||
| 56-3 | Symphony No. 9 in D Minor, Op.125 "Choral" / III. Adagio molto e cantabile | — | ||
| 56-4 | Symphony No. 9 in D Minor, Op.125 "Choral" / IV. Presto - Allegro assai | — | ||
| 57-1 | Symphony No. 8 in F Major, Op. 93 / I. Allegro vivace e con brio | — | ||
| 57-2 | Symphony No. 8 in F Major, Op. 93 / II. Allegretto scherzando | — | ||
| 57-3 | Symphony No. 8 in F Major, Op. 93 / III. Tempo di Menuetto | — | ||
| 57-4 | Symphony No. 8 in F Major, Op. 93 / IV. Allegro vivace | — | ||
| 58-1 | I. ALLEGRO MOLTO APPASSIONATO | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 58-2 | VIOLIN CONCERTO IN E MINOR, OP. 64: II. ANDANTE | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 58-3 | VIOLIN CONCERTO IN E MINOR, OP. 64: ALLEGRETTO NON TROPPO - ALLEGRO MOLTO VIVACE | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 58-4 | Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 58-5 | Violin Concerto no. 2 in G minor, op. 63: II. Andante assai | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 58-6 | Violin Concerto no. 2 in G minor, op. 63: III. Allegro ben marcato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 59-1 | "SYMPHONY NO. 9 IN C MAJOR, D.944 ""THE GREAT"": I. ANDANTE - ALLEGRO MA NON TROPPO" | Boston Symphony Orchestra, Charles Munch | — | |
| 59-2 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | — | |
| 59-3 | "SYMPHONY NO. 9 IN C MAJOR, D.944 ""THE GREAT"": III. SCHERZO - ALLEGRO VIVACE" | Boston Symphony Orchestra, Charles Munch | — | |
| 59-4 | "SYMPHONY NO. 9 IN C MAJOR, D. 944 (""THE GREAT""),: IV. FINALE - ALLEGRO VIVACE (REDBOOK STEREO)" | Boston Symphony Orchestra, Charles Munch | — | |
| 60-1 | Symphony no. 3 in C minor, op. 78 "Organ": I. Adagio - Allegro moderato | Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 60-2 | Symphony no. 3 in C minor, op. 78 "Organ": II. Poco adagio | Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 60-3 | Symphony no. 3 in C minor, op. 78 "Organ": III. Allegro moderato - Presto | Bernard Zighera, Leo Litwin, Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 60-4 | Symphony no. 3 in C minor, op. 78 "Organ": IV. Maestoso - Allegro | Bernard Zighera, Leo Litwin, Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 61-1 | Symphony no. 1, op. 3: I. Andante maestoso - Non troppo allegro ma con spirito | Boston Symphony Orchestra, Charles Munch | — | |
| 61-2 | Symphony no. 1, op. 3: II. Andante comodo | Boston Symphony Orchestra, Charles Munch | — | |
| 61-3 | Symphony no. 1, op. 3: III. Allegretto grotesco | Boston Symphony Orchestra, Charles Munch | — | |
| 61-4 | Symphony no. 1, op. 3: IV. Andante sostenuto | Boston Symphony Orchestra, Charles Munch | — | |
| 61-5 | Symphony No. 2 / I. Maestoso - Doppio Movimento | — | ||
| 61-6 | Symphony No. 2 / II. Andante | — | ||
| 61-7 | Symphony No. 2 / III. Maestoso | — | ||
| 62-1 | Violin Concerto in D Major, Op. 35, TH 59 / I. Allegro moderato | — | ||
| 62-2 | Violin Concerto in D Major, Op. 35, TH 59 / II. Canzonetta. Andante | — | ||
| 62-3 | Violin Concerto in D Major, Op. 35, TH 59 / III. Finale - Allegro vivacissimo | — | ||
| 63-1 | Lieder eines fahrenden Gesellen / Wenn mein Schatz Hochzeit macht | — | ||
| 63-2 | Lieder eines fahrenden Gesellen / Ging heut morgen übers Feld | — | ||
| 63-3 | Lieder eines fahrenden Gesellen / Ich hab' ein glühend Messer | — | ||
| 63-4 | Lieder eines fahrenden Gesellen / Die zwei blauen Augen von meinem Schatz | — | ||
| 63-5 | Kindertotenlieder / Nun will die Sonn' so hell aufgeh'n | — | ||
| 63-6 | Kindertotenlieder / Nun seh' ich wohl, warum so dunkle Flammen | — | ||
| 63-7 | Kindertotenlieder / Wenn dein Mütterlein | — | ||
| 63-8 | Kindertotenlieder / Oft denk' ich, sie sind nur ausgegangen | — | ||
| 63-9 | Kindertotenlieder / In diesem Wetter | — | ||
| 64-1 | Requiem, Op. 5 / Requiem et Kyrie | — | ||
| 64-2 | Requiem, Op. 5 / Dies irae | — | ||
| 64-3 | Requiem, Op. 5 / Quid sum miser | — | ||
| 64-4 | Requiem, Op. 5 / Rex tremendae | — | ||
| 64-5 | Requiem, Op. 5 / Quaerens me | — | ||
| 65-1 | Requiem, Op. 5 / Lacrymosa | — | ||
| 65-2 | Requiem, Op. 5 / Offertorium | — | ||
| 65-3 | Requiem, Op. 5 / Hostias | — | ||
| 65-4 | Requiem, Op. 5 / Sanctus | — | ||
| 65-5 | Requiem, Op. 5 / Agnus Dei | — | ||
| 66-1 | Piano Concerto No. 1 in E Minor, Op. 11 / I. Allegro maestoso | — | ||
| 66-2 | Piano Concerto No. 1 in E Minor, Op. 11 / II. Romance | — | ||
| 66-3 | Piano Concerto No. 1 in E Minor, Op. 11 / III. Rondo | — | ||
| 66-4 | CAPRICCIO BRILLANT, OP. 22 | Charles Munch, Boston Symphony Orchestra, Gary Graffman | — | |
| 67-1 | Cello Concerto in B Minor, Op. 104 / I. Allegro | — | ||
| 67-2 | Cello Concerto in B Minor, Op. 104 / II. Adagio ma non troppo | — | ||
| 67-3 | Cello Concerto in B Minor, Op. 104 / III. Finale - Allegro moderato | — | ||
| 68-1 | Roman Carnival Overture, Op. 9, H. 95 | — | ||
| 68-2 | Béatrice et Bénédict, H. 138: Overture | — | ||
| 68-3 | Le Corsaire Overture, Op. 21, H. 101 | — | ||
| 68-4 | Benvenuto Cellini, H. 76: Overture | — | ||
| 68-5 | Les troyens, H. 133: Chasse royale et orage | — | ||
| 69-1 | Concerto for Piano and Orchestra No. 1 in C Major, Op. 15 / I. Allegro con brio | — | ||
| 69-2 | Concerto for Piano and Orchestra No. 1 in C Major, Op. 15 / II. Largo | — | ||
| 69-3 | Concerto for Piano and Orchestra No. 1 in C Major, Op. 15 / III. Rondo | — | ||
| 69-4 | Piano Sonata No. 22 in F Major, Op. 54 / I. In tempo d'un menuetto | — | ||
| 69-5 | Piano Sonata No. 22 in F Major, Op. 54 / II. Allegretto | — | ||
| 70-1 | Symphony no. 1 in B‐flat major, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace | Charles Munch, Boston Symphony Orchestra | — | |
| 70-2 | "SYMPHONY NO. 1 IN B-FLAT MAJOR, OP. 38 ""SPRING"": II. LARGHETTO" | Charles Munch, Boston Symphony Orchestra | — | |
| 70-3 | Symphony No. 1 in B-Flat Major, Op. 38 "Spring" / III. Scherzo - Molto vivace | Charles Munch, Boston Symphony Orchestra | — | |
| 70-4 | Symphony no. 1 in B‐flat major, op. 38 “Spring”: IV. Allegro animato e grazioso | Charles Munch, Boston Symphony Orchestra | — | |
| 70-5 | MANFRED OVERTURE, OP. 115 | Leonard Pennario, Boston Symphony Orchestra, Charles Munch | — | |
| 71-1 | I. ANDANTE CON MOTO - ALLEGRO UN POCO AGITATO | Boston Symphony Orchestra, Charles Munch | — | |
| 71-2 | Symphony no. 3 in A minor, op. 56 “Scottish”: Vivace non troppo | Charles Munch, Boston Symphony Orchestra | — | |
| 71-3 | III. ADAGIO | Boston Symphony Orchestra, Charles Munch | — | |
| 71-4 | "SYMPHONY NO. 3 IN A MINOR, OP. 56 ""SCOTTISH"": ALLEGRO VIVACISSIMO - ALLEGRO MAESTOSO ASSAI" | Boston Symphony Orchestra, Charles Munch | T-931.717.257-9 | |
| 71-5 | Octet in E‐flat major, op. 20: III. Scherzo. Allegro leggierissimo | Boston Symphony Orchestra, Charles Munch | — | |
| 72-1 | Daphnis et Chloé, M. 57 / Part I / Invocation to the Nymphs | — | ||
| 72-2 | Daphnis et Chloé, M. 57 / Part I / Entrance of Daphnis and Chloé | — | ||
| 72-3 | Daphnis et Chloé, M. 57 / Part I / Dance of the Young Girls Around Daphnis | — | ||
| 72-4 | Daphnis et Chloé, M. 57 / Part I / Dorcon's Advance to Chloé | — | ||
| 72-5 | Daphnis et Chloé, M. 57 / Part I / Daphnis Reasserts His Love for Chloé. The Dorcon-Daphnis Dance Contest for a Kiss from Chloé | — | ||
| 72-6 | Daphnis et Chloé, M. 57 / Part I / Dorcon's Grotesque Dance | — | ||
| 72-7 | Daphnis et Chloé, M. 57 / Part I / The Gracious Dance of Daphnis | — | ||
| 72-8 | Daphnis et Chloé, M. 57 / Part I / The Triumph of Daphnis and the Ecstatic Union with Chloé | — | ||
| 72-9 | Daphnis et Chloé, M. 57 / Part I / Entrance of the Temptress Lyceion and Dance of Veils | — | ||
| 72-10 | Daphnis et Chloé, M. 57 / Part I / The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé | — | ||
| 72-11 | Daphnis et Chloé, M. 57 / Part I / Invocation to Pan by the Nymphs and the Prayer of Daphnis | — | ||
| 72-12 | Daphnis et Chloé, M. 57 / Part II / Interlude | — | ||
| 72-13 | Daphnis et Chloé, M. 57 / Part II / The Orgiastic Dance of the Pirates | — | ||
| 72-14 | Daphnis et Chloé, M. 57 / Part II / Bryaxis Orders Chloé to Be Brought Forward and to Dance | — | ||
| 72-15 | Daphnis et Chloé, M. 57 / Part II / Chloé's Dance of Supplication | — | ||
| 72-16 | Daphnis et Chloé, M. 57 / Part II / Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone with a Shining Crown | — | ||
| 72-17 | Daphnis et Chloé, M. 57 / Part III / Sunrise. Daphnis Prostrate at the Grotto of the Nymphs | — | ||
| 72-18 | Daphnis et Chloé, M. 57 / Part III / Daphnis and Chloé are Reunited | — | ||
| 72-19 | Daphnis et Chloé, M. 57 / Part III / Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloè Act out the Story. | — | ||
| 72-20 | Daphnis et Chloé, M. 57 / Part III / Pan (Daphnis) Fashions a Flute from Some Reeds, on Which He Declares His Love for Syrinx (Chloé) | — | ||
| 72-21 | Daphnis et Chloé, M. 57 / Part III / Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs | — | ||
| 72-22 | Daphnis et Chloé, M. 57 / Part III / Girls Dressed as Bacchantes Enter with Tambourines | — | ||
| 72-23 | Daphnis et Chloé, M. 57 / Part III / Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers | — | ||
| 73-1 | Organ Concerto in G Minor, FP 93 / I. Andante | — | ||
| 73-2 | Organ Concerto in G Minor, FP 93 / II. Allegro giocoso | — | ||
| 73-3 | Organ Concerto in G Minor, FP 93 / III. Subito andante moderato | — | ||
| 73-4 | Organ Concerto in G Minor, FP 93 / IV. Tempo allegro - Molto agitato | — | ||
| 73-5 | Organ Concerto in G Minor, FP 93 / V. Très calme - Lent | — | ||
| 73-6 | Organ Concerto in G Minor, FP 93 / VI. Tempo de l'allegro initial | — | ||
| 73-7 | Organ Concerto in G Minor, FP 93 / VII. Tempo d'introduction - Largo | — | ||
| 73-8 | Jeu de cartes / First Deal | — | ||
| 73-9 | Jeu de cartes / Second Deal | — | ||
| 73-10 | Jeu de cartes / Third Deal | — | ||
| 74-1 | Romeo and Juliet: Overture Fantasia, TH 42 | — | ||
| 74-2 | Till Eulenspiegel's Merry Pranks, Op. 28 | — | ||
| 75-1 | Symphony No. 2 in B-Flat Major, D. 125 / I. Largo - Allegro vivace | Charles Munch, Boston Symphony Orchestra | — | |
| 75-2 | SYMPHONY NO 2 IN B FLAT MAJOR D 125 II ANDANTE | Charles Munch, Boston Symphony Orchestra | — | |
| 75-3 | Symphony no. 2 in B flat major, D125: III. Menuetto - Allegro vicace - Trio | Charles Munch, Boston Symphony Orchestra | — | |
| 75-4 | Symphony no. 2 in B flat major, D125: IV. Allegro vicace | Charles Munch, Boston Symphony Orchestra | — | |
| 75-5 | Die Geschöpfe des Prometheus, Op. 43 (Excerpts) / Overture | — | ||
| 75-6 | Die Geschöpfe des Prometheus, Op. 43 (Excerpts) / Act II, No. 5: Adagio | — | ||
| 75-7 | Die Geschöpfe des Prometheus, Op. 43 (Excerpts) / Act II, No. 16: Finale | — | ||
| 76-1 | Symphonie fantastique, op. 14: I. Rêveries. Passions | Boston Symphony Orchestra, Charles Munch | T-922.067.243-5 | |
| 76-2 | Symphonie fantastique, op. 14: II. Un bal | Boston Symphony Orchestra, Charles Munch | T-922.067.243-5 | |
| 76-3 | Symphonie fantastique op. 14a (Episode aus dem Leben eines Künstlers): 3. Szene auf dem Lande (Adagio) | London Festival Orchestra, Ljubljana Radio Symphony Orchestra, Süddeutsche Philharmonie, Alberto Lizzio, Anton Nanut, Alfred Scholz | — | |
| 76-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | Boston Symphony Orchestra, Charles Munch | — | |
| 76-5 | Symphonie fantastique op. 14a (Episode aus dem Leben eines Künstlers): 5. Traum einer Sabbatnacht (Larghetto. Allegro) | London Festival Orchestra, Ljubljana Radio Symphony Orchestra, Süddeutsche Philharmonie, Alberto Lizzio, Anton Nanut, Alfred Scholz | — | |
| 77-1 | Suite provencale pour orchestre Op. 152b / I. Guardians. Animé | — | ||
| 77-2 | Suite provencale pour orchestre Op. 152b / II. Cueillette des amandes. Très modéré | — | ||
| 77-3 | Suite provencale pour orchestre Op. 152b / III. Joueurs de boules. Modéré | — | ||
| 77-4 | Suite provencale pour orchestre Op. 152b / IV. Pêcheurs. Vif | — | ||
| 77-5 | Suite provencale pour orchestre Op. 152b / V. Chasseurs. Modéré | — | ||
| 77-6 | Suite provencale pour orchestre Op. 152b / VI. Vendangeurs. Vif | — | ||
| 77-7 | Suite provencale pour orchestre Op. 152b / VII. Berger. Lent | — | ||
| 77-8 | Suite provencale pour orchestre Op. 152b / VIII. Farandole. Vif | — | ||
| 77-9 | La création du monde, Op. 81a | — | ||
| 78-1 | Symphony No. 8 in G Major, Op. 88, B. 163 / I. Allegro con brio | — | ||
| 78-2 | Symphony No. 8 in G Major, Op. 88, B. 163 / II. Adagio | — | ||
| 78-3 | Symphony No. 8 in G Major, Op. 88, B. 163 / III. Allegretto grazioso | — | ||
| 78-4 | Symphony No. 8 in G Major, Op. 88, B. 163 / IV. Allegro, ma non troppo | — | ||
| 79-1 | Roméo et Juliette, Op. 17 / Combats - Tumulte - Intervention du Prince | — | ||
| 79-2 | Roméo et Juliette, Op. 17 / D'anciennes haines endormies | — | ||
| 79-3 | Roméo et Juliette, Op. 17 / Premiers transports que nul n'oublie | — | ||
| 79-4 | Roméo et Juliette, Op. 17 / Bientôt de Roméo la pâle rêverie | — | ||
| 79-5 | Roméo et Juliette, Op. 17 / Roméo seul | — | ||
| 79-6 | Roméo et Juliette, Op. 17 / Tristesse | — | ||
| 79-7 | Roméo et Juliette, Op. 17 / Bruits lointains de concert et de bal | — | ||
| 79-8 | Roméo et Juliette, Op. 17 / Grande fête chez les Capulet | — | ||
| 79-9 | Roméo et Juliette, Op. 17 / O-hó! Capulets, bon soir! | — | ||
| 79-10 | Roméo et Juliette, Op. 17 / Scéne d'amour | — | ||
| 79-11 | Roméo et Juliette, Op. 17 / La reine Mab, ou la Fée des songes | — | ||
| 80-1 | Roméo et Juliette, Op. 17 / Jetez des fleurs pour la vierge expirée | — | ||
| 80-2 | Roméo et Juliette, Op. 17 / Roméo au tombeau des Capulets | — | ||
| 80-3 | Roméo et Juliette, Op. 17 / Invocation | — | ||
| 80-4 | Roméo et Juliette, Op. 17 / Réveil de Juliette - Joie délirante, désespoir - Dernières angoisses et mort des deux amants | — | ||
| 80-5 | Roméo et Juliette, Op. 17 / Quoi! Roméo retour! | — | ||
| 80-6 | Roméo et Juliette, Op. 17 / Je vais dévoiler le mystère | — | ||
| 80-7 | Roméo et Juliette, Op. 17 / Pauvres enfants que je pleure | — | ||
| 80-8 | Roméo et Juliette, Op. 17 / Jurez donc par l'auguste symbole | — | ||
| 81-1 | Symphony in B-Flat Major, Op. 20 / I. Lent - Allegro vivo | — | ||
| 81-2 | Symphony in B-Flat Major, Op. 20 / II. Très lent | — | ||
| 81-3 | Symphony in B-Flat Major, Op. 20 / III. Animé | — | ||
| 81-4 | Le Chasseur maudit, FWV 44: Le paysage paisible du dimache | Boston Symphony Orchestra, Charles Munch | — | |
| 81-5 | Le Chasseur maudit, FWV 44: La chasse | Boston Symphony Orchestra, Charles Munch | — | |
| 81-6 | Le Chasseur maudit, FWV 44: La malédiction | Boston Symphony Orchestra, Charles Munch | — | |
| 81-7 | Le Chasseur maudit, FWV 44: La poursuite des démons | Boston Symphony Orchestra, Charles Munch | — | |
| 82-1 | Boléro, M. 81 | — | ||
| 82-2 | Pavane pour une infante défunte, M.19 | — | ||
| 82-3 | La Valse, M.72 (Choreographic Poem for Orchestra) | — | ||
| 83-1 | Prélude à l'après-midi d'un faune, L. 86 | — | ||
| 83-2 | Nocturnes, L. 91: I. Nuages | — | ||
| 83-3 | Nocturnes, L. 91: II. Fêtes | — | ||
| 83-4 | Printemps, Symphonic Suite for Piano and Orchestra, L. 61 / Très modéré | — | ||
| 83-5 | Printemps, Symphonic Suite for Piano and Orchestra, L. 61 / Modéré | — | ||
| 84-1 | Symphony No. 6 in B Minor, Op. 74 "Pathétique" / I. Adagio - Allegro non troppo | — | ||
| 84-2 | Symphony No. 6 in B Minor, Op. 74 "Pathétique" / II. Allegro con grazia | — | ||
| 84-3 | Symphony No. 6 in B Minor, Op. 74 "Pathétique" / III. Allegro molto vivace | — | ||
| 84-4 | Symphony No. 6 in B Minor, Op. 74 "Pathétique" / IV. Finale - Adagio lamentoso | — | ||
| 85-1 | Violin Concerto in E Minor, Op. 64 / I. Allegro molto appassionato | — | ||
| 85-2 | Violin Concerto in E Minor, Op. 64 / II. Andante | — | ||
| 85-3 | Violin Concerto in E Minor, Op. 64 / III. Allegretto non troppo - Allegro molto vivace | — | ||
| 85-4 | Violin Concerto No. 1 in A Minor, BWV 1041 / I. Allegro | — | ||
| 85-5 | Violin Concerto No. 1 in A Minor, BWV 1041 / II. Andante | — | ||
| 85-6 | Violin Concerto No. 1 in A Minor, BWV 1041 / III. Allegro assai | — | ||
| 86-1 | Valses nobles et sentimentales, M. 61 | — | ||
| 86-2 | Pelléas et Mélisande, Op. 80 / I. Prélude | — | ||
| 86-3 | Pelléas et Mélisande, Op. 80 / II. Fileuse | — | ||
| 86-4 | Pelléas et Mélisande, Op. 80 / III. Sicilienne | — | ||
| 86-5 | Pelléas et Mélisande, Op. 80 / IV. Death of Mélisande | — | ||
| 86-6 | Damnation of Faust, Op. 24 / Minuet of the Will-o'-the-Wisps (Excerpt) | — | ||
| 86-7 | Damnation of Faust, Op. 24 / Ballet of the Sylphs (Excerpt) | — | ||
| 86-8 | Damnation of Faust, Op. 24 / Rakoczy March (Excerpt) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Violin Concerto in D major, op. 61: I. Allegro, ma non troppo | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 61: II. Larghetto | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: II. Andante | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
888751697928 is a Universal Product Code (UPC) assigned to The Complete RCA Album Collection by Charles Munch, Boston Symphony Orchestra, New York Philharmonic, The Philadelphia Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 602 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Complete RCA Album Collection” by Charles Munch, Boston Symphony Orchestra, New York Philharmonic, The Philadelphia Orchestra is 888751697928. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: RCA Red Seal. This release contains 602 tracks, each with its own ISRC. Tracks include USBC15100188, USBC19705896, USBC19705897.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 3 in C minor, op. 78 "Organ": I. Adagio - Allegro moderato | — | ||
| 2 | Symphony no. 3 in C minor, op. 78 "Organ": II. Poco adagio | — | ||
| 3 | Symphony no. 3 in C minor, op. 78 "Organ": III. Allegro moderato - Presto | — | ||
| 4 | Symphony no. 3 in C minor, op. 78 "Organ": IV. Maestoso - Allegro | — | ||
| 2-1 | Symphony no. 7, op. 92: I. Poco sostenuto - Vivace | — | ||
| 2-2 | Symphony no. 7, op. 92: II. Allegretto | — | ||
| 2-3 | Symphony no. 7, op. 92: III. Presto | — | ||
| 2-4 | Symphony no. 7, op. 92: IV. Allegro con brio | — | ||
| 2-5 | Symphony no. 2 in B-flat major, D. 125: I. Largo - Allegro vivace | — | ||
| 2-6 | Symphony no. 2 in B-flat major, D. 125: II. Andante | — | ||
| 2-7 | Symphony no. 2 in B-flat major, D. 125: III. Menuetto. Allegro vivace | — | ||
| 2-8 | Symphony no. 2 in B-flat major, D. 125: IV. Allegro vivace | — | ||
| 2-9 | Gratulations-Menuett in E-flat major, WoO 3 | — | ||
| 3-1 | Symphonie sur un Chant Montagnard Français, Op.25: I. Assez lent | — | ||
| 3-2 | Symphonie sur un Chant Montagnard Français, Op.25: II. Assez modéré, mais sans lenteur | — | ||
| 3-3 | Symphonie sur un Chant Montagnard Français, Op.25: III. Animé | — | ||
| 3-4 | Variations symphoniques, FWV 46 | — | ||
| 3-5 | Piano Concerto no. 21 in C major, K. 467: I. Allegro maestoso | — | ||
| 3-6 | Piano Concerto no. 21 in C major, K. 467: II. Andante | — | ||
| 3-7 | Piano Concerto no. 21 in C major, K. 467: III. Allegro vivace assai | — | ||
| 4-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 4-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 4-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 4-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 4-5 | Symphony no. 104 in D major, Hob. I-104 "London": I. Adagio - Allegro | — | ||
| 4-6 | Symphony no. 104 in D major, Hob. I-104 "London": II. Andante | — | ||
| 4-7 | Symphony no. 104 in D major, Hob. I-104 "London": III. Menuetto - Trio - Allegro | — | ||
| 4-8 | Symphony no. 104 in D major, Hob. I-104 "London": IV. Finale - Allegro spiritoso | — | ||
| 5-1 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel - Allegro moderato | — | ||
| 5-2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | — | ||
| 5-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale - Allegro energico - Presto | — | ||
| 5-4 | Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace | — | ||
| 5-5 | Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - Attacca | — | ||
| 5-6 | Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo - Molto vivace | — | ||
| 5-7 | Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 6-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 6-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 6-3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 6-4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 6-5 | Symphony no. 103 in E-flat, Hob. I-103 "Drum Roll": I. Adagio - Allegro con spirito | — | ||
| 6-6 | Symphony no. 103 in E-flat, Hob. I-103 "Drum Roll": II. Andante più tosto allegretto | — | ||
| 6-7 | Symphony no. 103 in E-flat, Hob. I-103 "Drum Roll": III. Menuet | — | ||
| 6-8 | Symphony no. 103 in E-flat, Hob. I-103 "Drum Roll": IV. Finale - Allegro con spirito | — | ||
| 7-1 | Rapsodie espagnole: I. Prélude à la nuit. Très modéré (A Minor) | — | ||
| 7-2 | Rapsodie espagnole: II. Malagueña. Assez vif (A Minor) | — | ||
| 7-3 | Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (F-Sharp Minor) | — | ||
| 7-4 | Rapsodie espagnole: IV. Feria. Assez animé (C Major) | — | ||
| 7-5 | La Valse, M. 72 | — | ||
| 7-6 | La princesse jaune, Op.30: Overture | — | ||
| 7-7 | Béatrice et Bénédict, H 138: Overture | — | ||
| 7-8 | Le roi d'Ys: Overture | — | ||
| 8-1 | Water Music Suite, HWV 348-350: I. Allegro | — | ||
| 8-2 | Water Music Suite, HWV 348-350: II. Air | — | ||
| 8-3 | Water Music Suite, HWV 348-350: III. Bourrée | — | ||
| 8-4 | Water Music Suite, HWV 348-350: IV. Horn Pipe | — | ||
| 8-5 | Water Music Suite, HWV 348-350: V. Andante espressivo | — | ||
| 8-6 | Water Music Suite, HWV 348-350: VI. Allegro deciso | — | ||
| 8-7 | Le nozze di Figaro, K. 492: Overture | — | ||
| 8-8 | OVERTURE | Charles Munch, Boston Symphony Orchestra | T-909.574.378-5 | |
| 9-1 | PIANO CONCERTO NO. 2 IN B-FLAT MAJOR, OP. 83: I. ALLEGRO NON TROPPO | Arthur Rubinstein, Boston Symphony Orchestra, Charles Munch | T-322.446.876-8 | |
| 9-2 | PIANO CONCERTO NO. 2 IN B-FLAT MAJOR, OP. 83: II. ALLEGRO APPASSIONATO | Arthur Rubinstein, Boston Symphony Orchestra, Charles Munch | T-322.446.817-7 | |
| 9-3 | PIANO CONCERTO NO. 2 IN B-FLAT MAJOR, OP. 83: III. ANDANTE | Arthur Rubinstein, Boston Symphony Orchestra, Charles Munch | T-322.308.071-1 | |
| 9-4 | PIANO CONCERTO NO. 2 IN B-FLAT MAJOR, OP. 83: IV. ALLEGRETTO GRAZIOSO | Arthur Rubinstein, Boston Symphony Orchestra, Charles Munch | T-322.446.992-1 | |
| 10-1 | Roméo et Juliette, op. 17: Combats - Tumulte - Intervention du prince | — | ||
| 10-2 | Roméo et Juliette, op. 17: D'anciennes haines endormies | — | ||
| 10-3 | Roméo et Juliette, op. 17: Premiers transports que nul n'oublie! | — | ||
| 10-4 | Roméo et Juliette, op. 17: Bientôt de Roméo la pâle rêverie | — | ||
| 10-5 | Roméo et Juliette, op. 17: Roméo seul | — | ||
| 10-6 | Roméo et Juliette, op. 17: Tristesse | — | ||
| 10-7 | Roméo et Juliette, op. 17: Bruits lointains de concert et de bal | — | ||
| 10-8 | Roméo et Juliette, op. 17: Grande fête chez les Capulets | — | ||
| 10-9 | Roméo et Juliette, op. 17: Nuit sereine | — | ||
| 10-10 | Roméo et Juliette, op. 17: Scène d'amour | — | ||
| 11-1 | Roméo et Juliette, op. 17: Scherzo: La reine Mab | — | ||
| 11-2 | Roméo et Juliette, op. 17: Convoi funèbre de Juliette | — | ||
| 11-3 | Roméo et Juliette, op. 17: Roméo au tombeau des Capulets | — | ||
| 11-4 | Roméo et Juliette, op. 17: Invocation - Réveil de Juliette | — | ||
| 11-5 | Roméo et Juliette, op. 17: Joie délirante | — | ||
| 11-6 | Roméo et Juliette, op. 17: Dernières angoisses et mort des deux amants | — | ||
| 11-7 | Roméo et Juliette, op. 17: Quoi! Roméo de retour! | — | ||
| 11-8 | Roméo et Juliette, op. 17: Je vais dévoiler le mystère | — | ||
| 11-9 | Roméo et Juliette, op. 17: Pauvres enfants que je pleure | — | ||
| 11-10 | Roméo et Juliette, op. 17: Jurez donc par l'auguste symbole | — | ||
| 12-1 | Symphonie No. 5, H 202 "di tre re" / Grave | — | ||
| 12-2 | Symphonie No. 5, H 202 "di tre re" / Allegretto | — | ||
| 12-3 | Symphonie No. 5, H 202 "di tre re" / Allegro marcato | — | ||
| 12-4 | Bacchus et Ariane, Suite No. 2, Op. 43 / Introduction | — | ||
| 12-5 | Bacchus et Ariane, Suite No. 2, Op. 43 / On Awakening, Ariane Looks for Theseus | — | ||
| 12-6 | Bacchus et Ariane, Suite No. 2, Op. 43 / Feeling Abandoned, She Tries to Throw Herself Into the Stream... | — | ||
| 12-7 | Bacchus et Ariane, Suite No. 2, Op. 43 / ...and Falls Into the Arms of Bacchus | — | ||
| 12-8 | Bacchus et Ariane, Suite No. 2, Op. 43 / Dance of Ariane's Dream | — | ||
| 12-9 | Bacchus et Ariane, Suite No. 2, Op. 43 / Dance of Bacchus Alone | — | ||
| 12-10 | Bacchus et Ariane, Suite No. 2, Op. 43 / The Immortalizing Kiss | — | ||
| 12-11 | Bacchus et Ariane, Suite No. 2, Op. 43 / The Dionysiac Spell | — | ||
| 12-12 | Bacchus et Ariane, Suite No. 2, Op. 43 / A Group Marches by, and Ariane is Presented with a Golden Cup | — | ||
| 12-13 | Bacchus et Ariane, Suite No. 2, Op. 43 / Ariane's Dance | — | ||
| 12-14 | Bacchus et Ariane, Suite No. 2, Op. 43 / Bacchanale | — | ||
| 12-15 | Pavane pour une infante défunte, M. 19 | — | ||
| 13-1 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Introduction | — | ||
| 13-2 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Theme; Don Quixote, the Knight of Sorrowful Countenance | — | ||
| 13-3 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 1; The Adventure with the Windmills | — | ||
| 13-4 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 2; The Battle with the Sheep | — | ||
| 13-5 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 3; Dialogue of Knight and Squire | — | ||
| 13-6 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 4; The Adventure with the Penitents | — | ||
| 13-7 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 5; The Knight's Vigil | — | ||
| 13-8 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 6; The False Dulcinea | — | ||
| 13-9 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 7; The Ride through the Air | — | ||
| 13-10 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 8; The Adventure with the Enchanted Boat | — | ||
| 13-11 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 9; The Combat with the Two Magicians | — | ||
| 13-12 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 10; The Defeat of Don Quixote by the Knight of the White Moon | — | ||
| 13-13 | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Finale; The Death of Don Quixote | — | ||
| 14-1 | Violin Concerto in D Major, Op. 35 / I. Allegro moderato | — | ||
| 14-2 | Violin Concerto in D Major, Op. 35 / II. Canzonetta. Andante | — | ||
| 14-3 | Violin Concerto in D Major, Op. 35 / III. Finale - Allegro vivacissimo | — | ||
| 15-1 | La Damnation de Faust, Op. 24 / Le vieil hiver | — | ||
| 15-2 | La Damnation de Faust, Op. 24 / Les bergers laissent | — | ||
| 15-3 | La Damnation de Faust, Op. 24 / Mais d'un éclat guerrier | — | ||
| 15-4 | La Damnation de Faust, Op. 24 / Marche hongroise: (Rákóczy March) | — | ||
| 15-5 | La Damnation de Faust, Op. 24 / Sans regrets j'ai quitté | — | ||
| 15-6 | La Damnation de Faust, Op. 24 / Christ vient de ressusciter! (Chant de la fête de Pâques) | — | ||
| 15-7 | La Damnation de Faust, Op. 24 / Hélas! doux chants du ciel | — | ||
| 15-8 | La Damnation de Faust, Op. 24 / O pure émotion! | — | ||
| 15-9 | La Damnation de Faust, Op. 24 / A boire encor! | — | ||
| 15-10 | La Damnation de Faust, Op. 24 / Oh! qui'il fait bon | — | ||
| 15-11 | La Damnation de Faust, Op. 24 / Certain rat (Chanson de Brander) | — | ||
| 15-12 | La Damnation de Faust, Op. 24 / Amen. Amen | — | ||
| 15-13 | La Damnation de Faust, Op. 24 / Vrai Dieu, messieurs | — | ||
| 15-14 | La Damnation de Faust, Op. 24 / Une puce gentille (Chanson de Méphistophélés) | — | ||
| 15-15 | La Damnation de Faust, Op. 24 / Assez! fuyons ces lieux | — | ||
| 15-16 | La Damnation de Faust, Op. 24 / Voici des roses | — | ||
| 15-17 | La Damnation de Faust, Op. 24 / Dors, heureux Faust, dors! | — | ||
| 15-18 | La Damnation de Faust, Op. 24 / Ballet of the Sylphs | — | ||
| 15-19 | La Damnation de Faust, Op. 24 / Margarita! | — | ||
| 15-20 | La Damnation de Faust, Op. 24 / Villes entourées | — | ||
| 15-21 | La Damnation de Faust, Op. 24 / La retraite | — | ||
| 15-22 | La Damnation de Faust, Op. 24 / Merci, doux crépuscule! | — | ||
| 15-23 | La Damnation de Faust, Op. 24 / Je l'entends! | — | ||
| 15-24 | La Damnation de Faust, Op. 24 / Que l'air est étouffant! | — | ||
| 15-25 | La Damnation de Faust, Op. 24 / Autrefois un roi de Thulé (The King of Thule) | — | ||
| 15-26 | La Damnation de Faust, Op. 24 / Esprit des flammes | — | ||
| 16-1 | La Damnation de Faust, Op. 24 / Menuet des follets | — | ||
| 16-2 | La Damnation de Faust, Op. 24 / Maintenant | — | ||
| 16-3 | La Damnation de Faust, Op. 24 / Grands dieux! | — | ||
| 16-4 | La Damnation de Faust, Op. 24 / Allons, il est trop tard! | — | ||
| 16-5 | La damnation de Faust, Teil IV: "D’amour l’ardente flamme" | Suzanne Danco, Boston Symphony Orchestra, Charles Munch | — | |
| 16-6 | La Damnation de Faust, Op. 24 / Au son des trompettes - Suzanne Danco | — | ||
| 16-7 | La Damnation de Faust, Op. 24 / Nature immense (Invocation à la Nature) | — | ||
| 16-8 | La Damnation de Faust, Op. 24 / A la voûte azurée | — | ||
| 16-9 | La Damnation de Faust, Op. 24 / Dans mon coeur retentit (La course à l'abîme) | — | ||
| 16-10 | La Damnation de Faust, Op. 24 / Has! Irimiru Karabrao! | — | ||
| 16-11 | La Damnation de Faust, Op. 24 / Alors l'enfer se tut | — | ||
| 16-12 | La Damnation de Faust, Op. 24 / Laus! Hosanna! | — | ||
| 16-13 | La damnation de Faust, Op. 24 / Dans mon coeur retentit | — | ||
| 17-1 | Piano Concerto No. 2 in F Minor, Op. 21 / I. Maestoso | — | ||
| 17-2 | Piano Concerto No. 2 in F Minor, Op. 21 / II. Larghetto | — | ||
| 17-3 | Piano Concerto No. 2 in F Minor, Op. 21 / III. Allegro vivace | — | ||
| 17-4 | Piano Concerto No. 4 in C Minor, Op. 44 / I. Allegro moderato | — | ||
| 17-5 | Piano Concerto No. 4 in C Minor, Op. 44 / II. Andante | — | ||
| 17-6 | Piano Concerto No. 4 in C Minor, Op. 44 / III. Allegro vivace | — | ||
| 17-7 | Piano Concerto No. 4 in C Minor, Op. 44 / IV. Allegro | — | ||
| 18-1 | Violin Concerto in A minor; I. Allegro moderato | — | ||
| 18-2 | Violin Concerto in A minor; II. Adagio | — | ||
| 18-3 | Violin Concerto in A minor; III. Allegro vivace | — | ||
| 18-4 | Symphony No. 2 For String Orchestra; I. Molto moderato - Allegro | — | ||
| 18-5 | Symphony No. 2 For String Orchestra; II. Adagio molto | — | ||
| 18-6 | Symphony No. 2 For String Orchestra; III. Vivace ma non troppo - Presto | — | ||
| 19-1 | Daphnis et Chloé: Scene I. Invocation to the Nymphs | Boston Symphony Orchestra, Charles Munch | — | |
| 19-2 | Daphnis et Chloé: Scene I. Entrance of Daphnis and Chloé | Boston Symphony Orchestra, Charles Munch | T-004.014.574-1 | |
| 19-3 | Daphnis et Chloé: Scene I. Dance of the Young Girls Around Daphnis | Boston Symphony Orchestra, Charles Munch | T-004.014.574-1 | |
| 19-4 | Daphnis et Chloé: Scene I. Dorcon's Advance to Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 19-5 | Daphnis et Chloé: Scene I. Daphnis Reasserts His Love for Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 19-6 | Daphnis et Chloé: Scene I. Dorcon's Grotesque Dance | Boston Symphony Orchestra, Charles Munch | — | |
| 19-7 | Daphnis et Chloé: Scene I. The Gracious Dance of Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 19-8 | Daphnis et Chloé: Scene I. The Triumph of Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 19-9 | Daphnis et Chloé: Scene I. Entrance of the Temptress Lyceion and Dance of Veils | Boston Symphony Orchestra, Charles Munch | — | |
| 19-10 | Daphnis et Chloé: Scene I. The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 19-11 | Daphnis et Chloé: Scene I. Invocation to Pan by the Nymphs and the Prayer of Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 19-12 | Daphnis et Chloé: Scene II. Interlude | Boston Symphony Orchestra, Charles Munch | — | |
| 19-13 | Daphnis et Chloé: Scene II. The Orgiastic Dance of the Pirates | Boston Symphony Orchestra, Charles Munch | — | |
| 19-14 | Daphnis et Chloé: Scene II. Bryaxis Orders Chloé to Be Brought Forward and to Dance | Boston Symphony Orchestra, Charles Munch | — | |
| 19-15 | Daphnis et Chloé: Scene II. Chloé's Dance of Supplication | Boston Symphony Orchestra, Charles Munch | — | |
| 19-16 | Daphnis et Chloé: Scene II. Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone With a Shining Crown | Boston Symphony Orchestra, Charles Munch | — | |
| 19-17 | Daphnis et Chloé: Scene III. Sunrise. Daphnis Prostrate at the Grotto of the Nymphs | Boston Symphony Orchestra, Charles Munch | — | |
| 19-18 | Daphnis et Chloé: Scene III. Daphnis and Chloé Are Reunited | Boston Symphony Orchestra, Charles Munch | — | |
| 19-19 | Daphnis et Chloé: Scene III. Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloé Act Out the Story | Boston Symphony Orchestra, Charles Munch | — | |
| 19-20 | Daphnis et Chloé: Scene III. Pan (Daphnis) Fashions a Flute From Some Reeds, on Which He Declares His Love for Syrinx (Chloé) | Boston Symphony Orchestra, Charles Munch | — | |
| 19-21 | Daphnis et Chloé: Scene III. Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs | Boston Symphony Orchestra, Charles Munch | — | |
| 19-22 | Daphnis et Chloé: Scene III. Girls Dressed as Bacchantes Enter With Tambourines | Boston Symphony Orchestra, Charles Munch | — | |
| 19-23 | Daphnis et Chloé: Scene III. Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers | Boston Symphony Orchestra, Charles Munch | T-004.014.578-5 | |
| 20-1 | Symphonie Fantastique, Op. 14 / I. Rêveries: Passions | — | ||
| 20-2 | Symphonie Fantastique, Op. 14 / II. A Ball | — | ||
| 20-3 | Symphonie Fantastique, Op. 14 / III. Scene in the Country | — | ||
| 20-4 | Symphonie Fantastique, Op. 14 / IV. March to the Scaffold | — | ||
| 20-5 | Symphonie Fantastique, Op. 14 / V. Dream of the Witches' Sabbath | — | ||
| 21-1 | La Damoiselle Élue, L. 62 / La damoiselle élue | — | ||
| 21-2 | La Damoiselle Élue, L. 62 / Je voudrais qu'il fût déjà | — | ||
| 21-3 | Les nuits d'été, Op. 7 / Villanelle | — | ||
| 21-4 | Les nuits d'été, Op. 7 / Le spectre de la rose | — | ||
| 21-5 | Les nuits d'été, Op. 7 / Sur les lagunes | — | ||
| 21-6 | Les nuits d'été, Op. 7 / L'absence | — | ||
| 21-7 | Les nuits d'été, Op. 7 / Au cimetière (Clair de lune) | — | ||
| 21-8 | Les nuits d'été, Op. 7 / L'ile inconnue | — | ||
| 22-1 | Symphony no. 5 in C minor, op. 67 "Fate": I. Allegro con brio | Boston Symphony Orchestra, Charles Munch | — | |
| 22-2 | Symphony No. 5 in C Minor, Op. 67 / II. Andante con moto | — | ||
| 22-3 | Symphony No. 5 in C Minor, Op. 67 / III. Allegro | — | ||
| 22-4 | Symphony No. 5 in C Minor, Op. 67 / IV. Allegro | — | ||
| 22-5 | "SYMPHONY NO. 8 IN B MINOR, D. 759 ""UNFINISHED"": I. ALLEGRO MODERATO (REDBOOK STEREO)" | Boston Symphony Orchestra, Charles Munch | — | |
| 22-6 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | — | |
| 23-1 | Poème, Op.25 | — | ||
| 23-2 | Introduction et rondo capriccioso, Op.28 | — | ||
| 23-3 | Roméo et Juliette, Op. 17 / Grande fête chez les Capulets | — | ||
| 23-4 | Roméo et Juliette, Op. 17 / Nuit sereine | — | ||
| 23-5 | Roméo et Juliette, Op. 17 / Scène d'amour | — | ||
| 24-1 | Symphony No. 4 in F Minor, Op. 36 / I. Andante sostenuto - Moderato con anima | — | ||
| 24-2 | Symphony No. 4 in F Minor, Op. 36 / II. Andantino in modo di canzona | — | ||
| 24-3 | Symphony No. 4 in F Minor, Op. 36 / III. Scherzo - Allegro | — | ||
| 24-4 | Symphony No. 4 in F Minor, Op. 36 / IV. Finale - Allegro con fuoco | — | ||
| 25-1 | I. ALLEGRO NON TROPPO | Charles Munch, Boston Symphony Orchestra | — | |
| 25-2 | SYMPHONY NO.2 IN D MAJOR, OP. 73: II. ADAGIO NON TROPPO | Charles Munch, Boston Symphony Orchestra | T-329.366.758-6 | |
| 25-3 | SYMPHONY NO.2 IN D MAJOR, OP. 73: III. ALLEGRETTO GRAZIOSO | Charles Munch, Boston Symphony Orchestra | — | |
| 25-4 | SYMPHONY NO.2 IN D MAJOR, OP. 73: IV. ALLEGRO CON SPIRITO | Charles Munch, Boston Symphony Orchestra | T-327.681.352-2 | |
| 25-5 | TRAGIC OVERTURE | Charles Munch, Boston Symphony Orchestra | — | |
| 26-1 | Leonore Overture No. 2, Op. 72a | — | ||
| 26-2 | Leonore Overture No. 3, Op. 72b | — | ||
| 26-3 | Leonore Overture No. 1, Op. 138 | — | ||
| 26-4 | Fidelio, Op. 72: Overture | — | ||
| 26-5 | Coriolan, Op.62: Overture | — | ||
| 27-1 | Prélude à l'après-midi d'un faune, L. 86 | — | ||
| 27-2 | Rapsodie espagnole: I. "Prelude à la nuit" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 27-3 | Rapsodie espagnole: II. "Malagueña" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 27-4 | Rapsodie espagnole: III. "Habanera" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 27-5 | Rapsodie espagnole: IV. "Feria" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 27-6 | Boléro | Boston Symphony Orchestra, Charles Munch | T-003.006.377-4 | |
| 27-7 | La valse | Boston Symphony Orchestra, Charles Munch | T-305.194.234-4 | |
| 28-1 | Symphony No. 6 in F Major, Op. 68 "Pastoral" / I. Awakening of serene impressions upon arriving in the country (Allegro ma non troppo) | — | ||
| 28-2 | Symphony No. 6 in F Major, Op. 68 "Pastoral" / II. Scene by the brookside (Andante molto mosso) | — | ||
| 28-3 | Symphony No. 6 in F Major, Op. 68 "Pastoral" / III. Jolly gathering of country folk (Allegro) | — | ||
| 28-4 | Symphony No. 6 in F Major, Op. 68 "Pastoral" / IV. Thunder storm (Allegro) | — | ||
| 28-5 | Symphony No. 6 in F Major, Op. 68 "Pastoral" / V. Shepherd's Song - Gladsome and thankful feelings after the storm (Allegretto) | — | ||
| 29-1 | Le martyre de Saint-Sébastien, L. 124 / Prélude (La cour des lys) | — | ||
| 29-2 | Le martyre de Saint-Sébastien, L. 124 / Frère, que sera-t-il le monde | — | ||
| 29-3 | Le martyre de Saint-Sébastien, L. 124 / Sebastién, Sebastien! Tu es témoin | — | ||
| 29-4 | Le martyre de Saint-Sébastien, L. 124 / Miracle! Miracle! | — | ||
| 29-5 | Le martyre de Saint-Sébastien, L. 124 / Hymnes, toute l'ombre s'efface | — | ||
| 29-6 | Le martyre de Saint-Sébastien, L. 124 / Salut! O lumière du monde | — | ||
| 29-7 | Le martyre de Saint-Sébastien, L. 124 / Voici les sept témoins de Dieu | — | ||
| 29-8 | Le martyre de Saint-Sébastien, L. 124 / Prélude (La Chambre magique) | — | ||
| 29-9 | Le martyre de Saint-Sébastien, L. 124 / Je fauchais l'épi de froment | — | ||
| 29-10 | Le martyre de Saint-Sébastien, L. 124 / Qui pleure mon enfant si doux | — | ||
| 29-11 | Le martyre de Saint-Sébastien, L. 124 / Prélude (Le concile des faux dieux) | — | ||
| 29-12 | Le martyre de Saint-Sébastien, L. 124 / Paian! Lyre d'or, arc d'argent | — | ||
| 29-13 | Le martyre de Saint-Sébastien, L. 124 / Avez-vous vu celui que j'aime | — | ||
| 29-14 | Le martyre de Saint-Sébastien, L. 124 / Ah! Tu pleures le bien aimé | — | ||
| 29-15 | Le martyre de Saint-Sébastien, L. 124 / "Je souffre". Il a gémi | — | ||
| 29-16 | Le martyre de Saint-Sébastien, L. 124 / Adonis! Hélas! Pleurez | — | ||
| 29-17 | Le martyre de Saint-Sébastien, L. 124 / Quel est ce jeune homme tout blanc | — | ||
| 29-18 | Le martyre de Saint-Sébastien, L. 124 / Cessez, o pleureuses! | — | ||
| 29-19 | Le martyre de Saint-Sébastien, L. 124 / Io! Io! Adoniastes! Adoniastes! | — | ||
| 29-20 | Le martyre de Saint-Sébastien, L. 124 / O archers, il faut que je meure (Le laurier blessé) | — | ||
| 29-21 | Le martyre de Saint-Sébastien, L. 124 / Hélas! Ah! Pleurez, ô femmes de Syrie | — | ||
| 29-22 | Le martyre de Saint-Sébastien, L. 124 / Béni soit le premier! (Le Paradis) | — | ||
| 29-23 | Le martyre de Saint-Sébastien, L. 124 / Gloire! Sous nos armures flamboyez | — | ||
| 29-24 | Le martyre de Saint-Sébastien, L. 124 / Tu es loué | — | ||
| 29-25 | Le martyre de Saint-Sébastien, L. 124 / Tu es saint | — | ||
| 29-26 | Le martyre de Saint-Sébastien, L. 124 / Tu es beau | — | ||
| 29-27 | Le martyre de Saint-Sébastien, L. 124 / Je viens, je monte. J'ai des ailes | — | ||
| 29-28 | Le martyre de Saint-Sébastien, L. 124 / Louez le Seigneur | — | ||
| 30-1 | Violin Concerto in D major, op. 61: I. Allegro, ma non troppo | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | T-031.682.208-8 | |
| 30-2 | Violin Concerto in D major, op. 61: II. Larghetto | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 30-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | T-306.482.598-1 | |
| 31-1 | Romeo and Juliet Fantasy Overture, TH 42 | — | ||
| 31-2 | Francesca Da Rimini (Symphonic Fantasy after Dante), Op. 32, TH 46 | — | ||
| 32-1 | Concerto in A Major for Clarinet and Orchestra, K. 622 / I. Allegro | — | ||
| 32-2 | Concerto in A Major for Clarinet and Orchestra, K. 622 / II. Adagio | — | ||
| 32-3 | Concerto in A Major for Clarinet and Orchestra, K. 622 / III. Rondo - Allegro | — | ||
| 32-4 | Quintet in A Major for Clarinet and Strings, K. 581 / I. Allegro | — | ||
| 32-5 | Quintet in A Major for Clarinet and Strings, K. 581 / II. Larghetto | — | ||
| 32-6 | Quintet in A Major for Clarinet and Strings, K. 581 / III. Menuetto | — | ||
| 32-7 | Quintet in A Major for Clarinet and Strings, K. 581 / IV. Allegro con Varazioni | — | ||
| 33-1 | Symphony No. 6 / I. Fleundo espressivo | — | ||
| 33-2 | Symphony No. 6 / II. Leggierissimo vivace | — | ||
| 33-3 | Symphony No. 6 / III. Adagio sereno | — | ||
| 33-4 | Symphony No. 6 / IV. Allegro energico | — | ||
| 33-5 | Fantaisies Symphoniques, H. 343 (Symphony No. 6) / I. Lento - Andante moderato - Poco allegro | — | ||
| 33-6 | Fantaisies Symphoniques, H. 343 (Symphony No. 6) / II. Poco allegro | — | ||
| 33-7 | Fantaisies Symphoniques, H. 343 (Symphony No. 6) / III. Lento | — | ||
| 34-1 | SYMPHONY NO 1 IN C MINOR OP 68 UN POCO SOSTENUTO ALLEGRO | Boston Symphony Orchestra, Charles Munch | — | |
| 34-2 | SYMPHONY NO. 1 IN C MINOR, OP. 68: ANDANTE SOSTENUTO | Boston Symphony Orchestra, Charles Munch | — | |
| 34-3 | SYMPHONY NO. 1 IN C MINOR, OP. 68: UN POCO ALLEGRETTO E GRAZIOSO | Boston Symphony Orchestra, Charles Munch | — | |
| 34-4 | Symphony no. 1 in C minor, op. 68: Adagio. Allegro non troppo ma con brio | Boston Symphony Orchestra, Charles Munch | — | |
| 35-1 | Serenade in C Major for Strings, Op. 48, TH 48 / I. Pezzo in forma di sonatina - Andante non troppo - Allegro moderato | — | ||
| 35-2 | Serenade in C Major for Strings, Op. 48, TH 48 / II. Waltz - Moderato | — | ||
| 35-3 | Serenade in C Major for Strings, Op. 48, TH 48 / III. Elegy - Larghetto elegiaco | — | ||
| 35-4 | Serenade in C Major for Strings, Op. 48, TH 48 / IV. Finale (Tema russo) - Andante - Allegro con spirito | — | ||
| 35-5 | Adagio for Strings, op. 11 | Boston Symphony Orchestra, Charles Munch | T-070.000.199-5 | |
| 35-6 | Introduction & Allegro, Op. 47 / Introduction - Moderato | — | ||
| 35-7 | Introduction & Allegro, Op. 47 / Allegro | — | ||
| 36-1 | Romeo and Juliet, Op. 64 (Excerpts) / Scene (Suite I, No. 2) | — | ||
| 36-2 | Romeo and Juliet, Op. 64 (Excerpts) / Morning Dance (Suite III, No. 2) | — | ||
| 36-3 | Romeo and Juliet, Op. 64 (Excerpts) / Young Juliet (Suite II, No. 2) | — | ||
| 36-4 | Romeo and Juliet, Op. 64 (Excerpts) / Masques (Suite I, No. 5) | — | ||
| 36-5 | Romeo and Juliet, Op. 64 (Excerpts) / Montagues and Capulets (Suite II, No. 1) | — | ||
| 36-6 | Romeo and Juliet, Op. 64 (Excerpts) / Dance (Suite II, No. 4) | — | ||
| 36-7 | Romeo and Juliet, Op. 64 (Excerpts) / Friar Laurence (Suite II, No. 3) | — | ||
| 36-8 | Romeo and Juliet, Op. 64 (Excerpts) / Death of Tybolt (Suite I, No. 7) | — | ||
| 36-9 | Romeo and Juliet, Op. 64 (Excerpts) / Romeo and Juliet's Parting (Suite II, No. 5) | — | ||
| 36-10 | Romeo and Juliet, Op. 64 (Excerpts) / Aubade (Suite III, No. 5) | — | ||
| 36-11 | Romeo and Juliet, Op. 64 (Excerpts) / Romeo at Juliet's Tomb and Juliet's Death (Suite II, No. 7) | — | ||
| 37-1 | Cello Concerto / I. Moderato | — | ||
| 37-2 | Cello Concerto / II. Allegro appassionato | — | ||
| 37-3 | Cello Concerto / III. Tema ed improvvisazioni - Lento; Allegro moderato | — | ||
| 37-4 | Schelomo | — | ||
| 38-1 | La Mer: I. De l’aube à midi sur la mer | Boston Symphony Orchestra, Charles Munch | — | |
| 38-2 | La Mer: II. Jeux de vagues | Boston Symphony Orchestra, Charles Munch | — | |
| 38-3 | La Mer: III. Dialogue du vent et de la mer | Boston Symphony Orchestra, Charles Munch | T-925.645.312-0 | |
| 38-4 | Escales (Ports of Call): I. Rome-Palermo: Calme | Boston Symphony Orchestra, Charles Munch | — | |
| 38-5 | Escales (Ports of Call): II. Tunis-Nefta: Modéré très rythmé | Boston Symphony Orchestra, Charles Munch | — | |
| 38-6 | Escales (Ports of Call): III. Valencia: Animé | Boston Symphony Orchestra, Charles Munch | — | |
| 39-1 | Symphony in D Minor, FWV 48 / I. Lento - Allegro non troppo | — | ||
| 39-2 | Symphony in D Minor, FWV 48 / II. Allegretto | — | ||
| 39-3 | Symphony in D Minor, FWV 48 / III. Allegro non troppo | — | ||
| 40-2 | Die Walküre, WWV 86b / The Magic Fire Music | — | ||
| 40-3 | Götterdämmerung, WWV 86d / Siegfried's Rhine Journey | — | ||
| 41-1 | L'enfance du Christ, Op. 25 / Part I / Dans la crèche | — | ||
| 41-2 | L'enfance du Christ, Op. 25 / Part I / Qui vient? | — | ||
| 41-3 | L'enfance du Christ, Op. 25 / Part I / Toujours ce rêve! | — | ||
| 41-4 | L'enfance du Christ, Op. 25 / Part I / Seigneur! | — | ||
| 41-5 | L'enfance du Christ, Op. 25 / Part I / Les sages de Judée | — | ||
| 41-6 | L'enfance du Christ, Op. 25 / Part I / La voix dit vrai, seigneur | — | ||
| 41-7 | L'enfance du Christ, Op. 25 / Part I / Eh bien! | — | ||
| 41-8 | L'enfance du Christ, Op. 25 / Part I / O mon cher fils | — | ||
| 41-9 | L'enfance du Christ, Op. 25 / Part I / Joseph! Marie! | — | ||
| 41-10 | L'enfance du Christ, Op. 25 / Part II Overture | — | ||
| 41-11 | L'enfance du Christ, Op. 25 / Part II / Il s'en va loin de la terre (L'adieu des bergers à la Sainte Famille) | — | ||
| 41-12 | L'enfance du Christ, Op. 25 / Part II / Les Pèlerins étant venus | — | ||
| 42-1 | L'enfance du Christ, Op. 25 / Part III / Depuis trois jours | — | ||
| 42-2 | L'enfance du Christ, Op. 25 / Part III / Dans cette ville immense | — | ||
| 42-3 | L'enfance du Christ, Op. 25 / Part III / Entrez, entrez, pauvres hébreux | — | ||
| 42-4 | L'enfance du Christ, Op. 25 / Part III / Sur vos traits fatigués | — | ||
| 42-5 | L'enfance du Christ, Op. 25 / Part III / Trio pour deux flûtes et harpe | — | ||
| 42-6 | L'enfance du Christ, Op. 25 / Part III / Vous pleurez, jeune mère | — | ||
| 42-7 | L'enfance du Christ, Op. 25 / Part III / Ce fut ainsi que par un infidèle | — | ||
| 43-1 | Piano Concerto No. 2 in G Minor, Op. 16 / I. Andantino - Allegretto - Andantino | — | ||
| 43-2 | Piano Concerto No. 2 in G Minor, Op. 16 / II. Scherzo - Vivace | — | ||
| 43-3 | Piano Concerto No. 2 in G Minor, Op. 16 / III. Intermezzo - Allegro moderato | — | ||
| 43-4 | Piano Concerto No. 2 in G Minor, Op. 16 / IV. Finale - Allegro tempetoso | — | ||
| 43-5 | Medea's Meditation & Dance of Vengeance, Op. 23a | — | ||
| 44-1 | SYMPHONY NO 4 IN A MAJOR OP 90 ITALIAN I ALLEGRO VIVACE | Boston Symphony Orchestra, Charles Munch | T-928.635.625-0 | |
| 44-2 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | T-303.792.628-2 | |
| 44-3 | Symphony no. 4 in A "Italian": Con moto moderato | Boston Symphony Orchestra, Charles Munch | — | |
| 44-4 | SYMPHONY NO 4 IN A MAJOR OP 90 ITALIAN IV SALTARELLO PRESTO | Boston Symphony Orchestra, Charles Munch | T-308.451.891-8 | |
| 44-5 | I. ANDANTE - ALLEGRO CON FUOCO | Boston Symphony Orchestra, Charles Munch | — | |
| 44-6 | """SYMPHONY NO. 5 IN D MINOR, OP. 107 """"REFORMATION"""": II. ALLEGRO VIVACE""" | Boston Symphony Orchestra, Charles Munch | — | |
| 44-7 | "SYMPHONY NO. 5 IN D MINOR, OP. 107 ""REFORMATION"": III. ANDANTE" | Boston Symphony Orchestra, Charles Munch | T-902.876.200-7 | |
| 44-8 | Symphony no. 5 in D major, op. 107 “Reformation”: IV. Chorale. Andante con moto – Allegro vivace “Ein’ feste Burg ist unser Gott” | Boston Symphony Orchestra, Charles Munch | — | |
| 44-9 | The Star-Spangled Banner | — | ||
| 45-1 | Harold en Italie, Op. 16 / Harold aux montagnes | — | ||
| 45-2 | Harold en Italie, Op. 16 / Marche des pèlerins | — | ||
| 45-3 | Harold en Italie, Op. 16 / Sérénade | — | ||
| 45-4 | Harold en Italie, Op. 16 / Orgie des brigands | — | ||
| 46-1 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" / I. Allegro con brio | — | ||
| 46-2 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" / II. Marcia funebre - Adagio Assai | — | ||
| 46-3 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" / III. Scherzo - Allegro vivace | — | ||
| 46-4 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" / IV. Finale - Allegro molto - Poco andante - Presto | — | ||
| 47-1 | Concerto no. 3, op. 30 in D minor: Allegro ma non tanto | Byron Janis, Boston Symphony Orchestra, Charles Munch | — | |
| 47-2 | Concerto no. 3, op. 30 in D minor: Intermezzo - Adagio | Byron Janis, Boston Symphony Orchestra, Charles Munch | — | |
| 47-3 | Concerto no. 3, op. 30 in D minor: Finale: Alla breve | Byron Janis, Boston Symphony Orchestra, Charles Munch | — | |
| 48-1 | Götterdämmerung, WWV 86D / Brunhilde's Immolation Scene | — | ||
| 48-2 | Tristan und Isolde, WWV 90 / Prélude and Liebestod | — | ||
| 49-1 | Piano Concerto in G Major, M. 83 / I. Allegramente | — | ||
| 49-2 | Piano Concerto in G Major, M. 83 / II. Adagio assai | — | ||
| 49-3 | Piano Concerto in G Major, M. 83 / III. Presto | — | ||
| 49-4 | Symphonie sur un chant montagnard francais, Op. 25 / I. Assez lent | — | ||
| 49-5 | Symphonie sur un chant montagnard francais, Op. 25 / II. Assez modéré, mais sans lenteur | — | ||
| 49-6 | Symphonie sur un chant montagnard francais, Op. 25 / III. Animé | — | ||
| 50-1 | PIANO CONCERTO NO 1 IN D MINOR OP 15 I MAESTOSO | Gary Graffman, Boston Symphony Orchestra, Charles Munch | — | |
| 50-2 | BRAHMS: PIANO CONCERTO NO. 1 IN D MINOR, OP. 15: II. ADAGIO | Gary Graffman, Boston Symphony Orchestra, Charles Munch | — | |
| 50-3 | PIANO CONCERTO NO. 1 IN D MINOR, OP. 15: III. ALLEGRO NON TROPPO | Gary Graffman, Boston Symphony Orchestra, Charles Munch | — | |
| 51-1 | L'Apprenti sorcier | Boston Symphony Orchestra, Charles Munch | T-003.005.584-5 | |
| 51-2 | Le Rouet d’Omphale, op. 31 | Boston Symphony Orchestra, Charles Munch | — | |
| 51-3 | "Mother Goose" Suite: Pavan of the Sleeping Beauty | Boston Symphony Orchestra, Charles Munch | — | |
| 51-4 | "Mother Goose" Suite: Hop-o-My-Thumb | Boston Symphony Orchestra, Charles Munch | — | |
| 51-5 | "Mother Goose" Suite: Laideronette, Empress of the Pagodas | Boston Symphony Orchestra, Charles Munch | — | |
| 51-6 | "Mother Goose" Suite: Beauty and the Beast Converse | Boston Symphony Orchestra, Charles Munch | — | |
| 51-7 | "Mother Goose" Suite: The Fairy Garden | Boston Symphony Orchestra, Charles Munch | — | |
| 52-1 | Images for Orchestra: I. "Gigues" | Boston Symphony Orchestra, Charles Munch | T-900.478.513-1 | |
| 52-2 | Images for Orchestra: IIa. "Iberia" - Par les rues et par les chemins | Boston Symphony Orchestra, Charles Munch | — | |
| 52-3 | Images for Orchestra: IIb. "Iberia" - Les parfums de la nuit | Boston Symphony Orchestra, Charles Munch | — | |
| 52-4 | Images for Orchestra: IIc. "Iberia" - Le matin d'un jour de fête | Boston Symphony Orchestra, Charles Munch | — | |
| 52-5 | Images for Orchestra: III. "Rondes de printemps" | Boston Symphony Orchestra, Charles Munch | — | |
| 53-1 | SYMPHONY NO 4 IN E MINOR OP 98 ALLEGRO NON TROPPO | Boston Symphony Orchestra, Charles Munch | T-902.764.002-4 | |
| 53-2 | SYMPHONY NO. 4 IN E MINOR, OP. 98: II. ANDANTE MODERATO | Boston Symphony Orchestra, Charles Munch | T-902.764.002-4 | |
| 53-3 | SYMPHONY NO. 4 IN E MINOR, OP. 98: ALLEGRO GIOCOSO | Boston Symphony Orchestra, Charles Munch | T-902.764.002-4 | |
| 53-4 | ALLEGRO ENERGICO E PASSIONATO | Boston Symphony Orchestra, Charles Munch | T-902.764.002-4 | |
| 54-1 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / I. Allegro | — | ||
| 54-2 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / II. Adagio | — | ||
| 54-3 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / III. Allegro | — | ||
| 54-4 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / IV. Menuetto - Trio I - Menuetto, Polacca, Menuetto, Trio II - Menuetto | — | ||
| 54-5 | Brandenburg Concerto No. 2 in F Major, BWV 1047 / I. Allegro | — | ||
| 54-6 | Brandenburg Concerto No. 2 in F Major, BWV 1047 / II. Andante | — | ||
| 54-7 | Brandenburg Concerto No. 2 in F Major, BWV 1047 / III. Allegro assai | — | ||
| 54-8 | Brandenburg Concerto No. 3 in G Major, BWV 1048 / [Allegro moderato] - Adagio | — | ||
| 54-9 | Brandenburg Concerto No. 3 in G Major, BWV 1048 / Allegro | — | ||
| 55-1 | Brandenburg Concerto No. 4 in G Major, BWV 1049 / I. Allegro | — | ||
| 55-2 | Brandenburg Concerto No. 4 in G Major, BWV 1049 / II. Andante | — | ||
| 55-3 | Brandenburg Concerto No. 4 in G Major, BWV 1049 / III. Presto | — | ||
| 55-4 | Brandenburg Concerto No. 5 in D Major, BWV 1050 / I. Allegro | — | ||
| 55-5 | Brandenburg Concerto No. 5 in D Major, BWV 1050 / II. Affettuoso | — | ||
| 55-6 | Brandenburg Concerto No. 5 in D Major, BWV 1050 / III. Allegro | — | ||
| 55-7 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051 / I. Allegro | — | ||
| 55-8 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051 / II. Adagio, ma non troppo | — | ||
| 55-9 | Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051 / III. Allegro | — | ||
| 56-1 | Symphony No. 9 in D Minor, Op.125 "Choral" / I. Allegro ma non troppo, un poco maestoso | — | ||
| 56-2 | Symphony No. 9 in D Minor, Op.125 "Choral" / II. Molto vivace | — | ||
| 56-3 | Symphony No. 9 in D Minor, Op.125 "Choral" / III. Adagio molto e cantabile | — | ||
| 56-4 | Symphony No. 9 in D Minor, Op.125 "Choral" / IV. Presto - Allegro assai | — | ||
| 57-1 | Symphony No. 8 in F Major, Op. 93 / I. Allegro vivace e con brio | — | ||
| 57-2 | Symphony No. 8 in F Major, Op. 93 / II. Allegretto scherzando | — | ||
| 57-3 | Symphony No. 8 in F Major, Op. 93 / III. Tempo di Menuetto | — | ||
| 57-4 | Symphony No. 8 in F Major, Op. 93 / IV. Allegro vivace | — | ||
| 58-1 | I. ALLEGRO MOLTO APPASSIONATO | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 58-2 | VIOLIN CONCERTO IN E MINOR, OP. 64: II. ANDANTE | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 58-3 | VIOLIN CONCERTO IN E MINOR, OP. 64: ALLEGRETTO NON TROPPO - ALLEGRO MOLTO VIVACE | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 58-4 | Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 58-5 | Violin Concerto no. 2 in G minor, op. 63: II. Andante assai | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 58-6 | Violin Concerto no. 2 in G minor, op. 63: III. Allegro ben marcato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 59-1 | "SYMPHONY NO. 9 IN C MAJOR, D.944 ""THE GREAT"": I. ANDANTE - ALLEGRO MA NON TROPPO" | Boston Symphony Orchestra, Charles Munch | — | |
| 59-2 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | — | |
| 59-3 | "SYMPHONY NO. 9 IN C MAJOR, D.944 ""THE GREAT"": III. SCHERZO - ALLEGRO VIVACE" | Boston Symphony Orchestra, Charles Munch | — | |
| 59-4 | "SYMPHONY NO. 9 IN C MAJOR, D. 944 (""THE GREAT""),: IV. FINALE - ALLEGRO VIVACE (REDBOOK STEREO)" | Boston Symphony Orchestra, Charles Munch | — | |
| 60-1 | Symphony no. 3 in C minor, op. 78 "Organ": I. Adagio - Allegro moderato | Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 60-2 | Symphony no. 3 in C minor, op. 78 "Organ": II. Poco adagio | Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 60-3 | Symphony no. 3 in C minor, op. 78 "Organ": III. Allegro moderato - Presto | Bernard Zighera, Leo Litwin, Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 60-4 | Symphony no. 3 in C minor, op. 78 "Organ": IV. Maestoso - Allegro | Bernard Zighera, Leo Litwin, Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 61-1 | Symphony no. 1, op. 3: I. Andante maestoso - Non troppo allegro ma con spirito | Boston Symphony Orchestra, Charles Munch | — | |
| 61-2 | Symphony no. 1, op. 3: II. Andante comodo | Boston Symphony Orchestra, Charles Munch | — | |
| 61-3 | Symphony no. 1, op. 3: III. Allegretto grotesco | Boston Symphony Orchestra, Charles Munch | — | |
| 61-4 | Symphony no. 1, op. 3: IV. Andante sostenuto | Boston Symphony Orchestra, Charles Munch | — | |
| 61-5 | Symphony No. 2 / I. Maestoso - Doppio Movimento | — | ||
| 61-6 | Symphony No. 2 / II. Andante | — | ||
| 61-7 | Symphony No. 2 / III. Maestoso | — | ||
| 62-1 | Violin Concerto in D Major, Op. 35, TH 59 / I. Allegro moderato | — | ||
| 62-2 | Violin Concerto in D Major, Op. 35, TH 59 / II. Canzonetta. Andante | — | ||
| 62-3 | Violin Concerto in D Major, Op. 35, TH 59 / III. Finale - Allegro vivacissimo | — | ||
| 63-1 | Lieder eines fahrenden Gesellen / Wenn mein Schatz Hochzeit macht | — | ||
| 63-2 | Lieder eines fahrenden Gesellen / Ging heut morgen übers Feld | — | ||
| 63-3 | Lieder eines fahrenden Gesellen / Ich hab' ein glühend Messer | — | ||
| 63-4 | Lieder eines fahrenden Gesellen / Die zwei blauen Augen von meinem Schatz | — | ||
| 63-5 | Kindertotenlieder / Nun will die Sonn' so hell aufgeh'n | — | ||
| 63-6 | Kindertotenlieder / Nun seh' ich wohl, warum so dunkle Flammen | — | ||
| 63-7 | Kindertotenlieder / Wenn dein Mütterlein | — | ||
| 63-8 | Kindertotenlieder / Oft denk' ich, sie sind nur ausgegangen | — | ||
| 63-9 | Kindertotenlieder / In diesem Wetter | — | ||
| 64-1 | Requiem, Op. 5 / Requiem et Kyrie | — | ||
| 64-2 | Requiem, Op. 5 / Dies irae | — | ||
| 64-3 | Requiem, Op. 5 / Quid sum miser | — | ||
| 64-4 | Requiem, Op. 5 / Rex tremendae | — | ||
| 64-5 | Requiem, Op. 5 / Quaerens me | — | ||
| 65-1 | Requiem, Op. 5 / Lacrymosa | — | ||
| 65-2 | Requiem, Op. 5 / Offertorium | — | ||
| 65-3 | Requiem, Op. 5 / Hostias | — | ||
| 65-4 | Requiem, Op. 5 / Sanctus | — | ||
| 65-5 | Requiem, Op. 5 / Agnus Dei | — | ||
| 66-1 | Piano Concerto No. 1 in E Minor, Op. 11 / I. Allegro maestoso | — | ||
| 66-2 | Piano Concerto No. 1 in E Minor, Op. 11 / II. Romance | — | ||
| 66-3 | Piano Concerto No. 1 in E Minor, Op. 11 / III. Rondo | — | ||
| 66-4 | CAPRICCIO BRILLANT, OP. 22 | Charles Munch, Boston Symphony Orchestra, Gary Graffman | — | |
| 67-1 | Cello Concerto in B Minor, Op. 104 / I. Allegro | — | ||
| 67-2 | Cello Concerto in B Minor, Op. 104 / II. Adagio ma non troppo | — | ||
| 67-3 | Cello Concerto in B Minor, Op. 104 / III. Finale - Allegro moderato | — | ||
| 68-1 | Roman Carnival Overture, Op. 9, H. 95 | — | ||
| 68-2 | Béatrice et Bénédict, H. 138: Overture | — | ||
| 68-3 | Le Corsaire Overture, Op. 21, H. 101 | — | ||
| 68-4 | Benvenuto Cellini, H. 76: Overture | — | ||
| 68-5 | Les troyens, H. 133: Chasse royale et orage | — | ||
| 69-1 | Concerto for Piano and Orchestra No. 1 in C Major, Op. 15 / I. Allegro con brio | — | ||
| 69-2 | Concerto for Piano and Orchestra No. 1 in C Major, Op. 15 / II. Largo | — | ||
| 69-3 | Concerto for Piano and Orchestra No. 1 in C Major, Op. 15 / III. Rondo | — | ||
| 69-4 | Piano Sonata No. 22 in F Major, Op. 54 / I. In tempo d'un menuetto | — | ||
| 69-5 | Piano Sonata No. 22 in F Major, Op. 54 / II. Allegretto | — | ||
| 70-1 | Symphony no. 1 in B‐flat major, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace | Charles Munch, Boston Symphony Orchestra | — | |
| 70-2 | "SYMPHONY NO. 1 IN B-FLAT MAJOR, OP. 38 ""SPRING"": II. LARGHETTO" | Charles Munch, Boston Symphony Orchestra | — | |
| 70-3 | Symphony No. 1 in B-Flat Major, Op. 38 "Spring" / III. Scherzo - Molto vivace | Charles Munch, Boston Symphony Orchestra | — | |
| 70-4 | Symphony no. 1 in B‐flat major, op. 38 “Spring”: IV. Allegro animato e grazioso | Charles Munch, Boston Symphony Orchestra | — | |
| 70-5 | MANFRED OVERTURE, OP. 115 | Leonard Pennario, Boston Symphony Orchestra, Charles Munch | — | |
| 71-1 | I. ANDANTE CON MOTO - ALLEGRO UN POCO AGITATO | Boston Symphony Orchestra, Charles Munch | — | |
| 71-2 | Symphony no. 3 in A minor, op. 56 “Scottish”: Vivace non troppo | Charles Munch, Boston Symphony Orchestra | — | |
| 71-3 | III. ADAGIO | Boston Symphony Orchestra, Charles Munch | — | |
| 71-4 | "SYMPHONY NO. 3 IN A MINOR, OP. 56 ""SCOTTISH"": ALLEGRO VIVACISSIMO - ALLEGRO MAESTOSO ASSAI" | Boston Symphony Orchestra, Charles Munch | T-931.717.257-9 | |
| 71-5 | Octet in E‐flat major, op. 20: III. Scherzo. Allegro leggierissimo | Boston Symphony Orchestra, Charles Munch | — | |
| 72-1 | Daphnis et Chloé, M. 57 / Part I / Invocation to the Nymphs | — | ||
| 72-2 | Daphnis et Chloé, M. 57 / Part I / Entrance of Daphnis and Chloé | — | ||
| 72-3 | Daphnis et Chloé, M. 57 / Part I / Dance of the Young Girls Around Daphnis | — | ||
| 72-4 | Daphnis et Chloé, M. 57 / Part I / Dorcon's Advance to Chloé | — | ||
| 72-5 | Daphnis et Chloé, M. 57 / Part I / Daphnis Reasserts His Love for Chloé. The Dorcon-Daphnis Dance Contest for a Kiss from Chloé | — | ||
| 72-6 | Daphnis et Chloé, M. 57 / Part I / Dorcon's Grotesque Dance | — | ||
| 72-7 | Daphnis et Chloé, M. 57 / Part I / The Gracious Dance of Daphnis | — | ||
| 72-8 | Daphnis et Chloé, M. 57 / Part I / The Triumph of Daphnis and the Ecstatic Union with Chloé | — | ||
| 72-9 | Daphnis et Chloé, M. 57 / Part I / Entrance of the Temptress Lyceion and Dance of Veils | — | ||
| 72-10 | Daphnis et Chloé, M. 57 / Part I / The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé | — | ||
| 72-11 | Daphnis et Chloé, M. 57 / Part I / Invocation to Pan by the Nymphs and the Prayer of Daphnis | — | ||
| 72-12 | Daphnis et Chloé, M. 57 / Part II / Interlude | — | ||
| 72-13 | Daphnis et Chloé, M. 57 / Part II / The Orgiastic Dance of the Pirates | — | ||
| 72-14 | Daphnis et Chloé, M. 57 / Part II / Bryaxis Orders Chloé to Be Brought Forward and to Dance | — | ||
| 72-15 | Daphnis et Chloé, M. 57 / Part II / Chloé's Dance of Supplication | — | ||
| 72-16 | Daphnis et Chloé, M. 57 / Part II / Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone with a Shining Crown | — | ||
| 72-17 | Daphnis et Chloé, M. 57 / Part III / Sunrise. Daphnis Prostrate at the Grotto of the Nymphs | — | ||
| 72-18 | Daphnis et Chloé, M. 57 / Part III / Daphnis and Chloé are Reunited | — | ||
| 72-19 | Daphnis et Chloé, M. 57 / Part III / Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloè Act out the Story. | — | ||
| 72-20 | Daphnis et Chloé, M. 57 / Part III / Pan (Daphnis) Fashions a Flute from Some Reeds, on Which He Declares His Love for Syrinx (Chloé) | — | ||
| 72-21 | Daphnis et Chloé, M. 57 / Part III / Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs | — | ||
| 72-22 | Daphnis et Chloé, M. 57 / Part III / Girls Dressed as Bacchantes Enter with Tambourines | — | ||
| 72-23 | Daphnis et Chloé, M. 57 / Part III / Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers | — | ||
| 73-1 | Organ Concerto in G Minor, FP 93 / I. Andante | — | ||
| 73-2 | Organ Concerto in G Minor, FP 93 / II. Allegro giocoso | — | ||
| 73-3 | Organ Concerto in G Minor, FP 93 / III. Subito andante moderato | — | ||
| 73-4 | Organ Concerto in G Minor, FP 93 / IV. Tempo allegro - Molto agitato | — | ||
| 73-5 | Organ Concerto in G Minor, FP 93 / V. Très calme - Lent | — | ||
| 73-6 | Organ Concerto in G Minor, FP 93 / VI. Tempo de l'allegro initial | — | ||
| 73-7 | Organ Concerto in G Minor, FP 93 / VII. Tempo d'introduction - Largo | — | ||
| 73-8 | Jeu de cartes / First Deal | — | ||
| 73-9 | Jeu de cartes / Second Deal | — | ||
| 73-10 | Jeu de cartes / Third Deal | — | ||
| 74-1 | Romeo and Juliet: Overture Fantasia, TH 42 | — | ||
| 74-2 | Till Eulenspiegel's Merry Pranks, Op. 28 | — | ||
| 75-1 | Symphony No. 2 in B-Flat Major, D. 125 / I. Largo - Allegro vivace | Charles Munch, Boston Symphony Orchestra | — | |
| 75-2 | SYMPHONY NO 2 IN B FLAT MAJOR D 125 II ANDANTE | Charles Munch, Boston Symphony Orchestra | — | |
| 75-3 | Symphony no. 2 in B flat major, D125: III. Menuetto - Allegro vicace - Trio | Charles Munch, Boston Symphony Orchestra | — | |
| 75-4 | Symphony no. 2 in B flat major, D125: IV. Allegro vicace | Charles Munch, Boston Symphony Orchestra | — | |
| 75-5 | Die Geschöpfe des Prometheus, Op. 43 (Excerpts) / Overture | — | ||
| 75-6 | Die Geschöpfe des Prometheus, Op. 43 (Excerpts) / Act II, No. 5: Adagio | — | ||
| 75-7 | Die Geschöpfe des Prometheus, Op. 43 (Excerpts) / Act II, No. 16: Finale | — | ||
| 76-1 | Symphonie fantastique, op. 14: I. Rêveries. Passions | Boston Symphony Orchestra, Charles Munch | T-922.067.243-5 | |
| 76-2 | Symphonie fantastique, op. 14: II. Un bal | Boston Symphony Orchestra, Charles Munch | T-922.067.243-5 | |
| 76-3 | Symphonie fantastique op. 14a (Episode aus dem Leben eines Künstlers): 3. Szene auf dem Lande (Adagio) | London Festival Orchestra, Ljubljana Radio Symphony Orchestra, Süddeutsche Philharmonie, Alberto Lizzio, Anton Nanut, Alfred Scholz | — | |
| 76-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | Boston Symphony Orchestra, Charles Munch | — | |
| 76-5 | Symphonie fantastique op. 14a (Episode aus dem Leben eines Künstlers): 5. Traum einer Sabbatnacht (Larghetto. Allegro) | London Festival Orchestra, Ljubljana Radio Symphony Orchestra, Süddeutsche Philharmonie, Alberto Lizzio, Anton Nanut, Alfred Scholz | — | |
| 77-1 | Suite provencale pour orchestre Op. 152b / I. Guardians. Animé | — | ||
| 77-2 | Suite provencale pour orchestre Op. 152b / II. Cueillette des amandes. Très modéré | — | ||
| 77-3 | Suite provencale pour orchestre Op. 152b / III. Joueurs de boules. Modéré | — | ||
| 77-4 | Suite provencale pour orchestre Op. 152b / IV. Pêcheurs. Vif | — | ||
| 77-5 | Suite provencale pour orchestre Op. 152b / V. Chasseurs. Modéré | — | ||
| 77-6 | Suite provencale pour orchestre Op. 152b / VI. Vendangeurs. Vif | — | ||
| 77-7 | Suite provencale pour orchestre Op. 152b / VII. Berger. Lent | — | ||
| 77-8 | Suite provencale pour orchestre Op. 152b / VIII. Farandole. Vif | — | ||
| 77-9 | La création du monde, Op. 81a | — | ||
| 78-1 | Symphony No. 8 in G Major, Op. 88, B. 163 / I. Allegro con brio | — | ||
| 78-2 | Symphony No. 8 in G Major, Op. 88, B. 163 / II. Adagio | — | ||
| 78-3 | Symphony No. 8 in G Major, Op. 88, B. 163 / III. Allegretto grazioso | — | ||
| 78-4 | Symphony No. 8 in G Major, Op. 88, B. 163 / IV. Allegro, ma non troppo | — | ||
| 79-1 | Roméo et Juliette, Op. 17 / Combats - Tumulte - Intervention du Prince | — | ||
| 79-2 | Roméo et Juliette, Op. 17 / D'anciennes haines endormies | — | ||
| 79-3 | Roméo et Juliette, Op. 17 / Premiers transports que nul n'oublie | — | ||
| 79-4 | Roméo et Juliette, Op. 17 / Bientôt de Roméo la pâle rêverie | — | ||
| 79-5 | Roméo et Juliette, Op. 17 / Roméo seul | — | ||
| 79-6 | Roméo et Juliette, Op. 17 / Tristesse | — | ||
| 79-7 | Roméo et Juliette, Op. 17 / Bruits lointains de concert et de bal | — | ||
| 79-8 | Roméo et Juliette, Op. 17 / Grande fête chez les Capulet | — | ||
| 79-9 | Roméo et Juliette, Op. 17 / O-hó! Capulets, bon soir! | — | ||
| 79-10 | Roméo et Juliette, Op. 17 / Scéne d'amour | — | ||
| 79-11 | Roméo et Juliette, Op. 17 / La reine Mab, ou la Fée des songes | — | ||
| 80-1 | Roméo et Juliette, Op. 17 / Jetez des fleurs pour la vierge expirée | — | ||
| 80-2 | Roméo et Juliette, Op. 17 / Roméo au tombeau des Capulets | — | ||
| 80-3 | Roméo et Juliette, Op. 17 / Invocation | — | ||
| 80-4 | Roméo et Juliette, Op. 17 / Réveil de Juliette - Joie délirante, désespoir - Dernières angoisses et mort des deux amants | — | ||
| 80-5 | Roméo et Juliette, Op. 17 / Quoi! Roméo retour! | — | ||
| 80-6 | Roméo et Juliette, Op. 17 / Je vais dévoiler le mystère | — | ||
| 80-7 | Roméo et Juliette, Op. 17 / Pauvres enfants que je pleure | — | ||
| 80-8 | Roméo et Juliette, Op. 17 / Jurez donc par l'auguste symbole | — | ||
| 81-1 | Symphony in B-Flat Major, Op. 20 / I. Lent - Allegro vivo | — | ||
| 81-2 | Symphony in B-Flat Major, Op. 20 / II. Très lent | — | ||
| 81-3 | Symphony in B-Flat Major, Op. 20 / III. Animé | — | ||
| 81-4 | Le Chasseur maudit, FWV 44: Le paysage paisible du dimache | Boston Symphony Orchestra, Charles Munch | — | |
| 81-5 | Le Chasseur maudit, FWV 44: La chasse | Boston Symphony Orchestra, Charles Munch | — | |
| 81-6 | Le Chasseur maudit, FWV 44: La malédiction | Boston Symphony Orchestra, Charles Munch | — | |
| 81-7 | Le Chasseur maudit, FWV 44: La poursuite des démons | Boston Symphony Orchestra, Charles Munch | — | |
| 82-1 | Boléro, M. 81 | — | ||
| 82-2 | Pavane pour une infante défunte, M.19 | — | ||
| 82-3 | La Valse, M.72 (Choreographic Poem for Orchestra) | — | ||
| 83-1 | Prélude à l'après-midi d'un faune, L. 86 | — | ||
| 83-2 | Nocturnes, L. 91: I. Nuages | — | ||
| 83-3 | Nocturnes, L. 91: II. Fêtes | — | ||
| 83-4 | Printemps, Symphonic Suite for Piano and Orchestra, L. 61 / Très modéré | — | ||
| 83-5 | Printemps, Symphonic Suite for Piano and Orchestra, L. 61 / Modéré | — | ||
| 84-1 | Symphony No. 6 in B Minor, Op. 74 "Pathétique" / I. Adagio - Allegro non troppo | — | ||
| 84-2 | Symphony No. 6 in B Minor, Op. 74 "Pathétique" / II. Allegro con grazia | — | ||
| 84-3 | Symphony No. 6 in B Minor, Op. 74 "Pathétique" / III. Allegro molto vivace | — | ||
| 84-4 | Symphony No. 6 in B Minor, Op. 74 "Pathétique" / IV. Finale - Adagio lamentoso | — | ||
| 85-1 | Violin Concerto in E Minor, Op. 64 / I. Allegro molto appassionato | — | ||
| 85-2 | Violin Concerto in E Minor, Op. 64 / II. Andante | — | ||
| 85-3 | Violin Concerto in E Minor, Op. 64 / III. Allegretto non troppo - Allegro molto vivace | — | ||
| 85-4 | Violin Concerto No. 1 in A Minor, BWV 1041 / I. Allegro | — | ||
| 85-5 | Violin Concerto No. 1 in A Minor, BWV 1041 / II. Andante | — | ||
| 85-6 | Violin Concerto No. 1 in A Minor, BWV 1041 / III. Allegro assai | — | ||
| 86-1 | Valses nobles et sentimentales, M. 61 | — | ||
| 86-2 | Pelléas et Mélisande, Op. 80 / I. Prélude | — | ||
| 86-3 | Pelléas et Mélisande, Op. 80 / II. Fileuse | — | ||
| 86-4 | Pelléas et Mélisande, Op. 80 / III. Sicilienne | — | ||
| 86-5 | Pelléas et Mélisande, Op. 80 / IV. Death of Mélisande | — | ||
| 86-6 | Damnation of Faust, Op. 24 / Minuet of the Will-o'-the-Wisps (Excerpt) | — | ||
| 86-7 | Damnation of Faust, Op. 24 / Ballet of the Sylphs (Excerpt) | — | ||
| 86-8 | Damnation of Faust, Op. 24 / Rakoczy March (Excerpt) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Violin Concerto in D major, op. 61: I. Allegro, ma non troppo | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 61: II. Larghetto | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: II. Andante | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
