UPC · Release
The Beat Is Mine
Various Artists
Last verified:
888751857926 is the Universal Product Code (UPC barcode) for the release “The Beat Is Mine” by Various Artists, released 2016-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 55 tracks, each with its own ISRC. Tracks include GBARL1501500, USAT21402732, USRC11301420.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (55)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Girl Is Mine | 99 Souls, Destiny’s Child, Brandy | T-918.907.178-1 | |
| 2 | No Diggity | — | ||
| 3 | You Don't Own Me | — | ||
| 4 | This Is How We Do It | — | ||
| 5 | Alone No More | — | ||
| 6 | She's Got That Vibe | — | ||
| 7 | Not Letting Go | — | ||
| 8 | Return of the Mack (C&J radio edit) | — | ||
| 9 | Anaconda | — | ||
| 10 | Mo Money Mo Problems | The Notorious B.I.G., Mase, Puff Daddy | T-071.001.404-2 | |
| 11 | Don't Tell 'Em | — | ||
| 12 | U Know What's Up | — | ||
| 13 | Show Me | Kid Ink, Chris Brown | T-310.563.991-2 | |
| 14 | No Scrubs | — | ||
| 15 | You Make Me Wanna… | Usher | T-070.935.360-5 | |
| 16 | Beautiful People | — | ||
| 17 | Goodies | Ciara, Petey Pablo | T-902.169.744-9 | |
| 19 | 99 Problems | — | ||
| 20 | Jump | Kris Kross | T-070.090.852-6 | |
| 2-1 | Cry Me a River | Justin Timberlake | T-071.859.450-3 | |
| 2-2 | Locked Away | R. City, Adam Levine | T-917.310.071-5 | |
| 2-3 | Jump Around | — | ||
| 2-4 | Uptown Funk | Mark Ronson, Bruno Mars | T-915.798.034-2 | |
| 2-5 | Thank You | Busta Rhymes, Q-Tip, Kanye West, Lil Wayne | T-913.784.168-0 | |
| 2-6 | Back & Forth | Aaliyah | T-070.248.822-9 | |
| 2-7 | Body on Me | Rita Ora, Chris Brown | T-917.332.309-6 | |
| 2-9 | The Fix | Nelly, Jeremih | T-310.553.038-5 | |
| 2-10 | Pony | — | ||
| 2-11 | 2 On | Tinashe, Schoolboy Q | T-915.686.494-7 | |
| 2-12 | There You Go | — | ||
| 2-13 | Wifey | Next | T-071.499.459-8 | |
| 2-15 | Fill Me In | — | ||
| 2-16 | Talk to Me | — | ||
| 2-18 | C O O L | — | ||
| 2-19 | Don't Mess With My Man | — | ||
| 2-20 | Don't Give Up (On Love) | — | ||
| 3-1 | Happy | Pharrell Williams | T-903.401.457-8 | |
| 3-2 | Hey Ya! | OutKast | T-071.881.884-8 | |
| 3-3 | Shake Ya Ass | — | ||
| 3-4 | It's Like That | — | ||
| 3-5 | Give Me Everything | — | ||
| 3-6 | Breathe | — | ||
| 3-7 | Used to Love U | John Legend | T-904.690.704-4 | |
| 3-8 | He Wasn’t Man Enough | Toni Braxton | T-070.899.206-6 | |
| 3-9 | I Need a Dollar | — | ||
| 3-10 | No More | Ruff Endz | T-072.666.546-8 | |
| 3-11 | Fashion Killa | — | ||
| 3-12 | Gravel Pit | — | ||
| 3-13 | Work Out | — | ||
| 3-14 | Westside | — | ||
| 3-15 | I'm Sprung | — | ||
| 3-16 | No Mediocre | — | ||
| 3-17 | Classic Man | — | ||
| 3-18 | Can I Kick It? | A Tribe Called Quest | T-070.233.229-3 | |
| 3-19 | How Many Drinks? | Miguel | T-909.080.864-3 |
Additional database matches (8)
What other identifiers does this connect to?
Musical Works (ISWC)
+55 more
Songwriters/Publishers (IPI)
+40 more
Creative Contributors (ISNI)
+40 more
Credits Graph
People also ask
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What is UPC 888751857926?
888751857926 is a Universal Product Code (UPC) assigned to The Beat Is Mine by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 55 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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