The Personality Girl, Vol. 3, 1926–1928

UPC · Release

The Personality Girl, Vol. 3, 1926–1928

Annette Hanshaw

888831008897
24 tracksReleased 2014-04-25

Last verified:

888831008897 is the Universal Product Code (UPC barcode) for the release The Personality Girl, Vol. 3, 1926–1928 by Annette Hanshaw, released 2014-04-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC.

Format

8Number system
88831Manufacturer
00889Product
7Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Personality Girl, Vol. 3, 1926–1928
ISWC3 works

Track List (24)

(medley) After I Say I’m Sorry / Bye-Bye Blackbird / The Day I Met You (Test -)
(medley) After I Say I’m Sorry / Bye-Bye Blackbird / The Day I Met You (Test -)
(medley) I Don’t Want Nobody but You / I Wonder What Became of Joe / Five-Foot Two, Eyes of Blue (Test -)
(medley) I Don’t Want Nobody but You / I Wonder What Became of Joe / Five-Foot Two, Eyes of Blue (Test -)
What’ll You Do?
What’ll You Do?
Plenty of Sunshine
Plenty of Sunshine
Who Gives You All Your Kisses?
Who Gives You All Your Kisses?
After My Laughter, Came Tears
After My Laughter, Came Tears
You Gotta Be Good to Me
You Gotta Be Good to Me
In the Sing‐Song Sycamore Tree
In the Sing‐Song Sycamore Tree
(I’m Cryin’ ’Cause I Know) I’m Losin’ You
(I’m Cryin’ ’Cause I Know) I’m Losin’ You
The Man I Love
The Man I Love
When You’re With Somebody Else
When You’re With Somebody Else
Together
Together
Ramona
Ramona
Ramona (alternative take)
Ramona (alternative take)
There Must Be a Silver Lining
There Must Be a Silver Lining
I’ll Just Roll Along (Having My Ups and Downs)
I’ll Just Roll Along (Having My Ups and Downs)
Mississippi Lullaby
Mississippi Lullaby
Mississippi Lullaby (alternative take)
Mississippi Lullaby (alternative take)
My Honoloo
My Honoloo
I’m Longing to Belong to Someone
I’m Longing to Belong to Someone
Lila
Lila
’Cause I Feel Low Down
’Cause I Feel Low Down
I Love My Old-Fashioned Man
I Love My Old-Fashioned Man
There Ain’t No Sweet Man That’s Worth the Salt of My Tears
There Ain’t No Sweet Man That’s Worth the Salt of My Tears

What other identifiers does this connect to?

Musical Works (ISWC)

Creative Contributors (ISNI)

SourcesMusicBrainz

Verified on

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People also ask

What is UPC 888831008897?
UPC 888831008897 is the Universal Product Code (barcode) for "The Personality Girl, Vol. 3, 1926–1928" by Annette Hanshaw.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 888831008897?
UPC 888831008897 contains 24 tracks.

What is UPC 888831008897?

888831008897 is a Universal Product Code (UPC) assigned to The Personality Girl, Vol. 3, 1926–1928 by Annette Hanshaw. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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