UPC · Release
Various Artists
Last verified:
The UPC for “The Perfect Piano Collection” by Various Artists is 888837174626. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Sony Classical. This release contains 353 tracks, each with its own ISRC. Tracks include GBF078200502, USSM10008102, USSM11409808.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantaisie op. 17: Durchaus phantastich und leidenschaftlich Vorzutragen | — | ||
| 2 | Fantaisie op. 17: Massig. durchaus energisch - etwas langsamer - viel Bewegter | — | ||
| 3 | Fantaisie op. 17: Langsam Getragen. Durchweg leise zu halten - etwas Bewegter | — | ||
| 4 | Fantasiestücke op. 12: Au soir | — | ||
| 5 | Fantasiestücke op. 12: Essor | — | ||
| 6 | Fantasiestücke op. 12: Pourquoi? | — | ||
| 7 | Fantasiestücke op. 12: Chimères | — | ||
| 8 | Fantasiestücke op. 12: Dans la nuit | — | ||
| 9 | Fantasiestücke op. 12: Fable | — | ||
| 10 | Fantasiestücke op. 12: Troubles songes | — | ||
| 11 | Fantasiestücke op. 12: Fin du chant | — | ||
| 12 | Piano concerto no. 11 in D major: Vivace | — | ||
| 13 | Piano concerto no. 11 in D major: Un poco adagio | — | ||
| 14 | Piano concerto no. 11 in D major: Rondo all’ Ungherese. Allegro assai | — | ||
| 2-1 | Piano sonata no. 47 in B minor - hob. XVI 32: I. Allegro moderato | — | ||
| 2-2 | Piano sonata no. 47 in B minor - hob. XVI 32: II. Menuetto - Trio (Minore) | — | ||
| 2-3 | Piano sonata no. 47 in B minor - hob. XVI 32: III. Finale | — | ||
| 2-4 | Piano sonata no. 53 in E minor - hob. XVI 34: I. Presto | — | ||
| 2-5 | Piano sonata no. 53 in E minor - hob. XVI 34: II. Adagio | — | ||
| 2-6 | Piano sonata no. 53 in E minor - hob. XVI 34: Finale. Molto vivace | — | ||
| 2-7 | Piano sonata no. 32 in G minor - hob. XVI 44: I. Moderato | — | ||
| 2-8 | Piano sonata no. 32 in G minor - hob. XVI 44: II. Allegretto | — | ||
| 2-9 | Piano sonata no. 59 in E flat major - hob. XVI 49: I. Allegro | — | ||
| 2-10 | Piano sonata no. 59 in E flat major - hob. XVI 49: II. Adagio e cantabile | — | ||
| 2-11 | Piano sonata no. 59 in E flat major - hob. XVI 49: Finale. Tempo di menuet | — | ||
| 3-1 | Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | T-902.782.592-9 | |
| 3-2 | Gnomenreigen | — | ||
| 3-3 | Un Sospiro | — | ||
| 3-4 | Funérailles | — | ||
| 3-5 | La campanella | — | ||
| 3-6 | Waldesrauschen | — | ||
| 3-7 | Grand galop chromatique | — | ||
| 3-8 | Rhapsodie espagnole | — | ||
| 3-9 | Tannhäuser - Ouverture | — | ||
| 4-1 | Les saisons op. 37b: Janvier - Au coin du feu | — | ||
| 4-2 | Les saisons op. 37b: Février - Le carnaval | — | ||
| 4-3 | Les saisons op. 37b: Mars - Chant de l'alouette | — | ||
| 4-4 | Les saisons op. 37b: Avril - Perce-neige | — | ||
| 4-5 | Les saisons op. 37b: Mai - Les nuits de mai | — | ||
| 4-6 | Les saisons op. 37b: Juin - Barcarolle | — | ||
| 4-7 | Les saisons op. 37b: Juillet - Chant du faucheur | — | ||
| 4-8 | Les saisons op. 37b: Août - La moisson | — | ||
| 4-9 | Les saisons op. 37b: Septembre - La chasse | — | ||
| 4-10 | Les saisons op. 37b: Octobre - Chant d'automne | — | ||
| 4-11 | Les saisons op. 37b: Novembre - Troïka | — | ||
| 4-12 | Les saisons op. 37b: Décembre - Noël | — | ||
| 4-13 | Islamey - Frantaisie orientale | — | ||
| 5-1 | Images - Premier livre: Reflets dans l'eau | — | ||
| 5-2 | Images - Premier livre: Hommage à Rameau | — | ||
| 5-3 | Images - Premier livre: Mouvement | — | ||
| 5-4 | Préludes - Premier livre: Danseuses de Delphes | — | ||
| 5-5 | Préludes - Premier livre: Voiles | — | ||
| 5-6 | Préludes - Premier livre: Le vent dans la plaine | — | ||
| 5-7 | Préludes - Premier livre: Les sons et les parfums tournent dans l'air du soir | — | ||
| 5-8 | Préludes - Premier livre: Les collines d'Anacapri | — | ||
| 5-9 | Préludes - Premier livre: Des pas sur la neige | — | ||
| 5-10 | Préludes - Premier livre: Ce qu'a vu le vent d'Ouest | — | ||
| 5-11 | Préludes - Premier livre: La fille aux cheveux de lin | — | ||
| 5-12 | Préludes - Premier livre: La sérénade interrompue | — | ||
| 5-13 | Préludes - Premier livre: La cathédrale engloutie | — | ||
| 5-14 | Préludes - Premier livre: La danse de Puck | — | ||
| 5-15 | Préludes - Premier livre: Minstrels | — | ||
| 6-1 | Fantaisie op. 15 in C major: Allegro con fuoco ma non troppo | — | ||
| 6-2 | Fantaisie op. 15 in C major: Adagio | — | ||
| 6-3 | Fantaisie op. 15 in C major: Presto | — | ||
| 6-4 | Fantaisie op. 15 in C major: Allegro | — | ||
| 6-5 | Piano sonata, D.664 op. 120 in A major: I. Allegro moderato | — | ||
| 6-6 | Piano sonata, D.664 op. 120 in A major: II. Andante | — | ||
| 6-7 | Piano sonata, D.664 op. 120 in A major: III. Allegro | — | ||
| 6-8 | Impromptus op. 90 no. 1 in C minor | — | ||
| 6-9 | Impromptus op. 90 no. 2 in E flat major | — | ||
| 6-10 | Impromptus op. 90 no. 3 in G flat major | — | ||
| 6-11 | Impromptus op. 90 no. 4 in A flat major | — | ||
| 7-1 | Goldberg Variations, BWV 988: I. Aria | Glenn Gould | T-801.806.984-7 | |
| 7-2 | Goldberg Variations, BWV 988: II. Variatio 1 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-3 | Goldberg Variations, BWV 988: III. Variatio 2 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-4 | Goldberg Variations, BWV 988: IV. Variatio 3 a 1 clav. Canone all’unisono | Glenn Gould | T-902.128.688-4 | |
| 7-5 | Goldberg Variations, BWV 988: V. Variatio 4 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-6 | Goldberg Variations, BWV 988: VI. Variatio 5 a 1 ovvero 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-7 | Goldberg Variations, BWV 988: VII. Variatio 6 a 1 clav. Canone alla seconda | Glenn Gould | T-902.128.688-4 | |
| 7-8 | Goldberg Variations, BWV 988: VIII. Variatio 7 a 1 ovvero 2 clav. Al tempo di giga | Glenn Gould | T-902.128.688-4 | |
| 7-9 | Goldberg Variations, BWV 988: IX. Variatio 8 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-10 | Goldberg Variations, BWV 988: X. Variatio 9 a 1 clav. Canone alla terza | Glenn Gould | T-902.128.688-4 | |
| 7-11 | Goldberg Variations, BWV 988: XI. Variatio 10 a 1 clav. Fughetta | Glenn Gould | T-902.128.688-4 | |
| 7-12 | Goldberg Variations, BWV 988: XII. Variatio 11 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-13 | Goldberg Variations, BWV 988: XIII. Variatio 12. Canone alla quarta | Glenn Gould | T-311.760.304-6 | |
| 7-14 | Goldberg Variations, BWV 988: XIV. Variatio 13 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-15 | Goldberg Variations, BWV 988: XV. Variatio 14 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-16 | Goldberg Variations, BWV 988: XVI. Variatio 15 a 1 clav. Canone alla quinta. Andante | Glenn Gould | T-902.128.688-4 | |
| 7-17 | Goldberg Variations, BWV 988: XVII. Variatio 16 a 1 clav. Ouverture | Glenn Gould | T-902.128.688-4 | |
| 7-18 | Goldberg Variations, BWV 988: XVIII. Variatio 17 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-19 | Goldberg Variations, BWV 988: XIX. Variatio 18 a 1 clav. Canone alla sesta | Glenn Gould | T-902.128.688-4 | |
| 7-20 | Goldberg Variations, BWV 988: XX. Variatio 19 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-21 | Goldberg Variations, BWV 988: XXI. Variatio 20 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-22 | Goldberg Variations, BWV 988: XXII. Variatio 21. Canone alla settima | Glenn Gould | T-311.760.304-6 | |
| 7-23 | Goldberg Variations, BWV 988: XXIII. Variatio 22 a 1 clav. Alla breve | Glenn Gould | T-902.128.688-4 | |
| 7-24 | Goldberg Variations, BWV 988: XXIV. Variatio 23 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-25 | Goldberg Variations, BWV 988: XXV. Variatio 24 a 1 clav. Canone all’ottava | Glenn Gould | T-902.128.688-4 | |
| 7-26 | Goldberg Variations, BWV 988: XXVI. Variatio 25 a 2 clav. Adagio | Glenn Gould | T-902.128.688-4 | |
| 7-27 | Goldberg Variations, BWV 988: XXVII. Variatio 26 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-28 | Goldberg Variations, BWV 988: XXVIII. Variatio 27 a 2 clav. Canone alla nona | Glenn Gould | T-902.128.688-4 | |
| 7-29 | Goldberg Variations, BWV 988: XXIX. Variatio 28 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-30 | Goldberg Variations, BWV 988: XXX. Variatio 29 a 1 ovvero 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-31 | Goldberg Variations, BWV 988: XXXI. Variatio 30 a 1 clav. Quodlibet | Glenn Gould | T-902.128.688-4 | |
| 7-32 | Goldberg Variations, BWV 988: XXXII. Aria da capo | Glenn Gould | T-801.806.984-7 | |
| 8-1 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: I. [Allegro] | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | T-801.411.105-9 | |
| 8-2 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: II. Adagio e piano sempre | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 8-3 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: III. Allegro | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 8-4 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: I. [Allegro] | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 8-5 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: II. Largo | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 8-6 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: III. Presto | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 8-7 | Piano concerto no. 7 BWV 1058 in G minor: I. Allegro | — | ||
| 8-8 | Piano concerto no. 7 BWV 1058 in G minor: II. Andante | — | ||
| 8-9 | Piano concerto no. 7 BWV 1058 in G minor: III. Allegro assai | — | ||
| 9-1 | Sonate K. 33 in D major (L. 424) | — | ||
| 9-2 | Sonate K. 59 in A minor (L. 241) | — | ||
| 9-3 | Sonate K. 525 in F major (L. 188) | — | ||
| 9-4 | Sonate K. 466 in F minor (L.118) | — | ||
| 9-5 | Sonata in G major, K 146 (L349) | Vladimir Horowitz | — | |
| 9-6 | Sonate K. 96 in D major (L. 465) | — | ||
| 9-7 | Sonate K. 162 in E major (L. 21) | — | ||
| 9-8 | Sonate K. 474 in E flat major (L. 203) | — | ||
| 9-9 | Sonate K. 198 in E minor (L. 22) | — | ||
| 9-10 | Sonata in D Major, K.491 (L.164): Allegro | Vladimir Horowitz | — | |
| 9-11 | Sonate K. 481 in F minor (L. 187) | — | ||
| 9-12 | Sonate K. 39 in A major (L. 391) | — | ||
| 9-13 | Sonate K. 547 in G major (L. S28) | — | ||
| 9-14 | Sonate K. 197 in B minor (L. 147) | — | ||
| 9-15 | Sonate K. 25 in F sharp minor (L. 481) | — | ||
| 9-16 | Sonate K. 5 in D minor (L. 267) | — | ||
| 9-17 | Sonate K. 201 in G major (L. 129) | — | ||
| 9-18 | Sonate K. 303 in C minor (L. 9) | — | ||
| 10-1 | Piano concerto no. 3 op. 30 in D minor: I. Allegro ma non tanto | — | ||
| 10-2 | Piano concerto no. 3 op. 30 in D minor: II. Intermezzo adagio | — | ||
| 10-3 | Piano concerto no. 3 op. 30 in D minor: Finale alla breve | — | ||
| 10-4 | Piano sonata no. 2 op. 36 in B flat minor: I. Allegro agitato | — | ||
| 10-5 | Piano sonata no. 2 op. 36 in B flat minor: II. Non allegro, lento | — | ||
| 10-6 | Piano sonata no. 2 op. 36 in B flat minor: III. L'istesso tempo, allegro molto | — | ||
| 11-1 | Piano concerto no. 2 op. 18 in C minor: Moderato, allegro | — | ||
| 11-2 | Piano concerto no. 2 op. 18 in C minor: Adagio sostenuto | — | ||
| 11-3 | Piano concerto no. 2 op. 18 in C minor: Allegro scherzando | — | ||
| 11-4 | Pictures at an Exhibition: Promenade No. 1 | Evgeny Kissin | — | |
| 11-5 | Pictures at an Exhibition: I. Gnomus (Toy Nutcracker) | Evgeny Kissin | T-001.438.118-0 | |
| 11-6 | Pictures at an Exhibition: Promenade No. 2 | Evgeny Kissin | — | |
| 11-7 | Pictures at an Exhibition: II. Il Vecchio Castello (Old Castle) | Evgeny Kissin | — | |
| 11-8 | Pictures at an Exhibition: Promenade No. 3 | Evgeny Kissin | — | |
| 11-9 | Pictures at an Exhibition: III. Les Tuileries (Children at Play in the Garden of the Tuilerie) | Evgeny Kissin | T-900.140.545-4 | |
| 11-10 | Pictures at an Exhibition: IV. Bydlo (Polish Oxcart) | Evgeny Kissin | T-800.323.843-6 | |
| 11-11 | Pictures at an Exhibition: Promenade No. 4 | Evgeny Kissin | T-900.107.356-9 | |
| 11-12 | Pictures at an Exhibition: V. Ballet des poussins dans leur coque | Evgeny Kissin | — | |
| 11-13 | Pictures at an Exhibition: VI. Samuel Goldenberg et Schmuyle (Two Jews Rich and Poor) | Evgeny Kissin | — | |
| 11-14 | Pictures at an Exhibition: Promenade No. 5 | Evgeny Kissin | — | |
| 11-15 | Pictures at an Exhibition: VII. Limoges marché (The Limoges Market Place) | Evgeny Kissin | T-002.662.991-3 | |
| 11-16 | Pictures at an Exhibition: VIII. Catacombae Sepulcrum Romanum (Parisian Catacomb of Skulls) | Evgeny Kissin | — | |
| 11-17 | Pictures at an Exhibition: IX. Con Mortuis Lingua Mortua | Evgeny Kissin | — | |
| 11-18 | Pictures at an Exhibition: X. The Hut on Fowls Legs (The Witch Baba Yaga) | Evgeny Kissin | — | |
| 11-19 | Pictures at an Exhibition: XI. The Great Gate of Kiev (The Knights Gate) | Evgeny Kissin | T-061.792.492-1 | |
| 12-1 | West Side Story symphonic dances: Ouverture | — | ||
| 12-2 | West Side Story symphonic dances: Scherzando | — | ||
| 12-3 | West Side Story symphonic dances: Blues | — | ||
| 12-4 | West Side Story symphonic dances: Somewhere | — | ||
| 12-5 | West Side Story symphonic dances: (Scherzo) Andante con moto - vivace il legero | — | ||
| 12-6 | West Side Story symphonic dances: Mambo | — | ||
| 12-7 | West Side Story symphonic dances: Cha-Cha | — | ||
| 12-8 | West Side Story symphonic dances: Keep Cool | — | ||
| 12-9 | West Side Story symphonic dances: Rumble | — | ||
| 12-10 | West Side Story symphonic dances: I Have Love (Finale) | — | ||
| 12-11 | West Side Story songs: Something's Coming | — | ||
| 12-12 | West Side Story songs: Maria | — | ||
| 12-13 | West Side Story songs: America | — | ||
| 12-14 | West Side Story songs: Jet Song | — | ||
| 12-15 | West Side Story songs: One Hand, OneHeart | — | ||
| 12-16 | West Side Story songs: I Feel Pretty | — | ||
| 12-17 | West Side Story songs: Tonight | — | ||
| 12-18 | West Side Story songs: A boy Like That / I Have Love | — | ||
| 13-1 | Goyescas: Los requiebros | — | ||
| 13-2 | Goyescas: Coloquio en la reja | — | ||
| 13-3 | Goyescas: El fandango de candil | — | ||
| 13-4 | Goyescas: Quejas, o la maja y el ruisenor | — | ||
| 13-5 | Goyescas: El amor y la muerte - Balada | — | ||
| 13-6 | Goyescas: Epilogo - serenata del espectro | — | ||
| 13-7 | Spanish dances: Allegro (Minuetto) | — | ||
| 13-8 | Spanish dances: Orientale - Andante | — | ||
| 13-9 | Spanish dances: Villanesca - Allegretto, alla pastorale | — | ||
| 13-10 | Spanish dances: Rondalla aragonesa - Allegretto, poco a poco accelerando (Jota) | — | ||
| 13-11 | Spanish dances: Assai moderato (Asturiana) | — | ||
| 13-12 | Spanish dances: Molto allegro brillante (Mazurka) | — | ||
| 14-1 | Concerto pour deux pianos et orchestre en ré mineur: I. Allegro ma non troppo | Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-2 | Concerto pour deux pianos et orchestre en ré mineur: II. Larghetto | Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-3 | Concerto pour deux pianos et orchestre en ré mineur: III. Finale | Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-4 | Concerto pour piano et orchestre: I. Allegretto | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | T-003.007.870-6 | |
| 14-5 | Concerto pour piano et orchestre: II. Andante con moto - commencer très lentement | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | T-003.007.870-6 | |
| 14-6 | Concerto pour piano et orchestre: III. Rondeau à la française - Presto giocoso | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | T-003.007.870-6 | |
| 14-7 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Toccata. Lento e pesante | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-8 | Aubade: Récitatif (Larghetto) - Les compagnes de Diane | — | ||
| 14-9 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Rondeau. Allegro – Diane et ses compagnes | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-10 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Entrée de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-11 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Sortie de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-12 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Presto – La toilette de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-13 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Récitatif. Larghetto – Introduction à la Variation de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-14 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Andante. Andante con moto – Variation de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-15 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Allegro féroce – Désespoir de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-16 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Conclusion. Adagio – Adieux et départ de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 15-1 | Chants du Rhin: L'aurore | — | ||
| 15-2 | Chants du Rhin: Le départ | — | ||
| 15-3 | Chants du Rhin: Les rêves | — | ||
| 15-4 | Chants du Rhin: La bohémienne | — | ||
| 15-5 | Chants du Rhin: Les confidences | — | ||
| 15-6 | Chants du Rhin: Le retour | — | ||
| 15-7 | Nocturne op. 33 no. 1 in E flat minor | — | ||
| 15-8 | Nocturne op. 33 no. 2 in B major | — | ||
| 15-9 | Nocturne op. 63 no. 6 in D flat major | — | ||
| 15-10 | Nocturne op. 74 no. 7 in C sharp minor | — | ||
| 15-11 | Nocturne op. 107 no. 12 in E minor | — | ||
| 15-12 | Nocturne op. 119 no. 13 in B minor | — | ||
| 16-1 | Piano concerto no. 21 in C major: I. Allegro maestoso | — | ||
| 16-2 | Piano Concerto No. 21 in C major, K. 467: II. Andante | Chamber Orchestra of Europe, Murray Perahia | — | |
| 16-3 | Piano concerto no. 21 in C major: III. Allegro vivace assai | — | ||
| 16-4 | Concerto no. 27 in B flat major: I. Allegro | — | ||
| 16-5 | Concerto no. 27 in B flat major: II. Larghetto | — | ||
| 16-6 | Concerto no. 27 in B flat major: III. Allegro | — | ||
| 17-1 | The Well-Tempered Clavier, Book 1: Prelude #1 In C, BWV 846 | Sviatoslav Richter | T-910.415.372-2 | |
| 17-2 | The Well-Tempered Clavier, Book 1: Fugue #1 In C, BWV 846 | Sviatoslav Richter | — | |
| 17-3 | The Well-Tempered Clavier, Book 1: Prelude #2 In C Minor, BWV 847 | Sviatoslav Richter | — | |
| 17-4 | The Well-Tempered Clavier, Book 1: Fugue #2 In C Minor, BWV 847 | Sviatoslav Richter | — | |
| 17-5 | The Well-Tempered Clavier, Book 1: Prelude #3 In C Sharp, BWV 848 | Sviatoslav Richter | — | |
| 17-6 | The Well-Tempered Clavier, Book 1 - Fugue #3 In C Sharp, BWV 848 | Sviatoslav Richter | — | |
| 17-7 | The Well-Tempered Clavier, Book 1 - Prelude #4 In C Sharp Minor, BWV 849 | Sviatoslav Richter | T-011.696.501-5 | |
| 17-8 | The Well-Tempered Clavier, Book 1 - Fugue #4 In C Sharp Minor, BWV 849 | Sviatoslav Richter | T-011.696.501-5 | |
| 17-9 | The Well-Tempered Clavier, Book 1 - Prelude #5 In D, BWV 850 | Sviatoslav Richter | — | |
| 17-10 | The Well-Tempered Clavier, Book 1 - Fugue #5 In D, BWV 850 | Sviatoslav Richter | — | |
| 17-11 | The Well-Tempered Clavier, Book 1 - Prelude #6 In D Minor, BWV 851 | Sviatoslav Richter | — | |
| 17-12 | The Well-Tempered Clavier, Book 1 - Fugue #6 In D Minor, BWV 851 | Sviatoslav Richter | — | |
| 17-13 | The Well-Tempered Clavier, Book 1 - Prelude #7 In E Flat, BWV 852 | Sviatoslav Richter | — | |
| 17-14 | The Well-Tempered Clavier, Book 1 - Fugue #7 In E Flat, BWV 852 | Sviatoslav Richter | — | |
| 17-15 | The Well-Tempered Clavier, Book 1 - Prelude #8 In E Flat Minor, BWV 853 | Sviatoslav Richter | — | |
| 17-16 | The Well-Tempered Clavier, Book 1 - Fugue #8 In D Sharp Minor, BWV 853 | Sviatoslav Richter | — | |
| 17-17 | The Well-Tempered Clavier, Book 1 - Prelude #9 In E, BWV 854 | Sviatoslav Richter | — | |
| 17-18 | The Well-Tempered Clavier, Book 1 - Fugue #9 In E, BWV 854 | Sviatoslav Richter | — | |
| 17-19 | The Well-Tempered Clavier, Book 1 - Prelude #10 In E Minor, BWV 855 | Sviatoslav Richter | — | |
| 17-20 | The Well-Tempered Clavier, Book 1 - Fugue #10 In E Minor, BWV 855 | Sviatoslav Richter | — | |
| 17-21 | The Well-Tempered Clavier, Book 1 - Prelude #11 In F, BWV 856 | Sviatoslav Richter | — | |
| 17-22 | The Well-Tempered Clavier, Book 1 - Fugue #11 In F, BWV 856 | Sviatoslav Richter | — | |
| 17-23 | The Well-Tempered Clavier, Book 1 - Prelude #12 In F Minor, BWV 857 | Sviatoslav Richter | — | |
| 17-24 | The Well-Tempered Clavier, Book 1 - Fugue #12 In F Minor, BWV 857 | Sviatoslav Richter | — | |
| 17-25 | The Well-Tempered Clavier, Book 1 - Prelude #13 In F Sharp, BWV 858 | Sviatoslav Richter | — | |
| 17-26 | The Well-Tempered Clavier, Book 1 - Fugue #13 In F Sharp, BWV 858 | Sviatoslav Richter | — | |
| 17-27 | The Well-Tempered Clavier, Book 1 - Prelude #14 In F Sharp Minor, BWV 859 | Sviatoslav Richter | — | |
| 17-28 | The Well-Tempered Clavier, Book 1 - Fugue #14 In F Sharp Minor, BWV 859 | Sviatoslav Richter | — | |
| 18-1 | Piano concerto no. 2 op. 83 in B flat: Allegro non troppo | — | ||
| 18-2 | Piano concerto no. 2 op. 83 in B flat: Allegro appassionato | — | ||
| 18-3 | Piano concerto no. 2 op. 83 in B flat: Andante | — | ||
| 18-4 | Piano concerto no. 2 op. 83 in B flat: Allegro grazioso | — | ||
| 18-5 | Piano sonata no. 23 op. 57 "Appassionata" in F minor: Allegro assai | — | ||
| 18-6 | Piano sonata no. 23 op. 57 "Appassionata" in F minor: Andante con moto | — | ||
| 18-7 | Piano sonata no. 23 op. 57 "Appassionata" in F minor: Allegro ma non troppo | — | ||
| 19-1 | Nocturnes op. 9 no. 1 in B flat minor | — | ||
| 19-2 | Nocturnes op. 9 no. 2 in E flat major | — | ||
| 19-3 | Nocturnes op. 9 no. 3 in B major | — | ||
| 19-4 | Nocturnes op. 15 no. 1 in F major | — | ||
| 19-5 | Nocturnes op. 15 no. 2 in F sharp | — | ||
| 19-6 | Nocturnes op. 15 no. 3 in G minor | — | ||
| 19-7 | Nocturnes op. 27 no. 1 in C sharp minor | — | ||
| 19-8 | Nocturnes op. 27 no. 2 in D flat | — | ||
| 19-9 | Nocturnes op. 32 no. 1 in B major | — | ||
| 19-10 | Nocturnes op. 32 no. 2 in A flat | — | ||
| 20-1 | Nocturne op. 37 no. 1 in G minor | — | ||
| 20-2 | Nocturne op. 37 no. 2 in G minor | — | ||
| 20-3 | Nocturne op. 48 no. 1 in C minor | — | ||
| 20-4 | Nocturne op. 48 no. 2 in F sharp minor | — | ||
| 20-5 | Nocturne op. 55 no. 1 in F minor | — | ||
| 20-6 | Nocturne op. 55 no. 2 in E flat | — | ||
| 20-7 | Nocturne op. 62 no. 1 in B major | — | ||
| 20-8 | Nocturne op. 62 no. 2 in E major | — | ||
| 20-9 | Nocturne op. 72 no. 1 in E minor | — | ||
| 21-1 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 21-2 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 21-3 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 21-4 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 21-5 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | T-928.635.608-9 | |
| 21-6 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 22-1 | Suite for piano duet, op. 19: Canon | — | ||
| 22-2 | Suite for piano duet, op. 19: Lied | — | ||
| 22-3 | Suite for piano duet, op. 19: Feuillet d'album | — | ||
| 22-4 | Suite for piano duet, op. 19: Berceuse | — | ||
| 22-5 | Suite for piano duet, op. 19: Final | — | ||
| 22-6 | Le portrait de Daisy Hamilton, op. 140: I. La course | — | ||
| 22-7 | Le portrait de Daisy Hamilton, op. 140: II. Autour du bonhomme de neige | — | ||
| 22-8 | Le portrait de Daisy Hamilton, op. 140: III. A Venise - en nuit, sur la lagune | — | ||
| 22-9 | Le portrait de Daisy Hamilton, op. 140: IV. En auto | — | ||
| 22-10 | Le portrait de Daisy Hamilton, op. 140: V. Canon humoriste | — | ||
| 22-11 | Sonatine française, op. 60/1: Canons | — | ||
| 22-12 | Sonatine française, op. 60/1: Allegretto | — | ||
| 22-13 | Sonatine française, op. 60/1: Intermezzo | — | ||
| 22-14 | Sonatine française, op. 60/1: Dans les vergers de Normandie | — | ||
| 22-15 | Sonatine française, op. 60/2: Pastorale | — | ||
| 22-16 | Sonatine française, op. 60/2: L'apothéose des petits fauves | — | ||
| 22-17 | Sonatine française, op. 60/2: Chant du soir | — | ||
| 22-18 | Sonatine française, op. 60/2: Menuet | — | ||
| 22-19 | Sonatine française, op. 60/2: Final | — | ||
| 22-20 | Dances for Ginger, op. 163: L'élan | — | ||
| 22-21 | Dances for Ginger, op. 163: Danse lente | — | ||
| 22-22 | Dances for Ginger, op. 163: Les tourbillons | — | ||
| 22-23 | Dances for Ginger, op. 163: La danse sous les étoiles | — | ||
| 22-24 | Dances for Ginger, op. 163: Final - Apothéose de la danse | — | ||
| 22-25 | Sonatine française, op. 60/3: Scherzando | — | ||
| 22-26 | Sonatine française, op. 60/3: Chant du soir | — | ||
| 22-27 | Sonatine française, op. 60/3: Ronde des vendanges | — | ||
| 22-28 | Sonatine française, op. 60/4: Romance | — | ||
| 22-29 | Sonatine française, op. 60/4: Autre romance | — | ||
| 22-30 | Sonatine française, op. 60/4: Final (homme à Monsieur Dumollet) | — | ||
| 22-31 | Suite pour deux pianos, op. 6: Andantino | — | ||
| 22-32 | Suite pour deux pianos, op. 6: Andantino con moto | — | ||
| 22-33 | Suite pour deux pianos, op. 6: Andantino con moto quasi allegro | — | ||
| 22-34 | Suite pour deux pianos, op. 6: Andantino quasi allegretto | — | ||
| 23-1 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 23-2 | Piano Concerto no. 1 in B‐flat minor, op. 23: II. Andantino simplice | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 23-3 | Piano Concerto no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 23-4 | Piano concerto no. 3 op. 26 in C major: Andante | — | ||
| 23-5 | Piano concerto no. 3 op. 26 in C major: Andantino - Five variations | — | ||
| 23-6 | Piano concerto no. 3 op. 26 in C major: Allegro ma non troppo | — | ||
| 24-1 | Piano sonata D. 157 in E major: I. Allegro ma non troppo | — | ||
| 24-2 | Piano sonata D. 157 in E major: II. Andante | — | ||
| 24-3 | Piano sonata D. 157 in E major: III. Menuetto. Allegro vivace - Trio | — | ||
| 24-4 | Piano sonata D. 894 in G major: I. Molto moderato e cantabile | — | ||
| 24-5 | Piano sonata D. 894 in G major: II. Andante | — | ||
| 24-6 | Piano sonata D. 894 in G major: III. Menuetto. Allegro moderato - Trio | — | ||
| 24-7 | Piano sonata D. 894 in G major: IV. Allegretto | — | ||
| 24-8 | Der Müller und der Bach (D. 795/19) S. 565/2 | — | ||
| 25-1 | Morceaux de fantaisie, op. 3 no. 2: Prélude in C-sharp minor | Alexis Weissenberg | — | |
| 25-2 | 10 Preludes, op. 23 no. 1 in F-sharp minor | Alexis Weissenberg | — | |
| 25-3 | 10 Preludes, op. 23 no. 2 in B-flat major | Alexis Weissenberg | — | |
| 25-4 | 10 Preludes, op. 23 no. 3 in D minor | Alexis Weissenberg | — | |
| 25-5 | 10 Preludes, op. 23 no. 4 in D major | Alexis Weissenberg | — | |
| 25-6 | 10 Preludes, op. 23 no. 5 in G minor | Alexis Weissenberg | — | |
| 25-7 | 10 Preludes, op. 23 no. 6 in E-flat major | Alexis Weissenberg | — | |
| 25-8 | 10 Preludes, op. 23 no. 7 in C minor | Alexis Weissenberg | — | |
| 25-9 | 10 Preludes, op. 23 no. 8 in A-flat major | Alexis Weissenberg | — | |
| 25-10 | 10 Preludes, op. 23 no. 9 in E-flat minor | Alexis Weissenberg | — | |
| 25-11 | 10 Preludes, op. 23 no. 10 in G-flat major | Alexis Weissenberg | — | |
| 25-12 | 13 Preludes, op. 32 no. 1 in C major | Alexis Weissenberg | — | |
| 25-13 | 13 Preludes, op. 32 no. 2 in B-flat minor | Alexis Weissenberg | — | |
| 25-14 | 13 Preludes, op. 32 no. 3 in E major | Alexis Weissenberg | — | |
| 25-15 | 13 Preludes, op. 32 no. 4 in E minor | Alexis Weissenberg | — | |
| 25-16 | 13 Preludes, op. 32 no. 5 in G major | Alexis Weissenberg | — | |
| 25-17 | 13 Preludes, op. 32 no. 6 in F minor | Alexis Weissenberg | — | |
| 25-18 | 13 Preludes, op. 32 no. 7 in F major | Alexis Weissenberg | — | |
| 25-19 | 13 Preludes, op. 32 no. 8 in A minor | Alexis Weissenberg | — | |
| 25-20 | 13 Preludes, op. 32 no. 9 in A major | Alexis Weissenberg | — | |
| 25-21 | 13 Preludes, op. 32 no. 10 in B minor | Alexis Weissenberg | — | |
| 25-22 | 13 Preludes, op. 32 no. 11 in B major | Alexis Weissenberg | — | |
| 25-23 | Prelude in G-sharp Minor, Op. 32, No. 12 | Alexis Weissenberg | — | |
| 25-24 | 13 Preludes, op. 32 no. 13 in D-flat major | Alexis Weissenberg | — |
Identifier Graph
888837174626 is a Universal Product Code (UPC) assigned to The Perfect Piano Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 353 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | — |
| Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — |
| Piano Concerto no. 1 in B‐flat minor, op. 23: II. Andantino simplice | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — |
| Piano Concerto no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — |
| Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: II. Largo | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — |
| Goldberg Variations, BWV 988: V. Variatio 4 a 1 clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: VIII. Variatio 7 a 1 ovvero 2 clav. Al tempo di giga | Glenn Gould | T-010.504.520-2 |
| Goldberg Variations, BWV 988: XII. Variatio 11 a 2 clav. | Glenn Gould | T-308.975.747-7 |
| Goldberg Variations, BWV 988: XVI. Variatio 15 a 1 clav. Canone alla quinta. Andante | Glenn Gould | T-312.642.162-9 |
| Goldberg Variations, BWV 988: XVIII. Variatio 17 a 2 clav. | Glenn Gould | T-010.909.095-0 |
| Goldberg Variations, BWV 988: XXIII. Variatio 22 a 1 clav. Alla breve | Glenn Gould | — |
| Goldberg Variations, BWV 988: XXV. Variatio 24 a 1 clav. Canone all’ottava | Glenn Gould | — |
| Goldberg Variations, BWV 988: XXVIII. Variatio 27 a 2 clav. Canone alla nona | Glenn Gould | — |
| Goldberg Variations, BWV 988: XXXI. Variatio 30 a 1 clav. Quodlibet | Glenn Gould | — |
| Aria da capo | Glenn Gould | T-801.806.984-7 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Perfect Piano Collection” by Various Artists is 888837174626. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Sony Classical. This release contains 353 tracks, each with its own ISRC. Tracks include GBF078200502, USSM10008102, USSM11409808.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantaisie op. 17: Durchaus phantastich und leidenschaftlich Vorzutragen | — | ||
| 2 | Fantaisie op. 17: Massig. durchaus energisch - etwas langsamer - viel Bewegter | — | ||
| 3 | Fantaisie op. 17: Langsam Getragen. Durchweg leise zu halten - etwas Bewegter | — | ||
| 4 | Fantasiestücke op. 12: Au soir | — | ||
| 5 | Fantasiestücke op. 12: Essor | — | ||
| 6 | Fantasiestücke op. 12: Pourquoi? | — | ||
| 7 | Fantasiestücke op. 12: Chimères | — | ||
| 8 | Fantasiestücke op. 12: Dans la nuit | — | ||
| 9 | Fantasiestücke op. 12: Fable | — | ||
| 10 | Fantasiestücke op. 12: Troubles songes | — | ||
| 11 | Fantasiestücke op. 12: Fin du chant | — | ||
| 12 | Piano concerto no. 11 in D major: Vivace | — | ||
| 13 | Piano concerto no. 11 in D major: Un poco adagio | — | ||
| 14 | Piano concerto no. 11 in D major: Rondo all’ Ungherese. Allegro assai | — | ||
| 2-1 | Piano sonata no. 47 in B minor - hob. XVI 32: I. Allegro moderato | — | ||
| 2-2 | Piano sonata no. 47 in B minor - hob. XVI 32: II. Menuetto - Trio (Minore) | — | ||
| 2-3 | Piano sonata no. 47 in B minor - hob. XVI 32: III. Finale | — | ||
| 2-4 | Piano sonata no. 53 in E minor - hob. XVI 34: I. Presto | — | ||
| 2-5 | Piano sonata no. 53 in E minor - hob. XVI 34: II. Adagio | — | ||
| 2-6 | Piano sonata no. 53 in E minor - hob. XVI 34: Finale. Molto vivace | — | ||
| 2-7 | Piano sonata no. 32 in G minor - hob. XVI 44: I. Moderato | — | ||
| 2-8 | Piano sonata no. 32 in G minor - hob. XVI 44: II. Allegretto | — | ||
| 2-9 | Piano sonata no. 59 in E flat major - hob. XVI 49: I. Allegro | — | ||
| 2-10 | Piano sonata no. 59 in E flat major - hob. XVI 49: II. Adagio e cantabile | — | ||
| 2-11 | Piano sonata no. 59 in E flat major - hob. XVI 49: Finale. Tempo di menuet | — | ||
| 3-1 | Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | T-902.782.592-9 | |
| 3-2 | Gnomenreigen | — | ||
| 3-3 | Un Sospiro | — | ||
| 3-4 | Funérailles | — | ||
| 3-5 | La campanella | — | ||
| 3-6 | Waldesrauschen | — | ||
| 3-7 | Grand galop chromatique | — | ||
| 3-8 | Rhapsodie espagnole | — | ||
| 3-9 | Tannhäuser - Ouverture | — | ||
| 4-1 | Les saisons op. 37b: Janvier - Au coin du feu | — | ||
| 4-2 | Les saisons op. 37b: Février - Le carnaval | — | ||
| 4-3 | Les saisons op. 37b: Mars - Chant de l'alouette | — | ||
| 4-4 | Les saisons op. 37b: Avril - Perce-neige | — | ||
| 4-5 | Les saisons op. 37b: Mai - Les nuits de mai | — | ||
| 4-6 | Les saisons op. 37b: Juin - Barcarolle | — | ||
| 4-7 | Les saisons op. 37b: Juillet - Chant du faucheur | — | ||
| 4-8 | Les saisons op. 37b: Août - La moisson | — | ||
| 4-9 | Les saisons op. 37b: Septembre - La chasse | — | ||
| 4-10 | Les saisons op. 37b: Octobre - Chant d'automne | — | ||
| 4-11 | Les saisons op. 37b: Novembre - Troïka | — | ||
| 4-12 | Les saisons op. 37b: Décembre - Noël | — | ||
| 4-13 | Islamey - Frantaisie orientale | — | ||
| 5-1 | Images - Premier livre: Reflets dans l'eau | — | ||
| 5-2 | Images - Premier livre: Hommage à Rameau | — | ||
| 5-3 | Images - Premier livre: Mouvement | — | ||
| 5-4 | Préludes - Premier livre: Danseuses de Delphes | — | ||
| 5-5 | Préludes - Premier livre: Voiles | — | ||
| 5-6 | Préludes - Premier livre: Le vent dans la plaine | — | ||
| 5-7 | Préludes - Premier livre: Les sons et les parfums tournent dans l'air du soir | — | ||
| 5-8 | Préludes - Premier livre: Les collines d'Anacapri | — | ||
| 5-9 | Préludes - Premier livre: Des pas sur la neige | — | ||
| 5-10 | Préludes - Premier livre: Ce qu'a vu le vent d'Ouest | — | ||
| 5-11 | Préludes - Premier livre: La fille aux cheveux de lin | — | ||
| 5-12 | Préludes - Premier livre: La sérénade interrompue | — | ||
| 5-13 | Préludes - Premier livre: La cathédrale engloutie | — | ||
| 5-14 | Préludes - Premier livre: La danse de Puck | — | ||
| 5-15 | Préludes - Premier livre: Minstrels | — | ||
| 6-1 | Fantaisie op. 15 in C major: Allegro con fuoco ma non troppo | — | ||
| 6-2 | Fantaisie op. 15 in C major: Adagio | — | ||
| 6-3 | Fantaisie op. 15 in C major: Presto | — | ||
| 6-4 | Fantaisie op. 15 in C major: Allegro | — | ||
| 6-5 | Piano sonata, D.664 op. 120 in A major: I. Allegro moderato | — | ||
| 6-6 | Piano sonata, D.664 op. 120 in A major: II. Andante | — | ||
| 6-7 | Piano sonata, D.664 op. 120 in A major: III. Allegro | — | ||
| 6-8 | Impromptus op. 90 no. 1 in C minor | — | ||
| 6-9 | Impromptus op. 90 no. 2 in E flat major | — | ||
| 6-10 | Impromptus op. 90 no. 3 in G flat major | — | ||
| 6-11 | Impromptus op. 90 no. 4 in A flat major | — | ||
| 7-1 | Goldberg Variations, BWV 988: I. Aria | Glenn Gould | T-801.806.984-7 | |
| 7-2 | Goldberg Variations, BWV 988: II. Variatio 1 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-3 | Goldberg Variations, BWV 988: III. Variatio 2 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-4 | Goldberg Variations, BWV 988: IV. Variatio 3 a 1 clav. Canone all’unisono | Glenn Gould | T-902.128.688-4 | |
| 7-5 | Goldberg Variations, BWV 988: V. Variatio 4 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-6 | Goldberg Variations, BWV 988: VI. Variatio 5 a 1 ovvero 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-7 | Goldberg Variations, BWV 988: VII. Variatio 6 a 1 clav. Canone alla seconda | Glenn Gould | T-902.128.688-4 | |
| 7-8 | Goldberg Variations, BWV 988: VIII. Variatio 7 a 1 ovvero 2 clav. Al tempo di giga | Glenn Gould | T-902.128.688-4 | |
| 7-9 | Goldberg Variations, BWV 988: IX. Variatio 8 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-10 | Goldberg Variations, BWV 988: X. Variatio 9 a 1 clav. Canone alla terza | Glenn Gould | T-902.128.688-4 | |
| 7-11 | Goldberg Variations, BWV 988: XI. Variatio 10 a 1 clav. Fughetta | Glenn Gould | T-902.128.688-4 | |
| 7-12 | Goldberg Variations, BWV 988: XII. Variatio 11 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-13 | Goldberg Variations, BWV 988: XIII. Variatio 12. Canone alla quarta | Glenn Gould | T-311.760.304-6 | |
| 7-14 | Goldberg Variations, BWV 988: XIV. Variatio 13 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-15 | Goldberg Variations, BWV 988: XV. Variatio 14 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-16 | Goldberg Variations, BWV 988: XVI. Variatio 15 a 1 clav. Canone alla quinta. Andante | Glenn Gould | T-902.128.688-4 | |
| 7-17 | Goldberg Variations, BWV 988: XVII. Variatio 16 a 1 clav. Ouverture | Glenn Gould | T-902.128.688-4 | |
| 7-18 | Goldberg Variations, BWV 988: XVIII. Variatio 17 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-19 | Goldberg Variations, BWV 988: XIX. Variatio 18 a 1 clav. Canone alla sesta | Glenn Gould | T-902.128.688-4 | |
| 7-20 | Goldberg Variations, BWV 988: XX. Variatio 19 a 1 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-21 | Goldberg Variations, BWV 988: XXI. Variatio 20 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-22 | Goldberg Variations, BWV 988: XXII. Variatio 21. Canone alla settima | Glenn Gould | T-311.760.304-6 | |
| 7-23 | Goldberg Variations, BWV 988: XXIII. Variatio 22 a 1 clav. Alla breve | Glenn Gould | T-902.128.688-4 | |
| 7-24 | Goldberg Variations, BWV 988: XXIV. Variatio 23 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-25 | Goldberg Variations, BWV 988: XXV. Variatio 24 a 1 clav. Canone all’ottava | Glenn Gould | T-902.128.688-4 | |
| 7-26 | Goldberg Variations, BWV 988: XXVI. Variatio 25 a 2 clav. Adagio | Glenn Gould | T-902.128.688-4 | |
| 7-27 | Goldberg Variations, BWV 988: XXVII. Variatio 26 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-28 | Goldberg Variations, BWV 988: XXVIII. Variatio 27 a 2 clav. Canone alla nona | Glenn Gould | T-902.128.688-4 | |
| 7-29 | Goldberg Variations, BWV 988: XXIX. Variatio 28 a 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-30 | Goldberg Variations, BWV 988: XXX. Variatio 29 a 1 ovvero 2 clav. | Glenn Gould | T-902.128.688-4 | |
| 7-31 | Goldberg Variations, BWV 988: XXXI. Variatio 30 a 1 clav. Quodlibet | Glenn Gould | T-902.128.688-4 | |
| 7-32 | Goldberg Variations, BWV 988: XXXII. Aria da capo | Glenn Gould | T-801.806.984-7 | |
| 8-1 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: I. [Allegro] | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | T-801.411.105-9 | |
| 8-2 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: II. Adagio e piano sempre | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 8-3 | Concerto for Piano and Orchestra no. 3 in D major, BWV 1054: III. Allegro | Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 8-4 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: I. [Allegro] | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 8-5 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: II. Largo | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 8-6 | Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: III. Presto | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 8-7 | Piano concerto no. 7 BWV 1058 in G minor: I. Allegro | — | ||
| 8-8 | Piano concerto no. 7 BWV 1058 in G minor: II. Andante | — | ||
| 8-9 | Piano concerto no. 7 BWV 1058 in G minor: III. Allegro assai | — | ||
| 9-1 | Sonate K. 33 in D major (L. 424) | — | ||
| 9-2 | Sonate K. 59 in A minor (L. 241) | — | ||
| 9-3 | Sonate K. 525 in F major (L. 188) | — | ||
| 9-4 | Sonate K. 466 in F minor (L.118) | — | ||
| 9-5 | Sonata in G major, K 146 (L349) | Vladimir Horowitz | — | |
| 9-6 | Sonate K. 96 in D major (L. 465) | — | ||
| 9-7 | Sonate K. 162 in E major (L. 21) | — | ||
| 9-8 | Sonate K. 474 in E flat major (L. 203) | — | ||
| 9-9 | Sonate K. 198 in E minor (L. 22) | — | ||
| 9-10 | Sonata in D Major, K.491 (L.164): Allegro | Vladimir Horowitz | — | |
| 9-11 | Sonate K. 481 in F minor (L. 187) | — | ||
| 9-12 | Sonate K. 39 in A major (L. 391) | — | ||
| 9-13 | Sonate K. 547 in G major (L. S28) | — | ||
| 9-14 | Sonate K. 197 in B minor (L. 147) | — | ||
| 9-15 | Sonate K. 25 in F sharp minor (L. 481) | — | ||
| 9-16 | Sonate K. 5 in D minor (L. 267) | — | ||
| 9-17 | Sonate K. 201 in G major (L. 129) | — | ||
| 9-18 | Sonate K. 303 in C minor (L. 9) | — | ||
| 10-1 | Piano concerto no. 3 op. 30 in D minor: I. Allegro ma non tanto | — | ||
| 10-2 | Piano concerto no. 3 op. 30 in D minor: II. Intermezzo adagio | — | ||
| 10-3 | Piano concerto no. 3 op. 30 in D minor: Finale alla breve | — | ||
| 10-4 | Piano sonata no. 2 op. 36 in B flat minor: I. Allegro agitato | — | ||
| 10-5 | Piano sonata no. 2 op. 36 in B flat minor: II. Non allegro, lento | — | ||
| 10-6 | Piano sonata no. 2 op. 36 in B flat minor: III. L'istesso tempo, allegro molto | — | ||
| 11-1 | Piano concerto no. 2 op. 18 in C minor: Moderato, allegro | — | ||
| 11-2 | Piano concerto no. 2 op. 18 in C minor: Adagio sostenuto | — | ||
| 11-3 | Piano concerto no. 2 op. 18 in C minor: Allegro scherzando | — | ||
| 11-4 | Pictures at an Exhibition: Promenade No. 1 | Evgeny Kissin | — | |
| 11-5 | Pictures at an Exhibition: I. Gnomus (Toy Nutcracker) | Evgeny Kissin | T-001.438.118-0 | |
| 11-6 | Pictures at an Exhibition: Promenade No. 2 | Evgeny Kissin | — | |
| 11-7 | Pictures at an Exhibition: II. Il Vecchio Castello (Old Castle) | Evgeny Kissin | — | |
| 11-8 | Pictures at an Exhibition: Promenade No. 3 | Evgeny Kissin | — | |
| 11-9 | Pictures at an Exhibition: III. Les Tuileries (Children at Play in the Garden of the Tuilerie) | Evgeny Kissin | T-900.140.545-4 | |
| 11-10 | Pictures at an Exhibition: IV. Bydlo (Polish Oxcart) | Evgeny Kissin | T-800.323.843-6 | |
| 11-11 | Pictures at an Exhibition: Promenade No. 4 | Evgeny Kissin | T-900.107.356-9 | |
| 11-12 | Pictures at an Exhibition: V. Ballet des poussins dans leur coque | Evgeny Kissin | — | |
| 11-13 | Pictures at an Exhibition: VI. Samuel Goldenberg et Schmuyle (Two Jews Rich and Poor) | Evgeny Kissin | — | |
| 11-14 | Pictures at an Exhibition: Promenade No. 5 | Evgeny Kissin | — | |
| 11-15 | Pictures at an Exhibition: VII. Limoges marché (The Limoges Market Place) | Evgeny Kissin | T-002.662.991-3 | |
| 11-16 | Pictures at an Exhibition: VIII. Catacombae Sepulcrum Romanum (Parisian Catacomb of Skulls) | Evgeny Kissin | — | |
| 11-17 | Pictures at an Exhibition: IX. Con Mortuis Lingua Mortua | Evgeny Kissin | — | |
| 11-18 | Pictures at an Exhibition: X. The Hut on Fowls Legs (The Witch Baba Yaga) | Evgeny Kissin | — | |
| 11-19 | Pictures at an Exhibition: XI. The Great Gate of Kiev (The Knights Gate) | Evgeny Kissin | T-061.792.492-1 | |
| 12-1 | West Side Story symphonic dances: Ouverture | — | ||
| 12-2 | West Side Story symphonic dances: Scherzando | — | ||
| 12-3 | West Side Story symphonic dances: Blues | — | ||
| 12-4 | West Side Story symphonic dances: Somewhere | — | ||
| 12-5 | West Side Story symphonic dances: (Scherzo) Andante con moto - vivace il legero | — | ||
| 12-6 | West Side Story symphonic dances: Mambo | — | ||
| 12-7 | West Side Story symphonic dances: Cha-Cha | — | ||
| 12-8 | West Side Story symphonic dances: Keep Cool | — | ||
| 12-9 | West Side Story symphonic dances: Rumble | — | ||
| 12-10 | West Side Story symphonic dances: I Have Love (Finale) | — | ||
| 12-11 | West Side Story songs: Something's Coming | — | ||
| 12-12 | West Side Story songs: Maria | — | ||
| 12-13 | West Side Story songs: America | — | ||
| 12-14 | West Side Story songs: Jet Song | — | ||
| 12-15 | West Side Story songs: One Hand, OneHeart | — | ||
| 12-16 | West Side Story songs: I Feel Pretty | — | ||
| 12-17 | West Side Story songs: Tonight | — | ||
| 12-18 | West Side Story songs: A boy Like That / I Have Love | — | ||
| 13-1 | Goyescas: Los requiebros | — | ||
| 13-2 | Goyescas: Coloquio en la reja | — | ||
| 13-3 | Goyescas: El fandango de candil | — | ||
| 13-4 | Goyescas: Quejas, o la maja y el ruisenor | — | ||
| 13-5 | Goyescas: El amor y la muerte - Balada | — | ||
| 13-6 | Goyescas: Epilogo - serenata del espectro | — | ||
| 13-7 | Spanish dances: Allegro (Minuetto) | — | ||
| 13-8 | Spanish dances: Orientale - Andante | — | ||
| 13-9 | Spanish dances: Villanesca - Allegretto, alla pastorale | — | ||
| 13-10 | Spanish dances: Rondalla aragonesa - Allegretto, poco a poco accelerando (Jota) | — | ||
| 13-11 | Spanish dances: Assai moderato (Asturiana) | — | ||
| 13-12 | Spanish dances: Molto allegro brillante (Mazurka) | — | ||
| 14-1 | Concerto pour deux pianos et orchestre en ré mineur: I. Allegro ma non troppo | Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-2 | Concerto pour deux pianos et orchestre en ré mineur: II. Larghetto | Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-3 | Concerto pour deux pianos et orchestre en ré mineur: III. Finale | Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-4 | Concerto pour piano et orchestre: I. Allegretto | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | T-003.007.870-6 | |
| 14-5 | Concerto pour piano et orchestre: II. Andante con moto - commencer très lentement | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | T-003.007.870-6 | |
| 14-6 | Concerto pour piano et orchestre: III. Rondeau à la française - Presto giocoso | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | T-003.007.870-6 | |
| 14-7 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Toccata. Lento e pesante | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-8 | Aubade: Récitatif (Larghetto) - Les compagnes de Diane | — | ||
| 14-9 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Rondeau. Allegro – Diane et ses compagnes | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-10 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Entrée de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-11 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Sortie de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-12 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Presto – La toilette de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-13 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Récitatif. Larghetto – Introduction à la Variation de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-14 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Andante. Andante con moto – Variation de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-15 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Allegro féroce – Désespoir de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 14-16 | Aubade, concerto chorégraphique pour piano et dix‐huit instruments: Conclusion. Adagio – Adieux et départ de Diane | Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève | — | |
| 15-1 | Chants du Rhin: L'aurore | — | ||
| 15-2 | Chants du Rhin: Le départ | — | ||
| 15-3 | Chants du Rhin: Les rêves | — | ||
| 15-4 | Chants du Rhin: La bohémienne | — | ||
| 15-5 | Chants du Rhin: Les confidences | — | ||
| 15-6 | Chants du Rhin: Le retour | — | ||
| 15-7 | Nocturne op. 33 no. 1 in E flat minor | — | ||
| 15-8 | Nocturne op. 33 no. 2 in B major | — | ||
| 15-9 | Nocturne op. 63 no. 6 in D flat major | — | ||
| 15-10 | Nocturne op. 74 no. 7 in C sharp minor | — | ||
| 15-11 | Nocturne op. 107 no. 12 in E minor | — | ||
| 15-12 | Nocturne op. 119 no. 13 in B minor | — | ||
| 16-1 | Piano concerto no. 21 in C major: I. Allegro maestoso | — | ||
| 16-2 | Piano Concerto No. 21 in C major, K. 467: II. Andante | Chamber Orchestra of Europe, Murray Perahia | — | |
| 16-3 | Piano concerto no. 21 in C major: III. Allegro vivace assai | — | ||
| 16-4 | Concerto no. 27 in B flat major: I. Allegro | — | ||
| 16-5 | Concerto no. 27 in B flat major: II. Larghetto | — | ||
| 16-6 | Concerto no. 27 in B flat major: III. Allegro | — | ||
| 17-1 | The Well-Tempered Clavier, Book 1: Prelude #1 In C, BWV 846 | Sviatoslav Richter | T-910.415.372-2 | |
| 17-2 | The Well-Tempered Clavier, Book 1: Fugue #1 In C, BWV 846 | Sviatoslav Richter | — | |
| 17-3 | The Well-Tempered Clavier, Book 1: Prelude #2 In C Minor, BWV 847 | Sviatoslav Richter | — | |
| 17-4 | The Well-Tempered Clavier, Book 1: Fugue #2 In C Minor, BWV 847 | Sviatoslav Richter | — | |
| 17-5 | The Well-Tempered Clavier, Book 1: Prelude #3 In C Sharp, BWV 848 | Sviatoslav Richter | — | |
| 17-6 | The Well-Tempered Clavier, Book 1 - Fugue #3 In C Sharp, BWV 848 | Sviatoslav Richter | — | |
| 17-7 | The Well-Tempered Clavier, Book 1 - Prelude #4 In C Sharp Minor, BWV 849 | Sviatoslav Richter | T-011.696.501-5 | |
| 17-8 | The Well-Tempered Clavier, Book 1 - Fugue #4 In C Sharp Minor, BWV 849 | Sviatoslav Richter | T-011.696.501-5 | |
| 17-9 | The Well-Tempered Clavier, Book 1 - Prelude #5 In D, BWV 850 | Sviatoslav Richter | — | |
| 17-10 | The Well-Tempered Clavier, Book 1 - Fugue #5 In D, BWV 850 | Sviatoslav Richter | — | |
| 17-11 | The Well-Tempered Clavier, Book 1 - Prelude #6 In D Minor, BWV 851 | Sviatoslav Richter | — | |
| 17-12 | The Well-Tempered Clavier, Book 1 - Fugue #6 In D Minor, BWV 851 | Sviatoslav Richter | — | |
| 17-13 | The Well-Tempered Clavier, Book 1 - Prelude #7 In E Flat, BWV 852 | Sviatoslav Richter | — | |
| 17-14 | The Well-Tempered Clavier, Book 1 - Fugue #7 In E Flat, BWV 852 | Sviatoslav Richter | — | |
| 17-15 | The Well-Tempered Clavier, Book 1 - Prelude #8 In E Flat Minor, BWV 853 | Sviatoslav Richter | — | |
| 17-16 | The Well-Tempered Clavier, Book 1 - Fugue #8 In D Sharp Minor, BWV 853 | Sviatoslav Richter | — | |
| 17-17 | The Well-Tempered Clavier, Book 1 - Prelude #9 In E, BWV 854 | Sviatoslav Richter | — | |
| 17-18 | The Well-Tempered Clavier, Book 1 - Fugue #9 In E, BWV 854 | Sviatoslav Richter | — | |
| 17-19 | The Well-Tempered Clavier, Book 1 - Prelude #10 In E Minor, BWV 855 | Sviatoslav Richter | — | |
| 17-20 | The Well-Tempered Clavier, Book 1 - Fugue #10 In E Minor, BWV 855 | Sviatoslav Richter | — | |
| 17-21 | The Well-Tempered Clavier, Book 1 - Prelude #11 In F, BWV 856 | Sviatoslav Richter | — | |
| 17-22 | The Well-Tempered Clavier, Book 1 - Fugue #11 In F, BWV 856 | Sviatoslav Richter | — | |
| 17-23 | The Well-Tempered Clavier, Book 1 - Prelude #12 In F Minor, BWV 857 | Sviatoslav Richter | — | |
| 17-24 | The Well-Tempered Clavier, Book 1 - Fugue #12 In F Minor, BWV 857 | Sviatoslav Richter | — | |
| 17-25 | The Well-Tempered Clavier, Book 1 - Prelude #13 In F Sharp, BWV 858 | Sviatoslav Richter | — | |
| 17-26 | The Well-Tempered Clavier, Book 1 - Fugue #13 In F Sharp, BWV 858 | Sviatoslav Richter | — | |
| 17-27 | The Well-Tempered Clavier, Book 1 - Prelude #14 In F Sharp Minor, BWV 859 | Sviatoslav Richter | — | |
| 17-28 | The Well-Tempered Clavier, Book 1 - Fugue #14 In F Sharp Minor, BWV 859 | Sviatoslav Richter | — | |
| 18-1 | Piano concerto no. 2 op. 83 in B flat: Allegro non troppo | — | ||
| 18-2 | Piano concerto no. 2 op. 83 in B flat: Allegro appassionato | — | ||
| 18-3 | Piano concerto no. 2 op. 83 in B flat: Andante | — | ||
| 18-4 | Piano concerto no. 2 op. 83 in B flat: Allegro grazioso | — | ||
| 18-5 | Piano sonata no. 23 op. 57 "Appassionata" in F minor: Allegro assai | — | ||
| 18-6 | Piano sonata no. 23 op. 57 "Appassionata" in F minor: Andante con moto | — | ||
| 18-7 | Piano sonata no. 23 op. 57 "Appassionata" in F minor: Allegro ma non troppo | — | ||
| 19-1 | Nocturnes op. 9 no. 1 in B flat minor | — | ||
| 19-2 | Nocturnes op. 9 no. 2 in E flat major | — | ||
| 19-3 | Nocturnes op. 9 no. 3 in B major | — | ||
| 19-4 | Nocturnes op. 15 no. 1 in F major | — | ||
| 19-5 | Nocturnes op. 15 no. 2 in F sharp | — | ||
| 19-6 | Nocturnes op. 15 no. 3 in G minor | — | ||
| 19-7 | Nocturnes op. 27 no. 1 in C sharp minor | — | ||
| 19-8 | Nocturnes op. 27 no. 2 in D flat | — | ||
| 19-9 | Nocturnes op. 32 no. 1 in B major | — | ||
| 19-10 | Nocturnes op. 32 no. 2 in A flat | — | ||
| 20-1 | Nocturne op. 37 no. 1 in G minor | — | ||
| 20-2 | Nocturne op. 37 no. 2 in G minor | — | ||
| 20-3 | Nocturne op. 48 no. 1 in C minor | — | ||
| 20-4 | Nocturne op. 48 no. 2 in F sharp minor | — | ||
| 20-5 | Nocturne op. 55 no. 1 in F minor | — | ||
| 20-6 | Nocturne op. 55 no. 2 in E flat | — | ||
| 20-7 | Nocturne op. 62 no. 1 in B major | — | ||
| 20-8 | Nocturne op. 62 no. 2 in E major | — | ||
| 20-9 | Nocturne op. 72 no. 1 in E minor | — | ||
| 21-1 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 21-2 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 21-3 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 21-4 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 21-5 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | T-928.635.608-9 | |
| 21-6 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 22-1 | Suite for piano duet, op. 19: Canon | — | ||
| 22-2 | Suite for piano duet, op. 19: Lied | — | ||
| 22-3 | Suite for piano duet, op. 19: Feuillet d'album | — | ||
| 22-4 | Suite for piano duet, op. 19: Berceuse | — | ||
| 22-5 | Suite for piano duet, op. 19: Final | — | ||
| 22-6 | Le portrait de Daisy Hamilton, op. 140: I. La course | — | ||
| 22-7 | Le portrait de Daisy Hamilton, op. 140: II. Autour du bonhomme de neige | — | ||
| 22-8 | Le portrait de Daisy Hamilton, op. 140: III. A Venise - en nuit, sur la lagune | — | ||
| 22-9 | Le portrait de Daisy Hamilton, op. 140: IV. En auto | — | ||
| 22-10 | Le portrait de Daisy Hamilton, op. 140: V. Canon humoriste | — | ||
| 22-11 | Sonatine française, op. 60/1: Canons | — | ||
| 22-12 | Sonatine française, op. 60/1: Allegretto | — | ||
| 22-13 | Sonatine française, op. 60/1: Intermezzo | — | ||
| 22-14 | Sonatine française, op. 60/1: Dans les vergers de Normandie | — | ||
| 22-15 | Sonatine française, op. 60/2: Pastorale | — | ||
| 22-16 | Sonatine française, op. 60/2: L'apothéose des petits fauves | — | ||
| 22-17 | Sonatine française, op. 60/2: Chant du soir | — | ||
| 22-18 | Sonatine française, op. 60/2: Menuet | — | ||
| 22-19 | Sonatine française, op. 60/2: Final | — | ||
| 22-20 | Dances for Ginger, op. 163: L'élan | — | ||
| 22-21 | Dances for Ginger, op. 163: Danse lente | — | ||
| 22-22 | Dances for Ginger, op. 163: Les tourbillons | — | ||
| 22-23 | Dances for Ginger, op. 163: La danse sous les étoiles | — | ||
| 22-24 | Dances for Ginger, op. 163: Final - Apothéose de la danse | — | ||
| 22-25 | Sonatine française, op. 60/3: Scherzando | — | ||
| 22-26 | Sonatine française, op. 60/3: Chant du soir | — | ||
| 22-27 | Sonatine française, op. 60/3: Ronde des vendanges | — | ||
| 22-28 | Sonatine française, op. 60/4: Romance | — | ||
| 22-29 | Sonatine française, op. 60/4: Autre romance | — | ||
| 22-30 | Sonatine française, op. 60/4: Final (homme à Monsieur Dumollet) | — | ||
| 22-31 | Suite pour deux pianos, op. 6: Andantino | — | ||
| 22-32 | Suite pour deux pianos, op. 6: Andantino con moto | — | ||
| 22-33 | Suite pour deux pianos, op. 6: Andantino con moto quasi allegro | — | ||
| 22-34 | Suite pour deux pianos, op. 6: Andantino quasi allegretto | — | ||
| 23-1 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 23-2 | Piano Concerto no. 1 in B‐flat minor, op. 23: II. Andantino simplice | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 23-3 | Piano Concerto no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 23-4 | Piano concerto no. 3 op. 26 in C major: Andante | — | ||
| 23-5 | Piano concerto no. 3 op. 26 in C major: Andantino - Five variations | — | ||
| 23-6 | Piano concerto no. 3 op. 26 in C major: Allegro ma non troppo | — | ||
| 24-1 | Piano sonata D. 157 in E major: I. Allegro ma non troppo | — | ||
| 24-2 | Piano sonata D. 157 in E major: II. Andante | — | ||
| 24-3 | Piano sonata D. 157 in E major: III. Menuetto. Allegro vivace - Trio | — | ||
| 24-4 | Piano sonata D. 894 in G major: I. Molto moderato e cantabile | — | ||
| 24-5 | Piano sonata D. 894 in G major: II. Andante | — | ||
| 24-6 | Piano sonata D. 894 in G major: III. Menuetto. Allegro moderato - Trio | — | ||
| 24-7 | Piano sonata D. 894 in G major: IV. Allegretto | — | ||
| 24-8 | Der Müller und der Bach (D. 795/19) S. 565/2 | — | ||
| 25-1 | Morceaux de fantaisie, op. 3 no. 2: Prélude in C-sharp minor | Alexis Weissenberg | — | |
| 25-2 | 10 Preludes, op. 23 no. 1 in F-sharp minor | Alexis Weissenberg | — | |
| 25-3 | 10 Preludes, op. 23 no. 2 in B-flat major | Alexis Weissenberg | — | |
| 25-4 | 10 Preludes, op. 23 no. 3 in D minor | Alexis Weissenberg | — | |
| 25-5 | 10 Preludes, op. 23 no. 4 in D major | Alexis Weissenberg | — | |
| 25-6 | 10 Preludes, op. 23 no. 5 in G minor | Alexis Weissenberg | — | |
| 25-7 | 10 Preludes, op. 23 no. 6 in E-flat major | Alexis Weissenberg | — | |
| 25-8 | 10 Preludes, op. 23 no. 7 in C minor | Alexis Weissenberg | — | |
| 25-9 | 10 Preludes, op. 23 no. 8 in A-flat major | Alexis Weissenberg | — | |
| 25-10 | 10 Preludes, op. 23 no. 9 in E-flat minor | Alexis Weissenberg | — | |
| 25-11 | 10 Preludes, op. 23 no. 10 in G-flat major | Alexis Weissenberg | — | |
| 25-12 | 13 Preludes, op. 32 no. 1 in C major | Alexis Weissenberg | — | |
| 25-13 | 13 Preludes, op. 32 no. 2 in B-flat minor | Alexis Weissenberg | — | |
| 25-14 | 13 Preludes, op. 32 no. 3 in E major | Alexis Weissenberg | — | |
| 25-15 | 13 Preludes, op. 32 no. 4 in E minor | Alexis Weissenberg | — | |
| 25-16 | 13 Preludes, op. 32 no. 5 in G major | Alexis Weissenberg | — | |
| 25-17 | 13 Preludes, op. 32 no. 6 in F minor | Alexis Weissenberg | — | |
| 25-18 | 13 Preludes, op. 32 no. 7 in F major | Alexis Weissenberg | — | |
| 25-19 | 13 Preludes, op. 32 no. 8 in A minor | Alexis Weissenberg | — | |
| 25-20 | 13 Preludes, op. 32 no. 9 in A major | Alexis Weissenberg | — | |
| 25-21 | 13 Preludes, op. 32 no. 10 in B minor | Alexis Weissenberg | — | |
| 25-22 | 13 Preludes, op. 32 no. 11 in B major | Alexis Weissenberg | — | |
| 25-23 | Prelude in G-sharp Minor, Op. 32, No. 12 | Alexis Weissenberg | — | |
| 25-24 | 13 Preludes, op. 32 no. 13 in D-flat major | Alexis Weissenberg | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | — |
| Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — |
| Piano Concerto no. 1 in B‐flat minor, op. 23: II. Andantino simplice | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — |
| Piano Concerto no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — |
| Concerto for Piano and Orchestra no. 5 in F minor, BWV 1056: II. Largo | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — |
| Goldberg Variations, BWV 988: V. Variatio 4 a 1 clav. | Glenn Gould | — |
| Goldberg Variations, BWV 988: VIII. Variatio 7 a 1 ovvero 2 clav. Al tempo di giga | Glenn Gould | T-010.504.520-2 |
| Goldberg Variations, BWV 988: XII. Variatio 11 a 2 clav. | Glenn Gould | T-308.975.747-7 |
| Goldberg Variations, BWV 988: XVI. Variatio 15 a 1 clav. Canone alla quinta. Andante | Glenn Gould | T-312.642.162-9 |
| Goldberg Variations, BWV 988: XVIII. Variatio 17 a 2 clav. | Glenn Gould | T-010.909.095-0 |
| Goldberg Variations, BWV 988: XXIII. Variatio 22 a 1 clav. Alla breve | Glenn Gould | — |
| Goldberg Variations, BWV 988: XXV. Variatio 24 a 1 clav. Canone all’ottava | Glenn Gould | — |
| Goldberg Variations, BWV 988: XXVIII. Variatio 27 a 2 clav. Canone alla nona | Glenn Gould | — |
| Goldberg Variations, BWV 988: XXXI. Variatio 30 a 1 clav. Quodlibet | Glenn Gould | — |
| Aria da capo | Glenn Gould | T-801.806.984-7 |
