UPC · Release
Various Artists
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The UPC for “The British Music Collection” by Various Artists is 888837371827. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Sony Classical. This release contains 147 tracks, each with its own ISRC. Tracks include USSM10205766, USSM10205767, USSM10205768.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Punch and the Child, op. 49: Scene I. Overture - Child's Dance - Storm - Punch and the Child | — | ||
| 2 | Punch and the Child, op. 49: Scene II. Punch and Judy- Lullaby - The Chase | — | ||
| 3 | Punch and the Child, op. 49: Scene III. Punch and Pretty Polly - Jack Ketch | — | ||
| 4 | Punch and the Child, op. 49: Scene IV. | — | ||
| 5 | Punch and the Child, op. 49: Scene V. Hector the Horse - The Doctor | — | ||
| 6 | Punch and the Child, op. 49: Scene VI. Punch and the Hangman | — | ||
| 7 | Punch and the Child, op. 49: Scene VII. Punch and the Devil | — | ||
| 8 | Punch and the Child, op. 49: Scene VIII. Punch's Disappearance | — | ||
| 9 | Punch and the Child, op. 49: Scene IX. Epilogue | — | ||
| 10 | The Triumph of Neptune: Harlequinade | — | ||
| 11 | The Triumph of Neptune: Dance of the Fairy Princess | — | ||
| 12 | The Triumph of Neptune: Scottische | — | ||
| 13 | The Triumph of Neptune: Cloudland | — | ||
| 14 | The Triumph of Neptune: Sunday Morning (Intermezzo) | — | ||
| 15 | The Triumph of Neptune: The Sailors Return (Polka) | — | ||
| 16 | The Triumph of Neptune: Hornpipe | — | ||
| 17 | The Triumph of Neptune: The Frozen Forest | — | ||
| 18 | The Triumph of Neptune: Apotheosis of Neptune | — | ||
| 19 | Paris - A Nocturne | — | ||
| 2-1 | The Young Person's Guide to the Orchestra, op. 34 | — | ||
| 2-2 | Sinfonia da Requiem, op. 20: I. Lacrymosa | — | ||
| 2-3 | Sinfonia da Requiem, op. 20: II. Dies irae | — | ||
| 2-4 | Sinfonia da Requiem, op. 20: III. Requiem aeternam | — | ||
| 2-5 | Diversions for Piano (left hand) and Orchestra, op. 21: Theme. Maestoso | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-6 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 1: Recitative. L'istesso tempo | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-7 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 2: Romance. Allegretto mosso | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-8 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 3: March. Allegro con brio | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-9 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 4: Arabesque. Allegretto | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-10 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 5: Chant: Andante solennemente | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-11 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 6: Nocturne. Andante piacevole | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-12 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 7: Badinerie. Grave | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-13 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 8: Burlesque. Molto moderato | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-14 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 9a: Toccata I. Allegro | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-15 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 9b: Toccata II. L'istesso tempo | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-16 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 10: Adagio | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-17 | Diversions for Piano (left hand) and Orchestra, op. 21: Finale - Tarantella. Presto con fuoco | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-1 | Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso | — | ||
| 3-2 | Symphony for Cello and Orchestra, op. 68: II. Presto inquieto | — | ||
| 3-3 | Symphony for Cello and Orchestra, op. 68: III. Adagio - Cadenza ad lib. | — | ||
| 3-4 | Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro | — | ||
| 3-5 | Concerto for Violin and Orchestra: I. Allegro moderato | — | ||
| 3-6 | Concerto for Violin and Orchestra: II. Adagio | — | ||
| 3-7 | Concerto for Violin and Orchestra: III. Allegro non troppo | — | ||
| 4-1 | Over the hills and far away | — | ||
| 4-2 | North Country Sketches: I. Autumn - The Wind Soughs in the Trees | — | ||
| 4-3 | North Country Sketches: II. Winter Landscape | — | ||
| 4-4 | North Country Sketches: III. Dance | — | ||
| 4-5 | North Country Sketches: IV. The March of Spring - Woodlands, Meadows and Silent Moors | — | ||
| 4-6 | Eventyr (Once upon a Time) | — | ||
| 4-7 | Koanga (Closing Scene) | — | ||
| 5-1 | Symphony no. 1 in A‐flat major, op. 55: I. Andante. Nobilmente e semplice – Allegro | London Philharmonic Orchestra, Daniel Barenboim | — | |
| 5-2 | Symphony no. 1 in A‐flat major, op. 55: II. Allegro molto | London Philharmonic Orchestra, Daniel Barenboim | — | |
| 5-3 | Symphony no. 1 in A‐flat major, op. 55: III. Adagio | London Philharmonic Orchestra, Daniel Barenboim | T-913.999.561-2 | |
| 5-4 | Symphony no. 1 in A‐flat major, op. 55: IV. Lento – Allegro | London Philharmonic Orchestra, Daniel Barenboim | — | |
| 5-5 | Sea Pictures, op. 37: I. Sea Slumber Song | — | ||
| 5-6 | Sea Pictures, op. 37: II. In Haven (Capri) | — | ||
| 5-7 | Sea Pictures, op. 37: III. Sabbath Morning at Sea | — | ||
| 5-8 | Sea Pictures, op. 37: IV. Where Corals Lie | — | ||
| 5-9 | Sea Pictures, op. 37: V. The Swimmer | — | ||
| 6-1 | Overture “Cockaigne” (In London Town), op. 40 | London Philharmonic Orchestra, Daniel Barenboim | T-010.035.109-4 | |
| 6-2 | Imperial March, op. 32 | — | ||
| 6-3 | Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente | — | ||
| 6-4 | Symphony no. 2 in E-flat major, op. 63: II. Larghetto | — | ||
| 6-5 | Symphony no. 2 in E-flat major, op. 63: III. Rondo. Presto | — | ||
| 6-6 | Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso | — | ||
| 7-1 | Variations on an Original Theme ("Enigma"), op. 36: Enigma: Andante | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-2 | Variations on an Original Theme ("Enigma"), op. 36: I. (C. A. E.): L'istesso tempo | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-3 | Variations on an Original Theme ("Enigma"), op. 36: II. (H. D. S.-P.): Allegro | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-4 | Variations on an Original Theme ("Enigma"), op. 36: III. (R. B. T.):Allegretto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-5 | Variations on an Original Theme ("Enigma"), op. 36: IV. (W. M. B.): Allegro di molto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-6 | Variations on an Original Theme ("Enigma"), op. 36: V. (R. P. A.): Moderato | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-7 | Variations on an Original Theme ("Enigma"), op. 36: VI. (Ysobel): Andantino | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-8 | Variations on an Original Theme ("Enigma"), op. 36: VII. (Troyte): Presto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-9 | Variations on an Original Theme ("Enigma"), op. 36: VIII. (W. N.): Allegretto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-10 | Variations on an Original Theme ("Enigma"), op. 36: IX. (Nimrod): Adagio | Philharmonia Orchestra, Sir Andrew Davis | T-010.115.427-1 | |
| 7-11 | Variations on an Original Theme ("Enigma"), op.36: X. Intermezzo (Dorabella.): Allegretto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-12 | Variations on an Original Theme ("Enigma"), op. 36: XI. (G. R. S.):Allegro di molto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-13 | Variations on an Original Theme ("Enigma"), op. 36: XII. (B. G. N.): Andante | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-14 | Variations on an Original Theme ("Enigma"), op. 36: XIII. Romanza (***): Moderato | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-15 | Variations on an Original Theme ("Enigma"), op. 36: XIV. Finale (E. D. U.):Allegro - Presto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-16 | Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco | Philharmonia Orchestra, Andrew Davis | — | |
| 7-17 | Pomp and Circumstance, op. 39: no. 2 in A minor: Allegro molto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-18 | Pomp and Circumstance, op. 39: no. 3 in C minor: Con fuoco | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-19 | Pomp and Circumstance, op. 39: no. 4 in G major: Allegro marziale | Philharmonia Orchestra, Sir Andrew Davis | T-010.247.851-2 | |
| 7-20 | Pomp and Circumstance, op. 39: no. 5 in C major: Vivace | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 8-1 | Concerto for Violin in B minor, op. 61: I. Allegro | — | ||
| 8-2 | Concerto for Violin in B minor, op. 61: II. Andante | — | ||
| 8-3 | Concerto for Violin in B minor, op. 61: III. Allegro molto | — | ||
| 8-4 | In the South (Alassio), op. 50 | — | ||
| 9-1 | Concerto for Cello and Orchestra, op. 85: I. Adagio - Moderato | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-919.860.418-1 | |
| 9-2 | Concerto for Cello and Orchestra, op. 85: II. Lento - Allegro molto | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.156-7 | |
| 9-3 | Concerto for Cello and Orchestra in E minor, op. 85: III. Adagio | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.155-6 | |
| 9-4 | Concerto for Cello and Orchestra in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.154-5 | |
| 9-5 | Concerto for Cello and Orchestra: I. Moderato | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 9-6 | Concerto for Cello and Orchestra: II. Allegro appassionato | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 9-7 | Concerto for Cello and Orchestra: III. Lento - con moto - Risoluto tempo giusto. Brioso - Allegro molto - Rapsodicamente - a tempo di Nº6, Iº Mov. ma un po´più lento - Adagio | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 10-1 | Symphony no. 4 in F minor: I. Allegro | — | ||
| 10-2 | Symphony no. 4 in F minor: II. Andante moderato | — | ||
| 10-3 | Symphony no. 4 in F minor: III. Scherzo. Allegro molto | — | ||
| 10-4 | Symphony no. 4 in F minor: IV. Finale con Epilogo Fugato. Allegro molto Epilogo fugato con anima | — | ||
| 10-5 | Fantasia on a Theme by Thomas Tallis | — | ||
| 10-6 | Symphony no. 6 in E minor: I. Allegro | — | ||
| 10-7 | Symphony no. 6 in E minor: II. Moderato | — | ||
| 10-8 | Symphony no. 6 in E minor: III. Scherzo. Allegro vivace | — | ||
| 10-9 | Symphony no. 6 in E minor: IV. Epilogue. Moderato | — | ||
| 11-1 | Johannesburg Festival Overture | — | ||
| 11-2 | Concerto for Violin and Orchestra: I. Andante tranquillo | — | ||
| 11-3 | Concerto for Violin and Orchestra: II. Presto capriccioso alla napolitana | — | ||
| 11-4 | Concerto for Violin and Orchestra: III. Vivace | — | ||
| 11-5 | Façade Suite no. 1: I. Polka | — | ||
| 11-6 | Façade Suite no. 1: II. Valse | — | ||
| 11-7 | Façade Suite no. 1: III. Swiss Jodelling Song | — | ||
| 11-8 | Façade Suite no. 1: IV. Tango-Pasodoble | — | ||
| 11-9 | Façade Suite no. 1: V. Tarantella Sevillana | — | ||
| 11-10 | Capriccio Burlesco | — | ||
| 12-1 | Façade for Reciter and Chamber Ensemble: Fanfare | — | ||
| 12-2 | Façade for Reciter and Chamber Ensemble: Hornpipe | — | ||
| 12-3 | Façade for Reciter and Chamber Ensemble: En Famille | — | ||
| 12-4 | Façade for Reciter and Chamber Ensemble: Mariner Man | — | ||
| 12-5 | Façade for Reciter and Chamber Ensemble: Long Steel Grass | — | ||
| 12-6 | Façade for Reciter and Chamber Ensemble: Through Gilded Trellises | — | ||
| 12-7 | Façade for Reciter and Chamber Ensemble: Tango-Pasodoble | — | ||
| 12-8 | Façade for Reciter and Chamber Ensemble: Scotch Rhapsody | — | ||
| 12-9 | Façade for Reciter and Chamber Ensemble: Lullaby for Jumbo | — | ||
| 12-10 | Façade for Reciter and Chamber Ensemble: Old Sir Faulk, Foxtrot | — | ||
| 12-11 | Façade for Reciter and Chamber Ensemble: By the lake | — | ||
| 12-12 | Façade for Reciter and Chamber Ensemble: The Man from a Far Country | — | ||
| 12-13 | Façade for Reciter and Chamber Ensemble: Jodelling Song | — | ||
| 12-14 | Façade for Reciter and Chamber Ensemble: Country Song | — | ||
| 12-15 | Façade for Reciter and Chamber Ensemble: Black Mrs. Behemoth | — | ||
| 12-16 | Façade for Reciter and Chamber Ensemble: Popular Song | — | ||
| 12-17 | Façade for Reciter and Chamber Ensemble: Polka | — | ||
| 12-18 | Façade for Reciter and Chamber Ensemble: Valse | — | ||
| 12-19 | Façade for Reciter and Chamber Ensemble: Four in the Morning | — | ||
| 12-20 | Façade for Reciter and Chamber Ensemble: Something Lies beyond the Scene | — | ||
| 12-21 | Façade for Reciter and Chamber Ensemble: When Sir Beelzebub | — | ||
| 12-22 | Belshazzar's Feast: Thus spake Isaiah | — | ||
| 12-23 | Belshazzar's Feast: By the waters of Babylon | — | ||
| 12-24 | Belshazzar's Feast: If I forget thee, O Jerusalem | — | ||
| 12-25 | Belshazzar's Feast: O daughter of Babylon | — | ||
| 12-26 | Belshazzar's Feast: Babylon was a great city | — | ||
| 12-27 | Belshazzar's Feast: In Babylon | — | ||
| 12-28 | Belshazzar's Feast: Praise ye | — | ||
| 12-29 | Belshazzar's Feast: And in the same hour, as they feasted | — | ||
| 12-30 | Belshazzar's Feast: Then sing aloud to God our strength | — | ||
| 12-31 | Belshazzar's Feast: The trumpets and pipers are silent | — | ||
| 12-32 | Belshazzar's Feast: Alleluia! | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
888837371827 is a Universal Product Code (UPC) assigned to The British Music Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 147 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The British Music Collection” by Various Artists is 888837371827. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Sony Classical. This release contains 147 tracks, each with its own ISRC. Tracks include USSM10205766, USSM10205767, USSM10205768.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Punch and the Child, op. 49: Scene I. Overture - Child's Dance - Storm - Punch and the Child | — | ||
| 2 | Punch and the Child, op. 49: Scene II. Punch and Judy- Lullaby - The Chase | — | ||
| 3 | Punch and the Child, op. 49: Scene III. Punch and Pretty Polly - Jack Ketch | — | ||
| 4 | Punch and the Child, op. 49: Scene IV. | — | ||
| 5 | Punch and the Child, op. 49: Scene V. Hector the Horse - The Doctor | — | ||
| 6 | Punch and the Child, op. 49: Scene VI. Punch and the Hangman | — | ||
| 7 | Punch and the Child, op. 49: Scene VII. Punch and the Devil | — | ||
| 8 | Punch and the Child, op. 49: Scene VIII. Punch's Disappearance | — | ||
| 9 | Punch and the Child, op. 49: Scene IX. Epilogue | — | ||
| 10 | The Triumph of Neptune: Harlequinade | — | ||
| 11 | The Triumph of Neptune: Dance of the Fairy Princess | — | ||
| 12 | The Triumph of Neptune: Scottische | — | ||
| 13 | The Triumph of Neptune: Cloudland | — | ||
| 14 | The Triumph of Neptune: Sunday Morning (Intermezzo) | — | ||
| 15 | The Triumph of Neptune: The Sailors Return (Polka) | — | ||
| 16 | The Triumph of Neptune: Hornpipe | — | ||
| 17 | The Triumph of Neptune: The Frozen Forest | — | ||
| 18 | The Triumph of Neptune: Apotheosis of Neptune | — | ||
| 19 | Paris - A Nocturne | — | ||
| 2-1 | The Young Person's Guide to the Orchestra, op. 34 | — | ||
| 2-2 | Sinfonia da Requiem, op. 20: I. Lacrymosa | — | ||
| 2-3 | Sinfonia da Requiem, op. 20: II. Dies irae | — | ||
| 2-4 | Sinfonia da Requiem, op. 20: III. Requiem aeternam | — | ||
| 2-5 | Diversions for Piano (left hand) and Orchestra, op. 21: Theme. Maestoso | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-6 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 1: Recitative. L'istesso tempo | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-7 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 2: Romance. Allegretto mosso | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-8 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 3: March. Allegro con brio | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-9 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 4: Arabesque. Allegretto | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-10 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 5: Chant: Andante solennemente | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-11 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 6: Nocturne. Andante piacevole | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-12 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 7: Badinerie. Grave | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-13 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 8: Burlesque. Molto moderato | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-14 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 9a: Toccata I. Allegro | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-15 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 9b: Toccata II. L'istesso tempo | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-16 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 10: Adagio | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-17 | Diversions for Piano (left hand) and Orchestra, op. 21: Finale - Tarantella. Presto con fuoco | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-1 | Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso | — | ||
| 3-2 | Symphony for Cello and Orchestra, op. 68: II. Presto inquieto | — | ||
| 3-3 | Symphony for Cello and Orchestra, op. 68: III. Adagio - Cadenza ad lib. | — | ||
| 3-4 | Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro | — | ||
| 3-5 | Concerto for Violin and Orchestra: I. Allegro moderato | — | ||
| 3-6 | Concerto for Violin and Orchestra: II. Adagio | — | ||
| 3-7 | Concerto for Violin and Orchestra: III. Allegro non troppo | — | ||
| 4-1 | Over the hills and far away | — | ||
| 4-2 | North Country Sketches: I. Autumn - The Wind Soughs in the Trees | — | ||
| 4-3 | North Country Sketches: II. Winter Landscape | — | ||
| 4-4 | North Country Sketches: III. Dance | — | ||
| 4-5 | North Country Sketches: IV. The March of Spring - Woodlands, Meadows and Silent Moors | — | ||
| 4-6 | Eventyr (Once upon a Time) | — | ||
| 4-7 | Koanga (Closing Scene) | — | ||
| 5-1 | Symphony no. 1 in A‐flat major, op. 55: I. Andante. Nobilmente e semplice – Allegro | London Philharmonic Orchestra, Daniel Barenboim | — | |
| 5-2 | Symphony no. 1 in A‐flat major, op. 55: II. Allegro molto | London Philharmonic Orchestra, Daniel Barenboim | — | |
| 5-3 | Symphony no. 1 in A‐flat major, op. 55: III. Adagio | London Philharmonic Orchestra, Daniel Barenboim | T-913.999.561-2 | |
| 5-4 | Symphony no. 1 in A‐flat major, op. 55: IV. Lento – Allegro | London Philharmonic Orchestra, Daniel Barenboim | — | |
| 5-5 | Sea Pictures, op. 37: I. Sea Slumber Song | — | ||
| 5-6 | Sea Pictures, op. 37: II. In Haven (Capri) | — | ||
| 5-7 | Sea Pictures, op. 37: III. Sabbath Morning at Sea | — | ||
| 5-8 | Sea Pictures, op. 37: IV. Where Corals Lie | — | ||
| 5-9 | Sea Pictures, op. 37: V. The Swimmer | — | ||
| 6-1 | Overture “Cockaigne” (In London Town), op. 40 | London Philharmonic Orchestra, Daniel Barenboim | T-010.035.109-4 | |
| 6-2 | Imperial March, op. 32 | — | ||
| 6-3 | Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente | — | ||
| 6-4 | Symphony no. 2 in E-flat major, op. 63: II. Larghetto | — | ||
| 6-5 | Symphony no. 2 in E-flat major, op. 63: III. Rondo. Presto | — | ||
| 6-6 | Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso | — | ||
| 7-1 | Variations on an Original Theme ("Enigma"), op. 36: Enigma: Andante | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-2 | Variations on an Original Theme ("Enigma"), op. 36: I. (C. A. E.): L'istesso tempo | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-3 | Variations on an Original Theme ("Enigma"), op. 36: II. (H. D. S.-P.): Allegro | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-4 | Variations on an Original Theme ("Enigma"), op. 36: III. (R. B. T.):Allegretto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-5 | Variations on an Original Theme ("Enigma"), op. 36: IV. (W. M. B.): Allegro di molto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-6 | Variations on an Original Theme ("Enigma"), op. 36: V. (R. P. A.): Moderato | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-7 | Variations on an Original Theme ("Enigma"), op. 36: VI. (Ysobel): Andantino | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-8 | Variations on an Original Theme ("Enigma"), op. 36: VII. (Troyte): Presto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-9 | Variations on an Original Theme ("Enigma"), op. 36: VIII. (W. N.): Allegretto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-10 | Variations on an Original Theme ("Enigma"), op. 36: IX. (Nimrod): Adagio | Philharmonia Orchestra, Sir Andrew Davis | T-010.115.427-1 | |
| 7-11 | Variations on an Original Theme ("Enigma"), op.36: X. Intermezzo (Dorabella.): Allegretto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-12 | Variations on an Original Theme ("Enigma"), op. 36: XI. (G. R. S.):Allegro di molto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-13 | Variations on an Original Theme ("Enigma"), op. 36: XII. (B. G. N.): Andante | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-14 | Variations on an Original Theme ("Enigma"), op. 36: XIII. Romanza (***): Moderato | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-15 | Variations on an Original Theme ("Enigma"), op. 36: XIV. Finale (E. D. U.):Allegro - Presto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-16 | Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco | Philharmonia Orchestra, Andrew Davis | — | |
| 7-17 | Pomp and Circumstance, op. 39: no. 2 in A minor: Allegro molto | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-18 | Pomp and Circumstance, op. 39: no. 3 in C minor: Con fuoco | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 7-19 | Pomp and Circumstance, op. 39: no. 4 in G major: Allegro marziale | Philharmonia Orchestra, Sir Andrew Davis | T-010.247.851-2 | |
| 7-20 | Pomp and Circumstance, op. 39: no. 5 in C major: Vivace | Philharmonia Orchestra, Sir Andrew Davis | — | |
| 8-1 | Concerto for Violin in B minor, op. 61: I. Allegro | — | ||
| 8-2 | Concerto for Violin in B minor, op. 61: II. Andante | — | ||
| 8-3 | Concerto for Violin in B minor, op. 61: III. Allegro molto | — | ||
| 8-4 | In the South (Alassio), op. 50 | — | ||
| 9-1 | Concerto for Cello and Orchestra, op. 85: I. Adagio - Moderato | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-919.860.418-1 | |
| 9-2 | Concerto for Cello and Orchestra, op. 85: II. Lento - Allegro molto | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.156-7 | |
| 9-3 | Concerto for Cello and Orchestra in E minor, op. 85: III. Adagio | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.155-6 | |
| 9-4 | Concerto for Cello and Orchestra in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.154-5 | |
| 9-5 | Concerto for Cello and Orchestra: I. Moderato | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 9-6 | Concerto for Cello and Orchestra: II. Allegro appassionato | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 9-7 | Concerto for Cello and Orchestra: III. Lento - con moto - Risoluto tempo giusto. Brioso - Allegro molto - Rapsodicamente - a tempo di Nº6, Iº Mov. ma un po´più lento - Adagio | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 10-1 | Symphony no. 4 in F minor: I. Allegro | — | ||
| 10-2 | Symphony no. 4 in F minor: II. Andante moderato | — | ||
| 10-3 | Symphony no. 4 in F minor: III. Scherzo. Allegro molto | — | ||
| 10-4 | Symphony no. 4 in F minor: IV. Finale con Epilogo Fugato. Allegro molto Epilogo fugato con anima | — | ||
| 10-5 | Fantasia on a Theme by Thomas Tallis | — | ||
| 10-6 | Symphony no. 6 in E minor: I. Allegro | — | ||
| 10-7 | Symphony no. 6 in E minor: II. Moderato | — | ||
| 10-8 | Symphony no. 6 in E minor: III. Scherzo. Allegro vivace | — | ||
| 10-9 | Symphony no. 6 in E minor: IV. Epilogue. Moderato | — | ||
| 11-1 | Johannesburg Festival Overture | — | ||
| 11-2 | Concerto for Violin and Orchestra: I. Andante tranquillo | — | ||
| 11-3 | Concerto for Violin and Orchestra: II. Presto capriccioso alla napolitana | — | ||
| 11-4 | Concerto for Violin and Orchestra: III. Vivace | — | ||
| 11-5 | Façade Suite no. 1: I. Polka | — | ||
| 11-6 | Façade Suite no. 1: II. Valse | — | ||
| 11-7 | Façade Suite no. 1: III. Swiss Jodelling Song | — | ||
| 11-8 | Façade Suite no. 1: IV. Tango-Pasodoble | — | ||
| 11-9 | Façade Suite no. 1: V. Tarantella Sevillana | — | ||
| 11-10 | Capriccio Burlesco | — | ||
| 12-1 | Façade for Reciter and Chamber Ensemble: Fanfare | — | ||
| 12-2 | Façade for Reciter and Chamber Ensemble: Hornpipe | — | ||
| 12-3 | Façade for Reciter and Chamber Ensemble: En Famille | — | ||
| 12-4 | Façade for Reciter and Chamber Ensemble: Mariner Man | — | ||
| 12-5 | Façade for Reciter and Chamber Ensemble: Long Steel Grass | — | ||
| 12-6 | Façade for Reciter and Chamber Ensemble: Through Gilded Trellises | — | ||
| 12-7 | Façade for Reciter and Chamber Ensemble: Tango-Pasodoble | — | ||
| 12-8 | Façade for Reciter and Chamber Ensemble: Scotch Rhapsody | — | ||
| 12-9 | Façade for Reciter and Chamber Ensemble: Lullaby for Jumbo | — | ||
| 12-10 | Façade for Reciter and Chamber Ensemble: Old Sir Faulk, Foxtrot | — | ||
| 12-11 | Façade for Reciter and Chamber Ensemble: By the lake | — | ||
| 12-12 | Façade for Reciter and Chamber Ensemble: The Man from a Far Country | — | ||
| 12-13 | Façade for Reciter and Chamber Ensemble: Jodelling Song | — | ||
| 12-14 | Façade for Reciter and Chamber Ensemble: Country Song | — | ||
| 12-15 | Façade for Reciter and Chamber Ensemble: Black Mrs. Behemoth | — | ||
| 12-16 | Façade for Reciter and Chamber Ensemble: Popular Song | — | ||
| 12-17 | Façade for Reciter and Chamber Ensemble: Polka | — | ||
| 12-18 | Façade for Reciter and Chamber Ensemble: Valse | — | ||
| 12-19 | Façade for Reciter and Chamber Ensemble: Four in the Morning | — | ||
| 12-20 | Façade for Reciter and Chamber Ensemble: Something Lies beyond the Scene | — | ||
| 12-21 | Façade for Reciter and Chamber Ensemble: When Sir Beelzebub | — | ||
| 12-22 | Belshazzar's Feast: Thus spake Isaiah | — | ||
| 12-23 | Belshazzar's Feast: By the waters of Babylon | — | ||
| 12-24 | Belshazzar's Feast: If I forget thee, O Jerusalem | — | ||
| 12-25 | Belshazzar's Feast: O daughter of Babylon | — | ||
| 12-26 | Belshazzar's Feast: Babylon was a great city | — | ||
| 12-27 | Belshazzar's Feast: In Babylon | — | ||
| 12-28 | Belshazzar's Feast: Praise ye | — | ||
| 12-29 | Belshazzar's Feast: And in the same hour, as they feasted | — | ||
| 12-30 | Belshazzar's Feast: Then sing aloud to God our strength | — | ||
| 12-31 | Belshazzar's Feast: The trumpets and pipers are silent | — | ||
| 12-32 | Belshazzar's Feast: Alleluia! | — |
