UPC · Release
Aaron Copland
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888837372329 is the Universal Product Code (UPC barcode) for the release “The Aaron Copland Collection” by Aaron Copland, released 2013-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 64 tracks, each with its own ISRC. Tracks include USSM10400551, USSM10207043, USSM10001711.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | El Salon Mexico | — | ||
| 2 | An Outdoor Overture | — | ||
| 3 | Billy the Kid Suite: Introduction, The Open Prairie | — | ||
| 4 | Billy the Kid Suite: Street in a Frontier Town | — | ||
| 5 | Billy the Kid Suite: Prairie Night (Card game at night) | — | ||
| 6 | Billy the Kid Suite: Gun Battle | — | ||
| 7 | Billy the Kid: V. Celebration Dance (after Billy’s Capture) | London Symphony Orchestra, Aaron Copland | — | |
| 8 | Billy the Kid Suite: Billy's Death | — | ||
| 9 | Billy the Kid Suite: The Open Prairie Again | — | ||
| 10 | Quiet City | — | ||
| 11 | John Henry | — | ||
| 12 | Our Town | — | ||
| 13 | Las Agachadas (The Shake-down Song) | — | ||
| 14 | Fanfare for the Common Man | London Symphony Orchestra, Aaron Copland | T-070.054.000-6 | |
| 2-1 | Rodeo: I. Buckaroo Holiday | London Symphony Orchestra, Aaron Copland | — | |
| 2-2 | Rodeo: II. Corral Nocturne | London Symphony Orchestra, Aaron Copland | T-070.026.038-3 | |
| 2-3 | Rodeo: III. Saturday Night Waltz | London Symphony Orchestra, Aaron Copland | — | |
| 2-4 | Rodeo: IV. Hoe-Down | London Symphony Orchestra, Aaron Copland | T-902.933.385-5 | |
| 2-5 | Music for Movies: New England Countryside from "The City" | — | ||
| 2-6 | Music for Movies: Barley Wagons from "Of Mice and Men" | — | ||
| 2-7 | Music for Movies: Sunday Traffic from "The City" | — | ||
| 2-8 | Music for Movies: Grovers Corners (From "Our Town") | Philharmonia Orchestra, Aaron Copland | T-070.110.506-7 | |
| 2-9 | Music for Movies: Threshing Machines from "Of Mice and Men" | — | ||
| 2-10 | Appalachian Spring: Very slow | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-11 | Appalachian Spring: Allegro | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-12 | Appalachian Spring: Moderato | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-13 | Appalachian Spring: Fast | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-14 | Appalacian Spring: Subito allegro | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-15 | Appalachian Spring: As At First (Slowly) | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-16 | Appalachian Spring: Doppio movimento | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-17 | Appalachian Spring: Andante (Very Calm) | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-18 | Letter From Home | — | ||
| 3-1 | Lincoln Portrait: Lento | — | ||
| 3-2 | Lincoln Portrait: Subito allegro | — | ||
| 3-3 | Lincoln Portrait: "Fellow citizens, we cannot escape history..." | — | ||
| 3-4 | Symphony No. 3: I. Molto moderato - with simple expression | — | ||
| 3-5 | Symphony No. 3: II. Allegro molto | — | ||
| 3-6 | Symphony No. 3: III. Andantino quasi allegretto | — | ||
| 3-7 | Symphony No. 3: IV. Molto deliberato | — | ||
| 3-8 | Concerto for Clarinet and String Orchestra (With Piano & Harp) | Abba Bogin, Benny Goodman, Laura Newell, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-1 | Scherzo Humoristique: The Cat and the Mouse (1920) | — | ||
| 4-2 | Piano Variations (1930) | — | ||
| 4-3 | In Evening Air (1966) | — | ||
| 4-4 | Passacaglia (1922) | — | ||
| 4-5 | I. Molto moderato | — | ||
| 4-6 | II. Vivace | — | ||
| 4-7 | III. Andante sostenuto | — | ||
| 4-8 | 1. Midday Thoughts | — | ||
| 4-9 | 2. Proclamation | — | ||
| 4-10 | 1. embittered | — | ||
| 4-11 | 2. wistful | — | ||
| 4-12 | 3. jazzy | — | ||
| 5-1 | Petite Portrait (1921) | — | ||
| 5-2 | Sentimental Melody (1926) | — | ||
| 5-3 | Piano Fantasy (1955-57) | — | ||
| 5-4 | 1. Freely Poetic (for Leo Smit) | — | ||
| 5-5 | 2. Soft and Languid (for Andor Foldes) | — | ||
| 5-6 | 3. Muted and Sensuous (for William Kapell) | — | ||
| 5-7 | 4. With Bounce (for John Kirkpatrick) | — | ||
| 5-8 | Midsummer Nocturne (1947) | — | ||
| 5-9 | The Young Pioneers (1936) | — | ||
| 5-10 | Sunday Afternoon Music (1936) | — | ||
| 5-11 | Down A Country Lane (1962) | — | ||
| 5-12 | Night Thoughts (Homage to Ives) (1972) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Clarinet and String Orchestra (With Piano & Harp) | Abba Bogin, Benny Goodman, Laura Newell, Columbia Symphony Orchestra, Aaron Copland | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
888837372329 is a Universal Product Code (UPC) assigned to The Aaron Copland Collection by Aaron Copland. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 64 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
888837372329 is the Universal Product Code (UPC barcode) for the release “The Aaron Copland Collection” by Aaron Copland, released 2013-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 64 tracks, each with its own ISRC. Tracks include USSM10400551, USSM10207043, USSM10001711.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | El Salon Mexico | — | ||
| 2 | An Outdoor Overture | — | ||
| 3 | Billy the Kid Suite: Introduction, The Open Prairie | — | ||
| 4 | Billy the Kid Suite: Street in a Frontier Town | — | ||
| 5 | Billy the Kid Suite: Prairie Night (Card game at night) | — | ||
| 6 | Billy the Kid Suite: Gun Battle | — | ||
| 7 | Billy the Kid: V. Celebration Dance (after Billy’s Capture) | London Symphony Orchestra, Aaron Copland | — | |
| 8 | Billy the Kid Suite: Billy's Death | — | ||
| 9 | Billy the Kid Suite: The Open Prairie Again | — | ||
| 10 | Quiet City | — | ||
| 11 | John Henry | — | ||
| 12 | Our Town | — | ||
| 13 | Las Agachadas (The Shake-down Song) | — | ||
| 14 | Fanfare for the Common Man | London Symphony Orchestra, Aaron Copland | T-070.054.000-6 | |
| 2-1 | Rodeo: I. Buckaroo Holiday | London Symphony Orchestra, Aaron Copland | — | |
| 2-2 | Rodeo: II. Corral Nocturne | London Symphony Orchestra, Aaron Copland | T-070.026.038-3 | |
| 2-3 | Rodeo: III. Saturday Night Waltz | London Symphony Orchestra, Aaron Copland | — | |
| 2-4 | Rodeo: IV. Hoe-Down | London Symphony Orchestra, Aaron Copland | T-902.933.385-5 | |
| 2-5 | Music for Movies: New England Countryside from "The City" | — | ||
| 2-6 | Music for Movies: Barley Wagons from "Of Mice and Men" | — | ||
| 2-7 | Music for Movies: Sunday Traffic from "The City" | — | ||
| 2-8 | Music for Movies: Grovers Corners (From "Our Town") | Philharmonia Orchestra, Aaron Copland | T-070.110.506-7 | |
| 2-9 | Music for Movies: Threshing Machines from "Of Mice and Men" | — | ||
| 2-10 | Appalachian Spring: Very slow | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-11 | Appalachian Spring: Allegro | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-12 | Appalachian Spring: Moderato | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-13 | Appalachian Spring: Fast | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-14 | Appalacian Spring: Subito allegro | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-15 | Appalachian Spring: As At First (Slowly) | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-16 | Appalachian Spring: Doppio movimento | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-17 | Appalachian Spring: Andante (Very Calm) | London Symphony Orchestra, Aaron Copland | T-070.001.612-1 | |
| 2-18 | Letter From Home | — | ||
| 3-1 | Lincoln Portrait: Lento | — | ||
| 3-2 | Lincoln Portrait: Subito allegro | — | ||
| 3-3 | Lincoln Portrait: "Fellow citizens, we cannot escape history..." | — | ||
| 3-4 | Symphony No. 3: I. Molto moderato - with simple expression | — | ||
| 3-5 | Symphony No. 3: II. Allegro molto | — | ||
| 3-6 | Symphony No. 3: III. Andantino quasi allegretto | — | ||
| 3-7 | Symphony No. 3: IV. Molto deliberato | — | ||
| 3-8 | Concerto for Clarinet and String Orchestra (With Piano & Harp) | Abba Bogin, Benny Goodman, Laura Newell, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-1 | Scherzo Humoristique: The Cat and the Mouse (1920) | — | ||
| 4-2 | Piano Variations (1930) | — | ||
| 4-3 | In Evening Air (1966) | — | ||
| 4-4 | Passacaglia (1922) | — | ||
| 4-5 | I. Molto moderato | — | ||
| 4-6 | II. Vivace | — | ||
| 4-7 | III. Andante sostenuto | — | ||
| 4-8 | 1. Midday Thoughts | — | ||
| 4-9 | 2. Proclamation | — | ||
| 4-10 | 1. embittered | — | ||
| 4-11 | 2. wistful | — | ||
| 4-12 | 3. jazzy | — | ||
| 5-1 | Petite Portrait (1921) | — | ||
| 5-2 | Sentimental Melody (1926) | — | ||
| 5-3 | Piano Fantasy (1955-57) | — | ||
| 5-4 | 1. Freely Poetic (for Leo Smit) | — | ||
| 5-5 | 2. Soft and Languid (for Andor Foldes) | — | ||
| 5-6 | 3. Muted and Sensuous (for William Kapell) | — | ||
| 5-7 | 4. With Bounce (for John Kirkpatrick) | — | ||
| 5-8 | Midsummer Nocturne (1947) | — | ||
| 5-9 | The Young Pioneers (1936) | — | ||
| 5-10 | Sunday Afternoon Music (1936) | — | ||
| 5-11 | Down A Country Lane (1962) | — | ||
| 5-12 | Night Thoughts (Homage to Ives) (1972) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Clarinet and String Orchestra (With Piano & Harp) | Abba Bogin, Benny Goodman, Laura Newell, Columbia Symphony Orchestra, Aaron Copland | — |
