UPC · Release
John Williams
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The UPC for “The Spanish Guitar Anthology” by John Williams is 888837372626. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Sony Classical. This release contains 91 tracks, each with its own ISRC. Tracks include USSM11303311, USSM16900640, USSM19503151.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sevilla (Sevillanas), op. 47/3 (Suite española no. 1) | — | ||
| 2 | Recuerdos de la Alhambra | — | ||
| 3 | Fandanguillo, op. 36 | — | ||
| 4 | Soleares, op. 69/2 (Homenaje a Tárrega) | — | ||
| 5 | Ráfaga, op. 53 | — | ||
| 6 | El testament d'Amelia | — | ||
| 7 | El Colibri | — | ||
| 8 | Danza española no. 5 "Andaluza" | — | ||
| 9 | Homenaje | — | ||
| 10 | Fantasia | — | ||
| 11 | Diferencias sobre el Conde Claros | — | ||
| 12 | Aires de la Mancha: Jeringonza | — | ||
| 13 | Aires de la Mancha: Ya llega el invierno | — | ||
| 14 | Aires de la Mancha: Coplilla | — | ||
| 15 | Aires de la Mancha: La pastora | — | ||
| 16 | Aires de la Mancha: La seguidilla | — | ||
| 17 | Variations on a Theme by Mozart, op. 9 | John Williams | — | |
| 2-1 | Suite española no. 1, op. 47: No. 1. Granada (Serenata) | — | ||
| 2-2 | Suite española no. 1, op. 47: No. 2. Asturias (Leyenda) | — | ||
| 2-3 | Suite española no. 1, op. 47: No. 3. Sevilla (Sevillanas) | — | ||
| 2-4 | Mallorca (Barcarola), op. 202 | — | ||
| 2-5 | Córdoba form "Cantos de España", op. 232 | — | ||
| 2-6 | Torre Bermeja (Serenata), op. 92/12 (12 piezas caracteristicas) | — | ||
| 2-7 | Suite española no. 1, op. 47: No. 4. Cádiz (Canción) | — | ||
| 2-8 | Suite española no. 2, op. 97: No. 4. Zambra granadina (Danza oriental) | — | ||
| 2-9 | Tango, op. 165/2 (España) | — | ||
| 3-1 | Asturias (Leyenda), op. 47/5 (Suite española no. 1) | John Williams | — | |
| 3-2 | Tango, op. 165/2 (España) | — | ||
| 3-3 | Canarios | — | ||
| 3-4 | Fandango (3 piezas española) | — | ||
| 3-5 | Nocturno | — | ||
| 3-6 | Valses poéticos (excerpts) | — | ||
| 3-7 | Sonata in D major | — | ||
| 3-8 | El sombrero de tres picos: The corregidor's dance | — | ||
| 3-9 | El sombrero de tres picos: Fisherman's song | — | ||
| 3-10 | El sombrero de tres picos: The Miller's dance (Farruca) | — | ||
| 3-11 | Madroños | — | ||
| 3-12 | Canciones populares catalanas: La nit de Nadal | — | ||
| 3-13 | Canciones populares catalanas: El noi de la mare | — | ||
| 3-14 | La maja de Goya (12 tonadillas en estilo antiguo) | — | ||
| 3-15 | Córdoba, op. 232/5 (Cantos de España) | — | ||
| 3-16 | Dance From La Vida Breve | John Williams | T-918.125.296-0 | |
| 3-17 | Intermezzo (Goyescas) | Timothy Kain, John Williams | — | |
| 3-18 | Rondella aragonesa (12 danzas española) | Timothy Kain, John Williams | — | |
| 3-19 | Sonata in A major, R. 84 | Timothy Kain, John Williams | — | |
| 4-1 | Valses poéticos | — | ||
| 4-2 | Invocación y danza | — | ||
| 4-3 | Canciones populares catalanas: Canço del lladre | — | ||
| 4-4 | Canciones populares catalanas: El testament d'Amelia | — | ||
| 4-5 | Canciones populares catalanas: La filadora | — | ||
| 4-6 | Canciones populares catalanas: El mestre | — | ||
| 4-7 | Canciones populares catalanas: La nit de Nadal | — | ||
| 4-8 | Canciones populares catalanas: L'hereu Riera | — | ||
| 4-9 | Canciones populares catalanas: Lo fill del rei | — | ||
| 4-10 | Canciones populares catalanas: La pastoreta | — | ||
| 4-11 | Canciones populares catalanas: El noi de la mare | — | ||
| 4-12 | En los trigales | — | ||
| 4-13 | Iberia: No. 7. El Albaicín | — | ||
| 4-14 | Iberia: No. 6. Triana | — | ||
| 4-15 | Iberia: No. 4. Rondeña | — | ||
| 5-1 | L’encouragement, op. 34: I. Cantabile | Julian Bream, John Williams | T-001.397.158-8 | |
| 5-2 | L’encouragement, op. 34: II. Theme and Variations | Julian Bream, John Williams | — | |
| 5-3 | L’encouragement, op. 34: III. Waltz | Julian Bream, John Williams | — | |
| 5-4 | Córdoba, op. 232/4 | — | ||
| 5-5 | Intermezzo (Goyescas) | — | ||
| 5-6 | Danza española no. 1 (La vida breve) | — | ||
| 5-7 | Danza española no. 6 "Rondella aragonesa" | — | ||
| 5-8 | Danza española no. 11 "Zambra" | — | ||
| 5-9 | Bajo la palmera, op. 232/3 (Cantos de España) | — | ||
| 5-10 | Evocación (Iberia) | — | ||
| 5-11 | Fantasia for 2 guitars, op. 54bis | — | ||
| 5-12 | Castilla (Seguidillas), op. 47/7 (Suite española no. 1) | — | ||
| 5-13 | Danza española no. 2 "Oriental" | — | ||
| 6-1 | Concierto de Aranjuez: I. Allegro con spirito | John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 6-2 | Concierto de Aranjuez: II. Adagio | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 6-3 | Concierto de Aranjuez: IIII. Allegro gentile | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 6-4 | Fantasia para un gentilhombre: I. Villano y Ricercare: Adagietto / Andante Moderato | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.067-7 | |
| 6-5 | Fantasia para un gentilhombre: II. Espanoleta y Fanfare de la Caballeria de Napoles: Adagio / Allegretto, molto ritmico: tempo de Espanoleta | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.067-7 | |
| 6-6 | Fantasia para un gentilhombre: III. Danza de las Hachas: Allegro con Brio | John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.067-7 | |
| 6-7 | Fantasia para un gentilhombre: IV. Canario: Allegro ma non troppo | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.067-7 | |
| 7-1 | Concierto de Aranjuez: I. Allegro con spirito | John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 7-2 | Concierto de Aranjuez: II. Adagio | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 7-3 | Concierto de Aranjuez: III. Allegro gentile | — | ||
| 7-4 | Fantasía para un gentilhombre: I. Villano y ricercare. Adagietto – Andante moderato | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 7-5 | Fantasía para un gentilhombre, for guitar & orchestra: II. Españoleta e fanfare de la caballería de Nápoles. Adagio | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 7-6 | Fantasía para un gentilhombre, for guitar & orchestra: II. (cont.) Fanfare de la caballería de Nápoles. Allegretto, molto ritmico | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 7-7 | Fantasía para un gentilhombre: III. Danza de las hachas. Allegro con brio | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 7-8 | Fantasía para un gentilhombre: IV. Canario. Allegro ma non troppo | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 7-9 | Concierto de Aranjuez: I. Allegro con spirito | — | ||
| 7-10 | Concierto de Aranjuez: II. Adagio | — | ||
| 7-11 | Concierto de Aranjuez: III. Allegro gentile | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
888837372626 is a Universal Product Code (UPC) assigned to The Spanish Guitar Anthology by John Williams. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 91 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Spanish Guitar Anthology” by John Williams is 888837372626. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Sony Classical. This release contains 91 tracks, each with its own ISRC. Tracks include USSM11303311, USSM16900640, USSM19503151.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sevilla (Sevillanas), op. 47/3 (Suite española no. 1) | — | ||
| 2 | Recuerdos de la Alhambra | — | ||
| 3 | Fandanguillo, op. 36 | — | ||
| 4 | Soleares, op. 69/2 (Homenaje a Tárrega) | — | ||
| 5 | Ráfaga, op. 53 | — | ||
| 6 | El testament d'Amelia | — | ||
| 7 | El Colibri | — | ||
| 8 | Danza española no. 5 "Andaluza" | — | ||
| 9 | Homenaje | — | ||
| 10 | Fantasia | — | ||
| 11 | Diferencias sobre el Conde Claros | — | ||
| 12 | Aires de la Mancha: Jeringonza | — | ||
| 13 | Aires de la Mancha: Ya llega el invierno | — | ||
| 14 | Aires de la Mancha: Coplilla | — | ||
| 15 | Aires de la Mancha: La pastora | — | ||
| 16 | Aires de la Mancha: La seguidilla | — | ||
| 17 | Variations on a Theme by Mozart, op. 9 | John Williams | — | |
| 2-1 | Suite española no. 1, op. 47: No. 1. Granada (Serenata) | — | ||
| 2-2 | Suite española no. 1, op. 47: No. 2. Asturias (Leyenda) | — | ||
| 2-3 | Suite española no. 1, op. 47: No. 3. Sevilla (Sevillanas) | — | ||
| 2-4 | Mallorca (Barcarola), op. 202 | — | ||
| 2-5 | Córdoba form "Cantos de España", op. 232 | — | ||
| 2-6 | Torre Bermeja (Serenata), op. 92/12 (12 piezas caracteristicas) | — | ||
| 2-7 | Suite española no. 1, op. 47: No. 4. Cádiz (Canción) | — | ||
| 2-8 | Suite española no. 2, op. 97: No. 4. Zambra granadina (Danza oriental) | — | ||
| 2-9 | Tango, op. 165/2 (España) | — | ||
| 3-1 | Asturias (Leyenda), op. 47/5 (Suite española no. 1) | John Williams | — | |
| 3-2 | Tango, op. 165/2 (España) | — | ||
| 3-3 | Canarios | — | ||
| 3-4 | Fandango (3 piezas española) | — | ||
| 3-5 | Nocturno | — | ||
| 3-6 | Valses poéticos (excerpts) | — | ||
| 3-7 | Sonata in D major | — | ||
| 3-8 | El sombrero de tres picos: The corregidor's dance | — | ||
| 3-9 | El sombrero de tres picos: Fisherman's song | — | ||
| 3-10 | El sombrero de tres picos: The Miller's dance (Farruca) | — | ||
| 3-11 | Madroños | — | ||
| 3-12 | Canciones populares catalanas: La nit de Nadal | — | ||
| 3-13 | Canciones populares catalanas: El noi de la mare | — | ||
| 3-14 | La maja de Goya (12 tonadillas en estilo antiguo) | — | ||
| 3-15 | Córdoba, op. 232/5 (Cantos de España) | — | ||
| 3-16 | Dance From La Vida Breve | John Williams | T-918.125.296-0 | |
| 3-17 | Intermezzo (Goyescas) | Timothy Kain, John Williams | — | |
| 3-18 | Rondella aragonesa (12 danzas española) | Timothy Kain, John Williams | — | |
| 3-19 | Sonata in A major, R. 84 | Timothy Kain, John Williams | — | |
| 4-1 | Valses poéticos | — | ||
| 4-2 | Invocación y danza | — | ||
| 4-3 | Canciones populares catalanas: Canço del lladre | — | ||
| 4-4 | Canciones populares catalanas: El testament d'Amelia | — | ||
| 4-5 | Canciones populares catalanas: La filadora | — | ||
| 4-6 | Canciones populares catalanas: El mestre | — | ||
| 4-7 | Canciones populares catalanas: La nit de Nadal | — | ||
| 4-8 | Canciones populares catalanas: L'hereu Riera | — | ||
| 4-9 | Canciones populares catalanas: Lo fill del rei | — | ||
| 4-10 | Canciones populares catalanas: La pastoreta | — | ||
| 4-11 | Canciones populares catalanas: El noi de la mare | — | ||
| 4-12 | En los trigales | — | ||
| 4-13 | Iberia: No. 7. El Albaicín | — | ||
| 4-14 | Iberia: No. 6. Triana | — | ||
| 4-15 | Iberia: No. 4. Rondeña | — | ||
| 5-1 | L’encouragement, op. 34: I. Cantabile | Julian Bream, John Williams | T-001.397.158-8 | |
| 5-2 | L’encouragement, op. 34: II. Theme and Variations | Julian Bream, John Williams | — | |
| 5-3 | L’encouragement, op. 34: III. Waltz | Julian Bream, John Williams | — | |
| 5-4 | Córdoba, op. 232/4 | — | ||
| 5-5 | Intermezzo (Goyescas) | — | ||
| 5-6 | Danza española no. 1 (La vida breve) | — | ||
| 5-7 | Danza española no. 6 "Rondella aragonesa" | — | ||
| 5-8 | Danza española no. 11 "Zambra" | — | ||
| 5-9 | Bajo la palmera, op. 232/3 (Cantos de España) | — | ||
| 5-10 | Evocación (Iberia) | — | ||
| 5-11 | Fantasia for 2 guitars, op. 54bis | — | ||
| 5-12 | Castilla (Seguidillas), op. 47/7 (Suite española no. 1) | — | ||
| 5-13 | Danza española no. 2 "Oriental" | — | ||
| 6-1 | Concierto de Aranjuez: I. Allegro con spirito | John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 6-2 | Concierto de Aranjuez: II. Adagio | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 6-3 | Concierto de Aranjuez: IIII. Allegro gentile | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 6-4 | Fantasia para un gentilhombre: I. Villano y Ricercare: Adagietto / Andante Moderato | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.067-7 | |
| 6-5 | Fantasia para un gentilhombre: II. Espanoleta y Fanfare de la Caballeria de Napoles: Adagio / Allegretto, molto ritmico: tempo de Espanoleta | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.067-7 | |
| 6-6 | Fantasia para un gentilhombre: III. Danza de las Hachas: Allegro con Brio | John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.067-7 | |
| 6-7 | Fantasia para un gentilhombre: IV. Canario: Allegro ma non troppo | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.067-7 | |
| 7-1 | Concierto de Aranjuez: I. Allegro con spirito | John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 7-2 | Concierto de Aranjuez: II. Adagio | Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux | T-041.489.061-1 | |
| 7-3 | Concierto de Aranjuez: III. Allegro gentile | — | ||
| 7-4 | Fantasía para un gentilhombre: I. Villano y ricercare. Adagietto – Andante moderato | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 7-5 | Fantasía para un gentilhombre, for guitar & orchestra: II. Españoleta e fanfare de la caballería de Nápoles. Adagio | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 7-6 | Fantasía para un gentilhombre, for guitar & orchestra: II. (cont.) Fanfare de la caballería de Nápoles. Allegretto, molto ritmico | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 7-7 | Fantasía para un gentilhombre: III. Danza de las hachas. Allegro con brio | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 7-8 | Fantasía para un gentilhombre: IV. Canario. Allegro ma non troppo | John Williams, English Chamber Orchestra, Sir Charles Groves | T-041.489.067-7 | |
| 7-9 | Concierto de Aranjuez: I. Allegro con spirito | — | ||
| 7-10 | Concierto de Aranjuez: II. Adagio | — | ||
| 7-11 | Concierto de Aranjuez: III. Allegro gentile | — |
