UPC · Release
Those Were the Days: Summer Holiday
Various Artists
Last verified:
888837372824 is the Universal Product Code (UPC barcode) for the release “Those Were the Days: Summer Holiday” by Various Artists, released 2013-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include USSM10027821, GBJWE1105625, USSM16201323.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Music to Watch Girls By | Andy Williams | T-071.066.664-0 | |
| 2 | These Foolish Things (Remind Me of You) | — | ||
| 3 | Magic Moments | Perry Como, Mitchell Ayres Orchestra, The Ray Charles Singers | T-070.080.006-1 | |
| 4 | The Girl From Ipanema | — | ||
| 5 | Perhaps Perhaps Perhaps | — | ||
| 6 | Roses Are Red (My Love) | Bobby Vinton | T-070.127.581-1 | |
| 7 | A Woman in Love | — | ||
| 8 | Thirteen Men | — | ||
| 9 | Dungaree Doll | — | ||
| 10 | Yes Tonight, Josephine | — | ||
| 11 | Pink Pedal Pushers | — | ||
| 12 | The Lady Is a Tramp | — | ||
| 13 | Love Me Warm and Tender | — | ||
| 14 | Istanbul (Not Constantinople) | The Four Lads | T-070.907.001-8 | |
| 15 | Frenesi – Twist | — | ||
| 16 | We’ll Sing in the Sunshine | — | ||
| 17 | In the Cool, Cool, Cool of the Evening | — | ||
| 18 | Oh! Carol | Neil Sedaka | T-071.001.197-4 | |
| 19 | Love Is Strange | Mickey & Sylvia | T-900.758.632-5 | |
| 20 | Fly Me to the Moon (In Other Words) | Tony Bennett | T-070.055.949-4 | |
| 2-1 | Puppy Love | Paul Anka | T-070.243.021-4 | |
| 2-2 | Banana Boat Song (Day‐O) | Harry Belafonte | T-070.889.426-1 | |
| 2-3 | I Will Follow Him (Chariot) | — | ||
| 2-4 | Calendar Girl | — | ||
| 2-5 | The Girl With the Sun in Her Hair | The John Barry Orchestra | T-900.009.298-8 | |
| 2-6 | Sway | Rosemary Clooney | T-904.205.197-8 | |
| 2-7 | Eso Beso (That Kiss) | — | ||
| 2-8 | Stranger on the Shore | Andy Williams | T-070.244.010-5 | |
| 2-9 | The Good Life | — | ||
| 2-10 | We Will Make Love | — | ||
| 2-11 | Peace | — | ||
| 2-12 | Tell Laura I Love Her | — | ||
| 2-13 | Let’s Fall in Love | — | ||
| 2-14 | Summertime | — | ||
| 2-15 | On the Sunny Side of the Street | — | ||
| 2-16 | The Story of My Life | Marty Robbins | T-070.137.917-0 | |
| 2-17 | Walk Hand in Hand With Me | — | ||
| 2-18 | Up‐Up and Away | The 5th Dimension | T-070.193.801-3 | |
| 2-19 | Melodie d’amour (Melody of Love) | — | ||
| 2-20 | Catch a Falling Star | Perry Como, Mitchell Ayres Orchestra, The Ray Charles Singers | T-070.024.190-2 |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Banana Boat Song (Day-o) | Harry Belafonte | T-070.889.426-1 |
| Quién será (Sway) | Pérez Prado, Rosemary Clooney | T-904.205.197-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
+26 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+26 more
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People also ask
What is UPC 888837372824?
888837372824 is a Universal Product Code (UPC) assigned to Those Were the Days: Summer Holiday by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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