The Early Years at RKO

UPC · Release

The Early Years at RKO

Fred Astaire

888837861427
37 tracksReleased 2013-01-01Masterworks (3)

Last verified:

888837861427 is the Universal Product Code (UPC barcode) for the release The Early Years at RKO by Fred Astaire, released 2013-01-01 on Masterworks (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include USSM10027986, USSM11000097, GB8XC1049442.

Format

8Number system
88837Manufacturer
86142Product
7Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Early Years at RKO
ISRC7 recordings
ISWC51 works
IPI1 songwriter

Track List (37)

Music Makes Me
Music Makes Me
Flying Down to Rio
Flying Down to Rio
Night and Day [From "The Gay Divorce"]
Night and Day [From "The Gay Divorce"]
No Strings
No Strings
Isn’t This a Lovely Day
Isn’t This a Lovely Day
Top Hat, White Tie and Tails
Top Hat, White Tie and Tails
Cheek to Cheek
Fred Astaire, Leo Reisman and his Orchestra
The Piccolino
The Piccolino
Let Yourself Go
Let Yourself Go
I’d Rather Lead a Band
I’d Rather Lead a Band
I’m Putting All My Eggs in One Basket
I’m Putting All My Eggs in One Basket
Pick Yourself Up
Pick Yourself Up
Bojangles of Harlem
Bojangles of Harlem
Never Gonna Dance
Never Gonna Dance
A Fine Romance [alternate take]
A Fine Romance [alternate take]
Waltz in Swing Time [alternate take]
Waltz in Swing Time [alternate take]
(I’ve Got) Beginner’s Luck
(I’ve Got) Beginner’s Luck
Slap That Bass
Slap That Bass
Let’s Call the Whole Thing Off
Let’s Call the Whole Thing Off
They Can’t Take That Away From Me
They Can’t Take That Away From Me
Shall We Dance
Shall We Dance
I Can’t Be Bothered Now
I Can’t Be Bothered Now
Things Are Looking Up
Things Are Looking Up
A Foggy Day
A Foggy Day
Nice Work If You Can Get It
Nice Work If You Can Get It
I Used to Be Color Blind
I Used to Be Color Blind
The Yam
The Yam
They Can’t Take That Away From Me [alternate take]
They Can’t Take That Away From Me [alternate take]
The Yam Steps (As Explained by Fred Astaire)
The Yam Steps (As Explained by Fred Astaire)
The Yam
The Yam
I Used to Be Color Blind
I Used to Be Color Blind

Credits Graph

People also ask

What is UPC 888837861427?
UPC 888837861427 is the Universal Product Code (barcode) for "The Early Years at RKO" by Fred Astaire, released on Masterworks (3).
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 888837861427?
UPC 888837861427 contains 37 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 888837861427?

888837861427 is a Universal Product Code (UPC) assigned to The Early Years at RKO by Fred Astaire. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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