UPC · Release
Bartok, Pierre Boulez, New York Philharmonic, BBC Symphony Orchestra
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The UPC for “Pierre Boulez conducts Bartók” by Bartok, Pierre Boulez, New York Philharmonic, BBC Symphony Orchestra is 888837977623. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Sony Classical. This release contains 57 tracks, each with its own ISRC. Tracks include GBCLS7702002, GBCLS7702003, GBCLS7702004.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo | — | ||
| 2 | Music for Strings, Percussion and Celesta, Sz 106: II. Allegro - Vivo - Vivace | — | ||
| 3 | Music for Strings, Percussion and Celesta, Sz 106: III. Adagio - Allegretto | — | ||
| 4 | Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto - Vivacissimo | — | ||
| 5 | Concerto for Orchestra, Sz 116: I. Introduzione. Andante non tropo - Allegro vivace | — | ||
| 6 | Concerto for Orchestra, Sz 116: II. Giuco delle coppie. Allegretto scherzando | — | ||
| 7 | Concerto for Orchestra, Sz 116: III. Elegia. Andante, no tropo | — | ||
| 8 | Concerto for Orchestra, Sz 116: IV. Intermezzo interrotto. Allegretto | — | ||
| 9 | Concerto for Orchestra, Sz 116: V. Finale. Pesante | — | ||
| 2-1 | 4 Orchestral Pieces, op. 12 (Sz. 51): I. Preludio | New York Philharmonic, Pierre Boulez | — | |
| 2-2 | 4 Orchestral Pieces, op. 12 (Sz. 51): II. Scherzo | New York Philharmonic, Pierre Boulez | — | |
| 2-3 | 4 Orchestral Pieces, op. 12 (Sz. 51): III. Intermezzo | New York Philharmonic, Pierre Boulez | — | |
| 2-4 | 4 Orchestral Pieces, op. 12 (Sz. 51): IV. Marcia funebre | New York Philharmonic, Pierre Boulez | — | |
| 2-5 | 3 Village Scenes (Sz. 79): I. Wedding | Camerata Singers, New York Philharmonic, Pierre Boulez | — | |
| 2-6 | 3 Village Scenes (Sz. 79): II. Lullaby | Joan Fuerstman, Lois Winter, New York Philharmonic, Pierre Boulez | — | |
| 2-7 | 3 Village Scenes (Sz. 79): III. Lad’s Dance | Camerata Singers, New York Philharmonic, Pierre Boulez | — | |
| 2-8 | The Miraculous Mandarin, op. 19 (Sz. 73): I. Prelude | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-9 | The Miraculous Mandarin, op. 19 (Sz. 73): II. The curtain rises | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-10 | The Miraculous Mandarin, op. 19 (Sz. 73): III. First seduction game | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-11 | The Miraculous Mandarin, op. 19 (Sz. 73): IV. Second seduction game | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-12 | The Miraculous Mandarin, op. 19 (Sz. 73): V. Third seduction game | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-13 | The Miraculous Mandarin, op. 19 (Sz. 73): VI. General consternation… | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-14 | The Miraculous Mandarin, op. 19 (Sz. 73): VII. The girl is undecided… | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-15 | The Miraculous Mandarin, op. 19 (Sz. 73): VIII. The girl sinks down… | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-16 | The Miraculous Mandarin, op. 19 (Sz. 73): IX. The tramps leap out… | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-17 | The Miraculous Mandarin, op. 19 (Sz. 73): X. Suddenly the Mandarin’s head appears | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-18 | The Miraculous Mandarin, op. 19 (Sz. 73): XI. The terrified tramps… | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-19 | The Miraculous Mandarin, op. 19 (Sz. 73): XII. The lamp falls to the floor… | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 3-1 | The Wooden Prince, Sz 60 (op. 13): Introduction | — | ||
| 3-2 | The Wooden Prince, Sz 60 (op. 13): First Dance: Dance of the Princess in the Forest | — | ||
| 3-3 | The Wooden Prince, Sz 60 (op. 13): Second Dance: Dance of the Trees | — | ||
| 3-4 | The Wooden Prince, Sz 60 (op. 13): Third Dance: Dance of the Waves | — | ||
| 3-5 | The Wooden Prince, Sz 60 (op. 13): The Princess notices the Staff with the golden Locks | — | ||
| 3-6 | The Wooden Prince, Sz 60 (op. 13): Fourth Dance: Dance of the Princess with the wooden Doll | — | ||
| 3-7 | The Wooden Prince, Sz 60 (op. 13): Great Apotheosis: Homage of the Trees, Water and Flowers | — | ||
| 3-8 | The Wooden Prince, Sz 60 (op. 13): Fifth Dance: The Princess pulls and tugs the Wooden Prince to make him dance | — | ||
| 3-9 | The Wooden Prince, Sz 60 (op. 13): Sixth Dance: The Princess tries to attract the real Prince with her seductive dancing | — | ||
| 3-10 | The Wooden Prince, Sz 60 (op. 13): Seventh Dance: Dismayed, the Princess attempts to hurry after the Prince | — | ||
| 3-11 | The Wooden Prince, Sz 60 (op. 13): Slow Curtain | — | ||
| 4-1 | Duke Bluebeard's Castle, Sz 48 (op. 11): "We are here now" | — | ||
| 4-2 | Duke Bluebeard's Castle, Sz 48 (op. 11): "So this is really Bluebeard's Castle!" | — | ||
| 4-3 | Duke Bluebeard's Castle, Sz 48 (op. 11): "Ah, I see seven great shut doorways" | — | ||
| 4-4 | Duke Bluebeard's Castle, Sz 48 (op. 11): The First Door: "Woe!" | — | ||
| 4-5 | Duke Bluebeard's Castle, Sz 48 (op. 11): The Second Door: "What seest thou?" | — | ||
| 4-6 | Duke Bluebeard's Castle, Sz 48 (op. 11): The Third Door: "Mountains of Gold" | — | ||
| 4-7 | Duke Bluebeard's Castle, Sz 48 (op. 11): The Fourth Door: "Ah! What lovely Flowers!" | — | ||
| 4-8 | Duke Bluebeard's Castle, Sz 48 (op. 11): The Fifth Door: "Ah!" | — | ||
| 4-9 | Duke Bluebeard's Castle, Sz 48 (op. 11): The Sixth Door: "I can see a Sheet of Water" | — | ||
| 4-10 | Duke Bluebeard's Castle, Sz 48 (op. 11): "Tell me, tell me my dearest Bluebeard | — | ||
| 4-11 | Duke Bluebeard's Castle, Sz 48 (op. 11): The Seventh Door: "Hearts that I have loved and cherished | — | ||
| 4-12 | Duke Bluebeard's Castle, Sz 48 (op. 11): "The first I found at daybreak" | — | ||
| 4-13 | Dance Suite, Sz 77: I. Moderato | — | ||
| 4-14 | Dance Suite, Sz 77: II. Allegro molto | — | ||
| 4-15 | Dance Suite, Sz 77: III. Allegro vivace | — | ||
| 4-16 | Dance Suite, Sz 77: IV. Molto tranquillo | — | ||
| 4-17 | Dance Suite, Sz 77: V. Comodo - | — | ||
| 4-18 | Dance Suite, Sz 77: VI. Finale. Allegro | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
888837977623 is a Universal Product Code (UPC) assigned to Pierre Boulez conducts Bartók by Bartok, Pierre Boulez, New York Philharmonic, BBC Symphony Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Pierre Boulez conducts Bartók” by Bartok, Pierre Boulez, New York Philharmonic, BBC Symphony Orchestra is 888837977623. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Sony Classical. This release contains 57 tracks, each with its own ISRC. Tracks include GBCLS7702002, GBCLS7702003, GBCLS7702004.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo | — | ||
| 2 | Music for Strings, Percussion and Celesta, Sz 106: II. Allegro - Vivo - Vivace | — | ||
| 3 | Music for Strings, Percussion and Celesta, Sz 106: III. Adagio - Allegretto | — | ||
| 4 | Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto - Vivacissimo | — | ||
| 5 | Concerto for Orchestra, Sz 116: I. Introduzione. Andante non tropo - Allegro vivace | — | ||
| 6 | Concerto for Orchestra, Sz 116: II. Giuco delle coppie. Allegretto scherzando | — | ||
| 7 | Concerto for Orchestra, Sz 116: III. Elegia. Andante, no tropo | — | ||
| 8 | Concerto for Orchestra, Sz 116: IV. Intermezzo interrotto. Allegretto | — | ||
| 9 | Concerto for Orchestra, Sz 116: V. Finale. Pesante | — | ||
| 2-1 | 4 Orchestral Pieces, op. 12 (Sz. 51): I. Preludio | New York Philharmonic, Pierre Boulez | — | |
| 2-2 | 4 Orchestral Pieces, op. 12 (Sz. 51): II. Scherzo | New York Philharmonic, Pierre Boulez | — | |
| 2-3 | 4 Orchestral Pieces, op. 12 (Sz. 51): III. Intermezzo | New York Philharmonic, Pierre Boulez | — | |
| 2-4 | 4 Orchestral Pieces, op. 12 (Sz. 51): IV. Marcia funebre | New York Philharmonic, Pierre Boulez | — | |
| 2-5 | 3 Village Scenes (Sz. 79): I. Wedding | Camerata Singers, New York Philharmonic, Pierre Boulez | — | |
| 2-6 | 3 Village Scenes (Sz. 79): II. Lullaby | Joan Fuerstman, Lois Winter, New York Philharmonic, Pierre Boulez | — | |
| 2-7 | 3 Village Scenes (Sz. 79): III. Lad’s Dance | Camerata Singers, New York Philharmonic, Pierre Boulez | — | |
| 2-8 | The Miraculous Mandarin, op. 19 (Sz. 73): I. Prelude | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-9 | The Miraculous Mandarin, op. 19 (Sz. 73): II. The curtain rises | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-10 | The Miraculous Mandarin, op. 19 (Sz. 73): III. First seduction game | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-11 | The Miraculous Mandarin, op. 19 (Sz. 73): IV. Second seduction game | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-12 | The Miraculous Mandarin, op. 19 (Sz. 73): V. Third seduction game | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-13 | The Miraculous Mandarin, op. 19 (Sz. 73): VI. General consternation… | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-14 | The Miraculous Mandarin, op. 19 (Sz. 73): VII. The girl is undecided… | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-15 | The Miraculous Mandarin, op. 19 (Sz. 73): VIII. The girl sinks down… | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-16 | The Miraculous Mandarin, op. 19 (Sz. 73): IX. The tramps leap out… | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-17 | The Miraculous Mandarin, op. 19 (Sz. 73): X. Suddenly the Mandarin’s head appears | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-18 | The Miraculous Mandarin, op. 19 (Sz. 73): XI. The terrified tramps… | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 2-19 | The Miraculous Mandarin, op. 19 (Sz. 73): XII. The lamp falls to the floor… | Hugh Ross, Schola Cantorum, New York Philharmonic, Pierre Boulez | — | |
| 3-1 | The Wooden Prince, Sz 60 (op. 13): Introduction | — | ||
| 3-2 | The Wooden Prince, Sz 60 (op. 13): First Dance: Dance of the Princess in the Forest | — | ||
| 3-3 | The Wooden Prince, Sz 60 (op. 13): Second Dance: Dance of the Trees | — | ||
| 3-4 | The Wooden Prince, Sz 60 (op. 13): Third Dance: Dance of the Waves | — | ||
| 3-5 | The Wooden Prince, Sz 60 (op. 13): The Princess notices the Staff with the golden Locks | — | ||
| 3-6 | The Wooden Prince, Sz 60 (op. 13): Fourth Dance: Dance of the Princess with the wooden Doll | — | ||
| 3-7 | The Wooden Prince, Sz 60 (op. 13): Great Apotheosis: Homage of the Trees, Water and Flowers | — | ||
| 3-8 | The Wooden Prince, Sz 60 (op. 13): Fifth Dance: The Princess pulls and tugs the Wooden Prince to make him dance | — | ||
| 3-9 | The Wooden Prince, Sz 60 (op. 13): Sixth Dance: The Princess tries to attract the real Prince with her seductive dancing | — | ||
| 3-10 | The Wooden Prince, Sz 60 (op. 13): Seventh Dance: Dismayed, the Princess attempts to hurry after the Prince | — | ||
| 3-11 | The Wooden Prince, Sz 60 (op. 13): Slow Curtain | — | ||
| 4-1 | Duke Bluebeard's Castle, Sz 48 (op. 11): "We are here now" | — | ||
| 4-2 | Duke Bluebeard's Castle, Sz 48 (op. 11): "So this is really Bluebeard's Castle!" | — | ||
| 4-3 | Duke Bluebeard's Castle, Sz 48 (op. 11): "Ah, I see seven great shut doorways" | — | ||
| 4-4 | Duke Bluebeard's Castle, Sz 48 (op. 11): The First Door: "Woe!" | — | ||
| 4-5 | Duke Bluebeard's Castle, Sz 48 (op. 11): The Second Door: "What seest thou?" | — | ||
| 4-6 | Duke Bluebeard's Castle, Sz 48 (op. 11): The Third Door: "Mountains of Gold" | — | ||
| 4-7 | Duke Bluebeard's Castle, Sz 48 (op. 11): The Fourth Door: "Ah! What lovely Flowers!" | — | ||
| 4-8 | Duke Bluebeard's Castle, Sz 48 (op. 11): The Fifth Door: "Ah!" | — | ||
| 4-9 | Duke Bluebeard's Castle, Sz 48 (op. 11): The Sixth Door: "I can see a Sheet of Water" | — | ||
| 4-10 | Duke Bluebeard's Castle, Sz 48 (op. 11): "Tell me, tell me my dearest Bluebeard | — | ||
| 4-11 | Duke Bluebeard's Castle, Sz 48 (op. 11): The Seventh Door: "Hearts that I have loved and cherished | — | ||
| 4-12 | Duke Bluebeard's Castle, Sz 48 (op. 11): "The first I found at daybreak" | — | ||
| 4-13 | Dance Suite, Sz 77: I. Moderato | — | ||
| 4-14 | Dance Suite, Sz 77: II. Allegro molto | — | ||
| 4-15 | Dance Suite, Sz 77: III. Allegro vivace | — | ||
| 4-16 | Dance Suite, Sz 77: IV. Molto tranquillo | — | ||
| 4-17 | Dance Suite, Sz 77: V. Comodo - | — | ||
| 4-18 | Dance Suite, Sz 77: VI. Finale. Allegro | — |
