UPC · Release
Information Doesn't Want to Be Free: Laws for the Internet Age
Cory Doctorow, Wil Wheaton
Last verified:
889211261017 is the Universal Product Code (UPC barcode) for the release “Information Doesn't Want to Be Free: Laws for the Internet Age” by Cory Doctorow, Wil Wheaton, released 2014-12-10. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 8 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (8)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Title/Author/Read by | — | ||
| 2 | Foreword, by Neil Gaiman | — | ||
| 3 | Foreword, by Amanda Palmer | — | ||
| 4 | 0.0 Introduction: Detente | — | ||
| 5 | 1.0 Doctorow’s First Law | — | ||
| 6 | 2.0 Doctorow’s Second Law | — | ||
| 7 | 3.0 Doctorow’s Third Law | — | ||
| 8 | 4.0 Epilogue | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 889211261017?
889211261017 is a Universal Product Code (UPC) assigned to Information Doesn't Want to Be Free: Laws for the Internet Age by Cory Doctorow, Wil Wheaton. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 8 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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