UPC · Release
Byron Janis: The RCA Recordings 1950-1959
Beethoven, Chopin, Liszt, Mussorgsky, Rachmaninoff, Gershwin, Byron Janis, Chicago Symphony Orchestra, Fritz Reiner
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889853133024 is the Universal Product Code (UPC barcode) for the release “Byron Janis: The RCA Recordings 1950-1959” by Beethoven, Chopin, Liszt, Mussorgsky, Rachmaninoff, Gershwin, Byron Janis, Chicago Symphony Orchestra, Fritz Reiner, released 2016-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include USBC15900365, USBC19607334.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (57)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra in A minor, op. 54: Allegro affetuoso | — | ||
| 2 | Concerto for Piano and Orchestra in A minor, op. 54: Intermezzo. Andantino grazioso | — | ||
| 3 | Concerto for Piano and Orchestra in A minor, op. 54: Allegro vivace | — | ||
| 4 | Totentanz, S. 126 | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5 | Burleske for Piano and Orchestra in D minor | Byron Janis, Chicago Symphony Orchestra, Fritz Reiner | T-801.162.741-2 | |
| 2-1 | Concerto no. 1 in F-sharp minor, op. 1: Vivace | — | ||
| 2-2 | Concerto no. 1 in F-sharp minor, op. 1: Andante | — | ||
| 2-3 | Concerto no. 1 in F-sharp minor, op. 1: Allegro vivace | — | ||
| 2-4 | Concerto for Piano and Orchestra no. 3 in D minor, op. 30: Allegro ma non tanto | — | ||
| 2-5 | Concerto for Piano and Orchestra no. 3 in D minor, op. 30: Intermezzo. Adagio | — | ||
| 2-6 | Concerto for Piano and Orchestra no. 3 in D minor, op. 30: Finale. Alla breve | — | ||
| 3-1 | Pictures at an Exhibition for Piano: I | — | ||
| 3-2 | Pictures at an Exhibition for Piano: Gnomus | — | ||
| 3-3 | Pictures at an Exhibition for Piano: II | — | ||
| 3-4 | Pictures at an Exhibition for Piano: The Old Castle | — | ||
| 3-5 | Pictures at an Exhibition for Piano: III | — | ||
| 3-6 | Pictures at an Exhibition for Piano: Tuileries | — | ||
| 3-7 | Pictures at an Exhibition for Piano: Bydło | — | ||
| 3-8 | Pictures at an Exhibition for Piano: IV | — | ||
| 3-9 | Pictures at an Exhibition for Piano: Ballet of the Unhatched Chicks | — | ||
| 3-10 | Pictures at an Exhibition for Piano: Samuel Goldenberg and Schmuÿle | — | ||
| 3-11 | Pictures at an Exhibition for Piano: The Market at Limoges | — | ||
| 3-12 | Pictures at an Exhibition for Piano: Catacombae | — | ||
| 3-13 | Pictures at an Exhibition for Piano: mortuis in lingua mortua | — | ||
| 3-14 | Pictures at an Exhibition for Piano: The Hut on Fowl's Legs | — | ||
| 3-15 | Pictures at an Exhibition for Piano: The Great Gate of Kiev | — | ||
| 3-16 | Rigoletto, Concert paraphrase for Piano, S. 434: Allegro - Andante - Presto | — | ||
| 3-17 | An der schönen blauen Donau, op. 314 | — | ||
| 3-18 | Liebesträume, S. 541: 3 in A-flat major 'O lieb, so lang du lieben kannst' | — | ||
| 3-19 | Hungarian Rhapsody for Piano no. 6 in D-flat major, S. 244 no. 6: giusto - Presto - Andante - Allegro | — | ||
| 3-20 | Rhapsody in Blue | — | ||
| 4-1 | Sonata for Piano no. 17 in D minor, op. 31/2: Largo – Allegro | — | ||
| 4-2 | Sonata for Piano no. 17 in D minor, op. 31/2: Adagio | — | ||
| 4-3 | Sonata for Piano no. 17 in D minor, op. 31/2: Allegretto | — | ||
| 4-4 | Sonata for Piano no. 21 in C major, op. 53: Allegro con brio | — | ||
| 4-5 | Sonata for Piano no. 21 in C major, op. 53: Introduzione. Adagio molto | — | ||
| 4-6 | Sonata for Piano no. 21 in C major, op. 53: Rondo. Allegretto moderato | — | ||
| 4-7 | Sonata for Piano no. 30 in E major, op. 109: Vivace, ma non troppo – Adagio espressivo | — | ||
| 4-8 | Sonata for Piano no. 30 in E major, op. 109: Prestissimo | — | ||
| 4-9 | Sonata for Piano no. 30 in E major, op. 109: Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | — | ||
| 4-10 | Impromptus, op. 90 D 899: Impromptu in E-flat major | — | ||
| 4-11 | Waltzes, op. 39: no. 15 in A major | — | ||
| 4-12 | Waltzes, op. 39: no. 1 in B major. Tempo giusto | — | ||
| 4-13 | Waltzes, op. 39: no. 2 in E major | — | ||
| 4-14 | Waltzes, op. 39: no. 6 in C-sharp major. Vivace | — | ||
| 5-1 | Sonata for Piano no. 2 in B-flat minor, op. 35 B. 128: Grave. Doppio movimento | — | ||
| 5-2 | Sonata for Piano no. 2 in B-flat minor, op. 35 B. 128: Scherzo | — | ||
| 5-3 | Sonata for Piano no. 2 in B-flat minor, op. 35 B. 128: Marche funèbre. Lento | — | ||
| 5-4 | Sonata for Piano no. 2 in B-flat minor, op. 35 B. 128: Finale. Presto | — | ||
| 5-5 | Impromptu no. 1 in A-flat major, op. 29 B. 110: assai quasi Presto | — | ||
| 5-6 | Études, op. 10: Étude in G-flat major. Vivace | — | ||
| 5-7 | Mazurkas, op. posth. 67: Mazurka in A minor. Moderato animato | — | ||
| 5-8 | Scherzo no. 3 in C-sharp minor, op. 39 B. 125: con fuoco | — | ||
| 5-9 | Waltzes, op. 34: no. 2 in A-flat major, op. 34 no. 1 B. 94 'Valse brilliante'. Vivace | — | ||
| 5-10 | Waltz no. 14 in E minor B. 56: | — | ||
| 5-11 | Ballade no. 1 in G minor, op. 23 B. 66: – Moderato – Meno mosso – Meno mosso – Presto con fuoco | — | ||
| 5-12 | Études, op. 10: Étude in F major. Allegro | — |
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What is UPC 889853133024?
889853133024 is a Universal Product Code (UPC) assigned to Byron Janis: The RCA Recordings 1950-1959 by Beethoven, Chopin, Liszt, Mussorgsky, Rachmaninoff, Gershwin, Byron Janis, Chicago Symphony Orchestra, Fritz Reiner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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