UPC · Release
The Golden Era of Living Stereo: The Remastered Collector’s Edition
Various Artists
889853217427
178 tracksReleased 2016-01-01RCA Red Seal
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889853217427 is the Universal Product Code (UPC barcode) for the release “The Golden Era of Living Stereo: The Remastered Collector’s Edition” by Various Artists, released 2016-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 178 tracks, each with its own ISRC. Tracks include USSM11604931, USSM11604932, USSM11604933.
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UPCThe Golden Era of Living Stereo: The Remastered Collector’s Edition
ISRC19 recordings
ISWC1 work
IPI4 songwriters
Track List (178)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Quintet in A, op. 114 "Trout Quintet": I. Allegro vivace | The Festival Quartet, Stuart Sankey | — | |
| 2 | Piano Quintet in A, op. 114 "Trout Quintet": II. Andante | The Festival Quartet, Stuart Sankey | — | |
| 3 | Piano Quintet in A, op. 114 "Trout Quintet": III. Scherzo: Presto - Trio | The Festival Quartet, Stuart Sankey | — | |
| 4 | Piano Quintet in A, op. 114 "Trout Quintet": IV. Thema: Andantino - Var. I-V - Allegretto | The Festival Quartet, Stuart Sankey | — | |
| 5 | Piano Quintet in A, op. 114 "Trout Quintet": V. Finale: Allegro giusto | The Festival Quartet, Stuart Sankey | — | |
| 2-1 | Carnaval, op. 9: Préambule | — | ||
| 2-2 | Carnaval, op. 9: Pierrot | — | ||
| 2-3 | Carnaval, op. 9: Arlequin | — | ||
| 2-4 | Carnaval, op. 9: Valse noble | — | ||
| 2-5 | Carnaval, op. 9: Eusebius | — | ||
| 2-6 | Carnaval, op. 9: Florestan | — | ||
| 2-7 | Carnaval, op. 9: Coquette | — | ||
| 2-8 | Carnaval, op. 9: Réplique | — | ||
| 2-9 | Carnaval, op. 9: Papillons | — | ||
| 2-10 | Carnaval, op. 9: Lettres dansantes | — | ||
| 2-11 | Carnaval, op. 9: Chiarina | — | ||
| 2-12 | Carnaval, op. 9: Chopin | — | ||
| 2-13 | Carnaval, op. 9: Estrella | — | ||
| 2-14 | Carnaval, op. 9: Reconnaissance | — | ||
| 2-15 | Carnaval, op. 9: Pantalon et Colombine | — | ||
| 2-16 | Carnaval, op. 9: Valse allemande | — | ||
| 2-17 | Carnaval, op. 9: Paganini | — | ||
| 2-18 | Carnaval, op. 9: Aveu | — | ||
| 2-19 | Carnaval, op. 9: Promenade | — | ||
| 2-20 | Carnaval, op. 9: Pause | — | ||
| 2-21 | Carnaval, op. 9: Marche des “Davidsbundler” | — | ||
| 2-22 | Fantasy Pieces, op. 12: Des Abends | — | ||
| 2-23 | Fantasy Pieces, op. 12: Aufschwung | — | ||
| 2-24 | Fantasy Pieces, op. 12: Warum? | — | ||
| 2-25 | Fantasy Pieces, op. 12: Grillen | — | ||
| 2-26 | Fantasy Pieces, op. 12: In der Nacht | — | ||
| 2-27 | Fantasy Pieces, op. 12: Fabel | — | ||
| 2-28 | Fantasy Pieces, op. 12: Traumes Wirren | — | ||
| 2-29 | Fantasy Pieces, op. 12: Ende vom Lied | — | ||
| 3-1 | Adagio cantabile | — | ||
| 3-2 | Préludes, op. 34: No. 10. Moderato non troppo | — | ||
| 3-3 | Préludes, op. 34: No. 15. Allegretto | — | ||
| 3-4 | Préludes, op. 34: No. 16. Andantino | — | ||
| 3-5 | Préludes, op. 34: No. 24. Allegretto | — | ||
| 3-6 | Song Without Words, “May Breezes”, op. 62/1 | — | ||
| 3-7 | Caprice viennois, op. 2 | — | ||
| 3-8 | Dance of Ayshe (from the ballet Gayane) | — | ||
| 3-9 | Rondino, op. 32/2 | — | ||
| 3-10 | Clair de Lune (from Suite bergamasque) | — | ||
| 3-11 | Masques (from Romeo and Juliet) | — | ||
| 3-12 | Nigun (Improvisation) (from Baal Shem) | — | ||
| 3-13 | Hungarian Dance no. 1 in G minor, WoO 1/1 | — | ||
| 3-14 | Entr’acte (from Raymonda) | — | ||
| 3-15 | Caprice basque, op. 24 | — | ||
| 4-1 | Requiem Mass (Missa pro defunctis): I. Introitus (Requiem æternam – Te decet hymnus) | — | ||
| 4-2 | Requiem Mass (Missa pro defunctis): II. Kyrie (Kyrie eleison – Christe eleison) | — | ||
| 4-3 | Requiem Mass (Missa pro defunctis): III. Graduale (Requiem æternam – In memoria æterna) | — | ||
| 4-4 | Requiem Mass (Missa pro defunctis): IV. Offertorium (Domine Jesu Christe – Quam olim Abrahæ – Hostias et preces) | — | ||
| 4-5 | Requiem Mass (Missa pro defunctis): V. Sanctus – Benedictus | — | ||
| 4-6 | Requiem Mass (Missa pro defunctis): VI. Agnus Dei I – II – III | — | ||
| 4-7 | Requiem Mass (Missa pro defunctis): VII. Communio (Lux æterna – Requiem æternam) | — | ||
| 4-8 | Requiem Mass (Missa pro defunctis): VIII. Responsorium (Libera me, Domine – Tremens factus sum – Dies illa – Requiem æternam – Kyrie eleison) – Responsorium (Peccantem me quotidie) | — | ||
| 5-1 | Symphony No. 5 In D Minor Op. 47: I Moderato - Allegro Non Troppo - Poco Sostenuto - Largamente - Più Mosso - Moderato / II Allegretto - Largamente - Poco Più Mosso / III Largo / IV Allegro Non Troppo - Allegro - Più Mosso | — | ||
| 6-1 | Frauenliebe Und -Leben = Woman's Life And Love, Op. 42: Seit Ich Ihn Gesehen / Er, Der Herrlichste Von Allen / Ich Kann's Nicht Fassen, Nicht Glauben / Du Ring An Meinem Finger / Helft Mir, Ihr Schwestern / Süsser Freund, Du Blickest / An Meinem Herzen, An Meiner Brust / Nun Hast Du Mir Den Ersten Schmerz Getan | — | ||
| 6-2 | Gestillte Sehnsucht = Still Longing, Op. 91/1 | — | ||
| 6-3 | Geistliches Wiegenlied = Holly Lullaby, Op. 91/2 | — | ||
| 6-4 | Zigeunerlieder = Gypsy Songs, Op. 103 : No. 1: He, Zigeuner, Greife In Die Saiten Ein! / No. 2: Hochgetürmte Rimaflut, Wie Bist Du So Trüb / No. 3: Wißt Ihr, Wann Mein Kindchen Am Allerschönsten Ist? / No. 4: Lieber Gott, Du Weißt, Wie Oft Bereut Ich Hab' / No. 5: Brauner Bursche Führt Zum Tanze / No. 6: Röslein Dreie In Der Reihe Blühn So Rot / No. 7: Kommt Dir Manchmal In Den Sinn / No. 11: Rote Abendwolken Ziehn Am Firmament | — | ||
| 7-1 | La Plus Que Lente L 121 | — | ||
| 7-2 | Scherzo In E Minor Op. 16/2 | — | ||
| 7-3 | The Musical Snuffbox Op. 32 | — | ||
| 7-4 | 3 Écossaises Op. 72/3: No. 1 In D Major / No. 2 In G Major / No. 3 In D-Flat Major | — | ||
| 7-5 | Waltzes Op. 39: No. 3 In G-Sharp Minor / No. 15 In A Major | — | ||
| 7-6 | Allegro Barbaro Sz 49 | — | ||
| 7-7 | Serenade For The Doll (From Children's Corner L 113) | — | ||
| 7-8 | Song Without Words In C Major "Spinning Song" Op. 67/4 | — | ||
| 7-9 | Grande Étude De Paganini No. 5 In E Major "La Chasse" S 141/5 | — | ||
| 7-10 | Waltz In A Major Op. 102 (From 7 Morceaux De Salon) | — | ||
| 7-11 | Étude In D-Sharp Minor Op. 81/2 | — | ||
| 7-12 | Berceuse In D-Flat Major Op. 57 | — | ||
| 7-13 | O Polichinelo W 140/7 (From Prole Do Bebê No. 1) | — | ||
| 7-14 | Rotual Fire Dance (From El Amor Brujo) | — | ||
| 8-1 | Lungi dal caro bene (from Le gelosie villane) | — | ||
| 8-2 | A Porfiria Vecchiarella (from Le gare dell’amor eroico) | — | ||
| 8-3 | Cara e dolce | — | ||
| 8-4 | Né men con l’ombre (from Serse, HWV 40) | — | ||
| 8-5 | Le Violette (from Pirro e Demetrio) | — | ||
| 8-6 | Caldo sangue (from Il Sedecia, re di Gerusalemme) | — | ||
| 8-7 | Chi vuole innamorarsi (from Il Flavio) | — | ||
| 8-8 | Der Jüngling an der Quelle, D 300 | — | ||
| 8-9 | Nacht und Träume, D 827 | — | ||
| 8-10 | Der Musensohn, D 764 | — | ||
| 8-11 | Dein Angesicht, op. 127/2 | — | ||
| 8-12 | An den Sonnenschein, op. 36/4 | — | ||
| 8-13 | Du bist wie eine Blume, op. 25/24 | — | ||
| 8-14 | I pastori | — | ||
| 9-1 | Suite italienne (After Pulcinella): I. Introduzione. Allegro moderato | — | ||
| 9-2 | Suite italienne (After Pulcinella): II Serenata. Larghetto | — | ||
| 9-3 | Suite italienne (After Pulcinella): III. Aria. Allegro alla breve – Largo | — | ||
| 9-4 | Suite italienne (After Pulcinella): IV Tarantella. Vivace | — | ||
| 9-5 | Suite italienne (After Pulcinella): V. Minuetto e finale. Moderato – Molto vivace | — | ||
| 9-6 | Sonata for Cello and Piano in D minor, L. 135: I Prologue. Lent | — | ||
| 9-7 | Sonata for Cello and Piano in D minor, L. 135: II. Sérénade. Modérément animé | — | ||
| 9-8 | Sonata for Cello and Piano in D minor, L. 135: III Finale. Animé | — | ||
| 9-9 | Kleine Suite for Cello and Piano, op. 23: IV Sostenuto ed espressivo | — | ||
| 9-10 | Capriccio for Cello and Piano | — | ||
| 10-1 | Slaughter On Tenth Avenue (From On Your Toes) | — | ||
| 10-2 | Interplay (American Concertette For Piano And Orchestra): Gavotte / The Blues | — | ||
| 10-3 | 3 Dances (From Fancy Fee): Galop / Waltz / Danzon | — | ||
| 10-4 | El Sombrero de Tres Picos = The Three-Corned Hat - Suite No. 2: I Danza De Los Vecinos = Dance Of The Neighbors, (Seguidilla) / II Danza Del Molinero = Dance Of The Miller, (Farruca) / III Danza Final = Final Dance, (Jota) | — | ||
| 10-5 | Polka (From The Age Of Gold - Suite Op. 22a) | — | ||
| 10-6 | Hoe-Down (From Rodeo) | — | ||
| 10-7 | Danza Final (Malambo) (From Estancia Op. 8) | — | ||
| 10-8 | Sabre Dance (From Gayane) | — | ||
| 11-1 | O Mio Babbino Caro (From Gianni Schicchi) | — | ||
| 11-2 | Un Bel Dì, Vedremo (From Madama Butterfly, Act II) | — | ||
| 11-3 | La Mamma Morta (From Andrea Chénier, Act III) | — | ||
| 11-4 | D'onde Lieta (Addio Di Mimì) (From La Bohème, Act III) | — | ||
| 11-5 | In Quele Trine Morbide (From Manon Lescaut, Act II) | — | ||
| 11-6 | Mia Madre Aveva Una Povera Ancella (Canzone Del Salice = Willow Song) (From Otello, Act IV) | — | ||
| 11-7 | Ave Maria (From Otello, Act IV) | — | ||
| 11-8 | Měsíčku Na Nebi Hlubokém (Song To The Moon) (From Rusalka, Act I) | — | ||
| 12-1 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 1. Aria: "Ich will den Kreuzstab gerne tragen" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-2 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 2. Recitative: "Mein Wandel auf der Welt" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-3 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 3. Aria: "Endlich, endlich wird mein Joch" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-4 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 4. Recitative: "Ich stehe fertig und bereit" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-5 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 5. Chorale: "Komm, o Tod, du Schlafes Bruder" | RCA Victor Chorus, RCA Victor Orchestra, Robert Shaw | — | |
| 12-6 | Ich habe genug, BWV 82: No. 1. Aria: "Ich habe genug" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-7 | Ich habe genug, BWV 82: No. 2. Recitative: "Ich habe genug!" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-8 | Ich habe genug, BWV 82: No. 3. Aria: "Schlummert ein, ihr matten Augen" | RCA Victor Orchestra, Robert Shaw | — | |
| 12-9 | Ich habe genug, BWV 82: No. 4. Recitative: "Mein Gott! wenn kömmt das schöne: Nun!" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-10 | Ich habe genug, BWV 82: No. 5. Aria: "Ich freue mich auf meinen Tod" | RCA Victor Orchestra, Robert Shaw | — | |
| 29-1 | Trio in E-flat, op. 40: I. Andante | — | ||
| 29-2 | Trio in E-flat, op. 40: II. Scherzo. Allegro – (Trio) Molto meno allegro | — | ||
| 29-3 | Trio in E-flat, op. 40: III. Adagio mesto | — | ||
| 29-4 | Trio in E-flat, op. 40: IV. Finale. Allegro con brio | — | ||
| 29-5 | Sonata for French Horn and Piano in F, op. 17: I. Allegro moderato | — | ||
| 29-6 | Sonata for French Horn and Piano in F, op. 17: II. Poco adagio, quasi andante – Attacca | — | ||
| 29-7 | Sonata for French Horn and Piano in F, op. 17: III. Rondo. Allegro moderato | — | ||
| 36-1 | Piano Quartet in G minor, op. 25: I. Allegro | The Festival Quartet | — | |
| 36-2 | Piano Quartet in G minor, op. 25: II. Intermezzo. Allegro ma non troppo – Trio. Animato | The Festival Quartet | — | |
| 36-3 | Piano Quartet in G minor, op. 25: III. Andante con moto | The Festival Quartet | — | |
| 36-4 | Piano Quartet in G minor, op. 25: IV. Rondo alla Zingarese. Presto | The Festival Quartet | — | |
| 47-1 | Concerto for Violin and Orchestra No. 1 in D major - I Allegro Maestoso | — | ||
| 47-2 | Concerto for Violin and Orchestra No. 1 in D major - II Adagio | — | ||
| 47-3 | Concerto for Violin and Orchestra No. 1 in D major - III Rondo. Allegro Spirituoso | — | ||
| 47-4 | Introduction Et Rondo Capriccioso For Violin And Orchestra In A Minor Op. 28 | — | ||
| 52-1 | Suite for 2 Pianos No. 1 - I Barcarolle. Allegretto | — | ||
| 52-2 | Suite for 2 Pianos No. 1 - II A Night for Love. Adagio sostenuto | — | ||
| 52-3 | Suite for 2 Pianos No. 1 - III Tears. Largo di molto | — | ||
| 52-4 | Suite for 2 Pianos No. 1 - IV Russian Easter. Allegro maestoso | — | ||
| 52-5 | Suite for 2 Pianos No. 2 - I Introduction. Alla mafcia | — | ||
| 52-6 | Suite for 2 Pianos No. 2 - II Waltz. Presto | — | ||
| 52-7 | Suite for 2 Pianos No. 2 - III Romance. Andantino | — | ||
| 52-8 | Suite for 2 Pianos No. 2 - IV Tarantella. presto | — | ||
| 54-1 | Finlandia op. 26 (Symphonic Poem) | — | ||
| 54-2 | The Swan of Tuonela, From Lemminkäinen Suite op. 22 | — | ||
| 54-3 | Valse Triste, From Kuolema op. 44 | — | ||
| 54-4 | Pohjola's Daughter op. 49 (Symphonic Fantasia) | — | ||
| 54-5 | Lemminkäinen's Return, From Lemminkäinen Suite op. 22 | — | ||
| 55-1 | Variations On A Theme By Corelli | — | ||
| 55-2 | Sea Murmurs, After "Arise!" From 33 Shakespeare Songs Op. 24 | — | ||
| 55-3 | Scherzo-Tarantelle In F Minor, Op. 16 | — | ||
| 55-4 | Sérénade Mélancolique In B-Flat Minor, Op. 26 | — | ||
| 55-5 | The Flight Of The Bumblebee, From The Tale Of Tsar Saltan Op. 57 | — | ||
| 55-6 | Minuet (In The Style Of Porpora) | — | ||
| 55-7 | Romance For Violin And Piano In D Major, Op. 23 | — | ||
| 55-8 | Rondo For Violin And Piano In C Major, K 373 | — | ||
| 55-9 | No. 17 In E-Flat Major | — | ||
| 55-10 | No. 21 In A Major | — | ||
| 55-11 | Hora Staccato | — | ||
| 55-12 | Danza Española, From La Vida Breve | — | ||
| 56-1 | Quartet in E-flat major, Op. 47: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 56-2 | Quartet in E-flat major, Op. 47: II. Scherzo: Molto vivace - Trio I - Trio II | — | ||
| 56-3 | Quartet in E-flat major, Op. 47: III. Andante cantabile | — | ||
| 56-4 | Quartet in E-flat major, Op. 47: IV. Finale: Vivace | — | ||
| 56-5 | Quartet in E-flat major, Op. 16: I. Grave - Allegro ma non troppo | — | ||
| 56-6 | Quartet in E-flat major, Op. 16: II. Andante cantabile | — | ||
| 56-7 | Quartet in E-flat major, Op. 16: III. Rondo: Allegro ma non troppo | — | ||
| 60-1 | Toccata (And Fugue) In D Minor, BWV 565: Adagio / Fuga | — | ||
| 60-2 | Prelude And Fugue On B-A-C-H, S 260 | — | ||
| 60-3 | Symphony For Organ No. 5 In F Minor, Op. 42/1: V Toccata. Allegro | — | ||
| 60-4 | Benedictus In D-Flat Major, Op. 59/9: Adagio | — | ||
| 60-5 | Litanies, JA 119 | — |
Piano Quintet in A, op. 114 "Trout Quintet": I. Allegro vivace
The Festival Quartet, Stuart Sankey
—
Piano Quintet in A, op. 114 "Trout Quintet": II. Andante
The Festival Quartet, Stuart Sankey
—
Piano Quintet in A, op. 114 "Trout Quintet": III. Scherzo: Presto - Trio
The Festival Quartet, Stuart Sankey
—
Piano Quintet in A, op. 114 "Trout Quintet": IV. Thema: Andantino - Var. I-V - Allegretto
The Festival Quartet, Stuart Sankey
—
Piano Quintet in A, op. 114 "Trout Quintet": V. Finale: Allegro giusto
The Festival Quartet, Stuart Sankey
—
Carnaval, op. 9: Préambule
—
Carnaval, op. 9: Pierrot
—
Carnaval, op. 9: Arlequin
—
Carnaval, op. 9: Valse noble
—
Carnaval, op. 9: Eusebius
—
Carnaval, op. 9: Florestan
—
Carnaval, op. 9: Coquette
—
Carnaval, op. 9: Réplique
—
Carnaval, op. 9: Papillons
—
Carnaval, op. 9: Lettres dansantes
—
Carnaval, op. 9: Chiarina
—
Carnaval, op. 9: Chopin
—
Carnaval, op. 9: Estrella
—
Carnaval, op. 9: Reconnaissance
—
Carnaval, op. 9: Pantalon et Colombine
—
Carnaval, op. 9: Valse allemande
—
Carnaval, op. 9: Paganini
—
Carnaval, op. 9: Aveu
—
Carnaval, op. 9: Promenade
—
Carnaval, op. 9: Pause
—
Carnaval, op. 9: Marche des “Davidsbundler”
—
Fantasy Pieces, op. 12: Des Abends
—
Fantasy Pieces, op. 12: Aufschwung
—
Fantasy Pieces, op. 12: Warum?
—
Fantasy Pieces, op. 12: Grillen
—
Fantasy Pieces, op. 12: In der Nacht
—
Fantasy Pieces, op. 12: Fabel
—
Fantasy Pieces, op. 12: Traumes Wirren
—
Fantasy Pieces, op. 12: Ende vom Lied
—
Adagio cantabile
—
Préludes, op. 34: No. 10. Moderato non troppo
—
Préludes, op. 34: No. 15. Allegretto
—
Préludes, op. 34: No. 16. Andantino
—
Préludes, op. 34: No. 24. Allegretto
—
Song Without Words, “May Breezes”, op. 62/1
—
Caprice viennois, op. 2
—
Dance of Ayshe (from the ballet Gayane)
—
Rondino, op. 32/2
—
Clair de Lune (from Suite bergamasque)
—
Masques (from Romeo and Juliet)
—
Nigun (Improvisation) (from Baal Shem)
—
Hungarian Dance no. 1 in G minor, WoO 1/1
—
Entr’acte (from Raymonda)
—
Caprice basque, op. 24
—
Requiem Mass (Missa pro defunctis): I. Introitus (Requiem æternam – Te decet hymnus)
—
Requiem Mass (Missa pro defunctis): II. Kyrie (Kyrie eleison – Christe eleison)
—
Requiem Mass (Missa pro defunctis): III. Graduale (Requiem æternam – In memoria æterna)
—
Requiem Mass (Missa pro defunctis): IV. Offertorium (Domine Jesu Christe – Quam olim Abrahæ – Hostias et preces)
—
Requiem Mass (Missa pro defunctis): V. Sanctus – Benedictus
—
Requiem Mass (Missa pro defunctis): VI. Agnus Dei I – II – III
—
Requiem Mass (Missa pro defunctis): VII. Communio (Lux æterna – Requiem æternam)
—
Requiem Mass (Missa pro defunctis): VIII. Responsorium (Libera me, Domine – Tremens factus sum – Dies illa – Requiem æternam – Kyrie eleison) – Responsorium (Peccantem me quotidie)
—
Symphony No. 5 In D Minor Op. 47: I Moderato - Allegro Non Troppo - Poco Sostenuto - Largamente - Più Mosso - Moderato / II Allegretto - Largamente - Poco Più Mosso / III Largo / IV Allegro Non Troppo - Allegro - Più Mosso
—
Frauenliebe Und -Leben = Woman's Life And Love, Op. 42: Seit Ich Ihn Gesehen / Er, Der Herrlichste Von Allen / Ich Kann's Nicht Fassen, Nicht Glauben / Du Ring An Meinem Finger / Helft Mir, Ihr Schwestern / Süsser Freund, Du Blickest / An Meinem Herzen, An Meiner Brust / Nun Hast Du Mir Den Ersten Schmerz Getan
—
Gestillte Sehnsucht = Still Longing, Op. 91/1
—
Geistliches Wiegenlied = Holly Lullaby, Op. 91/2
—
Zigeunerlieder = Gypsy Songs, Op. 103 : No. 1: He, Zigeuner, Greife In Die Saiten Ein! / No. 2: Hochgetürmte Rimaflut, Wie Bist Du So Trüb / No. 3: Wißt Ihr, Wann Mein Kindchen Am Allerschönsten Ist? / No. 4: Lieber Gott, Du Weißt, Wie Oft Bereut Ich Hab' / No. 5: Brauner Bursche Führt Zum Tanze / No. 6: Röslein Dreie In Der Reihe Blühn So Rot / No. 7: Kommt Dir Manchmal In Den Sinn / No. 11: Rote Abendwolken Ziehn Am Firmament
—
La Plus Que Lente L 121
—
Scherzo In E Minor Op. 16/2
—
The Musical Snuffbox Op. 32
—
3 Écossaises Op. 72/3: No. 1 In D Major / No. 2 In G Major / No. 3 In D-Flat Major
—
Waltzes Op. 39: No. 3 In G-Sharp Minor / No. 15 In A Major
—
Allegro Barbaro Sz 49
—
Serenade For The Doll (From Children's Corner L 113)
—
Song Without Words In C Major "Spinning Song" Op. 67/4
—
Grande Étude De Paganini No. 5 In E Major "La Chasse" S 141/5
—
Waltz In A Major Op. 102 (From 7 Morceaux De Salon)
—
Étude In D-Sharp Minor Op. 81/2
—
Berceuse In D-Flat Major Op. 57
—
O Polichinelo W 140/7 (From Prole Do Bebê No. 1)
—
Rotual Fire Dance (From El Amor Brujo)
—
Lungi dal caro bene (from Le gelosie villane)
—
A Porfiria Vecchiarella (from Le gare dell’amor eroico)
—
Cara e dolce
—
Né men con l’ombre (from Serse, HWV 40)
—
Le Violette (from Pirro e Demetrio)
—
Caldo sangue (from Il Sedecia, re di Gerusalemme)
—
Chi vuole innamorarsi (from Il Flavio)
—
Der Jüngling an der Quelle, D 300
—
Nacht und Träume, D 827
—
Der Musensohn, D 764
—
Dein Angesicht, op. 127/2
—
An den Sonnenschein, op. 36/4
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Du bist wie eine Blume, op. 25/24
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I pastori
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Suite italienne (After Pulcinella): I. Introduzione. Allegro moderato
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Suite italienne (After Pulcinella): II Serenata. Larghetto
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Suite italienne (After Pulcinella): III. Aria. Allegro alla breve – Largo
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Suite italienne (After Pulcinella): IV Tarantella. Vivace
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Suite italienne (After Pulcinella): V. Minuetto e finale. Moderato – Molto vivace
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Sonata for Cello and Piano in D minor, L. 135: I Prologue. Lent
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Sonata for Cello and Piano in D minor, L. 135: II. Sérénade. Modérément animé
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Sonata for Cello and Piano in D minor, L. 135: III Finale. Animé
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Kleine Suite for Cello and Piano, op. 23: IV Sostenuto ed espressivo
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Capriccio for Cello and Piano
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Slaughter On Tenth Avenue (From On Your Toes)
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Interplay (American Concertette For Piano And Orchestra): Gavotte / The Blues
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3 Dances (From Fancy Fee): Galop / Waltz / Danzon
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El Sombrero de Tres Picos = The Three-Corned Hat - Suite No. 2: I Danza De Los Vecinos = Dance Of The Neighbors, (Seguidilla) / II Danza Del Molinero = Dance Of The Miller, (Farruca) / III Danza Final = Final Dance, (Jota)
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Polka (From The Age Of Gold - Suite Op. 22a)
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Hoe-Down (From Rodeo)
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Danza Final (Malambo) (From Estancia Op. 8)
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Sabre Dance (From Gayane)
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O Mio Babbino Caro (From Gianni Schicchi)
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Un Bel Dì, Vedremo (From Madama Butterfly, Act II)
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La Mamma Morta (From Andrea Chénier, Act III)
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D'onde Lieta (Addio Di Mimì) (From La Bohème, Act III)
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In Quele Trine Morbide (From Manon Lescaut, Act II)
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Mia Madre Aveva Una Povera Ancella (Canzone Del Salice = Willow Song) (From Otello, Act IV)
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Ave Maria (From Otello, Act IV)
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Měsíčku Na Nebi Hlubokém (Song To The Moon) (From Rusalka, Act I)
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Ich will den Kreuzstab gerne tragen, BWV 56: No. 1. Aria: "Ich will den Kreuzstab gerne tragen"
Mack Harrell, RCA Victor Orchestra, Robert Shaw
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Ich will den Kreuzstab gerne tragen, BWV 56: No. 2. Recitative: "Mein Wandel auf der Welt"
Mack Harrell, RCA Victor Orchestra, Robert Shaw
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Ich will den Kreuzstab gerne tragen, BWV 56: No. 3. Aria: "Endlich, endlich wird mein Joch"
Mack Harrell, RCA Victor Orchestra, Robert Shaw
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Ich will den Kreuzstab gerne tragen, BWV 56: No. 4. Recitative: "Ich stehe fertig und bereit"
Mack Harrell, RCA Victor Orchestra, Robert Shaw
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Ich will den Kreuzstab gerne tragen, BWV 56: No. 5. Chorale: "Komm, o Tod, du Schlafes Bruder"
RCA Victor Chorus, RCA Victor Orchestra, Robert Shaw
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Ich habe genug, BWV 82: No. 1. Aria: "Ich habe genug"
Mack Harrell, RCA Victor Orchestra, Robert Shaw
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Ich habe genug, BWV 82: No. 2. Recitative: "Ich habe genug!"
Mack Harrell, RCA Victor Orchestra, Robert Shaw
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Ich habe genug, BWV 82: No. 3. Aria: "Schlummert ein, ihr matten Augen"
RCA Victor Orchestra, Robert Shaw
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Ich habe genug, BWV 82: No. 4. Recitative: "Mein Gott! wenn kömmt das schöne: Nun!"
Mack Harrell, RCA Victor Orchestra, Robert Shaw
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Ich habe genug, BWV 82: No. 5. Aria: "Ich freue mich auf meinen Tod"
RCA Victor Orchestra, Robert Shaw
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Trio in E-flat, op. 40: I. Andante
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Trio in E-flat, op. 40: II. Scherzo. Allegro – (Trio) Molto meno allegro
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Trio in E-flat, op. 40: III. Adagio mesto
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Trio in E-flat, op. 40: IV. Finale. Allegro con brio
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Sonata for French Horn and Piano in F, op. 17: I. Allegro moderato
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Sonata for French Horn and Piano in F, op. 17: II. Poco adagio, quasi andante – Attacca
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Sonata for French Horn and Piano in F, op. 17: III. Rondo. Allegro moderato
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Piano Quartet in G minor, op. 25: I. Allegro
The Festival Quartet
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Piano Quartet in G minor, op. 25: II. Intermezzo. Allegro ma non troppo – Trio. Animato
The Festival Quartet
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Piano Quartet in G minor, op. 25: III. Andante con moto
The Festival Quartet
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Piano Quartet in G minor, op. 25: IV. Rondo alla Zingarese. Presto
The Festival Quartet
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Concerto for Violin and Orchestra No. 1 in D major - I Allegro Maestoso
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Concerto for Violin and Orchestra No. 1 in D major - II Adagio
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Concerto for Violin and Orchestra No. 1 in D major - III Rondo. Allegro Spirituoso
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Introduction Et Rondo Capriccioso For Violin And Orchestra In A Minor Op. 28
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Suite for 2 Pianos No. 1 - I Barcarolle. Allegretto
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Suite for 2 Pianos No. 1 - II A Night for Love. Adagio sostenuto
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Suite for 2 Pianos No. 1 - III Tears. Largo di molto
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Suite for 2 Pianos No. 1 - IV Russian Easter. Allegro maestoso
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Suite for 2 Pianos No. 2 - I Introduction. Alla mafcia
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Suite for 2 Pianos No. 2 - II Waltz. Presto
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Suite for 2 Pianos No. 2 - III Romance. Andantino
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Suite for 2 Pianos No. 2 - IV Tarantella. presto
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Finlandia op. 26 (Symphonic Poem)
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The Swan of Tuonela, From Lemminkäinen Suite op. 22
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Valse Triste, From Kuolema op. 44
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Pohjola's Daughter op. 49 (Symphonic Fantasia)
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Lemminkäinen's Return, From Lemminkäinen Suite op. 22
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Variations On A Theme By Corelli
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Sea Murmurs, After "Arise!" From 33 Shakespeare Songs Op. 24
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Scherzo-Tarantelle In F Minor, Op. 16
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Sérénade Mélancolique In B-Flat Minor, Op. 26
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The Flight Of The Bumblebee, From The Tale Of Tsar Saltan Op. 57
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Minuet (In The Style Of Porpora)
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Romance For Violin And Piano In D Major, Op. 23
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Rondo For Violin And Piano In C Major, K 373
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No. 17 In E-Flat Major
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No. 21 In A Major
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Hora Staccato
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Danza Española, From La Vida Breve
—
Quartet in E-flat major, Op. 47: I. Sostenuto assai - Allegro ma non troppo
—
Quartet in E-flat major, Op. 47: II. Scherzo: Molto vivace - Trio I - Trio II
—
Quartet in E-flat major, Op. 47: III. Andante cantabile
—
Quartet in E-flat major, Op. 47: IV. Finale: Vivace
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Quartet in E-flat major, Op. 16: I. Grave - Allegro ma non troppo
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Quartet in E-flat major, Op. 16: II. Andante cantabile
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Quartet in E-flat major, Op. 16: III. Rondo: Allegro ma non troppo
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Toccata (And Fugue) In D Minor, BWV 565: Adagio / Fuga
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Prelude And Fugue On B-A-C-H, S 260
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Symphony For Organ No. 5 In F Minor, Op. 42/1: V Toccata. Allegro
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Benedictus In D-Flat Major, Op. 59/9: Adagio
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Litanies, JA 119
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0000000022262133000000002274871500000000285078160000000055173313000000006301245600000000631071480000000073601967000000008099331300000000811382630000000081598550
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00000000835445480000000083956710000000008403545400000001086343990000000108802188000000010891936X0000000108964371000000010904107700000001102320220000000110883183000000011472602X000000011507230400000001158128860000000120955419000000012119592500000001214304460000000121482043000000012177961300000001218700970000000121873634000000036854807500000003743392960000000401675608
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What is UPC 889853217427?
889853217427 is a Universal Product Code (UPC) assigned to The Golden Era of Living Stereo: The Remastered Collector’s Edition by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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