UPC · Release
Various Artists
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The UPC for “The Golden Era of Living Stereo: The Remastered Collector’s Edition” by Various Artists is 889853217427. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: RCA Red Seal. This release contains 178 tracks, each with its own ISRC. Tracks include USSM11604931, USSM11604932, USSM11604933.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Quintet in A, op. 114 "Trout Quintet": I. Allegro vivace | The Festival Quartet, Stuart Sankey | — | |
| 2 | Piano Quintet in A, op. 114 "Trout Quintet": II. Andante | The Festival Quartet, Stuart Sankey | — | |
| 3 | Piano Quintet in A, op. 114 "Trout Quintet": III. Scherzo: Presto - Trio | The Festival Quartet, Stuart Sankey | — | |
| 4 | Piano Quintet in A, op. 114 "Trout Quintet": IV. Thema: Andantino - Var. I-V - Allegretto | The Festival Quartet, Stuart Sankey | — | |
| 5 | Piano Quintet in A, op. 114 "Trout Quintet": V. Finale: Allegro giusto | The Festival Quartet, Stuart Sankey | — | |
| 2-1 | Carnaval, op. 9: Préambule | — | ||
| 2-2 | Carnaval, op. 9: Pierrot | — | ||
| 2-3 | Carnaval, op. 9: Arlequin | — | ||
| 2-4 | Carnaval, op. 9: Valse noble | — | ||
| 2-5 | Carnaval, op. 9: Eusebius | — | ||
| 2-6 | Carnaval, op. 9: Florestan | — | ||
| 2-7 | Carnaval, op. 9: Coquette | — | ||
| 2-8 | Carnaval, op. 9: Réplique | — | ||
| 2-9 | Carnaval, op. 9: Papillons | — | ||
| 2-10 | Carnaval, op. 9: Lettres dansantes | — | ||
| 2-11 | Carnaval, op. 9: Chiarina | — | ||
| 2-12 | Carnaval, op. 9: Chopin | — | ||
| 2-13 | Carnaval, op. 9: Estrella | — | ||
| 2-14 | Carnaval, op. 9: Reconnaissance | — | ||
| 2-15 | Carnaval, op. 9: Pantalon et Colombine | — | ||
| 2-16 | Carnaval, op. 9: Valse allemande | — | ||
| 2-17 | Carnaval, op. 9: Paganini | — | ||
| 2-18 | Carnaval, op. 9: Aveu | — | ||
| 2-19 | Carnaval, op. 9: Promenade | — | ||
| 2-20 | Carnaval, op. 9: Pause | — | ||
| 2-21 | Carnaval, op. 9: Marche des “Davidsbundler” | — | ||
| 2-22 | Fantasy Pieces, op. 12: Des Abends | — | ||
| 2-23 | Fantasy Pieces, op. 12: Aufschwung | — | ||
| 2-24 | Fantasy Pieces, op. 12: Warum? | — | ||
| 2-25 | Fantasy Pieces, op. 12: Grillen | — | ||
| 2-26 | Fantasy Pieces, op. 12: In der Nacht | — | ||
| 2-27 | Fantasy Pieces, op. 12: Fabel | — | ||
| 2-28 | Fantasy Pieces, op. 12: Traumes Wirren | — | ||
| 2-29 | Fantasy Pieces, op. 12: Ende vom Lied | — | ||
| 3-1 | Adagio cantabile | — | ||
| 3-2 | Préludes, op. 34: No. 10. Moderato non troppo | — | ||
| 3-3 | Préludes, op. 34: No. 15. Allegretto | — | ||
| 3-4 | Préludes, op. 34: No. 16. Andantino | — | ||
| 3-5 | Préludes, op. 34: No. 24. Allegretto | — | ||
| 3-6 | Song Without Words, “May Breezes”, op. 62/1 | — | ||
| 3-7 | Caprice viennois, op. 2 | — | ||
| 3-8 | Dance of Ayshe (from the ballet Gayane) | — | ||
| 3-9 | Rondino, op. 32/2 | — | ||
| 3-10 | Clair de Lune (from Suite bergamasque) | — | ||
| 3-11 | Masques (from Romeo and Juliet) | — | ||
| 3-12 | Nigun (Improvisation) (from Baal Shem) | — | ||
| 3-13 | Hungarian Dance no. 1 in G minor, WoO 1/1 | — | ||
| 3-14 | Entr’acte (from Raymonda) | — | ||
| 3-15 | Caprice basque, op. 24 | — | ||
| 4-1 | Requiem Mass (Missa pro defunctis): I. Introitus (Requiem æternam – Te decet hymnus) | — | ||
| 4-2 | Requiem Mass (Missa pro defunctis): II. Kyrie (Kyrie eleison – Christe eleison) | — | ||
| 4-3 | Requiem Mass (Missa pro defunctis): III. Graduale (Requiem æternam – In memoria æterna) | — | ||
| 4-4 | Requiem Mass (Missa pro defunctis): IV. Offertorium (Domine Jesu Christe – Quam olim Abrahæ – Hostias et preces) | — | ||
| 4-5 | Requiem Mass (Missa pro defunctis): V. Sanctus – Benedictus | — | ||
| 4-6 | Requiem Mass (Missa pro defunctis): VI. Agnus Dei I – II – III | — | ||
| 4-7 | Requiem Mass (Missa pro defunctis): VII. Communio (Lux æterna – Requiem æternam) | — | ||
| 4-8 | Requiem Mass (Missa pro defunctis): VIII. Responsorium (Libera me, Domine – Tremens factus sum – Dies illa – Requiem æternam – Kyrie eleison) – Responsorium (Peccantem me quotidie) | — | ||
| 5-1 | Symphony No. 5 In D Minor Op. 47: I Moderato - Allegro Non Troppo - Poco Sostenuto - Largamente - Più Mosso - Moderato / II Allegretto - Largamente - Poco Più Mosso / III Largo / IV Allegro Non Troppo - Allegro - Più Mosso | — | ||
| 6-1 | Frauenliebe Und -Leben = Woman's Life And Love, Op. 42: Seit Ich Ihn Gesehen / Er, Der Herrlichste Von Allen / Ich Kann's Nicht Fassen, Nicht Glauben / Du Ring An Meinem Finger / Helft Mir, Ihr Schwestern / Süsser Freund, Du Blickest / An Meinem Herzen, An Meiner Brust / Nun Hast Du Mir Den Ersten Schmerz Getan | — | ||
| 6-2 | Gestillte Sehnsucht = Still Longing, Op. 91/1 | — | ||
| 6-3 | Geistliches Wiegenlied = Holly Lullaby, Op. 91/2 | — | ||
| 6-4 | Zigeunerlieder = Gypsy Songs, Op. 103 : No. 1: He, Zigeuner, Greife In Die Saiten Ein! / No. 2: Hochgetürmte Rimaflut, Wie Bist Du So Trüb / No. 3: Wißt Ihr, Wann Mein Kindchen Am Allerschönsten Ist? / No. 4: Lieber Gott, Du Weißt, Wie Oft Bereut Ich Hab' / No. 5: Brauner Bursche Führt Zum Tanze / No. 6: Röslein Dreie In Der Reihe Blühn So Rot / No. 7: Kommt Dir Manchmal In Den Sinn / No. 11: Rote Abendwolken Ziehn Am Firmament | — | ||
| 7-1 | La Plus Que Lente L 121 | — | ||
| 7-2 | Scherzo In E Minor Op. 16/2 | — | ||
| 7-3 | The Musical Snuffbox Op. 32 | — | ||
| 7-4 | 3 Écossaises Op. 72/3: No. 1 In D Major / No. 2 In G Major / No. 3 In D-Flat Major | — | ||
| 7-5 | Waltzes Op. 39: No. 3 In G-Sharp Minor / No. 15 In A Major | — | ||
| 7-6 | Allegro Barbaro Sz 49 | — | ||
| 7-7 | Serenade For The Doll (From Children's Corner L 113) | — | ||
| 7-8 | Song Without Words In C Major "Spinning Song" Op. 67/4 | — | ||
| 7-9 | Grande Étude De Paganini No. 5 In E Major "La Chasse" S 141/5 | — | ||
| 7-10 | Waltz In A Major Op. 102 (From 7 Morceaux De Salon) | — | ||
| 7-11 | Étude In D-Sharp Minor Op. 81/2 | — | ||
| 7-12 | Berceuse In D-Flat Major Op. 57 | — | ||
| 7-13 | O Polichinelo W 140/7 (From Prole Do Bebê No. 1) | — | ||
| 7-14 | Rotual Fire Dance (From El Amor Brujo) | — | ||
| 8-1 | Lungi dal caro bene (from Le gelosie villane) | — | ||
| 8-2 | A Porfiria Vecchiarella (from Le gare dell’amor eroico) | — | ||
| 8-3 | Cara e dolce | — | ||
| 8-4 | Né men con l’ombre (from Serse, HWV 40) | — | ||
| 8-5 | Le Violette (from Pirro e Demetrio) | — | ||
| 8-6 | Caldo sangue (from Il Sedecia, re di Gerusalemme) | — | ||
| 8-7 | Chi vuole innamorarsi (from Il Flavio) | — | ||
| 8-8 | Der Jüngling an der Quelle, D 300 | — | ||
| 8-9 | Nacht und Träume, D 827 | — | ||
| 8-10 | Der Musensohn, D 764 | — | ||
| 8-11 | Dein Angesicht, op. 127/2 | — | ||
| 8-12 | An den Sonnenschein, op. 36/4 | — | ||
| 8-13 | Du bist wie eine Blume, op. 25/24 | — | ||
| 8-14 | I pastori | — | ||
| 9-1 | Suite italienne (After Pulcinella): I. Introduzione. Allegro moderato | — | ||
| 9-2 | Suite italienne (After Pulcinella): II Serenata. Larghetto | — | ||
| 9-3 | Suite italienne (After Pulcinella): III. Aria. Allegro alla breve – Largo | — | ||
| 9-4 | Suite italienne (After Pulcinella): IV Tarantella. Vivace | — | ||
| 9-5 | Suite italienne (After Pulcinella): V. Minuetto e finale. Moderato – Molto vivace | — | ||
| 9-6 | Sonata for Cello and Piano in D minor, L. 135: I Prologue. Lent | — | ||
| 9-7 | Sonata for Cello and Piano in D minor, L. 135: II. Sérénade. Modérément animé | — | ||
| 9-8 | Sonata for Cello and Piano in D minor, L. 135: III Finale. Animé | — | ||
| 9-9 | Kleine Suite for Cello and Piano, op. 23: IV Sostenuto ed espressivo | — | ||
| 9-10 | Capriccio for Cello and Piano | — | ||
| 10-1 | Slaughter On Tenth Avenue (From On Your Toes) | — | ||
| 10-2 | Interplay (American Concertette For Piano And Orchestra): Gavotte / The Blues | — | ||
| 10-3 | 3 Dances (From Fancy Fee): Galop / Waltz / Danzon | — | ||
| 10-4 | El Sombrero de Tres Picos = The Three-Corned Hat - Suite No. 2: I Danza De Los Vecinos = Dance Of The Neighbors, (Seguidilla) / II Danza Del Molinero = Dance Of The Miller, (Farruca) / III Danza Final = Final Dance, (Jota) | — | ||
| 10-5 | Polka (From The Age Of Gold - Suite Op. 22a) | — | ||
| 10-6 | Hoe-Down (From Rodeo) | — | ||
| 10-7 | Danza Final (Malambo) (From Estancia Op. 8) | — | ||
| 10-8 | Sabre Dance (From Gayane) | — | ||
| 11-1 | O Mio Babbino Caro (From Gianni Schicchi) | — | ||
| 11-2 | Un Bel Dì, Vedremo (From Madama Butterfly, Act II) | — | ||
| 11-3 | La Mamma Morta (From Andrea Chénier, Act III) | — | ||
| 11-4 | D'onde Lieta (Addio Di Mimì) (From La Bohème, Act III) | — | ||
| 11-5 | In Quele Trine Morbide (From Manon Lescaut, Act II) | — | ||
| 11-6 | Mia Madre Aveva Una Povera Ancella (Canzone Del Salice = Willow Song) (From Otello, Act IV) | — | ||
| 11-7 | Ave Maria (From Otello, Act IV) | — | ||
| 11-8 | Měsíčku Na Nebi Hlubokém (Song To The Moon) (From Rusalka, Act I) | — | ||
| 12-1 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 1. Aria: "Ich will den Kreuzstab gerne tragen" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-2 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 2. Recitative: "Mein Wandel auf der Welt" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-3 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 3. Aria: "Endlich, endlich wird mein Joch" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-4 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 4. Recitative: "Ich stehe fertig und bereit" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-5 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 5. Chorale: "Komm, o Tod, du Schlafes Bruder" | RCA Victor Chorus, RCA Victor Orchestra, Robert Shaw | — | |
| 12-6 | Ich habe genug, BWV 82: No. 1. Aria: "Ich habe genug" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-7 | Ich habe genug, BWV 82: No. 2. Recitative: "Ich habe genug!" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-8 | Ich habe genug, BWV 82: No. 3. Aria: "Schlummert ein, ihr matten Augen" | RCA Victor Orchestra, Robert Shaw | — | |
| 12-9 | Ich habe genug, BWV 82: No. 4. Recitative: "Mein Gott! wenn kömmt das schöne: Nun!" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-10 | Ich habe genug, BWV 82: No. 5. Aria: "Ich freue mich auf meinen Tod" | RCA Victor Orchestra, Robert Shaw | — | |
| 29-1 | Trio in E-flat, op. 40: I. Andante | — | ||
| 29-2 | Trio in E-flat, op. 40: II. Scherzo. Allegro – (Trio) Molto meno allegro | — | ||
| 29-3 | Trio in E-flat, op. 40: III. Adagio mesto | — | ||
| 29-4 | Trio in E-flat, op. 40: IV. Finale. Allegro con brio | — | ||
| 29-5 | Sonata for French Horn and Piano in F, op. 17: I. Allegro moderato | — | ||
| 29-6 | Sonata for French Horn and Piano in F, op. 17: II. Poco adagio, quasi andante – Attacca | — | ||
| 29-7 | Sonata for French Horn and Piano in F, op. 17: III. Rondo. Allegro moderato | — | ||
| 36-1 | Piano Quartet in G minor, op. 25: I. Allegro | The Festival Quartet | — | |
| 36-2 | Piano Quartet in G minor, op. 25: II. Intermezzo. Allegro ma non troppo – Trio. Animato | The Festival Quartet | — | |
| 36-3 | Piano Quartet in G minor, op. 25: III. Andante con moto | The Festival Quartet | — | |
| 36-4 | Piano Quartet in G minor, op. 25: IV. Rondo alla Zingarese. Presto | The Festival Quartet | — | |
| 47-1 | Concerto for Violin and Orchestra No. 1 in D major - I Allegro Maestoso | — | ||
| 47-2 | Concerto for Violin and Orchestra No. 1 in D major - II Adagio | — | ||
| 47-3 | Concerto for Violin and Orchestra No. 1 in D major - III Rondo. Allegro Spirituoso | — | ||
| 47-4 | Introduction Et Rondo Capriccioso For Violin And Orchestra In A Minor Op. 28 | — | ||
| 52-1 | Suite for 2 Pianos No. 1 - I Barcarolle. Allegretto | — | ||
| 52-2 | Suite for 2 Pianos No. 1 - II A Night for Love. Adagio sostenuto | — | ||
| 52-3 | Suite for 2 Pianos No. 1 - III Tears. Largo di molto | — | ||
| 52-4 | Suite for 2 Pianos No. 1 - IV Russian Easter. Allegro maestoso | — | ||
| 52-5 | Suite for 2 Pianos No. 2 - I Introduction. Alla mafcia | — | ||
| 52-6 | Suite for 2 Pianos No. 2 - II Waltz. Presto | — | ||
| 52-7 | Suite for 2 Pianos No. 2 - III Romance. Andantino | — | ||
| 52-8 | Suite for 2 Pianos No. 2 - IV Tarantella. presto | — | ||
| 54-1 | Finlandia op. 26 (Symphonic Poem) | — | ||
| 54-2 | The Swan of Tuonela, From Lemminkäinen Suite op. 22 | — | ||
| 54-3 | Valse Triste, From Kuolema op. 44 | — | ||
| 54-4 | Pohjola's Daughter op. 49 (Symphonic Fantasia) | — | ||
| 54-5 | Lemminkäinen's Return, From Lemminkäinen Suite op. 22 | — | ||
| 55-1 | Variations On A Theme By Corelli | — | ||
| 55-2 | Sea Murmurs, After "Arise!" From 33 Shakespeare Songs Op. 24 | — | ||
| 55-3 | Scherzo-Tarantelle In F Minor, Op. 16 | — | ||
| 55-4 | Sérénade Mélancolique In B-Flat Minor, Op. 26 | — | ||
| 55-5 | The Flight Of The Bumblebee, From The Tale Of Tsar Saltan Op. 57 | — | ||
| 55-6 | Minuet (In The Style Of Porpora) | — | ||
| 55-7 | Romance For Violin And Piano In D Major, Op. 23 | — | ||
| 55-8 | Rondo For Violin And Piano In C Major, K 373 | — | ||
| 55-9 | No. 17 In E-Flat Major | — | ||
| 55-10 | No. 21 In A Major | — | ||
| 55-11 | Hora Staccato | — | ||
| 55-12 | Danza Española, From La Vida Breve | — | ||
| 56-1 | Quartet in E-flat major, Op. 47: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 56-2 | Quartet in E-flat major, Op. 47: II. Scherzo: Molto vivace - Trio I - Trio II | — | ||
| 56-3 | Quartet in E-flat major, Op. 47: III. Andante cantabile | — | ||
| 56-4 | Quartet in E-flat major, Op. 47: IV. Finale: Vivace | — | ||
| 56-5 | Quartet in E-flat major, Op. 16: I. Grave - Allegro ma non troppo | — | ||
| 56-6 | Quartet in E-flat major, Op. 16: II. Andante cantabile | — | ||
| 56-7 | Quartet in E-flat major, Op. 16: III. Rondo: Allegro ma non troppo | — | ||
| 60-1 | Toccata (And Fugue) In D Minor, BWV 565: Adagio / Fuga | — | ||
| 60-2 | Prelude And Fugue On B-A-C-H, S 260 | — | ||
| 60-3 | Symphony For Organ No. 5 In F Minor, Op. 42/1: V Toccata. Allegro | — | ||
| 60-4 | Benedictus In D-Flat Major, Op. 59/9: Adagio | — | ||
| 60-5 | Litanies, JA 119 | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
889853217427 is a Universal Product Code (UPC) assigned to The Golden Era of Living Stereo: The Remastered Collector’s Edition by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 178 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Golden Era of Living Stereo: The Remastered Collector’s Edition” by Various Artists is 889853217427. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: RCA Red Seal. This release contains 178 tracks, each with its own ISRC. Tracks include USSM11604931, USSM11604932, USSM11604933.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Quintet in A, op. 114 "Trout Quintet": I. Allegro vivace | The Festival Quartet, Stuart Sankey | — | |
| 2 | Piano Quintet in A, op. 114 "Trout Quintet": II. Andante | The Festival Quartet, Stuart Sankey | — | |
| 3 | Piano Quintet in A, op. 114 "Trout Quintet": III. Scherzo: Presto - Trio | The Festival Quartet, Stuart Sankey | — | |
| 4 | Piano Quintet in A, op. 114 "Trout Quintet": IV. Thema: Andantino - Var. I-V - Allegretto | The Festival Quartet, Stuart Sankey | — | |
| 5 | Piano Quintet in A, op. 114 "Trout Quintet": V. Finale: Allegro giusto | The Festival Quartet, Stuart Sankey | — | |
| 2-1 | Carnaval, op. 9: Préambule | — | ||
| 2-2 | Carnaval, op. 9: Pierrot | — | ||
| 2-3 | Carnaval, op. 9: Arlequin | — | ||
| 2-4 | Carnaval, op. 9: Valse noble | — | ||
| 2-5 | Carnaval, op. 9: Eusebius | — | ||
| 2-6 | Carnaval, op. 9: Florestan | — | ||
| 2-7 | Carnaval, op. 9: Coquette | — | ||
| 2-8 | Carnaval, op. 9: Réplique | — | ||
| 2-9 | Carnaval, op. 9: Papillons | — | ||
| 2-10 | Carnaval, op. 9: Lettres dansantes | — | ||
| 2-11 | Carnaval, op. 9: Chiarina | — | ||
| 2-12 | Carnaval, op. 9: Chopin | — | ||
| 2-13 | Carnaval, op. 9: Estrella | — | ||
| 2-14 | Carnaval, op. 9: Reconnaissance | — | ||
| 2-15 | Carnaval, op. 9: Pantalon et Colombine | — | ||
| 2-16 | Carnaval, op. 9: Valse allemande | — | ||
| 2-17 | Carnaval, op. 9: Paganini | — | ||
| 2-18 | Carnaval, op. 9: Aveu | — | ||
| 2-19 | Carnaval, op. 9: Promenade | — | ||
| 2-20 | Carnaval, op. 9: Pause | — | ||
| 2-21 | Carnaval, op. 9: Marche des “Davidsbundler” | — | ||
| 2-22 | Fantasy Pieces, op. 12: Des Abends | — | ||
| 2-23 | Fantasy Pieces, op. 12: Aufschwung | — | ||
| 2-24 | Fantasy Pieces, op. 12: Warum? | — | ||
| 2-25 | Fantasy Pieces, op. 12: Grillen | — | ||
| 2-26 | Fantasy Pieces, op. 12: In der Nacht | — | ||
| 2-27 | Fantasy Pieces, op. 12: Fabel | — | ||
| 2-28 | Fantasy Pieces, op. 12: Traumes Wirren | — | ||
| 2-29 | Fantasy Pieces, op. 12: Ende vom Lied | — | ||
| 3-1 | Adagio cantabile | — | ||
| 3-2 | Préludes, op. 34: No. 10. Moderato non troppo | — | ||
| 3-3 | Préludes, op. 34: No. 15. Allegretto | — | ||
| 3-4 | Préludes, op. 34: No. 16. Andantino | — | ||
| 3-5 | Préludes, op. 34: No. 24. Allegretto | — | ||
| 3-6 | Song Without Words, “May Breezes”, op. 62/1 | — | ||
| 3-7 | Caprice viennois, op. 2 | — | ||
| 3-8 | Dance of Ayshe (from the ballet Gayane) | — | ||
| 3-9 | Rondino, op. 32/2 | — | ||
| 3-10 | Clair de Lune (from Suite bergamasque) | — | ||
| 3-11 | Masques (from Romeo and Juliet) | — | ||
| 3-12 | Nigun (Improvisation) (from Baal Shem) | — | ||
| 3-13 | Hungarian Dance no. 1 in G minor, WoO 1/1 | — | ||
| 3-14 | Entr’acte (from Raymonda) | — | ||
| 3-15 | Caprice basque, op. 24 | — | ||
| 4-1 | Requiem Mass (Missa pro defunctis): I. Introitus (Requiem æternam – Te decet hymnus) | — | ||
| 4-2 | Requiem Mass (Missa pro defunctis): II. Kyrie (Kyrie eleison – Christe eleison) | — | ||
| 4-3 | Requiem Mass (Missa pro defunctis): III. Graduale (Requiem æternam – In memoria æterna) | — | ||
| 4-4 | Requiem Mass (Missa pro defunctis): IV. Offertorium (Domine Jesu Christe – Quam olim Abrahæ – Hostias et preces) | — | ||
| 4-5 | Requiem Mass (Missa pro defunctis): V. Sanctus – Benedictus | — | ||
| 4-6 | Requiem Mass (Missa pro defunctis): VI. Agnus Dei I – II – III | — | ||
| 4-7 | Requiem Mass (Missa pro defunctis): VII. Communio (Lux æterna – Requiem æternam) | — | ||
| 4-8 | Requiem Mass (Missa pro defunctis): VIII. Responsorium (Libera me, Domine – Tremens factus sum – Dies illa – Requiem æternam – Kyrie eleison) – Responsorium (Peccantem me quotidie) | — | ||
| 5-1 | Symphony No. 5 In D Minor Op. 47: I Moderato - Allegro Non Troppo - Poco Sostenuto - Largamente - Più Mosso - Moderato / II Allegretto - Largamente - Poco Più Mosso / III Largo / IV Allegro Non Troppo - Allegro - Più Mosso | — | ||
| 6-1 | Frauenliebe Und -Leben = Woman's Life And Love, Op. 42: Seit Ich Ihn Gesehen / Er, Der Herrlichste Von Allen / Ich Kann's Nicht Fassen, Nicht Glauben / Du Ring An Meinem Finger / Helft Mir, Ihr Schwestern / Süsser Freund, Du Blickest / An Meinem Herzen, An Meiner Brust / Nun Hast Du Mir Den Ersten Schmerz Getan | — | ||
| 6-2 | Gestillte Sehnsucht = Still Longing, Op. 91/1 | — | ||
| 6-3 | Geistliches Wiegenlied = Holly Lullaby, Op. 91/2 | — | ||
| 6-4 | Zigeunerlieder = Gypsy Songs, Op. 103 : No. 1: He, Zigeuner, Greife In Die Saiten Ein! / No. 2: Hochgetürmte Rimaflut, Wie Bist Du So Trüb / No. 3: Wißt Ihr, Wann Mein Kindchen Am Allerschönsten Ist? / No. 4: Lieber Gott, Du Weißt, Wie Oft Bereut Ich Hab' / No. 5: Brauner Bursche Führt Zum Tanze / No. 6: Röslein Dreie In Der Reihe Blühn So Rot / No. 7: Kommt Dir Manchmal In Den Sinn / No. 11: Rote Abendwolken Ziehn Am Firmament | — | ||
| 7-1 | La Plus Que Lente L 121 | — | ||
| 7-2 | Scherzo In E Minor Op. 16/2 | — | ||
| 7-3 | The Musical Snuffbox Op. 32 | — | ||
| 7-4 | 3 Écossaises Op. 72/3: No. 1 In D Major / No. 2 In G Major / No. 3 In D-Flat Major | — | ||
| 7-5 | Waltzes Op. 39: No. 3 In G-Sharp Minor / No. 15 In A Major | — | ||
| 7-6 | Allegro Barbaro Sz 49 | — | ||
| 7-7 | Serenade For The Doll (From Children's Corner L 113) | — | ||
| 7-8 | Song Without Words In C Major "Spinning Song" Op. 67/4 | — | ||
| 7-9 | Grande Étude De Paganini No. 5 In E Major "La Chasse" S 141/5 | — | ||
| 7-10 | Waltz In A Major Op. 102 (From 7 Morceaux De Salon) | — | ||
| 7-11 | Étude In D-Sharp Minor Op. 81/2 | — | ||
| 7-12 | Berceuse In D-Flat Major Op. 57 | — | ||
| 7-13 | O Polichinelo W 140/7 (From Prole Do Bebê No. 1) | — | ||
| 7-14 | Rotual Fire Dance (From El Amor Brujo) | — | ||
| 8-1 | Lungi dal caro bene (from Le gelosie villane) | — | ||
| 8-2 | A Porfiria Vecchiarella (from Le gare dell’amor eroico) | — | ||
| 8-3 | Cara e dolce | — | ||
| 8-4 | Né men con l’ombre (from Serse, HWV 40) | — | ||
| 8-5 | Le Violette (from Pirro e Demetrio) | — | ||
| 8-6 | Caldo sangue (from Il Sedecia, re di Gerusalemme) | — | ||
| 8-7 | Chi vuole innamorarsi (from Il Flavio) | — | ||
| 8-8 | Der Jüngling an der Quelle, D 300 | — | ||
| 8-9 | Nacht und Träume, D 827 | — | ||
| 8-10 | Der Musensohn, D 764 | — | ||
| 8-11 | Dein Angesicht, op. 127/2 | — | ||
| 8-12 | An den Sonnenschein, op. 36/4 | — | ||
| 8-13 | Du bist wie eine Blume, op. 25/24 | — | ||
| 8-14 | I pastori | — | ||
| 9-1 | Suite italienne (After Pulcinella): I. Introduzione. Allegro moderato | — | ||
| 9-2 | Suite italienne (After Pulcinella): II Serenata. Larghetto | — | ||
| 9-3 | Suite italienne (After Pulcinella): III. Aria. Allegro alla breve – Largo | — | ||
| 9-4 | Suite italienne (After Pulcinella): IV Tarantella. Vivace | — | ||
| 9-5 | Suite italienne (After Pulcinella): V. Minuetto e finale. Moderato – Molto vivace | — | ||
| 9-6 | Sonata for Cello and Piano in D minor, L. 135: I Prologue. Lent | — | ||
| 9-7 | Sonata for Cello and Piano in D minor, L. 135: II. Sérénade. Modérément animé | — | ||
| 9-8 | Sonata for Cello and Piano in D minor, L. 135: III Finale. Animé | — | ||
| 9-9 | Kleine Suite for Cello and Piano, op. 23: IV Sostenuto ed espressivo | — | ||
| 9-10 | Capriccio for Cello and Piano | — | ||
| 10-1 | Slaughter On Tenth Avenue (From On Your Toes) | — | ||
| 10-2 | Interplay (American Concertette For Piano And Orchestra): Gavotte / The Blues | — | ||
| 10-3 | 3 Dances (From Fancy Fee): Galop / Waltz / Danzon | — | ||
| 10-4 | El Sombrero de Tres Picos = The Three-Corned Hat - Suite No. 2: I Danza De Los Vecinos = Dance Of The Neighbors, (Seguidilla) / II Danza Del Molinero = Dance Of The Miller, (Farruca) / III Danza Final = Final Dance, (Jota) | — | ||
| 10-5 | Polka (From The Age Of Gold - Suite Op. 22a) | — | ||
| 10-6 | Hoe-Down (From Rodeo) | — | ||
| 10-7 | Danza Final (Malambo) (From Estancia Op. 8) | — | ||
| 10-8 | Sabre Dance (From Gayane) | — | ||
| 11-1 | O Mio Babbino Caro (From Gianni Schicchi) | — | ||
| 11-2 | Un Bel Dì, Vedremo (From Madama Butterfly, Act II) | — | ||
| 11-3 | La Mamma Morta (From Andrea Chénier, Act III) | — | ||
| 11-4 | D'onde Lieta (Addio Di Mimì) (From La Bohème, Act III) | — | ||
| 11-5 | In Quele Trine Morbide (From Manon Lescaut, Act II) | — | ||
| 11-6 | Mia Madre Aveva Una Povera Ancella (Canzone Del Salice = Willow Song) (From Otello, Act IV) | — | ||
| 11-7 | Ave Maria (From Otello, Act IV) | — | ||
| 11-8 | Měsíčku Na Nebi Hlubokém (Song To The Moon) (From Rusalka, Act I) | — | ||
| 12-1 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 1. Aria: "Ich will den Kreuzstab gerne tragen" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-2 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 2. Recitative: "Mein Wandel auf der Welt" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-3 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 3. Aria: "Endlich, endlich wird mein Joch" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-4 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 4. Recitative: "Ich stehe fertig und bereit" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-5 | Ich will den Kreuzstab gerne tragen, BWV 56: No. 5. Chorale: "Komm, o Tod, du Schlafes Bruder" | RCA Victor Chorus, RCA Victor Orchestra, Robert Shaw | — | |
| 12-6 | Ich habe genug, BWV 82: No. 1. Aria: "Ich habe genug" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-7 | Ich habe genug, BWV 82: No. 2. Recitative: "Ich habe genug!" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-8 | Ich habe genug, BWV 82: No. 3. Aria: "Schlummert ein, ihr matten Augen" | RCA Victor Orchestra, Robert Shaw | — | |
| 12-9 | Ich habe genug, BWV 82: No. 4. Recitative: "Mein Gott! wenn kömmt das schöne: Nun!" | Mack Harrell, RCA Victor Orchestra, Robert Shaw | — | |
| 12-10 | Ich habe genug, BWV 82: No. 5. Aria: "Ich freue mich auf meinen Tod" | RCA Victor Orchestra, Robert Shaw | — | |
| 29-1 | Trio in E-flat, op. 40: I. Andante | — | ||
| 29-2 | Trio in E-flat, op. 40: II. Scherzo. Allegro – (Trio) Molto meno allegro | — | ||
| 29-3 | Trio in E-flat, op. 40: III. Adagio mesto | — | ||
| 29-4 | Trio in E-flat, op. 40: IV. Finale. Allegro con brio | — | ||
| 29-5 | Sonata for French Horn and Piano in F, op. 17: I. Allegro moderato | — | ||
| 29-6 | Sonata for French Horn and Piano in F, op. 17: II. Poco adagio, quasi andante – Attacca | — | ||
| 29-7 | Sonata for French Horn and Piano in F, op. 17: III. Rondo. Allegro moderato | — | ||
| 36-1 | Piano Quartet in G minor, op. 25: I. Allegro | The Festival Quartet | — | |
| 36-2 | Piano Quartet in G minor, op. 25: II. Intermezzo. Allegro ma non troppo – Trio. Animato | The Festival Quartet | — | |
| 36-3 | Piano Quartet in G minor, op. 25: III. Andante con moto | The Festival Quartet | — | |
| 36-4 | Piano Quartet in G minor, op. 25: IV. Rondo alla Zingarese. Presto | The Festival Quartet | — | |
| 47-1 | Concerto for Violin and Orchestra No. 1 in D major - I Allegro Maestoso | — | ||
| 47-2 | Concerto for Violin and Orchestra No. 1 in D major - II Adagio | — | ||
| 47-3 | Concerto for Violin and Orchestra No. 1 in D major - III Rondo. Allegro Spirituoso | — | ||
| 47-4 | Introduction Et Rondo Capriccioso For Violin And Orchestra In A Minor Op. 28 | — | ||
| 52-1 | Suite for 2 Pianos No. 1 - I Barcarolle. Allegretto | — | ||
| 52-2 | Suite for 2 Pianos No. 1 - II A Night for Love. Adagio sostenuto | — | ||
| 52-3 | Suite for 2 Pianos No. 1 - III Tears. Largo di molto | — | ||
| 52-4 | Suite for 2 Pianos No. 1 - IV Russian Easter. Allegro maestoso | — | ||
| 52-5 | Suite for 2 Pianos No. 2 - I Introduction. Alla mafcia | — | ||
| 52-6 | Suite for 2 Pianos No. 2 - II Waltz. Presto | — | ||
| 52-7 | Suite for 2 Pianos No. 2 - III Romance. Andantino | — | ||
| 52-8 | Suite for 2 Pianos No. 2 - IV Tarantella. presto | — | ||
| 54-1 | Finlandia op. 26 (Symphonic Poem) | — | ||
| 54-2 | The Swan of Tuonela, From Lemminkäinen Suite op. 22 | — | ||
| 54-3 | Valse Triste, From Kuolema op. 44 | — | ||
| 54-4 | Pohjola's Daughter op. 49 (Symphonic Fantasia) | — | ||
| 54-5 | Lemminkäinen's Return, From Lemminkäinen Suite op. 22 | — | ||
| 55-1 | Variations On A Theme By Corelli | — | ||
| 55-2 | Sea Murmurs, After "Arise!" From 33 Shakespeare Songs Op. 24 | — | ||
| 55-3 | Scherzo-Tarantelle In F Minor, Op. 16 | — | ||
| 55-4 | Sérénade Mélancolique In B-Flat Minor, Op. 26 | — | ||
| 55-5 | The Flight Of The Bumblebee, From The Tale Of Tsar Saltan Op. 57 | — | ||
| 55-6 | Minuet (In The Style Of Porpora) | — | ||
| 55-7 | Romance For Violin And Piano In D Major, Op. 23 | — | ||
| 55-8 | Rondo For Violin And Piano In C Major, K 373 | — | ||
| 55-9 | No. 17 In E-Flat Major | — | ||
| 55-10 | No. 21 In A Major | — | ||
| 55-11 | Hora Staccato | — | ||
| 55-12 | Danza Española, From La Vida Breve | — | ||
| 56-1 | Quartet in E-flat major, Op. 47: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 56-2 | Quartet in E-flat major, Op. 47: II. Scherzo: Molto vivace - Trio I - Trio II | — | ||
| 56-3 | Quartet in E-flat major, Op. 47: III. Andante cantabile | — | ||
| 56-4 | Quartet in E-flat major, Op. 47: IV. Finale: Vivace | — | ||
| 56-5 | Quartet in E-flat major, Op. 16: I. Grave - Allegro ma non troppo | — | ||
| 56-6 | Quartet in E-flat major, Op. 16: II. Andante cantabile | — | ||
| 56-7 | Quartet in E-flat major, Op. 16: III. Rondo: Allegro ma non troppo | — | ||
| 60-1 | Toccata (And Fugue) In D Minor, BWV 565: Adagio / Fuga | — | ||
| 60-2 | Prelude And Fugue On B-A-C-H, S 260 | — | ||
| 60-3 | Symphony For Organ No. 5 In F Minor, Op. 42/1: V Toccata. Allegro | — | ||
| 60-4 | Benedictus In D-Flat Major, Op. 59/9: Adagio | — | ||
| 60-5 | Litanies, JA 119 | — |
