UPC · Release
Various Artists
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The UPC for “Vivarte - 60 CD Collection Vol. 2” by Various Artists is 889853320721. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Sony Classical. This release contains 940 tracks, each with its own ISRC. Tracks include USSM19000662, USSM19000663, USSM19000664.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | “Ave Maris Stella” (Hymnus, IV.Tone) | — | ||
| 2 | Ia. Immaculata Conceptio B.M.V. - “Gaudens Gaudebo in Domino” (Introitus, III. Tone) | — | ||
| 3 | Ib. Immaculata Conceptio B.M.V. - “Benedicta Es Tu, Virgo Maria” (Graduale, V.Tone) | — | ||
| 4 | Iia. In Nativitate B.M.V. - “Ave Maria, Gratia Plena” (Responsorium Breve, VI.Tone) | — | ||
| 5 | Iib. In Nativitate B.M.V. - “Nativitas Tua” (Antiphon Ad Magnificat, I.Tone) | — | ||
| 6 | Iiia. In Annuntiatione B.M.V. - “Ave Maria” (Offertorium, VIII.Tone) | — | ||
| 7 | Iiib. In Annuntiatione B.M.V. - “Ave Maria, Gratia Plena” (Sequentia, V.Tone) | — | ||
| 8 | Iiic. In Annuntiatione B.M.V. - “Ecce Virgo Concipiet” (Communio, I.Tone) | — | ||
| 9 | Iva. Visitatio B.M.V. - “Cum Audisset Salutationem Mariae” (Ad Benedictus Antiphona, VIII.Tone) | — | ||
| 10 | Ivb. Visitatio B.M.V. - “Magnificat” (Responsorium, II.Tone) | — | ||
| 11 | Ivc. Visitatio B.M.V. - “Magnificat” (Evangelium, I.Tone) | — | ||
| 12 | Va. In Nativitate Domini - “Kyrie - Virginitatis Amator” (Tropus, III.Tone) | — | ||
| 13 | Vb. In Nativitate Domini - “Salve Sancta Parens” (Introitus, II.Tone) | — | ||
| 14 | Vc. In Nativitate Domini - “Alma Redemptoris Mater” (Sequentia, V.Tone) | — | ||
| 15 | Via. In Purificatione B.M.V. - “Lumen Ad Revelationem Gentium“ - Canticum Simeonis (Antiphona, VIII.Tone) | — | ||
| 16 | Vib. In Purificatione B.M.V. - “Adorna Thalamum Tuum” (Antiphona, VI.Tone) | — | ||
| 17 | Viia. In Festo Septem Dolorum - “Stabat Sancta Maria” (Tractus, II.Tone) | — | ||
| 18 | Viib. In Festo Septem Dolorum - “Stabat Mater Dolorosa” (Sequentia, II.Tone) | — | ||
| 19 | Viic. In Festo Septem Dolorum - “Recordare Virgo Mater” (Offertorium + Tropus, I.Tone) | — | ||
| 20 | Viiia. In Assumptione B.M.V. - “Gaudeamus Omnes in Domino” (Introitus, I.Tone) | — | ||
| 21 | Viiib. In Assumptione B.M.V. - “Lectio Libri Sapientiae” (Reading in Two Voices / 2-Stimmige Lesung) | — | ||
| 22 | Viiic. In Assumptione B.M.V. - “Assumpta Est Maria in Caelum” (Offertorium, VIII.Tone) | — | ||
| 23 | Aditional Pieces - “Sancta Maria, Sucurre Miseris” (Antiphona Ad Magnificat, I.Tone) | — | ||
| 24 | Aditional Pieces - “Salve Regina, Mater Misericordiae” (Antiphona Ad Maria, I.Tone) | — | ||
| 2-1 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - I. Chorus (& Recitatives) “Wer Weiß, Wie Nahe Mir Mein Ende” | — | ||
| 2-2 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - II. Recitative “Mein Leben Hat Kein Ander Ziel” | — | ||
| 2-3 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - III. Aria “Willkommen! Will Ich Sagen” | — | ||
| 2-4 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - IV. Recitative “Ach, Wer Doch Schon Im Himmel Wär” | — | ||
| 2-5 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - V. Aria “Gute Nacht, Du Welgetümmel” | — | ||
| 2-6 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - VI. Chorale “Welt Ade! Ich Bin Dein Müde” | — | ||
| 2-7 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - I. Chorus “O Ewiges Feuer, o Ursprung Der Liebe” | — | ||
| 2-8 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - II. Recitative “Herr, Unsre Herzen Halten Dir” | — | ||
| 2-9 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - III. Aria “Wohl Euch, Ihr Auserwählten Seelen” | — | ||
| 2-10 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - IV. Recitative “Erwählt Sich Gott Die Heilgen Hütten” | — | ||
| 2-11 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - V. Chorus “Friede Ueber Israel” | — | ||
| 2-12 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - I. Chorus “Jesu, Nun Sei Gepreiset” | — | ||
| 2-13 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - II. Aria “Laß Uns, o Höchster Gott, Das Jahr Vollbringen” | — | ||
| 2-14 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - III. Recitative “Ach! Deine Hand, Dein Segen Muß Allein” | — | ||
| 2-15 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - IV. Aria “Woferne Du Den Edlen Frieden” | — | ||
| 2-16 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - V. Recitative “Doch Weil Der Feind Bei Tag Und Nacht” | — | ||
| 2-17 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - VI. Chorale “Dein Ist Allein Die Ehre” | — | ||
| 3-1 | Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - I. “Singet Dem Herrn Ein Neues Lied” | — | ||
| 3-2 | Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - II. “Gott, Nimm Dich Ferner Unser an” - Chorale “Wie Sich Ein Vat'r Erbarmet” | — | ||
| 3-3 | Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - “Gott, Nimm Dich Ferner Unser an” - Chorale “Er Hat Uns Wissen Lassen” | — | ||
| 3-4 | Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - III. “Lobet Den Herrn in Seinen Taten” | — | ||
| 3-5 | Komm, Jesu, Komm, Motet, BWV 229 - I. “Komm, Jesu, Komm” | — | ||
| 3-6 | Komm, Jesu, Komm, Motet, BWV 229 - II. Aria “Drum Schließ Ich Mich in Deine Hände” | — | ||
| 3-7 | Der Geist Hilft Unser Schwachheit Auf, Motet, BWV 226 - I. “Der Geist Hilft Unser Schwachheit Auf” | — | ||
| 3-8 | Der Geist Hilft Unser Schwachheit Auf, Motet, BWV 226 - II. “Der Aber Die Herzen Forschet” | — | ||
| 3-9 | Der Geist Hilft Unser Schwachheit Auf, Motet, BWV 226 - III. Chorale “Du Heilige Brunst” | — | ||
| 3-10 | Jesu, Meine Freude, Motet, BWV 227 - I. Chorale “Jesu, Meine Freude” | — | ||
| 3-11 | Jesu, Meine Freude, Motet, BWV 227 - II. “Er Ist Nun Nichts Verdammliches” | — | ||
| 3-12 | Jesu, Meine Freude, Motet, BWV 227 - III. Chorale “Unter Deinen Schirmen Bin Ich Vor Den Sturmen” | — | ||
| 3-13 | Jesu, Meine Freude, Motet, BWV 227 - IV. “Denn Das Gesetz Des Geistes, Das da Lebendig Macht” | — | ||
| 3-14 | Jesu, Meine Freude, Motet, BWV 227 - V. Chorale “Trotz Dem Alten Drachen” | — | ||
| 3-15 | Jesu, Meine Freude, Motet, BWV 227 - VI. “Ihr Aber Seid Nicht Fleischlich” | — | ||
| 3-16 | Jesu, Meine Freude, Motet, BWV 227 - VII. Chorale “Weg Mit Allen Schätzen” | — | ||
| 3-17 | Jesu, Meine Freude, Motet, BWV 227 - VIII. “So Aber Christus in Euch Ist” | — | ||
| 3-18 | Jesu, Meine Freude, Motet, BWV 227 - IX. Chorale “Gute Nacht, o Wesen” | — | ||
| 3-19 | Jesu, Meine Freude, Motet, BWV 227 - X. “So Nun Der Geist” | — | ||
| 3-20 | Jesu, Meine Freude, Motet, BWV 227 - XI. Chorale “Weicht, Ihr Trauergeister” | — | ||
| 3-21 | Fürchte Dich Nicht, Ich Bin Bei Dir, Motet, BWV 228 | — | ||
| 4-1 | Piano Concerto No. 1 in C major, Op. 15 - I. Allegro Con Brio | — | ||
| 4-2 | Piano Concerto No. 1 in C major, Op. 15 - II. Largo | — | ||
| 4-3 | Piano Concerto No. 1 in C major, Op. 15 - III. Rondo. Allegro | — | ||
| 4-4 | Piano Concerto No. 2 in B-flat major, Op. 19 - I. Allegro Con Brio | — | ||
| 4-5 | Piano Concerto No. 2 in B-flat major, Op. 19 - II. Adagio | — | ||
| 4-6 | Piano Concerto No. 2 in B-flat major, Op. 19 - III. Rondo. Molto Allegro | — | ||
| 5-1 | Piano Concerto No. 3 in C minor, Op. 37 - I. Allegro Con Brio | — | ||
| 5-2 | Piano Concerto No. 3 in C minor, Op. 37 - II. Largo | — | ||
| 5-3 | Piano Concerto No. 3 in C minor, Op. 37 - III. Rondo. Allegro | — | ||
| 5-4 | Piano Concerto No. 4 in G major, Op. 58 - I. Allegro Moderato | — | ||
| 5-5 | Piano Concerto No. 4 in G major, Op. 58 - II. Andante Con Moto | — | ||
| 5-6 | Piano Concerto No. 4 in G major, Op. 58 - III. Rondo. Vivace | — | ||
| 6-1 | Piano Concerto No.5 in E-flat major, Op.73 'Emperor' - I. Allegro | — | ||
| 6-2 | Piano Concerto No.5 in E-flat major, Op.73 'Emperor' - II. Adagio Un Poco Moto | — | ||
| 6-3 | Piano Concerto No.5 in E-flat major, Op.73 'Emperor' - III. Rondo. Allegro | — | ||
| 6-4 | Violin Concerto in D major, Op.61 - I. Allegro Ma Non Troppo | — | ||
| 6-5 | Violin Concerto in D major, Op.61 - II. Larghetto | — | ||
| 6-6 | Violin Concerto in D major, Op.61 - III. Rondo. Allegro | — | ||
| 7-1 | String Sextet No. 1 in B-flat major, Op. 18 - I. Allegro Ma Non Troppo | — | ||
| 7-2 | String Sextet No. 1 in B-flat major, Op. 18 - II. Andante Ma Moderato | — | ||
| 7-3 | String Sextet No. 1 in B-flat major, Op. 18 - III. Scherzo. Allegro Molto - Trio. Animato | — | ||
| 7-4 | String Sextet No. 1 in B-flat major, Op. 18 - IV. Rondo. Poco Allegretto E Grazioso | — | ||
| 7-5 | String Sextet No. 2 in G major, Op. 36 - I. Allegro Non Troppo | — | ||
| 7-6 | String Sextet No. 2 in G major, Op. 36 - II. Scherzo. Allegro Non Troppo - (Trio) Presto Giocoso | — | ||
| 7-7 | String Sextet No. 2 in G major, Op. 36 - III. Adagio | — | ||
| 7-8 | String Sextet No. 2 in G major, Op. 36 - IV. Poco Allegro | — | ||
| 8-1 | Missa “Et Ecce Terrae Motus” a 12 Voci - Kyrie - 1. Kyrie Eleison | — | ||
| 8-2 | Missa “Et Ecce Terrae Motus” a 12 Voci - Kyrie - 2. Christe Eleison | — | ||
| 8-3 | Missa “Et Ecce Terrae Motus” a 12 Voci - Kyrie - 3. Kyrie Eleison | — | ||
| 8-4 | Missa “Et Ecce Terrae Motus” a 12 Voci - Gloria | — | ||
| 8-5 | Missa “Et Ecce Terrae Motus” a 12 Voci - Credo | — | ||
| 8-6 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 1. Sanctus | — | ||
| 8-7 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 2. Pleni Sunt Caeli | — | ||
| 8-8 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 3. Hosanna | — | ||
| 8-9 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 4. Benedictus | — | ||
| 8-10 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 5. Hosanna | — | ||
| 8-11 | Missa “Et Ecce Terrae Motus” a 12 Voci - Agnus Dei - 1. Agnus Dei I | — | ||
| 8-12 | Missa “Et Ecce Terrae Motus” a 12 Voci - Agnus Dei - 2. Agnus Dei II | — | ||
| 8-13 | Missa “Et Ecce Terrae Motus” a 12 Voci - Agnus Dei - 3. Agnus Dei III | — | ||
| 8-14 | Sequentia “Dies Irae, Dies Illa” | — | ||
| 9-1 | Lamentatio Jeremiae prophetae (Zum Karmittwoch) | — | ||
| 9-2 | Wie bist du denn, o Gott, in zorn auf mich entbrannt (Lamento) | — | ||
| 9-3 | Mein Herz ist bereit, BuxWV 73 | — | ||
| 9-4 | Ich bin die Auferstehung, BuxWV 44 | — | ||
| 9-5 | Kommet her zu mir alle, die ihr mühselig und beladen seid | — | ||
| 9-6 | Ich liege und schlafe, SWV 310 (from Kleine geistliche Konzerte II, Op. 9) | — | ||
| 9-7 | Fili mi, Absalon, SWV 269 (from Symphoniae sacrae I, Op. 6) | — | ||
| 9-8 | Salve coelestis pater | — | ||
| 9-9 | De profundis clamavi (Psalm 130) | — | ||
| 9-10 | Lamentationes Jeremiae: Zum Gründonnerstag | — | ||
| 10-1 | Ex illustri nata prosapia (Conductus Motet) | — | ||
| 10-2 | Crucifigat omnes (Conductus) | — | ||
| 10-3 | O Maria maris stella (Motet) | — | ||
| 10-4 | Ex agone sanguinis (Conductus) | — | ||
| 10-5 | Belial vocatur (Conductus Motet) | — | ||
| 10-6 | Sanctus | — | ||
| 10-7 | Agnus Dei | — | ||
| 10-8 | Benedicamus Domino | — | ||
| 10-9 | Flavit auster | — | ||
| 10-10 | Eya mater (Prosa) | — | ||
| 10-11 | Quis dabit capiti (Prosa) | — | ||
| 10-12 | Casta catholica (Conductus Motet) | — | ||
| 10-13 | Homo miserabilis (Motet) | — | ||
| 11-1 | Giovanni Gabrieli (c1553/56-1612) - Toccata | — | ||
| 11-2 | Giovanni Gabrieli - Buccinate in neomenia tuba à 19 | — | ||
| 11-3 | Giovanni Gabrieli - Canzon XVII à 12 | — | ||
| 11-4 | Alessando Grandi (1575/80-1630) - Heu mihi - Dialogo à 4 | — | ||
| 11-5 | Giovanni Paolo Cima (c1570-after1622) - Sonata per il violino, cornetto e violone | — | ||
| 11-6 | Giovanni Gabrieli - Dulcis Jesu patris imago, sonata con voce à 20 | — | ||
| 11-7 | Alessandro Grandi - O quam tu pulchra es | — | ||
| 11-8 | Giovanni Gabrieli - Canzon in echo à 12 | — | ||
| 11-9 | Giovanni Gabrieli - Trimor et tremor à 6 | — | ||
| 11-10 | Giovanni Paolo Cima - Sonata per il cornetto e trombone | — | ||
| 11-11 | Giovanni Gabrieli - Sonata con 3 violini | — | ||
| 11-12 | Alessandro Grandi - Cantemus Domino | — | ||
| 11-13 | Giovanni Gabrieli - Sonata XIX à 15 | — | ||
| 11-14 | Giovanni Gabrieli - In ecclesiis à 14 | — | ||
| 12-1 | Canzon V À 7 | — | ||
| 12-2 | Jubilate Deo À 10 | — | ||
| 12-3 | Salvum Me Fac, Deus | — | ||
| 12-4 | Sonata XVIII À 14 | — | ||
| 12-5 | Cantate Domino | — | ||
| 12-6 | Sonata Per Il Violino E Violone | — | ||
| 12-7 | Canzon Primi Toni À 10 | — | ||
| 12-8 | Misericordia Tua Domine À 12 | — | ||
| 12-9 | Canzon X À 8 | — | ||
| 12-10 | O Sacrum Convivium | — | ||
| 12-11 | Toccata Primi Toni | — | ||
| 12-12 | Magnificat À 33 | — | ||
| 12-13 | Benedictus Es Dominus À 8 | — | ||
| 12-14 | Salve, o Regina | — | ||
| 12-15 | Capriccio Detto Svegliatoio | — | ||
| 13-1 | Concerto for Flute, Strings, 2 Oboe, 2 Horns & B.C. in G major, Op.29 - I. Allegro | — | ||
| 13-2 | Concerto for Flute, Strings, 2 Oboe, 2 Horns & B.C. in G major, Op.29 - II. Andante Non Troppo Moderato | — | ||
| 13-3 | Concerto for Flute, Strings, 2 Oboe, 2 Horns & B.C. in G major, Op.29 - III. Rondo. Allegro | — | ||
| 13-4 | Concerto for Flute, Strings & B.C. in E minor - I. Allegro Moderato | — | ||
| 13-5 | Concerto for Flute, Strings & B.C. in E minor - II. Andantino | — | ||
| 13-6 | Concerto for Flute, Strings & B.C. in E minor - III. Allegro, Non Troppo Presto | — | ||
| 13-7 | Concerto for Flute, Strings & B.C. in G major - I. Allegro | — | ||
| 13-8 | Concerto for Flute, Strings & B.C. in G major - II. Adagio | — | ||
| 13-9 | Concerto for Flute, Strings & B.C. in G major - III. Presto | — | ||
| 13-10 | Concerto for Flute, Strings, 2 Horns & B.C. in D major - I. Allegro Moderato | — | ||
| 13-11 | Concerto for Flute, Strings, 2 Horns & B.C. in D major - II. Adagio | — | ||
| 13-12 | Concerto for Flute, Strings, 2 Horns & B.C. in D major - III. Allegro Molto | — | ||
| 13-13 | Dance of the Blessed Spirits (From Orfeo Ed Euridice, Act II) | — | ||
| 14-1 | Suite in D major: La Régente. Noblement et soutenu | — | ||
| 14-2 | Suite in D major: La Tronchin. Mouvement aisé | — | ||
| 14-3 | Suite in D major: La Angrave. Tres vivement | — | ||
| 14-4 | Suite in D major: La Eynaud. Fièrement | — | ||
| 14-5 | Suite in D major: La Morangis ou La Plissay. Mouvement de Chaconne | — | ||
| 14-6 | Suite in G minor: La Marella. Vivement et marqué | — | ||
| 14-7 | Suite in G minor: La Clément. Noblement et détaché | — | ||
| 14-8 | Suite in G minor: Sarabande. La d'Aubonne | — | ||
| 14-9 | Suite in G minor: Le Carillon de Passy. Légèrement sans vitesse - La Latour. Un peu plus vif que la précédente pièce | — | ||
| 14-10 | Pièces de Clavecin, troisième livre: La Superbe, ou la Forqueray. Fièrement, sans lenteur | — | ||
| 14-11 | Pièces de Clavecin, troisième livre: La Forqueray. Rondeau | — | ||
| 15-1 | Concerto Grosso in D minor, Op. 2 No. 3 - I. Presto | — | ||
| 15-2 | Concerto Grosso in D minor, Op. 2 No. 3 - II. Adagio | — | ||
| 15-3 | Concerto Grosso in D minor, Op. 2 No. 3 - III. Allegro | — | ||
| 15-4 | Concerto Grosso in C minor, Op. 2 No. 1 - I. Andante | — | ||
| 15-5 | Concerto Grosso in C minor, Op. 2 No. 1 - II. Allegro | — | ||
| 15-6 | Concerto Grosso in C minor, Op. 2 No. 1 - III. Adagio | — | ||
| 15-7 | Concerto Grosso in C minor, Op. 2 No. 1 - IV. Allegro | — | ||
| 15-8 | Concerto Grosso in A major, Op. 2 No. 6 - I. Andante | — | ||
| 15-9 | Concerto Grosso in A major, Op. 2 No. 6 - II. Allegro | — | ||
| 15-10 | Concerto Grosso in A major, Op. 2 No. 6 - III. Allegro | — | ||
| 15-11 | Concerto Grosso in C minor, Op. 2 No. 2 - I. Adagio | — | ||
| 15-12 | Concerto Grosso in C minor, Op. 2 No. 2 - II. Allegro | — | ||
| 15-13 | Concerto Grosso in C minor, Op. 2 No. 2 - III. Adagio | — | ||
| 15-14 | Concerto Grosso in C minor, Op. 2 No. 2 - IV. Allegro | — | ||
| 15-15 | Concerto Grosso in D major, Op. 2 No. 4 - I. Andante | — | ||
| 15-16 | Concerto Grosso in D major, Op. 2 No. 4 - II. Allegro | — | ||
| 15-17 | Concerto Grosso in D major, Op. 2 No. 4 - III. Adagio | — | ||
| 15-18 | Concerto Grosso in D major, Op. 2 No. 4 - IV. Allegro | — | ||
| 15-19 | Concerto Grosso in D minor, Op. 2 No. 5 - I. Grave | — | ||
| 15-20 | Concerto Grosso in D minor, Op. 2 No. 5 - II. Allegro | — | ||
| 15-21 | Concerto Grosso in D minor, Op. 2 No. 5 - III. Adagio | — | ||
| 15-22 | Concerto Grosso in D minor, Op. 2 No. 5 - IV. Allegro | — | ||
| 15-23 | Concerto Grosso in C major After Corelli, Op. 5 No. 3 - I. Adagio | — | ||
| 15-24 | Concerto Grosso in C major After Corelli, Op. 5 No. 3 - II. Allegro | — | ||
| 15-25 | Concerto Grosso in C major After Corelli, Op. 5 No. 3 - III. Adagio | — | ||
| 15-26 | Concerto Grosso in C major After Corelli, Op. 5 No. 3 - IV. Allegro | — | ||
| 15-27 | Concerto Grosso in G minor After Corelli, Op. 5 No. 5 - I. Adagio | — | ||
| 15-28 | Concerto Grosso in G minor After Corelli, Op. 5 No. 5 - II. Vivace | — | ||
| 15-29 | Concerto Grosso in G minor After Corelli, Op. 5 No. 5 - III. Adagio | — | ||
| 15-30 | Concerto Grosso in G minor After Corelli, Op. 5 No. 5 - IV. Allegro | — | ||
| 16-1 | Orfeo Ed Euridice - Overtura | — | ||
| 16-2 | ATTO I. Scena 1. Coro: “Ah, Se Intorno a Quest'Urna Funestra” (Coro, Orfeo) - Scena 1. Recitativo: “Basta, Basta, o Compagni” (Orfeo) | — | ||
| 16-3 | Scena 1. Ballo (Larghetto) | — | ||
| 16-4 | Scena 1. Coro; “Ah, Se Intorno a Quest'Urna Funestra” | — | ||
| 16-5 | Scena 1. Aria: “Chiamo Il Mio Ben Cosi” (Orfeo) | — | ||
| 16-6 | Scena 1. Recitativo: “Numi! Barbari Numi” (Orfeo) | — | ||
| 16-7 | Scena 2. Recitativo: “T'Assiste Amore!” (Amore, Orfeo) | — | ||
| 16-8 | Scena 2. Aria: “Gli Sguardi Trattieni” (Amore) | — | ||
| 16-9 | Scena 2. Recitativo: “Che Disse? Che Ascoltai?” (Orfeo, Amore) | — | ||
| 16-10 | ATTO II. Scena 1. Ballo (Maestoso) - Coro: “Chi Mai Dell'Erebo Fra Le Caligini” | — | ||
| 16-11 | Scena 1. Ballo (Presto) | — | ||
| 16-12 | Scena 1. Coro: “Chi Mai Dell'Erebo Fra Le Caligini” | — | ||
| 16-13 | Scena 1. Ballo (Maestoso) | — | ||
| 16-14 | Scena 1. Orfeo Ed Coro: “Deh! Placatevi Con Me” | — | ||
| 16-15 | Scena 1. Coro: “Misero Giovane, Che Vuoi, Che Mediti?” | — | ||
| 16-16 | Scena 1. Aria: “Mille Pene, Ombre Moleste” (Orfeo) | — | ||
| 16-17 | Scena 1. Coro: “Ah, Quale Incognito Affetto” | — | ||
| 16-18 | Scena 1. Aria: “Men Tiranne, Ah! Voi Sareste” (Orfeo) | — | ||
| 16-19 | Scena 1. Coro: “Ah, Quale Incognito Affetto” | — | ||
| 16-20 | Scena 2. Ballo (Andante) | — | ||
| 16-21 | Scena 2. Arioso: “Che Puro Ciel, Che Chiaro Sol” (Orfeo, Coro) | — | ||
| 16-22 | Scena 2. Coro: “Vieni a” Regni Del Riposo” | — | ||
| 16-23 | Scena 2. Ballo (Andante) | — | ||
| 16-24 | Scena 2. Recitativo: “Anime Avventurose” (Orfeo) | — | ||
| 16-25 | Scena 2. Coro: “Toma, o Bella, Al Tuo Consorte” | — | ||
| 17-1 | ATTO III. Scena 1. Recitativo “Vieni, segui i miei passi” (Orfeo, Euridice) | — | ||
| 17-2 | Scena 1. Duetto “Vieni, appaga il tuo consorte!” (Orfeo, Euridice) | — | ||
| 17-3 | Scena 1. Recitativo “Qual vita è questa mai” (Euridice) | — | ||
| 17-4 | Scena 1. Aria: “Che Fiero Momento” (Euridice) | — | ||
| 17-5 | Scena 1. Recitativo: “Ecco Un Nuovo Tormento” (Orfeo, Euridice) | — | ||
| 17-6 | Scena 1. Aria: “Che Farò Senza Euridice?” (Orfeo) | — | ||
| 17-7 | Scena 1. Recitativo: “Ah, Finisca E Per Sempre” (Orfeo) | — | ||
| 17-8 | Scena 2. Recitativo: “Orfeo, Che Fai?” (Amore, Orfeo, Euridice) | — | ||
| 17-9 | Scena 3. Maestoso | — | ||
| 17-10 | Scena 3. Ballo. I. (Grazioso) | — | ||
| 17-11 | Scena 3. Ballo. II. Allegro | — | ||
| 17-12 | Scena 3. Ballo. III. Andante | — | ||
| 17-13 | Scena 3. Ballo. IV. Allegro | — | ||
| 17-14 | Scena 3. Coro: “Trionfi Amore!” (Orfeo, Amore, Euridice, Coro) | — | ||
| 18-1 | DON JUAN Ou Le Festin de Pierre, Ballet - Sinfonia. Allegro | — | ||
| 18-2 | Don Juan, Ballet - No. 1. Andante Grazioso | — | ||
| 18-3 | Don Juan, Ballet - No. 2. Andante | — | ||
| 18-4 | Don Juan, Ballet - No. 3. Allegro Maestoso | — | ||
| 18-5 | Don Juan, Ballet - No. 4. Allegro Furioso - Andante | — | ||
| 18-6 | Don Juan, Ballet - No. 5. Allegro Forte Risoluto - Andante - Allegretto | — | ||
| 18-7 | Don Juan, Ballet - No. 6. Risoluto Moderato | — | ||
| 18-8 | Don Juan, Ballet - No. 7. Gavotte | — | ||
| 18-9 | Don Juan, Ballet - No. 8. Brillante | — | ||
| 18-10 | Don Juan, Ballet - No. 9. Allegretto | — | ||
| 18-11 | Don Juan, Ballet - No. 10. Moderato | — | ||
| 18-12 | Don Juan, Ballet - No. 11. Giusto | — | ||
| 18-13 | Don Juan, Ballet - No. 12. Allegro - Presto | — | ||
| 18-14 | Don Juan, Ballet - No. 13. Andante Grazioso | — | ||
| 18-15 | Don Juan, Ballet - No. 14. Andante | — | ||
| 18-16 | Don Juan, Ballet - No. 15. Presto | — | ||
| 18-17 | Don Juan, Ballet - No. 16. Allegretto - Presto - Andante - Tempo Primo | — | ||
| 18-18 | Don Juan, Ballet - No. 17. Andante | — | ||
| 18-19 | Don Juan, Ballet - No. 18. Allegro Giusto | — | ||
| 18-20 | Don Juan, Ballet - No. 19. Moderato | — | ||
| 18-21 | Don Juan, Ballet - No. 20. Andante | — | ||
| 18-22 | Don Juan, Ballet - No. 21. Grazioso | — | ||
| 18-23 | Don Juan, Ballet - No. 22. Allegretto | — | ||
| 18-24 | Don Juan, Ballet - No. 23. Moderato - Presto - Moderato - Presto | — | ||
| 18-25 | Don Juan, Ballet - No. 24. Risoluto E Moderato | — | ||
| 18-26 | Don Juan, Ballet - No. 25. Allegro - Allegro Giusto - Allegro | — | ||
| 18-27 | Don Juan, Ballet - No. 26. Andante Staccato | — | ||
| 18-28 | Don Juan, Ballet - No. 27. Allegro | — | ||
| 18-29 | Don Juan, Ballet - No. 28. Allegretto | — | ||
| 18-30 | Don Juan, Ballet - No. 29. Andante Staccato | — | ||
| 18-31 | Don Juan, Ballet - No. 30. Larghetto | — | ||
| 18-32 | Don Juan, Ballet - No. 31. Allegro Non Troppo | — | ||
| 18-33 | SEMIRAMIS, Ballet-Pantomime in 1 Act - Sinfonia. Maestoso | — | ||
| 18-34 | Semiramis, Ballet - No. 1. Andante | — | ||
| 18-35 | Semiramis, Ballet - No. 2. Allegro | — | ||
| 18-36 | Semiramis, Ballet - No. 3. Moderato | — | ||
| 18-37 | Semiramis, Ballet - No. 4. Moderato, Grazioso | — | ||
| 18-38 | Semiramis, Ballet - No. 5. Moderato | — | ||
| 18-39 | Semiramis, Ballet - No. 6. Maestoso | — | ||
| 18-40 | Semiramis, Ballet - No. 7. Grazioso | — | ||
| 18-41 | Semiramis, Ballet - No. 8. Maestoso | — | ||
| 18-42 | Semiramis, Ballet - No. 9a. Affettuoso - 9b. Affettuoso | — | ||
| 18-43 | Semiramis, Ballet - No. 10. Adagio - Più Adagio | — | ||
| 18-44 | Semiramis, Ballet - No. 11. Affettuoso | — | ||
| 18-45 | Semiramis, Ballet - No. 12. Adagio | — | ||
| 18-46 | Semiramis, Ballet - No. 13. Allegro Maestoso | — | ||
| 18-47 | Semiramis, Ballet - No. 14. Adagio - Allegro | — | ||
| 18-48 | Semiramis, Ballet - No. 15. Allegro Assai | — | ||
| 19-1 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - I. Kyrie | — | ||
| 19-2 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - II. Gloria | — | ||
| 19-3 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - III. Credo | — | ||
| 19-4 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - IV. Sanctus | — | ||
| 19-5 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - V. Benedictus | — | ||
| 19-6 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - VI. Agnus Dei | — | ||
| 19-7 | Mare Clausum, Hob. Xxiva: 9 (Fragment) - Aria: “Nor Can I Think My Suit Is Vain” | — | ||
| 19-8 | Mare Clausum, Hob. Xxiva: 9 (Fragment) - Chorus: “They Great Endeavours” | — | ||
| 19-9 | Motetto “Insanae Et Vanae Curae”, Hob. XXI: 1 No. 13c | — | ||
| 19-10 | Motetti de Venerabili Sacramento, Hob. Xxiiic: 5a-D - 1. “Lauda Sion” | — | ||
| 19-11 | Motetti de Venerabili Sacramento, Hob. Xxiiic: 5a-D - 2. “Ecce Panis” | — | ||
| 19-12 | Motetti de Venerabili Sacramento, Hob. Xxiiic: 5a-D - 3. “In Figuris” | — | ||
| 19-13 | Motetti de Venerabili Sacramento, Hob. Xxiiic: 5a-D - 4. “Bone Pastor” | — | ||
| 19-14 | Te Deum for the Empress Marie Therese, Hob. Xxiiic: 2 | — | ||
| 20-1 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - I. Kyrie | — | ||
| 20-2 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - II. Gloria | — | ||
| 20-3 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - III. Credo | — | ||
| 20-4 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - IV. Sanctus | — | ||
| 20-5 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - V. Benedictus | — | ||
| 20-6 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - VI. Agnus Dei | — | ||
| 20-7 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - I. Kyrie | — | ||
| 20-8 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - II. Gloria | — | ||
| 20-9 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - III. Credo | — | ||
| 20-10 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - IV. Sanctus | — | ||
| 20-11 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - V. Benedictus | — | ||
| 20-12 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - VI. Agnus Dei | — | ||
| 21-1 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - I. Kyrie. Largo - Allegro Moderato | — | ||
| 21-2 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - II. Gloria. Vivace - Adagio - Allegro | — | ||
| 21-3 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - III. Credo. Allegro - Adagio - Allegro - Vivace | — | ||
| 21-4 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - IV. Sanctus. Adagio - Allegro Con Spirito | — | ||
| 21-5 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - V. Benedictus. Andante | — | ||
| 21-6 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - VI. Agnus Dei. Adagio - Allegro Con Spirito | — | ||
| 21-7 | Salve Regina, Hob. Xxiiib: 2 - Salve Regina. Adagio | — | ||
| 21-8 | Salve Regina, Hob. Xxiiib: 2 - Eia Ergo. Allegro | — | ||
| 21-9 | Salve Regina, Hob. Xxiiib: 2 - Et Jesum. Largo - O Clemens. Allegretto | — | ||
| 21-10 | Motetto “O Coelitum Beati”, Hob. Xxiiia: G9 - I. Aria: O Coelitum Beati Amores. Allegro | — | ||
| 21-11 | Motetto “O Coelitum Beati”, Hob. Xxiiia: G9 - II. Chorus: Alleluja. Andante | — | ||
| 22-1 | Symphony No. 82 in C major, Hob. I:82 “The Bear” - I. Vivace Assai | — | ||
| 22-2 | Symphony No. 82 in C major, Hob. I:82 “The Bear” - II. Allegretto | — | ||
| 22-3 | Symphony No. 82 in C major, Hob. I:82 “The Bear” - III. Menuet - Trio | — | ||
| 22-4 | Symphony No. 82 in C major, Hob. I:82 “The Bear” - IV. Finale: Vivace | — | ||
| 22-5 | Symphony No. 83 in G minor, Hob. I:83 “The Hen” - I. Allegro Spiritoso | — | ||
| 22-6 | Symphony No. 83 in G minor, Hob. I:83 “The Hen” - II. Andante | — | ||
| 22-7 | Symphony No. 83 in G minor, Hob. I:83 “The Hen” - III. Menuet: Allegretto - Trio | — | ||
| 22-8 | Symphony No. 83 in G minor, Hob. I:83 “The Hen” - IV. Finale: Vivace | — | ||
| 22-9 | Symphony No. 84 in E-flat major, Hob. I:84 - I. Largo - Allegro | — | ||
| 22-10 | Symphony No. 84 in E-flat major, Hob. I:84 - II. Andante | — | ||
| 22-11 | Symphony No. 84 in E-flat major, Hob. I:84 - III. Menuet: Allegretto - Trio | — | ||
| 22-12 | Symphony No. 84 in E-flat major, Hob. I:84 - IV. Finale: Vivace | — | ||
| 23-1 | Symphony No. 85 in B-flat major “The Queen”, Hob. I:85 - I. Adagio - Vivace | — | ||
| 23-2 | Symphony No. 85 in B-flat major “The Queen”, Hob. I:85 - II. Romance. Allegretto | — | ||
| 23-3 | Symphony No. 85 in B-flat major “The Queen”, Hob. I:85 - III. Menuet. Allegretto - Trio | — | ||
| 23-4 | Symphony No. 85 in B-flat major “The Queen”, Hob. I:85 - IV. Finale. Presto | — | ||
| 23-5 | Symphony No. 86 in D major, Hob. I:86 - I. Adagio - Allegro Spiritoso | — | ||
| 23-6 | Symphony No. 86 in D major, Hob. I:86 - II. Capriccio. Largo | — | ||
| 23-7 | Symphony No. 86 in D major, Hob. I:86 - III. Menuet. Allegretto - Trio | — | ||
| 23-8 | Symphony No. 86 in D major, Hob. I:86 - IV. Finale. Allegro Con Spirito | — | ||
| 23-9 | Symphony No. 87 in A major, Hob. I:87 - I. Vivace | — | ||
| 23-10 | Symphony No. 87 in A major, Hob. I:87 - II. Adagio | — | ||
| 23-11 | Symphony No. 87 in A major, Hob. I:87 - III. Menuet - Trio | — | ||
| 23-12 | Symphony No. 87 in A major, Hob. I:87 - IV. Finale. Vivace | — | ||
| 24-1 | Passacaglia in D minor | — | ||
| 24-2 | Ricercar in G minor | — | ||
| 24-3 | Chaconne in F major | — | ||
| 24-4 | Echo Toccata no. 4 in D minor | — | ||
| 24-5 | Wir glauben all an einen Gott in D minor | — | ||
| 24-6 | Aria con variazioni in F major | — | ||
| 24-7 | Toccata no. 1 in D minor | — | ||
| 24-8 | Toccata no. 8 in G major | — | ||
| 24-9 | Canzona a 4. toni in E major | — | ||
| 24-10 | Toccata no. 1 in D minor | — | ||
| 24-11 | Ricercar no. 3 a 1. toni in D minor | — | ||
| 24-12 | Canzona no. 5 in C major | — | ||
| 24-13 | Toccata in C major | — | ||
| 24-14 | Aria “Sebaldina” con variazioni in F minor | — | ||
| 24-15 | Toccata no. 5 in C major | — | ||
| 25-1 | Lagrime di San Pietro, Part I: I. Il Magnanimo Pietro | — | ||
| 25-2 | Lagrime di San Pietro, Part I: II. Ma gli archi | — | ||
| 25-3 | Lagrime di San Pietro, Part I: III. Tre volte haveva | — | ||
| 25-4 | Lagrime di San Pietro, Part I: IV. Qual a l’incontro | — | ||
| 25-5 | Lagrime di San Pietro, Part I: V. Giovane donna | — | ||
| 25-6 | Lagrime di San Pietro, Part I: VI. Cosi talhor | — | ||
| 25-7 | Lagrime di San Pietro, Part I: VII. Ogni occhio del Signor | — | ||
| 25-8 | Lagrime di San Pietro, Part II: VIII. Nessun fedel trovai | — | ||
| 25-9 | Lagrime di San Pietro, Part II: IX. Chi ad una ad una | — | ||
| 25-10 | Lagrime di San Pietro, Part II: X. Come falda di neve | — | ||
| 25-11 | Lagrime di San Pietro, Part II: XI. E non fu il pianto suo | — | ||
| 25-12 | Lagrime di San Pietro, Part II: XII. Quel volto | — | ||
| 25-13 | Lagrime di San Pietro, Part II: XIII. Veduto il miser | — | ||
| 25-14 | Lagrime di San Pietro, Part II: XIV. E vago d’incontrar | — | ||
| 25-15 | Lagrime di San Pietro, Part III: XV. Vattene vita va | — | ||
| 25-16 | Lagrime di San Pietro, Part III: XVI. O vita troppo rea | — | ||
| 25-17 | Lagrime di San Pietro, Part III: XVII. A quanti già felici | — | ||
| 25-18 | Lagrime di San Pietro, Part III: XVIII. Non trovava mia fé | — | ||
| 25-19 | Lagrime di San Pietro, Part III: XIX. Queste opre e più | — | ||
| 25-20 | Lagrime di San Pietro, Part III: XX. Negando il mio Signor | — | ||
| 25-21 | Lagrime di San Pietro, Part III: XXI. Vide homo | — | ||
| 26-1 | 6 Deutsche Tänze, K. 509: No. 1 in D major | — | ||
| 26-2 | 6 Deutsche Tänze, K. 509: No. 2 in G major | — | ||
| 26-3 | 6 Deutsche Tänze, K. 509: No. 3 in E-flat major | — | ||
| 26-4 | 6 Deutsche Tänze, K. 509: No. 4 in F major | — | ||
| 26-5 | 6 Deutsche Tänze, K. 509: No. 5 in A major | — | ||
| 26-6 | 6 Deutsche Tänze, K. 509: No. 6 in C major | — | ||
| 26-7 | 6 Deutsche Tänze, K. 536: No. 1 in C major | — | ||
| 26-8 | 6 Deutsche Tänze, K. 536: No. 2 in G major, | — | ||
| 26-9 | 6 Deutsche Tänze, K. 536: No. 3 in B-flat major | — | ||
| 26-10 | 6 Deutsche Tänze, K. 536: No. 4 in D major | — | ||
| 26-11 | 6 Deutsche Tänze, K. 536: No. 5 in F major | — | ||
| 26-12 | 6 Deutsche Tänze, K. 567: No. 1 in B-flat major | — | ||
| 26-13 | 6 Deutsche Tänze, K. 567: No. 2 in E-flat major | — | ||
| 26-14 | 6 Deutsche Tänze, K. 567: No. 3 in G major | — | ||
| 26-15 | 6 Deutsche Tänze, K. 567: No. 4 in D major | — | ||
| 26-16 | 6 Deutsche Tänze, K. 567: No. 5 in A major | — | ||
| 26-17 | 6 Deutsche Tänze, K. 536: No. 6 in F major | — | ||
| 26-18 | 6 Deutsche Tänze, K. 567: No. 6 in C major | — | ||
| 26-19 | 6 Deutsche Tänze, K. 571: No. 1 in D major | — | ||
| 26-20 | 6 Deutsche Tänze, K. 571: No. 2 in A major | — | ||
| 26-21 | 6 Deutsche Tänze, K. 571: No. 3 in C major | — | ||
| 26-22 | 6 Deutsche Tänze, K. 571: No. 4 in G major | — | ||
| 26-23 | 6 Deutsche Tänze, K. 571: No. 5 in B-flat major | — | ||
| 26-24 | 6 Deutsche Tänze, K. 571: No. 6 in D major | — | ||
| 26-25 | 12 Deutsche Tänze, K.586: No. 1 in C major | — | ||
| 26-26 | 12 Deutsche Tänze, K.586: No. 2 in G major | — | ||
| 26-27 | 12 Deutsche Tänze, K.586: No. 3 in B-flat major | — | ||
| 26-28 | 12 Deutsche Tänze, K.586: No. 4 in F major | — | ||
| 26-29 | 12 Deutsche Tänze, K.586: No. 5 in A major | — | ||
| 26-30 | 12 Deutsche Tänze, K.586: No. 6 in D major | — | ||
| 26-31 | 12 Deutsche Tänze, K.586: No. 7 in G major | — | ||
| 26-32 | 12 Deutsche Tänze, K.586: No. 8 in E-flat major | — | ||
| 26-33 | 12 Deutsche Tänze, K.586: No. 9 in B-flat major | — | ||
| 26-34 | 12 Deutsche Tänze, K.586: No. 10 in F major | — | ||
| 26-35 | 12 Deutsche Tänze, K.586: No. 11 in A major | — | ||
| 26-36 | 12 Deutsche Tänze, K.586: No. 12 in C major | — | ||
| 27-1 | Drei Marsche for 2 Violins, Viola, Violoncello and 2 Horns: Marsch in D major, K. 445/320c | L’Archibudelli | — | |
| 27-2 | Drei Marsche for 2 Violins, Viola, Violoncello and 2 Horns: Marsch in F major, K. 248 | L’Archibudelli | — | |
| 27-3 | Drei Marsche for 2 Violins, Viola, Violoncello and 2 Horns: Marsch in D major, K. 290/167ab | L’Archibudelli | — | |
| 27-4 | Zwölf Duo für zwei Blasinstrumente, K. 487/496a: No. 5: Larghetto - | L’Archibudelli | — | |
| 27-5 | Zwölf Duo für zwei Blasinstrumente, K. 487/496a: No. 2: Menuetto: Allegretto; Trio | L’Archibudelli | — | |
| 27-6 | Quintet for Horn, Violin, 2 Violas and Violoncello in E-flat major, K. 407 (386c): I. Allegro | L’Archibudelli | — | |
| 27-7 | Quintet for Horn, Violin, 2 Violas and Violoncello in E-flat major, K. 407 (386c): II. Andante | L’Archibudelli | — | |
| 27-8 | Quintet for Horn, Violin, 2 Violas and Violoncello in E-flat major, K. 407 (386c): III. Allegro | L’Archibudelli | — | |
| 27-9 | Zwölf Duo für zwei Blasinstrumente, K. 487/496a: No. 10: Andante | L’Archibudelli | — | |
| 27-10 | Zwölf Duo für zwei Blasinstrumente, K. 487/496a: No. 8: Allegro | L’Archibudelli | — | |
| 27-11 | Ein musikalischer Spaß for 2 Violins, Viola, Bass and 2 Horns, K. 522: I. Allegro | L’Archibudelli | — | |
| 27-12 | Ein musikalischer Spaß for 2 Violins, Viola, Bass and 2 Horns, K. 522: II. Menuetto: Maestoso; Trio | L’Archibudelli | — | |
| 27-13 | Ein musikalischer Spaß for 2 Violins, Viola, Bass and 2 Horns, K. 522: III. Adagio cantabile | L’Archibudelli | — | |
| 27-14 | Ein musikalischer Spaß for 2 Violins, Viola, Bass and 2 Horns, K. 522: IV. Presto | L’Archibudelli | — | |
| 27-15 | Divertimento (fragment) for Violin, Viola, Bass, and 2 Horns, K. 288/246c | L’Archibudelli | T-001.247.905-8 | |
| 27-16 | Divertimento (fragment) for 2 Violins, Viola, Cello & 2 Horns, K. 246b | L’Archibudelli | T-001.247.905-8 | |
| 28-1 | Idomeneo, K.366 - Overture | — | ||
| 28-2 | Die Entführung Aus Dem Serail, K.384 - Overture | — | ||
| 28-3 | Der Schauspieldirektor, K.486 - Overture | — | ||
| 28-4 | Le nozze di Figaro, K. 492 | Tafelmusik, Bruno Weil | — | |
| 28-5 | Don Giovanni, K. 527 | Tafelmusik, Bruno Weil | T-306.482.861-7 | |
| 28-6 | Cosi Fan Tutte, K.588 - Overture | — | ||
| 28-7 | La Clemenza di Tito, K.621 - Overture | — | ||
| 28-8 | Die Zauberflöte, K.620 - Overture | — | ||
| 28-9 | Eine Kleine Nachtmusik, Serenade in G major K.525 - I. Allegro | — | ||
| 28-10 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | Tafelmusik, Bruno Weil | — | |
| 28-11 | Eine Kleine Nachtmusik, Serenade in G major K.525 - III. Menuetto. Allegretto - Trio | — | ||
| 28-12 | Eine Kleine Nachtmusik, Serenade in G major K.525 - IV. Rondo. Allegro | — | ||
| 29-1 | Symphony (Serenade) in D Major, K. 100: I. Allegro | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 29-2 | Symphony (Serenade) In D Major, K. 100: II. Menuetto I - Trio | Tafelmusik, Bruno Weil | — | |
| 29-3 | Symphony (Serenade) in D Major, K. 100: III. Andante | Tafelmusik, Bruno Weil | — | |
| 29-4 | Symphony (Serenade) in D Major, K. 100: IV. Menuetto II - Trio | Tafelmusik, Bruno Weil | — | |
| 29-5 | Symphony (Serenade) in D Major, K. 100: V. Allegro | Tafelmusik, Bruno Weil | — | |
| 29-6 | Symphony (Serenade) in D Major, K. 203: I. Andante maestoso - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 29-7 | Symphony (Serenade) in D Major, K. 203: II. Andante | Tafelmusik, Bruno Weil | — | |
| 29-8 | Symphony (Serenade) in D Major, K. 203: III. Menuetto - Trio | Tafelmusik, Bruno Weil | — | |
| 29-9 | Symphony (Serenade) in D Major, K. 203: IV. Prestissimo | Tafelmusik, Bruno Weil | — | |
| 29-10 | Symphony ('Haffner' Serenade) in D Major, K. 250: I. Allegro maestoso - Allegro molto | Tafelmusik, Bruno Weil | — | |
| 29-11 | Symphony ('Haffner' Serenade) in D Major, K. 250: II. Menuetto galante - Trio | Tafelmusik, Bruno Weil | — | |
| 29-12 | Symphony ('Haffner' Serenade) in D Major, K. 250: III. Andante | Tafelmusik, Bruno Weil | — | |
| 29-13 | Symphony ('Haffner' Serenade) in D Major, K. 250: IV. Menuetto - Trio I - Trio II | Tafelmusik, Bruno Weil | — | |
| 29-14 | Symphony ('Haffner' Serenade) in D Major, K. 250: V. Adagio - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 30-1 | Symphony (Serenade) in D Major, K. 185: I. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 30-2 | Symphony (Serenade) in D Major, K. 185: II. Andante grazioso | Tafelmusik, Bruno Weil | — | |
| 30-3 | Symphony (Serenade) in D Major, K. 185: III. Menuetto - Trio I - Trio II | Tafelmusik, Bruno Weil | — | |
| 30-4 | Symphony (Serenade) in D Major, K. 185: IV. Adagio - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 30-5 | Symphony (Serenade) in D Major, K. 204: I. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 30-6 | Symphony (Serenade) in D Major, K. 204: II. Andante | Tafelmusik, Bruno Weil | — | |
| 30-7 | Symphony (Serenade) in D Major, K. 204: III. Menuetto - Trio | Tafelmusik, Bruno Weil | — | |
| 30-8 | Symphony (Serenade) in D Major, K. 204: IV. Andantino grazioso - Allegro | Tafelmusik, Bruno Weil | — | |
| 30-9 | Symphony ('Posthorn' Serenade) nn D Major, K. 320: I. Adagio maestoso - Allegro con spirito | Tafelmusik, Bruno Weil | — | |
| 30-10 | Symphony ('Posthorn' Serenade) in D Major, K. 320: II. Andantino | Tafelmusik, Bruno Weil | — | |
| 30-11 | Symphony ('Posthorn' Serenade) in D Major, K. 320: III. Finale. Presto | Tafelmusik, Bruno Weil | — | |
| 31-1 | Rondo in E-flat major, K. 371: Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-2 | Concerto no. 2 in E-flat major, K. 417: I. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-3 | Concerto no. 2 in E-flat major, K. 417: II. Andante | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-4 | Concerto no. 2 in E-flat major, K. 417: III. Rondo (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-5 | Concerto no. 3 in E-flat major, K. 447: I. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-6 | Concerto no. 3 in E-flat major, K. 447: II. Romance (Larghetto) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-7 | Concerto no. 3 in E-flat major, K. 447: III. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-8 | Concerto no. 4 in E-flat major, K. 495: I. Allegro maestoso | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-9 | Concerto no. 4 in E-flat major, K. 495: II. Romance (Andante cantabile) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-10 | Concerto no. 4 in E-flat major, K. 495: III. Rondo (Allegro vivace) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-11 | Concerto no. 1 in D Major, K. 412 (386b): I. (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | T-329.458.935-4 | |
| 31-12 | Concerto no. 1 in D Major, K. 514 (386b): II. Rondo (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | T-308.457.046-3 | |
| 32-1 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: I. Allegro | L’Archibudelli | — | |
| 32-2 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: II. Andante | L’Archibudelli | — | |
| 32-3 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: III. Minuetto. Allegretto & Trio | L’Archibudelli | — | |
| 32-4 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: IV. Allegro | L’Archibudelli | — | |
| 32-5 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: I. Allegro | L’Archibudelli | — | |
| 32-6 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: II. Minuetto. Allegretto & Trio | L’Archibudelli | — | |
| 32-7 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: III. Adagio ma non troppo | L’Archibudelli | — | |
| 32-8 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: IV. Adagio - allegro | L’Archibudelli | — | |
| 33-1 | Piano Sonata No. 14 in C minor, K. 457 - I. Allegro | — | ||
| 33-2 | Piano Sonata No. 14 in C minor, K. 457 - II. Adagio | — | ||
| 33-3 | Piano Sonata No. 14 in C minor, K. 457 - III. Molto Allegro | — | ||
| 33-4 | Fantasie in C minor, K. 475 | — | ||
| 33-5 | Minuet in D major, K. 355 (K. 576b) | — | ||
| 33-6 | Rondo No. 1 in D major, K. 485 | — | ||
| 33-7 | Piano Sonata in F major, K. 533/494 - I. Allegro | — | ||
| 33-8 | Piano Sonata in F major, K. 533/494 - II. Andante | — | ||
| 33-9 | Piano Sonata in F major, K. 533/494 - III. Rondo. Allegretto (K. 494) | — | ||
| 33-10 | Fantasia in D minor, K. 397 (K. 385g) (Fragment, Completed by Another) | — | ||
| 34-1 | Rondo for Piano No. 3 in A minor, K. 511 | — | ||
| 34-2 | Piano Sonata No. 15 in C major (Sonata Semplice) K. 545 - I. Allegro | — | ||
| 34-3 | Piano Sonata No. 15 in C major (Sonata Semplice) K. 545 - II. Andante | — | ||
| 34-4 | Piano Sonata No. 15 in C major (Sonata Semplice) K. 545 - III. Rondo. Allegretto | — | ||
| 34-5 | Adagio for Piano in B minor, K. 540 | — | ||
| 34-6 | Piano Sonata No. 16 in B-flat minor, K. 570 - I. Allegro | — | ||
| 34-7 | Piano Sonata No. 16 in B-flat minor, K. 570 - II. Adagio | — | ||
| 34-8 | Piano Sonata No. 16 in B-flat minor, K. 570 - III. Allegretto | — | ||
| 34-9 | Piano Sonata No. 17 in D major (Trumpet, Hunt), K. 576 - I. Allegro | — | ||
| 34-10 | Piano Sonata No. 17 in D major (Trumpet, Hunt), K. 576 - II. Adagio | — | ||
| 34-11 | Piano Sonata No. 17 in D major (Trumpet, Hunt), K. 576 - III. Allegretto | — | ||
| 34-12 | Fantasia in C minor, K. 396 (K. 385f) [After Fragment of Sonata Movement for Violin & piano (Or piano Solo)] | — | ||
| 35-1 | String Quintet No. 1 in A major, Op. 18 - I. Allegro Con Moto | — | ||
| 35-2 | String Quintet No. 1 in A major, Op. 18 - II. Intermezzo, Andante Sostenuto | — | ||
| 35-3 | String Quintet No. 1 in A major, Op. 18 - III. Scherzo, Allegro di Molto | — | ||
| 35-4 | String Quintet No. 1 in A major, Op. 18 - IV. Allegro Vivace | — | ||
| 35-5 | String Quintet No. 2 in B-flat major, Op. 87 - I. Allegro Vivace | — | ||
| 35-6 | String Quintet No. 2 in B-flat major, Op. 87 - II. Andante Scherzando | — | ||
| 35-7 | String Quintet No. 2 in B-flat major, Op. 87 - III. Adagio E Lento | — | ||
| 35-8 | String Quintet No. 2 in B-flat major, Op. 87 - IV. Allegro Molto Vivace | — | ||
| 36-1 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 1. Allegro | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-2 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 2. Andante | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-3 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 3. Scherzo. Allegro leggierissimo | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-4 | Octet for 4 Violins, 2 Violas & 2 Cellos in E-flat major, Op. 20 - IV. Presto | — | ||
| 36-5 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 1. Allegro molto e con fuoco | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-6 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 2. Andantino quasi alleretto | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-7 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 3. Scherzo. Allegro moderato e tranquillo | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-8 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 4. Finale. Allegro vivace | L’Archibudelli, Smithsonian Chamber Players | — | |
| 37-1 | Historia Der Geburt Jesu Christi, SWV 435/435a - Introitus Oder Eingang Zu Der Geburt Unsers Herren Jesu Christi | — | ||
| 37-2 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium I: Der Engel Zu Den Hirten Auf Dem Felde | — | ||
| 37-3 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium II: Die Menge Der Engel | — | ||
| 37-4 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium III: Die Hirten Auf Dem Felde | — | ||
| 37-5 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium IV: Die Weisen Aus Dem Morgenlande | — | ||
| 37-6 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium V: Hohepriester Und Schriftgelehrte | — | ||
| 37-7 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium VI: Herodes | — | ||
| 37-8 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium VII: Der Engel | — | ||
| 37-9 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium VIII: Der Engel Zu Joseph in ─gypten | — | ||
| 37-10 | Historia Der Geburt Jesu Christi, SWV 435/435a - Conclusio: Geburt Unseres Herrn Und Seligmachers Jesu Christi | — | ||
| 37-11 | Historia Der Auferstehung Jesu Christi, SWV 50 - Introitus | — | ||
| 37-12 | Historia Der Auferstehung Jesu Christi, SWV 50 - Der Ostermorgen | — | ||
| 37-13 | Historia Der Auferstehung Jesu Christi, SWV 50 - Jesus Erscheint Maria Magdalena | — | ||
| 37-14 | Historia Der Auferstehung Jesu Christi, SWV 50 - Der J№ngling Im Grabe | — | ||
| 37-15 | Historia Der Auferstehung Jesu Christi, SWV 50 - Jesus Erscheint Den Frauen | — | ||
| 37-16 | Historia Der Auferstehung Jesu Christi, SWV 50 - Rat Der Hohenpriester | — | ||
| 37-17 | Historia Der Auferstehung Jesu Christi, SWV 50 - Jesus Erscheint Den Emmausj№ngern | — | ||
| 37-18 | Historia Der Auferstehung Jesu Christi, SWV 50 - Jesus Erscheint Den Elf J№ngern | — | ||
| 37-19 | Historia Der Auferstehung Jesu Christi, SWV 50 - Der Sendungsbefehl | — | ||
| 37-20 | Historia Der Auferstehung Jesu Christi, SWV 50 - Conclusio | — | ||
| 38-1 | XXVII. Freuet euch des Herren à 5, SWV 367 | — | ||
| 38-2 | XI. Hütet Euch, Dass Eure Herzen À 3, SWV 351 | — | ||
| 38-3 | XIII. Was Betrübst Du Dich À 4, SWV 353 | — | ||
| 38-4 | IV. Meine Seele Erlebt Den Herzen À 3, SWV 344 | — | ||
| 38-5 | XXII. Von Aufgang Der Sonnen À 4, SWV 362 | — | ||
| 38-6 | V. Der Herr Ist Meine Stärke À 3, SWV 345 | — | ||
| 38-7 | XXV. Drei Schöne Dinge Seind À 5, SWV 365 | — | ||
| 38-8 | VI. Ich Werde Nicht Sterben À 3, SWV 346 | — | ||
| 38-9 | XVII. Wie Ein Rubin En Feinem Golde Leuchtet À 4, SWV 357 | — | ||
| 38-10 | XX. Zweierlei Bitte Ich, Herr À 4, SWV 360 | — | ||
| 38-11 | IX. Frohlocket Mit Händen À 3, SWV 349 | — | ||
| 38-12 | Vater Abraham, Erbarme Dich Mein, SWV 477 | — | ||
| 39-1 | XVI. Es Steh Gott Auf À 4, SWV 356 | — | ||
| 39-2 | XII. Herr, Nun Lässest Du Deinen Diener À 3, SWV 352 | — | ||
| 39-3 | I. Mein Herz Ist Bereit À 3, SWV 341 | — | ||
| 39-4 | XXIV. Die So Ihr Den Herren Fuerchtet À 5, SWV 364 | — | ||
| 39-5 | X. Lobet Den Herrn in Seinem Heiligthum À 3, SWV 350 | — | ||
| 39-6 | XVIII. Iss Dein Brod Mit Freunden À 4, SWV 358 | — | ||
| 39-7 | XIX. Der Herr Ist Mein Licht À 4, SWV 359 | — | ||
| 39-8 | VIII. Herzlich Lieb Hab Ich Dich, o Herr À 3, SWV 348 | — | ||
| 39-9 | XXI. Herr, Neige Dein Himmel À 5, SWV 361 | — | ||
| 39-10 | II. Singet Dem Herren Ein Neues Lied À 3, SWV 342 | — | ||
| 39-11 | XXVI. Von Gott Will Ich Nicht Lassen À 5, SWV 366 | — | ||
| 39-12 | XXIII. Lobet Den Herrn, Alle Heiden À 5, SWV 363 | — | ||
| 39-13 | III. Herr, Unser Herrscher À 3, SWV 343 | — | ||
| 39-14 | XIV. Verleih Uns Frieden Genädiglich À 4, SWV 354 - XV. Gieb Unsern Fürsten À 4, SWV 355 | — | ||
| 40-1 | Stabat Mater, for Soprano and Strings - I. Stabat Mater | — | ||
| 40-2 | Stabat Mater, for Soprano and Strings - II. Cujus Animam | — | ||
| 40-3 | Stabat Mater, for Soprano and Strings - III. Quao Moerebat | — | ||
| 40-4 | Stabat Mater, for Soprano and Strings - IV. Quis Ert Homo | — | ||
| 40-5 | Stabat Mater, for Soprano and Strings - V. Pro Peccatis | — | ||
| 40-6 | Stabat Mater, for Soprano and Strings - VI. Eja Mater, Fons Amoris | — | ||
| 40-7 | Stabat Mater, for Soprano and Strings - VII Tui Nati Vulnerati | — | ||
| 40-8 | Stabat Mater, for Soprano and Strings - VIII. Virgo Virginum Praeclara | — | ||
| 40-9 | Stabat Mater, for Soprano and Strings - IX. Fac Ut Portem | — | ||
| 40-10 | Stabat Mater, for Soprano and Strings - X. Fac Me Plagis | — | ||
| 40-11 | Stabat Mater, for Soprano and Strings - XI. Quando Corpus Morietur | — | ||
| 40-12 | String Quintet in F minor, Op. 42, 1 - I. Andante Con Moto | — | ||
| 40-13 | String Quintet in F minor, Op. 42, 1 - II. Minuetto, Con Moto | — | ||
| 40-14 | String Quintet in F minor, Op. 42, 1 - III. Adagio, Cantanile | — | ||
| 40-15 | String Quintet in F minor, Op. 42, 1 - IV. Rondo. Allegro Giusto | — | ||
| 40-16 | String Quintet in C major, Op. 42, 2 - I. Andante Con Moto | — | ||
| 40-17 | String Quintet in C major, Op. 42, 2 - II. Minuetto | — | ||
| 40-18 | String Quintet in C major, Op. 42, 2 - III. Allegro Assai | — | ||
| 40-19 | String Quintet in C major, Op. 42, 2 - IV. Rondo. Allegretto Moderato | — | ||
| 41-1 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - I. Kyrie | — | ||
| 41-2 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - II. Gloria | — | ||
| 41-3 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - III. Credo | — | ||
| 41-4 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - IV. Sanctus | — | ||
| 41-5 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - V. Benedictur | — | ||
| 41-6 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - VI. Agnus Dei | — | ||
| 42-1 | Mass in F major, D 105: Kyrie (Larghetto) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-2 | Mass in F major, D 105: Gloria (Allegro vivace moderato - Andante con moto - Adagio - Allegro maestoso - Allegro vivace) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-3 | Mass in F major, D 105: Credo (Andantino) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-4 | Mass in F major, D 105: Sanctus (Adagio maestoso) | Orchestra of the Age of Enlightenment, Bruno Weil | T-909.879.307-8 | |
| 42-5 | Mass in F major, D 105: Benedictus (Andante con moto) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-6 | Mass in F major, D 105: Agnus Dei (Adagio molto) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-9 | Mass in F major, D 105: Kyrie (Andante con moto) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-10 | Mass in F major, D 105: Gloria (Allegro maestoso) | Orchestra of the Age of Enlightenment, Bruno Weil | T-909.879.307-8 | |
| 42-11 | Mass in F major, D 105: Credo (Allegro moderato) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-12 | Mass in F major, D 105: Sanctus (Adagio maestoso - Allegro) | Orchestra of the Age of Enlightenment, Bruno Weil | T-909.879.307-8 | |
| 42-13 | Mass in F major, D 105: Benedictus (Andante grazioso - Allegro) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-14 | Mass in F major, D 105: Agnus Dei (Lento) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 43-1 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - I. Kyrie. Adagio Con Moto | — | ||
| 43-2 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - II. Gloria. Allegro Vivace - Andante Con Moto - Tempo I - Più Moto | — | ||
| 43-3 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - III. Credo. Allegro Vivace - Adagio - Più Moto - Tempo I | — | ||
| 43-4 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - IV. Sanctus. Adagio Maestoso | — | ||
| 43-5 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - V. Benedictus. Andante Con Moto | — | ||
| 43-6 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - VI. Agnus Dei. Andante Molto - Allegro Moderato | — | ||
| 43-7 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - I. Kyrie. Andante Con Moto | — | ||
| 43-8 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - II. Gloria. Allegro Vivace | — | ||
| 43-9 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - III. Credo. Allegro - Adagio Molto - Tempo I | — | ||
| 43-10 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - IV. Sanctus. Adagio - Osanna. Allegro Vivace | — | ||
| 43-13 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - VI. Agnus Dei. Lento | — | ||
| 44-1 | String Quartet in E-flat major, D 87 - I. Allegro Più Moderato | — | ||
| 44-2 | String Quartet in E-flat major, D 87 - II. Scherzo. Prestissimo - Trio | — | ||
| 44-3 | String Quartet in E-flat major, D 87 - III. Adagio | — | ||
| 44-4 | String Quartet in E-flat major, D 87 - IV. Allegro | — | ||
| 44-5 | String Trio in B-flat major, D 471 (Fragment) - I. Allegro | — | ||
| 44-6 | String Trio in B-flat major, D 471 (Fragment) - II. Andante Sostenuto | — | ||
| 45-1 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - I. Allegro Vivace | — | ||
| 45-2 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - II. Andante | — | ||
| 45-3 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - III. Scherzo. Presto | — | ||
| 45-4 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - IV. Tema. Andantino - Variations I-V - Allegretto | — | ||
| 45-5 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - V. Finale. Allegro Giusto | — | ||
| 45-6 | Sonata for Arpeggione and Piano in A minor, D 821 - I. Allegro Moderato | — | ||
| 45-7 | Sonata for Arpeggione and Piano in A minor, D 821 - II. Adagio | — | ||
| 45-8 | Sonata for Arpeggione and Piano in A minor, D 821 - III. Allegretto | — | ||
| 45-9 | Adagio for Piano Trio in E-flat major, D 897 Notturno | — | ||
| 46-1 | Octet in F major, D 803, Op.Posth.166 - I. Adagio - Allegro - Più Allegro | — | ||
| 46-2 | Octet in F major, D 803, Op.Posth.166 - II. Adagio | — | ||
| 46-3 | Octet in F major, D 803, Op.Posth.166 - III. Allegro Vivace - Trio - Allegro Vivace | — | ||
| 46-4 | Octet in F major, D 803, Op.Posth.166 - IV. Andante - Variation I-VI - Variation VII. Un Poco Più Mosso - Più Lento | — | ||
| 46-5 | Octet in F major, D 803, Op.Posth.166 - V. Menuetto. Allegreto - Trio - Menuetto - Coda | — | ||
| 46-6 | Octet in F major, D 803, Op.Posth.166 - VI. Andante Molto - Allegro - Andante Molto - Allegro Molto | — | ||
| 47-1 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-2 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-3 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-4 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-5 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-6 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-7 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 1. Andante - Allegretto | — | ||
| 47-8 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 2. Allegretto | — | ||
| 47-9 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 3. Adagio | — | ||
| 47-10 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 4. Allegro | — | ||
| 47-11 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 5. Polacca - Trio | — | ||
| 47-12 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - I. Overture. Andante Maestoso - Allegro Vivace | — | ||
| 47-13 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - II. Introduzione. Moderato - III. Vivace | — | ||
| 47-14 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - IV. Cavatina. Largo - V. Allegro | — | ||
| 47-15 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - VI. Cavatina. Allegro Vivace | — | ||
| 47-16 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - VII. Duetto. Allegro Maestoso - VIII. Allegro | — | ||
| 47-17 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - IX. Cavatina. Andante - X. Moderato | — | ||
| 47-18 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - XI. Aria. Allegro | — | ||
| 47-19 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - XII. Duetto. Allegro | — | ||
| 48-1 | Flute Sonata in E minor, L. III-57 - I. Largo, ma un poco andante | — | ||
| 48-2 | Flute Sonata in E minor, L. III-57 - II. Arioso, un poco allegro | — | ||
| 48-3 | Flute Sonata in E minor, L. III-57 - III. Presto | — | ||
| 48-4 | Flute Sonata in C major - I. Largo | — | ||
| 48-5 | Flute Sonata in C major - II. Allegro | — | ||
| 48-6 | Flute Sonata in C major - III. Allegro | — | ||
| 48-7 | Flute Sonata in G major - I. Adagio | — | ||
| 48-8 | Flute Sonata in G major - II. Allegro | — | ||
| 48-9 | Flute Sonata in G major - III. Allegro | — | ||
| 48-10 | Flute Sonata No. 181 in E minor - I. Grave | — | ||
| 48-11 | Flute Sonata No. 181 in E minor - II. Allegro assai | — | ||
| 48-12 | Flute Sonata No. 181 in E minor - III. Presto | — | ||
| 48-13 | Flute Sonata in G major - I. Largo | — | ||
| 48-14 | Flute Sonata in G major - II. Poco allegro | — | ||
| 48-15 | Flute Sonata in G major - III. Allegretto | — | ||
| 48-16 | Flute Sonata in B flat major - I. Cantabile | — | ||
| 48-17 | Flute Sonata in B flat major - II. Allegretto | — | ||
| 48-18 | Flute Sonata in B flat major - III. Vivace | — | ||
| 48-19 | Flute Sonata in D major - I. Adagio | — | ||
| 48-20 | Flute Sonata in D major - II. Allegro, ma non troppo | — | ||
| 48-21 | Flute Sonata in D major - III. Cantabile | — | ||
| 49-1 | Matthias Weckmann - Suite for Keyboard in B minor | — | ||
| 49-2 | Matthias Weckmann - Toccata for Keyboard in E minor | — | ||
| 49-3 | Matthias Weckmann - Toccata for Keyboard in A minor | — | ||
| 49-4 | Matthias Weckmann - Suite for Keyboard in D minor | — | ||
| 49-5 | Matthias Weckmann - Suite for Keyboard in C minor | — | ||
| 49-6 | Matthias Weckmann - Canzon for Harpsichord in C major ('Dall'Isteso Tuono') | — | ||
| 49-7 | Matthias Weckmann - Toccata for Keyboard in D minor | — | ||
| 49-8 | Johann Jacob Froberger - Tombeau Sur La Mort de Monsieur Blancrocher | — | ||
| 49-9 | Johann Jacob Froberger - Suite for Keyboard in E minor, Fbwv 607/607b/607c | — | ||
| 49-10 | Johann Jacob Froberger - Capriccio, for Keyboard in C major, Fbwv 506 | — | ||
| 49-11 | Johann Jacob Froberger - Ricercar, for Keyboard in D minor, Fbwv 411 | — | ||
| 49-12 | Johann Jacob Froberger - Suite for Keyboard in A major, Fbwv 608 | — | ||
| 50-1 | Clarinet Quintet in B-flat major, Op. 34 - I. Allegro | — | ||
| 50-2 | Clarinet Quintet in B-flat major, Op. 34 - II. Fantasia. Adagio | — | ||
| 50-3 | Clarinet Quintet in B-flat major, Op. 34 - III. Menuetto. Capriccio Presto | — | ||
| 50-4 | Clarinet Quintet in B-flat major, Op. 34 - IV. Rondo. Allegro Giocoso | — | ||
| 50-5 | Clarinet Quartet in E-flat major - I. Allegro Moderato | — | ||
| 50-6 | Clarinet Quartet in E-flat major - II. La Seccatura. Allegro Molto | — | ||
| 50-7 | Clarinet Quartet in E-flat major - III. Andante | — | ||
| 50-8 | Clarinet Quartet in E-flat major - IV. Rondo. Allegretto | — | ||
| 50-9 | Clarinet Quintet in B-flat major - I. Allegro | — | ||
| 50-10 | Clarinet Quintet in B-flat major - II. Andante | — | ||
| 50-11 | Clarinet Quintet in B-flat major - III. Menuetto. Allegro | — | ||
| 50-12 | Clarinet Quintet in B-flat major - IV. Finale. Allegretto | — | ||
| 51-1 | Sanctus in Eternis - Sanctus Et Ingenitus (Motet) | — | ||
| 51-2 | Si Doulchement Mon Ceur Je Sens Souspris (Ballade) | — | ||
| 51-3 | Je Sui Trestout D'Amour Raimpli (Virelai) | — | ||
| 51-4 | Je Prens D'Amour Noriture (Virelai) | — | ||
| 51-5 | Gloria (Mass Section) | — | ||
| 51-6 | Certes Mout Fu - Nous Devons Tresfort Amer (Motet) | — | ||
| 51-7 | Je Prens Plaisir En Une Dame (Ballade) | — | ||
| 51-8 | Credo (Mass Section) | — | ||
| 51-9 | Personet Armonia (Motet, instrumental) | — | ||
| 51-10 | Si Doulcement Me Fait Amours - Nulz Vrais Amans (Ballade Double) | — | ||
| 52-1 | Vray Dieu D'Amours - Ballade À 4 | — | ||
| 52-2 | Een Vrouelic Wesen - Chanson À 4 | — | ||
| 52-3 | Fors Seulement - I. Chanson À 4 | — | ||
| 52-4 | Fors Seulement - II. Contrafactum With Sacred Text “Exortum Est in Tenebris” | — | ||
| 52-5 | Salve Regina - Antiphon À 4 & 5 | — | ||
| 52-6 | Memorare Mater Christi - Motet À 7 | — | ||
| 52-7 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - I. Kyrie | — | ||
| 52-8 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - II. Gloria | — | ||
| 52-9 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - III. Credo | — | ||
| 52-10 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - IV. Sanctus - Pleni Sunt - Hosanna - Benedictus | — | ||
| 52-11 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - V. Agnus Dei | — | ||
| 53-1 | El Fuego, Ensalada for 4 Voices -! Corred, Corred, Peccadores! | — | ||
| 53-2 | El Fuego, Ensalada for 4 Voices - Oh Cómo El Mundo St Abrassa | — | ||
| 53-3 | El Fuego, Ensalada for 4 Voices -! No Os Tardéis, Trad, Traed Agua Ya! | — | ||
| 53-4 | El Fuego, Ensalada for 4 Voices - Toca, Joan, Con Tu Gaitilla | — | ||
| 53-5 | La Negrina, Ensalada for 4 Voices - Cumplido Es Nuestro Doseo | — | ||
| 53-6 | La Negrina, Ensalada for 4 Voices - No Nos Cansemos | — | ||
| 53-7 | La Negrina, Ensalada for 4 Voices - Caminemos Y Veremos | — | ||
| 53-8 | La Justa, Ensalada for 4 Voices -! Oyd, Oyd Los Vivientes! | — | ||
| 53-9 | La Justa, Ensalada for 4 Voices - El Mantenedor Es Fiero | — | ||
| 53-10 | La Justa, Ensalada for 4 Voices -! Dale La Lança! | — | ||
| 53-11 | La Justa, Ensalada for 4 Voices -! Aparte Todos! | — | ||
| 54-1 | Super Flumina Babylonis, Motet in 5 Parts | — | ||
| 54-2 | Missa “Se Congie Pris” À 5 - I. Kyrie - II. Gloria | — | ||
| 54-3 | Constantia'l Vo' Pur Dire, Madrigal in 5 Parts | — | ||
| 54-4 | E' Morta La Speranza, Madrigal in 4 Parts | — | ||
| 54-5 | Quando Ritrovo La Mia Pastorella, Frottola in 4 Parts | — | ||
| 54-6 | Madonna, Oyme, Per Qual Cagion M'Havete, Madrigal for 4 Voices | — | ||
| 54-7 | Chi Vuol Veder, Madrigal in 4 Parts | — | ||
| 54-8 | Quis Dabit Oculis Nostris, Motet for 4 Voices- Elegy on the Death Od Anne de Bretagne, Queen of France | — | ||
| 54-9 | Tribus Miraculis, Motet in 6 Parts | — | ||
| 54-10 | Magnificat Septimi Toni À 4 | — | ||
| 55-1 | Christmas - Rorate Caeli Desuper | — | ||
| 55-2 | Christmas - Ecce Virgo Concipiet | — | ||
| 55-3 | Christmas - Veni Redemptor Gentium | — | ||
| 55-4 | Christmas - Veni, o Sapientia | — | ||
| 55-5 | Christmas - Gaudens in Domino | — | ||
| 55-6 | Christmas - Natus Est Altissimi Hodie Filius - Per Natus Est Nobis | — | ||
| 55-7 | Christmas - Nato Canunt Omnia | — | ||
| 55-8 | Christmas - Hodie Christus Natus Est - Magnificat | — | ||
| 55-9 | Christmas - Puer Natus in Bethlehem (Johann Stadlmayr 1576-1648) | — | ||
| 55-10 | Easter - Gloria, Laus Et Honor | — | ||
| 55-11 | Easter - Nos Autem Gloriari Oportet | — | ||
| 55-12 | Easter - Ubi Caritas Est Vera | — | ||
| 55-13 | Easter - Vespere Autem Sabbati | — | ||
| 55-14 | Easter - Resurrexi Et Ad Huc Tecum Sum | — | ||
| 55-15 | Easter - Kyrie Eleison | — | ||
| 55-16 | Easter - Victimae Paschali Laudes | — | ||
| 55-17 | Easter - Alleluia - Psalm 117 (116) | — | ||
| 55-18 | Easter - Surrexit Christus Hodie (Leonhard Paminger 1495-1567) | — | ||
| 56-1 | Pentecost - Alleluia, Spiritus Domini - Psalm 95 (94) | — | ||
| 56-2 | Pentecost - Spiritus Domini | — | ||
| 56-3 | Pentecost - Veni Sancte Spiritus | — | ||
| 56-4 | Pentecost - Factus Est Repente - Psalm 68 (67) | — | ||
| 56-5 | Pentecost - Veni Creator Spiritus | — | ||
| 56-6 | Pentecost - Spiritus Paraclitus | — | ||
| 56-7 | Pentecost - Hodie Completi Sunt - Magnificat | — | ||
| 56-8 | Pentecost - Spiritus Sancti Gratia (Urban Loth C.1580-C.1637) | — | ||
| 56-9 | Assumption of Mary - Angelus Domini Nuntiavit Mariae - Ave Maria | — | ||
| 56-10 | Assumption of Mary - Sub Tuum Praesidium Confugimus | — | ||
| 56-11 | Assumption of Mary - Mittit Ad Virginem | — | ||
| 56-12 | Assumption of Mary - Agmina Celsa Colunt - Gaudeamus Omnes in Domino | — | ||
| 56-13 | Assumption of Mary - Concordi Laetitia | — | ||
| 56-14 | Assumption of Mary - Ave Maris Stella | — | ||
| 56-15 | Assumption of Mary - Virgo Prudentissima - Magnificat | — | ||
| 56-16 | Assumption of Mary - Maria Mater Gratiae | — | ||
| 56-17 | Assumption of Mary - Litaniae Lauretanae (Girolamo Giaccobbi 1567-1629) | — | ||
| 57-1 | Das Jüngste Gericht, Oratorio ("Wacht! Euch Zum Streit Gefasset Macht"), Buxwv Anh. 3 ACT 1: Sonata | — | ||
| 57-2 | Aria. Wacht! Euch Zum Streit Gefasset Macht | — | ||
| 57-3 | Der Geitz. Sagt, Schwestern, Ob Nicht Meine Macht | — | ||
| 57-4 | Die Leichtfertigkeit. Nein, Närrin, Wer Meine Wollüste Erkennet | — | ||
| 57-5 | Die Hoffarth. Ihr Schnöden Erdenkinder Schweigt | — | ||
| 57-6 | Der Geitz. Ein Blitzen Ist Mein Schöner Blick | — | ||
| 57-7 | Die Leichtfertigkeit. Ich Kann Ja Die Heiligsten Seelen Entdieben | — | ||
| 57-8 | Die Hoffarth Aria. Der Hoffarth Ausgedehnter Dunst | — | ||
| 57-9 | Laßt Uns Unsre Kunst Verbrüdern | — | ||
| 57-10 | Aria. Ach! Wache Auf! Deutsches Reich Was Wiltu Schlafen? | — | ||
| 57-11 | Aria. Ich Führe Von Unten Nach Oben | — | ||
| 57-12 | Die Göttliche Stimm. Laßt Euch Niemand Verführen Mit Vergeblichen Worten | — | ||
| 57-13 | Aria. Ei, Wir Müssen Mit Stoltzieren Und Bravieren | — | ||
| 57-14 | Die Göttliche Stimm. Ich Schwör Bei Meiner Seelen | — | ||
| 57-15 | [Choral] Man Fragt Nach Gott Dem Herrn Nicht Mehr | — | ||
| 57-16 | Die Armen Bettel-Vetteln Immer Betteln | — | ||
| 57-17 | Die Göttliche Stimm. Darum, Daß Die Töchter Zion Stoltz Sind | — | ||
| 57-18 | Aria. O! Der Rasenheit! | — | ||
| 57-19 | Act 2: Sonata | — | ||
| 57-20 | Aria. Höret, Die Ihr Reich Wollt Werden | — | ||
| 57-21 | Solo. Wohl Dem Menschen, Der Weisheit Findet | — | ||
| 57-22 | Aria. Suchet, Sucht, o Ihr Menschen | — | ||
| 57-23 | Aria. Geld! Geld! Sonst Ist Nichtes in Der Welt | — | ||
| 57-24 | Aria. Halt, Halte Doch, Wie Läufestu So Hellig Dich | — | ||
| 57-25 | Solo. Wie Gar Nichts Sind Alle Menschen, Die Doch So Sicher Leben! | — | ||
| 57-26 | Suchet Den Herrn, So Wird Ihr Leben. | — | ||
| 57-27 | Aria. Aus Eden Zu Viel Töden Sind Leider Wir Gejagt | — | ||
| 57-28 | Solo. Suchet in Der Schrift | — | ||
| 57-29 | Aria. Ja, Dieses Ist Das Land | — | ||
| 57-30 | Solo. Ich Liebe, Die Mich Lieben | — | ||
| 57-31 | Aria. O Tausendmal Selige, Frölige Stunden! | — | ||
| 57-32 | [Choral] Ei, Mein Perle! Du Werte Krohn | — | ||
| 57-33 | Aria. Doch Noch Nicht Satt | — | ||
| 57-34 | Solo. Der Herr Ist Mein Theil, Spricht Meine Seel | — | ||
| 57-35 | Stromenti | — | ||
| 57-36 | [Choral] Jesu, Mein Freud, Mein Ehr Und Ruhm | — | ||
| 57-37 | Stromenti | — | ||
| 57-38 | Aria. Mein Jesus, Mein Leben Und Heil! | — | ||
| 57-39 | Solo. Liebe Seele, Du Hast Einen Großen Vorrath Auf Viel Jahr | — | ||
| 57-40 | Solo. Du Narr! Diese Nacht Wird Man Deine Seele Von Dir Fordern | — | ||
| 57-41 | Aria. O Weh! O Wort, Das Eh Tödtet Als Der Todt | — | ||
| 57-42 | Tutti. O Todt! Wie Bitter Bistu | — | ||
| 57-43 | Stromenti | — | ||
| 57-44 | Aria. Freu Dich Sehr, o Meine Seele | — | ||
| 57-45 | [Choral] Hertzlich Lieb Hab Ich Dich, o Herr | — | ||
| 57-46 | Aria. Weg Mit Allen Irdschen Schätzen | — | ||
| 58-1 | Act 3: The First discours. - Sonata | — | ||
| 58-2 | Aria. Freude! Lufft! Wind! Dampff! Kampff! Wasser! Schnee! | — | ||
| 58-3 | Solo. Wohlan Alle, Die Ihr Dürstig Seid | — | ||
| 58-4 | Aria. Kommet Schäfflein, Kommet Her | — | ||
| 58-5 | Solo. Das Ist Meine Freude, Daß Ich Mich Zu Gott Halte | — | ||
| 58-6 | Aria. O Frölige Zeit | — | ||
| 58-7 | Solo. Die Ihr Euch Weit Von Bösen Tagen Achtet | — | ||
| 58-8 | Aria. Ich Kann Nicht Mehr | — | ||
| 58-9 | Aria. Sehet Doch Des Satans Sklaven | — | ||
| 58-10 | Solo. Wacht Auf, Ihr Trunkenen | — | ||
| 58-11 | Aria. Süßer Jesu, Jesu Du, Meine Ruh | — | ||
| 58-12 | [Choral] Geuß Sehr Tief in Mein Hertz Hinein | — | ||
| 58-13 | Stromenti | — | ||
| 58-14 | Aria. Mag Dieser Nicht Werden | — | ||
| 58-15 | Solo. Lasset Euch Nicht Verführen | — | ||
| 58-16 | Aria. Nicht Mit Staub Will Ich Meine Seel Ergetzen | — | ||
| 58-17 | [Choral] Herr Gott Vater, Mein Starcker Held | — | ||
| 58-18 | Solo. Der Gottlose Wird Nicht Bestehn! | — | ||
| 58-19 | Aria. Menschenkind! Ach Nicht So Blind | — | ||
| 58-20 | Solo. Weg, Sterben, Weg, Traurige Todesgedanken | — | ||
| 58-21 | Ihr Frevler, Verruchte, Verfluchete Hunde | — | ||
| 58-22 | Solo. Draußen Sind Die Hunde | — | ||
| 58-23 | Aria. O Schreckliches Schrecken! O Weh! | — | ||
| 58-24 | Solo. Die Gottlosen Werden Plötlich Zunichte | — | ||
| 58-25 | Schau, Töchter, Schaue, Verwegener | — | ||
| 58-26 | Aria. O Der Großen Bangigkeit | — | ||
| 58-27 | Stirb, Rasender, Stirb! | — | ||
| 58-28 | Solo. Weh Euch, Die Ihr Voll Seid, Denn Ihr Werdet Hungern! | — | ||
| 58-29 | [Choral] Wie Bin Ich Doch So Hertzlich Froh | — | ||
| 58-30 | Solo. Ich Will Zu Euch Kommen Und Euch Zu Mir Nehmen | — | ||
| 58-31 | Aria. Schäfflein, Komm Nur, Hier Sind Wunden | — | ||
| 58-32 | Israel, Ziehet Hin Zu Seiner Ruhe | — | ||
| 58-33 | Violini | — | ||
| 58-34 | [Choral] Mit Fried Und Freud Ich Fahr Dahin | — | ||
| 58-35 | Stromenti | — | ||
| 58-36 | Schluß Aria. Menschen-Kinder, Schnappet Nach Dem Schatten Nicht | — | ||
| 59-1 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-2 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: II. Andante | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-3 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-4 | Concerto for Strings and Basso continuo in C major, RV 117: I. Allegro alla francese | Tafelmusik, Jeanne Lamon | — | |
| 59-5 | Concerto for Strings and Basso continuo in C major, RV 117: II. Largo | Tafelmusik, Jeanne Lamon | — | |
| 59-6 | Concerto for Strings and Basso continuo in C major, RV 117: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-7 | Concerto for Strings and Basso continuo in F minor, RV 143: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-8 | Concerto for Strings and Basso continuo in F minor, RV 143: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 59-9 | Concerto for Strings and Basso continuo in F minor, RV 143: III. Allegro assai | Tafelmusik, Jeanne Lamon | — | |
| 59-10 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: I. Allegro moderato | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-11 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: II. Andante | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-12 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: III. Allegro molto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-13 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-14 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: II. Largo | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-15 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-16 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-17 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: II. Largo e spiccato | Tafelmusik, Jeanne Lamon | — | |
| 59-18 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-19 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-20 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: II. Largo | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-21 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-22 | Concerto for Strings and Basso continuo in E minor, RV 134: I. Allegro moderato | Tafelmusik, Jeanne Lamon | — | |
| 59-23 | Concerto for Strings and Basso continuo in E minor, RV 134: II. Andante | Tafelmusik, Jeanne Lamon | — | |
| 59-24 | Concerto for Strings and Basso continuo in E minor, RV 134: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-25 | Concerto for Strings and Basso continuo in A major, RV 159: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-26 | Concerto for Strings and Basso continuo in A major, RV 159: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 59-27 | Concerto for Strings and Basso continuo in A major, RV 159: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 60-1 | Cantata 'Jesu, Meine Freude' Buxwv 60 - I. Sonata | — | ||
| 60-2 | Cantata 'Jesu, Meine Freude' - II. Jesu, Meine Freude | — | ||
| 60-3 | Cantata 'Jesu, Meine Freude' - III. Unter Deinem Schirmen | — | ||
| 60-4 | Cantata 'Jesu, Meine Freude' - IV. Trotz Dem Alten Drachen | — | ||
| 60-5 | Cantata 'Jesu, Meine Freude' - V. Weg Mit Allen Schфtzen | — | ||
| 60-6 | Cantata 'Jesu, Meine Freude' - VI. Gute Nacht, o Wesen | — | ||
| 60-7 | Cantata 'Jesu, Meine Freude' - VII. Weicht, Ihr Trauergeister | — | ||
| 60-8 | Motet 'Jesu, Meine Freude' BWV 227 - I. Jesu, Meine Freude | — | ||
| 60-9 | Motet 'Jesu, Meine Freude' BWV 227 - II. Es Ist Nun Nichts | — | ||
| 60-10 | Motet 'Jesu, Meine Freude' BWV 227 - III. Unter Deine Schirmen | — | ||
| 60-11 | Motet 'Jesu, Meine Freude' BWV 227 - IV. Den Das Gesetz Des Geistes | — | ||
| 60-12 | Motet 'Jesu, Meine Freude' BWV 227 - V. Trotz Dem Alten Drachen | — | ||
| 60-13 | Motet 'Jesu, Meine Freude' BWV 227 - VI. Ihr Aber Seid Nicht Fleischlich | — | ||
| 60-14 | Motet 'Jesu, Meine Freude' BWV 227 - VII. Weg Mit Allen Schфtzen | — | ||
| 60-15 | Motet 'Jesu, Meine Freude' BWV 227 - VIII. So Aber Christus in Euch Ist | — | ||
| 60-16 | Motet 'Jesu, Meine Freude' BWV 227 - IX. Gute Nact, o Wesen | — | ||
| 60-17 | Motet 'Jesu, Meine Freude' BWV 227 - X. So Nun Der Geist | — | ||
| 60-18 | Motet 'Jesu, Meine Freude' BWV 227 - XI. Weicht, Ihr Trauergeister | — | ||
| 60-19 | Cantata BWV 81 - I. Jesus Schlфft, Was Sol Ich Hoffen | — | ||
| 60-20 | Cantata BWV 81 - II. Herr! Warum Trittest Du So Ferne | — | ||
| 60-21 | Cantata BWV 81 - III. Die Schфumenden Wellen Von Belials Bфchen | — | ||
| 60-22 | Cantata BWV 81 - IV. Ihr Kleinglфubigen, Warum Seid Ihr So Furchtsam | — | ||
| 60-23 | Cantata BWV 81 - V. Schweig, Aufget№rmtes Meer | — | ||
| 60-24 | Cantata BWV 81 - VI. Wohl Mir, Meine Jesus Spricht Ein Wort | — | ||
| 60-25 | Cantata BWV 81 - VII. Unter Deinem Schirmen | — | ||
| 60-26 | Cantata BWV 180 - I. Schm№cke Dich, o Liebe Seele | — | ||
| 60-27 | Cantata BWV 180 - II. Ermuntre Dich; Dein Heiland Klopf | — | ||
| 60-28 | Cantata BWV 180 - III. Wie Teuer Sind Des Heilgen Mahles Gaben | — | ||
| 60-29 | Cantata BWV 180 - IV. Mein Herz F№hlt in Sich Furcht Und Freude | — | ||
| 60-30 | Cantata BWV 180 - V. Lebens Sonne, Licht Der Sinnen | — | ||
| 60-31 | Cantata BWV 180 - VI. Herr, Lass an Mir Dein Teuers Lieben | — | ||
| 60-32 | Cantata BWV 180 - VII. Jesu, Wahres Brot Des Lebens | — | ||
| 60-33 | TWV 1; 1253-54 - I. Schm№cke Dich, o Meine Seele | — | ||
| 60-34 | TWV 1; 1253-54 - II. Ach, Wie Hungert Mein Gem№te | — | ||
| 60-35 | TWV 1; 1253-54 - III. Ach, Hфtte Gott | — | ||
| 60-36 | TWV 1; 1253-54 - IV. Jesu, Wahres Brot Des Lebens | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
889853320721 is a Universal Product Code (UPC) assigned to Vivarte - 60 CD Collection Vol. 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 940 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mass in F major, D 105: Dona nobis pacem (first version) (Andante) | Orchestra of the Age of Enlightenment, Bruno Weil | — |
| Mass in F major, D 105: Dona nobis pacem (second version) (Allegro moderato) | Orchestra of the Age of Enlightenment, Bruno Weil | — |
Creative Contributors (ISNI)
The UPC for “Vivarte - 60 CD Collection Vol. 2” by Various Artists is 889853320721. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Sony Classical. This release contains 940 tracks, each with its own ISRC. Tracks include USSM19000662, USSM19000663, USSM19000664.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | “Ave Maris Stella” (Hymnus, IV.Tone) | — | ||
| 2 | Ia. Immaculata Conceptio B.M.V. - “Gaudens Gaudebo in Domino” (Introitus, III. Tone) | — | ||
| 3 | Ib. Immaculata Conceptio B.M.V. - “Benedicta Es Tu, Virgo Maria” (Graduale, V.Tone) | — | ||
| 4 | Iia. In Nativitate B.M.V. - “Ave Maria, Gratia Plena” (Responsorium Breve, VI.Tone) | — | ||
| 5 | Iib. In Nativitate B.M.V. - “Nativitas Tua” (Antiphon Ad Magnificat, I.Tone) | — | ||
| 6 | Iiia. In Annuntiatione B.M.V. - “Ave Maria” (Offertorium, VIII.Tone) | — | ||
| 7 | Iiib. In Annuntiatione B.M.V. - “Ave Maria, Gratia Plena” (Sequentia, V.Tone) | — | ||
| 8 | Iiic. In Annuntiatione B.M.V. - “Ecce Virgo Concipiet” (Communio, I.Tone) | — | ||
| 9 | Iva. Visitatio B.M.V. - “Cum Audisset Salutationem Mariae” (Ad Benedictus Antiphona, VIII.Tone) | — | ||
| 10 | Ivb. Visitatio B.M.V. - “Magnificat” (Responsorium, II.Tone) | — | ||
| 11 | Ivc. Visitatio B.M.V. - “Magnificat” (Evangelium, I.Tone) | — | ||
| 12 | Va. In Nativitate Domini - “Kyrie - Virginitatis Amator” (Tropus, III.Tone) | — | ||
| 13 | Vb. In Nativitate Domini - “Salve Sancta Parens” (Introitus, II.Tone) | — | ||
| 14 | Vc. In Nativitate Domini - “Alma Redemptoris Mater” (Sequentia, V.Tone) | — | ||
| 15 | Via. In Purificatione B.M.V. - “Lumen Ad Revelationem Gentium“ - Canticum Simeonis (Antiphona, VIII.Tone) | — | ||
| 16 | Vib. In Purificatione B.M.V. - “Adorna Thalamum Tuum” (Antiphona, VI.Tone) | — | ||
| 17 | Viia. In Festo Septem Dolorum - “Stabat Sancta Maria” (Tractus, II.Tone) | — | ||
| 18 | Viib. In Festo Septem Dolorum - “Stabat Mater Dolorosa” (Sequentia, II.Tone) | — | ||
| 19 | Viic. In Festo Septem Dolorum - “Recordare Virgo Mater” (Offertorium + Tropus, I.Tone) | — | ||
| 20 | Viiia. In Assumptione B.M.V. - “Gaudeamus Omnes in Domino” (Introitus, I.Tone) | — | ||
| 21 | Viiib. In Assumptione B.M.V. - “Lectio Libri Sapientiae” (Reading in Two Voices / 2-Stimmige Lesung) | — | ||
| 22 | Viiic. In Assumptione B.M.V. - “Assumpta Est Maria in Caelum” (Offertorium, VIII.Tone) | — | ||
| 23 | Aditional Pieces - “Sancta Maria, Sucurre Miseris” (Antiphona Ad Magnificat, I.Tone) | — | ||
| 24 | Aditional Pieces - “Salve Regina, Mater Misericordiae” (Antiphona Ad Maria, I.Tone) | — | ||
| 2-1 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - I. Chorus (& Recitatives) “Wer Weiß, Wie Nahe Mir Mein Ende” | — | ||
| 2-2 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - II. Recitative “Mein Leben Hat Kein Ander Ziel” | — | ||
| 2-3 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - III. Aria “Willkommen! Will Ich Sagen” | — | ||
| 2-4 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - IV. Recitative “Ach, Wer Doch Schon Im Himmel Wär” | — | ||
| 2-5 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - V. Aria “Gute Nacht, Du Welgetümmel” | — | ||
| 2-6 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - VI. Chorale “Welt Ade! Ich Bin Dein Müde” | — | ||
| 2-7 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - I. Chorus “O Ewiges Feuer, o Ursprung Der Liebe” | — | ||
| 2-8 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - II. Recitative “Herr, Unsre Herzen Halten Dir” | — | ||
| 2-9 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - III. Aria “Wohl Euch, Ihr Auserwählten Seelen” | — | ||
| 2-10 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - IV. Recitative “Erwählt Sich Gott Die Heilgen Hütten” | — | ||
| 2-11 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - V. Chorus “Friede Ueber Israel” | — | ||
| 2-12 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - I. Chorus “Jesu, Nun Sei Gepreiset” | — | ||
| 2-13 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - II. Aria “Laß Uns, o Höchster Gott, Das Jahr Vollbringen” | — | ||
| 2-14 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - III. Recitative “Ach! Deine Hand, Dein Segen Muß Allein” | — | ||
| 2-15 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - IV. Aria “Woferne Du Den Edlen Frieden” | — | ||
| 2-16 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - V. Recitative “Doch Weil Der Feind Bei Tag Und Nacht” | — | ||
| 2-17 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - VI. Chorale “Dein Ist Allein Die Ehre” | — | ||
| 3-1 | Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - I. “Singet Dem Herrn Ein Neues Lied” | — | ||
| 3-2 | Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - II. “Gott, Nimm Dich Ferner Unser an” - Chorale “Wie Sich Ein Vat'r Erbarmet” | — | ||
| 3-3 | Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - “Gott, Nimm Dich Ferner Unser an” - Chorale “Er Hat Uns Wissen Lassen” | — | ||
| 3-4 | Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - III. “Lobet Den Herrn in Seinen Taten” | — | ||
| 3-5 | Komm, Jesu, Komm, Motet, BWV 229 - I. “Komm, Jesu, Komm” | — | ||
| 3-6 | Komm, Jesu, Komm, Motet, BWV 229 - II. Aria “Drum Schließ Ich Mich in Deine Hände” | — | ||
| 3-7 | Der Geist Hilft Unser Schwachheit Auf, Motet, BWV 226 - I. “Der Geist Hilft Unser Schwachheit Auf” | — | ||
| 3-8 | Der Geist Hilft Unser Schwachheit Auf, Motet, BWV 226 - II. “Der Aber Die Herzen Forschet” | — | ||
| 3-9 | Der Geist Hilft Unser Schwachheit Auf, Motet, BWV 226 - III. Chorale “Du Heilige Brunst” | — | ||
| 3-10 | Jesu, Meine Freude, Motet, BWV 227 - I. Chorale “Jesu, Meine Freude” | — | ||
| 3-11 | Jesu, Meine Freude, Motet, BWV 227 - II. “Er Ist Nun Nichts Verdammliches” | — | ||
| 3-12 | Jesu, Meine Freude, Motet, BWV 227 - III. Chorale “Unter Deinen Schirmen Bin Ich Vor Den Sturmen” | — | ||
| 3-13 | Jesu, Meine Freude, Motet, BWV 227 - IV. “Denn Das Gesetz Des Geistes, Das da Lebendig Macht” | — | ||
| 3-14 | Jesu, Meine Freude, Motet, BWV 227 - V. Chorale “Trotz Dem Alten Drachen” | — | ||
| 3-15 | Jesu, Meine Freude, Motet, BWV 227 - VI. “Ihr Aber Seid Nicht Fleischlich” | — | ||
| 3-16 | Jesu, Meine Freude, Motet, BWV 227 - VII. Chorale “Weg Mit Allen Schätzen” | — | ||
| 3-17 | Jesu, Meine Freude, Motet, BWV 227 - VIII. “So Aber Christus in Euch Ist” | — | ||
| 3-18 | Jesu, Meine Freude, Motet, BWV 227 - IX. Chorale “Gute Nacht, o Wesen” | — | ||
| 3-19 | Jesu, Meine Freude, Motet, BWV 227 - X. “So Nun Der Geist” | — | ||
| 3-20 | Jesu, Meine Freude, Motet, BWV 227 - XI. Chorale “Weicht, Ihr Trauergeister” | — | ||
| 3-21 | Fürchte Dich Nicht, Ich Bin Bei Dir, Motet, BWV 228 | — | ||
| 4-1 | Piano Concerto No. 1 in C major, Op. 15 - I. Allegro Con Brio | — | ||
| 4-2 | Piano Concerto No. 1 in C major, Op. 15 - II. Largo | — | ||
| 4-3 | Piano Concerto No. 1 in C major, Op. 15 - III. Rondo. Allegro | — | ||
| 4-4 | Piano Concerto No. 2 in B-flat major, Op. 19 - I. Allegro Con Brio | — | ||
| 4-5 | Piano Concerto No. 2 in B-flat major, Op. 19 - II. Adagio | — | ||
| 4-6 | Piano Concerto No. 2 in B-flat major, Op. 19 - III. Rondo. Molto Allegro | — | ||
| 5-1 | Piano Concerto No. 3 in C minor, Op. 37 - I. Allegro Con Brio | — | ||
| 5-2 | Piano Concerto No. 3 in C minor, Op. 37 - II. Largo | — | ||
| 5-3 | Piano Concerto No. 3 in C minor, Op. 37 - III. Rondo. Allegro | — | ||
| 5-4 | Piano Concerto No. 4 in G major, Op. 58 - I. Allegro Moderato | — | ||
| 5-5 | Piano Concerto No. 4 in G major, Op. 58 - II. Andante Con Moto | — | ||
| 5-6 | Piano Concerto No. 4 in G major, Op. 58 - III. Rondo. Vivace | — | ||
| 6-1 | Piano Concerto No.5 in E-flat major, Op.73 'Emperor' - I. Allegro | — | ||
| 6-2 | Piano Concerto No.5 in E-flat major, Op.73 'Emperor' - II. Adagio Un Poco Moto | — | ||
| 6-3 | Piano Concerto No.5 in E-flat major, Op.73 'Emperor' - III. Rondo. Allegro | — | ||
| 6-4 | Violin Concerto in D major, Op.61 - I. Allegro Ma Non Troppo | — | ||
| 6-5 | Violin Concerto in D major, Op.61 - II. Larghetto | — | ||
| 6-6 | Violin Concerto in D major, Op.61 - III. Rondo. Allegro | — | ||
| 7-1 | String Sextet No. 1 in B-flat major, Op. 18 - I. Allegro Ma Non Troppo | — | ||
| 7-2 | String Sextet No. 1 in B-flat major, Op. 18 - II. Andante Ma Moderato | — | ||
| 7-3 | String Sextet No. 1 in B-flat major, Op. 18 - III. Scherzo. Allegro Molto - Trio. Animato | — | ||
| 7-4 | String Sextet No. 1 in B-flat major, Op. 18 - IV. Rondo. Poco Allegretto E Grazioso | — | ||
| 7-5 | String Sextet No. 2 in G major, Op. 36 - I. Allegro Non Troppo | — | ||
| 7-6 | String Sextet No. 2 in G major, Op. 36 - II. Scherzo. Allegro Non Troppo - (Trio) Presto Giocoso | — | ||
| 7-7 | String Sextet No. 2 in G major, Op. 36 - III. Adagio | — | ||
| 7-8 | String Sextet No. 2 in G major, Op. 36 - IV. Poco Allegro | — | ||
| 8-1 | Missa “Et Ecce Terrae Motus” a 12 Voci - Kyrie - 1. Kyrie Eleison | — | ||
| 8-2 | Missa “Et Ecce Terrae Motus” a 12 Voci - Kyrie - 2. Christe Eleison | — | ||
| 8-3 | Missa “Et Ecce Terrae Motus” a 12 Voci - Kyrie - 3. Kyrie Eleison | — | ||
| 8-4 | Missa “Et Ecce Terrae Motus” a 12 Voci - Gloria | — | ||
| 8-5 | Missa “Et Ecce Terrae Motus” a 12 Voci - Credo | — | ||
| 8-6 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 1. Sanctus | — | ||
| 8-7 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 2. Pleni Sunt Caeli | — | ||
| 8-8 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 3. Hosanna | — | ||
| 8-9 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 4. Benedictus | — | ||
| 8-10 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 5. Hosanna | — | ||
| 8-11 | Missa “Et Ecce Terrae Motus” a 12 Voci - Agnus Dei - 1. Agnus Dei I | — | ||
| 8-12 | Missa “Et Ecce Terrae Motus” a 12 Voci - Agnus Dei - 2. Agnus Dei II | — | ||
| 8-13 | Missa “Et Ecce Terrae Motus” a 12 Voci - Agnus Dei - 3. Agnus Dei III | — | ||
| 8-14 | Sequentia “Dies Irae, Dies Illa” | — | ||
| 9-1 | Lamentatio Jeremiae prophetae (Zum Karmittwoch) | — | ||
| 9-2 | Wie bist du denn, o Gott, in zorn auf mich entbrannt (Lamento) | — | ||
| 9-3 | Mein Herz ist bereit, BuxWV 73 | — | ||
| 9-4 | Ich bin die Auferstehung, BuxWV 44 | — | ||
| 9-5 | Kommet her zu mir alle, die ihr mühselig und beladen seid | — | ||
| 9-6 | Ich liege und schlafe, SWV 310 (from Kleine geistliche Konzerte II, Op. 9) | — | ||
| 9-7 | Fili mi, Absalon, SWV 269 (from Symphoniae sacrae I, Op. 6) | — | ||
| 9-8 | Salve coelestis pater | — | ||
| 9-9 | De profundis clamavi (Psalm 130) | — | ||
| 9-10 | Lamentationes Jeremiae: Zum Gründonnerstag | — | ||
| 10-1 | Ex illustri nata prosapia (Conductus Motet) | — | ||
| 10-2 | Crucifigat omnes (Conductus) | — | ||
| 10-3 | O Maria maris stella (Motet) | — | ||
| 10-4 | Ex agone sanguinis (Conductus) | — | ||
| 10-5 | Belial vocatur (Conductus Motet) | — | ||
| 10-6 | Sanctus | — | ||
| 10-7 | Agnus Dei | — | ||
| 10-8 | Benedicamus Domino | — | ||
| 10-9 | Flavit auster | — | ||
| 10-10 | Eya mater (Prosa) | — | ||
| 10-11 | Quis dabit capiti (Prosa) | — | ||
| 10-12 | Casta catholica (Conductus Motet) | — | ||
| 10-13 | Homo miserabilis (Motet) | — | ||
| 11-1 | Giovanni Gabrieli (c1553/56-1612) - Toccata | — | ||
| 11-2 | Giovanni Gabrieli - Buccinate in neomenia tuba à 19 | — | ||
| 11-3 | Giovanni Gabrieli - Canzon XVII à 12 | — | ||
| 11-4 | Alessando Grandi (1575/80-1630) - Heu mihi - Dialogo à 4 | — | ||
| 11-5 | Giovanni Paolo Cima (c1570-after1622) - Sonata per il violino, cornetto e violone | — | ||
| 11-6 | Giovanni Gabrieli - Dulcis Jesu patris imago, sonata con voce à 20 | — | ||
| 11-7 | Alessandro Grandi - O quam tu pulchra es | — | ||
| 11-8 | Giovanni Gabrieli - Canzon in echo à 12 | — | ||
| 11-9 | Giovanni Gabrieli - Trimor et tremor à 6 | — | ||
| 11-10 | Giovanni Paolo Cima - Sonata per il cornetto e trombone | — | ||
| 11-11 | Giovanni Gabrieli - Sonata con 3 violini | — | ||
| 11-12 | Alessandro Grandi - Cantemus Domino | — | ||
| 11-13 | Giovanni Gabrieli - Sonata XIX à 15 | — | ||
| 11-14 | Giovanni Gabrieli - In ecclesiis à 14 | — | ||
| 12-1 | Canzon V À 7 | — | ||
| 12-2 | Jubilate Deo À 10 | — | ||
| 12-3 | Salvum Me Fac, Deus | — | ||
| 12-4 | Sonata XVIII À 14 | — | ||
| 12-5 | Cantate Domino | — | ||
| 12-6 | Sonata Per Il Violino E Violone | — | ||
| 12-7 | Canzon Primi Toni À 10 | — | ||
| 12-8 | Misericordia Tua Domine À 12 | — | ||
| 12-9 | Canzon X À 8 | — | ||
| 12-10 | O Sacrum Convivium | — | ||
| 12-11 | Toccata Primi Toni | — | ||
| 12-12 | Magnificat À 33 | — | ||
| 12-13 | Benedictus Es Dominus À 8 | — | ||
| 12-14 | Salve, o Regina | — | ||
| 12-15 | Capriccio Detto Svegliatoio | — | ||
| 13-1 | Concerto for Flute, Strings, 2 Oboe, 2 Horns & B.C. in G major, Op.29 - I. Allegro | — | ||
| 13-2 | Concerto for Flute, Strings, 2 Oboe, 2 Horns & B.C. in G major, Op.29 - II. Andante Non Troppo Moderato | — | ||
| 13-3 | Concerto for Flute, Strings, 2 Oboe, 2 Horns & B.C. in G major, Op.29 - III. Rondo. Allegro | — | ||
| 13-4 | Concerto for Flute, Strings & B.C. in E minor - I. Allegro Moderato | — | ||
| 13-5 | Concerto for Flute, Strings & B.C. in E minor - II. Andantino | — | ||
| 13-6 | Concerto for Flute, Strings & B.C. in E minor - III. Allegro, Non Troppo Presto | — | ||
| 13-7 | Concerto for Flute, Strings & B.C. in G major - I. Allegro | — | ||
| 13-8 | Concerto for Flute, Strings & B.C. in G major - II. Adagio | — | ||
| 13-9 | Concerto for Flute, Strings & B.C. in G major - III. Presto | — | ||
| 13-10 | Concerto for Flute, Strings, 2 Horns & B.C. in D major - I. Allegro Moderato | — | ||
| 13-11 | Concerto for Flute, Strings, 2 Horns & B.C. in D major - II. Adagio | — | ||
| 13-12 | Concerto for Flute, Strings, 2 Horns & B.C. in D major - III. Allegro Molto | — | ||
| 13-13 | Dance of the Blessed Spirits (From Orfeo Ed Euridice, Act II) | — | ||
| 14-1 | Suite in D major: La Régente. Noblement et soutenu | — | ||
| 14-2 | Suite in D major: La Tronchin. Mouvement aisé | — | ||
| 14-3 | Suite in D major: La Angrave. Tres vivement | — | ||
| 14-4 | Suite in D major: La Eynaud. Fièrement | — | ||
| 14-5 | Suite in D major: La Morangis ou La Plissay. Mouvement de Chaconne | — | ||
| 14-6 | Suite in G minor: La Marella. Vivement et marqué | — | ||
| 14-7 | Suite in G minor: La Clément. Noblement et détaché | — | ||
| 14-8 | Suite in G minor: Sarabande. La d'Aubonne | — | ||
| 14-9 | Suite in G minor: Le Carillon de Passy. Légèrement sans vitesse - La Latour. Un peu plus vif que la précédente pièce | — | ||
| 14-10 | Pièces de Clavecin, troisième livre: La Superbe, ou la Forqueray. Fièrement, sans lenteur | — | ||
| 14-11 | Pièces de Clavecin, troisième livre: La Forqueray. Rondeau | — | ||
| 15-1 | Concerto Grosso in D minor, Op. 2 No. 3 - I. Presto | — | ||
| 15-2 | Concerto Grosso in D minor, Op. 2 No. 3 - II. Adagio | — | ||
| 15-3 | Concerto Grosso in D minor, Op. 2 No. 3 - III. Allegro | — | ||
| 15-4 | Concerto Grosso in C minor, Op. 2 No. 1 - I. Andante | — | ||
| 15-5 | Concerto Grosso in C minor, Op. 2 No. 1 - II. Allegro | — | ||
| 15-6 | Concerto Grosso in C minor, Op. 2 No. 1 - III. Adagio | — | ||
| 15-7 | Concerto Grosso in C minor, Op. 2 No. 1 - IV. Allegro | — | ||
| 15-8 | Concerto Grosso in A major, Op. 2 No. 6 - I. Andante | — | ||
| 15-9 | Concerto Grosso in A major, Op. 2 No. 6 - II. Allegro | — | ||
| 15-10 | Concerto Grosso in A major, Op. 2 No. 6 - III. Allegro | — | ||
| 15-11 | Concerto Grosso in C minor, Op. 2 No. 2 - I. Adagio | — | ||
| 15-12 | Concerto Grosso in C minor, Op. 2 No. 2 - II. Allegro | — | ||
| 15-13 | Concerto Grosso in C minor, Op. 2 No. 2 - III. Adagio | — | ||
| 15-14 | Concerto Grosso in C minor, Op. 2 No. 2 - IV. Allegro | — | ||
| 15-15 | Concerto Grosso in D major, Op. 2 No. 4 - I. Andante | — | ||
| 15-16 | Concerto Grosso in D major, Op. 2 No. 4 - II. Allegro | — | ||
| 15-17 | Concerto Grosso in D major, Op. 2 No. 4 - III. Adagio | — | ||
| 15-18 | Concerto Grosso in D major, Op. 2 No. 4 - IV. Allegro | — | ||
| 15-19 | Concerto Grosso in D minor, Op. 2 No. 5 - I. Grave | — | ||
| 15-20 | Concerto Grosso in D minor, Op. 2 No. 5 - II. Allegro | — | ||
| 15-21 | Concerto Grosso in D minor, Op. 2 No. 5 - III. Adagio | — | ||
| 15-22 | Concerto Grosso in D minor, Op. 2 No. 5 - IV. Allegro | — | ||
| 15-23 | Concerto Grosso in C major After Corelli, Op. 5 No. 3 - I. Adagio | — | ||
| 15-24 | Concerto Grosso in C major After Corelli, Op. 5 No. 3 - II. Allegro | — | ||
| 15-25 | Concerto Grosso in C major After Corelli, Op. 5 No. 3 - III. Adagio | — | ||
| 15-26 | Concerto Grosso in C major After Corelli, Op. 5 No. 3 - IV. Allegro | — | ||
| 15-27 | Concerto Grosso in G minor After Corelli, Op. 5 No. 5 - I. Adagio | — | ||
| 15-28 | Concerto Grosso in G minor After Corelli, Op. 5 No. 5 - II. Vivace | — | ||
| 15-29 | Concerto Grosso in G minor After Corelli, Op. 5 No. 5 - III. Adagio | — | ||
| 15-30 | Concerto Grosso in G minor After Corelli, Op. 5 No. 5 - IV. Allegro | — | ||
| 16-1 | Orfeo Ed Euridice - Overtura | — | ||
| 16-2 | ATTO I. Scena 1. Coro: “Ah, Se Intorno a Quest'Urna Funestra” (Coro, Orfeo) - Scena 1. Recitativo: “Basta, Basta, o Compagni” (Orfeo) | — | ||
| 16-3 | Scena 1. Ballo (Larghetto) | — | ||
| 16-4 | Scena 1. Coro; “Ah, Se Intorno a Quest'Urna Funestra” | — | ||
| 16-5 | Scena 1. Aria: “Chiamo Il Mio Ben Cosi” (Orfeo) | — | ||
| 16-6 | Scena 1. Recitativo: “Numi! Barbari Numi” (Orfeo) | — | ||
| 16-7 | Scena 2. Recitativo: “T'Assiste Amore!” (Amore, Orfeo) | — | ||
| 16-8 | Scena 2. Aria: “Gli Sguardi Trattieni” (Amore) | — | ||
| 16-9 | Scena 2. Recitativo: “Che Disse? Che Ascoltai?” (Orfeo, Amore) | — | ||
| 16-10 | ATTO II. Scena 1. Ballo (Maestoso) - Coro: “Chi Mai Dell'Erebo Fra Le Caligini” | — | ||
| 16-11 | Scena 1. Ballo (Presto) | — | ||
| 16-12 | Scena 1. Coro: “Chi Mai Dell'Erebo Fra Le Caligini” | — | ||
| 16-13 | Scena 1. Ballo (Maestoso) | — | ||
| 16-14 | Scena 1. Orfeo Ed Coro: “Deh! Placatevi Con Me” | — | ||
| 16-15 | Scena 1. Coro: “Misero Giovane, Che Vuoi, Che Mediti?” | — | ||
| 16-16 | Scena 1. Aria: “Mille Pene, Ombre Moleste” (Orfeo) | — | ||
| 16-17 | Scena 1. Coro: “Ah, Quale Incognito Affetto” | — | ||
| 16-18 | Scena 1. Aria: “Men Tiranne, Ah! Voi Sareste” (Orfeo) | — | ||
| 16-19 | Scena 1. Coro: “Ah, Quale Incognito Affetto” | — | ||
| 16-20 | Scena 2. Ballo (Andante) | — | ||
| 16-21 | Scena 2. Arioso: “Che Puro Ciel, Che Chiaro Sol” (Orfeo, Coro) | — | ||
| 16-22 | Scena 2. Coro: “Vieni a” Regni Del Riposo” | — | ||
| 16-23 | Scena 2. Ballo (Andante) | — | ||
| 16-24 | Scena 2. Recitativo: “Anime Avventurose” (Orfeo) | — | ||
| 16-25 | Scena 2. Coro: “Toma, o Bella, Al Tuo Consorte” | — | ||
| 17-1 | ATTO III. Scena 1. Recitativo “Vieni, segui i miei passi” (Orfeo, Euridice) | — | ||
| 17-2 | Scena 1. Duetto “Vieni, appaga il tuo consorte!” (Orfeo, Euridice) | — | ||
| 17-3 | Scena 1. Recitativo “Qual vita è questa mai” (Euridice) | — | ||
| 17-4 | Scena 1. Aria: “Che Fiero Momento” (Euridice) | — | ||
| 17-5 | Scena 1. Recitativo: “Ecco Un Nuovo Tormento” (Orfeo, Euridice) | — | ||
| 17-6 | Scena 1. Aria: “Che Farò Senza Euridice?” (Orfeo) | — | ||
| 17-7 | Scena 1. Recitativo: “Ah, Finisca E Per Sempre” (Orfeo) | — | ||
| 17-8 | Scena 2. Recitativo: “Orfeo, Che Fai?” (Amore, Orfeo, Euridice) | — | ||
| 17-9 | Scena 3. Maestoso | — | ||
| 17-10 | Scena 3. Ballo. I. (Grazioso) | — | ||
| 17-11 | Scena 3. Ballo. II. Allegro | — | ||
| 17-12 | Scena 3. Ballo. III. Andante | — | ||
| 17-13 | Scena 3. Ballo. IV. Allegro | — | ||
| 17-14 | Scena 3. Coro: “Trionfi Amore!” (Orfeo, Amore, Euridice, Coro) | — | ||
| 18-1 | DON JUAN Ou Le Festin de Pierre, Ballet - Sinfonia. Allegro | — | ||
| 18-2 | Don Juan, Ballet - No. 1. Andante Grazioso | — | ||
| 18-3 | Don Juan, Ballet - No. 2. Andante | — | ||
| 18-4 | Don Juan, Ballet - No. 3. Allegro Maestoso | — | ||
| 18-5 | Don Juan, Ballet - No. 4. Allegro Furioso - Andante | — | ||
| 18-6 | Don Juan, Ballet - No. 5. Allegro Forte Risoluto - Andante - Allegretto | — | ||
| 18-7 | Don Juan, Ballet - No. 6. Risoluto Moderato | — | ||
| 18-8 | Don Juan, Ballet - No. 7. Gavotte | — | ||
| 18-9 | Don Juan, Ballet - No. 8. Brillante | — | ||
| 18-10 | Don Juan, Ballet - No. 9. Allegretto | — | ||
| 18-11 | Don Juan, Ballet - No. 10. Moderato | — | ||
| 18-12 | Don Juan, Ballet - No. 11. Giusto | — | ||
| 18-13 | Don Juan, Ballet - No. 12. Allegro - Presto | — | ||
| 18-14 | Don Juan, Ballet - No. 13. Andante Grazioso | — | ||
| 18-15 | Don Juan, Ballet - No. 14. Andante | — | ||
| 18-16 | Don Juan, Ballet - No. 15. Presto | — | ||
| 18-17 | Don Juan, Ballet - No. 16. Allegretto - Presto - Andante - Tempo Primo | — | ||
| 18-18 | Don Juan, Ballet - No. 17. Andante | — | ||
| 18-19 | Don Juan, Ballet - No. 18. Allegro Giusto | — | ||
| 18-20 | Don Juan, Ballet - No. 19. Moderato | — | ||
| 18-21 | Don Juan, Ballet - No. 20. Andante | — | ||
| 18-22 | Don Juan, Ballet - No. 21. Grazioso | — | ||
| 18-23 | Don Juan, Ballet - No. 22. Allegretto | — | ||
| 18-24 | Don Juan, Ballet - No. 23. Moderato - Presto - Moderato - Presto | — | ||
| 18-25 | Don Juan, Ballet - No. 24. Risoluto E Moderato | — | ||
| 18-26 | Don Juan, Ballet - No. 25. Allegro - Allegro Giusto - Allegro | — | ||
| 18-27 | Don Juan, Ballet - No. 26. Andante Staccato | — | ||
| 18-28 | Don Juan, Ballet - No. 27. Allegro | — | ||
| 18-29 | Don Juan, Ballet - No. 28. Allegretto | — | ||
| 18-30 | Don Juan, Ballet - No. 29. Andante Staccato | — | ||
| 18-31 | Don Juan, Ballet - No. 30. Larghetto | — | ||
| 18-32 | Don Juan, Ballet - No. 31. Allegro Non Troppo | — | ||
| 18-33 | SEMIRAMIS, Ballet-Pantomime in 1 Act - Sinfonia. Maestoso | — | ||
| 18-34 | Semiramis, Ballet - No. 1. Andante | — | ||
| 18-35 | Semiramis, Ballet - No. 2. Allegro | — | ||
| 18-36 | Semiramis, Ballet - No. 3. Moderato | — | ||
| 18-37 | Semiramis, Ballet - No. 4. Moderato, Grazioso | — | ||
| 18-38 | Semiramis, Ballet - No. 5. Moderato | — | ||
| 18-39 | Semiramis, Ballet - No. 6. Maestoso | — | ||
| 18-40 | Semiramis, Ballet - No. 7. Grazioso | — | ||
| 18-41 | Semiramis, Ballet - No. 8. Maestoso | — | ||
| 18-42 | Semiramis, Ballet - No. 9a. Affettuoso - 9b. Affettuoso | — | ||
| 18-43 | Semiramis, Ballet - No. 10. Adagio - Più Adagio | — | ||
| 18-44 | Semiramis, Ballet - No. 11. Affettuoso | — | ||
| 18-45 | Semiramis, Ballet - No. 12. Adagio | — | ||
| 18-46 | Semiramis, Ballet - No. 13. Allegro Maestoso | — | ||
| 18-47 | Semiramis, Ballet - No. 14. Adagio - Allegro | — | ||
| 18-48 | Semiramis, Ballet - No. 15. Allegro Assai | — | ||
| 19-1 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - I. Kyrie | — | ||
| 19-2 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - II. Gloria | — | ||
| 19-3 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - III. Credo | — | ||
| 19-4 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - IV. Sanctus | — | ||
| 19-5 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - V. Benedictus | — | ||
| 19-6 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - VI. Agnus Dei | — | ||
| 19-7 | Mare Clausum, Hob. Xxiva: 9 (Fragment) - Aria: “Nor Can I Think My Suit Is Vain” | — | ||
| 19-8 | Mare Clausum, Hob. Xxiva: 9 (Fragment) - Chorus: “They Great Endeavours” | — | ||
| 19-9 | Motetto “Insanae Et Vanae Curae”, Hob. XXI: 1 No. 13c | — | ||
| 19-10 | Motetti de Venerabili Sacramento, Hob. Xxiiic: 5a-D - 1. “Lauda Sion” | — | ||
| 19-11 | Motetti de Venerabili Sacramento, Hob. Xxiiic: 5a-D - 2. “Ecce Panis” | — | ||
| 19-12 | Motetti de Venerabili Sacramento, Hob. Xxiiic: 5a-D - 3. “In Figuris” | — | ||
| 19-13 | Motetti de Venerabili Sacramento, Hob. Xxiiic: 5a-D - 4. “Bone Pastor” | — | ||
| 19-14 | Te Deum for the Empress Marie Therese, Hob. Xxiiic: 2 | — | ||
| 20-1 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - I. Kyrie | — | ||
| 20-2 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - II. Gloria | — | ||
| 20-3 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - III. Credo | — | ||
| 20-4 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - IV. Sanctus | — | ||
| 20-5 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - V. Benedictus | — | ||
| 20-6 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - VI. Agnus Dei | — | ||
| 20-7 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - I. Kyrie | — | ||
| 20-8 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - II. Gloria | — | ||
| 20-9 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - III. Credo | — | ||
| 20-10 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - IV. Sanctus | — | ||
| 20-11 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - V. Benedictus | — | ||
| 20-12 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - VI. Agnus Dei | — | ||
| 21-1 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - I. Kyrie. Largo - Allegro Moderato | — | ||
| 21-2 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - II. Gloria. Vivace - Adagio - Allegro | — | ||
| 21-3 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - III. Credo. Allegro - Adagio - Allegro - Vivace | — | ||
| 21-4 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - IV. Sanctus. Adagio - Allegro Con Spirito | — | ||
| 21-5 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - V. Benedictus. Andante | — | ||
| 21-6 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - VI. Agnus Dei. Adagio - Allegro Con Spirito | — | ||
| 21-7 | Salve Regina, Hob. Xxiiib: 2 - Salve Regina. Adagio | — | ||
| 21-8 | Salve Regina, Hob. Xxiiib: 2 - Eia Ergo. Allegro | — | ||
| 21-9 | Salve Regina, Hob. Xxiiib: 2 - Et Jesum. Largo - O Clemens. Allegretto | — | ||
| 21-10 | Motetto “O Coelitum Beati”, Hob. Xxiiia: G9 - I. Aria: O Coelitum Beati Amores. Allegro | — | ||
| 21-11 | Motetto “O Coelitum Beati”, Hob. Xxiiia: G9 - II. Chorus: Alleluja. Andante | — | ||
| 22-1 | Symphony No. 82 in C major, Hob. I:82 “The Bear” - I. Vivace Assai | — | ||
| 22-2 | Symphony No. 82 in C major, Hob. I:82 “The Bear” - II. Allegretto | — | ||
| 22-3 | Symphony No. 82 in C major, Hob. I:82 “The Bear” - III. Menuet - Trio | — | ||
| 22-4 | Symphony No. 82 in C major, Hob. I:82 “The Bear” - IV. Finale: Vivace | — | ||
| 22-5 | Symphony No. 83 in G minor, Hob. I:83 “The Hen” - I. Allegro Spiritoso | — | ||
| 22-6 | Symphony No. 83 in G minor, Hob. I:83 “The Hen” - II. Andante | — | ||
| 22-7 | Symphony No. 83 in G minor, Hob. I:83 “The Hen” - III. Menuet: Allegretto - Trio | — | ||
| 22-8 | Symphony No. 83 in G minor, Hob. I:83 “The Hen” - IV. Finale: Vivace | — | ||
| 22-9 | Symphony No. 84 in E-flat major, Hob. I:84 - I. Largo - Allegro | — | ||
| 22-10 | Symphony No. 84 in E-flat major, Hob. I:84 - II. Andante | — | ||
| 22-11 | Symphony No. 84 in E-flat major, Hob. I:84 - III. Menuet: Allegretto - Trio | — | ||
| 22-12 | Symphony No. 84 in E-flat major, Hob. I:84 - IV. Finale: Vivace | — | ||
| 23-1 | Symphony No. 85 in B-flat major “The Queen”, Hob. I:85 - I. Adagio - Vivace | — | ||
| 23-2 | Symphony No. 85 in B-flat major “The Queen”, Hob. I:85 - II. Romance. Allegretto | — | ||
| 23-3 | Symphony No. 85 in B-flat major “The Queen”, Hob. I:85 - III. Menuet. Allegretto - Trio | — | ||
| 23-4 | Symphony No. 85 in B-flat major “The Queen”, Hob. I:85 - IV. Finale. Presto | — | ||
| 23-5 | Symphony No. 86 in D major, Hob. I:86 - I. Adagio - Allegro Spiritoso | — | ||
| 23-6 | Symphony No. 86 in D major, Hob. I:86 - II. Capriccio. Largo | — | ||
| 23-7 | Symphony No. 86 in D major, Hob. I:86 - III. Menuet. Allegretto - Trio | — | ||
| 23-8 | Symphony No. 86 in D major, Hob. I:86 - IV. Finale. Allegro Con Spirito | — | ||
| 23-9 | Symphony No. 87 in A major, Hob. I:87 - I. Vivace | — | ||
| 23-10 | Symphony No. 87 in A major, Hob. I:87 - II. Adagio | — | ||
| 23-11 | Symphony No. 87 in A major, Hob. I:87 - III. Menuet - Trio | — | ||
| 23-12 | Symphony No. 87 in A major, Hob. I:87 - IV. Finale. Vivace | — | ||
| 24-1 | Passacaglia in D minor | — | ||
| 24-2 | Ricercar in G minor | — | ||
| 24-3 | Chaconne in F major | — | ||
| 24-4 | Echo Toccata no. 4 in D minor | — | ||
| 24-5 | Wir glauben all an einen Gott in D minor | — | ||
| 24-6 | Aria con variazioni in F major | — | ||
| 24-7 | Toccata no. 1 in D minor | — | ||
| 24-8 | Toccata no. 8 in G major | — | ||
| 24-9 | Canzona a 4. toni in E major | — | ||
| 24-10 | Toccata no. 1 in D minor | — | ||
| 24-11 | Ricercar no. 3 a 1. toni in D minor | — | ||
| 24-12 | Canzona no. 5 in C major | — | ||
| 24-13 | Toccata in C major | — | ||
| 24-14 | Aria “Sebaldina” con variazioni in F minor | — | ||
| 24-15 | Toccata no. 5 in C major | — | ||
| 25-1 | Lagrime di San Pietro, Part I: I. Il Magnanimo Pietro | — | ||
| 25-2 | Lagrime di San Pietro, Part I: II. Ma gli archi | — | ||
| 25-3 | Lagrime di San Pietro, Part I: III. Tre volte haveva | — | ||
| 25-4 | Lagrime di San Pietro, Part I: IV. Qual a l’incontro | — | ||
| 25-5 | Lagrime di San Pietro, Part I: V. Giovane donna | — | ||
| 25-6 | Lagrime di San Pietro, Part I: VI. Cosi talhor | — | ||
| 25-7 | Lagrime di San Pietro, Part I: VII. Ogni occhio del Signor | — | ||
| 25-8 | Lagrime di San Pietro, Part II: VIII. Nessun fedel trovai | — | ||
| 25-9 | Lagrime di San Pietro, Part II: IX. Chi ad una ad una | — | ||
| 25-10 | Lagrime di San Pietro, Part II: X. Come falda di neve | — | ||
| 25-11 | Lagrime di San Pietro, Part II: XI. E non fu il pianto suo | — | ||
| 25-12 | Lagrime di San Pietro, Part II: XII. Quel volto | — | ||
| 25-13 | Lagrime di San Pietro, Part II: XIII. Veduto il miser | — | ||
| 25-14 | Lagrime di San Pietro, Part II: XIV. E vago d’incontrar | — | ||
| 25-15 | Lagrime di San Pietro, Part III: XV. Vattene vita va | — | ||
| 25-16 | Lagrime di San Pietro, Part III: XVI. O vita troppo rea | — | ||
| 25-17 | Lagrime di San Pietro, Part III: XVII. A quanti già felici | — | ||
| 25-18 | Lagrime di San Pietro, Part III: XVIII. Non trovava mia fé | — | ||
| 25-19 | Lagrime di San Pietro, Part III: XIX. Queste opre e più | — | ||
| 25-20 | Lagrime di San Pietro, Part III: XX. Negando il mio Signor | — | ||
| 25-21 | Lagrime di San Pietro, Part III: XXI. Vide homo | — | ||
| 26-1 | 6 Deutsche Tänze, K. 509: No. 1 in D major | — | ||
| 26-2 | 6 Deutsche Tänze, K. 509: No. 2 in G major | — | ||
| 26-3 | 6 Deutsche Tänze, K. 509: No. 3 in E-flat major | — | ||
| 26-4 | 6 Deutsche Tänze, K. 509: No. 4 in F major | — | ||
| 26-5 | 6 Deutsche Tänze, K. 509: No. 5 in A major | — | ||
| 26-6 | 6 Deutsche Tänze, K. 509: No. 6 in C major | — | ||
| 26-7 | 6 Deutsche Tänze, K. 536: No. 1 in C major | — | ||
| 26-8 | 6 Deutsche Tänze, K. 536: No. 2 in G major, | — | ||
| 26-9 | 6 Deutsche Tänze, K. 536: No. 3 in B-flat major | — | ||
| 26-10 | 6 Deutsche Tänze, K. 536: No. 4 in D major | — | ||
| 26-11 | 6 Deutsche Tänze, K. 536: No. 5 in F major | — | ||
| 26-12 | 6 Deutsche Tänze, K. 567: No. 1 in B-flat major | — | ||
| 26-13 | 6 Deutsche Tänze, K. 567: No. 2 in E-flat major | — | ||
| 26-14 | 6 Deutsche Tänze, K. 567: No. 3 in G major | — | ||
| 26-15 | 6 Deutsche Tänze, K. 567: No. 4 in D major | — | ||
| 26-16 | 6 Deutsche Tänze, K. 567: No. 5 in A major | — | ||
| 26-17 | 6 Deutsche Tänze, K. 536: No. 6 in F major | — | ||
| 26-18 | 6 Deutsche Tänze, K. 567: No. 6 in C major | — | ||
| 26-19 | 6 Deutsche Tänze, K. 571: No. 1 in D major | — | ||
| 26-20 | 6 Deutsche Tänze, K. 571: No. 2 in A major | — | ||
| 26-21 | 6 Deutsche Tänze, K. 571: No. 3 in C major | — | ||
| 26-22 | 6 Deutsche Tänze, K. 571: No. 4 in G major | — | ||
| 26-23 | 6 Deutsche Tänze, K. 571: No. 5 in B-flat major | — | ||
| 26-24 | 6 Deutsche Tänze, K. 571: No. 6 in D major | — | ||
| 26-25 | 12 Deutsche Tänze, K.586: No. 1 in C major | — | ||
| 26-26 | 12 Deutsche Tänze, K.586: No. 2 in G major | — | ||
| 26-27 | 12 Deutsche Tänze, K.586: No. 3 in B-flat major | — | ||
| 26-28 | 12 Deutsche Tänze, K.586: No. 4 in F major | — | ||
| 26-29 | 12 Deutsche Tänze, K.586: No. 5 in A major | — | ||
| 26-30 | 12 Deutsche Tänze, K.586: No. 6 in D major | — | ||
| 26-31 | 12 Deutsche Tänze, K.586: No. 7 in G major | — | ||
| 26-32 | 12 Deutsche Tänze, K.586: No. 8 in E-flat major | — | ||
| 26-33 | 12 Deutsche Tänze, K.586: No. 9 in B-flat major | — | ||
| 26-34 | 12 Deutsche Tänze, K.586: No. 10 in F major | — | ||
| 26-35 | 12 Deutsche Tänze, K.586: No. 11 in A major | — | ||
| 26-36 | 12 Deutsche Tänze, K.586: No. 12 in C major | — | ||
| 27-1 | Drei Marsche for 2 Violins, Viola, Violoncello and 2 Horns: Marsch in D major, K. 445/320c | L’Archibudelli | — | |
| 27-2 | Drei Marsche for 2 Violins, Viola, Violoncello and 2 Horns: Marsch in F major, K. 248 | L’Archibudelli | — | |
| 27-3 | Drei Marsche for 2 Violins, Viola, Violoncello and 2 Horns: Marsch in D major, K. 290/167ab | L’Archibudelli | — | |
| 27-4 | Zwölf Duo für zwei Blasinstrumente, K. 487/496a: No. 5: Larghetto - | L’Archibudelli | — | |
| 27-5 | Zwölf Duo für zwei Blasinstrumente, K. 487/496a: No. 2: Menuetto: Allegretto; Trio | L’Archibudelli | — | |
| 27-6 | Quintet for Horn, Violin, 2 Violas and Violoncello in E-flat major, K. 407 (386c): I. Allegro | L’Archibudelli | — | |
| 27-7 | Quintet for Horn, Violin, 2 Violas and Violoncello in E-flat major, K. 407 (386c): II. Andante | L’Archibudelli | — | |
| 27-8 | Quintet for Horn, Violin, 2 Violas and Violoncello in E-flat major, K. 407 (386c): III. Allegro | L’Archibudelli | — | |
| 27-9 | Zwölf Duo für zwei Blasinstrumente, K. 487/496a: No. 10: Andante | L’Archibudelli | — | |
| 27-10 | Zwölf Duo für zwei Blasinstrumente, K. 487/496a: No. 8: Allegro | L’Archibudelli | — | |
| 27-11 | Ein musikalischer Spaß for 2 Violins, Viola, Bass and 2 Horns, K. 522: I. Allegro | L’Archibudelli | — | |
| 27-12 | Ein musikalischer Spaß for 2 Violins, Viola, Bass and 2 Horns, K. 522: II. Menuetto: Maestoso; Trio | L’Archibudelli | — | |
| 27-13 | Ein musikalischer Spaß for 2 Violins, Viola, Bass and 2 Horns, K. 522: III. Adagio cantabile | L’Archibudelli | — | |
| 27-14 | Ein musikalischer Spaß for 2 Violins, Viola, Bass and 2 Horns, K. 522: IV. Presto | L’Archibudelli | — | |
| 27-15 | Divertimento (fragment) for Violin, Viola, Bass, and 2 Horns, K. 288/246c | L’Archibudelli | T-001.247.905-8 | |
| 27-16 | Divertimento (fragment) for 2 Violins, Viola, Cello & 2 Horns, K. 246b | L’Archibudelli | T-001.247.905-8 | |
| 28-1 | Idomeneo, K.366 - Overture | — | ||
| 28-2 | Die Entführung Aus Dem Serail, K.384 - Overture | — | ||
| 28-3 | Der Schauspieldirektor, K.486 - Overture | — | ||
| 28-4 | Le nozze di Figaro, K. 492 | Tafelmusik, Bruno Weil | — | |
| 28-5 | Don Giovanni, K. 527 | Tafelmusik, Bruno Weil | T-306.482.861-7 | |
| 28-6 | Cosi Fan Tutte, K.588 - Overture | — | ||
| 28-7 | La Clemenza di Tito, K.621 - Overture | — | ||
| 28-8 | Die Zauberflöte, K.620 - Overture | — | ||
| 28-9 | Eine Kleine Nachtmusik, Serenade in G major K.525 - I. Allegro | — | ||
| 28-10 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | Tafelmusik, Bruno Weil | — | |
| 28-11 | Eine Kleine Nachtmusik, Serenade in G major K.525 - III. Menuetto. Allegretto - Trio | — | ||
| 28-12 | Eine Kleine Nachtmusik, Serenade in G major K.525 - IV. Rondo. Allegro | — | ||
| 29-1 | Symphony (Serenade) in D Major, K. 100: I. Allegro | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 29-2 | Symphony (Serenade) In D Major, K. 100: II. Menuetto I - Trio | Tafelmusik, Bruno Weil | — | |
| 29-3 | Symphony (Serenade) in D Major, K. 100: III. Andante | Tafelmusik, Bruno Weil | — | |
| 29-4 | Symphony (Serenade) in D Major, K. 100: IV. Menuetto II - Trio | Tafelmusik, Bruno Weil | — | |
| 29-5 | Symphony (Serenade) in D Major, K. 100: V. Allegro | Tafelmusik, Bruno Weil | — | |
| 29-6 | Symphony (Serenade) in D Major, K. 203: I. Andante maestoso - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 29-7 | Symphony (Serenade) in D Major, K. 203: II. Andante | Tafelmusik, Bruno Weil | — | |
| 29-8 | Symphony (Serenade) in D Major, K. 203: III. Menuetto - Trio | Tafelmusik, Bruno Weil | — | |
| 29-9 | Symphony (Serenade) in D Major, K. 203: IV. Prestissimo | Tafelmusik, Bruno Weil | — | |
| 29-10 | Symphony ('Haffner' Serenade) in D Major, K. 250: I. Allegro maestoso - Allegro molto | Tafelmusik, Bruno Weil | — | |
| 29-11 | Symphony ('Haffner' Serenade) in D Major, K. 250: II. Menuetto galante - Trio | Tafelmusik, Bruno Weil | — | |
| 29-12 | Symphony ('Haffner' Serenade) in D Major, K. 250: III. Andante | Tafelmusik, Bruno Weil | — | |
| 29-13 | Symphony ('Haffner' Serenade) in D Major, K. 250: IV. Menuetto - Trio I - Trio II | Tafelmusik, Bruno Weil | — | |
| 29-14 | Symphony ('Haffner' Serenade) in D Major, K. 250: V. Adagio - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 30-1 | Symphony (Serenade) in D Major, K. 185: I. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 30-2 | Symphony (Serenade) in D Major, K. 185: II. Andante grazioso | Tafelmusik, Bruno Weil | — | |
| 30-3 | Symphony (Serenade) in D Major, K. 185: III. Menuetto - Trio I - Trio II | Tafelmusik, Bruno Weil | — | |
| 30-4 | Symphony (Serenade) in D Major, K. 185: IV. Adagio - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 30-5 | Symphony (Serenade) in D Major, K. 204: I. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 30-6 | Symphony (Serenade) in D Major, K. 204: II. Andante | Tafelmusik, Bruno Weil | — | |
| 30-7 | Symphony (Serenade) in D Major, K. 204: III. Menuetto - Trio | Tafelmusik, Bruno Weil | — | |
| 30-8 | Symphony (Serenade) in D Major, K. 204: IV. Andantino grazioso - Allegro | Tafelmusik, Bruno Weil | — | |
| 30-9 | Symphony ('Posthorn' Serenade) nn D Major, K. 320: I. Adagio maestoso - Allegro con spirito | Tafelmusik, Bruno Weil | — | |
| 30-10 | Symphony ('Posthorn' Serenade) in D Major, K. 320: II. Andantino | Tafelmusik, Bruno Weil | — | |
| 30-11 | Symphony ('Posthorn' Serenade) in D Major, K. 320: III. Finale. Presto | Tafelmusik, Bruno Weil | — | |
| 31-1 | Rondo in E-flat major, K. 371: Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-2 | Concerto no. 2 in E-flat major, K. 417: I. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-3 | Concerto no. 2 in E-flat major, K. 417: II. Andante | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-4 | Concerto no. 2 in E-flat major, K. 417: III. Rondo (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-5 | Concerto no. 3 in E-flat major, K. 447: I. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-6 | Concerto no. 3 in E-flat major, K. 447: II. Romance (Larghetto) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-7 | Concerto no. 3 in E-flat major, K. 447: III. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-8 | Concerto no. 4 in E-flat major, K. 495: I. Allegro maestoso | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-9 | Concerto no. 4 in E-flat major, K. 495: II. Romance (Andante cantabile) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-10 | Concerto no. 4 in E-flat major, K. 495: III. Rondo (Allegro vivace) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-11 | Concerto no. 1 in D Major, K. 412 (386b): I. (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | T-329.458.935-4 | |
| 31-12 | Concerto no. 1 in D Major, K. 514 (386b): II. Rondo (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | T-308.457.046-3 | |
| 32-1 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: I. Allegro | L’Archibudelli | — | |
| 32-2 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: II. Andante | L’Archibudelli | — | |
| 32-3 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: III. Minuetto. Allegretto & Trio | L’Archibudelli | — | |
| 32-4 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: IV. Allegro | L’Archibudelli | — | |
| 32-5 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: I. Allegro | L’Archibudelli | — | |
| 32-6 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: II. Minuetto. Allegretto & Trio | L’Archibudelli | — | |
| 32-7 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: III. Adagio ma non troppo | L’Archibudelli | — | |
| 32-8 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: IV. Adagio - allegro | L’Archibudelli | — | |
| 33-1 | Piano Sonata No. 14 in C minor, K. 457 - I. Allegro | — | ||
| 33-2 | Piano Sonata No. 14 in C minor, K. 457 - II. Adagio | — | ||
| 33-3 | Piano Sonata No. 14 in C minor, K. 457 - III. Molto Allegro | — | ||
| 33-4 | Fantasie in C minor, K. 475 | — | ||
| 33-5 | Minuet in D major, K. 355 (K. 576b) | — | ||
| 33-6 | Rondo No. 1 in D major, K. 485 | — | ||
| 33-7 | Piano Sonata in F major, K. 533/494 - I. Allegro | — | ||
| 33-8 | Piano Sonata in F major, K. 533/494 - II. Andante | — | ||
| 33-9 | Piano Sonata in F major, K. 533/494 - III. Rondo. Allegretto (K. 494) | — | ||
| 33-10 | Fantasia in D minor, K. 397 (K. 385g) (Fragment, Completed by Another) | — | ||
| 34-1 | Rondo for Piano No. 3 in A minor, K. 511 | — | ||
| 34-2 | Piano Sonata No. 15 in C major (Sonata Semplice) K. 545 - I. Allegro | — | ||
| 34-3 | Piano Sonata No. 15 in C major (Sonata Semplice) K. 545 - II. Andante | — | ||
| 34-4 | Piano Sonata No. 15 in C major (Sonata Semplice) K. 545 - III. Rondo. Allegretto | — | ||
| 34-5 | Adagio for Piano in B minor, K. 540 | — | ||
| 34-6 | Piano Sonata No. 16 in B-flat minor, K. 570 - I. Allegro | — | ||
| 34-7 | Piano Sonata No. 16 in B-flat minor, K. 570 - II. Adagio | — | ||
| 34-8 | Piano Sonata No. 16 in B-flat minor, K. 570 - III. Allegretto | — | ||
| 34-9 | Piano Sonata No. 17 in D major (Trumpet, Hunt), K. 576 - I. Allegro | — | ||
| 34-10 | Piano Sonata No. 17 in D major (Trumpet, Hunt), K. 576 - II. Adagio | — | ||
| 34-11 | Piano Sonata No. 17 in D major (Trumpet, Hunt), K. 576 - III. Allegretto | — | ||
| 34-12 | Fantasia in C minor, K. 396 (K. 385f) [After Fragment of Sonata Movement for Violin & piano (Or piano Solo)] | — | ||
| 35-1 | String Quintet No. 1 in A major, Op. 18 - I. Allegro Con Moto | — | ||
| 35-2 | String Quintet No. 1 in A major, Op. 18 - II. Intermezzo, Andante Sostenuto | — | ||
| 35-3 | String Quintet No. 1 in A major, Op. 18 - III. Scherzo, Allegro di Molto | — | ||
| 35-4 | String Quintet No. 1 in A major, Op. 18 - IV. Allegro Vivace | — | ||
| 35-5 | String Quintet No. 2 in B-flat major, Op. 87 - I. Allegro Vivace | — | ||
| 35-6 | String Quintet No. 2 in B-flat major, Op. 87 - II. Andante Scherzando | — | ||
| 35-7 | String Quintet No. 2 in B-flat major, Op. 87 - III. Adagio E Lento | — | ||
| 35-8 | String Quintet No. 2 in B-flat major, Op. 87 - IV. Allegro Molto Vivace | — | ||
| 36-1 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 1. Allegro | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-2 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 2. Andante | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-3 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 3. Scherzo. Allegro leggierissimo | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-4 | Octet for 4 Violins, 2 Violas & 2 Cellos in E-flat major, Op. 20 - IV. Presto | — | ||
| 36-5 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 1. Allegro molto e con fuoco | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-6 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 2. Andantino quasi alleretto | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-7 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 3. Scherzo. Allegro moderato e tranquillo | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-8 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 4. Finale. Allegro vivace | L’Archibudelli, Smithsonian Chamber Players | — | |
| 37-1 | Historia Der Geburt Jesu Christi, SWV 435/435a - Introitus Oder Eingang Zu Der Geburt Unsers Herren Jesu Christi | — | ||
| 37-2 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium I: Der Engel Zu Den Hirten Auf Dem Felde | — | ||
| 37-3 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium II: Die Menge Der Engel | — | ||
| 37-4 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium III: Die Hirten Auf Dem Felde | — | ||
| 37-5 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium IV: Die Weisen Aus Dem Morgenlande | — | ||
| 37-6 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium V: Hohepriester Und Schriftgelehrte | — | ||
| 37-7 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium VI: Herodes | — | ||
| 37-8 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium VII: Der Engel | — | ||
| 37-9 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium VIII: Der Engel Zu Joseph in ─gypten | — | ||
| 37-10 | Historia Der Geburt Jesu Christi, SWV 435/435a - Conclusio: Geburt Unseres Herrn Und Seligmachers Jesu Christi | — | ||
| 37-11 | Historia Der Auferstehung Jesu Christi, SWV 50 - Introitus | — | ||
| 37-12 | Historia Der Auferstehung Jesu Christi, SWV 50 - Der Ostermorgen | — | ||
| 37-13 | Historia Der Auferstehung Jesu Christi, SWV 50 - Jesus Erscheint Maria Magdalena | — | ||
| 37-14 | Historia Der Auferstehung Jesu Christi, SWV 50 - Der J№ngling Im Grabe | — | ||
| 37-15 | Historia Der Auferstehung Jesu Christi, SWV 50 - Jesus Erscheint Den Frauen | — | ||
| 37-16 | Historia Der Auferstehung Jesu Christi, SWV 50 - Rat Der Hohenpriester | — | ||
| 37-17 | Historia Der Auferstehung Jesu Christi, SWV 50 - Jesus Erscheint Den Emmausj№ngern | — | ||
| 37-18 | Historia Der Auferstehung Jesu Christi, SWV 50 - Jesus Erscheint Den Elf J№ngern | — | ||
| 37-19 | Historia Der Auferstehung Jesu Christi, SWV 50 - Der Sendungsbefehl | — | ||
| 37-20 | Historia Der Auferstehung Jesu Christi, SWV 50 - Conclusio | — | ||
| 38-1 | XXVII. Freuet euch des Herren à 5, SWV 367 | — | ||
| 38-2 | XI. Hütet Euch, Dass Eure Herzen À 3, SWV 351 | — | ||
| 38-3 | XIII. Was Betrübst Du Dich À 4, SWV 353 | — | ||
| 38-4 | IV. Meine Seele Erlebt Den Herzen À 3, SWV 344 | — | ||
| 38-5 | XXII. Von Aufgang Der Sonnen À 4, SWV 362 | — | ||
| 38-6 | V. Der Herr Ist Meine Stärke À 3, SWV 345 | — | ||
| 38-7 | XXV. Drei Schöne Dinge Seind À 5, SWV 365 | — | ||
| 38-8 | VI. Ich Werde Nicht Sterben À 3, SWV 346 | — | ||
| 38-9 | XVII. Wie Ein Rubin En Feinem Golde Leuchtet À 4, SWV 357 | — | ||
| 38-10 | XX. Zweierlei Bitte Ich, Herr À 4, SWV 360 | — | ||
| 38-11 | IX. Frohlocket Mit Händen À 3, SWV 349 | — | ||
| 38-12 | Vater Abraham, Erbarme Dich Mein, SWV 477 | — | ||
| 39-1 | XVI. Es Steh Gott Auf À 4, SWV 356 | — | ||
| 39-2 | XII. Herr, Nun Lässest Du Deinen Diener À 3, SWV 352 | — | ||
| 39-3 | I. Mein Herz Ist Bereit À 3, SWV 341 | — | ||
| 39-4 | XXIV. Die So Ihr Den Herren Fuerchtet À 5, SWV 364 | — | ||
| 39-5 | X. Lobet Den Herrn in Seinem Heiligthum À 3, SWV 350 | — | ||
| 39-6 | XVIII. Iss Dein Brod Mit Freunden À 4, SWV 358 | — | ||
| 39-7 | XIX. Der Herr Ist Mein Licht À 4, SWV 359 | — | ||
| 39-8 | VIII. Herzlich Lieb Hab Ich Dich, o Herr À 3, SWV 348 | — | ||
| 39-9 | XXI. Herr, Neige Dein Himmel À 5, SWV 361 | — | ||
| 39-10 | II. Singet Dem Herren Ein Neues Lied À 3, SWV 342 | — | ||
| 39-11 | XXVI. Von Gott Will Ich Nicht Lassen À 5, SWV 366 | — | ||
| 39-12 | XXIII. Lobet Den Herrn, Alle Heiden À 5, SWV 363 | — | ||
| 39-13 | III. Herr, Unser Herrscher À 3, SWV 343 | — | ||
| 39-14 | XIV. Verleih Uns Frieden Genädiglich À 4, SWV 354 - XV. Gieb Unsern Fürsten À 4, SWV 355 | — | ||
| 40-1 | Stabat Mater, for Soprano and Strings - I. Stabat Mater | — | ||
| 40-2 | Stabat Mater, for Soprano and Strings - II. Cujus Animam | — | ||
| 40-3 | Stabat Mater, for Soprano and Strings - III. Quao Moerebat | — | ||
| 40-4 | Stabat Mater, for Soprano and Strings - IV. Quis Ert Homo | — | ||
| 40-5 | Stabat Mater, for Soprano and Strings - V. Pro Peccatis | — | ||
| 40-6 | Stabat Mater, for Soprano and Strings - VI. Eja Mater, Fons Amoris | — | ||
| 40-7 | Stabat Mater, for Soprano and Strings - VII Tui Nati Vulnerati | — | ||
| 40-8 | Stabat Mater, for Soprano and Strings - VIII. Virgo Virginum Praeclara | — | ||
| 40-9 | Stabat Mater, for Soprano and Strings - IX. Fac Ut Portem | — | ||
| 40-10 | Stabat Mater, for Soprano and Strings - X. Fac Me Plagis | — | ||
| 40-11 | Stabat Mater, for Soprano and Strings - XI. Quando Corpus Morietur | — | ||
| 40-12 | String Quintet in F minor, Op. 42, 1 - I. Andante Con Moto | — | ||
| 40-13 | String Quintet in F minor, Op. 42, 1 - II. Minuetto, Con Moto | — | ||
| 40-14 | String Quintet in F minor, Op. 42, 1 - III. Adagio, Cantanile | — | ||
| 40-15 | String Quintet in F minor, Op. 42, 1 - IV. Rondo. Allegro Giusto | — | ||
| 40-16 | String Quintet in C major, Op. 42, 2 - I. Andante Con Moto | — | ||
| 40-17 | String Quintet in C major, Op. 42, 2 - II. Minuetto | — | ||
| 40-18 | String Quintet in C major, Op. 42, 2 - III. Allegro Assai | — | ||
| 40-19 | String Quintet in C major, Op. 42, 2 - IV. Rondo. Allegretto Moderato | — | ||
| 41-1 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - I. Kyrie | — | ||
| 41-2 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - II. Gloria | — | ||
| 41-3 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - III. Credo | — | ||
| 41-4 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - IV. Sanctus | — | ||
| 41-5 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - V. Benedictur | — | ||
| 41-6 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - VI. Agnus Dei | — | ||
| 42-1 | Mass in F major, D 105: Kyrie (Larghetto) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-2 | Mass in F major, D 105: Gloria (Allegro vivace moderato - Andante con moto - Adagio - Allegro maestoso - Allegro vivace) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-3 | Mass in F major, D 105: Credo (Andantino) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-4 | Mass in F major, D 105: Sanctus (Adagio maestoso) | Orchestra of the Age of Enlightenment, Bruno Weil | T-909.879.307-8 | |
| 42-5 | Mass in F major, D 105: Benedictus (Andante con moto) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-6 | Mass in F major, D 105: Agnus Dei (Adagio molto) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-9 | Mass in F major, D 105: Kyrie (Andante con moto) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-10 | Mass in F major, D 105: Gloria (Allegro maestoso) | Orchestra of the Age of Enlightenment, Bruno Weil | T-909.879.307-8 | |
| 42-11 | Mass in F major, D 105: Credo (Allegro moderato) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-12 | Mass in F major, D 105: Sanctus (Adagio maestoso - Allegro) | Orchestra of the Age of Enlightenment, Bruno Weil | T-909.879.307-8 | |
| 42-13 | Mass in F major, D 105: Benedictus (Andante grazioso - Allegro) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-14 | Mass in F major, D 105: Agnus Dei (Lento) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 43-1 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - I. Kyrie. Adagio Con Moto | — | ||
| 43-2 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - II. Gloria. Allegro Vivace - Andante Con Moto - Tempo I - Più Moto | — | ||
| 43-3 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - III. Credo. Allegro Vivace - Adagio - Più Moto - Tempo I | — | ||
| 43-4 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - IV. Sanctus. Adagio Maestoso | — | ||
| 43-5 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - V. Benedictus. Andante Con Moto | — | ||
| 43-6 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - VI. Agnus Dei. Andante Molto - Allegro Moderato | — | ||
| 43-7 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - I. Kyrie. Andante Con Moto | — | ||
| 43-8 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - II. Gloria. Allegro Vivace | — | ||
| 43-9 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - III. Credo. Allegro - Adagio Molto - Tempo I | — | ||
| 43-10 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - IV. Sanctus. Adagio - Osanna. Allegro Vivace | — | ||
| 43-13 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - VI. Agnus Dei. Lento | — | ||
| 44-1 | String Quartet in E-flat major, D 87 - I. Allegro Più Moderato | — | ||
| 44-2 | String Quartet in E-flat major, D 87 - II. Scherzo. Prestissimo - Trio | — | ||
| 44-3 | String Quartet in E-flat major, D 87 - III. Adagio | — | ||
| 44-4 | String Quartet in E-flat major, D 87 - IV. Allegro | — | ||
| 44-5 | String Trio in B-flat major, D 471 (Fragment) - I. Allegro | — | ||
| 44-6 | String Trio in B-flat major, D 471 (Fragment) - II. Andante Sostenuto | — | ||
| 45-1 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - I. Allegro Vivace | — | ||
| 45-2 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - II. Andante | — | ||
| 45-3 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - III. Scherzo. Presto | — | ||
| 45-4 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - IV. Tema. Andantino - Variations I-V - Allegretto | — | ||
| 45-5 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - V. Finale. Allegro Giusto | — | ||
| 45-6 | Sonata for Arpeggione and Piano in A minor, D 821 - I. Allegro Moderato | — | ||
| 45-7 | Sonata for Arpeggione and Piano in A minor, D 821 - II. Adagio | — | ||
| 45-8 | Sonata for Arpeggione and Piano in A minor, D 821 - III. Allegretto | — | ||
| 45-9 | Adagio for Piano Trio in E-flat major, D 897 Notturno | — | ||
| 46-1 | Octet in F major, D 803, Op.Posth.166 - I. Adagio - Allegro - Più Allegro | — | ||
| 46-2 | Octet in F major, D 803, Op.Posth.166 - II. Adagio | — | ||
| 46-3 | Octet in F major, D 803, Op.Posth.166 - III. Allegro Vivace - Trio - Allegro Vivace | — | ||
| 46-4 | Octet in F major, D 803, Op.Posth.166 - IV. Andante - Variation I-VI - Variation VII. Un Poco Più Mosso - Più Lento | — | ||
| 46-5 | Octet in F major, D 803, Op.Posth.166 - V. Menuetto. Allegreto - Trio - Menuetto - Coda | — | ||
| 46-6 | Octet in F major, D 803, Op.Posth.166 - VI. Andante Molto - Allegro - Andante Molto - Allegro Molto | — | ||
| 47-1 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-2 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-3 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-4 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-5 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-6 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-7 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 1. Andante - Allegretto | — | ||
| 47-8 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 2. Allegretto | — | ||
| 47-9 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 3. Adagio | — | ||
| 47-10 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 4. Allegro | — | ||
| 47-11 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 5. Polacca - Trio | — | ||
| 47-12 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - I. Overture. Andante Maestoso - Allegro Vivace | — | ||
| 47-13 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - II. Introduzione. Moderato - III. Vivace | — | ||
| 47-14 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - IV. Cavatina. Largo - V. Allegro | — | ||
| 47-15 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - VI. Cavatina. Allegro Vivace | — | ||
| 47-16 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - VII. Duetto. Allegro Maestoso - VIII. Allegro | — | ||
| 47-17 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - IX. Cavatina. Andante - X. Moderato | — | ||
| 47-18 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - XI. Aria. Allegro | — | ||
| 47-19 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - XII. Duetto. Allegro | — | ||
| 48-1 | Flute Sonata in E minor, L. III-57 - I. Largo, ma un poco andante | — | ||
| 48-2 | Flute Sonata in E minor, L. III-57 - II. Arioso, un poco allegro | — | ||
| 48-3 | Flute Sonata in E minor, L. III-57 - III. Presto | — | ||
| 48-4 | Flute Sonata in C major - I. Largo | — | ||
| 48-5 | Flute Sonata in C major - II. Allegro | — | ||
| 48-6 | Flute Sonata in C major - III. Allegro | — | ||
| 48-7 | Flute Sonata in G major - I. Adagio | — | ||
| 48-8 | Flute Sonata in G major - II. Allegro | — | ||
| 48-9 | Flute Sonata in G major - III. Allegro | — | ||
| 48-10 | Flute Sonata No. 181 in E minor - I. Grave | — | ||
| 48-11 | Flute Sonata No. 181 in E minor - II. Allegro assai | — | ||
| 48-12 | Flute Sonata No. 181 in E minor - III. Presto | — | ||
| 48-13 | Flute Sonata in G major - I. Largo | — | ||
| 48-14 | Flute Sonata in G major - II. Poco allegro | — | ||
| 48-15 | Flute Sonata in G major - III. Allegretto | — | ||
| 48-16 | Flute Sonata in B flat major - I. Cantabile | — | ||
| 48-17 | Flute Sonata in B flat major - II. Allegretto | — | ||
| 48-18 | Flute Sonata in B flat major - III. Vivace | — | ||
| 48-19 | Flute Sonata in D major - I. Adagio | — | ||
| 48-20 | Flute Sonata in D major - II. Allegro, ma non troppo | — | ||
| 48-21 | Flute Sonata in D major - III. Cantabile | — | ||
| 49-1 | Matthias Weckmann - Suite for Keyboard in B minor | — | ||
| 49-2 | Matthias Weckmann - Toccata for Keyboard in E minor | — | ||
| 49-3 | Matthias Weckmann - Toccata for Keyboard in A minor | — | ||
| 49-4 | Matthias Weckmann - Suite for Keyboard in D minor | — | ||
| 49-5 | Matthias Weckmann - Suite for Keyboard in C minor | — | ||
| 49-6 | Matthias Weckmann - Canzon for Harpsichord in C major ('Dall'Isteso Tuono') | — | ||
| 49-7 | Matthias Weckmann - Toccata for Keyboard in D minor | — | ||
| 49-8 | Johann Jacob Froberger - Tombeau Sur La Mort de Monsieur Blancrocher | — | ||
| 49-9 | Johann Jacob Froberger - Suite for Keyboard in E minor, Fbwv 607/607b/607c | — | ||
| 49-10 | Johann Jacob Froberger - Capriccio, for Keyboard in C major, Fbwv 506 | — | ||
| 49-11 | Johann Jacob Froberger - Ricercar, for Keyboard in D minor, Fbwv 411 | — | ||
| 49-12 | Johann Jacob Froberger - Suite for Keyboard in A major, Fbwv 608 | — | ||
| 50-1 | Clarinet Quintet in B-flat major, Op. 34 - I. Allegro | — | ||
| 50-2 | Clarinet Quintet in B-flat major, Op. 34 - II. Fantasia. Adagio | — | ||
| 50-3 | Clarinet Quintet in B-flat major, Op. 34 - III. Menuetto. Capriccio Presto | — | ||
| 50-4 | Clarinet Quintet in B-flat major, Op. 34 - IV. Rondo. Allegro Giocoso | — | ||
| 50-5 | Clarinet Quartet in E-flat major - I. Allegro Moderato | — | ||
| 50-6 | Clarinet Quartet in E-flat major - II. La Seccatura. Allegro Molto | — | ||
| 50-7 | Clarinet Quartet in E-flat major - III. Andante | — | ||
| 50-8 | Clarinet Quartet in E-flat major - IV. Rondo. Allegretto | — | ||
| 50-9 | Clarinet Quintet in B-flat major - I. Allegro | — | ||
| 50-10 | Clarinet Quintet in B-flat major - II. Andante | — | ||
| 50-11 | Clarinet Quintet in B-flat major - III. Menuetto. Allegro | — | ||
| 50-12 | Clarinet Quintet in B-flat major - IV. Finale. Allegretto | — | ||
| 51-1 | Sanctus in Eternis - Sanctus Et Ingenitus (Motet) | — | ||
| 51-2 | Si Doulchement Mon Ceur Je Sens Souspris (Ballade) | — | ||
| 51-3 | Je Sui Trestout D'Amour Raimpli (Virelai) | — | ||
| 51-4 | Je Prens D'Amour Noriture (Virelai) | — | ||
| 51-5 | Gloria (Mass Section) | — | ||
| 51-6 | Certes Mout Fu - Nous Devons Tresfort Amer (Motet) | — | ||
| 51-7 | Je Prens Plaisir En Une Dame (Ballade) | — | ||
| 51-8 | Credo (Mass Section) | — | ||
| 51-9 | Personet Armonia (Motet, instrumental) | — | ||
| 51-10 | Si Doulcement Me Fait Amours - Nulz Vrais Amans (Ballade Double) | — | ||
| 52-1 | Vray Dieu D'Amours - Ballade À 4 | — | ||
| 52-2 | Een Vrouelic Wesen - Chanson À 4 | — | ||
| 52-3 | Fors Seulement - I. Chanson À 4 | — | ||
| 52-4 | Fors Seulement - II. Contrafactum With Sacred Text “Exortum Est in Tenebris” | — | ||
| 52-5 | Salve Regina - Antiphon À 4 & 5 | — | ||
| 52-6 | Memorare Mater Christi - Motet À 7 | — | ||
| 52-7 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - I. Kyrie | — | ||
| 52-8 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - II. Gloria | — | ||
| 52-9 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - III. Credo | — | ||
| 52-10 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - IV. Sanctus - Pleni Sunt - Hosanna - Benedictus | — | ||
| 52-11 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - V. Agnus Dei | — | ||
| 53-1 | El Fuego, Ensalada for 4 Voices -! Corred, Corred, Peccadores! | — | ||
| 53-2 | El Fuego, Ensalada for 4 Voices - Oh Cómo El Mundo St Abrassa | — | ||
| 53-3 | El Fuego, Ensalada for 4 Voices -! No Os Tardéis, Trad, Traed Agua Ya! | — | ||
| 53-4 | El Fuego, Ensalada for 4 Voices - Toca, Joan, Con Tu Gaitilla | — | ||
| 53-5 | La Negrina, Ensalada for 4 Voices - Cumplido Es Nuestro Doseo | — | ||
| 53-6 | La Negrina, Ensalada for 4 Voices - No Nos Cansemos | — | ||
| 53-7 | La Negrina, Ensalada for 4 Voices - Caminemos Y Veremos | — | ||
| 53-8 | La Justa, Ensalada for 4 Voices -! Oyd, Oyd Los Vivientes! | — | ||
| 53-9 | La Justa, Ensalada for 4 Voices - El Mantenedor Es Fiero | — | ||
| 53-10 | La Justa, Ensalada for 4 Voices -! Dale La Lança! | — | ||
| 53-11 | La Justa, Ensalada for 4 Voices -! Aparte Todos! | — | ||
| 54-1 | Super Flumina Babylonis, Motet in 5 Parts | — | ||
| 54-2 | Missa “Se Congie Pris” À 5 - I. Kyrie - II. Gloria | — | ||
| 54-3 | Constantia'l Vo' Pur Dire, Madrigal in 5 Parts | — | ||
| 54-4 | E' Morta La Speranza, Madrigal in 4 Parts | — | ||
| 54-5 | Quando Ritrovo La Mia Pastorella, Frottola in 4 Parts | — | ||
| 54-6 | Madonna, Oyme, Per Qual Cagion M'Havete, Madrigal for 4 Voices | — | ||
| 54-7 | Chi Vuol Veder, Madrigal in 4 Parts | — | ||
| 54-8 | Quis Dabit Oculis Nostris, Motet for 4 Voices- Elegy on the Death Od Anne de Bretagne, Queen of France | — | ||
| 54-9 | Tribus Miraculis, Motet in 6 Parts | — | ||
| 54-10 | Magnificat Septimi Toni À 4 | — | ||
| 55-1 | Christmas - Rorate Caeli Desuper | — | ||
| 55-2 | Christmas - Ecce Virgo Concipiet | — | ||
| 55-3 | Christmas - Veni Redemptor Gentium | — | ||
| 55-4 | Christmas - Veni, o Sapientia | — | ||
| 55-5 | Christmas - Gaudens in Domino | — | ||
| 55-6 | Christmas - Natus Est Altissimi Hodie Filius - Per Natus Est Nobis | — | ||
| 55-7 | Christmas - Nato Canunt Omnia | — | ||
| 55-8 | Christmas - Hodie Christus Natus Est - Magnificat | — | ||
| 55-9 | Christmas - Puer Natus in Bethlehem (Johann Stadlmayr 1576-1648) | — | ||
| 55-10 | Easter - Gloria, Laus Et Honor | — | ||
| 55-11 | Easter - Nos Autem Gloriari Oportet | — | ||
| 55-12 | Easter - Ubi Caritas Est Vera | — | ||
| 55-13 | Easter - Vespere Autem Sabbati | — | ||
| 55-14 | Easter - Resurrexi Et Ad Huc Tecum Sum | — | ||
| 55-15 | Easter - Kyrie Eleison | — | ||
| 55-16 | Easter - Victimae Paschali Laudes | — | ||
| 55-17 | Easter - Alleluia - Psalm 117 (116) | — | ||
| 55-18 | Easter - Surrexit Christus Hodie (Leonhard Paminger 1495-1567) | — | ||
| 56-1 | Pentecost - Alleluia, Spiritus Domini - Psalm 95 (94) | — | ||
| 56-2 | Pentecost - Spiritus Domini | — | ||
| 56-3 | Pentecost - Veni Sancte Spiritus | — | ||
| 56-4 | Pentecost - Factus Est Repente - Psalm 68 (67) | — | ||
| 56-5 | Pentecost - Veni Creator Spiritus | — | ||
| 56-6 | Pentecost - Spiritus Paraclitus | — | ||
| 56-7 | Pentecost - Hodie Completi Sunt - Magnificat | — | ||
| 56-8 | Pentecost - Spiritus Sancti Gratia (Urban Loth C.1580-C.1637) | — | ||
| 56-9 | Assumption of Mary - Angelus Domini Nuntiavit Mariae - Ave Maria | — | ||
| 56-10 | Assumption of Mary - Sub Tuum Praesidium Confugimus | — | ||
| 56-11 | Assumption of Mary - Mittit Ad Virginem | — | ||
| 56-12 | Assumption of Mary - Agmina Celsa Colunt - Gaudeamus Omnes in Domino | — | ||
| 56-13 | Assumption of Mary - Concordi Laetitia | — | ||
| 56-14 | Assumption of Mary - Ave Maris Stella | — | ||
| 56-15 | Assumption of Mary - Virgo Prudentissima - Magnificat | — | ||
| 56-16 | Assumption of Mary - Maria Mater Gratiae | — | ||
| 56-17 | Assumption of Mary - Litaniae Lauretanae (Girolamo Giaccobbi 1567-1629) | — | ||
| 57-1 | Das Jüngste Gericht, Oratorio ("Wacht! Euch Zum Streit Gefasset Macht"), Buxwv Anh. 3 ACT 1: Sonata | — | ||
| 57-2 | Aria. Wacht! Euch Zum Streit Gefasset Macht | — | ||
| 57-3 | Der Geitz. Sagt, Schwestern, Ob Nicht Meine Macht | — | ||
| 57-4 | Die Leichtfertigkeit. Nein, Närrin, Wer Meine Wollüste Erkennet | — | ||
| 57-5 | Die Hoffarth. Ihr Schnöden Erdenkinder Schweigt | — | ||
| 57-6 | Der Geitz. Ein Blitzen Ist Mein Schöner Blick | — | ||
| 57-7 | Die Leichtfertigkeit. Ich Kann Ja Die Heiligsten Seelen Entdieben | — | ||
| 57-8 | Die Hoffarth Aria. Der Hoffarth Ausgedehnter Dunst | — | ||
| 57-9 | Laßt Uns Unsre Kunst Verbrüdern | — | ||
| 57-10 | Aria. Ach! Wache Auf! Deutsches Reich Was Wiltu Schlafen? | — | ||
| 57-11 | Aria. Ich Führe Von Unten Nach Oben | — | ||
| 57-12 | Die Göttliche Stimm. Laßt Euch Niemand Verführen Mit Vergeblichen Worten | — | ||
| 57-13 | Aria. Ei, Wir Müssen Mit Stoltzieren Und Bravieren | — | ||
| 57-14 | Die Göttliche Stimm. Ich Schwör Bei Meiner Seelen | — | ||
| 57-15 | [Choral] Man Fragt Nach Gott Dem Herrn Nicht Mehr | — | ||
| 57-16 | Die Armen Bettel-Vetteln Immer Betteln | — | ||
| 57-17 | Die Göttliche Stimm. Darum, Daß Die Töchter Zion Stoltz Sind | — | ||
| 57-18 | Aria. O! Der Rasenheit! | — | ||
| 57-19 | Act 2: Sonata | — | ||
| 57-20 | Aria. Höret, Die Ihr Reich Wollt Werden | — | ||
| 57-21 | Solo. Wohl Dem Menschen, Der Weisheit Findet | — | ||
| 57-22 | Aria. Suchet, Sucht, o Ihr Menschen | — | ||
| 57-23 | Aria. Geld! Geld! Sonst Ist Nichtes in Der Welt | — | ||
| 57-24 | Aria. Halt, Halte Doch, Wie Läufestu So Hellig Dich | — | ||
| 57-25 | Solo. Wie Gar Nichts Sind Alle Menschen, Die Doch So Sicher Leben! | — | ||
| 57-26 | Suchet Den Herrn, So Wird Ihr Leben. | — | ||
| 57-27 | Aria. Aus Eden Zu Viel Töden Sind Leider Wir Gejagt | — | ||
| 57-28 | Solo. Suchet in Der Schrift | — | ||
| 57-29 | Aria. Ja, Dieses Ist Das Land | — | ||
| 57-30 | Solo. Ich Liebe, Die Mich Lieben | — | ||
| 57-31 | Aria. O Tausendmal Selige, Frölige Stunden! | — | ||
| 57-32 | [Choral] Ei, Mein Perle! Du Werte Krohn | — | ||
| 57-33 | Aria. Doch Noch Nicht Satt | — | ||
| 57-34 | Solo. Der Herr Ist Mein Theil, Spricht Meine Seel | — | ||
| 57-35 | Stromenti | — | ||
| 57-36 | [Choral] Jesu, Mein Freud, Mein Ehr Und Ruhm | — | ||
| 57-37 | Stromenti | — | ||
| 57-38 | Aria. Mein Jesus, Mein Leben Und Heil! | — | ||
| 57-39 | Solo. Liebe Seele, Du Hast Einen Großen Vorrath Auf Viel Jahr | — | ||
| 57-40 | Solo. Du Narr! Diese Nacht Wird Man Deine Seele Von Dir Fordern | — | ||
| 57-41 | Aria. O Weh! O Wort, Das Eh Tödtet Als Der Todt | — | ||
| 57-42 | Tutti. O Todt! Wie Bitter Bistu | — | ||
| 57-43 | Stromenti | — | ||
| 57-44 | Aria. Freu Dich Sehr, o Meine Seele | — | ||
| 57-45 | [Choral] Hertzlich Lieb Hab Ich Dich, o Herr | — | ||
| 57-46 | Aria. Weg Mit Allen Irdschen Schätzen | — | ||
| 58-1 | Act 3: The First discours. - Sonata | — | ||
| 58-2 | Aria. Freude! Lufft! Wind! Dampff! Kampff! Wasser! Schnee! | — | ||
| 58-3 | Solo. Wohlan Alle, Die Ihr Dürstig Seid | — | ||
| 58-4 | Aria. Kommet Schäfflein, Kommet Her | — | ||
| 58-5 | Solo. Das Ist Meine Freude, Daß Ich Mich Zu Gott Halte | — | ||
| 58-6 | Aria. O Frölige Zeit | — | ||
| 58-7 | Solo. Die Ihr Euch Weit Von Bösen Tagen Achtet | — | ||
| 58-8 | Aria. Ich Kann Nicht Mehr | — | ||
| 58-9 | Aria. Sehet Doch Des Satans Sklaven | — | ||
| 58-10 | Solo. Wacht Auf, Ihr Trunkenen | — | ||
| 58-11 | Aria. Süßer Jesu, Jesu Du, Meine Ruh | — | ||
| 58-12 | [Choral] Geuß Sehr Tief in Mein Hertz Hinein | — | ||
| 58-13 | Stromenti | — | ||
| 58-14 | Aria. Mag Dieser Nicht Werden | — | ||
| 58-15 | Solo. Lasset Euch Nicht Verführen | — | ||
| 58-16 | Aria. Nicht Mit Staub Will Ich Meine Seel Ergetzen | — | ||
| 58-17 | [Choral] Herr Gott Vater, Mein Starcker Held | — | ||
| 58-18 | Solo. Der Gottlose Wird Nicht Bestehn! | — | ||
| 58-19 | Aria. Menschenkind! Ach Nicht So Blind | — | ||
| 58-20 | Solo. Weg, Sterben, Weg, Traurige Todesgedanken | — | ||
| 58-21 | Ihr Frevler, Verruchte, Verfluchete Hunde | — | ||
| 58-22 | Solo. Draußen Sind Die Hunde | — | ||
| 58-23 | Aria. O Schreckliches Schrecken! O Weh! | — | ||
| 58-24 | Solo. Die Gottlosen Werden Plötlich Zunichte | — | ||
| 58-25 | Schau, Töchter, Schaue, Verwegener | — | ||
| 58-26 | Aria. O Der Großen Bangigkeit | — | ||
| 58-27 | Stirb, Rasender, Stirb! | — | ||
| 58-28 | Solo. Weh Euch, Die Ihr Voll Seid, Denn Ihr Werdet Hungern! | — | ||
| 58-29 | [Choral] Wie Bin Ich Doch So Hertzlich Froh | — | ||
| 58-30 | Solo. Ich Will Zu Euch Kommen Und Euch Zu Mir Nehmen | — | ||
| 58-31 | Aria. Schäfflein, Komm Nur, Hier Sind Wunden | — | ||
| 58-32 | Israel, Ziehet Hin Zu Seiner Ruhe | — | ||
| 58-33 | Violini | — | ||
| 58-34 | [Choral] Mit Fried Und Freud Ich Fahr Dahin | — | ||
| 58-35 | Stromenti | — | ||
| 58-36 | Schluß Aria. Menschen-Kinder, Schnappet Nach Dem Schatten Nicht | — | ||
| 59-1 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-2 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: II. Andante | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-3 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-4 | Concerto for Strings and Basso continuo in C major, RV 117: I. Allegro alla francese | Tafelmusik, Jeanne Lamon | — | |
| 59-5 | Concerto for Strings and Basso continuo in C major, RV 117: II. Largo | Tafelmusik, Jeanne Lamon | — | |
| 59-6 | Concerto for Strings and Basso continuo in C major, RV 117: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-7 | Concerto for Strings and Basso continuo in F minor, RV 143: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-8 | Concerto for Strings and Basso continuo in F minor, RV 143: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 59-9 | Concerto for Strings and Basso continuo in F minor, RV 143: III. Allegro assai | Tafelmusik, Jeanne Lamon | — | |
| 59-10 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: I. Allegro moderato | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-11 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: II. Andante | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-12 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: III. Allegro molto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-13 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-14 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: II. Largo | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-15 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-16 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-17 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: II. Largo e spiccato | Tafelmusik, Jeanne Lamon | — | |
| 59-18 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-19 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-20 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: II. Largo | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-21 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-22 | Concerto for Strings and Basso continuo in E minor, RV 134: I. Allegro moderato | Tafelmusik, Jeanne Lamon | — | |
| 59-23 | Concerto for Strings and Basso continuo in E minor, RV 134: II. Andante | Tafelmusik, Jeanne Lamon | — | |
| 59-24 | Concerto for Strings and Basso continuo in E minor, RV 134: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-25 | Concerto for Strings and Basso continuo in A major, RV 159: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-26 | Concerto for Strings and Basso continuo in A major, RV 159: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 59-27 | Concerto for Strings and Basso continuo in A major, RV 159: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 60-1 | Cantata 'Jesu, Meine Freude' Buxwv 60 - I. Sonata | — | ||
| 60-2 | Cantata 'Jesu, Meine Freude' - II. Jesu, Meine Freude | — | ||
| 60-3 | Cantata 'Jesu, Meine Freude' - III. Unter Deinem Schirmen | — | ||
| 60-4 | Cantata 'Jesu, Meine Freude' - IV. Trotz Dem Alten Drachen | — | ||
| 60-5 | Cantata 'Jesu, Meine Freude' - V. Weg Mit Allen Schфtzen | — | ||
| 60-6 | Cantata 'Jesu, Meine Freude' - VI. Gute Nacht, o Wesen | — | ||
| 60-7 | Cantata 'Jesu, Meine Freude' - VII. Weicht, Ihr Trauergeister | — | ||
| 60-8 | Motet 'Jesu, Meine Freude' BWV 227 - I. Jesu, Meine Freude | — | ||
| 60-9 | Motet 'Jesu, Meine Freude' BWV 227 - II. Es Ist Nun Nichts | — | ||
| 60-10 | Motet 'Jesu, Meine Freude' BWV 227 - III. Unter Deine Schirmen | — | ||
| 60-11 | Motet 'Jesu, Meine Freude' BWV 227 - IV. Den Das Gesetz Des Geistes | — | ||
| 60-12 | Motet 'Jesu, Meine Freude' BWV 227 - V. Trotz Dem Alten Drachen | — | ||
| 60-13 | Motet 'Jesu, Meine Freude' BWV 227 - VI. Ihr Aber Seid Nicht Fleischlich | — | ||
| 60-14 | Motet 'Jesu, Meine Freude' BWV 227 - VII. Weg Mit Allen Schфtzen | — | ||
| 60-15 | Motet 'Jesu, Meine Freude' BWV 227 - VIII. So Aber Christus in Euch Ist | — | ||
| 60-16 | Motet 'Jesu, Meine Freude' BWV 227 - IX. Gute Nact, o Wesen | — | ||
| 60-17 | Motet 'Jesu, Meine Freude' BWV 227 - X. So Nun Der Geist | — | ||
| 60-18 | Motet 'Jesu, Meine Freude' BWV 227 - XI. Weicht, Ihr Trauergeister | — | ||
| 60-19 | Cantata BWV 81 - I. Jesus Schlфft, Was Sol Ich Hoffen | — | ||
| 60-20 | Cantata BWV 81 - II. Herr! Warum Trittest Du So Ferne | — | ||
| 60-21 | Cantata BWV 81 - III. Die Schфumenden Wellen Von Belials Bфchen | — | ||
| 60-22 | Cantata BWV 81 - IV. Ihr Kleinglфubigen, Warum Seid Ihr So Furchtsam | — | ||
| 60-23 | Cantata BWV 81 - V. Schweig, Aufget№rmtes Meer | — | ||
| 60-24 | Cantata BWV 81 - VI. Wohl Mir, Meine Jesus Spricht Ein Wort | — | ||
| 60-25 | Cantata BWV 81 - VII. Unter Deinem Schirmen | — | ||
| 60-26 | Cantata BWV 180 - I. Schm№cke Dich, o Liebe Seele | — | ||
| 60-27 | Cantata BWV 180 - II. Ermuntre Dich; Dein Heiland Klopf | — | ||
| 60-28 | Cantata BWV 180 - III. Wie Teuer Sind Des Heilgen Mahles Gaben | — | ||
| 60-29 | Cantata BWV 180 - IV. Mein Herz F№hlt in Sich Furcht Und Freude | — | ||
| 60-30 | Cantata BWV 180 - V. Lebens Sonne, Licht Der Sinnen | — | ||
| 60-31 | Cantata BWV 180 - VI. Herr, Lass an Mir Dein Teuers Lieben | — | ||
| 60-32 | Cantata BWV 180 - VII. Jesu, Wahres Brot Des Lebens | — | ||
| 60-33 | TWV 1; 1253-54 - I. Schm№cke Dich, o Meine Seele | — | ||
| 60-34 | TWV 1; 1253-54 - II. Ach, Wie Hungert Mein Gem№te | — | ||
| 60-35 | TWV 1; 1253-54 - III. Ach, Hфtte Gott | — | ||
| 60-36 | TWV 1; 1253-54 - IV. Jesu, Wahres Brot Des Lebens | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mass in F major, D 105: Dona nobis pacem (first version) (Andante) | Orchestra of the Age of Enlightenment, Bruno Weil | — |
| Mass in F major, D 105: Dona nobis pacem (second version) (Allegro moderato) | Orchestra of the Age of Enlightenment, Bruno Weil | — |
