UPC · Release
Vivarte - 60 CD Collection Vol. 2
Various Artists
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889853320721 is the Universal Product Code (UPC barcode) for the release “Vivarte - 60 CD Collection Vol. 2” by Various Artists, released 2016-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 940 tracks, each with its own ISRC. Tracks include USSM19000662, USSM19000663, USSM19000664.
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Track List (940)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | “Ave Maris Stella” (Hymnus, IV.Tone) | — | ||
| 2 | Ia. Immaculata Conceptio B.M.V. - “Gaudens Gaudebo in Domino” (Introitus, III. Tone) | — | ||
| 3 | Ib. Immaculata Conceptio B.M.V. - “Benedicta Es Tu, Virgo Maria” (Graduale, V.Tone) | — | ||
| 4 | Iia. In Nativitate B.M.V. - “Ave Maria, Gratia Plena” (Responsorium Breve, VI.Tone) | — | ||
| 5 | Iib. In Nativitate B.M.V. - “Nativitas Tua” (Antiphon Ad Magnificat, I.Tone) | — | ||
| 6 | Iiia. In Annuntiatione B.M.V. - “Ave Maria” (Offertorium, VIII.Tone) | — | ||
| 7 | Iiib. In Annuntiatione B.M.V. - “Ave Maria, Gratia Plena” (Sequentia, V.Tone) | — | ||
| 8 | Iiic. In Annuntiatione B.M.V. - “Ecce Virgo Concipiet” (Communio, I.Tone) | — | ||
| 9 | Iva. Visitatio B.M.V. - “Cum Audisset Salutationem Mariae” (Ad Benedictus Antiphona, VIII.Tone) | — | ||
| 10 | Ivb. Visitatio B.M.V. - “Magnificat” (Responsorium, II.Tone) | — | ||
| 11 | Ivc. Visitatio B.M.V. - “Magnificat” (Evangelium, I.Tone) | — | ||
| 12 | Va. In Nativitate Domini - “Kyrie - Virginitatis Amator” (Tropus, III.Tone) | — | ||
| 13 | Vb. In Nativitate Domini - “Salve Sancta Parens” (Introitus, II.Tone) | — | ||
| 14 | Vc. In Nativitate Domini - “Alma Redemptoris Mater” (Sequentia, V.Tone) | — | ||
| 15 | Via. In Purificatione B.M.V. - “Lumen Ad Revelationem Gentium“ - Canticum Simeonis (Antiphona, VIII.Tone) | — | ||
| 16 | Vib. In Purificatione B.M.V. - “Adorna Thalamum Tuum” (Antiphona, VI.Tone) | — | ||
| 17 | Viia. In Festo Septem Dolorum - “Stabat Sancta Maria” (Tractus, II.Tone) | — | ||
| 18 | Viib. In Festo Septem Dolorum - “Stabat Mater Dolorosa” (Sequentia, II.Tone) | — | ||
| 19 | Viic. In Festo Septem Dolorum - “Recordare Virgo Mater” (Offertorium + Tropus, I.Tone) | — | ||
| 20 | Viiia. In Assumptione B.M.V. - “Gaudeamus Omnes in Domino” (Introitus, I.Tone) | — | ||
| 21 | Viiib. In Assumptione B.M.V. - “Lectio Libri Sapientiae” (Reading in Two Voices / 2-Stimmige Lesung) | — | ||
| 22 | Viiic. In Assumptione B.M.V. - “Assumpta Est Maria in Caelum” (Offertorium, VIII.Tone) | — | ||
| 23 | Aditional Pieces - “Sancta Maria, Sucurre Miseris” (Antiphona Ad Magnificat, I.Tone) | — | ||
| 24 | Aditional Pieces - “Salve Regina, Mater Misericordiae” (Antiphona Ad Maria, I.Tone) | — | ||
| 2-1 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - I. Chorus (& Recitatives) “Wer Weiß, Wie Nahe Mir Mein Ende” | — | ||
| 2-2 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - II. Recitative “Mein Leben Hat Kein Ander Ziel” | — | ||
| 2-3 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - III. Aria “Willkommen! Will Ich Sagen” | — | ||
| 2-4 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - IV. Recitative “Ach, Wer Doch Schon Im Himmel Wär” | — | ||
| 2-5 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - V. Aria “Gute Nacht, Du Welgetümmel” | — | ||
| 2-6 | Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - VI. Chorale “Welt Ade! Ich Bin Dein Müde” | — | ||
| 2-7 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - I. Chorus “O Ewiges Feuer, o Ursprung Der Liebe” | — | ||
| 2-8 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - II. Recitative “Herr, Unsre Herzen Halten Dir” | — | ||
| 2-9 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - III. Aria “Wohl Euch, Ihr Auserwählten Seelen” | — | ||
| 2-10 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - IV. Recitative “Erwählt Sich Gott Die Heilgen Hütten” | — | ||
| 2-11 | Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - V. Chorus “Friede Ueber Israel” | — | ||
| 2-12 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - I. Chorus “Jesu, Nun Sei Gepreiset” | — | ||
| 2-13 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - II. Aria “Laß Uns, o Höchster Gott, Das Jahr Vollbringen” | — | ||
| 2-14 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - III. Recitative “Ach! Deine Hand, Dein Segen Muß Allein” | — | ||
| 2-15 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - IV. Aria “Woferne Du Den Edlen Frieden” | — | ||
| 2-16 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - V. Recitative “Doch Weil Der Feind Bei Tag Und Nacht” | — | ||
| 2-17 | Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - VI. Chorale “Dein Ist Allein Die Ehre” | — | ||
| 3-1 | Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - I. “Singet Dem Herrn Ein Neues Lied” | — | ||
| 3-2 | Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - II. “Gott, Nimm Dich Ferner Unser an” - Chorale “Wie Sich Ein Vat'r Erbarmet” | — | ||
| 3-3 | Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - “Gott, Nimm Dich Ferner Unser an” - Chorale “Er Hat Uns Wissen Lassen” | — | ||
| 3-4 | Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - III. “Lobet Den Herrn in Seinen Taten” | — | ||
| 3-5 | Komm, Jesu, Komm, Motet, BWV 229 - I. “Komm, Jesu, Komm” | — | ||
| 3-6 | Komm, Jesu, Komm, Motet, BWV 229 - II. Aria “Drum Schließ Ich Mich in Deine Hände” | — | ||
| 3-7 | Der Geist Hilft Unser Schwachheit Auf, Motet, BWV 226 - I. “Der Geist Hilft Unser Schwachheit Auf” | — | ||
| 3-8 | Der Geist Hilft Unser Schwachheit Auf, Motet, BWV 226 - II. “Der Aber Die Herzen Forschet” | — | ||
| 3-9 | Der Geist Hilft Unser Schwachheit Auf, Motet, BWV 226 - III. Chorale “Du Heilige Brunst” | — | ||
| 3-10 | Jesu, Meine Freude, Motet, BWV 227 - I. Chorale “Jesu, Meine Freude” | — | ||
| 3-11 | Jesu, Meine Freude, Motet, BWV 227 - II. “Er Ist Nun Nichts Verdammliches” | — | ||
| 3-12 | Jesu, Meine Freude, Motet, BWV 227 - III. Chorale “Unter Deinen Schirmen Bin Ich Vor Den Sturmen” | — | ||
| 3-13 | Jesu, Meine Freude, Motet, BWV 227 - IV. “Denn Das Gesetz Des Geistes, Das da Lebendig Macht” | — | ||
| 3-14 | Jesu, Meine Freude, Motet, BWV 227 - V. Chorale “Trotz Dem Alten Drachen” | — | ||
| 3-15 | Jesu, Meine Freude, Motet, BWV 227 - VI. “Ihr Aber Seid Nicht Fleischlich” | — | ||
| 3-16 | Jesu, Meine Freude, Motet, BWV 227 - VII. Chorale “Weg Mit Allen Schätzen” | — | ||
| 3-17 | Jesu, Meine Freude, Motet, BWV 227 - VIII. “So Aber Christus in Euch Ist” | — | ||
| 3-18 | Jesu, Meine Freude, Motet, BWV 227 - IX. Chorale “Gute Nacht, o Wesen” | — | ||
| 3-19 | Jesu, Meine Freude, Motet, BWV 227 - X. “So Nun Der Geist” | — | ||
| 3-20 | Jesu, Meine Freude, Motet, BWV 227 - XI. Chorale “Weicht, Ihr Trauergeister” | — | ||
| 3-21 | Fürchte Dich Nicht, Ich Bin Bei Dir, Motet, BWV 228 | — | ||
| 4-1 | Piano Concerto No. 1 in C major, Op. 15 - I. Allegro Con Brio | — | ||
| 4-2 | Piano Concerto No. 1 in C major, Op. 15 - II. Largo | — | ||
| 4-3 | Piano Concerto No. 1 in C major, Op. 15 - III. Rondo. Allegro | — | ||
| 4-4 | Piano Concerto No. 2 in B-flat major, Op. 19 - I. Allegro Con Brio | — | ||
| 4-5 | Piano Concerto No. 2 in B-flat major, Op. 19 - II. Adagio | — | ||
| 4-6 | Piano Concerto No. 2 in B-flat major, Op. 19 - III. Rondo. Molto Allegro | — | ||
| 5-1 | Piano Concerto No. 3 in C minor, Op. 37 - I. Allegro Con Brio | — | ||
| 5-2 | Piano Concerto No. 3 in C minor, Op. 37 - II. Largo | — | ||
| 5-3 | Piano Concerto No. 3 in C minor, Op. 37 - III. Rondo. Allegro | — | ||
| 5-4 | Piano Concerto No. 4 in G major, Op. 58 - I. Allegro Moderato | — | ||
| 5-5 | Piano Concerto No. 4 in G major, Op. 58 - II. Andante Con Moto | — | ||
| 5-6 | Piano Concerto No. 4 in G major, Op. 58 - III. Rondo. Vivace | — | ||
| 6-1 | Piano Concerto No.5 in E-flat major, Op.73 'Emperor' - I. Allegro | — | ||
| 6-2 | Piano Concerto No.5 in E-flat major, Op.73 'Emperor' - II. Adagio Un Poco Moto | — | ||
| 6-3 | Piano Concerto No.5 in E-flat major, Op.73 'Emperor' - III. Rondo. Allegro | — | ||
| 6-4 | Violin Concerto in D major, Op.61 - I. Allegro Ma Non Troppo | — | ||
| 6-5 | Violin Concerto in D major, Op.61 - II. Larghetto | — | ||
| 6-6 | Violin Concerto in D major, Op.61 - III. Rondo. Allegro | — | ||
| 7-1 | String Sextet No. 1 in B-flat major, Op. 18 - I. Allegro Ma Non Troppo | — | ||
| 7-2 | String Sextet No. 1 in B-flat major, Op. 18 - II. Andante Ma Moderato | — | ||
| 7-3 | String Sextet No. 1 in B-flat major, Op. 18 - III. Scherzo. Allegro Molto - Trio. Animato | — | ||
| 7-4 | String Sextet No. 1 in B-flat major, Op. 18 - IV. Rondo. Poco Allegretto E Grazioso | — | ||
| 7-5 | String Sextet No. 2 in G major, Op. 36 - I. Allegro Non Troppo | — | ||
| 7-6 | String Sextet No. 2 in G major, Op. 36 - II. Scherzo. Allegro Non Troppo - (Trio) Presto Giocoso | — | ||
| 7-7 | String Sextet No. 2 in G major, Op. 36 - III. Adagio | — | ||
| 7-8 | String Sextet No. 2 in G major, Op. 36 - IV. Poco Allegro | — | ||
| 8-1 | Missa “Et Ecce Terrae Motus” a 12 Voci - Kyrie - 1. Kyrie Eleison | — | ||
| 8-2 | Missa “Et Ecce Terrae Motus” a 12 Voci - Kyrie - 2. Christe Eleison | — | ||
| 8-3 | Missa “Et Ecce Terrae Motus” a 12 Voci - Kyrie - 3. Kyrie Eleison | — | ||
| 8-4 | Missa “Et Ecce Terrae Motus” a 12 Voci - Gloria | — | ||
| 8-5 | Missa “Et Ecce Terrae Motus” a 12 Voci - Credo | — | ||
| 8-6 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 1. Sanctus | — | ||
| 8-7 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 2. Pleni Sunt Caeli | — | ||
| 8-8 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 3. Hosanna | — | ||
| 8-9 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 4. Benedictus | — | ||
| 8-10 | Missa “Et Ecce Terrae Motus” a 12 Voci - Sanctus - 5. Hosanna | — | ||
| 8-11 | Missa “Et Ecce Terrae Motus” a 12 Voci - Agnus Dei - 1. Agnus Dei I | — | ||
| 8-12 | Missa “Et Ecce Terrae Motus” a 12 Voci - Agnus Dei - 2. Agnus Dei II | — | ||
| 8-13 | Missa “Et Ecce Terrae Motus” a 12 Voci - Agnus Dei - 3. Agnus Dei III | — | ||
| 8-14 | Sequentia “Dies Irae, Dies Illa” | — | ||
| 9-1 | Lamentatio Jeremiae prophetae (Zum Karmittwoch) | — | ||
| 9-2 | Wie bist du denn, o Gott, in zorn auf mich entbrannt (Lamento) | — | ||
| 9-3 | Mein Herz ist bereit, BuxWV 73 | — | ||
| 9-4 | Ich bin die Auferstehung, BuxWV 44 | — | ||
| 9-5 | Kommet her zu mir alle, die ihr mühselig und beladen seid | — | ||
| 9-6 | Ich liege und schlafe, SWV 310 (from Kleine geistliche Konzerte II, Op. 9) | — | ||
| 9-7 | Fili mi, Absalon, SWV 269 (from Symphoniae sacrae I, Op. 6) | — | ||
| 9-8 | Salve coelestis pater | — | ||
| 9-9 | De profundis clamavi (Psalm 130) | — | ||
| 9-10 | Lamentationes Jeremiae: Zum Gründonnerstag | — | ||
| 10-1 | Ex illustri nata prosapia (Conductus Motet) | — | ||
| 10-2 | Crucifigat omnes (Conductus) | — | ||
| 10-3 | O Maria maris stella (Motet) | — | ||
| 10-4 | Ex agone sanguinis (Conductus) | — | ||
| 10-5 | Belial vocatur (Conductus Motet) | — | ||
| 10-6 | Sanctus | — | ||
| 10-7 | Agnus Dei | — | ||
| 10-8 | Benedicamus Domino | — | ||
| 10-9 | Flavit auster | — | ||
| 10-10 | Eya mater (Prosa) | — | ||
| 10-11 | Quis dabit capiti (Prosa) | — | ||
| 10-12 | Casta catholica (Conductus Motet) | — | ||
| 10-13 | Homo miserabilis (Motet) | — | ||
| 11-1 | Giovanni Gabrieli (c1553/56-1612) - Toccata | — | ||
| 11-2 | Giovanni Gabrieli - Buccinate in neomenia tuba à 19 | — | ||
| 11-3 | Giovanni Gabrieli - Canzon XVII à 12 | — | ||
| 11-4 | Alessando Grandi (1575/80-1630) - Heu mihi - Dialogo à 4 | — | ||
| 11-5 | Giovanni Paolo Cima (c1570-after1622) - Sonata per il violino, cornetto e violone | — | ||
| 11-6 | Giovanni Gabrieli - Dulcis Jesu patris imago, sonata con voce à 20 | — | ||
| 11-7 | Alessandro Grandi - O quam tu pulchra es | — | ||
| 11-8 | Giovanni Gabrieli - Canzon in echo à 12 | — | ||
| 11-9 | Giovanni Gabrieli - Trimor et tremor à 6 | — | ||
| 11-10 | Giovanni Paolo Cima - Sonata per il cornetto e trombone | — | ||
| 11-11 | Giovanni Gabrieli - Sonata con 3 violini | — | ||
| 11-12 | Alessandro Grandi - Cantemus Domino | — | ||
| 11-13 | Giovanni Gabrieli - Sonata XIX à 15 | — | ||
| 11-14 | Giovanni Gabrieli - In ecclesiis à 14 | — | ||
| 12-1 | Canzon V À 7 | — | ||
| 12-2 | Jubilate Deo À 10 | — | ||
| 12-3 | Salvum Me Fac, Deus | — | ||
| 12-4 | Sonata XVIII À 14 | — | ||
| 12-5 | Cantate Domino | — | ||
| 12-6 | Sonata Per Il Violino E Violone | — | ||
| 12-7 | Canzon Primi Toni À 10 | — | ||
| 12-8 | Misericordia Tua Domine À 12 | — | ||
| 12-9 | Canzon X À 8 | — | ||
| 12-10 | O Sacrum Convivium | — | ||
| 12-11 | Toccata Primi Toni | — | ||
| 12-12 | Magnificat À 33 | — | ||
| 12-13 | Benedictus Es Dominus À 8 | — | ||
| 12-14 | Salve, o Regina | — | ||
| 12-15 | Capriccio Detto Svegliatoio | — | ||
| 13-1 | Concerto for Flute, Strings, 2 Oboe, 2 Horns & B.C. in G major, Op.29 - I. Allegro | — | ||
| 13-2 | Concerto for Flute, Strings, 2 Oboe, 2 Horns & B.C. in G major, Op.29 - II. Andante Non Troppo Moderato | — | ||
| 13-3 | Concerto for Flute, Strings, 2 Oboe, 2 Horns & B.C. in G major, Op.29 - III. Rondo. Allegro | — | ||
| 13-4 | Concerto for Flute, Strings & B.C. in E minor - I. Allegro Moderato | — | ||
| 13-5 | Concerto for Flute, Strings & B.C. in E minor - II. Andantino | — | ||
| 13-6 | Concerto for Flute, Strings & B.C. in E minor - III. Allegro, Non Troppo Presto | — | ||
| 13-7 | Concerto for Flute, Strings & B.C. in G major - I. Allegro | — | ||
| 13-8 | Concerto for Flute, Strings & B.C. in G major - II. Adagio | — | ||
| 13-9 | Concerto for Flute, Strings & B.C. in G major - III. Presto | — | ||
| 13-10 | Concerto for Flute, Strings, 2 Horns & B.C. in D major - I. Allegro Moderato | — | ||
| 13-11 | Concerto for Flute, Strings, 2 Horns & B.C. in D major - II. Adagio | — | ||
| 13-12 | Concerto for Flute, Strings, 2 Horns & B.C. in D major - III. Allegro Molto | — | ||
| 13-13 | Dance of the Blessed Spirits (From Orfeo Ed Euridice, Act II) | — | ||
| 14-1 | Suite in D major: La Régente. Noblement et soutenu | — | ||
| 14-2 | Suite in D major: La Tronchin. Mouvement aisé | — | ||
| 14-3 | Suite in D major: La Angrave. Tres vivement | — | ||
| 14-4 | Suite in D major: La Eynaud. Fièrement | — | ||
| 14-5 | Suite in D major: La Morangis ou La Plissay. Mouvement de Chaconne | — | ||
| 14-6 | Suite in G minor: La Marella. Vivement et marqué | — | ||
| 14-7 | Suite in G minor: La Clément. Noblement et détaché | — | ||
| 14-8 | Suite in G minor: Sarabande. La d'Aubonne | — | ||
| 14-9 | Suite in G minor: Le Carillon de Passy. Légèrement sans vitesse - La Latour. Un peu plus vif que la précédente pièce | — | ||
| 14-10 | Pièces de Clavecin, troisième livre: La Superbe, ou la Forqueray. Fièrement, sans lenteur | — | ||
| 14-11 | Pièces de Clavecin, troisième livre: La Forqueray. Rondeau | — | ||
| 15-1 | Concerto Grosso in D minor, Op. 2 No. 3 - I. Presto | — | ||
| 15-2 | Concerto Grosso in D minor, Op. 2 No. 3 - II. Adagio | — | ||
| 15-3 | Concerto Grosso in D minor, Op. 2 No. 3 - III. Allegro | — | ||
| 15-4 | Concerto Grosso in C minor, Op. 2 No. 1 - I. Andante | — | ||
| 15-5 | Concerto Grosso in C minor, Op. 2 No. 1 - II. Allegro | — | ||
| 15-6 | Concerto Grosso in C minor, Op. 2 No. 1 - III. Adagio | — | ||
| 15-7 | Concerto Grosso in C minor, Op. 2 No. 1 - IV. Allegro | — | ||
| 15-8 | Concerto Grosso in A major, Op. 2 No. 6 - I. Andante | — | ||
| 15-9 | Concerto Grosso in A major, Op. 2 No. 6 - II. Allegro | — | ||
| 15-10 | Concerto Grosso in A major, Op. 2 No. 6 - III. Allegro | — | ||
| 15-11 | Concerto Grosso in C minor, Op. 2 No. 2 - I. Adagio | — | ||
| 15-12 | Concerto Grosso in C minor, Op. 2 No. 2 - II. Allegro | — | ||
| 15-13 | Concerto Grosso in C minor, Op. 2 No. 2 - III. Adagio | — | ||
| 15-14 | Concerto Grosso in C minor, Op. 2 No. 2 - IV. Allegro | — | ||
| 15-15 | Concerto Grosso in D major, Op. 2 No. 4 - I. Andante | — | ||
| 15-16 | Concerto Grosso in D major, Op. 2 No. 4 - II. Allegro | — | ||
| 15-17 | Concerto Grosso in D major, Op. 2 No. 4 - III. Adagio | — | ||
| 15-18 | Concerto Grosso in D major, Op. 2 No. 4 - IV. Allegro | — | ||
| 15-19 | Concerto Grosso in D minor, Op. 2 No. 5 - I. Grave | — | ||
| 15-20 | Concerto Grosso in D minor, Op. 2 No. 5 - II. Allegro | — | ||
| 15-21 | Concerto Grosso in D minor, Op. 2 No. 5 - III. Adagio | — | ||
| 15-22 | Concerto Grosso in D minor, Op. 2 No. 5 - IV. Allegro | — | ||
| 15-23 | Concerto Grosso in C major After Corelli, Op. 5 No. 3 - I. Adagio | — | ||
| 15-24 | Concerto Grosso in C major After Corelli, Op. 5 No. 3 - II. Allegro | — | ||
| 15-25 | Concerto Grosso in C major After Corelli, Op. 5 No. 3 - III. Adagio | — | ||
| 15-26 | Concerto Grosso in C major After Corelli, Op. 5 No. 3 - IV. Allegro | — | ||
| 15-27 | Concerto Grosso in G minor After Corelli, Op. 5 No. 5 - I. Adagio | — | ||
| 15-28 | Concerto Grosso in G minor After Corelli, Op. 5 No. 5 - II. Vivace | — | ||
| 15-29 | Concerto Grosso in G minor After Corelli, Op. 5 No. 5 - III. Adagio | — | ||
| 15-30 | Concerto Grosso in G minor After Corelli, Op. 5 No. 5 - IV. Allegro | — | ||
| 16-1 | Orfeo Ed Euridice - Overtura | — | ||
| 16-2 | ATTO I. Scena 1. Coro: “Ah, Se Intorno a Quest'Urna Funestra” (Coro, Orfeo) - Scena 1. Recitativo: “Basta, Basta, o Compagni” (Orfeo) | — | ||
| 16-3 | Scena 1. Ballo (Larghetto) | — | ||
| 16-4 | Scena 1. Coro; “Ah, Se Intorno a Quest'Urna Funestra” | — | ||
| 16-5 | Scena 1. Aria: “Chiamo Il Mio Ben Cosi” (Orfeo) | — | ||
| 16-6 | Scena 1. Recitativo: “Numi! Barbari Numi” (Orfeo) | — | ||
| 16-7 | Scena 2. Recitativo: “T'Assiste Amore!” (Amore, Orfeo) | — | ||
| 16-8 | Scena 2. Aria: “Gli Sguardi Trattieni” (Amore) | — | ||
| 16-9 | Scena 2. Recitativo: “Che Disse? Che Ascoltai?” (Orfeo, Amore) | — | ||
| 16-10 | ATTO II. Scena 1. Ballo (Maestoso) - Coro: “Chi Mai Dell'Erebo Fra Le Caligini” | — | ||
| 16-11 | Scena 1. Ballo (Presto) | — | ||
| 16-12 | Scena 1. Coro: “Chi Mai Dell'Erebo Fra Le Caligini” | — | ||
| 16-13 | Scena 1. Ballo (Maestoso) | — | ||
| 16-14 | Scena 1. Orfeo Ed Coro: “Deh! Placatevi Con Me” | — | ||
| 16-15 | Scena 1. Coro: “Misero Giovane, Che Vuoi, Che Mediti?” | — | ||
| 16-16 | Scena 1. Aria: “Mille Pene, Ombre Moleste” (Orfeo) | — | ||
| 16-17 | Scena 1. Coro: “Ah, Quale Incognito Affetto” | — | ||
| 16-18 | Scena 1. Aria: “Men Tiranne, Ah! Voi Sareste” (Orfeo) | — | ||
| 16-19 | Scena 1. Coro: “Ah, Quale Incognito Affetto” | — | ||
| 16-20 | Scena 2. Ballo (Andante) | — | ||
| 16-21 | Scena 2. Arioso: “Che Puro Ciel, Che Chiaro Sol” (Orfeo, Coro) | — | ||
| 16-22 | Scena 2. Coro: “Vieni a” Regni Del Riposo” | — | ||
| 16-23 | Scena 2. Ballo (Andante) | — | ||
| 16-24 | Scena 2. Recitativo: “Anime Avventurose” (Orfeo) | — | ||
| 16-25 | Scena 2. Coro: “Toma, o Bella, Al Tuo Consorte” | — | ||
| 17-1 | ATTO III. Scena 1. Recitativo “Vieni, segui i miei passi” (Orfeo, Euridice) | — | ||
| 17-2 | Scena 1. Duetto “Vieni, appaga il tuo consorte!” (Orfeo, Euridice) | — | ||
| 17-3 | Scena 1. Recitativo “Qual vita è questa mai” (Euridice) | — | ||
| 17-4 | Scena 1. Aria: “Che Fiero Momento” (Euridice) | — | ||
| 17-5 | Scena 1. Recitativo: “Ecco Un Nuovo Tormento” (Orfeo, Euridice) | — | ||
| 17-6 | Scena 1. Aria: “Che Farò Senza Euridice?” (Orfeo) | — | ||
| 17-7 | Scena 1. Recitativo: “Ah, Finisca E Per Sempre” (Orfeo) | — | ||
| 17-8 | Scena 2. Recitativo: “Orfeo, Che Fai?” (Amore, Orfeo, Euridice) | — | ||
| 17-9 | Scena 3. Maestoso | — | ||
| 17-10 | Scena 3. Ballo. I. (Grazioso) | — | ||
| 17-11 | Scena 3. Ballo. II. Allegro | — | ||
| 17-12 | Scena 3. Ballo. III. Andante | — | ||
| 17-13 | Scena 3. Ballo. IV. Allegro | — | ||
| 17-14 | Scena 3. Coro: “Trionfi Amore!” (Orfeo, Amore, Euridice, Coro) | — | ||
| 18-1 | DON JUAN Ou Le Festin de Pierre, Ballet - Sinfonia. Allegro | — | ||
| 18-2 | Don Juan, Ballet - No. 1. Andante Grazioso | — | ||
| 18-3 | Don Juan, Ballet - No. 2. Andante | — | ||
| 18-4 | Don Juan, Ballet - No. 3. Allegro Maestoso | — | ||
| 18-5 | Don Juan, Ballet - No. 4. Allegro Furioso - Andante | — | ||
| 18-6 | Don Juan, Ballet - No. 5. Allegro Forte Risoluto - Andante - Allegretto | — | ||
| 18-7 | Don Juan, Ballet - No. 6. Risoluto Moderato | — | ||
| 18-8 | Don Juan, Ballet - No. 7. Gavotte | — | ||
| 18-9 | Don Juan, Ballet - No. 8. Brillante | — | ||
| 18-10 | Don Juan, Ballet - No. 9. Allegretto | — | ||
| 18-11 | Don Juan, Ballet - No. 10. Moderato | — | ||
| 18-12 | Don Juan, Ballet - No. 11. Giusto | — | ||
| 18-13 | Don Juan, Ballet - No. 12. Allegro - Presto | — | ||
| 18-14 | Don Juan, Ballet - No. 13. Andante Grazioso | — | ||
| 18-15 | Don Juan, Ballet - No. 14. Andante | — | ||
| 18-16 | Don Juan, Ballet - No. 15. Presto | — | ||
| 18-17 | Don Juan, Ballet - No. 16. Allegretto - Presto - Andante - Tempo Primo | — | ||
| 18-18 | Don Juan, Ballet - No. 17. Andante | — | ||
| 18-19 | Don Juan, Ballet - No. 18. Allegro Giusto | — | ||
| 18-20 | Don Juan, Ballet - No. 19. Moderato | — | ||
| 18-21 | Don Juan, Ballet - No. 20. Andante | — | ||
| 18-22 | Don Juan, Ballet - No. 21. Grazioso | — | ||
| 18-23 | Don Juan, Ballet - No. 22. Allegretto | — | ||
| 18-24 | Don Juan, Ballet - No. 23. Moderato - Presto - Moderato - Presto | — | ||
| 18-25 | Don Juan, Ballet - No. 24. Risoluto E Moderato | — | ||
| 18-26 | Don Juan, Ballet - No. 25. Allegro - Allegro Giusto - Allegro | — | ||
| 18-27 | Don Juan, Ballet - No. 26. Andante Staccato | — | ||
| 18-28 | Don Juan, Ballet - No. 27. Allegro | — | ||
| 18-29 | Don Juan, Ballet - No. 28. Allegretto | — | ||
| 18-30 | Don Juan, Ballet - No. 29. Andante Staccato | — | ||
| 18-31 | Don Juan, Ballet - No. 30. Larghetto | — | ||
| 18-32 | Don Juan, Ballet - No. 31. Allegro Non Troppo | — | ||
| 18-33 | SEMIRAMIS, Ballet-Pantomime in 1 Act - Sinfonia. Maestoso | — | ||
| 18-34 | Semiramis, Ballet - No. 1. Andante | — | ||
| 18-35 | Semiramis, Ballet - No. 2. Allegro | — | ||
| 18-36 | Semiramis, Ballet - No. 3. Moderato | — | ||
| 18-37 | Semiramis, Ballet - No. 4. Moderato, Grazioso | — | ||
| 18-38 | Semiramis, Ballet - No. 5. Moderato | — | ||
| 18-39 | Semiramis, Ballet - No. 6. Maestoso | — | ||
| 18-40 | Semiramis, Ballet - No. 7. Grazioso | — | ||
| 18-41 | Semiramis, Ballet - No. 8. Maestoso | — | ||
| 18-42 | Semiramis, Ballet - No. 9a. Affettuoso - 9b. Affettuoso | — | ||
| 18-43 | Semiramis, Ballet - No. 10. Adagio - Più Adagio | — | ||
| 18-44 | Semiramis, Ballet - No. 11. Affettuoso | — | ||
| 18-45 | Semiramis, Ballet - No. 12. Adagio | — | ||
| 18-46 | Semiramis, Ballet - No. 13. Allegro Maestoso | — | ||
| 18-47 | Semiramis, Ballet - No. 14. Adagio - Allegro | — | ||
| 18-48 | Semiramis, Ballet - No. 15. Allegro Assai | — | ||
| 19-1 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - I. Kyrie | — | ||
| 19-2 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - II. Gloria | — | ||
| 19-3 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - III. Credo | — | ||
| 19-4 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - IV. Sanctus | — | ||
| 19-5 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - V. Benedictus | — | ||
| 19-6 | Missa Sancti Bernardi de Offida, Hob. XXII: 10 “Heiligmesse” - VI. Agnus Dei | — | ||
| 19-7 | Mare Clausum, Hob. Xxiva: 9 (Fragment) - Aria: “Nor Can I Think My Suit Is Vain” | — | ||
| 19-8 | Mare Clausum, Hob. Xxiva: 9 (Fragment) - Chorus: “They Great Endeavours” | — | ||
| 19-9 | Motetto “Insanae Et Vanae Curae”, Hob. XXI: 1 No. 13c | — | ||
| 19-10 | Motetti de Venerabili Sacramento, Hob. Xxiiic: 5a-D - 1. “Lauda Sion” | — | ||
| 19-11 | Motetti de Venerabili Sacramento, Hob. Xxiiic: 5a-D - 2. “Ecce Panis” | — | ||
| 19-12 | Motetti de Venerabili Sacramento, Hob. Xxiiic: 5a-D - 3. “In Figuris” | — | ||
| 19-13 | Motetti de Venerabili Sacramento, Hob. Xxiiic: 5a-D - 4. “Bone Pastor” | — | ||
| 19-14 | Te Deum for the Empress Marie Therese, Hob. Xxiiic: 2 | — | ||
| 20-1 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - I. Kyrie | — | ||
| 20-2 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - II. Gloria | — | ||
| 20-3 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - III. Credo | — | ||
| 20-4 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - IV. Sanctus | — | ||
| 20-5 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - V. Benedictus | — | ||
| 20-6 | Missa in B-flat major, Hob. XXII: 12 “Theresa Mass” („Theresienmesse“) - VI. Agnus Dei | — | ||
| 20-7 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - I. Kyrie | — | ||
| 20-8 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - II. Gloria | — | ||
| 20-9 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - III. Credo | — | ||
| 20-10 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - IV. Sanctus | — | ||
| 20-11 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - V. Benedictus | — | ||
| 20-12 | Missa in Angustiis in D minor, Hob. XXII: 11 “Nelson Mass” („Nelsonmesse“) - VI. Agnus Dei | — | ||
| 21-1 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - I. Kyrie. Largo - Allegro Moderato | — | ||
| 21-2 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - II. Gloria. Vivace - Adagio - Allegro | — | ||
| 21-3 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - III. Credo. Allegro - Adagio - Allegro - Vivace | — | ||
| 21-4 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - IV. Sanctus. Adagio - Allegro Con Spirito | — | ||
| 21-5 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - V. Benedictus. Andante | — | ||
| 21-6 | Missa in Tempore Belli, Hob. XXII: 9 “Paukenmesse” - VI. Agnus Dei. Adagio - Allegro Con Spirito | — | ||
| 21-7 | Salve Regina, Hob. Xxiiib: 2 - Salve Regina. Adagio | — | ||
| 21-8 | Salve Regina, Hob. Xxiiib: 2 - Eia Ergo. Allegro | — | ||
| 21-9 | Salve Regina, Hob. Xxiiib: 2 - Et Jesum. Largo - O Clemens. Allegretto | — | ||
| 21-10 | Motetto “O Coelitum Beati”, Hob. Xxiiia: G9 - I. Aria: O Coelitum Beati Amores. Allegro | — | ||
| 21-11 | Motetto “O Coelitum Beati”, Hob. Xxiiia: G9 - II. Chorus: Alleluja. Andante | — | ||
| 22-1 | Symphony No. 82 in C major, Hob. I:82 “The Bear” - I. Vivace Assai | — | ||
| 22-2 | Symphony No. 82 in C major, Hob. I:82 “The Bear” - II. Allegretto | — | ||
| 22-3 | Symphony No. 82 in C major, Hob. I:82 “The Bear” - III. Menuet - Trio | — | ||
| 22-4 | Symphony No. 82 in C major, Hob. I:82 “The Bear” - IV. Finale: Vivace | — | ||
| 22-5 | Symphony No. 83 in G minor, Hob. I:83 “The Hen” - I. Allegro Spiritoso | — | ||
| 22-6 | Symphony No. 83 in G minor, Hob. I:83 “The Hen” - II. Andante | — | ||
| 22-7 | Symphony No. 83 in G minor, Hob. I:83 “The Hen” - III. Menuet: Allegretto - Trio | — | ||
| 22-8 | Symphony No. 83 in G minor, Hob. I:83 “The Hen” - IV. Finale: Vivace | — | ||
| 22-9 | Symphony No. 84 in E-flat major, Hob. I:84 - I. Largo - Allegro | — | ||
| 22-10 | Symphony No. 84 in E-flat major, Hob. I:84 - II. Andante | — | ||
| 22-11 | Symphony No. 84 in E-flat major, Hob. I:84 - III. Menuet: Allegretto - Trio | — | ||
| 22-12 | Symphony No. 84 in E-flat major, Hob. I:84 - IV. Finale: Vivace | — | ||
| 23-1 | Symphony No. 85 in B-flat major “The Queen”, Hob. I:85 - I. Adagio - Vivace | — | ||
| 23-2 | Symphony No. 85 in B-flat major “The Queen”, Hob. I:85 - II. Romance. Allegretto | — | ||
| 23-3 | Symphony No. 85 in B-flat major “The Queen”, Hob. I:85 - III. Menuet. Allegretto - Trio | — | ||
| 23-4 | Symphony No. 85 in B-flat major “The Queen”, Hob. I:85 - IV. Finale. Presto | — | ||
| 23-5 | Symphony No. 86 in D major, Hob. I:86 - I. Adagio - Allegro Spiritoso | — | ||
| 23-6 | Symphony No. 86 in D major, Hob. I:86 - II. Capriccio. Largo | — | ||
| 23-7 | Symphony No. 86 in D major, Hob. I:86 - III. Menuet. Allegretto - Trio | — | ||
| 23-8 | Symphony No. 86 in D major, Hob. I:86 - IV. Finale. Allegro Con Spirito | — | ||
| 23-9 | Symphony No. 87 in A major, Hob. I:87 - I. Vivace | — | ||
| 23-10 | Symphony No. 87 in A major, Hob. I:87 - II. Adagio | — | ||
| 23-11 | Symphony No. 87 in A major, Hob. I:87 - III. Menuet - Trio | — | ||
| 23-12 | Symphony No. 87 in A major, Hob. I:87 - IV. Finale. Vivace | — | ||
| 24-1 | Passacaglia in D minor | — | ||
| 24-2 | Ricercar in G minor | — | ||
| 24-3 | Chaconne in F major | — | ||
| 24-4 | Echo Toccata no. 4 in D minor | — | ||
| 24-5 | Wir glauben all an einen Gott in D minor | — | ||
| 24-6 | Aria con variazioni in F major | — | ||
| 24-7 | Toccata no. 1 in D minor | — | ||
| 24-8 | Toccata no. 8 in G major | — | ||
| 24-9 | Canzona a 4. toni in E major | — | ||
| 24-10 | Toccata no. 1 in D minor | — | ||
| 24-11 | Ricercar no. 3 a 1. toni in D minor | — | ||
| 24-12 | Canzona no. 5 in C major | — | ||
| 24-13 | Toccata in C major | — | ||
| 24-14 | Aria “Sebaldina” con variazioni in F minor | — | ||
| 24-15 | Toccata no. 5 in C major | — | ||
| 25-1 | Lagrime di San Pietro, Part I: I. Il Magnanimo Pietro | — | ||
| 25-2 | Lagrime di San Pietro, Part I: II. Ma gli archi | — | ||
| 25-3 | Lagrime di San Pietro, Part I: III. Tre volte haveva | — | ||
| 25-4 | Lagrime di San Pietro, Part I: IV. Qual a l’incontro | — | ||
| 25-5 | Lagrime di San Pietro, Part I: V. Giovane donna | — | ||
| 25-6 | Lagrime di San Pietro, Part I: VI. Cosi talhor | — | ||
| 25-7 | Lagrime di San Pietro, Part I: VII. Ogni occhio del Signor | — | ||
| 25-8 | Lagrime di San Pietro, Part II: VIII. Nessun fedel trovai | — | ||
| 25-9 | Lagrime di San Pietro, Part II: IX. Chi ad una ad una | — | ||
| 25-10 | Lagrime di San Pietro, Part II: X. Come falda di neve | — | ||
| 25-11 | Lagrime di San Pietro, Part II: XI. E non fu il pianto suo | — | ||
| 25-12 | Lagrime di San Pietro, Part II: XII. Quel volto | — | ||
| 25-13 | Lagrime di San Pietro, Part II: XIII. Veduto il miser | — | ||
| 25-14 | Lagrime di San Pietro, Part II: XIV. E vago d’incontrar | — | ||
| 25-15 | Lagrime di San Pietro, Part III: XV. Vattene vita va | — | ||
| 25-16 | Lagrime di San Pietro, Part III: XVI. O vita troppo rea | — | ||
| 25-17 | Lagrime di San Pietro, Part III: XVII. A quanti già felici | — | ||
| 25-18 | Lagrime di San Pietro, Part III: XVIII. Non trovava mia fé | — | ||
| 25-19 | Lagrime di San Pietro, Part III: XIX. Queste opre e più | — | ||
| 25-20 | Lagrime di San Pietro, Part III: XX. Negando il mio Signor | — | ||
| 25-21 | Lagrime di San Pietro, Part III: XXI. Vide homo | — | ||
| 26-1 | 6 Deutsche Tänze, K. 509: No. 1 in D major | — | ||
| 26-2 | 6 Deutsche Tänze, K. 509: No. 2 in G major | — | ||
| 26-3 | 6 Deutsche Tänze, K. 509: No. 3 in E-flat major | — | ||
| 26-4 | 6 Deutsche Tänze, K. 509: No. 4 in F major | — | ||
| 26-5 | 6 Deutsche Tänze, K. 509: No. 5 in A major | — | ||
| 26-6 | 6 Deutsche Tänze, K. 509: No. 6 in C major | — | ||
| 26-7 | 6 Deutsche Tänze, K. 536: No. 1 in C major | — | ||
| 26-8 | 6 Deutsche Tänze, K. 536: No. 2 in G major, | — | ||
| 26-9 | 6 Deutsche Tänze, K. 536: No. 3 in B-flat major | — | ||
| 26-10 | 6 Deutsche Tänze, K. 536: No. 4 in D major | — | ||
| 26-11 | 6 Deutsche Tänze, K. 536: No. 5 in F major | — | ||
| 26-12 | 6 Deutsche Tänze, K. 567: No. 1 in B-flat major | — | ||
| 26-13 | 6 Deutsche Tänze, K. 567: No. 2 in E-flat major | — | ||
| 26-14 | 6 Deutsche Tänze, K. 567: No. 3 in G major | — | ||
| 26-15 | 6 Deutsche Tänze, K. 567: No. 4 in D major | — | ||
| 26-16 | 6 Deutsche Tänze, K. 567: No. 5 in A major | — | ||
| 26-17 | 6 Deutsche Tänze, K. 536: No. 6 in F major | — | ||
| 26-18 | 6 Deutsche Tänze, K. 567: No. 6 in C major | — | ||
| 26-19 | 6 Deutsche Tänze, K. 571: No. 1 in D major | — | ||
| 26-20 | 6 Deutsche Tänze, K. 571: No. 2 in A major | — | ||
| 26-21 | 6 Deutsche Tänze, K. 571: No. 3 in C major | — | ||
| 26-22 | 6 Deutsche Tänze, K. 571: No. 4 in G major | — | ||
| 26-23 | 6 Deutsche Tänze, K. 571: No. 5 in B-flat major | — | ||
| 26-24 | 6 Deutsche Tänze, K. 571: No. 6 in D major | — | ||
| 26-25 | 12 Deutsche Tänze, K.586: No. 1 in C major | — | ||
| 26-26 | 12 Deutsche Tänze, K.586: No. 2 in G major | — | ||
| 26-27 | 12 Deutsche Tänze, K.586: No. 3 in B-flat major | — | ||
| 26-28 | 12 Deutsche Tänze, K.586: No. 4 in F major | — | ||
| 26-29 | 12 Deutsche Tänze, K.586: No. 5 in A major | — | ||
| 26-30 | 12 Deutsche Tänze, K.586: No. 6 in D major | — | ||
| 26-31 | 12 Deutsche Tänze, K.586: No. 7 in G major | — | ||
| 26-32 | 12 Deutsche Tänze, K.586: No. 8 in E-flat major | — | ||
| 26-33 | 12 Deutsche Tänze, K.586: No. 9 in B-flat major | — | ||
| 26-34 | 12 Deutsche Tänze, K.586: No. 10 in F major | — | ||
| 26-35 | 12 Deutsche Tänze, K.586: No. 11 in A major | — | ||
| 26-36 | 12 Deutsche Tänze, K.586: No. 12 in C major | — | ||
| 27-1 | Drei Marsche for 2 Violins, Viola, Violoncello and 2 Horns: Marsch in D major, K. 445/320c | L’Archibudelli | — | |
| 27-2 | Drei Marsche for 2 Violins, Viola, Violoncello and 2 Horns: Marsch in F major, K. 248 | L’Archibudelli | — | |
| 27-3 | Drei Marsche for 2 Violins, Viola, Violoncello and 2 Horns: Marsch in D major, K. 290/167ab | L’Archibudelli | — | |
| 27-4 | Zwölf Duo für zwei Blasinstrumente, K. 487/496a: No. 5: Larghetto - | L’Archibudelli | — | |
| 27-5 | Zwölf Duo für zwei Blasinstrumente, K. 487/496a: No. 2: Menuetto: Allegretto; Trio | L’Archibudelli | — | |
| 27-6 | Quintet for Horn, Violin, 2 Violas and Violoncello in E-flat major, K. 407 (386c): I. Allegro | L’Archibudelli | — | |
| 27-7 | Quintet for Horn, Violin, 2 Violas and Violoncello in E-flat major, K. 407 (386c): II. Andante | L’Archibudelli | — | |
| 27-8 | Quintet for Horn, Violin, 2 Violas and Violoncello in E-flat major, K. 407 (386c): III. Allegro | L’Archibudelli | — | |
| 27-9 | Zwölf Duo für zwei Blasinstrumente, K. 487/496a: No. 10: Andante | L’Archibudelli | — | |
| 27-10 | Zwölf Duo für zwei Blasinstrumente, K. 487/496a: No. 8: Allegro | L’Archibudelli | — | |
| 27-11 | Ein musikalischer Spaß for 2 Violins, Viola, Bass and 2 Horns, K. 522: I. Allegro | L’Archibudelli | — | |
| 27-12 | Ein musikalischer Spaß for 2 Violins, Viola, Bass and 2 Horns, K. 522: II. Menuetto: Maestoso; Trio | L’Archibudelli | — | |
| 27-13 | Ein musikalischer Spaß for 2 Violins, Viola, Bass and 2 Horns, K. 522: III. Adagio cantabile | L’Archibudelli | — | |
| 27-14 | Ein musikalischer Spaß for 2 Violins, Viola, Bass and 2 Horns, K. 522: IV. Presto | L’Archibudelli | — | |
| 27-15 | Divertimento (fragment) for Violin, Viola, Bass, and 2 Horns, K. 288/246c | L’Archibudelli | T-001.247.905-8 | |
| 27-16 | Divertimento (fragment) for 2 Violins, Viola, Cello & 2 Horns, K. 246b | L’Archibudelli | T-001.247.905-8 | |
| 28-1 | Idomeneo, K.366 - Overture | — | ||
| 28-2 | Die Entführung Aus Dem Serail, K.384 - Overture | — | ||
| 28-3 | Der Schauspieldirektor, K.486 - Overture | — | ||
| 28-4 | Le nozze di Figaro, K. 492 | Tafelmusik, Bruno Weil | — | |
| 28-5 | Don Giovanni, K. 527 | Tafelmusik, Bruno Weil | T-306.482.861-7 | |
| 28-6 | Cosi Fan Tutte, K.588 - Overture | — | ||
| 28-7 | La Clemenza di Tito, K.621 - Overture | — | ||
| 28-8 | Die Zauberflöte, K.620 - Overture | — | ||
| 28-9 | Eine Kleine Nachtmusik, Serenade in G major K.525 - I. Allegro | — | ||
| 28-10 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | Tafelmusik, Bruno Weil | — | |
| 28-11 | Eine Kleine Nachtmusik, Serenade in G major K.525 - III. Menuetto. Allegretto - Trio | — | ||
| 28-12 | Eine Kleine Nachtmusik, Serenade in G major K.525 - IV. Rondo. Allegro | — | ||
| 29-1 | Symphony (Serenade) in D Major, K. 100: I. Allegro | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 29-2 | Symphony (Serenade) In D Major, K. 100: II. Menuetto I - Trio | Tafelmusik, Bruno Weil | — | |
| 29-3 | Symphony (Serenade) in D Major, K. 100: III. Andante | Tafelmusik, Bruno Weil | — | |
| 29-4 | Symphony (Serenade) in D Major, K. 100: IV. Menuetto II - Trio | Tafelmusik, Bruno Weil | — | |
| 29-5 | Symphony (Serenade) in D Major, K. 100: V. Allegro | Tafelmusik, Bruno Weil | — | |
| 29-6 | Symphony (Serenade) in D Major, K. 203: I. Andante maestoso - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 29-7 | Symphony (Serenade) in D Major, K. 203: II. Andante | Tafelmusik, Bruno Weil | — | |
| 29-8 | Symphony (Serenade) in D Major, K. 203: III. Menuetto - Trio | Tafelmusik, Bruno Weil | — | |
| 29-9 | Symphony (Serenade) in D Major, K. 203: IV. Prestissimo | Tafelmusik, Bruno Weil | — | |
| 29-10 | Symphony ('Haffner' Serenade) in D Major, K. 250: I. Allegro maestoso - Allegro molto | Tafelmusik, Bruno Weil | — | |
| 29-11 | Symphony ('Haffner' Serenade) in D Major, K. 250: II. Menuetto galante - Trio | Tafelmusik, Bruno Weil | — | |
| 29-12 | Symphony ('Haffner' Serenade) in D Major, K. 250: III. Andante | Tafelmusik, Bruno Weil | — | |
| 29-13 | Symphony ('Haffner' Serenade) in D Major, K. 250: IV. Menuetto - Trio I - Trio II | Tafelmusik, Bruno Weil | — | |
| 29-14 | Symphony ('Haffner' Serenade) in D Major, K. 250: V. Adagio - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 30-1 | Symphony (Serenade) in D Major, K. 185: I. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 30-2 | Symphony (Serenade) in D Major, K. 185: II. Andante grazioso | Tafelmusik, Bruno Weil | — | |
| 30-3 | Symphony (Serenade) in D Major, K. 185: III. Menuetto - Trio I - Trio II | Tafelmusik, Bruno Weil | — | |
| 30-4 | Symphony (Serenade) in D Major, K. 185: IV. Adagio - Allegro assai | Tafelmusik, Bruno Weil | — | |
| 30-5 | Symphony (Serenade) in D Major, K. 204: I. Allegro assai | Tafelmusik, Bruno Weil | T-306.395.786-4 | |
| 30-6 | Symphony (Serenade) in D Major, K. 204: II. Andante | Tafelmusik, Bruno Weil | — | |
| 30-7 | Symphony (Serenade) in D Major, K. 204: III. Menuetto - Trio | Tafelmusik, Bruno Weil | — | |
| 30-8 | Symphony (Serenade) in D Major, K. 204: IV. Andantino grazioso - Allegro | Tafelmusik, Bruno Weil | — | |
| 30-9 | Symphony ('Posthorn' Serenade) nn D Major, K. 320: I. Adagio maestoso - Allegro con spirito | Tafelmusik, Bruno Weil | — | |
| 30-10 | Symphony ('Posthorn' Serenade) in D Major, K. 320: II. Andantino | Tafelmusik, Bruno Weil | — | |
| 30-11 | Symphony ('Posthorn' Serenade) in D Major, K. 320: III. Finale. Presto | Tafelmusik, Bruno Weil | — | |
| 31-1 | Rondo in E-flat major, K. 371: Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-2 | Concerto no. 2 in E-flat major, K. 417: I. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-3 | Concerto no. 2 in E-flat major, K. 417: II. Andante | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-4 | Concerto no. 2 in E-flat major, K. 417: III. Rondo (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-5 | Concerto no. 3 in E-flat major, K. 447: I. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-6 | Concerto no. 3 in E-flat major, K. 447: II. Romance (Larghetto) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-7 | Concerto no. 3 in E-flat major, K. 447: III. Allegro | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-8 | Concerto no. 4 in E-flat major, K. 495: I. Allegro maestoso | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-9 | Concerto no. 4 in E-flat major, K. 495: II. Romance (Andante cantabile) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-10 | Concerto no. 4 in E-flat major, K. 495: III. Rondo (Allegro vivace) | Ab Koster, Tafelmusik, Bruno Weil | — | |
| 31-11 | Concerto no. 1 in D Major, K. 412 (386b): I. (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | T-329.458.935-4 | |
| 31-12 | Concerto no. 1 in D Major, K. 514 (386b): II. Rondo (Allegro) | Ab Koster, Tafelmusik, Bruno Weil | T-308.457.046-3 | |
| 32-1 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: I. Allegro | L’Archibudelli | — | |
| 32-2 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: II. Andante | L’Archibudelli | — | |
| 32-3 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: III. Minuetto. Allegretto & Trio | L’Archibudelli | — | |
| 32-4 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: IV. Allegro | L’Archibudelli | — | |
| 32-5 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: I. Allegro | L’Archibudelli | — | |
| 32-6 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: II. Minuetto. Allegretto & Trio | L’Archibudelli | — | |
| 32-7 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: III. Adagio ma non troppo | L’Archibudelli | — | |
| 32-8 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: IV. Adagio - allegro | L’Archibudelli | — | |
| 33-1 | Piano Sonata No. 14 in C minor, K. 457 - I. Allegro | — | ||
| 33-2 | Piano Sonata No. 14 in C minor, K. 457 - II. Adagio | — | ||
| 33-3 | Piano Sonata No. 14 in C minor, K. 457 - III. Molto Allegro | — | ||
| 33-4 | Fantasie in C minor, K. 475 | — | ||
| 33-5 | Minuet in D major, K. 355 (K. 576b) | — | ||
| 33-6 | Rondo No. 1 in D major, K. 485 | — | ||
| 33-7 | Piano Sonata in F major, K. 533/494 - I. Allegro | — | ||
| 33-8 | Piano Sonata in F major, K. 533/494 - II. Andante | — | ||
| 33-9 | Piano Sonata in F major, K. 533/494 - III. Rondo. Allegretto (K. 494) | — | ||
| 33-10 | Fantasia in D minor, K. 397 (K. 385g) (Fragment, Completed by Another) | — | ||
| 34-1 | Rondo for Piano No. 3 in A minor, K. 511 | — | ||
| 34-2 | Piano Sonata No. 15 in C major (Sonata Semplice) K. 545 - I. Allegro | — | ||
| 34-3 | Piano Sonata No. 15 in C major (Sonata Semplice) K. 545 - II. Andante | — | ||
| 34-4 | Piano Sonata No. 15 in C major (Sonata Semplice) K. 545 - III. Rondo. Allegretto | — | ||
| 34-5 | Adagio for Piano in B minor, K. 540 | — | ||
| 34-6 | Piano Sonata No. 16 in B-flat minor, K. 570 - I. Allegro | — | ||
| 34-7 | Piano Sonata No. 16 in B-flat minor, K. 570 - II. Adagio | — | ||
| 34-8 | Piano Sonata No. 16 in B-flat minor, K. 570 - III. Allegretto | — | ||
| 34-9 | Piano Sonata No. 17 in D major (Trumpet, Hunt), K. 576 - I. Allegro | — | ||
| 34-10 | Piano Sonata No. 17 in D major (Trumpet, Hunt), K. 576 - II. Adagio | — | ||
| 34-11 | Piano Sonata No. 17 in D major (Trumpet, Hunt), K. 576 - III. Allegretto | — | ||
| 34-12 | Fantasia in C minor, K. 396 (K. 385f) [After Fragment of Sonata Movement for Violin & piano (Or piano Solo)] | — | ||
| 35-1 | String Quintet No. 1 in A major, Op. 18 - I. Allegro Con Moto | — | ||
| 35-2 | String Quintet No. 1 in A major, Op. 18 - II. Intermezzo, Andante Sostenuto | — | ||
| 35-3 | String Quintet No. 1 in A major, Op. 18 - III. Scherzo, Allegro di Molto | — | ||
| 35-4 | String Quintet No. 1 in A major, Op. 18 - IV. Allegro Vivace | — | ||
| 35-5 | String Quintet No. 2 in B-flat major, Op. 87 - I. Allegro Vivace | — | ||
| 35-6 | String Quintet No. 2 in B-flat major, Op. 87 - II. Andante Scherzando | — | ||
| 35-7 | String Quintet No. 2 in B-flat major, Op. 87 - III. Adagio E Lento | — | ||
| 35-8 | String Quintet No. 2 in B-flat major, Op. 87 - IV. Allegro Molto Vivace | — | ||
| 36-1 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 1. Allegro | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-2 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 2. Andante | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-3 | Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 3. Scherzo. Allegro leggierissimo | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-4 | Octet for 4 Violins, 2 Violas & 2 Cellos in E-flat major, Op. 20 - IV. Presto | — | ||
| 36-5 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 1. Allegro molto e con fuoco | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-6 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 2. Andantino quasi alleretto | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-7 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 3. Scherzo. Allegro moderato e tranquillo | L’Archibudelli, Smithsonian Chamber Players | — | |
| 36-8 | Octet for 4 violins, 2 violas & 2 cellos in F major, Op.17, 4. Finale. Allegro vivace | L’Archibudelli, Smithsonian Chamber Players | — | |
| 37-1 | Historia Der Geburt Jesu Christi, SWV 435/435a - Introitus Oder Eingang Zu Der Geburt Unsers Herren Jesu Christi | — | ||
| 37-2 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium I: Der Engel Zu Den Hirten Auf Dem Felde | — | ||
| 37-3 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium II: Die Menge Der Engel | — | ||
| 37-4 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium III: Die Hirten Auf Dem Felde | — | ||
| 37-5 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium IV: Die Weisen Aus Dem Morgenlande | — | ||
| 37-6 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium V: Hohepriester Und Schriftgelehrte | — | ||
| 37-7 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium VI: Herodes | — | ||
| 37-8 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium VII: Der Engel | — | ||
| 37-9 | Historia Der Geburt Jesu Christi, SWV 435/435a - Intermedium VIII: Der Engel Zu Joseph in ─gypten | — | ||
| 37-10 | Historia Der Geburt Jesu Christi, SWV 435/435a - Conclusio: Geburt Unseres Herrn Und Seligmachers Jesu Christi | — | ||
| 37-11 | Historia Der Auferstehung Jesu Christi, SWV 50 - Introitus | — | ||
| 37-12 | Historia Der Auferstehung Jesu Christi, SWV 50 - Der Ostermorgen | — | ||
| 37-13 | Historia Der Auferstehung Jesu Christi, SWV 50 - Jesus Erscheint Maria Magdalena | — | ||
| 37-14 | Historia Der Auferstehung Jesu Christi, SWV 50 - Der J№ngling Im Grabe | — | ||
| 37-15 | Historia Der Auferstehung Jesu Christi, SWV 50 - Jesus Erscheint Den Frauen | — | ||
| 37-16 | Historia Der Auferstehung Jesu Christi, SWV 50 - Rat Der Hohenpriester | — | ||
| 37-17 | Historia Der Auferstehung Jesu Christi, SWV 50 - Jesus Erscheint Den Emmausj№ngern | — | ||
| 37-18 | Historia Der Auferstehung Jesu Christi, SWV 50 - Jesus Erscheint Den Elf J№ngern | — | ||
| 37-19 | Historia Der Auferstehung Jesu Christi, SWV 50 - Der Sendungsbefehl | — | ||
| 37-20 | Historia Der Auferstehung Jesu Christi, SWV 50 - Conclusio | — | ||
| 38-1 | XXVII. Freuet euch des Herren à 5, SWV 367 | — | ||
| 38-2 | XI. Hütet Euch, Dass Eure Herzen À 3, SWV 351 | — | ||
| 38-3 | XIII. Was Betrübst Du Dich À 4, SWV 353 | — | ||
| 38-4 | IV. Meine Seele Erlebt Den Herzen À 3, SWV 344 | — | ||
| 38-5 | XXII. Von Aufgang Der Sonnen À 4, SWV 362 | — | ||
| 38-6 | V. Der Herr Ist Meine Stärke À 3, SWV 345 | — | ||
| 38-7 | XXV. Drei Schöne Dinge Seind À 5, SWV 365 | — | ||
| 38-8 | VI. Ich Werde Nicht Sterben À 3, SWV 346 | — | ||
| 38-9 | XVII. Wie Ein Rubin En Feinem Golde Leuchtet À 4, SWV 357 | — | ||
| 38-10 | XX. Zweierlei Bitte Ich, Herr À 4, SWV 360 | — | ||
| 38-11 | IX. Frohlocket Mit Händen À 3, SWV 349 | — | ||
| 38-12 | Vater Abraham, Erbarme Dich Mein, SWV 477 | — | ||
| 39-1 | XVI. Es Steh Gott Auf À 4, SWV 356 | — | ||
| 39-2 | XII. Herr, Nun Lässest Du Deinen Diener À 3, SWV 352 | — | ||
| 39-3 | I. Mein Herz Ist Bereit À 3, SWV 341 | — | ||
| 39-4 | XXIV. Die So Ihr Den Herren Fuerchtet À 5, SWV 364 | — | ||
| 39-5 | X. Lobet Den Herrn in Seinem Heiligthum À 3, SWV 350 | — | ||
| 39-6 | XVIII. Iss Dein Brod Mit Freunden À 4, SWV 358 | — | ||
| 39-7 | XIX. Der Herr Ist Mein Licht À 4, SWV 359 | — | ||
| 39-8 | VIII. Herzlich Lieb Hab Ich Dich, o Herr À 3, SWV 348 | — | ||
| 39-9 | XXI. Herr, Neige Dein Himmel À 5, SWV 361 | — | ||
| 39-10 | II. Singet Dem Herren Ein Neues Lied À 3, SWV 342 | — | ||
| 39-11 | XXVI. Von Gott Will Ich Nicht Lassen À 5, SWV 366 | — | ||
| 39-12 | XXIII. Lobet Den Herrn, Alle Heiden À 5, SWV 363 | — | ||
| 39-13 | III. Herr, Unser Herrscher À 3, SWV 343 | — | ||
| 39-14 | XIV. Verleih Uns Frieden Genädiglich À 4, SWV 354 - XV. Gieb Unsern Fürsten À 4, SWV 355 | — | ||
| 40-1 | Stabat Mater, for Soprano and Strings - I. Stabat Mater | — | ||
| 40-2 | Stabat Mater, for Soprano and Strings - II. Cujus Animam | — | ||
| 40-3 | Stabat Mater, for Soprano and Strings - III. Quao Moerebat | — | ||
| 40-4 | Stabat Mater, for Soprano and Strings - IV. Quis Ert Homo | — | ||
| 40-5 | Stabat Mater, for Soprano and Strings - V. Pro Peccatis | — | ||
| 40-6 | Stabat Mater, for Soprano and Strings - VI. Eja Mater, Fons Amoris | — | ||
| 40-7 | Stabat Mater, for Soprano and Strings - VII Tui Nati Vulnerati | — | ||
| 40-8 | Stabat Mater, for Soprano and Strings - VIII. Virgo Virginum Praeclara | — | ||
| 40-9 | Stabat Mater, for Soprano and Strings - IX. Fac Ut Portem | — | ||
| 40-10 | Stabat Mater, for Soprano and Strings - X. Fac Me Plagis | — | ||
| 40-11 | Stabat Mater, for Soprano and Strings - XI. Quando Corpus Morietur | — | ||
| 40-12 | String Quintet in F minor, Op. 42, 1 - I. Andante Con Moto | — | ||
| 40-13 | String Quintet in F minor, Op. 42, 1 - II. Minuetto, Con Moto | — | ||
| 40-14 | String Quintet in F minor, Op. 42, 1 - III. Adagio, Cantanile | — | ||
| 40-15 | String Quintet in F minor, Op. 42, 1 - IV. Rondo. Allegro Giusto | — | ||
| 40-16 | String Quintet in C major, Op. 42, 2 - I. Andante Con Moto | — | ||
| 40-17 | String Quintet in C major, Op. 42, 2 - II. Minuetto | — | ||
| 40-18 | String Quintet in C major, Op. 42, 2 - III. Allegro Assai | — | ||
| 40-19 | String Quintet in C major, Op. 42, 2 - IV. Rondo. Allegretto Moderato | — | ||
| 41-1 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - I. Kyrie | — | ||
| 41-2 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - II. Gloria | — | ||
| 41-3 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - III. Credo | — | ||
| 41-4 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - IV. Sanctus | — | ||
| 41-5 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - V. Benedictur | — | ||
| 41-6 | Mass for Soloists, Chorus & Orchestra in E-flat major, D. 950 - VI. Agnus Dei | — | ||
| 42-1 | Mass in F major, D 105: Kyrie (Larghetto) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-2 | Mass in F major, D 105: Gloria (Allegro vivace moderato - Andante con moto - Adagio - Allegro maestoso - Allegro vivace) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-3 | Mass in F major, D 105: Credo (Andantino) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-4 | Mass in F major, D 105: Sanctus (Adagio maestoso) | Orchestra of the Age of Enlightenment, Bruno Weil | T-909.879.307-8 | |
| 42-5 | Mass in F major, D 105: Benedictus (Andante con moto) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-6 | Mass in F major, D 105: Agnus Dei (Adagio molto) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-9 | Mass in F major, D 105: Kyrie (Andante con moto) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-10 | Mass in F major, D 105: Gloria (Allegro maestoso) | Orchestra of the Age of Enlightenment, Bruno Weil | T-909.879.307-8 | |
| 42-11 | Mass in F major, D 105: Credo (Allegro moderato) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-12 | Mass in F major, D 105: Sanctus (Adagio maestoso - Allegro) | Orchestra of the Age of Enlightenment, Bruno Weil | T-909.879.307-8 | |
| 42-13 | Mass in F major, D 105: Benedictus (Andante grazioso - Allegro) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 42-14 | Mass in F major, D 105: Agnus Dei (Lento) | Orchestra of the Age of Enlightenment, Bruno Weil | — | |
| 43-1 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - I. Kyrie. Adagio Con Moto | — | ||
| 43-2 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - II. Gloria. Allegro Vivace - Andante Con Moto - Tempo I - Più Moto | — | ||
| 43-3 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - III. Credo. Allegro Vivace - Adagio - Più Moto - Tempo I | — | ||
| 43-4 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - IV. Sanctus. Adagio Maestoso | — | ||
| 43-5 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - V. Benedictus. Andante Con Moto | — | ||
| 43-6 | Mass for Soloists, Chorus, Orchestra & Organ in B-flat major, D. 324 - VI. Agnus Dei. Andante Molto - Allegro Moderato | — | ||
| 43-7 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - I. Kyrie. Andante Con Moto | — | ||
| 43-8 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - II. Gloria. Allegro Vivace | — | ||
| 43-9 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - III. Credo. Allegro - Adagio Molto - Tempo I | — | ||
| 43-10 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - IV. Sanctus. Adagio - Osanna. Allegro Vivace | — | ||
| 43-13 | Mass for Soloists, Chorus, Orchestra & Organ in C major, D. 452 - VI. Agnus Dei. Lento | — | ||
| 44-1 | String Quartet in E-flat major, D 87 - I. Allegro Più Moderato | — | ||
| 44-2 | String Quartet in E-flat major, D 87 - II. Scherzo. Prestissimo - Trio | — | ||
| 44-3 | String Quartet in E-flat major, D 87 - III. Adagio | — | ||
| 44-4 | String Quartet in E-flat major, D 87 - IV. Allegro | — | ||
| 44-5 | String Trio in B-flat major, D 471 (Fragment) - I. Allegro | — | ||
| 44-6 | String Trio in B-flat major, D 471 (Fragment) - II. Andante Sostenuto | — | ||
| 45-1 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - I. Allegro Vivace | — | ||
| 45-2 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - II. Andante | — | ||
| 45-3 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - III. Scherzo. Presto | — | ||
| 45-4 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - IV. Tema. Andantino - Variations I-V - Allegretto | — | ||
| 45-5 | Piano Quintet in A major (The Trout, Forellenquintett) D 667 - V. Finale. Allegro Giusto | — | ||
| 45-6 | Sonata for Arpeggione and Piano in A minor, D 821 - I. Allegro Moderato | — | ||
| 45-7 | Sonata for Arpeggione and Piano in A minor, D 821 - II. Adagio | — | ||
| 45-8 | Sonata for Arpeggione and Piano in A minor, D 821 - III. Allegretto | — | ||
| 45-9 | Adagio for Piano Trio in E-flat major, D 897 Notturno | — | ||
| 46-1 | Octet in F major, D 803, Op.Posth.166 - I. Adagio - Allegro - Più Allegro | — | ||
| 46-2 | Octet in F major, D 803, Op.Posth.166 - II. Adagio | — | ||
| 46-3 | Octet in F major, D 803, Op.Posth.166 - III. Allegro Vivace - Trio - Allegro Vivace | — | ||
| 46-4 | Octet in F major, D 803, Op.Posth.166 - IV. Andante - Variation I-VI - Variation VII. Un Poco Più Mosso - Più Lento | — | ||
| 46-5 | Octet in F major, D 803, Op.Posth.166 - V. Menuetto. Allegreto - Trio - Menuetto - Coda | — | ||
| 46-6 | Octet in F major, D 803, Op.Posth.166 - VI. Andante Molto - Allegro - Andante Molto - Allegro Molto | — | ||
| 47-1 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-2 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-3 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-4 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-5 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-6 | Harmoniemusik on Wolfgang Amadeus Mozart's Le Nozze di Figaro | — | ||
| 47-7 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 1. Andante - Allegretto | — | ||
| 47-8 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 2. Allegretto | — | ||
| 47-9 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 3. Adagio | — | ||
| 47-10 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 4. Allegro | — | ||
| 47-11 | Gioachino Rossini Harmoniemusik (Quintet) in F major - 5. Polacca - Trio | — | ||
| 47-12 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - I. Overture. Andante Maestoso - Allegro Vivace | — | ||
| 47-13 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - II. Introduzione. Moderato - III. Vivace | — | ||
| 47-14 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - IV. Cavatina. Largo - V. Allegro | — | ||
| 47-15 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - VI. Cavatina. Allegro Vivace | — | ||
| 47-16 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - VII. Duetto. Allegro Maestoso - VIII. Allegro | — | ||
| 47-17 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - IX. Cavatina. Andante - X. Moderato | — | ||
| 47-18 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - XI. Aria. Allegro | — | ||
| 47-19 | Harmoniemusik on Gioachino Rossini's “Il Barbiere di Siviglia” - XII. Duetto. Allegro | — | ||
| 48-1 | Flute Sonata in E minor, L. III-57 - I. Largo, ma un poco andante | — | ||
| 48-2 | Flute Sonata in E minor, L. III-57 - II. Arioso, un poco allegro | — | ||
| 48-3 | Flute Sonata in E minor, L. III-57 - III. Presto | — | ||
| 48-4 | Flute Sonata in C major - I. Largo | — | ||
| 48-5 | Flute Sonata in C major - II. Allegro | — | ||
| 48-6 | Flute Sonata in C major - III. Allegro | — | ||
| 48-7 | Flute Sonata in G major - I. Adagio | — | ||
| 48-8 | Flute Sonata in G major - II. Allegro | — | ||
| 48-9 | Flute Sonata in G major - III. Allegro | — | ||
| 48-10 | Flute Sonata No. 181 in E minor - I. Grave | — | ||
| 48-11 | Flute Sonata No. 181 in E minor - II. Allegro assai | — | ||
| 48-12 | Flute Sonata No. 181 in E minor - III. Presto | — | ||
| 48-13 | Flute Sonata in G major - I. Largo | — | ||
| 48-14 | Flute Sonata in G major - II. Poco allegro | — | ||
| 48-15 | Flute Sonata in G major - III. Allegretto | — | ||
| 48-16 | Flute Sonata in B flat major - I. Cantabile | — | ||
| 48-17 | Flute Sonata in B flat major - II. Allegretto | — | ||
| 48-18 | Flute Sonata in B flat major - III. Vivace | — | ||
| 48-19 | Flute Sonata in D major - I. Adagio | — | ||
| 48-20 | Flute Sonata in D major - II. Allegro, ma non troppo | — | ||
| 48-21 | Flute Sonata in D major - III. Cantabile | — | ||
| 49-1 | Matthias Weckmann - Suite for Keyboard in B minor | — | ||
| 49-2 | Matthias Weckmann - Toccata for Keyboard in E minor | — | ||
| 49-3 | Matthias Weckmann - Toccata for Keyboard in A minor | — | ||
| 49-4 | Matthias Weckmann - Suite for Keyboard in D minor | — | ||
| 49-5 | Matthias Weckmann - Suite for Keyboard in C minor | — | ||
| 49-6 | Matthias Weckmann - Canzon for Harpsichord in C major ('Dall'Isteso Tuono') | — | ||
| 49-7 | Matthias Weckmann - Toccata for Keyboard in D minor | — | ||
| 49-8 | Johann Jacob Froberger - Tombeau Sur La Mort de Monsieur Blancrocher | — | ||
| 49-9 | Johann Jacob Froberger - Suite for Keyboard in E minor, Fbwv 607/607b/607c | — | ||
| 49-10 | Johann Jacob Froberger - Capriccio, for Keyboard in C major, Fbwv 506 | — | ||
| 49-11 | Johann Jacob Froberger - Ricercar, for Keyboard in D minor, Fbwv 411 | — | ||
| 49-12 | Johann Jacob Froberger - Suite for Keyboard in A major, Fbwv 608 | — | ||
| 50-1 | Clarinet Quintet in B-flat major, Op. 34 - I. Allegro | — | ||
| 50-2 | Clarinet Quintet in B-flat major, Op. 34 - II. Fantasia. Adagio | — | ||
| 50-3 | Clarinet Quintet in B-flat major, Op. 34 - III. Menuetto. Capriccio Presto | — | ||
| 50-4 | Clarinet Quintet in B-flat major, Op. 34 - IV. Rondo. Allegro Giocoso | — | ||
| 50-5 | Clarinet Quartet in E-flat major - I. Allegro Moderato | — | ||
| 50-6 | Clarinet Quartet in E-flat major - II. La Seccatura. Allegro Molto | — | ||
| 50-7 | Clarinet Quartet in E-flat major - III. Andante | — | ||
| 50-8 | Clarinet Quartet in E-flat major - IV. Rondo. Allegretto | — | ||
| 50-9 | Clarinet Quintet in B-flat major - I. Allegro | — | ||
| 50-10 | Clarinet Quintet in B-flat major - II. Andante | — | ||
| 50-11 | Clarinet Quintet in B-flat major - III. Menuetto. Allegro | — | ||
| 50-12 | Clarinet Quintet in B-flat major - IV. Finale. Allegretto | — | ||
| 51-1 | Sanctus in Eternis - Sanctus Et Ingenitus (Motet) | — | ||
| 51-2 | Si Doulchement Mon Ceur Je Sens Souspris (Ballade) | — | ||
| 51-3 | Je Sui Trestout D'Amour Raimpli (Virelai) | — | ||
| 51-4 | Je Prens D'Amour Noriture (Virelai) | — | ||
| 51-5 | Gloria (Mass Section) | — | ||
| 51-6 | Certes Mout Fu - Nous Devons Tresfort Amer (Motet) | — | ||
| 51-7 | Je Prens Plaisir En Une Dame (Ballade) | — | ||
| 51-8 | Credo (Mass Section) | — | ||
| 51-9 | Personet Armonia (Motet, instrumental) | — | ||
| 51-10 | Si Doulcement Me Fait Amours - Nulz Vrais Amans (Ballade Double) | — | ||
| 52-1 | Vray Dieu D'Amours - Ballade À 4 | — | ||
| 52-2 | Een Vrouelic Wesen - Chanson À 4 | — | ||
| 52-3 | Fors Seulement - I. Chanson À 4 | — | ||
| 52-4 | Fors Seulement - II. Contrafactum With Sacred Text “Exortum Est in Tenebris” | — | ||
| 52-5 | Salve Regina - Antiphon À 4 & 5 | — | ||
| 52-6 | Memorare Mater Christi - Motet À 7 | — | ||
| 52-7 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - I. Kyrie | — | ||
| 52-8 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - II. Gloria | — | ||
| 52-9 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - III. Credo | — | ||
| 52-10 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - IV. Sanctus - Pleni Sunt - Hosanna - Benedictus | — | ||
| 52-11 | Missa “L'Homme Armé” for Male Voices À 4 & 5 - V. Agnus Dei | — | ||
| 53-1 | El Fuego, Ensalada for 4 Voices -! Corred, Corred, Peccadores! | — | ||
| 53-2 | El Fuego, Ensalada for 4 Voices - Oh Cómo El Mundo St Abrassa | — | ||
| 53-3 | El Fuego, Ensalada for 4 Voices -! No Os Tardéis, Trad, Traed Agua Ya! | — | ||
| 53-4 | El Fuego, Ensalada for 4 Voices - Toca, Joan, Con Tu Gaitilla | — | ||
| 53-5 | La Negrina, Ensalada for 4 Voices - Cumplido Es Nuestro Doseo | — | ||
| 53-6 | La Negrina, Ensalada for 4 Voices - No Nos Cansemos | — | ||
| 53-7 | La Negrina, Ensalada for 4 Voices - Caminemos Y Veremos | — | ||
| 53-8 | La Justa, Ensalada for 4 Voices -! Oyd, Oyd Los Vivientes! | — | ||
| 53-9 | La Justa, Ensalada for 4 Voices - El Mantenedor Es Fiero | — | ||
| 53-10 | La Justa, Ensalada for 4 Voices -! Dale La Lança! | — | ||
| 53-11 | La Justa, Ensalada for 4 Voices -! Aparte Todos! | — | ||
| 54-1 | Super Flumina Babylonis, Motet in 5 Parts | — | ||
| 54-2 | Missa “Se Congie Pris” À 5 - I. Kyrie - II. Gloria | — | ||
| 54-3 | Constantia'l Vo' Pur Dire, Madrigal in 5 Parts | — | ||
| 54-4 | E' Morta La Speranza, Madrigal in 4 Parts | — | ||
| 54-5 | Quando Ritrovo La Mia Pastorella, Frottola in 4 Parts | — | ||
| 54-6 | Madonna, Oyme, Per Qual Cagion M'Havete, Madrigal for 4 Voices | — | ||
| 54-7 | Chi Vuol Veder, Madrigal in 4 Parts | — | ||
| 54-8 | Quis Dabit Oculis Nostris, Motet for 4 Voices- Elegy on the Death Od Anne de Bretagne, Queen of France | — | ||
| 54-9 | Tribus Miraculis, Motet in 6 Parts | — | ||
| 54-10 | Magnificat Septimi Toni À 4 | — | ||
| 55-1 | Christmas - Rorate Caeli Desuper | — | ||
| 55-2 | Christmas - Ecce Virgo Concipiet | — | ||
| 55-3 | Christmas - Veni Redemptor Gentium | — | ||
| 55-4 | Christmas - Veni, o Sapientia | — | ||
| 55-5 | Christmas - Gaudens in Domino | — | ||
| 55-6 | Christmas - Natus Est Altissimi Hodie Filius - Per Natus Est Nobis | — | ||
| 55-7 | Christmas - Nato Canunt Omnia | — | ||
| 55-8 | Christmas - Hodie Christus Natus Est - Magnificat | — | ||
| 55-9 | Christmas - Puer Natus in Bethlehem (Johann Stadlmayr 1576-1648) | — | ||
| 55-10 | Easter - Gloria, Laus Et Honor | — | ||
| 55-11 | Easter - Nos Autem Gloriari Oportet | — | ||
| 55-12 | Easter - Ubi Caritas Est Vera | — | ||
| 55-13 | Easter - Vespere Autem Sabbati | — | ||
| 55-14 | Easter - Resurrexi Et Ad Huc Tecum Sum | — | ||
| 55-15 | Easter - Kyrie Eleison | — | ||
| 55-16 | Easter - Victimae Paschali Laudes | — | ||
| 55-17 | Easter - Alleluia - Psalm 117 (116) | — | ||
| 55-18 | Easter - Surrexit Christus Hodie (Leonhard Paminger 1495-1567) | — | ||
| 56-1 | Pentecost - Alleluia, Spiritus Domini - Psalm 95 (94) | — | ||
| 56-2 | Pentecost - Spiritus Domini | — | ||
| 56-3 | Pentecost - Veni Sancte Spiritus | — | ||
| 56-4 | Pentecost - Factus Est Repente - Psalm 68 (67) | — | ||
| 56-5 | Pentecost - Veni Creator Spiritus | — | ||
| 56-6 | Pentecost - Spiritus Paraclitus | — | ||
| 56-7 | Pentecost - Hodie Completi Sunt - Magnificat | — | ||
| 56-8 | Pentecost - Spiritus Sancti Gratia (Urban Loth C.1580-C.1637) | — | ||
| 56-9 | Assumption of Mary - Angelus Domini Nuntiavit Mariae - Ave Maria | — | ||
| 56-10 | Assumption of Mary - Sub Tuum Praesidium Confugimus | — | ||
| 56-11 | Assumption of Mary - Mittit Ad Virginem | — | ||
| 56-12 | Assumption of Mary - Agmina Celsa Colunt - Gaudeamus Omnes in Domino | — | ||
| 56-13 | Assumption of Mary - Concordi Laetitia | — | ||
| 56-14 | Assumption of Mary - Ave Maris Stella | — | ||
| 56-15 | Assumption of Mary - Virgo Prudentissima - Magnificat | — | ||
| 56-16 | Assumption of Mary - Maria Mater Gratiae | — | ||
| 56-17 | Assumption of Mary - Litaniae Lauretanae (Girolamo Giaccobbi 1567-1629) | — | ||
| 57-1 | Das Jüngste Gericht, Oratorio ("Wacht! Euch Zum Streit Gefasset Macht"), Buxwv Anh. 3 ACT 1: Sonata | — | ||
| 57-2 | Aria. Wacht! Euch Zum Streit Gefasset Macht | — | ||
| 57-3 | Der Geitz. Sagt, Schwestern, Ob Nicht Meine Macht | — | ||
| 57-4 | Die Leichtfertigkeit. Nein, Närrin, Wer Meine Wollüste Erkennet | — | ||
| 57-5 | Die Hoffarth. Ihr Schnöden Erdenkinder Schweigt | — | ||
| 57-6 | Der Geitz. Ein Blitzen Ist Mein Schöner Blick | — | ||
| 57-7 | Die Leichtfertigkeit. Ich Kann Ja Die Heiligsten Seelen Entdieben | — | ||
| 57-8 | Die Hoffarth Aria. Der Hoffarth Ausgedehnter Dunst | — | ||
| 57-9 | Laßt Uns Unsre Kunst Verbrüdern | — | ||
| 57-10 | Aria. Ach! Wache Auf! Deutsches Reich Was Wiltu Schlafen? | — | ||
| 57-11 | Aria. Ich Führe Von Unten Nach Oben | — | ||
| 57-12 | Die Göttliche Stimm. Laßt Euch Niemand Verführen Mit Vergeblichen Worten | — | ||
| 57-13 | Aria. Ei, Wir Müssen Mit Stoltzieren Und Bravieren | — | ||
| 57-14 | Die Göttliche Stimm. Ich Schwör Bei Meiner Seelen | — | ||
| 57-15 | [Choral] Man Fragt Nach Gott Dem Herrn Nicht Mehr | — | ||
| 57-16 | Die Armen Bettel-Vetteln Immer Betteln | — | ||
| 57-17 | Die Göttliche Stimm. Darum, Daß Die Töchter Zion Stoltz Sind | — | ||
| 57-18 | Aria. O! Der Rasenheit! | — | ||
| 57-19 | Act 2: Sonata | — | ||
| 57-20 | Aria. Höret, Die Ihr Reich Wollt Werden | — | ||
| 57-21 | Solo. Wohl Dem Menschen, Der Weisheit Findet | — | ||
| 57-22 | Aria. Suchet, Sucht, o Ihr Menschen | — | ||
| 57-23 | Aria. Geld! Geld! Sonst Ist Nichtes in Der Welt | — | ||
| 57-24 | Aria. Halt, Halte Doch, Wie Läufestu So Hellig Dich | — | ||
| 57-25 | Solo. Wie Gar Nichts Sind Alle Menschen, Die Doch So Sicher Leben! | — | ||
| 57-26 | Suchet Den Herrn, So Wird Ihr Leben. | — | ||
| 57-27 | Aria. Aus Eden Zu Viel Töden Sind Leider Wir Gejagt | — | ||
| 57-28 | Solo. Suchet in Der Schrift | — | ||
| 57-29 | Aria. Ja, Dieses Ist Das Land | — | ||
| 57-30 | Solo. Ich Liebe, Die Mich Lieben | — | ||
| 57-31 | Aria. O Tausendmal Selige, Frölige Stunden! | — | ||
| 57-32 | [Choral] Ei, Mein Perle! Du Werte Krohn | — | ||
| 57-33 | Aria. Doch Noch Nicht Satt | — | ||
| 57-34 | Solo. Der Herr Ist Mein Theil, Spricht Meine Seel | — | ||
| 57-35 | Stromenti | — | ||
| 57-36 | [Choral] Jesu, Mein Freud, Mein Ehr Und Ruhm | — | ||
| 57-37 | Stromenti | — | ||
| 57-38 | Aria. Mein Jesus, Mein Leben Und Heil! | — | ||
| 57-39 | Solo. Liebe Seele, Du Hast Einen Großen Vorrath Auf Viel Jahr | — | ||
| 57-40 | Solo. Du Narr! Diese Nacht Wird Man Deine Seele Von Dir Fordern | — | ||
| 57-41 | Aria. O Weh! O Wort, Das Eh Tödtet Als Der Todt | — | ||
| 57-42 | Tutti. O Todt! Wie Bitter Bistu | — | ||
| 57-43 | Stromenti | — | ||
| 57-44 | Aria. Freu Dich Sehr, o Meine Seele | — | ||
| 57-45 | [Choral] Hertzlich Lieb Hab Ich Dich, o Herr | — | ||
| 57-46 | Aria. Weg Mit Allen Irdschen Schätzen | — | ||
| 58-1 | Act 3: The First discours. - Sonata | — | ||
| 58-2 | Aria. Freude! Lufft! Wind! Dampff! Kampff! Wasser! Schnee! | — | ||
| 58-3 | Solo. Wohlan Alle, Die Ihr Dürstig Seid | — | ||
| 58-4 | Aria. Kommet Schäfflein, Kommet Her | — | ||
| 58-5 | Solo. Das Ist Meine Freude, Daß Ich Mich Zu Gott Halte | — | ||
| 58-6 | Aria. O Frölige Zeit | — | ||
| 58-7 | Solo. Die Ihr Euch Weit Von Bösen Tagen Achtet | — | ||
| 58-8 | Aria. Ich Kann Nicht Mehr | — | ||
| 58-9 | Aria. Sehet Doch Des Satans Sklaven | — | ||
| 58-10 | Solo. Wacht Auf, Ihr Trunkenen | — | ||
| 58-11 | Aria. Süßer Jesu, Jesu Du, Meine Ruh | — | ||
| 58-12 | [Choral] Geuß Sehr Tief in Mein Hertz Hinein | — | ||
| 58-13 | Stromenti | — | ||
| 58-14 | Aria. Mag Dieser Nicht Werden | — | ||
| 58-15 | Solo. Lasset Euch Nicht Verführen | — | ||
| 58-16 | Aria. Nicht Mit Staub Will Ich Meine Seel Ergetzen | — | ||
| 58-17 | [Choral] Herr Gott Vater, Mein Starcker Held | — | ||
| 58-18 | Solo. Der Gottlose Wird Nicht Bestehn! | — | ||
| 58-19 | Aria. Menschenkind! Ach Nicht So Blind | — | ||
| 58-20 | Solo. Weg, Sterben, Weg, Traurige Todesgedanken | — | ||
| 58-21 | Ihr Frevler, Verruchte, Verfluchete Hunde | — | ||
| 58-22 | Solo. Draußen Sind Die Hunde | — | ||
| 58-23 | Aria. O Schreckliches Schrecken! O Weh! | — | ||
| 58-24 | Solo. Die Gottlosen Werden Plötlich Zunichte | — | ||
| 58-25 | Schau, Töchter, Schaue, Verwegener | — | ||
| 58-26 | Aria. O Der Großen Bangigkeit | — | ||
| 58-27 | Stirb, Rasender, Stirb! | — | ||
| 58-28 | Solo. Weh Euch, Die Ihr Voll Seid, Denn Ihr Werdet Hungern! | — | ||
| 58-29 | [Choral] Wie Bin Ich Doch So Hertzlich Froh | — | ||
| 58-30 | Solo. Ich Will Zu Euch Kommen Und Euch Zu Mir Nehmen | — | ||
| 58-31 | Aria. Schäfflein, Komm Nur, Hier Sind Wunden | — | ||
| 58-32 | Israel, Ziehet Hin Zu Seiner Ruhe | — | ||
| 58-33 | Violini | — | ||
| 58-34 | [Choral] Mit Fried Und Freud Ich Fahr Dahin | — | ||
| 58-35 | Stromenti | — | ||
| 58-36 | Schluß Aria. Menschen-Kinder, Schnappet Nach Dem Schatten Nicht | — | ||
| 59-1 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-2 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: II. Andante | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-3 | Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-4 | Concerto for Strings and Basso continuo in C major, RV 117: I. Allegro alla francese | Tafelmusik, Jeanne Lamon | — | |
| 59-5 | Concerto for Strings and Basso continuo in C major, RV 117: II. Largo | Tafelmusik, Jeanne Lamon | — | |
| 59-6 | Concerto for Strings and Basso continuo in C major, RV 117: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-7 | Concerto for Strings and Basso continuo in F minor, RV 143: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-8 | Concerto for Strings and Basso continuo in F minor, RV 143: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 59-9 | Concerto for Strings and Basso continuo in F minor, RV 143: III. Allegro assai | Tafelmusik, Jeanne Lamon | — | |
| 59-10 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: I. Allegro moderato | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-11 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: II. Andante | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-12 | Concerto for Violin, Violoncello, Strings and Basso continuo in B-flat major, RV 547: III. Allegro molto | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-13 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-14 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: II. Largo | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-15 | Concerto for 2 Violins, 2 Violoncelli, Strings and Basso continuo in G major, RV 575: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-16 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-17 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: II. Largo e spiccato | Tafelmusik, Jeanne Lamon | — | |
| 59-18 | Concerto for 4 Violins, Strings and Basso continuo in D major, RV 549: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-19 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: I. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-20 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: II. Largo | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-21 | Concerto for Violoncello, Strings and Basso continuo in G major, RV 413: III. Allegro | Anner Bylsma, Tafelmusik, Jeanne Lamon | — | |
| 59-22 | Concerto for Strings and Basso continuo in E minor, RV 134: I. Allegro moderato | Tafelmusik, Jeanne Lamon | — | |
| 59-23 | Concerto for Strings and Basso continuo in E minor, RV 134: II. Andante | Tafelmusik, Jeanne Lamon | — | |
| 59-24 | Concerto for Strings and Basso continuo in E minor, RV 134: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-25 | Concerto for Strings and Basso continuo in A major, RV 159: I. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 59-26 | Concerto for Strings and Basso continuo in A major, RV 159: II. Adagio | Tafelmusik, Jeanne Lamon | — | |
| 59-27 | Concerto for Strings and Basso continuo in A major, RV 159: III. Allegro | Tafelmusik, Jeanne Lamon | — | |
| 60-1 | Cantata 'Jesu, Meine Freude' Buxwv 60 - I. Sonata | — | ||
| 60-2 | Cantata 'Jesu, Meine Freude' - II. Jesu, Meine Freude | — | ||
| 60-3 | Cantata 'Jesu, Meine Freude' - III. Unter Deinem Schirmen | — | ||
| 60-4 | Cantata 'Jesu, Meine Freude' - IV. Trotz Dem Alten Drachen | — | ||
| 60-5 | Cantata 'Jesu, Meine Freude' - V. Weg Mit Allen Schфtzen | — | ||
| 60-6 | Cantata 'Jesu, Meine Freude' - VI. Gute Nacht, o Wesen | — | ||
| 60-7 | Cantata 'Jesu, Meine Freude' - VII. Weicht, Ihr Trauergeister | — | ||
| 60-8 | Motet 'Jesu, Meine Freude' BWV 227 - I. Jesu, Meine Freude | — | ||
| 60-9 | Motet 'Jesu, Meine Freude' BWV 227 - II. Es Ist Nun Nichts | — | ||
| 60-10 | Motet 'Jesu, Meine Freude' BWV 227 - III. Unter Deine Schirmen | — | ||
| 60-11 | Motet 'Jesu, Meine Freude' BWV 227 - IV. Den Das Gesetz Des Geistes | — | ||
| 60-12 | Motet 'Jesu, Meine Freude' BWV 227 - V. Trotz Dem Alten Drachen | — | ||
| 60-13 | Motet 'Jesu, Meine Freude' BWV 227 - VI. Ihr Aber Seid Nicht Fleischlich | — | ||
| 60-14 | Motet 'Jesu, Meine Freude' BWV 227 - VII. Weg Mit Allen Schфtzen | — | ||
| 60-15 | Motet 'Jesu, Meine Freude' BWV 227 - VIII. So Aber Christus in Euch Ist | — | ||
| 60-16 | Motet 'Jesu, Meine Freude' BWV 227 - IX. Gute Nact, o Wesen | — | ||
| 60-17 | Motet 'Jesu, Meine Freude' BWV 227 - X. So Nun Der Geist | — | ||
| 60-18 | Motet 'Jesu, Meine Freude' BWV 227 - XI. Weicht, Ihr Trauergeister | — | ||
| 60-19 | Cantata BWV 81 - I. Jesus Schlфft, Was Sol Ich Hoffen | — | ||
| 60-20 | Cantata BWV 81 - II. Herr! Warum Trittest Du So Ferne | — | ||
| 60-21 | Cantata BWV 81 - III. Die Schфumenden Wellen Von Belials Bфchen | — | ||
| 60-22 | Cantata BWV 81 - IV. Ihr Kleinglфubigen, Warum Seid Ihr So Furchtsam | — | ||
| 60-23 | Cantata BWV 81 - V. Schweig, Aufget№rmtes Meer | — | ||
| 60-24 | Cantata BWV 81 - VI. Wohl Mir, Meine Jesus Spricht Ein Wort | — | ||
| 60-25 | Cantata BWV 81 - VII. Unter Deinem Schirmen | — | ||
| 60-26 | Cantata BWV 180 - I. Schm№cke Dich, o Liebe Seele | — | ||
| 60-27 | Cantata BWV 180 - II. Ermuntre Dich; Dein Heiland Klopf | — | ||
| 60-28 | Cantata BWV 180 - III. Wie Teuer Sind Des Heilgen Mahles Gaben | — | ||
| 60-29 | Cantata BWV 180 - IV. Mein Herz F№hlt in Sich Furcht Und Freude | — | ||
| 60-30 | Cantata BWV 180 - V. Lebens Sonne, Licht Der Sinnen | — | ||
| 60-31 | Cantata BWV 180 - VI. Herr, Lass an Mir Dein Teuers Lieben | — | ||
| 60-32 | Cantata BWV 180 - VII. Jesu, Wahres Brot Des Lebens | — | ||
| 60-33 | TWV 1; 1253-54 - I. Schm№cke Dich, o Meine Seele | — | ||
| 60-34 | TWV 1; 1253-54 - II. Ach, Wie Hungert Mein Gem№te | — | ||
| 60-35 | TWV 1; 1253-54 - III. Ach, Hфtte Gott | — | ||
| 60-36 | TWV 1; 1253-54 - IV. Jesu, Wahres Brot Des Lebens | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mass in F major, D 105: Dona nobis pacem (first version) (Andante) | Orchestra of the Age of Enlightenment, Bruno Weil | — |
| Mass in F major, D 105: Dona nobis pacem (second version) (Allegro moderato) | Orchestra of the Age of Enlightenment, Bruno Weil | — |
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889853320721 is a Universal Product Code (UPC) assigned to Vivarte - 60 CD Collection Vol. 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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