UPC · Release
175th Anniversary Edition
New York Philharmonic
889853363629
708 tracksReleased 2017-01-01Sony Classical
Last verified:
889853363629 is the Universal Product Code (UPC barcode) for the release “175th Anniversary Edition” by New York Philharmonic, released 2017-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 708 tracks, each with its own ISRC. Tracks include USBC10100038, USBC10100039, USBC10100040.
Format
8Number system
89853Manufacturer
36362Product
9Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC175th Anniversary Edition
ISRC134 recordings
ISWC66 works
IPI6 songwriters
Track List (708)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Der fliegende Holländer: Overture | — | ||
| 2 | Ein Heldenleben, Op. 40: I. Der Held | — | ||
| 3 | Ein Heldenleben, Op. 40: II. Des Helden Widersacher | — | ||
| 4 | Ein Heldenleben, Op. 40: III. Des Helden Gefährtin | — | ||
| 5 | Ein Heldenleben, Op. 40: IV. Des Helden Walstatt | — | ||
| 6 | Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke | — | ||
| 7 | Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung | — | ||
| 8 | Le Rouet d'Omphale, Op. 31 | — | ||
| 9 | Raymond: Overture | — | ||
| 10 | Symphony No. 9 in E minor, ''From the New World'', Op. 95: II. Largo | — | ||
| 2-1 | Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: I. Allegro con brio | — | ||
| 2-2 | Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: II. Marcia funebre: Adagio assai | — | ||
| 2-3 | Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: III. Scherzo: Allegro vivace - Trio | — | ||
| 2-4 | Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: IV. Finale: Allegro molto - Poco Andante - Presto | — | ||
| 2-5 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 2-6 | A Victory Ball | — | ||
| 3-1 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 3-2 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 3-3 | Symphony No. 5 in C minor, Op. 67: III. Allegro - Attacca | — | ||
| 3-4 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | — | ||
| 3-5 | Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace | — | ||
| 3-6 | Symphony No. 7 in A major, Op. 92: II. Allegretto | — | ||
| 3-7 | Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto | — | ||
| 3-8 | Symphony No. 7 in A major, Op. 92: IV. Allegro con brio | — | ||
| 3-9 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Thema. Chorale St. Antoni. Andante | — | ||
| 3-10 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation I. Poco più animato | New York Philharmonic, Arturo Toscanini | — | |
| 3-11 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation II. Più vivace | New York Philharmonic, Arturo Toscanini | — | |
| 3-12 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation III. Con moto | New York Philharmonic, Arturo Toscanini | — | |
| 3-13 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation IV. Andante con moto | New York Philharmonic, Arturo Toscanini | — | |
| 3-14 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation V. Vivace | New York Philharmonic, Arturo Toscanini | — | |
| 3-15 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation VI. Vivace | New York Philharmonic, Arturo Toscanini | — | |
| 3-16 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation VII. Grazioso | New York Philharmonic, Arturo Toscanini | — | |
| 3-17 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation VIII. Presto non troppo | New York Philharmonic, Arturo Toscanini | — | |
| 3-18 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Finale. Andante | New York Philharmonic, Arturo Toscanini | — | |
| 4-1 | Symphony No. 101 in D major, ''The Clock'', Hob. I:101: I. Adagio - Presto | — | ||
| 4-2 | Symphony No. 101 in D major, ''The Clock'', Hob. I:101: II. Andante | — | ||
| 4-3 | Symphony No. 101 in D major, ''The Clock'', Hob. I:101: III. Menuetto. Allegretto - Trio | — | ||
| 4-4 | Symphony No. 101 in D major, ''The Clock'', Hob. I:101: IV. Finale. Vivace | — | ||
| 4-5 | Symphony No. 35 in D major, ''Haffner'', K. 385: I. Allegro con spirito | — | ||
| 4-6 | Symphony No. 35 in D major, ''Haffner'', K. 385: II. Andante | — | ||
| 4-7 | Symphony No. 35 in D major, ''Haffner'', K. 385: III. Menuetto - Trio | — | ||
| 4-8 | Symphony No. 35 in D major, ''Haffner'', K. 385: IV. Presto | — | ||
| 4-9 | Ein Sommernachtstraum, Op. 61: No.1: Scherzo. Allegro vivace | — | ||
| 4-10 | Ein Sommernachtstraum, Op. 61: No.7: Nocturne. Con moto tranquillo | — | ||
| 4-11 | L'apprenti sorcier | — | ||
| 5-1 | Orfeo ed Euridice: Dance of the Blessed Spirits | — | ||
| 5-2 | Il barbiere di Siviglia: Overture | — | ||
| 5-3 | L'Italiana in Algeri: Overture | — | ||
| 5-4 | Semiramide: Overture | — | ||
| 5-5 | La traviata: Prelude Act I | — | ||
| 5-6 | La traviata: Prelude Act III | — | ||
| 5-7 | Siegfried-Idyll | — | ||
| 5-8 | Götterdämmerung: Morgendämmerung und Siegfrieds Rheinfahrt | — | ||
| 5-9 | Lohengrin: Prelude Act I | — | ||
| 5-10 | Lohengrin: Prelude Act III | — | ||
| 6-1 | Symphony No. 4 in C minor, ''Tragic'', D. 417: I. Adagio molto - Allegro vivace | — | ||
| 6-2 | Symphony No. 4 in C minor, ''Tragic'', D. 417: II. Andante | — | ||
| 6-3 | Symphony No. 4 in C minor, ''Tragic'', D. 417: III. Menuetto. Allegro vivace - Trio | — | ||
| 6-4 | Symphony No. 4 in C minor, ''Tragic'', D. 417: IV. Allegro | — | ||
| 6-5 | Symphony No. 2 in D major, Op. 73: I. Allegro non troppo | — | ||
| 6-6 | Symphony No. 2 in D major, Op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 6-7 | Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai - Tempo I | — | ||
| 6-8 | Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito | — | ||
| 7-1 | Symphony No. 1 in E minor, Op. 39: I. Andante ma non troppo - Allegro energico - Tranquillo - Tempo I [Allegro energico] - Tranquillo - a tempo | — | ||
| 7-2 | Symphony No. 1 in E minor, Op. 39- II. Andante (ma non troppo lento) - Molto tranquillo - Tempo I | — | ||
| 7-3 | Symphony No. 1 in E minor, Op. 39- III. Scherzo- Allegro - Lento (ma non troppo) - Tempo I | — | ||
| 7-4 | Symphony No. 1 in E minor, Op. 39: IV. Finale (Quasi una fantasia): Andante - Allegro molto - Andante assai - Allegro molto come prima - Andante (ma non troppo) - Più largamente poco a poco | — | ||
| 7-5 | Symphony No. 2 in D major, Op. 43- I. Allegretto | — | ||
| 7-6 | Symphony No. 2 in D major, Op. 43- II. Tempo andante ma rubato | — | ||
| 7-7 | Symphony No. 2 in D major, Op. 43- III. Vivacissimo - attaca | — | ||
| 7-8 | Symphony No. 2 in D major, Op. 43- IV. Finale- Allegro moderato | — | ||
| 8-1 | Le Carnaval romain, Op. 9 | — | ||
| 8-2 | La Valse, M. 72 | — | ||
| 8-3 | Don Quixote, Op. 35: Introduktion: Mäßiges Zeitmaß | — | ||
| 8-4 | Don Quixote, Op. 35: Thema: Mäßig. ''Der Ritter von der traurigen Gestalt'' | — | ||
| 8-5 | Don Quixote, Op. 35: Maggiore: ''Sancho Panza'' | — | ||
| 8-6 | Don Quixote, Op. 35: Variation I: Gemächlich. ''Das Abenteuer an den Windmühlen'' | — | ||
| 8-7 | Don Quixote, Op. 35: Variation II: Kriegerisch. ''Der Kampf gegen die Hammelherde'' | — | ||
| 8-8 | Don Quixote, Op. 35: Variation III: Mäßiges Zeitmaß. ''Gespräche zwischen Ritter und Knappe'' | — | ||
| 8-9 | Don Quixote, Op. 35: Variation IV: Etwas breiter. ''Das Abenteuer mit der Prozession von Büßern'' | — | ||
| 8-10 | Don Quixote, Op. 35: Variation V: Sehr langsam. ''Don Quixotes Waffenwache und Herzensergüsse'' | — | ||
| 8-11 | Don Quixote, Op. 35: Variation VI: Schnell. ''Die verzauberte Dulzinea'' | — | ||
| 8-12 | Don Quixote, Op. 35: Variation VII: Ein wenig ruhiger als vorher. ''Der Ritt durch die Luft'' | — | ||
| 8-13 | Don Quixote, Op. 35: Variation VIII: Gemächlich. ''Die Fahrt auf dem verzauberten Nachen'' | — | ||
| 8-14 | Don Quixote, Op. 35: Variation IX: Schnell und stürmisch. ''Der Kampf gegen die vermeintlichen Zauberer'' | — | ||
| 8-15 | Don Quixote, Op. 35: Variation X: Viel breiter. ''Zweikampf mit dem Ritter vom blanken Monde - Heimkehr des geschlagenen Don Quixote'' | — | ||
| 8-16 | Don Quixote, Op. 35: Finale: Sehr ruhig. ''Don Quixotes Tod'' | — | ||
| 9-1 | Le Sacre du printemps, Part 1: L'Adoration de la Terre: Introduction | — | ||
| 9-2 | Le Sacre du printemps, Part 1: L'Adoration de la Terre: Les Augures printaniers - Danses des adolescentes | — | ||
| 9-3 | Le Sacre du printemps, Part 1: L'Adoration de la Terre: Jeu du rapt | — | ||
| 9-4 | Le Sacre du printemps, Part 1: L'Adoration de la Terre: Rondes printanières | — | ||
| 9-5 | Le Sacre du printemps, Part 1: L'Adoration de la Terre: Jeux des cités rivales | — | ||
| 9-6 | Le Sacre du printemps, Part 1: L'Adoration de la Terre: Cortège du sage | — | ||
| 9-7 | Le Sacre du printemps, Part 1: L'Adoration de la Terre: Le Sage | — | ||
| 9-8 | Le Sacre du printemps, Part 1: L'Adoration de la Terre: Danse de la terre | — | ||
| 9-9 | Le Sacre du printemps, Part 2: Le Sacrifice: Introduction | — | ||
| 9-10 | Le Sacre du printemps, Part 2: Le Sacrifice: Cercles mystérieux des adolescentes | — | ||
| 9-11 | Le Sacre du printemps, Part 2: Le Sacrifice: Glorification de l'Élue | — | ||
| 9-12 | Le Sacre du printemps, Part 2: Le Sacrifice: Évocation des ancêtres | — | ||
| 9-13 | Le Sacre du printemps, Part 2: Le Sacrifice: Action rituelle des ancêtres | — | ||
| 9-14 | Le Sacre du printemps, Part 2: Le Sacrifice: Danse sacrale (L'Élue) | — | ||
| 9-15 | Symphony in 3 movements, I: [♩ = 160] | — | ||
| 9-16 | Symphony in 3 movements, II: Andante - Interlude: L'istesso tempo | — | ||
| 9-17 | Symphony in 3 movements, III: Con moto | — | ||
| 10-1 | Symphony No. 6 in B minor, ''Pathétique'', Op. 74: I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato Assai - Allegro vivo - Andante come prima - Andante mosso | — | ||
| 10-2 | Symphony No. 6 in B minor, ''Pathétique'', Op. 74: II. Allegro con grazia | — | ||
| 10-3 | Symphony No. 6 in B minor, ''Pathétique'', Op. 74: III. Allegro molto vivace | — | ||
| 10-4 | Symphony No. 6 in B minor, ''Pathétique'', Op. 74: IV. Finale: Adagio lamentoso - Andante | — | ||
| 10-5 | Suite No. 4 in G major, ''Mozartiana'', Op. 61: I. Gigue. Allegro (after Mozart's Eine kleine Gigue for piano, K. 574) | — | ||
| 10-6 | Suite No. 4 in G major, ''Mozartiana'', Op. 61: II. Menuet. Moderato (after Mozart's Minuet for piano, K. 355) | — | ||
| 10-7 | Suite No. 4 in G major, ''Mozartiana'', Op. 61: III. Preghiera. Andante non tanto (after Liszt's piano transcription of Mozart's Ave verum corpus for chorus, strings and organ, K. 618) | — | ||
| 10-8 | Suite No. 4 in G major, ''Mozartiana'', Op. 61: IV. Thème et variations. Allegro giusto (after Mozart's 10 Variations for piano, K. 455 on the theme ''Unser dummer Pöbel mein'' by Gluck) | — | ||
| 11-1 | Symphony No. 2 in E minor, Op. 27: I. Largo - Allegro molto | — | ||
| 11-2 | Symphony No. 2 in E minor, Op. 27: II. Allegro molto | — | ||
| 11-3 | Symphony No. 2 in E minor, Op. 27: III. Adagio | — | ||
| 11-4 | Symphony No. 2 in E minor, Op. 27: IV. Allegro vivace | — | ||
| 12-1 | Die Walküre: Act III, Scene 1 & Scene 2 (beginning) | — | ||
| 12-2 | Die Walküre: Act III, Scene 2 (conclusion: ''Du verstößest mich?'') & Scene 3 (beginning) | — | ||
| 12-3 | Die Walküre: Act III, Scene 3 (conclusion: ''Wohl taugte dir nicht die thör'ge Maid'') | — | ||
| 13-1 | Symphony No. 4 in A minor, Op. 63: I. Tempo molto moderato, quasi adagio | — | ||
| 13-2 | Symphony No. 4 in A minor, Op. 63: II. Allegro molto vivace | — | ||
| 13-3 | Symphony No. 4 in A minor, Op. 63: III. Il tempo largo | — | ||
| 13-4 | Symphony No. 4 in A minor, Op. 63: IV. Allegro | — | ||
| 13-5 | Symphony No. 5 in B-flat major, Op. 100: I. Andante | — | ||
| 13-6 | Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato | — | ||
| 13-7 | Symphony No. 5 in B-flat major, Op. 100: III. Adagio | — | ||
| 13-8 | Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso | — | ||
| 14-1 | Concerto in F: I. Allegro | — | ||
| 14-2 | Concerto in F: II. Adagio - Andante con moto | — | ||
| 14-3 | Concerto in F: III. Allegro agitato | — | ||
| 14-4 | Spirituals for Orchestra: I. Proclamation | — | ||
| 14-5 | Spirituals for Orchestra: II. Sermon | — | ||
| 14-6 | Spirituals for Orchestra: III. A Little Bit of Sin | — | ||
| 14-7 | Spirituals for Orchestra: IV. Protest | — | ||
| 14-8 | Spirituals for Orchestra: V. Jubilee | — | ||
| 15-1 | Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: I. Allegro con brio | — | ||
| 15-2 | Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: II. Marcia funebre: Adagio assai | — | ||
| 15-3 | Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: III. Scherzo: Allegro vivace - Trio | — | ||
| 15-4 | Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: IV. Finale: Allegro molto - Poco Andante - Presto | — | ||
| 15-5 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 15-6 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 15-7 | Symphony No. 5 in C minor, Op. 67: III. Allegro - attaca | — | ||
| 15-8 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | — | ||
| 16-1 | Symphony No. 4: I. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 16-2 | Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 16-3 | Symphony No. 4: III. Ruhevoll (Poco adagio) - Allegretto subito (Nicht eilen) - Allegro subito - Andante subito | — | ||
| 16-4 | Symphony No. 4: IV. Sehr behaglich: ''Wir genießen die himmlischen Freuden'' | — | ||
| 17-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | New York Philharmonic, Bruno Walter | — | |
| 17-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz | New York Philharmonic, Bruno Walter | — | |
| 17-3 | Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell | New York Philharmonic, Bruno Walter | — | |
| 17-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam | New York Philharmonic, Bruno Walter | — | |
| 17-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro | New York Philharmonic, Bruno Walter | — | |
| 18-1 | Symphony No. 8 in G major, Op. 88: I. Allegro con brio | — | ||
| 18-2 | Symphony No. 8 in G major, Op. 88: II. Adagio | — | ||
| 18-3 | Symphony No. 8 in G major, Op. 88: III. Allegretto grazioso - Molto vivace | — | ||
| 18-4 | Symphony No. 8 in G major, Op. 88: IV. Allegro ma non troppo | — | ||
| 18-5 | The Moldau (Vltava) | — | ||
| 19-1 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | New York Philharmonic, Bruno Walter | — | |
| 19-2 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | New York Philharmonic, Bruno Walter | — | |
| 19-3 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegro - Trio | New York Philharmonic, Bruno Walter | T-902.774.400-9 | |
| 19-4 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | New York Philharmonic, Bruno Walter | — | |
| 19-5 | Symphony no. 40 in G minor with clarinets, K. 550: I. Molto Allegro | New York Philharmonic, Bruno Walter | — | |
| 19-6 | Symphony no. 40 in G minor with clarinets, K. 550: II. Andante | New York Philharmonic, Bruno Walter | T-802.445.410-3 | |
| 19-7 | Symphony no. 40 in G minor with clarinets, K. 550: III. Menuetto. Allegretto - Trio | New York Philharmonic, Bruno Walter | T-902.774.400-9 | |
| 19-8 | Symphony no. 40 in G minor with clarinets, K. 550: IV. Allegro assai | New York Philharmonic, Bruno Walter | T-306.395.786-4 | |
| 19-9 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | New York Philharmonic, Bruno Walter | — | |
| 19-10 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | New York Philharmonic, Bruno Walter | — | |
| 19-11 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio | New York Philharmonic, Bruno Walter | — | |
| 19-12 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto Allegro | New York Philharmonic, Bruno Walter | — | |
| 20-1 | Symphony No. 3 in C minor, ''Organ'', Op. 78: I. Adagio - Allegro moderato | — | ||
| 20-2 | Symphony No. 3 in C minor, ''Organ'', Op. 78: I. Poco adagio | — | ||
| 20-3 | Symphony No. 3 in C minor, ''Organ'', Op. 78: II. Allegro moderato - Presto - Allegro moderato | — | ||
| 20-4 | Symphony No. 3 in C minor, ''Organ'', Op. 78: II. Maestoso - Allegro - Molto - allegro - Pesante | — | ||
| 20-5 | Concerto for Piano and Orchestra No. 21 in C major, K. 467: I. Allegro maestoso | — | ||
| 20-6 | Concerto for Piano and Orchestra No. 21 in C major, K. 467: II. Andante | — | ||
| 20-7 | Concerto for Piano and Orchestra No. 21 in C major, K. 467: III. Allegro vivace assai | — | ||
| 21-1 | Symphony No. 6 in E minor: I. Allegro - attacca | — | ||
| 21-2 | Symphony No. 6 in E minor: II. Moderato - attacca | — | ||
| 21-3 | Symphony No. 6 in E minor: III. Scherzo. Allegro vivace - attacca | — | ||
| 21-4 | Symphony No. 6 in E minor: IV. Epilogue. Moderato | — | ||
| 21-5 | Fantasia on ''Greensleeves'' | — | ||
| 21-6 | L'Ascension: I. Majesté du Christ demandant sa gloire à son Père | — | ||
| 21-7 | L'Ascension: II. Alléluias sereins d'une âme qui désire le ciel | — | ||
| 21-8 | L'Ascension: III. Alléluia sur la trompette, alléluia sur la cymbale | — | ||
| 21-9 | L'Ascension: IV. Prière du Christ montant vers son père | — | ||
| 21-10 | Götterdämmerung: Morgendämmerung und Siegfrieds Rheinfahrt | — | ||
| 21-11 | Götterdämmerung: Trauermarsch | — | ||
| 22-1 | Philharmonic Waltzes | — | ||
| 22-2 | Le Rouet d’Omphale, Op. 31 | — | ||
| 22-3 | La Procession nocturne, Op. 6 | — | ||
| 22-4 | La Jeunesse d'Hercule, Op. 50 | — | ||
| 22-5 | Phaëton, Op. 39 | — | ||
| 22-6 | 4 Greek Dances, Op. 11: Peloponnisiakos | — | ||
| 22-7 | 4 Greek Dances, Op. 11: Epirotikos | — | ||
| 22-8 | 4 Greek Dances, Op. 11: Hostianos | — | ||
| 22-9 | 4 Greek Dances, Op. 11: Kleftikos | — | ||
| 23-1 | Wozzeck, Op. 7: Act I - Scene 1: The Captain ''Langsam, Wozzeck, langsam!'' | — | ||
| 23-2 | Wozzeck, Op. 7: Act I - Scene 2: Andres ''Du, der Platz ist verflucht!'' | — | ||
| 23-3 | Wozzeck, Op. 7: Act I - Scene 3: Marie ''Tschin Bum! Hörst du, Bub?'' | — | ||
| 23-4 | Wozzeck, Op. 7: Act I - Scene 4: The Doctor ''Was erleb' ich, Wozzeck?'' | — | ||
| 23-5 | Wozzeck, Op. 7: Act I - Scene 5: The Drum Major ''Geh einmal vor dich hin'' | — | ||
| 23-6 | Wozzeck, Op. 7: Act II - Scene 1: Sonata Movement ''Was die Steine glänzen!'' | — | ||
| 23-7 | Wozzeck, Op. 7: Act II - Scene 2: Invention and Fugue on 3 Themes ''Wohin so eilig, geehrtester Herr Sargnagel?'' | — | ||
| 23-8 | Wozzeck, Op. 7: Act II - Scene 3: Largo ''Guten Tag, Franz'' ... ''Ich seh' nichts'' | — | ||
| 23-9 | Wozzeck, Op. 7: Act II - Scene 4: Extended Scherzo and Trio Movement ''Ich hab ein Hemdlein an'' | — | ||
| 23-10 | Wozzeck, Op. 7: Act II - Scene 5: Rondo marziale con introduzione ''Oh! oh! Andres! Ich kann nicht schlafen'' | — | ||
| 24-1 | Wozzeck, Op. 7: Act III - Scene 1: Invention on a Theme (Theme, 7 Variations & Fugue) ''Und ist kein Betrug in seinem Munde erfunden worden'' | — | ||
| 24-2 | Wozzeck, Op. 7: Act III - Scene 2: Invention on 1 Note (B) ''Dort links geht's in die Stadt'' | — | ||
| 24-3 | Wozzeck, Op. 7: Act III - Scene 3: Invention on a Rhythm ''Tanzt alle; tanzt nur zu!'' | — | ||
| 24-4 | Wozzeck, Op. 7: Act III - Scene 4: Invention on a 6-Note Chord ''Das Messer? Wo ist das Messer?'' Orchestral Interlude in D minor - Invention on a Key | — | ||
| 24-5 | Wozzeck, Op. 7: Act III - Scene 5: Invention on a Quaver Rhythm ''Ringel, Ringel, Rosenkranz'' | — | ||
| 24-6 | Erwartung, Op. 17: Scene 1: ''Hier hinein?... Man sieht den Weg nicht'' | — | ||
| 24-7 | Erwartung, Op. 17: Scene 2: ''Ist das noch der Weg?'' | — | ||
| 24-8 | Erwartung, Op. 17: Scene 3: ''Da kommt ein Licht!'' | — | ||
| 24-9 | Erwartung, Op. 17: Scene 4: ''Er ist auch nicht da'' | — | ||
| 24-10 | Erwartung, Op. 17: Scene 4: ''Das Mondlicht… nein dort'' | — | ||
| 24-11 | Erwartung, Op. 17: Scene 4: ''Nein, das ist doch nicht möglich'' | — | ||
| 24-12 | Erwartung, Op. 17: Scene 4: ''Du siehst wieder dort hin!'' | — | ||
| 24-13 | Erwartung, Op. 17: Scene 4: ''Der Morgen trennt uns'' | — | ||
| 24-14 | Symphonic Elegy for String Orchestra, Op. 105 | — | ||
| 25-1 | Symphony No. 2 in B minor: I. Allegro - Animato assai | — | ||
| 25-2 | Symphony No. 2 in B minor: II. Scherzo - Prestissimo - Allegretto | — | ||
| 25-3 | Symphony No. 2 in B minor: III. Andante | — | ||
| 25-4 | Symphony No. 2 in B minor: IV. Finale. Allegro | — | ||
| 25-5 | In the Steppes of Central Asia | — | ||
| 25-6 | Caucasian Sketches - Suite No. 1, Op. 10: No. 1: In the Mountain Pass | — | ||
| 25-7 | Caucasian Sketches - Suite No. 1, Op. 10: No. 2: In the Village | — | ||
| 25-8 | Caucasian Sketches - Suite No. 1, Op. 10: No. 3: In the Mosque | — | ||
| 25-9 | Caucasian Sketches - Suite No. 1, Op. 10: No. 4: Procession of the Sardar | — | ||
| 26-1 | Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Andante. Languido - Lento. Soavamente - | — | ||
| 26-2 | Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Allegro volando - | — | ||
| 26-3 | Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Lento - Allegro non troppo - Moderato avec délice - | — | ||
| 26-4 | Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Allegro - Allegro dramatico - Tragico - | — | ||
| 26-5 | Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Lento - | — | ||
| 26-6 | Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Allegro volando - | — | ||
| 26-7 | Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Lento - Allegro - Charmé - Scherzando - | — | ||
| 26-8 | Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Allegro molto. Leggierissimo. Volando - Maestoso | — | ||
| 26-9 | Symphony No. 5, ''Prométhée - Le Poème du feu'', Op. 60 | — | ||
| 26-10 | Suite No. 1 in D minor, Op. 43: I. Introduzione e Fuga. Andante sostenuto - Moderato e con anima | — | ||
| 26-11 | Suite No. 1 in D minor, Op. 43: II. Divertimento. Allegro moderato | — | ||
| 26-12 | Suite No. 1 in D minor, Op. 43: IV. Marche miniature. Moderato con moto | — | ||
| 26-13 | Suite No. 1 in D minor, Op. 43: V. Scherzo. Allegro con moto | — | ||
| 26-14 | Suite No. 1 in D minor, Op. 43: VI. Gavotte. Allegro | — | ||
| 27-1 | Symphony No. 10 in E minor, Op. 93: I. Moderato | — | ||
| 27-2 | Symphony No. 10 in E minor, Op. 93: II. Allegro | — | ||
| 27-3 | Symphony No. 10 in E minor, Op. 93: III. Allegretto | — | ||
| 27-4 | Symphony No. 10 in E minor, Op. 93: IV. Andante - Allegro | — | ||
| 27-5 | Verklärte Nacht, Op. 4 | — | ||
| 28-1 | Romeo and Juliet - Montagues and Capulets (Suite 2, No. 1) | New York Philharmonic, Dimitri Mitropoulos | T-003.506.743-6 | |
| 28-2 | Romeo and Juliet, Op. 64: Juliet, the Young Girl | New York Philharmonic, Dimitri Mitropoulos | — | |
| 28-3 | Romeo and Juliet, Op. 64: Folk Dance | New York Philharmonic, Dimitri Mitropoulos | — | |
| 28-4 | Romeo and Juliet, Op. 64: Masks | New York Philharmonic, Dimitri Mitropoulos | T-003.506.743-6 | |
| 28-5 | Romeo and Juliet, Op. 64: Romeo and Juliet | New York Philharmonic, Dimitri Mitropoulos | T-003.506.743-6 | |
| 28-6 | Romeo and Juliet, Op. 64: Death of Tybalt | New York Philharmonic, Dimitri Mitropoulos | — | |
| 28-7 | Romeo and Juliet, Op. 64: Romeo and Juliet before Parting | New York Philharmonic, Dimitri Mitropoulos | — | |
| 28-8 | Romeo and Juliet, Op. 64: Friar Laurence | New York Philharmonic, Dimitri Mitropoulos | — | |
| 28-9 | Romeo and Juliet, Op. 64: Romeo at Juliet’s Grave | New York Philharmonic, Dimitri Mitropoulos | — | |
| 28-10 | Slavonic March, Op. 31 | — | ||
| 28-11 | Night on Bald Mountain | — | ||
| 28-12 | Fantasia on a Theme by Thomas Tallis | — | ||
| 29-1 | The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 1: The Prologue. Lento moderato | — | ||
| 29-2 | The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 1: The Seven Ages. Variations 1-7 | — | ||
| 29-3 | The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 1: The Seven Stages. Variations 8-14 | — | ||
| 29-4 | The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 2: The Dirge. Largo | — | ||
| 29-5 | The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 2: The Masque. Extremely Fast | — | ||
| 29-6 | The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 2: The Epilogue. L'istesso tempo - Adagio - Con moto | — | ||
| 29-7 | Symphony No. 2: I. Andante moderato | — | ||
| 29-8 | Symphony No. 2: II. Allegro | — | ||
| 29-9 | Symphony No. 2: III. Adagio cantabile | — | ||
| 29-10 | Symphony No. 2: IV. Lento (maestoso) | — | ||
| 29-11 | Symphony No. 2: V. Allegro molto vivace | — | ||
| 30-1 | Le Sacre du printemps : L’Adoration de la terre : I. Introduction (Lento) | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-2 | Le Sacre du printemps : L’Adoration de la terre : II. Les Augures pintaniers. Danses des adolecentes | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-3 | Le Sacre du printemps : L’Adoration de la terre : III. Jeu du rapt | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-4 | Le Sacre du printemps : L’Adoration de la terre : IV. Rondes printanières | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-5 | Le Sacre du printemps : L’Adoration de la terre : V. Jeux des cités rivales | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-6 | Le Sacre du printemps : L’Adoration de la terre : VI. Cortège du sage | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-7 | Le Sacre du printemps : L’Adoration de la terre : VII. Adoration de la terre - Le Sage | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-8 | Le Sacre du printemps : L’Adoration de la terre : VIII. Danse de la terre | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-9 | Le Sacre du printemps : Le Sacrifice : I. Introduction (Largo) | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-10 | Le Sacre du printemps : Le Sacrifice : II. Cercles mysterieux des adolescentes | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-11 | Le Sacre du printemps : Le Sacrifice : III. Glorification de l’élue | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-12 | Le Sacre du printemps : Le Sacrifice : IV. Évocation des ancêtres | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-13 | Le Sacre du printemps : Le Sacrifice : V. Action rituelle des ancêtres | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-14 | Le Sacre du printemps : Le Sacrifice : VI. Danse sacrale. L’Élue | New York Philharmonic, Leonard Bernstein | T-070.257.887-7 | |
| 30-15 | Firebird Suite: I. Introduction | New York Philharmonic, Leonard Bernstein | — | |
| 30-16 | Firebird Suite: II. The Firebird and its Dance | New York Philharmonic, Leonard Bernstein | — | |
| 30-17 | Firebird Suite: III. Variation of the Firebird | New York Philharmonic, Leonard Bernstein | — | |
| 30-18 | Firebird Suite: IV. The Princesses’ Round | New York Philharmonic, Leonard Bernstein | — | |
| 30-19 | Firebird Suite: V. Infernal Dance of King Kashchei | New York Philharmonic, Leonard Bernstein | — | |
| 30-20 | Firebird Suite: VI. Lullaby | New York Philharmonic, Leonard Bernstein | — | |
| 30-21 | Firebird Suite: VII. Finale | New York Philharmonic, Leonard Bernstein | T-073.071.144-0 | |
| 30-22 | Pulcinella: Suite: I. Sinfonia (Ouverture). Allegro moderato | — | ||
| 30-23 | Pulcinella: Suite: II. Serenata. Larghetto | — | ||
| 30-24 | Pulcinella: Suite: III. a) Scherzino | — | ||
| 30-25 | Pulcinella: Suite: III. b) Allegro | — | ||
| 30-26 | Pulcinella: Suite: III. c) Andantino | — | ||
| 30-27 | Pulcinella: Suite: IV. Tarantella. Half note = 88 | — | ||
| 30-28 | Pulcinella: Suite: V. Toccata. Allegro | — | ||
| 30-29 | Pulcinella: Suite: VI. Gavotta con due variazioni. Allegro moderato | — | ||
| 30-30 | Pulcinella: Suite: VI. Variazione I. Allegretto | — | ||
| 30-31 | Pulcinella: Suite: VI. Variazione II. Allegro più tosto moderato | — | ||
| 30-32 | Pulcinella: Suite: VII. Vivo (Duetto) | — | ||
| 30-33 | Pulcinella: Suite: VIII. a) Minuetto. Molto moderato | — | ||
| 30-34 | Pulcinella: Suite: VIII. b) Finale. Allegro assai | — | ||
| 31-1 | Images pour orchestre, L. 122: I. Gigues | — | ||
| 31-2 | Images pour orchestre, L. 122: II. Ibéria | — | ||
| 31-3 | Images pour orchestre, L. 122: II. Par les rues et par les chemins | — | ||
| 31-4 | Images pour orchestre, L. 122: II. Les Parfums de la nuit | — | ||
| 31-5 | Images pour orchestre, L. 122: III. Rondes de printemps | — | ||
| 31-6 | Première Rapsodie pour orchestre avec clarinette principale, L. 116 | — | ||
| 31-7 | Pavane pour une infante défunte, M. 19 | — | ||
| 31-8 | Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant | — | ||
| 31-9 | Ma mère l'Oye, M. 60: II. Petit Poucet | — | ||
| 31-10 | Ma mère l'Oye, M. 60: III. Laideronnette, Impératrice des Pagodes | — | ||
| 31-11 | Ma mère l'Oye, M. 60: IV. Les Entretiens de la Belle et de la Bête | — | ||
| 31-12 | Ma mère l'Oye, M. 60: V. Le Jardin féerique | — | ||
| 31-13 | L'apprenti sorcier | — | ||
| 32-1 | Rapsodie espagnole, M.54: I. Prélude à la nuit | — | ||
| 32-2 | Rapsodie espagnole, M.54: II. Malagueña | — | ||
| 32-3 | Rapsodie espagnole, M.54: III. Habanera | — | ||
| 32-4 | Rapsodie espagnole, M.54: IV. Feria | — | ||
| 32-5 | Shéhérazade, M. 41: I. Asie | — | ||
| 32-6 | Shéhérazade, M. 41: II. La flûte enchantée | — | ||
| 32-7 | Shéhérazade, M. 41: III. L’Indifférent | — | ||
| 32-8 | Il barbiere di Siviglia: Overture | New York Philharmonic, Leonard Bernstein | T-306.482.271-1 | |
| 32-9 | L’Italiana in Algeri: Overture | New York Philharmonic, Leonard Bernstein | T-301.972.539-0 | |
| 32-10 | Overtures: Guillaume Tell | — | ||
| 32-11 | La gazza ladra: Overture | New York Philharmonic, Leonard Bernstein | — | |
| 32-12 | La scala di seta: Overture | New York Philharmonic, Leonard Bernstein | T-305.157.600-8 | |
| 33-1 | Symphony No. 5 in D minor, Op. 47: I. Moderato | — | ||
| 33-2 | Symphony No. 5 in D minor, Op. 47: II. Allegretto | — | ||
| 33-3 | Symphony No. 5 in D minor, Op. 47: III. Largo | — | ||
| 33-4 | Symphony No. 5 in D minor, Op. 47: IV. Allegro non troppo | — | ||
| 33-5 | Symphony No. 3 | — | ||
| 34-1 | Romeo and Juliet Fantasy Overture | New York Philharmonic, Leonard Bernstein | — | |
| 34-2 | Capriccio italien, Op. 45 | — | ||
| 34-3 | Slavonic March, Op. 31 | — | ||
| 34-4 | 1812 Festival Overture, Op. 49 | — | ||
| 35-1 | The Nutcracker: Suite, op. 71a: I. Ouverture miniature: Allegro giusto | New York Philharmonic, Leonard Bernstein | T-312.207.757-6 | |
| 35-2 | The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: March. Tempo di Marcia viva | — | ||
| 35-3 | The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse de la fée Dragée. Andante non troppo | New York Philharmonic, Leonard Bernstein | T-312.207.757-6 | |
| 35-4 | The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse russe. Trépak Tempo di Trépak, molto vivace | — | ||
| 35-5 | The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse arabe. Allegretto | — | ||
| 35-6 | The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse chinoise. Allegro moderato | — | ||
| 35-7 | The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse des mirlitons. Moderato assai | — | ||
| 35-8 | The Nutcracker: Suite, op. 71a: III. Valse des fleurs. Tempo di valse | New York Philharmonic, Leonard Bernstein | T-312.207.757-6 | |
| 35-9 | Swan Lake, Op. 20: Act I, No. 5 Pas de deux: I. Tempo di Valse ma non troppo vivo, quasi moderato | — | ||
| 35-10 | Swan Lake, Op. 20: Act I, No. 5 Pas de deux: II. Andante - Allegro | — | ||
| 35-11 | Swan Lake, Op. 20: Act I, No. 5 Pas de deux: III. Allegro moderato | — | ||
| 35-12 | Swan Lake, Op. 20: Act I, No. 5 Pas de deux: IV. Coda. Allegro molto vivace | — | ||
| 35-13 | Swan Lake, Op. 20: Act II, No. 10 Scène. Moderato | — | ||
| 35-14 | Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: I. Tempo di Valse | — | ||
| 35-15 | Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: II. Moderato assai - Molto più mosso | — | ||
| 35-16 | Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: IV. Allegro moderato | — | ||
| 35-17 | Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: V. Andante - Più mosso - Tempo I - Allegro | — | ||
| 35-18 | Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: VI. Tempo di Valse | — | ||
| 35-19 | Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: VII. Code. Allegro vivo | — | ||
| 35-20 | Swan Lake, Op. 20: Act III, No. 15 Allegro giusto | — | ||
| 35-21 | Swan Lake, Op. 20: Act III, No. 20 Danse hongroise. Czsárdás. Moderato assai - Allegro moderato - Vivace | — | ||
| 35-22 | Swan Lake, Op. 20: Act III, No. 21 Danse espagnole. Allegro non troppo (Tempo di bolero) | — | ||
| 35-23 | Swan Lake, Op. 20: Act III, No. 22 Danse napolitaine. Allegro moderato - Andantino quasi moderato - Molto più mosso - Presto | — | ||
| 35-24 | Swan Lake, Op. 20: Act III, No. 23 Mazurka. Tempo di mazurka | — | ||
| 35-25 | The Sleeping Beauty, Op. 66: Valse. Allegro (Tempo di valse) (Act I) | — | ||
| 35-26 | Eugene Onegin, Op. 24: Polonaise (Act III) | — | ||
| 36-1 | Peter and the Wolf, Op. 67 | — | ||
| 36-2 | Le Carnaval des animaux: I. Introduction et Marche royale du Lion | — | ||
| 36-3 | Le Carnaval des animaux: II. Poules et Coqs | — | ||
| 36-4 | Le Carnaval des animaux: III. Hémiones (Animaux véloces) | — | ||
| 36-5 | Le Carnaval des animaux: IV. Tortues | — | ||
| 36-6 | Le Carnaval des animaux: V. L’Éléphant | — | ||
| 36-7 | Le Carnaval des animaux: VI. Kangourous | — | ||
| 36-8 | Le Carnaval des animaux: VII. Aquarium | — | ||
| 36-9 | Le Carnaval des animaux: VIII. Personnages à longues oreilles | — | ||
| 36-10 | Le Carnaval des animaux: IX. Le Coucou au fond des bois | — | ||
| 36-11 | Le Carnaval des animaux: X. Volière | — | ||
| 36-12 | Le Carnaval des animaux: XI. Pianistes | — | ||
| 36-13 | Le Carnaval des animaux: XII. Fossiles | — | ||
| 36-14 | Le Carnaval des animaux: XIII. Le Cygne | — | ||
| 36-15 | Le Carnaval des animaux: XIV. Final | — | ||
| 36-16 | The Young Person's Guide to the Orchestra, Op. 34: I. Theme. Allegro maestoso e largamente (tutti) | — | ||
| 36-17 | The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Woodwinds) | — | ||
| 36-18 | The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Brass) | — | ||
| 36-19 | The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Strings) | — | ||
| 36-20 | The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Percussion) | — | ||
| 36-21 | The Young Person's Guide to the Orchestra, Op. 34: I. Theme (tutti) | — | ||
| 36-22 | The Young Person's Guide to the Orchestra, Op. 34: II. Variation A. Presto | — | ||
| 36-23 | The Young Person's Guide to the Orchestra, Op. 34: III. Variation B. Lento | — | ||
| 36-24 | The Young Person's Guide to the Orchestra, Op. 34: IV. Variation C. Moderato | — | ||
| 36-25 | The Young Person's Guide to the Orchestra, Op. 34: V. Variation D. Allegro alla marcia | — | ||
| 36-26 | The Young Person's Guide to the Orchestra, Op. 34: VI. Variation E. Brillante: Alla polacca | — | ||
| 36-27 | The Young Person's Guide to the Orchestra, Op. 34: XII. Variation F. Meno mosso | — | ||
| 36-28 | The Young Person's Guide to the Orchestra, Op. 34: VIII. Variation G | — | ||
| 36-29 | The Young Person's Guide to the Orchestra, Op. 34: IV. Variation H. Cominciando lento ma poco a poco accelando al Allegro | — | ||
| 36-30 | The Young Person's Guide to the Orchestra, Op. 34: X. Variation I. Maestoso | — | ||
| 36-31 | The Young Person's Guide to the Orchestra, Op. 34: XI. Variation J. L'istesso tempo | — | ||
| 36-32 | The Young Person's Guide to the Orchestra, Op. 34: XII. Variation K. Vivace | — | ||
| 36-33 | The Young Person's Guide to the Orchestra, Op. 34: XIII. Variation L. Allegro pomposo | — | ||
| 36-34 | The Young Person's Guide to the Orchestra, Op. 34: XIV. Variation M. Moderato | — | ||
| 36-35 | The Young Person's Guide to the Orchestra, Op. 34: XV. Fugue. Allegro molto | — | ||
| 37-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | New York Philharmonic, Leonard Bernstein | — | |
| 37-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | New York Philharmonic, Leonard Bernstein | T-902.286.256-2 | |
| 37-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | New York Philharmonic, Leonard Bernstein | — | |
| 37-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | New York Philharmonic, Leonard Bernstein | — | |
| 37-5 | The Moldau (Vltava) | — | ||
| 38-1 | Leonore Overture No. 3, Op. 72a | — | ||
| 38-2 | Tragic Overture in D minor, Op. 81 | — | ||
| 38-3 | Academic Festival Overture, Op. 80 | — | ||
| 38-4 | The Bartered Bride: Overture | New York Philharmonic, Leonard Bernstein | T-913.828.907-3 | |
| 38-5 | Carnival Overture, op. 92: Allegro - Andante con moto - Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 38-6 | Slavonic Dances no. 1 in C major, op. 46: Presto | New York Philharmonic, Leonard Bernstein | T-312.527.003-9 | |
| 38-7 | Slavonic Dances no. 3 in A-flat major, op. 46: Poco allegro | New York Philharmonic, Leonard Bernstein | — | |
| 39-1 | Candide: Overture | — | ||
| 39-2 | Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 39-3 | Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 39-4 | Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | — | |
| 39-5 | Symphonic Dances from “West Side Story”: IV. Mambo. Presto | New York Philharmonic, Leonard Bernstein | — | |
| 39-6 | Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | — | |
| 39-7 | Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T-070.209.193-7 | |
| 39-8 | Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 39-9 | Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | — | |
| 39-10 | Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 39-11 | Symphonic Suite from On the Waterfront: Andante (with dignity) - Presto barbaro | — | ||
| 39-12 | Symphonic Suite from On the Waterfront: Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima - | — | ||
| 39-13 | Symphonic Suite from On the Waterfront: Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento - | — | ||
| 39-14 | Symphonic Suite from On the Waterfront: Moving forward, with warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, with intensity - Ancora più mosso - | — | ||
| 39-15 | Symphonic Suite from On the Waterfront: Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso - | — | ||
| 39-16 | Symphonic Suite from On the Waterfront: A tempo | — | ||
| 40-1 | Four Dances Episodes from Rodeo: Buckaroo Holiday. Allegro con spirito | — | ||
| 40-2 | Four Dances Episodes from Rodeo: Corral Nocturne. Moderato | — | ||
| 40-3 | Four Dances Episodes from Rodeo: Saturday Night Waltz. Introduction - Slow Waltz | — | ||
| 40-4 | Four Dances Episodes from Rodeo: Hoe-Down. Allegro | — | ||
| 40-5 | Billy the Kid: Introduction. The Open Prairie | — | ||
| 40-6 | Billy the Kid: Street in a Frontier Town | — | ||
| 40-7 | Billy the Kid: Mexican Dance and Finale | — | ||
| 40-8 | Billy the Kid: Prairie Night (Card Game at Night) | — | ||
| 40-9 | Billy the Kid: Gun Battle | — | ||
| 40-10 | Billy the Kid: Celebration (after Billy's Capture) | — | ||
| 40-11 | Billy the Kid: Billy's Death | — | ||
| 40-12 | Billy the Kid: The open Prairie again | — | ||
| 40-13 | Symphony no. 3: I. Molto moderato - with simple expression | New York Philharmonic, Leonard Bernstein | — | |
| 40-14 | Symphony no. 3: II. Allegro molto | New York Philharmonic, Leonard Bernstein | — | |
| 40-15 | Symphony no. 3: III. Andantino quasi allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 40-16 | Symphony no. 3: IV. Molto deliberato | New York Philharmonic, Leonard Bernstein | — | |
| 41-1 | La Mer, L. 109: I. De l’aube à midi sur la mer - Très lent | — | ||
| 41-2 | La Mer, L. 109: II. Jeux de vagues. Allegro (dans un rythme très souple) | — | ||
| 41-3 | La Mer, L. 109: III. Dialogue du vent et de la mer - Animé et tumultueux | — | ||
| 41-4 | Prélude à l'après-midi d'un faune, L. 86 | — | ||
| 41-5 | Jeux, L. 126 | — | ||
| 41-6 | Nocturnes, L. 91: I. Nuages. Modéré - Un peu animé | — | ||
| 41-7 | Nocturnes, L. 91: II. Fêtes. Animé et très rythmé - Modéré mais toujours très rythmé | — | ||
| 42-1 | Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden | New York Philharmonic, Leonard Bernstein | — | |
| 43-1 | Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig | New York Philharmonic, Leonard Bernstein | — | |
| 43-2 | Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast | New York Philharmonic, Leonard Bernstein | — | |
| 43-3 | Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!” | Martha Lipton, New York Philharmonic, Leonard Bernstein | — | |
| 43-4 | Symphony No. 3 in D minor: Part 2: V. Lustig im Tempo und keck im Ausdruck ''Bimm Bamm!'' - ''Es sungen drei Engel'' | — | ||
| 43-5 | Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden | New York Philharmonic, Leonard Bernstein | — | |
| 44-1 | Symphony no. 82 in C major "The Bear": I. Vivace Assai | New York Philharmonic, Leonard Bernstein | — | |
| 44-2 | Symphony no. 82 in C major "The Bear": II. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 44-3 | Symphony no. 82 in C major "The Bear": III. Menuetto, Trio | New York Philharmonic, Leonard Bernstein | — | |
| 44-4 | Symphony no. 82 in C major "The Bear": IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 44-5 | Symphony no. 83 in G minor "The Hen": I. Allegro Spirito | New York Philharmonic, Leonard Bernstein | — | |
| 44-6 | Symphony no. 83 in G minor "The Hen": II. Andante | New York Philharmonic, Leonard Bernstein | — | |
| 44-7 | Symphony no. 83 in G minor "The Hen": III. Menuetto. Allegretto, Trio | New York Philharmonic, Leonard Bernstein | — | |
| 44-8 | Symphony no. 83 in G minor "The Hen": IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 45-1 | Serenade to Music, Act V, Scene 1: Andante sostenuto | — | ||
| 45-2 | Serenade to Music, Act V, Scene 1: 'How sweet the moonlight sleeps' | — | ||
| 45-3 | Serenade to Music, Act V, Scene 1: 'Look how the floor of heaven is thick inlaid' | — | ||
| 45-4 | Serenade to Music, Act V, Scene 1: 'Come, ho! and wake Diana with a hymn' | — | ||
| 45-5 | Serenade to Music, Act V, Scene 1: 'l am never merry when I hear sweet music' | — | ||
| 45-6 | Serenade to Music, Act V, Scene 1: 'Music! Hark!' | — | ||
| 45-7 | Serenade to Music, Act V, Scene 1: 'How many things by season' | — | ||
| 45-8 | Serenade to Music, Act V, Scene 1: 'Soft stillness and the night' | — | ||
| 45-9 | Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Allegro impetuoso 'Veni, creator spiritus' | — | ||
| 45-10 | Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend "Imple superna gratia" Tempo I (Allegro impetuoso) | — | ||
| 45-11 | Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Etwas drängend - Noch einmal so langsam. (Nicht schleppend) "Infirma nostri corporis" | — | ||
| 45-12 | Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Tempo I (Allegro, etwas hastig) | — | ||
| 45-13 | Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend "Infirma nostri corporis" | — | ||
| 45-14 | Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Plötzlich sehr breit und leiden - schaftlichen Ausdrucks - Mit plötzlichem Aufschwung. "Accende lumen sensibus" | — | ||
| 45-15 | Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": 'Veni, creator spiritus' A tempo | — | ||
| 45-16 | Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Wieder frisch. 'Gloria sit Patri Domino' | — | ||
| 45-17 | Connotations for Orchestra | — | ||
| 45-18 | The Star-Spangled Banner | — | ||
| 46-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | New York Philharmonic, Leonard Bernstein | — | |
| 46-2 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 47-1 | Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung | New York Philharmonic, Leonard Bernstein | — | |
| 47-2 | Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!” | Jennie Tourel, New York Philharmonic, Leonard Bernstein | — | |
| 47-3 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube” | Jennie Tourel, Lee Venora, The Collegiate Chorale, New York Philharmonic, Leonard Bernstein | — | |
| 47-4 | Kindertotenlieder: Nun will die Sonn' so hell aufgehn | — | ||
| 47-5 | Kindertotenlieder: Nun seh ich wohl, warum so dunkle Flammen | — | ||
| 47-6 | Kindertotenlieder: Wenn dein Mütterlein | — | ||
| 47-7 | Kindertotenlieder: Oft denk ich, sie sind nur ausgegangen | — | ||
| 47-8 | Kindertotenlieder: In diesem Wetter, in diesem Braus | — | ||
| 48-1 | Peer Gynt Suite no. 1, op. 46: I. Dawn | New York Philharmonic, Leonard Bernstein | — | |
| 48-2 | Peer Gynt Suite no. 1, op. 46: II. The Death of Åse | New York Philharmonic, Leonard Bernstein | — | |
| 48-3 | Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance | New York Philharmonic, Leonard Bernstein | T-928.635.589-3 | |
| 48-4 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King | New York Philharmonic, Leonard Bernstein | — | |
| 48-5 | Peer Gynt Suite no. 2, op. 55: I. Ingrid’s Lament | New York Philharmonic, Leonard Bernstein | — | |
| 48-6 | Peer Gynt Suite no. 2, op. 55: II. Arabian Dance | New York Philharmonic, Leonard Bernstein | — | |
| 48-7 | Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Return Home | New York Philharmonic, Leonard Bernstein | — | |
| 48-8 | Peer Gynt Suite no. 2, op. 55: IV. Solvejg's Song | New York Philharmonic, Leonard Bernstein | — | |
| 48-9 | Norwegian Dance No. 2 in A major, Op. 35.2 | — | ||
| 48-10 | March of the Dwarfs, Op. 54.3 | — | ||
| 48-11 | Kuolema, op. 44: Valse Triste | New York Philharmonic, Leonard Bernstein | T-000.769.449-6 | |
| 48-12 | The Swan of Tuonela, op. 22 | Thomas Stacy, New York Philharmonic, Leonard Bernstein | — | |
| 48-13 | Finlandia, op. 26 | New York Philharmonic, Leonard Bernstein | T-910.256.702-2 | |
| 49-1 | Symphonie fantastique, Op. 14: I. Rêveries - Passions | — | ||
| 49-2 | Symphonie fantastique, Op. 14: II. Un bal | — | ||
| 49-3 | Symphonie fantastique, Op. 14: III. Scène aux champs | — | ||
| 49-4 | Symphonie fantastique, Op. 14: IV. Marche au supplice | — | ||
| 49-5 | Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat | — | ||
| 49-6 | Grande Ouverture de Benvenuto Cellini, Op. 23 | — | ||
| 49-7 | Marche hongroise | — | ||
| 49-8 | Le Carnaval romain, ouverture caractéristique, op. 9 | New York Philharmonic, Leonard Bernstein | — | |
| 50-1 | An American in Paris | New York Philharmonic, Leonard Bernstein | T-070.001.144-4 | |
| 50-2 | Rustic Wedding - Symphony No. 1, Op. 26: I. Hochzeitsmarsch (Variationen) Moderato molto Allegro - Andante con moto quasi Allegretto - Allegretto - Allegro vivace - Allegretto pesante - Allegro scherzando - Allegretto quasi Andantino - Molto vivace - Andante con moto - Moderato - Tempo des Themas | — | ||
| 50-3 | Rustic Wedding - Symphony No. 1, Op. 26: II. Brautlied (Intermezzo). Allegretto | — | ||
| 50-4 | Rustic Wedding - Symphony No. 1, Op. 26: III. Serenade (Scherzo). Allegro moderato scherzando | — | ||
| 50-5 | Rustic Wedding - Symphony No. 1, Op. 26: IV. Im Garten. Andante - Poco più lento - Tempo I | — | ||
| 50-6 | Rustic Wedding - Symphony No. 1, Op. 26: V. Tanz (Finale). Allegro molto - Andante | — | ||
| 51-1 | Adagio for Strings | New York Philharmonic, Leonard Bernstein | T-070.000.199-5 | |
| 51-2 | Concerto for Violin and Orchestra, op. 14: I. Allegro | Isaac Stern, New York Philharmonic, Leonard Bernstein | — | |
| 51-3 | Concerto for Violin and Orchestra, op. 14: II. Andante | Isaac Stern, New York Philharmonic, Leonard Bernstein | — | |
| 51-4 | Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo | Isaac Stern, New York Philharmonic, Leonard Bernstein | — | |
| 51-5 | To Thee Old Cause | Harold Gomberg, New York Philharmonic, Leonard Bernstein | — | |
| 51-6 | In Praise of Shahn (Canticle for Orchestra): Vigoroso | New York Philharmonic, Leonard Bernstein | — | |
| 51-7 | In Praise of Shahn (Canticle for Orchestra): Lento (Bar 185) | New York Philharmonic, Leonard Bernstein | — | |
| 52-1 | Symphony No. 4, 'The Inextinguishable', Op. 29: I. Allegro - attacca | — | ||
| 52-2 | Symphony No. 4, 'The Inextinguishable', Op. 29: II. Poco allegretto - attacca | — | ||
| 52-3 | Symphony No. 4, 'The Inextinguishable', Op. 29: III. Poco adagio quasi andante - attacca | — | ||
| 52-4 | Symphony No. 4, 'The Inextinguishable', Op. 29: IV. Allegro | — | ||
| 52-5 | Symphony No. 5, Op. 50: I. Tempo giusto - Adagio non troppo | — | ||
| 52-6 | Symphony No. 5, Op. 50: II. Allegro - Un poco più mosso - Presto - Andante un poco tranquillo - Allegro (Tempo l) | — | ||
| 53-1 | The Planets, op. 32: I. Mars, the Bringer of War. Allegro | New York Philharmonic, Leonard Bernstein | T-307.278.690-0 | |
| 53-2 | The Planets, op. 32: II. Venus, the Bringer of Peace. Adagio - Andante - Animato - Tempo I | New York Philharmonic, Leonard Bernstein | — | |
| 53-3 | The Planets, op. 32: III. Mercury, the Winged Messenger. Vivace | New York Philharmonic, Leonard Bernstein | T-318.843.156-9 | |
| 53-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity. Allegro giocoso - Andante maestoso - Tempo I - Maestoso - Lento maestoso - Presto | New York Philharmonic, Leonard Bernstein | T-101.257.909-6 | |
| 53-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age. Adagio - Andante | New York Philharmonic, Leonard Bernstein | — | |
| 53-6 | The Planets, op. 32: VI. Uranus, the Magician. Allegro - Lento - Allegro - Largo | New York Philharmonic, Leonard Bernstein | — | |
| 53-7 | The Planets, op. 32: VII. Neptune, the Mystic. Andante - Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 53-8 | Fantasia on a Theme by Thomas Tallis | — | ||
| 53-9 | Fantasia on "Greensleeves" | David Nadien, New York Philharmonic, Leonard Bernstein | — | |
| 53-10 | Pomp and Circumstance: March No. 1 in D major, Op. 39.1 | — | ||
| 54-1 | Sinfonia: I. (without tempo indication) | — | ||
| 54-2 | Sinfonia: II. O King (immobile e lontano) | — | ||
| 54-3 | Sinfonia: III. In ruhig fließender Bewegung - attaca | — | ||
| 54-4 | Sinfonia: IV. (without tempo indication) | — | ||
| 54-5 | 4 Improvisations by the Orchestra: Improvisation I | — | ||
| 54-6 | 4 Improvisations by the Orchestra: Improvisation II | — | ||
| 54-7 | 4 Improvisations by the Orchestra: Improvisation III | — | ||
| 54-8 | 4 Improvisations by the Orchestra: Improvisation IV | — | ||
| 54-9 | Through the Looking Glass Suite, Op. 12: I.a) Dedication | — | ||
| 54-10 | Through the Looking Glass Suite, Op. 12: I.b) The Garden of Live Flowers | — | ||
| 54-11 | Through the Looking Glass Suite, Op. 12: II. Jabberwocky | — | ||
| 54-12 | Through the Looking Glass Suite, Op. 12: III. Looking-Glass Insects | — | ||
| 54-13 | Through the Looking Glass Suite, Op. 12: IV. The White Knight | — | ||
| 55-1 | The Miraculous Mandarin, Sz. 73: Prelude | — | ||
| 55-2 | The Miraculous Mandarin, Sz. 73: The curtain rises | — | ||
| 55-3 | The Miraculous Mandarin, Sz. 73: First seduction game | — | ||
| 55-4 | The Miraculous Mandarin, Sz. 73: Second seduction game | — | ||
| 55-5 | The Miraculous Mandarin, Sz. 73: Third seduction game | — | ||
| 55-6 | The Miraculous Mandarin, Sz. 73: General consternation - The tramps make signs from their hiding place that the girl should start to lure the Mandarin a little closer and ensnare him | — | ||
| 55-7 | The Miraculous Mandarin, Sz. 73: The girl is undecided; she shudders and draws back again | — | ||
| 55-8 | The Miraculous Mandarin, Sz. 73: The girl sinks down to embrace the Mandarin; he begins to tremble in feverish excitement | — | ||
| 55-9 | The Miraculous Mandarin, Sz. 73: The tramps leap out, seize the Mandarin and tear him away from the girl; they strip him of his jewelryand his money | — | ||
| 55-10 | The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the girl; the four shudder and stand aghast | — | ||
| 55-11 | The Miraculous Mandarin, Sz. 73: The terrified tramps discuss how they are to get rid of the Mandarin at last | — | ||
| 55-12 | The Miraculous Mandarin, Sz. 73: The lamp falls to the floor - goes out; the body of the Mandarin begins to glow with a greenish blue light; his eyes are fixed on the girl | — | ||
| 55-13 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace - Tempo I | — | ||
| 55-14 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando | — | ||
| 55-15 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | — | ||
| 55-16 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | — | ||
| 55-17 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | — | ||
| 56-1 | Verklärte Nacht, Op. 4: Grave | — | ||
| 56-2 | Verklärte Nacht, Op. 4: Molto rallentando (bar 100) | — | ||
| 56-3 | Verklärte Nacht, Op. 4: Pesante (bar 201) | — | ||
| 56-4 | Verklärte Nacht, Op. 4: Adagio (bar 229) | — | ||
| 56-5 | Verklärte Nacht, Op. 4: Adagio (bar 370) | — | ||
| 56-6 | 3 Pieces from the Lyric Suite: I. Andante amoroso | — | ||
| 56-7 | 3 Pieces from the Lyric Suite: II. Allegro misterioso - Trio estatico | — | ||
| 56-8 | 3 Pieces from the Lyric Suite: III. Adagio appassionato | — | ||
| 57-1 | Valses nobles et sentimentales, M. 61: I. Modéré - très franc | — | ||
| 57-2 | Valses nobles et sentimentales, M. 61: II. Assez lent | — | ||
| 57-3 | Valses nobles et sentimentales, M. 61: III. Modéré | — | ||
| 57-4 | Valses nobles et sentimentales, M. 61: IV. Assez animé | — | ||
| 57-5 | Valses nobles et sentimentales, M. 61: V. Presque lent | — | ||
| 57-6 | Valses nobles et sentimentales, M. 61: VI. Assez vif | — | ||
| 57-7 | Valses nobles et sentimentales, M. 61: VII. Moins vif | — | ||
| 57-8 | Valses nobles et sentimentales, M. 61: VIII. Épilogue. Lent | — | ||
| 57-9 | Ma mère I'Oye, M. 62: Prélude | — | ||
| 57-10 | Ma mère I'Oye, M. 62: Scene 1: Danse du rouet et scène | — | ||
| 57-11 | Ma mère I'Oye, M. 62: Scene 2: Pavane de la Belle au bois dormant | — | ||
| 57-12 | Ma mère I'Oye, M. 62: Scene 3: Les Entretiens de la Belle et de la Bête | — | ||
| 57-13 | Ma mère I'Oye, M. 62: Scene 4: Petit Poucet | — | ||
| 57-14 | Ma mère I'Oye, M. 62: Scene 5: Laideronnette, Impératrice des Pagodes | — | ||
| 57-15 | Ma mère I'Oye, M. 62: Apothéose: Le Jardin féerique | — | ||
| 57-16 | Boléro, M. 81 | — | ||
| 58-1 | Daphnis et Chloé, M. 57: Part I. Introduction | — | ||
| 58-2 | Daphnis et Chloé, M. 57: Part I. Danse religieuse | — | ||
| 58-3 | Daphnis et Chloé, M. 57: Part I. Les jeunes filles attirent Daphnis et l'entourent de leurs danses - Danse générale | — | ||
| 58-4 | Daphnis et Chloé, M. 57: Part I. Danse grotesque de Dorcon | — | ||
| 58-5 | Daphnis et Chloé, M. 57: Part I. Danse légère et gracieuse de Daphnis | — | ||
| 58-6 | Daphnis et Chloé, M. 57: Part I. Lycéion entre et danse | — | ||
| 58-7 | Daphnis et Chloé, M. 57: Part I. Nocturne. Danse lente et mystérieuse des Nymphes | — | ||
| 58-8 | Daphnis et Chloé, M. 57: Part 2. Introduction | — | ||
| 58-9 | Daphnis et Chloé, M. 57: Part 2. Danse guerrière | — | ||
| 58-10 | Daphnis et Chloé, M. 57: Part 2. Danse suppliante de Chloé | — | ||
| 58-11 | Daphnis et Chloé, M. 57: Part 3. Lever du jour | — | ||
| 58-12 | Daphnis et Chloé, M. 57: Part 3. Pantomine. Daphnis et Chloé miment l'aventure de Pan et de Syrinx | — | ||
| 58-13 | Daphnis et Chloé, M. 57: Part 3. Danse générale - Danse de Daphnis et Chloé - Danse de Dorcon - Danse finale: Bacchanale | — | ||
| 59-1 | Water Music, Suite No. 1 in F major, HWV 348: I. Ouverture. Largo - Allegro | — | ||
| 59-2 | Water Music, Suite No. 1 in F major, HWV 348: II. Adagio e staccato | — | ||
| 59-3 | Water Music, Suite No. 1 in F major, HWV 348: III. [Allegro] | — | ||
| 59-4 | Water Music, Suite No. 1 in F major, HWV 348: IV. Andante | — | ||
| 59-5 | Water Music, Suite No. 1 in F major, HWV 348: IV. [Allegro] da capo | — | ||
| 59-6 | Water Music, Suite No. 1 in F major, HWV 348: V. [Presto] | — | ||
| 59-7 | Water Music, Suite No. 1 in F major, HWV 348: VI. Air | — | ||
| 59-8 | Water Music, Suite No. 1 in F major, HWV 348: VIII. Bourrée | — | ||
| 59-9 | Water Music, Suite No. 1 in F major, HWV 348: X. [Allegro] | — | ||
| 59-10 | Water Music, Suite No. 1 in F major, HWV 348: IX. Hornpipe | — | ||
| 59-11 | Water Music, Suite No. 1 in F major, HWV 348: VII. Minuet | — | ||
| 59-12 | Water Music, Suite No. 2 in D major HWV 349: XI. [Allegro] | — | ||
| 59-13 | Water Music, Suite No. 2 in D major HWV 349: XII. Alla Hornpipe | — | ||
| 59-14 | Water Music, Suite No. 3 in G major HWV 350: XVI. [Sarabande] | — | ||
| 59-15 | Water Music, Suite No. 3 in G major HWV 350: XVII. Rigaudon | — | ||
| 59-16 | Water Music, Suite No. 2 in D major HWV 349: XIV. Lentement | — | ||
| 59-17 | Water Music, Suite No. 2 in D major HWV 349: XV. Bourrée | — | ||
| 59-18 | Water Music, Suite No. 3 in G major HWV 350: XIX. Minuet | — | ||
| 59-19 | Water Music, Suite No. 3 in G major HWV 350: XXII. [Gigue] | — | ||
| 59-20 | Water Music, Suite No. 2 in D major HWV 349: XIII. Minuet | — | ||
| 60-1 | El sombrero de tres picos: Act I. Introducción | — | ||
| 60-2 | El sombrero de tres picos: Act I. Atardecer | — | ||
| 60-3 | El sombrero de tres picos: Act I. Danza de la molinera (Fandango) | — | ||
| 60-4 | El sombrero de tres picos: Act I. Las uvas | — | ||
| 60-5 | El sombrero de tres picos: Act II. Danza de los vecinos (Seguidillas) | — | ||
| 60-6 | El sombrero de tres picos: Act II. Danza de molinero (Farruca) | — | ||
| 60-7 | El sombrero de tres picos: Act II. Danza del corregidor | — | ||
| 60-8 | El sombrero de tres picos: Act II. Danza final (Jota) | — | ||
| 60-9 | Amériques | — | ||
| 61-1 | Music from the Woody Allen film Manhattan: Rhapsody in Blue | — | ||
| 61-2 | Music from the Woody Allen film Manhattan: Land of the Gay Caballero | — | ||
| 61-3 | Music from the Woody Allen film Manhattan: Someone to Watch over Me | — | ||
| 61-4 | Music from the Woody Allen film Manhattan: I've Got a Crush on You | — | ||
| 61-5 | Music from the Woody Allen film Manhattan: Do, Do, Do | — | ||
| 61-6 | Music from the Woody Allen film Manhattan: Mine | — | ||
| 61-7 | Music from the Woody Allen film Manhattan: He Loves and She Loves | — | ||
| 61-8 | Music from the Woody Allen film Manhattan: Bronco Busters | — | ||
| 61-9 | Music from the Woody Allen film Manhattan: Oh, Lady Be Good! | — | ||
| 61-10 | Music from the Woody Allen film Manhattan: 'S Wonderful | — | ||
| 61-11 | Music from the Woody Allen film Manhattan: Love Is Here to Stay | — | ||
| 61-12 | Music from the Woody Allen film Manhattan: Sweet and Low-Down | — | ||
| 61-13 | Music from the Woody Allen film Manhattan: Blue Blue Blue | — | ||
| 61-14 | Music from the Woody Allen film Manhattan: Embraceable You | — | ||
| 61-15 | Music from the Woody Allen film Manhattan: He Loves and She Loves | — | ||
| 61-16 | Music from the Woody Allen film Manhattan: Love Is Sweeping the Country - Land of the Gay Caballero (Medley) | — | ||
| 61-17 | Music from the Woody Allen film Manhattan: Strike Up the Band | — | ||
| 61-18 | Music from the Woody Allen film Manhattan: But Not for Me | — | ||
| 62-1 | Pictures at an Exhibition: Promenade | — | ||
| 62-2 | Pictures at an Exhibition: I. Gnomus | — | ||
| 62-3 | Pictures at an Exhibition: Promenade | — | ||
| 62-4 | Pictures at an Exhibition: II. Il vecchio castello | — | ||
| 62-5 | Pictures at an Exhibition: Promenade | — | ||
| 62-6 | Pictures at an Exhibition: III. Tuileries | — | ||
| 62-7 | Pictures at an Exhibition: IV. Bidło | — | ||
| 62-8 | Pictures at an Exhibition: Promenade | — | ||
| 62-9 | Pictures at an Exhibition: V. Ballet des poussins dans leurs coques | — | ||
| 62-10 | Pictures at an Exhibition: VI. Samuel Goldenberg und Schmuÿle | — | ||
| 62-11 | Pictures at an Exhibition: VII. Limoges - Le Marché | — | ||
| 62-12 | Pictures at an Exhibition: VIII. Catacombae (Sepulcrum romanum) | — | ||
| 62-13 | Pictures at an Exhibition: Cum mortuis in lingua mortua | — | ||
| 62-14 | Pictures at an Exhibition: IX. La Cabane sur des pattes de poule (Baba-Yaga) | — | ||
| 62-15 | Pictures at an Exhibition: X. La Grande Porte de Kiev | — | ||
| 62-16 | La Valse, M. 72 | — | ||
| 63-1 | Also sprach Zarathustra, Op. 30: Einleitung | — | ||
| 63-2 | Also sprach Zarathustra, Op. 30: Von den Hinterweltlern | — | ||
| 63-3 | Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht | — | ||
| 63-4 | Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften | — | ||
| 63-5 | Also sprach Zarathustra, Op. 30: Das Grablied | — | ||
| 63-6 | Also sprach Zarathustra, Op. 30: Von der Wissenschaft | — | ||
| 63-7 | Also sprach Zarathustra, Op. 30: Der Genesende | — | ||
| 63-8 | Also sprach Zarathustra, Op. 30: Ziemlich langsam - Schnell | — | ||
| 63-9 | Also sprach Zarathustra, Op. 30: Das Tanzlied | — | ||
| 63-10 | Also sprach Zarathustra, Op. 30: Nachtwandlerlied | — | ||
| 63-11 | Also sprach Zarathustra, Op. 30: Langsam | — | ||
| 63-12 | Ein Heldenleben, Op. 40: Der Held | — | ||
| 63-13 | Ein Heldenleben, Op. 40: Des Helden Widersacher | — | ||
| 63-14 | Ein Heldenleben, Op. 40: Des Helden Gefährtin | — | ||
| 63-15 | Ein Heldenleben, Op. 40: Des Helden Walstatt | — | ||
| 63-16 | Ein Heldenleben, Op. 40: Des Helden Friedenswerke | — | ||
| 63-17 | Ein Heldenleben, Op. 40: Des Helden Weltflucht und Vollendung | — | ||
| 64-1 | Messa da Requiem: I. Requiem & Kyrie | — | ||
| 64-2 | Messa da Requiem: II. Dies irae: Dies irae, dies illa | — | ||
| 64-3 | Messa da Requiem: II. Tuba mirum spargens sonum | — | ||
| 64-4 | Messa da Requiem: II. Liber scriptus proferetur | — | ||
| 64-5 | Messa da Requiem: II. Quid sum miser | — | ||
| 64-6 | Messa da Requiem: II. Rex tremendae majestatis | — | ||
| 64-7 | Messa da Requiem: II. Recordare, Jesu pie | — | ||
| 64-8 | Messa da Requiem: II. Ingemisco tamquam reus | — | ||
| 64-9 | Messa da Requiem: II. Confutatis maledictis | — | ||
| 64-10 | Messa da Requiem: II. Lacrymosa dies illa | — | ||
| 65-1 | Messa da Requiem: III. Offertorio | — | ||
| 65-2 | Messa da Requiem: IV. Sanctus | — | ||
| 65-3 | Messa da Requiem: V. Agnus Dei | — | ||
| 65-4 | Messa da Requiem: VI. Lux aeterna | — | ||
| 65-5 | Messa da Requiem: VII. Libera me | — | ||
| 65-6 | Cello Concerto in B minor, op. 104: I. Allegro | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 65-7 | Cello Concerto in B minor, op. 104: II. Adagio, ma non troppo | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — | |
| 65-8 | Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato | Yo-Yo Ma, New York Philharmonic, Kurt Masur | — |
Der fliegende Holländer: Overture
—
Ein Heldenleben, Op. 40: I. Der Held
—
Ein Heldenleben, Op. 40: II. Des Helden Widersacher
—
Ein Heldenleben, Op. 40: III. Des Helden Gefährtin
—
Ein Heldenleben, Op. 40: IV. Des Helden Walstatt
—
Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke
—
Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung
—
Le Rouet d'Omphale, Op. 31
—
Raymond: Overture
—
Symphony No. 9 in E minor, ''From the New World'', Op. 95: II. Largo
—
Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: I. Allegro con brio
—
Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: II. Marcia funebre: Adagio assai
—
Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: III. Scherzo: Allegro vivace - Trio
—
Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: IV. Finale: Allegro molto - Poco Andante - Presto
—
Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
—
A Victory Ball
—
Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
—
Symphony No. 5 in C minor, Op. 67: II. Andante con moto
—
Symphony No. 5 in C minor, Op. 67: III. Allegro - Attacca
—
Symphony No. 5 in C minor, Op. 67: IV. Allegro
—
Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace
—
Symphony No. 7 in A major, Op. 92: II. Allegretto
—
Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto
—
Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
—
Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Thema. Chorale St. Antoni. Andante
—
Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation I. Poco più animato
New York Philharmonic, Arturo Toscanini
—
Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation II. Più vivace
New York Philharmonic, Arturo Toscanini
—
Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation III. Con moto
New York Philharmonic, Arturo Toscanini
—
Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation IV. Andante con moto
New York Philharmonic, Arturo Toscanini
—
Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation V. Vivace
New York Philharmonic, Arturo Toscanini
—
Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation VI. Vivace
New York Philharmonic, Arturo Toscanini
—
Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation VII. Grazioso
New York Philharmonic, Arturo Toscanini
—
Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation VIII. Presto non troppo
New York Philharmonic, Arturo Toscanini
—
Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Finale. Andante
New York Philharmonic, Arturo Toscanini
—
Symphony No. 101 in D major, ''The Clock'', Hob. I:101: I. Adagio - Presto
—
Symphony No. 101 in D major, ''The Clock'', Hob. I:101: II. Andante
—
Symphony No. 101 in D major, ''The Clock'', Hob. I:101: III. Menuetto. Allegretto - Trio
—
Symphony No. 101 in D major, ''The Clock'', Hob. I:101: IV. Finale. Vivace
—
Symphony No. 35 in D major, ''Haffner'', K. 385: I. Allegro con spirito
—
Symphony No. 35 in D major, ''Haffner'', K. 385: II. Andante
—
Symphony No. 35 in D major, ''Haffner'', K. 385: III. Menuetto - Trio
—
Symphony No. 35 in D major, ''Haffner'', K. 385: IV. Presto
—
Ein Sommernachtstraum, Op. 61: No.1: Scherzo. Allegro vivace
—
Ein Sommernachtstraum, Op. 61: No.7: Nocturne. Con moto tranquillo
—
L'apprenti sorcier
—
Orfeo ed Euridice: Dance of the Blessed Spirits
—
Il barbiere di Siviglia: Overture
—
L'Italiana in Algeri: Overture
—
Semiramide: Overture
—
La traviata: Prelude Act I
—
La traviata: Prelude Act III
—
Siegfried-Idyll
—
Götterdämmerung: Morgendämmerung und Siegfrieds Rheinfahrt
—
Lohengrin: Prelude Act I
—
Lohengrin: Prelude Act III
—
Symphony No. 4 in C minor, ''Tragic'', D. 417: I. Adagio molto - Allegro vivace
—
Symphony No. 4 in C minor, ''Tragic'', D. 417: II. Andante
—
Symphony No. 4 in C minor, ''Tragic'', D. 417: III. Menuetto. Allegro vivace - Trio
—
Symphony No. 4 in C minor, ''Tragic'', D. 417: IV. Allegro
—
Symphony No. 2 in D major, Op. 73: I. Allegro non troppo
—
Symphony No. 2 in D major, Op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso
—
Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai - Tempo I
—
Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito
—
Symphony No. 1 in E minor, Op. 39: I. Andante ma non troppo - Allegro energico - Tranquillo - Tempo I [Allegro energico] - Tranquillo - a tempo
—
Symphony No. 1 in E minor, Op. 39- II. Andante (ma non troppo lento) - Molto tranquillo - Tempo I
—
Symphony No. 1 in E minor, Op. 39- III. Scherzo- Allegro - Lento (ma non troppo) - Tempo I
—
Symphony No. 1 in E minor, Op. 39: IV. Finale (Quasi una fantasia): Andante - Allegro molto - Andante assai - Allegro molto come prima - Andante (ma non troppo) - Più largamente poco a poco
—
Symphony No. 2 in D major, Op. 43- I. Allegretto
—
Symphony No. 2 in D major, Op. 43- II. Tempo andante ma rubato
—
Symphony No. 2 in D major, Op. 43- III. Vivacissimo - attaca
—
Symphony No. 2 in D major, Op. 43- IV. Finale- Allegro moderato
—
Le Carnaval romain, Op. 9
—
La Valse, M. 72
—
Don Quixote, Op. 35: Introduktion: Mäßiges Zeitmaß
—
Don Quixote, Op. 35: Thema: Mäßig. ''Der Ritter von der traurigen Gestalt''
—
Don Quixote, Op. 35: Maggiore: ''Sancho Panza''
—
Don Quixote, Op. 35: Variation I: Gemächlich. ''Das Abenteuer an den Windmühlen''
—
Don Quixote, Op. 35: Variation II: Kriegerisch. ''Der Kampf gegen die Hammelherde''
—
Don Quixote, Op. 35: Variation III: Mäßiges Zeitmaß. ''Gespräche zwischen Ritter und Knappe''
—
Don Quixote, Op. 35: Variation IV: Etwas breiter. ''Das Abenteuer mit der Prozession von Büßern''
—
Don Quixote, Op. 35: Variation V: Sehr langsam. ''Don Quixotes Waffenwache und Herzensergüsse''
—
Don Quixote, Op. 35: Variation VI: Schnell. ''Die verzauberte Dulzinea''
—
Don Quixote, Op. 35: Variation VII: Ein wenig ruhiger als vorher. ''Der Ritt durch die Luft''
—
Don Quixote, Op. 35: Variation VIII: Gemächlich. ''Die Fahrt auf dem verzauberten Nachen''
—
Don Quixote, Op. 35: Variation IX: Schnell und stürmisch. ''Der Kampf gegen die vermeintlichen Zauberer''
—
Don Quixote, Op. 35: Variation X: Viel breiter. ''Zweikampf mit dem Ritter vom blanken Monde - Heimkehr des geschlagenen Don Quixote''
—
Don Quixote, Op. 35: Finale: Sehr ruhig. ''Don Quixotes Tod''
—
Le Sacre du printemps, Part 1: L'Adoration de la Terre: Introduction
—
Le Sacre du printemps, Part 1: L'Adoration de la Terre: Les Augures printaniers - Danses des adolescentes
—
Le Sacre du printemps, Part 1: L'Adoration de la Terre: Jeu du rapt
—
Le Sacre du printemps, Part 1: L'Adoration de la Terre: Rondes printanières
—
Le Sacre du printemps, Part 1: L'Adoration de la Terre: Jeux des cités rivales
—
Le Sacre du printemps, Part 1: L'Adoration de la Terre: Cortège du sage
—
Le Sacre du printemps, Part 1: L'Adoration de la Terre: Le Sage
—
Le Sacre du printemps, Part 1: L'Adoration de la Terre: Danse de la terre
—
Le Sacre du printemps, Part 2: Le Sacrifice: Introduction
—
Le Sacre du printemps, Part 2: Le Sacrifice: Cercles mystérieux des adolescentes
—
Le Sacre du printemps, Part 2: Le Sacrifice: Glorification de l'Élue
—
Le Sacre du printemps, Part 2: Le Sacrifice: Évocation des ancêtres
—
Le Sacre du printemps, Part 2: Le Sacrifice: Action rituelle des ancêtres
—
Le Sacre du printemps, Part 2: Le Sacrifice: Danse sacrale (L'Élue)
—
Symphony in 3 movements, I: [♩ = 160]
—
Symphony in 3 movements, II: Andante - Interlude: L'istesso tempo
—
Symphony in 3 movements, III: Con moto
—
Symphony No. 6 in B minor, ''Pathétique'', Op. 74: I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato Assai - Allegro vivo - Andante come prima - Andante mosso
—
Symphony No. 6 in B minor, ''Pathétique'', Op. 74: II. Allegro con grazia
—
Symphony No. 6 in B minor, ''Pathétique'', Op. 74: III. Allegro molto vivace
—
Symphony No. 6 in B minor, ''Pathétique'', Op. 74: IV. Finale: Adagio lamentoso - Andante
—
Suite No. 4 in G major, ''Mozartiana'', Op. 61: I. Gigue. Allegro (after Mozart's Eine kleine Gigue for piano, K. 574)
—
Suite No. 4 in G major, ''Mozartiana'', Op. 61: II. Menuet. Moderato (after Mozart's Minuet for piano, K. 355)
—
Suite No. 4 in G major, ''Mozartiana'', Op. 61: III. Preghiera. Andante non tanto (after Liszt's piano transcription of Mozart's Ave verum corpus for chorus, strings and organ, K. 618)
—
Suite No. 4 in G major, ''Mozartiana'', Op. 61: IV. Thème et variations. Allegro giusto (after Mozart's 10 Variations for piano, K. 455 on the theme ''Unser dummer Pöbel mein'' by Gluck)
—
Symphony No. 2 in E minor, Op. 27: I. Largo - Allegro molto
—
Symphony No. 2 in E minor, Op. 27: II. Allegro molto
—
Symphony No. 2 in E minor, Op. 27: III. Adagio
—
Symphony No. 2 in E minor, Op. 27: IV. Allegro vivace
—
Die Walküre: Act III, Scene 1 & Scene 2 (beginning)
—
Die Walküre: Act III, Scene 2 (conclusion: ''Du verstößest mich?'') & Scene 3 (beginning)
—
Die Walküre: Act III, Scene 3 (conclusion: ''Wohl taugte dir nicht die thör'ge Maid'')
—
Symphony No. 4 in A minor, Op. 63: I. Tempo molto moderato, quasi adagio
—
Symphony No. 4 in A minor, Op. 63: II. Allegro molto vivace
—
Symphony No. 4 in A minor, Op. 63: III. Il tempo largo
—
Symphony No. 4 in A minor, Op. 63: IV. Allegro
—
Symphony No. 5 in B-flat major, Op. 100: I. Andante
—
Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato
—
Symphony No. 5 in B-flat major, Op. 100: III. Adagio
—
Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso
—
Concerto in F: I. Allegro
—
Concerto in F: II. Adagio - Andante con moto
—
Concerto in F: III. Allegro agitato
—
Spirituals for Orchestra: I. Proclamation
—
Spirituals for Orchestra: II. Sermon
—
Spirituals for Orchestra: III. A Little Bit of Sin
—
Spirituals for Orchestra: IV. Protest
—
Spirituals for Orchestra: V. Jubilee
—
Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: I. Allegro con brio
—
Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: II. Marcia funebre: Adagio assai
—
Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: III. Scherzo: Allegro vivace - Trio
—
Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: IV. Finale: Allegro molto - Poco Andante - Presto
—
Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
—
Symphony No. 5 in C minor, Op. 67: II. Andante con moto
—
Symphony No. 5 in C minor, Op. 67: III. Allegro - attaca
—
Symphony No. 5 in C minor, Op. 67: IV. Allegro
—
Symphony No. 4: I. Bedächtig. Nicht eilen - Recht gemächlich
—
Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast
—
Symphony No. 4: III. Ruhevoll (Poco adagio) - Allegretto subito (Nicht eilen) - Allegro subito - Andante subito
—
Symphony No. 4: IV. Sehr behaglich: ''Wir genießen die himmlischen Freuden''
—
Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
New York Philharmonic, Bruno Walter
—
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz
New York Philharmonic, Bruno Walter
—
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell
New York Philharmonic, Bruno Walter
—
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
New York Philharmonic, Bruno Walter
—
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro
New York Philharmonic, Bruno Walter
—
Symphony No. 8 in G major, Op. 88: I. Allegro con brio
—
Symphony No. 8 in G major, Op. 88: II. Adagio
—
Symphony No. 8 in G major, Op. 88: III. Allegretto grazioso - Molto vivace
—
Symphony No. 8 in G major, Op. 88: IV. Allegro ma non troppo
—
The Moldau (Vltava)
—
Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro
New York Philharmonic, Bruno Walter
—
Symphony no. 39 in E-flat major, K. 543: II. Andante con moto
New York Philharmonic, Bruno Walter
—
New York Philharmonic, Bruno Walter
Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro
New York Philharmonic, Bruno Walter
—
Symphony no. 40 in G minor with clarinets, K. 550: I. Molto Allegro
New York Philharmonic, Bruno Walter
—
New York Philharmonic, Bruno Walter
New York Philharmonic, Bruno Walter
New York Philharmonic, Bruno Walter
Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace
New York Philharmonic, Bruno Walter
—
Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile
New York Philharmonic, Bruno Walter
—
Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio
New York Philharmonic, Bruno Walter
—
Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto Allegro
New York Philharmonic, Bruno Walter
—
Symphony No. 3 in C minor, ''Organ'', Op. 78: I. Adagio - Allegro moderato
—
Symphony No. 3 in C minor, ''Organ'', Op. 78: I. Poco adagio
—
Symphony No. 3 in C minor, ''Organ'', Op. 78: II. Allegro moderato - Presto - Allegro moderato
—
Symphony No. 3 in C minor, ''Organ'', Op. 78: II. Maestoso - Allegro - Molto - allegro - Pesante
—
Concerto for Piano and Orchestra No. 21 in C major, K. 467: I. Allegro maestoso
—
Concerto for Piano and Orchestra No. 21 in C major, K. 467: II. Andante
—
Concerto for Piano and Orchestra No. 21 in C major, K. 467: III. Allegro vivace assai
—
Symphony No. 6 in E minor: I. Allegro - attacca
—
Symphony No. 6 in E minor: II. Moderato - attacca
—
Symphony No. 6 in E minor: III. Scherzo. Allegro vivace - attacca
—
Symphony No. 6 in E minor: IV. Epilogue. Moderato
—
Fantasia on ''Greensleeves''
—
L'Ascension: I. Majesté du Christ demandant sa gloire à son Père
—
L'Ascension: II. Alléluias sereins d'une âme qui désire le ciel
—
L'Ascension: III. Alléluia sur la trompette, alléluia sur la cymbale
—
L'Ascension: IV. Prière du Christ montant vers son père
—
Götterdämmerung: Morgendämmerung und Siegfrieds Rheinfahrt
—
Götterdämmerung: Trauermarsch
—
Philharmonic Waltzes
—
Le Rouet d’Omphale, Op. 31
—
La Procession nocturne, Op. 6
—
La Jeunesse d'Hercule, Op. 50
—
Phaëton, Op. 39
—
4 Greek Dances, Op. 11: Peloponnisiakos
—
4 Greek Dances, Op. 11: Epirotikos
—
4 Greek Dances, Op. 11: Hostianos
—
4 Greek Dances, Op. 11: Kleftikos
—
Wozzeck, Op. 7: Act I - Scene 1: The Captain ''Langsam, Wozzeck, langsam!''
—
Wozzeck, Op. 7: Act I - Scene 2: Andres ''Du, der Platz ist verflucht!''
—
Wozzeck, Op. 7: Act I - Scene 3: Marie ''Tschin Bum! Hörst du, Bub?''
—
Wozzeck, Op. 7: Act I - Scene 4: The Doctor ''Was erleb' ich, Wozzeck?''
—
Wozzeck, Op. 7: Act I - Scene 5: The Drum Major ''Geh einmal vor dich hin''
—
Wozzeck, Op. 7: Act II - Scene 1: Sonata Movement ''Was die Steine glänzen!''
—
Wozzeck, Op. 7: Act II - Scene 2: Invention and Fugue on 3 Themes ''Wohin so eilig, geehrtester Herr Sargnagel?''
—
Wozzeck, Op. 7: Act II - Scene 3: Largo ''Guten Tag, Franz'' ... ''Ich seh' nichts''
—
Wozzeck, Op. 7: Act II - Scene 4: Extended Scherzo and Trio Movement ''Ich hab ein Hemdlein an''
—
Wozzeck, Op. 7: Act II - Scene 5: Rondo marziale con introduzione ''Oh! oh! Andres! Ich kann nicht schlafen''
—
Wozzeck, Op. 7: Act III - Scene 1: Invention on a Theme (Theme, 7 Variations & Fugue) ''Und ist kein Betrug in seinem Munde erfunden worden''
—
Wozzeck, Op. 7: Act III - Scene 2: Invention on 1 Note (B) ''Dort links geht's in die Stadt''
—
Wozzeck, Op. 7: Act III - Scene 3: Invention on a Rhythm ''Tanzt alle; tanzt nur zu!''
—
Wozzeck, Op. 7: Act III - Scene 4: Invention on a 6-Note Chord ''Das Messer? Wo ist das Messer?'' Orchestral Interlude in D minor - Invention on a Key
—
Wozzeck, Op. 7: Act III - Scene 5: Invention on a Quaver Rhythm ''Ringel, Ringel, Rosenkranz''
—
Erwartung, Op. 17: Scene 1: ''Hier hinein?... Man sieht den Weg nicht''
—
Erwartung, Op. 17: Scene 2: ''Ist das noch der Weg?''
—
Erwartung, Op. 17: Scene 3: ''Da kommt ein Licht!''
—
Erwartung, Op. 17: Scene 4: ''Er ist auch nicht da''
—
Erwartung, Op. 17: Scene 4: ''Das Mondlicht… nein dort''
—
Erwartung, Op. 17: Scene 4: ''Nein, das ist doch nicht möglich''
—
Erwartung, Op. 17: Scene 4: ''Du siehst wieder dort hin!''
—
Erwartung, Op. 17: Scene 4: ''Der Morgen trennt uns''
—
Symphonic Elegy for String Orchestra, Op. 105
—
Symphony No. 2 in B minor: I. Allegro - Animato assai
—
Symphony No. 2 in B minor: II. Scherzo - Prestissimo - Allegretto
—
Symphony No. 2 in B minor: III. Andante
—
Symphony No. 2 in B minor: IV. Finale. Allegro
—
In the Steppes of Central Asia
—
Caucasian Sketches - Suite No. 1, Op. 10: No. 1: In the Mountain Pass
—
Caucasian Sketches - Suite No. 1, Op. 10: No. 2: In the Village
—
Caucasian Sketches - Suite No. 1, Op. 10: No. 3: In the Mosque
—
Caucasian Sketches - Suite No. 1, Op. 10: No. 4: Procession of the Sardar
—
Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Andante. Languido - Lento. Soavamente -
—
Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Allegro volando -
—
Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Lento - Allegro non troppo - Moderato avec délice -
—
Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Allegro - Allegro dramatico - Tragico -
—
Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Lento -
—
Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Allegro volando -
—
Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Lento - Allegro - Charmé - Scherzando -
—
Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Allegro molto. Leggierissimo. Volando - Maestoso
—
Symphony No. 5, ''Prométhée - Le Poème du feu'', Op. 60
—
Suite No. 1 in D minor, Op. 43: I. Introduzione e Fuga. Andante sostenuto - Moderato e con anima
—
Suite No. 1 in D minor, Op. 43: II. Divertimento. Allegro moderato
—
Suite No. 1 in D minor, Op. 43: IV. Marche miniature. Moderato con moto
—
Suite No. 1 in D minor, Op. 43: V. Scherzo. Allegro con moto
—
Suite No. 1 in D minor, Op. 43: VI. Gavotte. Allegro
—
Symphony No. 10 in E minor, Op. 93: I. Moderato
—
Symphony No. 10 in E minor, Op. 93: II. Allegro
—
Symphony No. 10 in E minor, Op. 93: III. Allegretto
—
Symphony No. 10 in E minor, Op. 93: IV. Andante - Allegro
—
Verklärte Nacht, Op. 4
—
New York Philharmonic, Dimitri Mitropoulos
Romeo and Juliet, Op. 64: Juliet, the Young Girl
New York Philharmonic, Dimitri Mitropoulos
—
Romeo and Juliet, Op. 64: Folk Dance
New York Philharmonic, Dimitri Mitropoulos
—
Romeo and Juliet, Op. 64: Death of Tybalt
New York Philharmonic, Dimitri Mitropoulos
—
Romeo and Juliet, Op. 64: Romeo and Juliet before Parting
New York Philharmonic, Dimitri Mitropoulos
—
Romeo and Juliet, Op. 64: Friar Laurence
New York Philharmonic, Dimitri Mitropoulos
—
Romeo and Juliet, Op. 64: Romeo at Juliet’s Grave
New York Philharmonic, Dimitri Mitropoulos
—
Slavonic March, Op. 31
—
Night on Bald Mountain
—
Fantasia on a Theme by Thomas Tallis
—
The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 1: The Prologue. Lento moderato
—
The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 1: The Seven Ages. Variations 1-7
—
The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 1: The Seven Stages. Variations 8-14
—
The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 2: The Dirge. Largo
—
The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 2: The Masque. Extremely Fast
—
The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 2: The Epilogue. L'istesso tempo - Adagio - Con moto
—
Symphony No. 2: I. Andante moderato
—
Symphony No. 2: II. Allegro
—
Symphony No. 2: III. Adagio cantabile
—
Symphony No. 2: IV. Lento (maestoso)
—
Symphony No. 2: V. Allegro molto vivace
—
New York Philharmonic, Leonard Bernstein
Le Sacre du printemps : L’Adoration de la terre : II. Les Augures pintaniers. Danses des adolecentes
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
Firebird Suite: I. Introduction
New York Philharmonic, Leonard Bernstein
—
Firebird Suite: II. The Firebird and its Dance
New York Philharmonic, Leonard Bernstein
—
Firebird Suite: III. Variation of the Firebird
New York Philharmonic, Leonard Bernstein
—
Firebird Suite: IV. The Princesses’ Round
New York Philharmonic, Leonard Bernstein
—
Firebird Suite: V. Infernal Dance of King Kashchei
New York Philharmonic, Leonard Bernstein
—
Firebird Suite: VI. Lullaby
New York Philharmonic, Leonard Bernstein
—
Pulcinella: Suite: I. Sinfonia (Ouverture). Allegro moderato
—
Pulcinella: Suite: II. Serenata. Larghetto
—
Pulcinella: Suite: III. a) Scherzino
—
Pulcinella: Suite: III. b) Allegro
—
Pulcinella: Suite: III. c) Andantino
—
Pulcinella: Suite: IV. Tarantella. Half note = 88
—
Pulcinella: Suite: V. Toccata. Allegro
—
Pulcinella: Suite: VI. Gavotta con due variazioni. Allegro moderato
—
Pulcinella: Suite: VI. Variazione I. Allegretto
—
Pulcinella: Suite: VI. Variazione II. Allegro più tosto moderato
—
Pulcinella: Suite: VII. Vivo (Duetto)
—
Pulcinella: Suite: VIII. a) Minuetto. Molto moderato
—
Pulcinella: Suite: VIII. b) Finale. Allegro assai
—
Images pour orchestre, L. 122: I. Gigues
—
Images pour orchestre, L. 122: II. Ibéria
—
Images pour orchestre, L. 122: II. Par les rues et par les chemins
—
Images pour orchestre, L. 122: II. Les Parfums de la nuit
—
Images pour orchestre, L. 122: III. Rondes de printemps
—
Première Rapsodie pour orchestre avec clarinette principale, L. 116
—
Pavane pour une infante défunte, M. 19
—
Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant
—
Ma mère l'Oye, M. 60: II. Petit Poucet
—
Ma mère l'Oye, M. 60: III. Laideronnette, Impératrice des Pagodes
—
Ma mère l'Oye, M. 60: IV. Les Entretiens de la Belle et de la Bête
—
Ma mère l'Oye, M. 60: V. Le Jardin féerique
—
L'apprenti sorcier
—
Rapsodie espagnole, M.54: I. Prélude à la nuit
—
Rapsodie espagnole, M.54: II. Malagueña
—
Rapsodie espagnole, M.54: III. Habanera
—
Rapsodie espagnole, M.54: IV. Feria
—
Shéhérazade, M. 41: I. Asie
—
Shéhérazade, M. 41: II. La flûte enchantée
—
Shéhérazade, M. 41: III. L’Indifférent
—
Overtures: Guillaume Tell
—
La gazza ladra: Overture
New York Philharmonic, Leonard Bernstein
—
Symphony No. 5 in D minor, Op. 47: I. Moderato
—
Symphony No. 5 in D minor, Op. 47: II. Allegretto
—
Symphony No. 5 in D minor, Op. 47: III. Largo
—
Symphony No. 5 in D minor, Op. 47: IV. Allegro non troppo
—
Symphony No. 3
—
Romeo and Juliet Fantasy Overture
New York Philharmonic, Leonard Bernstein
—
Capriccio italien, Op. 45
—
Slavonic March, Op. 31
—
1812 Festival Overture, Op. 49
—
New York Philharmonic, Leonard Bernstein
The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: March. Tempo di Marcia viva
—
New York Philharmonic, Leonard Bernstein
The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse russe. Trépak Tempo di Trépak, molto vivace
—
The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse arabe. Allegretto
—
The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse chinoise. Allegro moderato
—
The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse des mirlitons. Moderato assai
—
New York Philharmonic, Leonard Bernstein
Swan Lake, Op. 20: Act I, No. 5 Pas de deux: I. Tempo di Valse ma non troppo vivo, quasi moderato
—
Swan Lake, Op. 20: Act I, No. 5 Pas de deux: II. Andante - Allegro
—
Swan Lake, Op. 20: Act I, No. 5 Pas de deux: III. Allegro moderato
—
Swan Lake, Op. 20: Act I, No. 5 Pas de deux: IV. Coda. Allegro molto vivace
—
Swan Lake, Op. 20: Act II, No. 10 Scène. Moderato
—
Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: I. Tempo di Valse
—
Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: II. Moderato assai - Molto più mosso
—
Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: IV. Allegro moderato
—
Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: V. Andante - Più mosso - Tempo I - Allegro
—
Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: VI. Tempo di Valse
—
Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: VII. Code. Allegro vivo
—
Swan Lake, Op. 20: Act III, No. 15 Allegro giusto
—
Swan Lake, Op. 20: Act III, No. 20 Danse hongroise. Czsárdás. Moderato assai - Allegro moderato - Vivace
—
Swan Lake, Op. 20: Act III, No. 21 Danse espagnole. Allegro non troppo (Tempo di bolero)
—
Swan Lake, Op. 20: Act III, No. 22 Danse napolitaine. Allegro moderato - Andantino quasi moderato - Molto più mosso - Presto
—
Swan Lake, Op. 20: Act III, No. 23 Mazurka. Tempo di mazurka
—
The Sleeping Beauty, Op. 66: Valse. Allegro (Tempo di valse) (Act I)
—
Eugene Onegin, Op. 24: Polonaise (Act III)
—
Peter and the Wolf, Op. 67
—
Le Carnaval des animaux: I. Introduction et Marche royale du Lion
—
Le Carnaval des animaux: II. Poules et Coqs
—
Le Carnaval des animaux: III. Hémiones (Animaux véloces)
—
Le Carnaval des animaux: IV. Tortues
—
Le Carnaval des animaux: V. L’Éléphant
—
Le Carnaval des animaux: VI. Kangourous
—
Le Carnaval des animaux: VII. Aquarium
—
Le Carnaval des animaux: VIII. Personnages à longues oreilles
—
Le Carnaval des animaux: IX. Le Coucou au fond des bois
—
Le Carnaval des animaux: X. Volière
—
Le Carnaval des animaux: XI. Pianistes
—
Le Carnaval des animaux: XII. Fossiles
—
Le Carnaval des animaux: XIII. Le Cygne
—
Le Carnaval des animaux: XIV. Final
—
The Young Person's Guide to the Orchestra, Op. 34: I. Theme. Allegro maestoso e largamente (tutti)
—
The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Woodwinds)
—
The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Brass)
—
The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Strings)
—
The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Percussion)
—
The Young Person's Guide to the Orchestra, Op. 34: I. Theme (tutti)
—
The Young Person's Guide to the Orchestra, Op. 34: II. Variation A. Presto
—
The Young Person's Guide to the Orchestra, Op. 34: III. Variation B. Lento
—
The Young Person's Guide to the Orchestra, Op. 34: IV. Variation C. Moderato
—
The Young Person's Guide to the Orchestra, Op. 34: V. Variation D. Allegro alla marcia
—
The Young Person's Guide to the Orchestra, Op. 34: VI. Variation E. Brillante: Alla polacca
—
The Young Person's Guide to the Orchestra, Op. 34: XII. Variation F. Meno mosso
—
The Young Person's Guide to the Orchestra, Op. 34: VIII. Variation G
—
The Young Person's Guide to the Orchestra, Op. 34: IV. Variation H. Cominciando lento ma poco a poco accelando al Allegro
—
The Young Person's Guide to the Orchestra, Op. 34: X. Variation I. Maestoso
—
The Young Person's Guide to the Orchestra, Op. 34: XI. Variation J. L'istesso tempo
—
The Young Person's Guide to the Orchestra, Op. 34: XII. Variation K. Vivace
—
The Young Person's Guide to the Orchestra, Op. 34: XIII. Variation L. Allegro pomposo
—
The Young Person's Guide to the Orchestra, Op. 34: XIV. Variation M. Moderato
—
The Young Person's Guide to the Orchestra, Op. 34: XV. Fugue. Allegro molto
—
Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto
New York Philharmonic, Leonard Bernstein
—
New York Philharmonic, Leonard Bernstein
Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace
New York Philharmonic, Leonard Bernstein
—
Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
New York Philharmonic, Leonard Bernstein
—
The Moldau (Vltava)
—
Leonore Overture No. 3, Op. 72a
—
Tragic Overture in D minor, Op. 81
—
Academic Festival Overture, Op. 80
—
Carnival Overture, op. 92: Allegro - Andante con moto - Allegro
New York Philharmonic, Leonard Bernstein
—
New York Philharmonic, Leonard Bernstein
Slavonic Dances no. 3 in A-flat major, op. 46: Poco allegro
New York Philharmonic, Leonard Bernstein
—
Candide: Overture
—
Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato
New York Philharmonic, Leonard Bernstein
—
Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio
New York Philharmonic, Leonard Bernstein
—
Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero
New York Philharmonic, Leonard Bernstein
—
Symphonic Dances from “West Side Story”: IV. Mambo. Presto
New York Philharmonic, Leonard Bernstein
—
Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia
New York Philharmonic, Leonard Bernstein
—
New York Philharmonic, Leonard Bernstein
Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto
New York Philharmonic, Leonard Bernstein
—
Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro
New York Philharmonic, Leonard Bernstein
—
Symphonic Dances from “West Side Story”: IX. Finale. Adagio
New York Philharmonic, Leonard Bernstein
—
Symphonic Suite from On the Waterfront: Andante (with dignity) - Presto barbaro
—
Symphonic Suite from On the Waterfront: Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima -
—
Symphonic Suite from On the Waterfront: Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento -
—
Symphonic Suite from On the Waterfront: Moving forward, with warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, with intensity - Ancora più mosso -
—
Symphonic Suite from On the Waterfront: Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso -
—
Symphonic Suite from On the Waterfront: A tempo
—
Four Dances Episodes from Rodeo: Buckaroo Holiday. Allegro con spirito
—
Four Dances Episodes from Rodeo: Corral Nocturne. Moderato
—
Four Dances Episodes from Rodeo: Saturday Night Waltz. Introduction - Slow Waltz
—
Four Dances Episodes from Rodeo: Hoe-Down. Allegro
—
Billy the Kid: Introduction. The Open Prairie
—
Billy the Kid: Street in a Frontier Town
—
Billy the Kid: Mexican Dance and Finale
—
Billy the Kid: Prairie Night (Card Game at Night)
—
Billy the Kid: Gun Battle
—
Billy the Kid: Celebration (after Billy's Capture)
—
Billy the Kid: Billy's Death
—
Billy the Kid: The open Prairie again
—
Symphony no. 3: I. Molto moderato - with simple expression
New York Philharmonic, Leonard Bernstein
—
Symphony no. 3: II. Allegro molto
New York Philharmonic, Leonard Bernstein
—
Symphony no. 3: III. Andantino quasi allegretto
New York Philharmonic, Leonard Bernstein
—
Symphony no. 3: IV. Molto deliberato
New York Philharmonic, Leonard Bernstein
—
La Mer, L. 109: I. De l’aube à midi sur la mer - Très lent
—
La Mer, L. 109: II. Jeux de vagues. Allegro (dans un rythme très souple)
—
La Mer, L. 109: III. Dialogue du vent et de la mer - Animé et tumultueux
—
Prélude à l'après-midi d'un faune, L. 86
—
Jeux, L. 126
—
Nocturnes, L. 91: I. Nuages. Modéré - Un peu animé
—
Nocturnes, L. 91: II. Fêtes. Animé et très rythmé - Modéré mais toujours très rythmé
—
Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden
New York Philharmonic, Leonard Bernstein
—
Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig
New York Philharmonic, Leonard Bernstein
—
Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast
New York Philharmonic, Leonard Bernstein
—
Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!”
Martha Lipton, New York Philharmonic, Leonard Bernstein
—
Symphony No. 3 in D minor: Part 2: V. Lustig im Tempo und keck im Ausdruck ''Bimm Bamm!'' - ''Es sungen drei Engel''
—
Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden
New York Philharmonic, Leonard Bernstein
—
Symphony no. 82 in C major "The Bear": I. Vivace Assai
New York Philharmonic, Leonard Bernstein
—
Symphony no. 82 in C major "The Bear": II. Allegretto
New York Philharmonic, Leonard Bernstein
—
Symphony no. 82 in C major "The Bear": III. Menuetto, Trio
New York Philharmonic, Leonard Bernstein
—
Symphony no. 82 in C major "The Bear": IV. Finale. Vivace
New York Philharmonic, Leonard Bernstein
—
Symphony no. 83 in G minor "The Hen": I. Allegro Spirito
New York Philharmonic, Leonard Bernstein
—
Symphony no. 83 in G minor "The Hen": II. Andante
New York Philharmonic, Leonard Bernstein
—
Symphony no. 83 in G minor "The Hen": III. Menuetto. Allegretto, Trio
New York Philharmonic, Leonard Bernstein
—
Symphony no. 83 in G minor "The Hen": IV. Finale. Vivace
New York Philharmonic, Leonard Bernstein
—
Serenade to Music, Act V, Scene 1: Andante sostenuto
—
Serenade to Music, Act V, Scene 1: 'How sweet the moonlight sleeps'
—
Serenade to Music, Act V, Scene 1: 'Look how the floor of heaven is thick inlaid'
—
Serenade to Music, Act V, Scene 1: 'Come, ho! and wake Diana with a hymn'
—
Serenade to Music, Act V, Scene 1: 'l am never merry when I hear sweet music'
—
Serenade to Music, Act V, Scene 1: 'Music! Hark!'
—
Serenade to Music, Act V, Scene 1: 'How many things by season'
—
Serenade to Music, Act V, Scene 1: 'Soft stillness and the night'
—
Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Allegro impetuoso 'Veni, creator spiritus'
—
Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend "Imple superna gratia" Tempo I (Allegro impetuoso)
—
Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Etwas drängend - Noch einmal so langsam. (Nicht schleppend) "Infirma nostri corporis"
—
Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Tempo I (Allegro, etwas hastig)
—
Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend "Infirma nostri corporis"
—
Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Plötzlich sehr breit und leiden - schaftlichen Ausdrucks - Mit plötzlichem Aufschwung. "Accende lumen sensibus"
—
Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": 'Veni, creator spiritus' A tempo
—
Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Wieder frisch. 'Gloria sit Patri Domino'
—
Connotations for Orchestra
—
The Star-Spangled Banner
—
Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich
New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung
New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!”
Jennie Tourel, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube”
Jennie Tourel, Lee Venora, The Collegiate Chorale, New York Philharmonic, Leonard Bernstein
—
Kindertotenlieder: Nun will die Sonn' so hell aufgehn
—
Kindertotenlieder: Nun seh ich wohl, warum so dunkle Flammen
—
Kindertotenlieder: Wenn dein Mütterlein
—
Kindertotenlieder: Oft denk ich, sie sind nur ausgegangen
—
Kindertotenlieder: In diesem Wetter, in diesem Braus
—
Peer Gynt Suite no. 1, op. 46: I. Dawn
New York Philharmonic, Leonard Bernstein
—
Peer Gynt Suite no. 1, op. 46: II. The Death of Åse
New York Philharmonic, Leonard Bernstein
—
New York Philharmonic, Leonard Bernstein
Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King
New York Philharmonic, Leonard Bernstein
—
Peer Gynt Suite no. 2, op. 55: I. Ingrid’s Lament
New York Philharmonic, Leonard Bernstein
—
Peer Gynt Suite no. 2, op. 55: II. Arabian Dance
New York Philharmonic, Leonard Bernstein
—
Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Return Home
New York Philharmonic, Leonard Bernstein
—
Peer Gynt Suite no. 2, op. 55: IV. Solvejg's Song
New York Philharmonic, Leonard Bernstein
—
Norwegian Dance No. 2 in A major, Op. 35.2
—
March of the Dwarfs, Op. 54.3
—
The Swan of Tuonela, op. 22
Thomas Stacy, New York Philharmonic, Leonard Bernstein
—
Symphonie fantastique, Op. 14: I. Rêveries - Passions
—
Symphonie fantastique, Op. 14: II. Un bal
—
Symphonie fantastique, Op. 14: III. Scène aux champs
—
Symphonie fantastique, Op. 14: IV. Marche au supplice
—
Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat
—
Grande Ouverture de Benvenuto Cellini, Op. 23
—
Marche hongroise
—
Le Carnaval romain, ouverture caractéristique, op. 9
New York Philharmonic, Leonard Bernstein
—
Rustic Wedding - Symphony No. 1, Op. 26: I. Hochzeitsmarsch (Variationen) Moderato molto Allegro - Andante con moto quasi Allegretto - Allegretto - Allegro vivace - Allegretto pesante - Allegro scherzando - Allegretto quasi Andantino - Molto vivace - Andante con moto - Moderato - Tempo des Themas
—
Rustic Wedding - Symphony No. 1, Op. 26: II. Brautlied (Intermezzo). Allegretto
—
Rustic Wedding - Symphony No. 1, Op. 26: III. Serenade (Scherzo). Allegro moderato scherzando
—
Rustic Wedding - Symphony No. 1, Op. 26: IV. Im Garten. Andante - Poco più lento - Tempo I
—
Rustic Wedding - Symphony No. 1, Op. 26: V. Tanz (Finale). Allegro molto - Andante
—
Concerto for Violin and Orchestra, op. 14: I. Allegro
Isaac Stern, New York Philharmonic, Leonard Bernstein
—
Concerto for Violin and Orchestra, op. 14: II. Andante
Isaac Stern, New York Philharmonic, Leonard Bernstein
—
Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo
Isaac Stern, New York Philharmonic, Leonard Bernstein
—
To Thee Old Cause
Harold Gomberg, New York Philharmonic, Leonard Bernstein
—
In Praise of Shahn (Canticle for Orchestra): Vigoroso
New York Philharmonic, Leonard Bernstein
—
In Praise of Shahn (Canticle for Orchestra): Lento (Bar 185)
New York Philharmonic, Leonard Bernstein
—
Symphony No. 4, 'The Inextinguishable', Op. 29: I. Allegro - attacca
—
Symphony No. 4, 'The Inextinguishable', Op. 29: II. Poco allegretto - attacca
—
Symphony No. 4, 'The Inextinguishable', Op. 29: III. Poco adagio quasi andante - attacca
—
Symphony No. 4, 'The Inextinguishable', Op. 29: IV. Allegro
—
Symphony No. 5, Op. 50: I. Tempo giusto - Adagio non troppo
—
Symphony No. 5, Op. 50: II. Allegro - Un poco più mosso - Presto - Andante un poco tranquillo - Allegro (Tempo l)
—
New York Philharmonic, Leonard Bernstein
The Planets, op. 32: II. Venus, the Bringer of Peace. Adagio - Andante - Animato - Tempo I
New York Philharmonic, Leonard Bernstein
—
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
The Planets, op. 32: V. Saturn, the Bringer of Old Age. Adagio - Andante
New York Philharmonic, Leonard Bernstein
—
The Planets, op. 32: VI. Uranus, the Magician. Allegro - Lento - Allegro - Largo
New York Philharmonic, Leonard Bernstein
—
The Planets, op. 32: VII. Neptune, the Mystic. Andante - Allegretto
New York Philharmonic, Leonard Bernstein
—
Fantasia on a Theme by Thomas Tallis
—
Fantasia on "Greensleeves"
David Nadien, New York Philharmonic, Leonard Bernstein
—
Pomp and Circumstance: March No. 1 in D major, Op. 39.1
—
Sinfonia: I. (without tempo indication)
—
Sinfonia: II. O King (immobile e lontano)
—
Sinfonia: III. In ruhig fließender Bewegung - attaca
—
Sinfonia: IV. (without tempo indication)
—
4 Improvisations by the Orchestra: Improvisation I
—
4 Improvisations by the Orchestra: Improvisation II
—
4 Improvisations by the Orchestra: Improvisation III
—
4 Improvisations by the Orchestra: Improvisation IV
—
Through the Looking Glass Suite, Op. 12: I.a) Dedication
—
Through the Looking Glass Suite, Op. 12: I.b) The Garden of Live Flowers
—
Through the Looking Glass Suite, Op. 12: II. Jabberwocky
—
Through the Looking Glass Suite, Op. 12: III. Looking-Glass Insects
—
Through the Looking Glass Suite, Op. 12: IV. The White Knight
—
The Miraculous Mandarin, Sz. 73: Prelude
—
The Miraculous Mandarin, Sz. 73: The curtain rises
—
The Miraculous Mandarin, Sz. 73: First seduction game
—
The Miraculous Mandarin, Sz. 73: Second seduction game
—
The Miraculous Mandarin, Sz. 73: Third seduction game
—
The Miraculous Mandarin, Sz. 73: General consternation - The tramps make signs from their hiding place that the girl should start to lure the Mandarin a little closer and ensnare him
—
The Miraculous Mandarin, Sz. 73: The girl is undecided; she shudders and draws back again
—
The Miraculous Mandarin, Sz. 73: The girl sinks down to embrace the Mandarin; he begins to tremble in feverish excitement
—
The Miraculous Mandarin, Sz. 73: The tramps leap out, seize the Mandarin and tear him away from the girl; they strip him of his jewelryand his money
—
The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the girl; the four shudder and stand aghast
—
The Miraculous Mandarin, Sz. 73: The terrified tramps discuss how they are to get rid of the Mandarin at last
—
The Miraculous Mandarin, Sz. 73: The lamp falls to the floor - goes out; the body of the Mandarin begins to glow with a greenish blue light; his eyes are fixed on the girl
—
Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace - Tempo I
—
Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando
—
Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo
—
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto
—
Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto
—
Verklärte Nacht, Op. 4: Grave
—
Verklärte Nacht, Op. 4: Molto rallentando (bar 100)
—
Verklärte Nacht, Op. 4: Pesante (bar 201)
—
Verklärte Nacht, Op. 4: Adagio (bar 229)
—
Verklärte Nacht, Op. 4: Adagio (bar 370)
—
3 Pieces from the Lyric Suite: I. Andante amoroso
—
3 Pieces from the Lyric Suite: II. Allegro misterioso - Trio estatico
—
3 Pieces from the Lyric Suite: III. Adagio appassionato
—
Valses nobles et sentimentales, M. 61: I. Modéré - très franc
—
Valses nobles et sentimentales, M. 61: II. Assez lent
—
Valses nobles et sentimentales, M. 61: III. Modéré
—
Valses nobles et sentimentales, M. 61: IV. Assez animé
—
Valses nobles et sentimentales, M. 61: V. Presque lent
—
Valses nobles et sentimentales, M. 61: VI. Assez vif
—
Valses nobles et sentimentales, M. 61: VII. Moins vif
—
Valses nobles et sentimentales, M. 61: VIII. Épilogue. Lent
—
Ma mère I'Oye, M. 62: Prélude
—
Ma mère I'Oye, M. 62: Scene 1: Danse du rouet et scène
—
Ma mère I'Oye, M. 62: Scene 2: Pavane de la Belle au bois dormant
—
Ma mère I'Oye, M. 62: Scene 3: Les Entretiens de la Belle et de la Bête
—
Ma mère I'Oye, M. 62: Scene 4: Petit Poucet
—
Ma mère I'Oye, M. 62: Scene 5: Laideronnette, Impératrice des Pagodes
—
Ma mère I'Oye, M. 62: Apothéose: Le Jardin féerique
—
Boléro, M. 81
—
Daphnis et Chloé, M. 57: Part I. Introduction
—
Daphnis et Chloé, M. 57: Part I. Danse religieuse
—
Daphnis et Chloé, M. 57: Part I. Les jeunes filles attirent Daphnis et l'entourent de leurs danses - Danse générale
—
Daphnis et Chloé, M. 57: Part I. Danse grotesque de Dorcon
—
Daphnis et Chloé, M. 57: Part I. Danse légère et gracieuse de Daphnis
—
Daphnis et Chloé, M. 57: Part I. Lycéion entre et danse
—
Daphnis et Chloé, M. 57: Part I. Nocturne. Danse lente et mystérieuse des Nymphes
—
Daphnis et Chloé, M. 57: Part 2. Introduction
—
Daphnis et Chloé, M. 57: Part 2. Danse guerrière
—
Daphnis et Chloé, M. 57: Part 2. Danse suppliante de Chloé
—
Daphnis et Chloé, M. 57: Part 3. Lever du jour
—
Daphnis et Chloé, M. 57: Part 3. Pantomine. Daphnis et Chloé miment l'aventure de Pan et de Syrinx
—
Daphnis et Chloé, M. 57: Part 3. Danse générale - Danse de Daphnis et Chloé - Danse de Dorcon - Danse finale: Bacchanale
—
Water Music, Suite No. 1 in F major, HWV 348: I. Ouverture. Largo - Allegro
—
Water Music, Suite No. 1 in F major, HWV 348: II. Adagio e staccato
—
Water Music, Suite No. 1 in F major, HWV 348: III. [Allegro]
—
Water Music, Suite No. 1 in F major, HWV 348: IV. Andante
—
Water Music, Suite No. 1 in F major, HWV 348: IV. [Allegro] da capo
—
Water Music, Suite No. 1 in F major, HWV 348: V. [Presto]
—
Water Music, Suite No. 1 in F major, HWV 348: VI. Air
—
Water Music, Suite No. 1 in F major, HWV 348: VIII. Bourrée
—
Water Music, Suite No. 1 in F major, HWV 348: X. [Allegro]
—
Water Music, Suite No. 1 in F major, HWV 348: IX. Hornpipe
—
Water Music, Suite No. 1 in F major, HWV 348: VII. Minuet
—
Water Music, Suite No. 2 in D major HWV 349: XI. [Allegro]
—
Water Music, Suite No. 2 in D major HWV 349: XII. Alla Hornpipe
—
Water Music, Suite No. 3 in G major HWV 350: XVI. [Sarabande]
—
Water Music, Suite No. 3 in G major HWV 350: XVII. Rigaudon
—
Water Music, Suite No. 2 in D major HWV 349: XIV. Lentement
—
Water Music, Suite No. 2 in D major HWV 349: XV. Bourrée
—
Water Music, Suite No. 3 in G major HWV 350: XIX. Minuet
—
Water Music, Suite No. 3 in G major HWV 350: XXII. [Gigue]
—
Water Music, Suite No. 2 in D major HWV 349: XIII. Minuet
—
El sombrero de tres picos: Act I. Introducción
—
El sombrero de tres picos: Act I. Atardecer
—
El sombrero de tres picos: Act I. Danza de la molinera (Fandango)
—
El sombrero de tres picos: Act I. Las uvas
—
El sombrero de tres picos: Act II. Danza de los vecinos (Seguidillas)
—
El sombrero de tres picos: Act II. Danza de molinero (Farruca)
—
El sombrero de tres picos: Act II. Danza del corregidor
—
El sombrero de tres picos: Act II. Danza final (Jota)
—
Amériques
—
Music from the Woody Allen film Manhattan: Rhapsody in Blue
—
Music from the Woody Allen film Manhattan: Land of the Gay Caballero
—
Music from the Woody Allen film Manhattan: Someone to Watch over Me
—
Music from the Woody Allen film Manhattan: I've Got a Crush on You
—
Music from the Woody Allen film Manhattan: Do, Do, Do
—
Music from the Woody Allen film Manhattan: Mine
—
Music from the Woody Allen film Manhattan: He Loves and She Loves
—
Music from the Woody Allen film Manhattan: Bronco Busters
—
Music from the Woody Allen film Manhattan: Oh, Lady Be Good!
—
Music from the Woody Allen film Manhattan: 'S Wonderful
—
Music from the Woody Allen film Manhattan: Love Is Here to Stay
—
Music from the Woody Allen film Manhattan: Sweet and Low-Down
—
Music from the Woody Allen film Manhattan: Blue Blue Blue
—
Music from the Woody Allen film Manhattan: Embraceable You
—
Music from the Woody Allen film Manhattan: He Loves and She Loves
—
Music from the Woody Allen film Manhattan: Love Is Sweeping the Country - Land of the Gay Caballero (Medley)
—
Music from the Woody Allen film Manhattan: Strike Up the Band
—
Music from the Woody Allen film Manhattan: But Not for Me
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: I. Gnomus
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: II. Il vecchio castello
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: III. Tuileries
—
Pictures at an Exhibition: IV. Bidło
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: V. Ballet des poussins dans leurs coques
—
Pictures at an Exhibition: VI. Samuel Goldenberg und Schmuÿle
—
Pictures at an Exhibition: VII. Limoges - Le Marché
—
Pictures at an Exhibition: VIII. Catacombae (Sepulcrum romanum)
—
Pictures at an Exhibition: Cum mortuis in lingua mortua
—
Pictures at an Exhibition: IX. La Cabane sur des pattes de poule (Baba-Yaga)
—
Pictures at an Exhibition: X. La Grande Porte de Kiev
—
La Valse, M. 72
—
Also sprach Zarathustra, Op. 30: Einleitung
—
Also sprach Zarathustra, Op. 30: Von den Hinterweltlern
—
Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht
—
Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften
—
Also sprach Zarathustra, Op. 30: Das Grablied
—
Also sprach Zarathustra, Op. 30: Von der Wissenschaft
—
Also sprach Zarathustra, Op. 30: Der Genesende
—
Also sprach Zarathustra, Op. 30: Ziemlich langsam - Schnell
—
Also sprach Zarathustra, Op. 30: Das Tanzlied
—
Also sprach Zarathustra, Op. 30: Nachtwandlerlied
—
Also sprach Zarathustra, Op. 30: Langsam
—
Ein Heldenleben, Op. 40: Der Held
—
Ein Heldenleben, Op. 40: Des Helden Widersacher
—
Ein Heldenleben, Op. 40: Des Helden Gefährtin
—
Ein Heldenleben, Op. 40: Des Helden Walstatt
—
Ein Heldenleben, Op. 40: Des Helden Friedenswerke
—
Ein Heldenleben, Op. 40: Des Helden Weltflucht und Vollendung
—
Messa da Requiem: I. Requiem & Kyrie
—
Messa da Requiem: II. Dies irae: Dies irae, dies illa
—
Messa da Requiem: II. Tuba mirum spargens sonum
—
Messa da Requiem: II. Liber scriptus proferetur
—
Messa da Requiem: II. Quid sum miser
—
Messa da Requiem: II. Rex tremendae majestatis
—
Messa da Requiem: II. Recordare, Jesu pie
—
Messa da Requiem: II. Ingemisco tamquam reus
—
Messa da Requiem: II. Confutatis maledictis
—
Messa da Requiem: II. Lacrymosa dies illa
—
Messa da Requiem: III. Offertorio
—
Messa da Requiem: IV. Sanctus
—
Messa da Requiem: V. Agnus Dei
—
Messa da Requiem: VI. Lux aeterna
—
Messa da Requiem: VII. Libera me
—
Cello Concerto in B minor, op. 104: I. Allegro
Yo-Yo Ma, New York Philharmonic, Kurt Masur
—
Cello Concerto in B minor, op. 104: II. Adagio, ma non troppo
Yo-Yo Ma, New York Philharmonic, Kurt Masur
—
Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato
Yo-Yo Ma, New York Philharmonic, Kurt Masur
—
Additional database matches (12)
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
Symphony no. 82 in C major "The Bear": IV. Finale. Vivace
New York Philharmonic, Leonard Bernstein
—
Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato
Yo-Yo Ma, New York Philharmonic, Kurt Masur
—
Symphony no. 83 in G minor "The Hen": III. Menuetto. Allegretto, Trio
New York Philharmonic, Leonard Bernstein
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.244.926-2T-010.433.771-4T-010.433.969-6T-010.433.984-5T-010.436.010-2T-010.446.677-4T-010.770.254-4T-011.615.052-7T-031.895.671-6T-070.000.199-5
+56 more
T-070.000.199-5T-070.012.886-4T-070.026.812-7T-070.039.179-2T-070.049.355-5T-070.097.321-2T-070.109.406-5T-070.126.537-3T-070.136.682-6T-070.138.064-4T-070.907.749-5T-304.210.691-8T-800.365.038-3T-800.365.157-9T-800.366.772-0T-801.164.092-0T-802.016.992-1T-802.704.407-2T-900.080.887-7T-900.304.378-5T-900.755.970-8T-900.758.634-7T-900.761.881-7T-901.103.868-9T-901.122.331-7T-901.134.571-4T-903.288.559-9T-911.510.772-7T-911.898.408-0T-913.145.476-7T-916.846.893-7T-926.360.287-5T-000.769.449-6T-003.506.743-6T-070.001.144-4T-070.113.892-2T-070.136.739-6T-070.139.164-1T-070.209.193-7T-070.257.887-7T-073.071.144-0T-101.257.909-6T-301.972.539-0T-305.157.600-8T-306.395.786-4T-306.482.271-1T-307.278.690-0T-312.207.757-6T-312.527.003-9T-318.843.156-9T-802.445.410-3T-902.286.256-2T-902.774.400-9T-910.256.702-2T-913.828.907-3T-928.635.589-3
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000035017840000000007348086000000004292382400000000551519900000000055160328000000005519603X0000000059374155000000006637349200000000736633080000000073666410
+40 more
0000000077356487000000008089385700000000808939100000000081062772000000008108978000000000817696980000000081855369000000008190699800000000836245990000000083930350000000008414993700000000844609950000000108587502000000010877007500000001089644000000000109107187000000010912747900000001096159070000000110292324000000011051648X00000001108524670000000114267388000000011471979400000001149469380000000115072304000000011606256200000001183358270000000118821788000000012023422400000001212242980000000121247385000000012146879400000001219821950000000122841423000000036312725500000003685523490000000368556358000000036857339300000003685826010000000373902438
SourcesMusicBrainzDiscogs2 sources
Verified on
Identifier Graph
People also ask
What is UPC 889853363629?
889853363629 is a Universal Product Code (UPC) assigned to 175th Anniversary Edition by New York Philharmonic. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 708 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm